Natural Hot Springs Quotes

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One sort of optional thing you might do is to realize there are six seasons instead of four. The poetry of four seasons is all wrong for this part of the planet, and this may explain why we are so depressed so much of the time. I mean, Spring doesn’t feel like Spring a lot of the time, and November is all wrong for Fall and so on. Here is the truth about the seasons: Spring is May and June! What could be springier than May and June? Summer is July and August. Really hot, right? Autumn is September and October. See the pumpkins? Smell those burning leaves. Next comes the season called “Locking.” That is when Nature shuts everything down. November and December aren’t Winter. They’re Locking. Next comes Winter, January and February. Boy! Are they ever cold! What comes next? Not Spring. Unlocking comes next. What else could April be?
Kurt Vonnegut Jr. (If This Isn't Nice, What Is?: Advice for the Young)
If you’ve managed to keep a creature in your fridge for longer than most Americans remain married, you probably know a thing or two about it. Tardigrades are found on every continent and at nearly all elevations: in deep-sea trenches, burbling hot springs, forest canopies, and desert dunes.
Kristy Hamilton (Nature's Wild Ideas: How the Natural World is Inspiring Scientific Innovation)
When a man loves a woman she begins to shine with love and fulfillment. Most men naïvely expect that shine to last forever. But to expect her loving nature to be constant is like expecting the weather never to change and the sun to shine all the time. Life is filled with rhythms—day and night, hot and cold, summer and winter, spring and fall, cloudy and clear. Likewise in a relationship, men and women have their own rhythms and cycles. Men pull back and then get close, while women rise and fall in their ability to love themselves and others.
John Gray (Men Are from Mars, Women Are from Venus: The Classic Guide to Understanding the Opposite Sex)
Work. Work doesn't fit any season. In the winter its too cold, in the spring too alive, the summer too hot and fall is too nostalgic for work. Work is not natural and should be banned.
Martijn Benders
THOSE BORN UNDER Pacific Northwest skies are like daffodils: they can achieve beauty only after a long, cold sulk in the rain. Henry, our mother, and I were Pacific Northwest babies. At the first patter of raindrops on the roof, a comfortable melancholy settled over the house. The three of us spent dark, wet days wrapped in old quilts, sitting and sighing at the watery sky. Viviane, with her acute gift for smell, could close her eyes and know the season just by the smell of the rain. Summer rain smelled like newly clipped grass, like mouths stained red with berry juice — blueberries, raspberries, blackberries. It smelled like late nights spent pointing constellations out from their starry guises, freshly washed laundry drying outside on the line, like barbecues and stolen kisses in a 1932 Ford Coupe. The first of the many autumn rains smelled smoky, like a doused campsite fire, as if the ground itself had been aflame during those hot summer months. It smelled like burnt piles of collected leaves, the cough of a newly revived chimney, roasted chestnuts, the scent of a man’s hands after hours spent in a woodshop. Fall rain was not Viviane’s favorite. Rain in the winter smelled simply like ice, the cold air burning the tips of ears, cheeks, and eyelashes. Winter rain was for hiding in quilts and blankets, for tying woolen scarves around noses and mouths — the moisture of rasping breaths stinging chapped lips. The first bout of warm spring rain caused normally respectable women to pull off their stockings and run through muddy puddles alongside their children. Viviane was convinced it was due to the way the rain smelled: like the earth, tulip bulbs, and dahlia roots. It smelled like the mud along a riverbed, like if she opened her mouth wide enough, she could taste the minerals in the air. Viviane could feel the heat of the rain against her fingers when she pressed her hand to the ground after a storm. But in 1959, the year Henry and I turned fifteen, those warm spring rains never arrived. March came and went without a single drop falling from the sky. The air that month smelled dry and flat. Viviane would wake up in the morning unsure of where she was or what she should be doing. Did the wash need to be hung on the line? Was there firewood to be brought in from the woodshed and stacked on the back porch? Even nature seemed confused. When the rains didn’t appear, the daffodil bulbs dried to dust in their beds of mulch and soil. The trees remained leafless, and the squirrels, without acorns to feed on and with nests to build, ran in confused circles below the bare limbs. The only person who seemed unfazed by the disappearance of the rain was my grandmother. Emilienne was not a Pacific Northwest baby nor a daffodil. Emilienne was more like a petunia. She needed the water but could do without the puddles and wet feet. She didn’t have any desire to ponder the gray skies. She found all the rain to be a bit of an inconvenience, to be honest.
