Natural Cosmetics Quotes

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Men who read it [beauty pornography] don't do so because they want women who look like that. The attraction of what they are holding is that it is not a woman, but a two-dimensional woman-shaped blank. The appeal of the material is not the fantasy that the model will come to life; it is precisely that she will not, ever. Her coming to life would ruin the vision. It is not about life. Ideal beauty is ideal because it does not exist; The action lies in the gap between desire and gratification. Women are not perfect beauties without distance. That space, in a consumer culture, is a lucrative one. The beauty myth moves for men as a mirage, its power lies in its ever-receding nature. When the gap is closed, the lover embraces only his own disillusion.
Naomi Wolf (The Beauty Myth)
She was plump, with dyed red hair and a face so caked with cosmetics that the floor of the Amazon jungle probably saw more natural light...
John Connolly (Every Dead Thing (Charlie Parker, #1))
Whenever they are condemning weaves or breast implants, some people speak so passionately that their false teeth almost fall out.
Mokokoma Mokhonoana
Is it that by its indefiniteness it shadows forth the heartless voids and immensities of the universe, and thus stabs us from behind with the thought of annihilation, when beholding the white depths of the milky way? Or is it, that as in essence whiteness is not so much a color as the visible absence of color; and at the same time the concrete of all colors; is it for these reasons that there is such a dumb blankness, full of meaning, in a wide landscape of snows- a colorless, all-color of atheism from which we shrink? And when we consider that other theory of the natural philosophers, that all other earthly hues — every stately or lovely emblazoning — the sweet tinges of sunset skies and woods; yea, and the gilded velvets of butterflies, and the butterfly cheeks of young girls; all these are but subtile deceits, not actually inherent in substances, but only laid on from without; so that all deified Nature absolutely paints like the harlot, whose allurements cover nothing but the charnel-house within; and when we proceed further, and consider that the mystical cosmetic which produces every one of her hues, the great principle of light, for ever remains white or colorless in itself, and if operating without medium upon matter, would touch all objects, even tulips and roses, with its own blank tinge — pondering all this, the palsied universe lies before us a leper; and like wilful travellers in Lapland, who refuse to wear colored and coloring glasses upon their eyes, so the wretched infidel gazes himself blind at the monumental white shroud that wraps all the prospect around him. And of all these things the Albino whale was the symbol. Wonder ye then at the fiery hunt?
Herman Melville (Moby-Dick or, The Whale)
It is commonplace observation that women are forever trying to straighten their hair if it is curly and curl it if it is straight, bind their breasts if they are large and pad them if they are small, darken their hair if it is light and lighten it if it is dark. Not all these measures are dictated by the fantom of fashion. They all reflect dissatisfaction with the body as it is, and an insistent desire that it be otherwise, not natural but controlled, fabricated. Many of the devices adopted by women are not cosmetic or ornamental, but disguise of the actual, arising from fear and distaste.
Germaine Greer (The Female Eunuch)
Sexual satisfaction eases the stranglehold of materialism, since status symbols no longer look sexual, but irrelevant. Product lust weakens where emotional and sexual lust intensifies. The price we pay for artificially buoying up this market is our heart's desire. The beauty myth keeps a gap of fantasy between men and women. That gap is made with mirrors; no law of nature supports it. It keeps us spending vast sums of money and looking distractedly around us, but its smoke and reflection interfere with our freedom to be sexually ourselves.
Naomi Wolf (The Beauty Myth)
CONSORTING WITH ANGELS I was tired of being a woman, tired of the spoons and the pots, tired of my mouth and my breasts, tired of the cosmetics and the silks. There were still men who sat at my table, circled around the bowl I offered up. The bowl was filled with purple grapes and the flies hovered in for the scent and even my father came with his white bone. But I was tired of the gender of things. Last night I had a dream and I said to it . . . "You are the answer. You will outlive my husband and my father." In that dream there was a city made of chains where Joan was put to death in man's clothes and the nature of the angels went unexplained, no two made in the same species, one with a nose, one with an ear in its hand, one chewing a star and recording its orbit, each one like a poem obeying itself, performing God's functions, a people apart. "You are the answer," I said, and entered, lying down on the gates of the city. Then the chains were fastened around me and I lost my common gender and my final aspect. Adam was on the left of me and Eve was on the right of me, both thoroughly inconsistent with the world of reason. We wove our arms together and rode under the sun. I was not a woman anymore, not one thing or the other. 0 daughters of Jerusalem, the king has brought me into his chamber. I am black and I am beautiful. I've been opened and undressed. I have no arms or legs. I'm all one skin like a fish. I'm no more a woman than Christ was a man.
Anne Sexton (The Complete Poems)
The problem with cosmetics exists only when women feel invisible or inadequate without them. The problem with working out exists only if women hate ourselves when we don’t. When a woman is forced to adorn herself to buy a hearing, when she needs her grooming in order to protect her identity, when she goes hungry in order to keep her job, when she must attract a lover so that she can take care of her children, that is exactly what makes “beauty” hurt. Because what hurts women about the beauty myth is not adornment, or expressed sexuality, or time spent grooming, or the desire to attract a lover. Many mammals groom, and every culture uses adornment. “Natural” and “unnatural” are not the terms in question. The actual struggle is between pain and pleasure, freedom and compulsion.
Naomi Wolf (The Beauty Myth)
Ultimately, the question was about the nature of the dunya as a place of fleeting moments and temporary attachments. As a place where people are with you today and leave or die tomorrow. But this reality hurts our very being because it goes against our nature. We, as humans, are made to seek, love, and strive for what is perfect and what is permanent. We are made to seek what’s eternal. We seek this because we were not made for this life. Our first and true home was Paradise: a land that is both perfect and eternal. So the yearning for that type of life is a part of our being. The problem is that we try to find that here. And so we create ageless creams and cosmetic surgery in a desperate attempt to hold on—in an attempt to mold this world into what it is not, and will never be.
Yasmin Mogahed (Reclaim Your Heart)
From the vanity in her bathroom she took her seldom-used cosmetic case. The image of her mother in her shell-pink dressing gown, so naturally pretty, so endearingly maternal, telling her to put on eyeshadow brought at last the scalding tears she had forced back for Laurie's sake.
