Ran 1985 Quotes

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Ran “Inchon”—it is a brutal but gripping picture about the Korean War and for once we’re the good guys & the Communists are the villains. The producer was Japanese or Korean which probably explains the preceding sentence.
Ronald Reagan (Reagan Diaries Volume 1: January 1981-October 1985)
The audience-- the book's actual cast-- quickly realized what had happened. The reason the movie dropped everything that made the novel real was because there was no way the parents who ran the studio would ever expose their children in the same black light the book did. The movie was begging for our sympathy whereas the book didn't give a shit. And attitudes about drugs and sex had shifted quickly from 1985 to 1987 (and a regime change at the studio didn't help) so the source material-- surprisingly conservative despite its surface immorality-- had to be reshaped.
Bret Easton Ellis (Imperial Bedrooms)
put it up for sale at an asking price of $25 million. I first looked at Mar-a-Lago while vacationing in Palm Beach in 1982. Almost immediately I put in a bid of $15 million, and it was promptly rejected. Over the next few years, the foundation signed contracts with several other buyers at higher prices than I’d offered, only to have them fall through before closing. Each time that happened, I put in another bid, but always at a lower sum than before. Finally, in late 1985, I put in a cash offer of $5 million, plus another $3 million for the furnishings in the house. Apparently, the foundation was tired of broken deals. They accepted my offer, and we closed one month later. The day the deal was announced, the Palm Beach Daily News ran a huge front-page story with the headline MAR-A-LAGO’S BARGAIN PRICE ROCKS COMMUNITY. Soon, several far more modest estates on property a fraction of Mar-a-Lago’s size sold for prices in excess of $18 million. I’ve been told that the furnishings in Mar-a-Lago alone are worth more than I paid for the house. It just goes to show that it pays to move quickly and decisively when the time is right. Upkeep
Donald J. Trump (Trump: The Art of the Deal)
The Caitlin books, which ran as a set of three trilogies (Loving, Promises, and Forever) published between 1985 and 1988, chart a decade or so in the life of the beautiful, terrible poor little rich girl as she repeatedly breaks up and makes up with her first love, Montana-based hunk Jed (Jed!), rides many horses, drives many luxury cars, is emotionally neglected by her family, accidentally lets an elementary schooler eat poison (it’s okay, he survives, everyone calm down!), gets trapped in a mine, reconnects with her long-lost father, goes to college, is forced against her will to become a successful model, gets trapped in a barn fire, is forced against her will to become the head of a successful mining company, and is the subject of numerous unsuccessful plots by evil men who wish to “ruin” her.
Gabrielle Moss (Paperback Crush: The Totally Radical History of '80s and '90s Teen Fiction)
After the Flood(1957) … with a boat made from a sheet of newspaper floating down a gutter swollen with rain… A small boy in a yellow slicker and red galoshes ran cheerfully along beside the newspaper boat…the boy in the yellow slicker was George Denbrough…. After the Flood(1985) A kid in a red rain slicker and green rubber boots was sailing a paper boat along the brisk run of water in the gutter.
Stephen King (It)
Blood pressure check!” The doorknob rattled, as if the nurse were intending just to walk in, but the lock held, thank God. The nurse knocked again. “Oh, shit,” Gina breathed, laughing as she scrambled off of him. She reached to remove the condom they’d just used, encountered . . . him, and met his eyes. But then she scooped her clothes off the floor and ran into the bathroom. “Mr. Bhagat?” The nurse knocked on the door again. Even louder this time. “Are you all right?” Oh, shit, indeed. “Come in,” Max called as he pulled up the blanket and leaned on the button that put his bed back up into a sitting position. The same control device had a “call nurse” button as well as the clearly marked one that would unlock the door. “It’s locked,” the nurse called back, as well he knew. “Oh, I’m sorry,” he said, as he wiped off his face with the edge of the sheet. Sweat much in bed, all alone, Mr. Bhagat? “I must’ve . . . Here, let me figure out how to . . .” He took an extra second to smooth his hair, his pajama top, and then, praying that the nurse had a cold and couldn’t smell the scent of sex that lingered in the air, he hit the release. “Please don’t lock your door during the day,” the woman scolded him as she came into the room, around to the side of his bed. It was Debra Forsythe, a woman around his age, whom Max had met briefly at his check-in. She had been on her way home to deal with some crisis with her kids, and hadn’t been happy then, either. “And not at night either,” she added, “until you’ve been here a few days.” “Sorry.” He gave her an apologetic smile, hanging on to it as the woman gazed at him through narrowed eyes. She didn’t say anything, she just wrapped the blood pressure cuff around his arm, and pumped it a little too full of air—ow—as Gina opened the bathroom door. “Did I hear someone at the door?” she asked brightly. “Oh, hi. Debbie, right?” “Debra.” She glanced at Gina, and then back, her disgust for Max apparent in the tightness of her lips. But then she focused on the gauge, stethoscope to his arm. Gina came out into the room, crossing around behind the nurse, making a face at him that meant . . .? Max sent her a questioning look, and she flashed him. She just lifted her skirt and gave him a quick but total eyeful. Which meant . . . Ah, Christ. The nurse turned to glare at Gina, who quickly straightened up from searching the floor. What was it with him and missing underwear? Gina smiled sweetly. “His blood pressure should be nice and low. He’s very relaxed—he just had a massage.” “You know, I didn’t peg you for a troublemaker when you checked in yesterday,” Debra said to Max, as she wrote his numbers on the chart. Gina was back to scanning the floor, but again, she straightened up innocently when the nurse turned toward her. “I think you’re probably looking for this.” Debra leaned over and . . . Gina’s panties dangled off the edge of her pen. They’d been on the floor, right at the woman’s sensibly clad feet. “Oops,” Gina said. Max could tell that she was mortified, but only because he knew her so well. She forced an even sunnier smile, and attempted to explain. “It was just . . . he was in the hospital for so long and . . .” “And men have needs,” Debra droned, clearly unmoved. “Believe me, I’ve heard it all before.” “No, actually,” Gina said, still trying to turn this into something they could all laugh about, “I have needs.” But it was obvious that this nurse hadn’t laughed since 1985. “Then maybe you should find someone your own age to play with. A professional hockey player just arrived. He’s in the east wing. Second floor.” She lowered her voice conspiratorially. “Lots of money. Just your type, I’m sure.” “Excuse me?” Gina wasn’t going to let one go past. She may not have been wearing any panties, but her Long Island attitude now waved around her like a superhero’s cape. She even assumed the battle position, hands on her hips.
Suzanne Brockmann (Breaking Point (Troubleshooters, #9))
He was successful where it counted, at the box office and record stores. He was one of the most ardent bond salesmen on the air during the war years, making an estimated 1,000 appearances at camps, hospitals, and other bond-raising functions. Kyser married one of his singers, Georgia Carroll, in 1944. A TV version of his Kollege ran on NBC in 1949–50, and another in 1954: neither approached the success of the radio show. He disbanded soon thereafter, retiring to North Carolina with his family. There he lived a private life, gave no interviews, and refused to discuss the old days even with friends. He became manager of the film and broadcasting department of the Christian Science Church, to which he gave much of his time in later life. He died June 23, 1985.
John Dunning (On the Air: The Encyclopedia of Old-Time Radio)