Leslye Walton (The Strange and Beautiful Sorrows of Ava Lavender)
We have plenty of natural springs in our area. The cool springs have the sweetest water you'll ever taste - hence the name of our town. And it's never too cold for a Montanan to sit in a natural hot spring, even if it means your wet hair turns into icicles." Her hand rose to cover her mouth, and her eyes widened. He laughed at her shocked expression. Pamela lowered her hand. "Hot springs outdoors? In the winter?" "Hot springs feel down right good to soak in anytime, especially when the air's cold outside. The hot water soothes sore muscles and is good for what ails you. But I also have a river through my property. I've dammed up a spot that makes for a nice swimming hole when it's hot in the summer." A blush rose in her cheeks, and she glanced to the side. "Very refreshing," he teased, just to watch the pink deepen.... Pamela couldn't help the dreamy vision of bathing with him in a hot spring, touching each other as the snowflakes swirled around them. She let out a sigh. So romantic.
Debra Holland (Beneath Montana's Sky (Mail-Order Brides of the West, #0.5; Montana Sky, #0.5))
A Day Away We often think that our affairs, great or small, must be tended continuously and in detail, or our world will disintegrate, and we will lose our places in the universe. That is not true, or if it is true, then our situations were so temporary that they would have collapsed anyway. Once a year or so I give myself a day away. On the eve of my day of absence, I begin to unwrap the bonds which hold me in harness. I inform housemates, my family and close friends that I will not be reachable for twenty-four hours; then I disengage the telephone. I turn the radio dial to an all-music station, preferably one which plays the soothing golden oldies. I sit for at least an hour in a very hot tub; then I lay out my clothes in preparation for my morning escape, and knowing that nothing will disturb me, I sleep the sleep of the just. On the morning I wake naturally, for I will have set no clock, nor informed my body timepiece when it should alarm. I dress in comfortable shoes and casual clothes and leave my house going no place. If I am living in a city, I wander streets, window-shop, or gaze at buildings. I enter and leave public parks, libraries, the lobbies of skyscrapers, and movie houses. I stay in no place for very long. On the getaway day I try for amnesia. I do not want to know my name, where I live, or how many dire responsibilities rest on my shoulders. I detest encountering even the closest friend, for then I am reminded of who I am, and the circumstances of my life, which I want to forget for a while. Every person needs to take one day away. A day in which one consciously separates the past from the future. Jobs, lovers, family, employers, and friends can exist one day without any one of us, and if our egos permit us to confess, they could exist eternally in our absence. Each person deserves a day away in which no problems are confronted, no solutions searched for. Each of us needs to withdraw from the cares which will not withdraw from us. We need hours of aimless wandering or spates of time sitting on park benches, observing the mysterious world of ants and the canopy of treetops. If we step away for a time, we are not, as many may think and some will accuse, being irresponsible, but rather we are preparing ourselves to more ably perform our duties and discharge our obligations. When I return home, I am always surprised to find some questions I sought to evade had been answered and some entanglements I had hoped to flee had become unraveled in my absence. A day away acts as a spring tonic. It can dispel rancor, transform indecision, and renew the spirit.
Maya Angelou (Wouldn't Take Nothing for My Journey Now)
It is spring 2007, and the block-long security lines into the Smithsonian Institution’s National Museum of American History (NMAH) are missing now while it is closed for renovation. The once controversial and “technically superb” exhibition Science in American Life is due to be phased out. The hot new museum exhibit is at the National Museum of Natural History’s (NMNH) Kenneth E. Behring Hall of Mammals. There, entering this multimedia, multisensory immersive installation, we are invited to a “Mammal Family Reunion—Come meet your relatives!”—in a savvy response to antievolution religious activism.