Mary Higgins Clark (All Around the Town)
Publicity is effective precisely because it feeds upon the real. Clothes, food, cars, cosmetics, baths, sunshine are real things to be enjoyed in themselves. Publicity begins by working on a natural appetite for pleasure. But it cannot offer the real object of pleasure and there is no convincing substitute for a pleasure in that pleasure's own terms. The more convincingly publicity conveys the pleasure of bathing in a warm, distant sea, the more the spectator-buyer will become aware that he is hundreds of miles away from that sea and the more remote the chance of bathing in it will seem to him. This is why publicity can never really afford to be about the product or opportunity it is proposing to the buyer who is not yet enjoying it. Publicity is never a celebration of a pleasure-in-itself. Publicity is always about the future buyer. It offers him an image of himself made glamorous by the product or opportunity it is trying to sell. The image then makes him envious of himself as he might be. Yet what makes this self-which-he-might-be enviable? The envy of others. Publicity is about social relations, not objects. Its promise is not of pleasure, but of happiness : happiness as judged from the outside by others. The happiness of being envied is glamour. Being envied is a solitary form of reassurance. It depends precisely upon not sharing your experience with those who envy you. You are observed with interest but you do not observe with interest - if you do, you will become less enviable. ... ... The spectator-buyer is meant to envy herself as she will become if she buys the product. She is meant to imagine herself transformed by the product into an object of envy for others, an envy which will then justify her loving herself. One could put this another way : the publicity images steals her love of herself as she is, and offers it back to her for the price of the product. (P. 128)
John Berger (Ways of Seeing)
His eyes were riveted to the full, round breasts that had clearly been sculpted by God or nature and not a cosmetic surgeon.
Joyce Haber (The Users)
Makeup often seems to be used to hide a woman’s beauty.
Mokokoma Mokhonoana
It seems like everyone these days is putting on a mask to feel beautiful, trying to fit into some pre-established norms of how we should look. This isn’t only painful, it’s ignorant. Saying like we know, better than nature does, what is beautiful and what is not is like a two-year-old lecturing an old man about patience. Nature’s been creating beauty for millennia and you are part of that creation process. Stop the madness. Stop fighting who you are. Let the mask fall. It’ll be strange at first, yes. But, over time, you’ll see beyond the temporary discomfort of stepping outside social norms and learn to see the beauty you were born with, the beauty you’ve been taught to ignore and cover up. You’ll see beauty that will take your breath away, like a sunset. That’s how beautiful you are—like a sunset, like a forest, like a million fireflies on a calm warm night lighting up the sky. You are made by nature. Nature is wiser in the ways of beauty than cosmetics companies or magazines. Break the spell. Gain back your sanity. Go find that brilliant beauty within every single part of you. Go find the universe in your eyes. Remove that cloak that’s been pulled over your eyes and see yourself for who you really are.
Vironika Tugaleva
place where people are with you today and leave or die tomorrow. But this reality hurts our very being because it goes against our nature. We, as humans, are made to seek, love, and strive for what is perfect and what is permanent. We are made to seek what’s eternal. We seek this because we were not made for this life. Our first and true home was Paradise: a land that is both perfect and eternal. So the yearning for that type of life is a part of our being. The problem is that we try to find that here. And so we create ageless creams and cosmetic surgery in a desperate attempt to hold on—in an attempt to mold this world into what it is not, and
Yasmin Mogahed (Reclaim Your Heart: Personal insights on breaking free from life's shackles)
Babor skincare BABOR skin care products reveal the most beautiful you. BABOR cosmetics are premium products that combine state-of-the-art scientific knowledge and the beneficial effects of active natural ingredients at the highest possible level. Babor skincare natural sources, guarantee the highest degree of skin compatibility.
Babor skincare
The fact is, women aren’t having cosmetic surgery to stay beautiful. As Naomi Wolf wrote in The Beauty Myth more than twenty years ago, many women who undergo surgery are fighting to stay loved, relevant, employed, admired; they’re fighting against time running out. If they simply age naturally, don’t diet or dye their hair, we feel they’ve “let themselves go.” But if they continue to dress youthfully we feel they’re “trying too hard” or brand them as “slappers.” Poor Madonna, who has dared to be in her fifties. In order not to look like a woman in her sixth decade of life she exercises furiously, and is sniggered at by trashy magazines for having overly muscular arms and boytoy lovers. When Demi Moore’s marriage to Ashton Kutcher, fifteen years her junior, recently broke down, the media reaction was almost gleeful. Of course, it was what they had been waiting for all along: how long could a forty-eight-year-old woman expect to keep a thirty-three-year-old man? As allegations of his infidelity emerged, the Internet was flooded with images of Demi looking gaunt and unhappy—and extremely thin. Sometimes you want to say: just leave them alone. Then again, it’s mostly women who buy these magazines, and women who write the editorials and online comments and gossip columns, so you could say we’re our own worst enemies. There is already plenty of ageism and sexism out there—why do we add to the body hatred?
Emma Woolf (An Apple a Day: A Memoir of Love and Recovery from Anorexia)
All the recent marketing successes have been PR successes, not advertising successes. To name a few: Starbucks, The Body Shop, Amazon.com, Yahoo!, eBay, Palm, Google, Linus, PlayStation, Harry Potter, Botox, Red Bull, Microsoft, Intel, and BlackBerry. A closer look at the history of most major brands shows this to be true. As a matter of fact, an astonishing number of well-known brands have been built with virtually no advertising at all. Anita Roddick built The Body Shop into a worldwide brand without any advertising. Instead she traveled the world looking for ingredients for her natural cosmetics, a quest that resulted in endless publicity. Until recently Starbucks didn’t spend a hill of beans on advertising either. In its first ten years, the company spent less that $10 million (total) on advertising in the United States, a trivial amount for a brand that delivers annual sales of $1.3 billion today. Wal-Mart became the world’s largest retailer, ringing up sales approaching $200 billion, with little advertising. Sam’s Club, a Wal-Mart sibling, averages $56 million per store with almost no advertising. In the pharmaceutical field, Viagra, Prozac, and Vioxx became worldwide brands with almost no advertising. In the toy field, Beanie Babies, Tickle Me Elmo, and Pokémon became highly successful brands with almost no advertising. In the high-technology field, Oracle, Cisco, and SAP became multibillion-dollar companies (and multibillion-dollar brands) with almost no advertising.