Katie King (Networked Reenactments: Stories Transdisciplinary Knowledges Tell)
If you have ever come upon a grove that is thick with ancient trees rising far above their usual height and blocking the view of the sky with their cover of intertwining branches, the loftiness of the forest, the seclusion of the spot, and your wonder at the unbroken shade in the midst of open space will create in you a sense of the divine (numen). Or, if a cave made by the deep erosion of rocks supports a mountain with its arch, a place not made by hands but hollowed out by natural causes into spaciousness, then your mind will be aroused by a feeling of religious awe (religio). We venerate the sources of mighty rivers, we build an altar where a great stream suddenly bursts forth from a hidden source, we worship hot springs, and we deem lakes sacred because of their darkness or immeasurable depth. (Seneca the Younger, Letters 41.3)
Valerie M. Warrior (Roman Religion (Cambridge Introduction to Roman Civilization))
And the heat was a medium which made this change of out-look possible. As a liberating power with its own laws it was outside my experience. In the heat, the commonest objects changed their nature. Walls, trees, the very ground one trod on, instead of being cool were warm to the touch: and the sense of touch is the most transfiguring of all the senses. Many things to eat and drink, which one had enjoyed because they were hot, one now shunned for the same reason. Unless restrained by ice, the butter melted. Besides altering or intensifying all smells the heat had a smell of its own - a garden smell, I called it to myself, compounded of the scents of many flowers, and odours loosened from the earth, but with something peculiar to itself which defied analysis. Sounds were fewer and seemed to come from far away, as if Nature grudged the effort. In the heat the senses, the mind, the heart, the body, all told a different tale. One felt another person, one was another person.
L.P. Hartley (The Go-Between)
Land and Sea The brilliant colors are the first thing that strike a visitor to the Greek Isles. From the stunning azure waters and blindingly white houses to the deep green-black of cypresses and the sky-blue domes of a thousand churches, saturated hues dominate the landscape. A strong, constant sun brings out all of nature’s colors with great intensity. Basking in sunshine, the Greek Isles enjoy a year-round temperate climate. Lemons grow to the size of grapefruits and grapes hang in heavy clusters from the vines of arbors that shade tables outside the tavernas. The silver leaves of olive trees shiver in the least sea breezes. The Greek Isles boast some of the most spectacular and diverse geography on Earth. From natural hot springs to arcs of soft-sand beaches and secret valleys, the scenery is characterized by dramatic beauty. Volcanic formations send craggy cliffsides plummeting to the sea, cause lone rock formations to emerge from blue waters, and carve beaches of black pebbles. In the Valley of the Butterflies on Rhodes, thousands of radiant winged creatures blanket the sky in summer. Crete’s Samaria Gorge is the longest in Europe, a magnificent natural wonder rife with local flora and fauna. Corfu bursts with lush greenery and wildflowers, nurtured by heavy rainfall and a sultry sun. The mountain ranges, gorges, and riverbeds on Andros recall the mainland more than the islands. Both golden beaches and rocky countrysides make Mykonos distinctive. Around Mount Olympus, in central Cyprus, timeless villages emerge from the morning mist of craggy peaks and scrub vegetation. On Evia and Ikaria, natural hot springs draw those seeking the therapeutic power of healing waters. Caves abound in the Greek Isles; there are some three thousand on Crete alone. The Minoans gathered to worship their gods in the shallow caves that pepper the remotest hilltops and mountain ranges. A cave near the town of Amnissos, a shrine to Eileithyia, goddess of childbirth, once revealed a treasure trove of small idols dedicated to her. Some caves were later transformed into monasteries. On the islands of Halki and Cyprus, wall paintings on the interiors of such natural monasteries survive from the Middle Ages. Above ground, trees and other flora abound on the islands in a stunning variety. ON Crete, a veritable forest of palm trees shades the beaches at Vai and Preveli, while the high, desolate plateaus of the interior gleam in the sunlight. Forest meets sea on the island of Poros, and on Thasos, many species of pine coexist. Cedars, cypress, oak, and chestnut trees blanket the mountainous interiors of Crete, Cyprus, and other large islands. Rhodes overflows with wildflowers during the summer months. Even a single island can be home to disparate natural wonders. Amorgos’ steep, rocky coastline gives way to tranquil bays. The scenery of Crete--the largest of the Greek Isles--ranges from majestic mountains and barren plateaus to expansive coves, fertile valleys, and wooded thickets.
Laura Brooks (Greek Isles (Timeless Places))
In broad terms, the Second Law asserts that things get worse. A bit more specifically, it acknowledges that matter and energy tend to disperse in disorder. Left to itself, matter crumbles and energy spreads. The chaotic motion of molecules of a gas results in them spreading through the container the gas occupies. The vigorous jostling of atoms in a hot lump of metal jostles the atoms in its cooler surroundings, the energy spreads away, and the metal cools. That’s all there is to natural change: spreading in disorder. The astonishing thing, though, is that this natural spreading can result in the emergence of exquisite form. If the spreading is captured in an engine, then bricks may be hoisted to build a cathedral. If the spreading occurs in a seed, then molecules may be hoisted to build an orchid. If the spreading occurs in your body, then random electrical and molecular currents in your brain may be organized into an opinion. The spreading of matter and energy is the root of all change. Wherever change occurs, be it corrosion, corruption, growth, decay, flowering, artistic creation, exquisite creation, understanding, reproduction, cancer, fun, accident, quiet or boisterous enjoyment, travel, or just simple pointless motion it is an outward manifestation of this inner spring, the purposeless spreading of matter and energy in ever greater disorder. Like it or not, purposeless decay into disorder is the spring of all change, even when that change is exquisite or results in seemingly purposeful action.
Peter Atkins (On Being: A Scientist's Exploration of the Great Questions of Existence)
4/20, CANNABIS DAY, APRIL 20 420 FARMERS’ MARKET RISOTTO Recipe from Chef Herb Celebrate the bounty of a new growing season with a dish that’s perfectly in season on April 20. Better known as 4/20, the once unremarkable date has slowly evolved into a new high holiday, set aside by stoners of all stripes to celebrate the herb among like-minded friends. The celebration’s origins are humble in nature: It was simply the time of day when four friends (dubbed “The Waldos”) met to share a joint each day in San Rafael, California. Little did they know that they were beginning a new ceremony that would unite potheads worldwide! Every day at 4:20 p.m., you can light up a joint in solidarity with other pot-lovers in your time zone. It’s a tradition that has caught on, and today, there are huge 4/20 parties and festivals in many cities, including famous gatherings of students in Boulder and Santa Cruz. An Italian rice stew, risotto is dense, rich, and intensely satisfying—perfect cannabis comfort cuisine. This risotto uses the freshest spring ingredients for a variation in texture and bright colors that stimulate the senses. Visit your local farmers’ market around April 20, when the bounty of tender new vegetables is beginning to be harvested after the long, dreary winter. As for tracking down the secret ingredient, you’ll have to find another kind of farmer entirely. STONES 4 4 tablespoons THC olive oil (see recipe) 1 medium leek, white part only, cleaned and finely chopped ½ cup sliced mushrooms 1 small carrot, grated ½ cup sugar snap peas, ends trimmed ½ cup asparagus spears, woody ends removed, cut into 1-inch-long pieces Freshly ground pepper 3½ cups low-sodium chicken broth ¼ cup California dry white wine Olive oil cooking spray 1 cup arborio rice 1 tablespoon minced fresh flat-leaf parsley ¼ cup freshly grated Parmesan cheese Salt 1. In a nonstick skillet, heat 2 tablespoons of the THC olive oil over medium-low heat. Add leek and sauté until wilted, about 5 minutes. Stir in mushrooms and continue to cook, stirring, for 2 minutes. Add carrot, sugar snap peas, and asparagus. Continue to cook, stirring, for another minute. Remove from heat, season with pepper, and set aside. 2. In a medium saucepan over high heat, bring broth and wine to a boil. Reduce heat and keep broth mixture at a slow simmer. 3. In a large pot that has been lightly coated with cooking spray, heat the remaining 2 tablespoons THC olive oil over medium heat. Add rice and stir well until all the grains of rice are coated. Pour in ½ cup of the hot broth and stir, using a wooden spoon, until all liquid is absorbed. Continue adding the broth ½ cup at a time, making sure the rice has absorbed the broth before adding more, reserving ¼ cup of broth for the vegetables. 4. Combine ¼ cup of the broth with the reserved vegetables. Once all broth has been added to the risotto and absorbed, add the vegetable mixture and continue to cook over low heat for 2 minutes. Rice should have a very creamy consistency. Remove from heat and stir in parsley, Parmesan, and salt to taste. Stir well to combine.
Elise McDonough (The Official High Times Cannabis Cookbook: More Than 50 Irresistible Recipes That Will Get You High)
There is overwhelming evidence that most of the tribes that used the Yellowstone area (especially the hot springs and geyser basins) saw it as a place of spiritual power, of communion with natural forces, a place that inspired reverence.42 For all the other things that modern society might learn from the American Indian experience, and for all the things that went wrong, even near Yellowstone, in the dealings between Euramericans and Indians, there is this one remarkable reality that binds us together. The magic and power of this place transcend culture; it is a compelling wonder not for just one society but for all humans, whatever their origin.