Al Ries (The Fall of Advertising and the Rise of PR)
all deified Nature absolutely paints like the harlot, whose allurements cover nothing but the charnel-house within; and when we proceed further, and consider that the mystical cosmetic which produces every one of her hues, the great principle of light, for ever remains white or colorless in itself, and if operating without medium upon matter, would touch all objects, even tulips and roses, with its own blank tinge—pondering all this, the palsied universe lies before us a leper; and like wilful travellers in Lapland, who refuse to wear colored and coloring glasses upon their eyes, so the wretched infidel gazes himself blind at the monumental white shroud that wraps all the prospect around him. And of all these things the Albino whale was the symbol. Wonder ye then at the fiery hunt? ..
Herman Melville (Moby Dick: or, the White Whale)
Book Ten; Chapter Six; Ignorantia "There must be a good side somewhere to this revolution," said Vertue. "It is too solid--it looks too lasting--to be a mere evil. I cannot believe that the Landlord would otherwise allow the whole face of nature and the whole structure of life to be so permanently and radically changed." The Guide laughed. "You are falling into their own error," he said, "the change is not radical, nor will it be permanent. That idea depends on a curious disease which they have all caught--an inability to disbelieve advertisements. To be sure, if the machines did what they promised, the change would be very deep indeed. Their next war, for example, would change the state of their country from disease to death. They are afraid of this themselves--though most of them are old enough to know by experience that a gun is no more likely than a toothpaste or a cosmetic to do the things its makers say it will do. It is the same with all their machines. Their labour-saving devices multiply drudgery; their aphrodisiacs make them impotent: their amusements bore them: their rapid production of food leaves half of them starving, and their devices for saving time have banished leisure from their country. There will be no radical change. And as for permanence--consider how quickly all machines are broken and obliterated. The black solitudes will some day be green again, and of all cities that I have seen these iron cities will break most suddenly.
C.S. Lewis (The Pilgrim's Regress)
Even the sex to which we belong - that small portion of destiny still remaining to us, that minimum of fatality and otherness - will be changeable at will. Not to mention cosmetic surgery as applied to green spaces, to nature in general, to genes, to events, to history (e.g. the French Revolution revised and corrected - given a facelift under the banner of human rights). Everything has to become postsynchable according to criteria of optimal convenience and compatibility. This inhuman formalization of face, speech, sex, body, will and public opinion is a tendency everywhere in evidence. Every last glimmer of fate and negativity has to be expunged in favour of something resembling the smile of a corpse in a funeral home, in favour of a general redemption of signs.
Jean Baudrillard (The Transparency of Evil: Essays in Extreme Phenomena)
Nature vs. nurture is part of this—and then there is what I think of as anti-nurturing—the ways we in a western/US context are socialized to work against respecting the emergent processes of the world and each other: We learn to disrespect Indigenous and direct ties to land. We learn to be quiet, polite, indirect, and submissive, not to disturb the status quo. We learn facts out of context of application in school. How will this history, science, math show up in our lives, in the work of growing community and home? We learn that tests and deadlines are the reasons to take action. This puts those with good short-term memories and a positive response to pressure in leadership positions, leading to urgency-based thinking, regardless of the circumstance. We learn to compete with each other in a scarcity-based economy that denies and destroys the abundant world we actually live in. We learn to deny our longings and our skills, and to do work that occupies our hours without inspiring our greatness. We learn to manipulate each other and sell things to each other, rather than learning to collaborate and evolve together. We learn that the natural world is to be manicured, controlled, or pillaged to support our consumerist lives. Even the natural lives of our bodies get medicated, pathologized, shaved or improved upon with cosmetic adjustments. We learn that factors beyond our control determine the quality of our lives—something as random as which skin, gender, sexuality, ability, nation, or belief system we are born into sets a path for survival and quality of life. In the United States specifically, though I see this most places I travel, we learn that we only have value if we can produce—only then do we earn food, home, health care, education. Similarly, we learn our organizations are only as successful as our fundraising results, whether the community impact is powerful or not. We learn as children to swallow our tears and any other inconvenient emotions, and as adults that translates into working through red flags, value differences, pain, and exhaustion. We learn to bond through gossip, venting, and destroying, rather than cultivating solutions together. Perhaps the most egregious thing we are taught is that we should just be really good at what’s already possible, to leave the impossible alone.
Adrienne Maree Brown (Emergent Strategy: Shaping Change, Changing Worlds)
He is conventionally translated “harmony,” and we follow that rendering. The etymology of the term is culinary: harmony is the art of combining and blending two or more foodstuffs so that they come together with mutual benefit and enhancement without losing their separate and particular identities.49 Throughout the early corpus, the preparation of food is appealed to as a gloss on this sense of elegant harmony. Harmony so considered entails both the integrity of the particular ingredient and its ease of integration into some larger whole. Signatory of this harmony is the endurance of the particular ingredients and the cosmetic nature of the harmony in an order that emerges out of the collaboration of intrinsically related details to embellish the contribution of each one.
Confucius (The Analects of Confucius: A Philosophical Translation)
The problem with cosmetics exists only when women feel invisible or inadequate without them. The problem with working out exists only if women hate ourselves when we don't. When a woman is forced to adorn herself to buy a hearing, when she needs her grooming in order to protect her identity, when she goes hungry in order to keep her job, when she must attract a lover so that she can take care of her children, that is exactly what makes "beauty" hurt. Because what hurts women about the beauty myth is not adornment, or expressed sexuality, or time spent grooming, or the desire to attract a lover. Many mammals groom, and every culture uses adornment. "Natural" and "unnatural" are not the terms in question. The actual struggle is between pain and pleasure, freedom and compulsion.