Paul Schullery (Searching for Yellowstone: Ecology and Wonder in the Last Wilderness)
A witch honors all that is sacred: from natural wonders, such as caves and hot springs, to ancient monuments, such as the pyramids of Giza or the Oracle of Delphi, and countless other examples. But what is sacred above all else for the witch is the home. It is your temple, your laboratory, and your sanctuary.
Mystic Dylan (Witchcraft for the Home: Spells, Rituals & Remedies for a Magical Dwelling)
It is! “It is evolution,” the garden cried, “It is revolution,” the nature sighed, “It is diabolically dark,” the night feared, “It is unbearably hot,” the Sun cried, but no one cared, “It is a leafless and lifeless spring,” the seasons implored, “It is polluting me,” the river sobbed, but it was ignored, “It is no longer blue, my hue,” the sky admitted, “It is I who supports you and it is me who is being resented,” “It is no longer cold,” screamed the north pole, “It is from me that you all my bounties stole,” “It is no more like the sea it used to be, It is no more the water where we felt at home,” said the fish swimming in the dying sea, “It is not what it had to be, It is not where humanity had to be, It is so unfortunately, and this is how it is now, It is the new reality: the dying sea, the dark sky, the burning sun, and in it all of us now, It is the question for all of us though, where shall we go without them? It is not about either us or either them, It is more about what is right and what is true, And it is a fact, the sky is dark and diabolically blue!” Said I, to whoever was listening, Alas, they were busy pleasing the moments of life, filled with callous hastening!
Javid Ahmad Tak (They Loved in 2075!)
Silvanus followed the Roman army in its conquests and by virtue of his wild (or rustic and silvicultural) nature he assimilated the local spirits and even the gods. We know, for example, that he was integrated with Sucellus, the god of the mallet. He did not banish the indigenous deities but coexisted with them, which is often indicated in the label affixed to him and which connects him to a specific place. We find a Silvanus Poeninus in Tirnovo (Bulgaria), a Silvanus Cocidius near Hadrian’s Wall in Britain, and a Silvanus Sinquatis in Géromont (Belgium). In Spain we see a Silvanus Caldouelicos who guards hot springs.
Claude Lecouteux (Demons and Spirits of the Land: Ancestral Lore and Practices)
There are halibut as big as doors in the ocean down below the town, flapskimming on the murky ocean floor with vast skates and rays and purple crabs and black cod large as logs, and sea lions slashing through the whip-forests of bull kelp and eelgrass and sugar wrack, and seals in the rockweed and giant perennial kelp and iridescent kelp and iridescent fish and luminous shrimp too small to see with the naked eye but billions of which feed the gray whales which slide hugely slowly by like rubbery zeppelins twice a year, north in spring and south in fall. Salmonberries, thimbleberries, black raspberries, gooseberries, bearberries, snowberries, salal berries, elderberries, blackberries along the road and by the seasonal salt marshes north and south. The ground squirrels burrow along the dirt banks of the back roads, their warren of mysterious holes, the thick scatter of fine brown soil before their doorsteps, the flash of silver-gray on their back fur as they rocket into the bushes; the bucks and does and fawns in the road in the morning, their springy step as they slip away from the gardens they have been eating; the bobcat seen once, at dusk, its haunches jacked up like a teenager's hot-rodding car; the rumor of cougar in the hills; the coyotes who use the old fire road in the hills; the tiny mice and bats one sometimes finds long dead and leathery like ancient brown paper; the little frenetic testy chittering skittering cheeky testy chickaree squirrels in the spruces and pines - Douglas squirrels, they are, their very name remembering that young gentleman botanist who wandered near these hills centuries ago. The herons in marshes and sinks and creeks and streams and on the beach sometimes at dusk; and the cormorants and pelicans and sea scoters and murres (poor things so often dead young on the beach after the late-spring fledging) and jays and crows and quorking haunted ravens (moaning Poe! Poe! at dusk) especially over the wooded hills, and the goldfinches mobbing thistles in the meadowed hills, and sometimes a falcon rocketing by like a gleeful murderous dream, and osprey of all sizes all along the Mink like an osprey police lineup, and the herring gulls and Caspian terns and arctic terns, and the varied thrushes in wet corners of thickets, and the ruffed grouse in the spruce by the road, and the quail sometimes, and red-tailed hawks floating floating floating; from below they look like kites soaring brownly against the piercing blue sky, which itself is a vast creature bluer by the month as summer deepens into crispy cold fall.
Brian Doyle (Mink River: A Novel)
On our way back to Los Angeles, we drove down through Grapevine Canyon on the northern end of Death Valley. This is where Scotty’s Castle is located, with its cooling system and power provided by an underground spring. Everything was so different from anything I had known back East, and very interesting. We continued through Death Valley, with water bags hanging from the car’s front bumper and a water cooler tightly clamped into a window on the passenger side. There were no rest areas in the desert, so we had to make stops alongside the road. Out in the open, in the middle of the day, this was the way to get back to nature! We hadn’t seen a car in hours, so there was no problem regarding modesty. In those days, cars were not as reliable as now. Driving through Death Valley at high noon in the middle of summer wasn’t the brightest idea, but it was an adventure! It was so hot that I watched my urine sizzle and instantly evaporate off the pavement of Badwater Road, which runs the length of the valley. At Stovepipe Wells we turned west on SR 190, heading towards Keeler and Dolomite. On this stretch of road we could look ahead and see Mount Whitney with its summit being 14,505 feet above sea level. It was exciting to see the highest mountain in front of us and look back to the lowest point in the United States at 282 feet below sea level. At that time, Alaska and Hawaii were not yet in the Union. Now Mount McKinley in Alaska tops Mount Whitney by 5,732 feet, being 20,237 feet high.
Hank Bracker
The strangeness of the situation... the baleful goose, Matthew Swift waterlogged and dressed in his shirtsleeves... caused an irrepressible giggle to rise to Daisy's lips. Hastily she clapped her hand over her mouth, but it came out anyway. He shook his head, while an answering smile broke out on his face. Daisy noticed that his smiles never lasted for long, they vanished as quickly as they appeared. It was like catching sight of some rare natural phenomenon, like a shooting star, brief and striking. "If you tell anyone about this, you little imp... you'll pay." The words were threatening, but something in his tone... an erotic softness... sent a hot-and-cold chill down her spine.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
These islands form a backdrop for a culture that transcends time. Life follows its own rhythm on these gems of the sea that spread east from the Greek mainland. For eons, the artisans of the region have crafted beautiful objects of marble, bronze, and wood. For centuries, mules have transported people and goods from bustling port towns to the traditional villages that dot the hillsides. Ancient windmills--perched above glistening harbors like stalwart sentries--have harnessed the power of the air to process grain for as long as anyone can remember. Every day for thousands of years, fishermen have launched their boats in search of those fruits of the sea so lavishly displayed in seaside markets. Islanders have flocked to natural hot springs to bask in their healing waters since before the time of Aristotle. And since long before that, shrines to the gods have lured pilgrims and worshipers from near and far.
Laura Brooks (Greek Isles (Timeless Places))
On Being Human" Angelic minds, they say, by simple intelligence Behold the Forms of nature. They discern Unerringly the Archtypes, all the verities Which mortals lack or indirectly learn. Transparent in primordial truth, unvarying, Pure Earthness and right Stonehood from their clear, High eminence are seen; unveiled, the seminal Huge Principles appear. The Tree-ness of the tree they know-the meaning of Arboreal life, how from earth's salty lap The solar beam uplifts it; all the holiness Enacted by leaves' fall and rising sap; But never an angel knows the knife-edged severance Of sun from shadow where the trees begin, The blessed cool at every pore caressing us -An angel has no skin. They see the Form of Air; but mortals breathing it Drink the whole summer down into the breast. The lavish pinks, the field new-mown, the ravishing Sea-smells, the wood-fire smoke that whispers Rest. The tremor on the rippled pool of memory That from each smell in widening circles goes, The pleasure and the pang --can angels measure it? An angel has no nose. The nourishing of life, and how it flourishes On death, and why, they utterly know; but not The hill-born, earthy spring, the dark cold bilberries. The ripe peach from the southern wall still hot Full-bellied tankards foamy-topped, the delicate Half-lyric lamb, a new loaf's billowy curves, Nor porridge, nor the tingling taste of oranges. —An angel has no nerves. Far richer they! I know the senses' witchery Guards us like air, from heavens too big to see; Imminent death to man that barb'd sublimity And dazzling edge of beauty unsheathed would be. Yet here, within this tiny, charmed interior, This parlour of the brain, their Maker shares With living men some secrets in a privacy Forever ours, not theirs.