Naomi Wolf (The Beauty Myth)
Corn is what feeds the steer that becomes the steak. Corn feeds the chicken and the pig, the turkey, and the lamb, the catfish and the tilapia and, increasingly, even the salmon, a carnivore by nature that the fish farmers are reengineering to tolerate corn. The eggs are made of corn. The milk and cheese and yogurt, which once came from dairy cows that grazed on grass, now typically comes from Holsteins that spend their working lives indoors tethered to machines, eating corn. Head over to the processed foods and you find ever more intricate manifestations of corn. A chicken nugget, for example, piles up corn upon corn: what chicken it contains consists of corn, of course, but so do most of a nugget's other constituents, including the modified corn starch that glues the things together, the corn flour in the batter that coats it, and the corn oil in which it gets fried. Much less obviously, the leavenings and lecithin, the mono-, di-, and triglycerides, the attractive gold coloring, and even the citric acid that keeps the nugget "fresh" can all be derived from corn. To wash down your chicken nuggets with virtually any soft drink in the supermarket is to have some corn with your corn. Since the 1980s virtually all the sodas and most of the fruit drinks sold in the supermarket have been sweetened with high-fructose corn syrup (HFCS) -- after water, corn sweetener is their principal ingredient. Grab a beer for you beverage instead and you'd still be drinking corn, in the form of alcohol fermented from glucose refined from corn. Read the ingredients on the label of any processed food and, provided you know the chemical names it travels under, corn is what you will find. For modified or unmodified starch, for glucose syrup and maltodextrin, for crystalline fructose and ascorbic acid, for lecithin and dextrose, lactic acid and lysine, for maltose and HFCS, for MSG and polyols, for the caramel color and xanthan gum, read: corn. Corn is in the coffee whitener and Cheez Whiz, the frozen yogurt and TV dinner, the canned fruit and ketchup and candies, the soups and snacks and cake mixes, the frosting and candies, the soups and snacks and cake mixes, the frosting and gravy and frozen waffles, the syrups and hot sauces, the mayonnaise and mustard, the hot dogs and the bologna, the margarine and shortening, the salad dressings and the relishes and even the vitamins. (Yes, it's in the Twinkie, too.) There are some forty-five thousand items in the average American supermarket and more than a quarter of them now contain corn. This goes for the nonfood items as well: Everything from the toothpaste and cosmetics to the disposable diapers, trash bags, cleansers, charcoal briquettes, matches, and batteries, right down to the shine on the cover of the magazine that catches your eye by the checkout: corn. Even in Produce on a day when there's ostensibly no corn for sale, you'll nevertheless find plenty of corn: in the vegetable wax that gives the cucumbers their sheen, in the pesticide responsible for the produce's perfection, even in the coating on the cardboard it was shipped in. Indeed, the supermarket itself -- the wallboard and joint compound, the linoleum and fiberglass and adhesives out of which the building itself has been built -- is in no small measure a manifestation of corn.
Michael Pollan (The Omnivore's Dilemma: A Natural History of Four Meals)
It is important here not to confuse publicity with the pleasure or benefits to be enjoyed from the things it advertises. Publicity is effective precisely because it feeds upon the real. Clothes, food, cars, cosmetics, baths, sunshine are real things to be enjoyed in themselves. Publicity begins by working on a natural appetite for pleasure. But it cannot offer the real object of pleasure and there is no convincing substitute for a pleasure in that pleasure's own terms. The more convincingly publicity conveys the pleasure of bathing in a warm, distant sea, the more the spectator-buyer will become aware that he is hundreds of miles away from that sea and the more remote the chance of bathing in it will seem to him. This is why publicity can never really afford to be about the product or opportunity it is proposing to the buyer who is not yet enjoying it. Publicity is never a celebration of a pleasure-in-itself. Publicity is always about the future buyer. It offers him an image of himself made glamorous by the product or opportunity it is trying to sell. The image then makes him envious of himself as he might be. Yet what makes this self-which-he-might-be enviable? The envy of others. Publicity is about social relations, not objects. Its promise is not of pleasure, but of happiness : happiness as judged from the outside by others. The happiness of being envied is glamour. Being envied is a solitary form of reassurance. It depends precisely upon not sharing your experience with those who envy you. You are observed with interest but you do not observe with interest - if you do, you will become less enviable. ....... The spectator-buyer is meant to envy herself as she will become if she buys the product. She is meant to imagine herself transformed by the product into an object of envy for others, an envy which will then justify her loving herself. One could put this another way : the publicity images steals her love of herself as she is, and offers it back to her for the price of the product.
John Berger (Ways of Seeing)
We are under the sway of a surgical compulsion that seeks to excise negative characteristics and remodel things synthetically into ideal forms. Cosmetic surgery: a face's chance configuration, its beauty or ugliness, its distinctive traits, its negative traits - all these have to be corrected, so as to produce something more beautiful than beautiful: an ideal face, a surgical face. [...] Even the sex to which we belong - that small portion of destiny still remaining to us, that minimum of fatality and otherness -will be changeable at will. Not to mention cosmetic surgery as applied to green spaces, to nature in general, to genes, to events, to history (e.g. the French Revolution revised and corrected - given a facelift under the banner of human rights). Everything has to become postsynchable according to criteria of optimal convenience and compatibility. This inhuman formalization of face, speech, sex, body, will and public opinion is a tendency everywhere in evidence. Every last glimmer of fate and negativity has to be expunged in favour of something resembling the smile of a corpse in a funeral home...
Jean Baudrillard (The Transparency of Evil: Essays in Extreme Phenomena)
Beauty Junkies is the title of a recent book by New York Times writer Alex Kuczynski, “a self-confessed recovering addict of cosmetic surgery.” And, withour technological prowess, we succeed in creating fresh addictions. Some psychologists now describe a new clinical pathology — Internet sex addiction disorder. Physicians and psychologists may not be all that effective in treating addictions, but we’re expert at coming up with fresh names and categories. A recent study at Stanford University School of Medicine found that about 5.5 per cent of men and 6 per cent of women appear to be addicted shoppers. The lead researcher, Dr. Lorrin Koran, suggested that compulsive buying be recognized as a unique illness listed under its own heading in the Diagnostic and Statistical Manual of Mental Disorders, the official psychiatric catalogue. Sufferers of this “new” disorder are afflicted by “an irresistible, intrusive and senseless impulse” to purchase objects they do not need. I don’t scoff at the harm done by shopping addiction — I’m in no position to do that — and I agree that Dr. Koran accurately describes the potential consequences of compulsive buying: “serious psychological, financial and family problems, including depression, overwhelming debt and the breakup of relationships.” But it’s clearly not a distinct entity — only another manifestation of addiction tendencies that run through our culture, and of the fundamental addiction process that varies only in its targets, not its basic characteristics. In his 2006 State of the Union address, President George W. Bush identified another item of addiction. “Here we have a serious problem,” he said. “America is addicted to oil.” Coming from a man who throughout his financial and political career has had the closest possible ties to the oil industry. The long-term ill effects of our society’s addiction, if not to oil then to the amenities and luxuries that oil makes possible, are obvious. They range from environmental destruction, climate change and the toxic effects of pollution on human health to the many wars that the need for oil, or the attachment to oil wealth, has triggered. Consider how much greater a price has been exacted by this socially sanctioned addiction than by the drug addiction for which Ralph and his peers have been declared outcasts. And oil is only one example among many: consider soul-, body-or Nature-destroying addictions to consumer goods, fast food, sugar cereals, television programs and glossy publications devoted to celebrity gossip—only a few examples of what American writer Kevin Baker calls “the growth industries that have grown out of gambling and hedonism.
Gabor Maté (In the Realm of Hungry Ghosts: Close Encounters with Addiction)
To wash down your chicken nuggets with virtually any soft drink in the supermarket is to have some corn with your corn. Since the 1980s virtually all the sodas and most of the fruit drinks sold in the supermarket have been sweetened with high-fructose corn syrup (HFCS) -- after water, corn sweetener is their principal ingredient. Grab a beer for you beverage instead and you'd still be drinking corn, in the form of alcohol fermented from glucose refined from corn. Read the ingredients on the label of any processed food and, provided you know the chemical names it travels under, corn is what you will find. For modified or unmodified starch, for glucose syrup and maltodextrin, for crystalline fructose and ascorbic acid, for lecithin and dextrose, lactic acid and lysine, for maltose and HFCS, for MSG and polyols, for the caramel color and xanthan gum, read: corn. Corn is in the coffee whitener and Cheez Whiz, the frozen yogurt and TV dinner, the canned fruit and ketchup and candies, the soups and snacks and cake mixes, the frosting and candies, the soups and snacks and cake mixes, the frosting and gravy and frozen waffles, the syrups and hot sauces, the mayonnaise and mustard, the hot dogs and the bologna, the margarine and shortening, the salad dressings and the relishes and even the vitamins. (Yes, it's in the Twinkie, too.) There are some forty-five thousand items in the average American supermarket and more than a quarter of them now contain corn. This goes for the nonfood items as well: Everything from the toothpaste and cosmetics to the disposable diapers, trash bags, cleansers, charcoal briquettes, matches, and batteries, right down to the shine on the cover of the magazine that catches your eye by the checkout: corn. Even in Produce on a day when there's ostensibly no corn for sale, you'll nevertheless find plenty of corn: in the vegetable wax that gives the cucumbers their sheen, in the pesticide responsible for the produce's perfection, even in the coating on the cardboard it was shipped in. Indeed, the supermarket itself -- the wallboard and joint compound, the linoleum and fiberglass and adhesives out of which the building itself has been built -- is in no small measure a manifestation of corn.
Michael Pollan (The Omnivore's Dilemma: A Natural History of Four Meals)
Nor do piecemeal steps however well intended, even partially resolve problems that have reached a universal, global and catastrophic Character. If anything, partial `solutions’ serve merely as cosmetics to conceal the deep seated nature of the ecological crisis. They thereby deflect public attention and theoretical insight from an adequate understanding of the depth and scope of the necessary changes.
Murray Bookchin
Dyes, fragrances, foaming agents, heavy metals as stabilizers and texturizers, tanners, inks, alcohols, and hundreds of other potential poisons are frequently included in cosmetic formulas. Nail products, hair products, deodorants—all the ordinary products in your bathroom cabinet and makeup kit as well as the ones in your neighborhood beauty salon and nail spa have chemical
Alejandro Junger (Clean: The Revolutionary Program to Restore the Body's Natural Ability to Heal Itself)
A mature man does not lament aging, engage in adoration of the self through cosmetic treatments, and partake of drug therapy to prolong his virility. An independent thinker does not capitulate to societal pressures or other forms of coercion. I look forward to developing the bark of a rough man, the weathered, tough-skinned covertures that men take on only when they stand straight into the wind. I shall guard against disappointment, rebuff domination by cruel men, and repudiate the easy. I must steadfastly decline capitulating to the demands of power mongers by curing their favor at the cost of surrendering my inbreed essence. I resolve to battle any wicked person whom attempts to intimate me, maintain personal convictions, and honor my heritage. I need to summon the audacity to go against the grain, eschew shortcuts, and to work from intuition of a person who knows that logic is only half of the equation for true success. In order to live life through both the heart and the mind, I resolve to accept my unusual nature and embrace living spontaneously without shame, remorse, or regret.
Kilroy J. Oldster (Dead Toad Scrolls)
In 2004, Americans spent about $46 billion to lose weight and $22 billion on cosmetics. Those expenditures alone would make the difference between life and death for the people of the world who are dying of starvation
Billy Graham (Storm Warning: Whether global recession, terrorist threats, or devastating natural disasters, these ominous shadows must bring us back to the Gospel)
The thinking conservative knows that the outward signs of disorder, personal or social, very often are no more than the symptoms of an inner ravaging sickness, not to be put down by ointments and cosmetics. He is inclined to look for the real causes of our troubles in the heart of man - in our ancient proclivity toward sin, in a loneliness of spirit that conjures up devils, in twisted historical roots beneath the parched ground of modern existence, in venerable impulses of human nature which, when frustrated, make our life one long lingering death. He knows, moreover, that the task for the prudent counselor and the prudent statesman is to make life tolerable, not to make it perfect.
Russell Kirk (Prospects for Conservatives)
Perhaps the time has come to give up the racial bribes and begin an honest conversation about race in America. The topic of the conversation should be how us can come to include all of us. Accomplishing this degree of unity may mean giving up fierce defense of policies and strategies that exacerbate racial tensions and produce for racially defined groups primarily psychological or cosmetic racial benefits. Of course, if meaningful progress is to be made, whites must give up their racial bribes too, and be willing to sacrifice their racial privilege. Some might argue that in this game of chicken, whites should make the first move. Whites should demonstrate that their silence in the drug war cannot be bought by tacit assurances that their sons and daughters will not be rounded up en masse and locked away. Whites should prove their commitment to dismantling not only mass incarceration, but all of the structures of racial inequality that guarantee for whites the resilience of white privilege. After all, why should “we” give up our racial bribes if whites have been unwilling to give up theirs? In light of our nation’s racial history, that seems profoundly unfair. But if your strategy for racial justice involves waiting for whites to be fair, history suggests it will be a long wait. It’s not that white people are more unjust than others. Rather it seems that an aspect of human nature is the tendency to cling tightly to one’s advantages and privileges and to rationalize the suffering and exclusion of others. This tendency is what led Frederick Douglass to declare that “power concedes nothing without a demand; it never has and it never will.