C.S. Lewis
Deanna was up and out of her chair like it was spring-loaded.Thankfully, Lucky had excellent reflexes. It also didn’t hurt that he’d already been anticipating her quick departure, so he was right behind her. As soon as they made it outside, her phone buzzed in her purse. She pulled it out and said, “Shit!” “Everything okay?” he asked. Apparently, she hadn’t realized he was hot on her tail, because she screamed and threw her arms up in the air, sending her phone flying. Thanks to his aforementioned great reflexes, he caught it in midair. Gripping her chest, she asked, wild-eyed, “What are you doing?” “I want to talk to you.” “I don’t want to talk to you,” her response was so fast, it felt like it’d been rehearsed. Maybe it had. Maybe she’d planned on saying that if he ever showed interest in having a conversation with her. Handing her phone back, he ignored her protest and repeated, “Everything okay?” Looking flustered, Deanna replied, “I just… I forgot that Eli is my ride.” “I’ll take you home,” Lucky offered. Pulling her head back, she scoffed. “What? No. Thanks, but no. I’ll walk.” Then she turned on her heel and started hightailing out of the parking lot. In two strides, he was beside her. “What are you doing?” Deanna asked, which was becoming a running theme in their relationship. Lucky smiled. “Walking you home.” “Thanks, but I’m fine. This is Hope Falls.” She dramatically stretched her arms out. “Seriously, I can take care of myself.” “Really?” He continued walking beside her. “Yes, really.” Her feet moved faster. “Like you did back there when you screamed and threw your phone in the air?” Stopping, she spun towards him and crossed her arms. She was mad—or, at the very least, irritated—so he tried not to let the fact that she looked cuter than anything he’d ever seen in his life show on his face. “I didn’t know you were there,” she said in a defiant explanation. He knew that he might just piss her off more, but that didn’t stop him from saying, “Oh, right. And I guess most attackers announce their presence. Give you plenty of time to prepare your retaliation.” Taking a deep breath, she tried to calm down. Or stay mad. He couldn’t really tell, but he was enjoying the show. Between her arms pushing her breasts up so they were spilling over her revealing neckline, and the motion of her chest rising and falling, he could’ve stood there and watched her breathe all night and not get bored. “Look, this is a safe town. I’ve studied self-defense, and I was just distracted.” “Okay,” he agreed. She narrowed her gaze as if she didn’t accept his easy answer. “Okay?” Shrugging casually, he repeated, “Okay.” Nodding, she smoothed her hands over her dress and started walking again. So, naturally, he followed. “You said okay!” she exclaimed indignantly as she once again stopped. “Yes, I did. Just because I agreed with the points you made doesn’t mean I’m going to let you walk home alone.” He grinned, trying to disguise the fact that she was so damn adorable when flustered from irritation.
Melanie Shawn
She’d hoped to outlive tears, move beyond them to an arid landscape where they never flowed. Yet here they came; hot, sliding down to her chin, restricting her breath. Had they been lurking there all along, just waiting to thaw? ‘I wanted, more than anything, to tell you that this is a positive development. Naturally, it does not feel so – it is forcing you to face a world of distress. Yet you are facing it, Mrs Bainbridge. You have had strength enough to recall these unnatural abuses of your trust. I know you will also find the strength to remember what happened at The Bridge the night of the fire. Then we can make our report. We can clear your name.’ Surprised, she met his gaze: eyes the soft green of buds in spring; pliable, forgiving. And she realised, with a relief so sharp it was almost pain, that he was on her side.