Michelle Alexander (The New Jim Crow: Mass Incarceration in the Age of Colorblindness)
We professors are often forced to hand out grades, and if I were teaching Risk Management 101 and had to give us humans a midterm grade based on our existential risk management so far, you could argue that I should give a B-on the grounds that we're muddling by and still haven't dropped the course. From my cosmological perspective, however, I find our performance pathetic, and can't give more than a D: the long-term potential for life is literally astronomical, yet we humans have no convincing plans for dealing with even the most-urgent existential risks, and we devote a minuscule fraction of our attention and resources to developing such plans. Compared with the roughly twenty million U.S. dollars spent last year on the Union of Concerned Scientists, one of the largest organizations focused on at least some existential risks, the United States alone spent about five hundred times more on cosmetic surgery, about a thousand times more on air-conditioning for troops, about five thousand times more on cigarettes, and about thirty-five thousand times more on its military, not counting military health care, military retirement costs or interest on military debt.
Max Tegmark (Our Mathematical Universe: My Quest for the Ultimate Nature of Reality)
Artificial Teeth – A Better Way to Keep Oral Health for a Long Time Artificial teeth are a durable and long-lasting replacement for missing teeth. They consist of a tiny titanium screw, which is surgically embedded in the jawbone. Each implant is approximately the same size as a natural tooth root, and performs the function of holding up a prosthetic tooth. Dental teeth implants are an option if you have just lost one or more teeth due to an accident or some kind of disease. You can get these teeth back by way of dental implants but this is an option than a many people consider due to the factor can be expensive and a fairly complicated procedure. Artificial teeth feel just like real teeth so you don't need to worry about that. There also a lot more effective than other methods of tooth repair and to be honest, there are just like having a natural set of teeth. Provided you have a good dentist, they will be properly integrated into the structure of your jaw and you went even noticed that they are implants. Aside from the aesthetic appeal to dental implants, artificial teeth fulfill the same purpose and function the same way as our original natural teeth. Implants allow you to eat and speak as you naturally would, without any impediments caused by gaps. Artificial teeth can be suited for a single tooth or several teeth, in your upper or lower jaw. These prosthetic replacements to missing teeth are measured cosmetic dentistry and are indistinguishable from your natural teeth. The artificial teeth make sure that nobody knows that you have a replacement tooth. Also the neighboring teeth do not have to be altered to support an implant like in the case of bridging. This means that the original teeth are untouched, which means that your oral health will stay good for a long time. After artificial teeth, you can easily speak again without any discomfort. You will no longer have to deal with the displaced dentures or the messy denture adhesives. It is a lot more convenient than any other procedure.
Secure Smile Teeth LLC
In the world of beauty care and cosmetics, the trend for some time now has been to move away from the artificial and chemical towards nature. Several miracle cures are, therefore, being taken out of grandma's closet to be dusted and used again. Another pick from the many such gifts of nature is Australian sandalwood. Buy the best Australian sandalwood now from SSChampion. To know more visit us!
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Adaptogens: Herbs for Strength, Stamina, and Stress Relief by David Winston and Steven Maimes An in-depth discussion of adaptogens with detailed monographs for many adaptogenic, nervine, and nootropic herbs. Adaptogens in Medical Herbalism: Elite Herbs and Natural Compounds for Mastering Stress, Aging, and Chronic Disease by Donald R. Yance A scientifically based herbal and nutritional program to master stress, improve energy, prevent degenerative disease, and age gracefully. Alchemy of Herbs: Transform Everyday Ingredients into Foods and Remedies That Heal by Rosalee de la Forêt This book offers an introduction to herbal energetics for the beginner, plus a host of delicious and simple recipes for incorporating medicinal plants into meals. Rosalee shares short chapters on a range of herbs, highlighting scientific research on each plant. The Business of Botanicals: Exploring the Healing Promise of Plant Medicines in a Global Industry by Ann Armbrecht Forbes In a world awash with herbal books, this is a much-needed reference, central to the future of plant medicine itself. Ann weaves a complex tapestry through the story threads of the herbal industry: growers, gatherers, importers, herbalists, and change-making business owners and non-profits. As interest in botanical medicine surges and the world’s population grows, medicinal plant sustainability is paramount. A must-read for any herbalist. The Complete Herbal Tutor: The Ideal Companion for Study and Practice by Anne McIntyre Provides extensive herbal profiles and materia medica; offers remedy suggestions by condition and organ system. This is a great reference guide for the beginner to intermediate student. Foundational Herbcraft by jim mcdonald jim mcdonald has a gift for explaining energetics in a down-to-earth and engaging way, and this 200-page PDF is a compilation of his writings on the topic. jim’s categorization of herbal actions into several groups (foundational actions, primary actions, and secondary actions) adds clarity and depth to the discussion. Access the printable PDF and learn more about jim’s work here. The Gift of Healing Herbs: Plant Medicines and Home Remedies for a Vibrantly Healthy Life by Robin Rose Bennett A beautiful tour of some of our most healing herbs, written in lovely prose. Full of anecdotes, recipes, and simple rituals for connecting with plants. Herbal Healing for Women: Simple Home Remedies for All Ages by Rosemary Gladstar Thorough and engaging materia medica. This was the only book Juliet brought with her on a three-month trip to Central America and she never tired of its pages. Information is very accessible with a lot of recipes and formulas. Herbal Recipes for Vibrant Health: 175 Teas, Tonics, Oils, Salves, Tinctures, and Other Natural Remedies for the Entire Family by Rosemary Gladstar Great beginner reference and recipe treasury written by the herbal fairy godmother herself. The Modern Herbal by Maude Grieve This classic text was first published in 1931 and contains medicinal, culinary, cosmetic, and economic properties, plus cultivation and folklore of herbs. Available for free online.
Socdartes
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But Anita Roddick had a different take on that. In 1976, before the words to say it had been found, she set out to create a business that was socially and environmentally regenerative by design. Opening The Body Shop in the British seaside town of Brighton, she sold natural plant-based cosmetics (never tested on animals) in refillable bottles and recycled boxes (why throw away when you can use again?) while paying a fair price to the communities worldwide that supplied cocoa butter, brazil nut oil and dried herbs. As production expanded, the business began to recycle its wastewater for using in its products and was an early investor in wind power. Meanwhile, company profits went to The Body Shop Foundation, which gave them to social and environmental causes. In all, a pretty generous enterprise. Roddick’s motivation? ‘I want to work for a company that contributes to and is part of the community,’ she later explained. ‘If I can’t do something for the public good, what the hell am I doing?’47 Such a values-driven mission is what the analyst Marjorie Kelly calls a company’s ‘living purpose’—turning on its head the neoliberal script that the business of business is simply business. Roddick proved that business can be far more than that, by embedding benevolent values and a regenerative intent at the company’s birth. ‘We dedicated the Articles of Association and Memoranda—which in England is the legal definition of the purpose of your company—to human rights advocacy and social and environmental change,’ she explained in 2005, ‘so everything the company did had that as its canopy.’48 Today’s most innovative enterprises are inspired by the same idea: that the business of business is to contribute to a thriving world. And the growing family of enterprise structures that are intentionally distributive by design—including cooperatives, not-for-profits, community interest companies, and benefit corporations—can be regenerative by design too.49 By explicitly making a regenerative commitment in their corporate by-laws and enshrining it in their governance, they can safeguard a ‘living purpose’ through times of leadership change and protect it from mission creep. Indeed the most profound act of corporate responsibility for any company today is to rewrite its corporate by-laws, or articles of association, in order to redefine itself with a living purpose, rooted in regenerative and distributive design, and then to live and work by it.
Kate Raworth (Doughnut Economics: Seven Ways to Think Like a 21st-Century Economist)
4. Priceless versus worthless: The cost of materials today ranges from $0.1 per kg for wood to $4 trillion per kg for certain pharmaceuticals (reimbursable by health insurance). With revolutions in smart materials and molecular engineering, all materials and objects could be reduced to the range of $0.2 per kg (electronics, clothes, foods, cosmetics, and so on)—or people could spend more and more for less and less via clever branding, copyright and patent laws, elaborate licensing and regulatory schemes, and the like. Or is there a way of artfully combining and integrating all of the above?
George M. Church (Regenesis: How Synthetic Biology Will Reinvent Nature and Ourselves)
PRIME Prime is an ever-changing condition, a segment of a journey, not a haven at the end of the road. Companies in Prime are recognizable: All aspects work well together, all operations thrive, and all members of the organization know where it is going and how to stay on track. Prime is a state of balance: Flexibility and control, function and form, imagining and producing, innovation and administration. But companies in that exultant equilibrium — so hard to achieve, so easy to lose — continually risk sliding back to childish habits or stumbling into the rigidity of old age. An organization is no less vulnerable in Prime than it is at any other stage of its lifecycle. The cash shortage of Infancy, the founder’s heavy hand in Go-Go, the infighting of Adolescence — those are challenges it has overcome. Now the complacency that comes with a surfeit of success looms as a potential and significant threat. I have a rule of thumb by which I judge an adult company: If it does not produce significant new products or spin off promising start-ups within any three-year period, it is either decaying or on the brink of decline. Ask yourself what percentage of your revenues come from products you were not selling three years ago? Be honest. There are enhancements, changes that are cosmetic in nature that make old products look new. Pharmaceutical manufacturers are well known for
lchak Adizes (The Pursuit of Prime: Maximize your Companys Success with the Adizes Program)
There are some forty-five thousand items in the average American supermarket and more than a quarter of them now contain corn. This goes for the nonfood items as well—everything from the toothpaste and cosmetics to the disposable diapers, trash bags, cleansers, charcoal briquettes, matches, and batteries, right down to the shine on the cover of the magazine that catches your eye by the checkout: corn.
Michael Pollan (The Omnivore's Dilemma: A Natural History of Four Meals)
In critical linguistic research, ‘discourse’ often denotes text and image in real-use contexts. The nature of discourse is multi-faceted: discourse itself constructs ideas and related meanings, and discourse is also the medium through which ideas and related meanings are realised and represented in a range of settings. In turn, this understanding of discourse encompasses text production and text reception. The plural discourses is often employed in order to describe a particular ideological strand in one or a series of texts
Helen Ringrow (The Language of Cosmetics Advertising)
French fries (often dusted with flour before freezing) fried vegetables/tempura fruit fillings and puddings gravy hot dogs ice cream imitation crabmeat, bacon, etc. instant hot drinks ketchup malt/malt flavoring malt vinegar marinades mayonnaise meatballs/meatloaf non-dairy creamer oat bran (unless certified gluten-free) oats (unless certified gluten-free) processed cheese (e.g., Velveeta) roasted nuts root beer salad dressings sausage seitan soups soy sauce and teriyaki sauces syrups tabbouleh trail mix veggie burgers vodka wheatgrass wine coolers The following are miscellaneous sources of gluten: cosmetics lipsticks/lip balm medications non-self-adhesive stamps and envelopes Play-Doh shampoos/conditioners vitamins and supplements (check label) The following ingredients are often code for gluten: amino peptide complex Avena sativa brown rice syrup caramel color (frequently made from barley) cyclodextrin dextrin fermented grain extract Hordeum distichon Hordeum vulgare hydrolysate hydrolyzed malt extract hydrolyzed vegetable protein maltodextrin modified food starch natural flavoring phytosphingosine extract Secale cereale soy protein Triticum aestivum Triticum vulgare vegetable protein (HVP) yeast extract
David Perlmutter
Your lifestyle may expose you to environmental estrogens that can disrupt your body’s natural balance or interfere with proper therapy. Here are some tips from Dr. LaValle to reduce your exposure: 1. Limit drinking out of plastic containers, and when you do, drink only from containers that are free of bisphenol A, better known as BPA. 2. Do not microwave food in plastic containers or covered in plastic. 3. Avoid using personal care items such as face creams, cosmetics, shampoos, tampons, and toiletries that contain environmental estrogens and particularly phthalates. Phthalates are synthetic substances found in many plastics. They have estrogenic properties and are banned as a toxic substance in Europe.