Laura Purcell (The Silent Companions)
He started for the door, thinking of crimson velvet and burning eyes- and a woman's face swam into view. Ah. A quarry. A victim of his plots and of his villainy. He diverted his course, intercepting the woman. She was on the arm of an older man, her father. Val swept her an abrupt bow. "Miss Royle. Sir." Hippolyta Royle was the only daughter of Sir George Royle, who had gone to the East Indies to make his fortune and had done quite a good job indeed. The result was that Miss Royle had a dowry with few rivals in England. "Your Grace." The lady's face, oval and proud and naturally olive-complexioned, paled at the sight of him. Actually, he was rather used to that sort of reaction to his sudden appearance. Blackmailer, and all. He took her hand and brought it to his lips, peering over her knuckles. Her fingers were trembling. "Might I have the pleasure of this next dance, Miss Royle?" Oh, she wanted to deny him, he could tell. Her full berry-red lips were pressed together, her dark brows gathered. The lady did not look entirely happy. A state of affairs that didn't escape her father. "My dear?" She patted the elderly man's hand. "It's nothing, Papa. It's just so hot in here." "Then perhaps if we venture close to the windows-" "Oh, but I insist on a turn on the floor," Val purred, his pulse racing, his nostrils flared. If she darted for cover he'd spring and sink his teeth into her. She was prey- his prey, and he'd not let her go. She was a prize and he'd parade her before all.
Elizabeth Hoyt (Duke of Sin (Maiden Lane, #10))
The castle had been built over natural hot springs, and the scalding waters rushed through its walls and chambers like blood through a man's body, driving the chill from the stone halls, filling the glass gardens with a moist warmth, keeping the earth from freezing.
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
All scientists, regardless of discipline, need to be prepared to confront the broadest consequences of our work—but we need to communicate its more detailed aspects as well. I was reminded of this at a recent lunch I attended with some of Silicon Valley’s greatest technology gurus. One of them said, “Give me ten to twenty million dollars and a team of smart people, and we can solve virtually any engineering challenge.” This person obviously knew a thing or two about solving technological problems—a long string of successes attested to that—but ironically, such an approach would not have produced the CRISPR-based gene-editing technology, which was inspired by curiosity-driven research into natural phenomena. The technology we ended up creating did not take anywhere near ten to twenty million dollars to develop, but it did require a thorough understanding of the chemistry and biology of bacterial adaptive immunity, a topic that may seem wholly unrelated to gene editing. This is but one example of the importance of fundamental research—the pursuit of science for the sake of understanding our natural world—and its relevance to developing new technologies. Nature, after all, has had a lot more time than humans to conduct experiments! If there’s one overarching point I hope you will take away from this book, it’s that humans need to keep exploring the world around us through open-ended scientific research. The wonders of penicillin would never have been discovered had Alexander Fleming not been conducting simple experiments with Staphylococci bacteria. Recombinant DNA research—the foundation for modern molecular biology—became possible only with the isolation of DNA-cutting and DNA-copying enzymes from gut- and heat-loving bacteria. Rapid DNA sequencing required experiments on the remarkable properties of bacteria from hot springs. And my colleagues and I would never have created a powerful gene-editing tool if we hadn’t tackled the much more fundamental question of how bacteria fight off viral infections.
Jennifer A. Doudna (A Crack In Creation: Gene Editing and the Unthinkable Power to Control Evolution)
Last semester, when I asked my class, as I do each quarter, how many of them had ever spent a night sleeping in the wilderness the answer was zero, and I realized for the first time in my teaching life I might be standing in front of a room full of students for whom the words “elk” or “granite” or “bristlecone pine” conjured exactly nothing. I thought about the books that had shaped my sensibility as a young writer: Pilgrim at Tinker Creek, Silent Spring, A Sand County Almanac, Refuge, A River Runs Through It, In Patagonia and Desert Solitaire. Now, amid the most sweeping legislative attack on our environment in history, a colleague wondered aloud to me whether it was feasible, or even sane anymore, to teach books that celebrate nature unironically. This planet hadn’t even been mapped properly a couple of hundred years ago, and now none of it, above or below ground, remains unsullied by our need for extraction. As we hurtle toward the cliff, foot heavy on the throttle, to write a poem about the loveliness of a newly leafed out aspen grove or a hot August wind sweeping across prairie grass or the smell of the air after a three-day rain in the maple forest might be at best so unconscionably naïve, and at worst so much part of the problem, we might as well drive a Hummer and start voting Republican.
Pam Houston (Deep Creek: Finding Hope in the High Country)
WILDERNESS SURVIVAL TIP! If you’re sinking in quicksand, it is very important not to shout, “Help! I’m sinking in quicksand!” Because if your friends think there’s quicksand around, no way are they going to be dumb enough to try to pull you out and risk getting stuck themselves. Instead, you should shout, “Help! This natural hot springs is so comfortable that I feel guilty enjoying it all by myself!
Jeff Strand (I Have a Bad Feeling About This: A Hilarious Novel of Five Boys Surviving Summer Camp)