Daniel G. Amen (Unleash the Power of the Female Brain: Supercharging Yours for Better Health, Energy, Mood, Focus, and Sex)
The problem with cosmetics exists only when women feel invisible or inadequate without them. The problem with working out exists only if women hate ourselves when we don’t. When a woman is forced to adorn herself to buy a hearing, when she needs her grooming in order to protect her identity, when she goes hungry in order to keep her job, when she must attract a lover so that she can take care of her children, that is exactly what makes “beauty” hurt. Because what hurts women about the beauty myth is not adornment, or expressed sexuality, or time spent grooming, or the desire to attract a lover. Many mammals groom, and every culture uses adornment. “Natural” and “unnatural” are not the terms in question. The actual struggle is between pain and pleasure, freedom and compulsion.
Anonymous
Our animal selves only really react to actual materials. Our bodies don't twitch at a drawing, so it's important to start a dialogue with mock-ups as soon as possible. Only after physically engaging with materials should we begin drawing floorpans, elevations and site diagrams. But a floorpan for a wooden building is bound to be different to one in stone. How could it not? Doing things the way around- floorpan first, then a cosmetic touch-up- hardly gives materials due credit.
Kengo Kuma (Kengo Kuma: Small Architecture / Natural Architecture)
People think ultranatural means ultrasafe and free from scary chemicals. The reality is that plants are complex. In its raw form, shea butter can be irritating. We recommend sticking to refined shea; you'll have a range of options for texture.
Victoria Fu (Skincare Decoded: The Practical Guide to Beautiful Skin)
For the latest updates on truly natural cosmetics
Beth Greer (Super Natural Home: Improve Your Health, Home, and Planet--One Room at a Time)
The woman who comes to know the goddess grows in the understanding of that divine aspect of her feminine nature that is part of the Self, the archetype of wholeness and the regulating center of the personality. She is not contaminated by external circumstances or overly affected by criticism. The woman conscious of the goddess cares for her body with proper nutrition and exercise and enjoys the ceremonies of bathing, cosmetics and dress. This is not just for the superficial purpose of personal appeal, which is related to ego gratification, but out of respect for the nature of the feminine. Her beauty derives from a vital connection to the Self. Such a woman is virginal. This has nothing to do with a physical state, but with an inner attitude. She is not dependent on the reactions of others to define her own being. The virginal woman is not just a counterpart to the male, whether father, lover or husband. She stands as an equal in her own right. She is not governed by an abstract idea of what she "should" be like or "what people will think.
Nancy Qualls-Corbett (The Sacred Prostitute: Eternal Aspect of the Feminine (Studies in Jungian Psychology by Jungian Analysts, 32))
It is not true that it doesn’t matter where you live, that you are in Hartford or Dallas merely yourself. Also it is not true that all are linked naturally to their regions. Many are flung down carelessly at birth and they experience the diminishment and sometimes the pleasant truculence of their random misplacement. (...) The stain of place hangs on not as a birthright but as a sort of artifice, a bit of cosmetic. I place myself among the imports, those jarring and jarred pieces that sit in the closet among the matching china sets.
Elizabeth Hardwick
We are chemical apes: having discovered the capacity to extract, purify, and react molecules to produce new and wondrous molecules, we have begun to spin a new chemical universe around ourselves. Our bodies our cells, our genes are thus being immersed and reimmersed in a changing flux of molecules -pesticides, pharmaceutical drugs, plastics, cosmetics, estrogens, food products, hormones, even novel forms of physical impulses, such as radiation and magnetism. Some of these, inevitably, will be carcinogenic. We cannot wish this world away; our task, the, is to sift through it vigilantly to discriminate bona fide carcinogens from innocent and useful bystanders.
Siddhartha Mukherjee (The Emperor of All Maladies: A Biography of Cancer)
Once the supervirus controls a certain number of nodes within a culture, it begins to systematically erase that culture's core, including its inherent values and objectives, maintaining only cosmetic features (consider attributes like accents, dress, superficial holidays … nothing representing deep underlying beliefs). . . . The supervirus has already gutted a few of the more progressively minded cultivars to a point at which they are now functionally the same culture wearing different skins … and it won’t stop there, having wrapped its tendrils deep within many more traditional belief systems. In erasing the genuine differences in how these cultures historically saw the world—the “offensive” bits—the supervirus robs us of these cultivars’ rich cultural histories and unique approaches to problems. It achieves equality by shaving off beliefs, objectives, and traditions that may produce genuine conflict among its vassals. The last thing our society needs is a monoculture wearing a skin mask of its victims. 
Malcolm Collins (The Pragmatist's Guide to Governance: From high school cliques to boards, family offices, and nations: A guide to optimizing governance models)
Everything that makes the neck longer is attractive. Extravagance kills the personality. All the superlatives are devalued. Beauty treatments should begin with the heart and the soul, otherwise cosmetics are pointless. The interior of the home is the natural projection of the soul and Balzac was right to attach as much importance to it as he did to clothing. You don't need enthusiasm in order to earn money, you need it in order to spend it. Wealth is not accumulation, it's the exact opposite, it serves to free us, it's the "I've had everything and that everything is nothing." Just as in fashion, you generally begin with something that is too beautiful in order to attain simplicity. I have a hatred of hanging on to things. Almost all our emotional, social and moral troubles stem from the fact that we don't know how to give anything up. Money adds to the decorative pleasures of life but it's not life. Women conceal their defects instead of considering them as yet another asset. You have to know how to take advantage of your flaws and apply them with cunning; if you know how to make use of them, you obtain everything. I have decided to be happy without requiring that daily dose of poison, recently invented, that we call happiness.
Paul Morand (The Allure of Chanel (Pushkin Collection) by Paul Morand (2008-01-01))
Makeup often makes a woman seem like two women.
Mokokoma Mokhonoana
Makeup often makes a man look like he is cheating, not behaving himself, by making his woman look unlike herself.
Mokokoma Mokhonoana
Makeup often makes a woman look like another woman; and/or like she is another woman.
Mokokoma Mokhonoana
Makeup often makes a woman look like she has lotioned her face with a roll-on deodorant.
Mokokoma Mokhonoana
After you have bathed and oiled her with the faintest hint of frankincense, use no other perfume. Apply only the lightest of the cosmetics. She is beautiful without them, so let us not mar her beauty." He studied her. "Dress her in a simple white, semi-sheer tunic. The king will enjoy the ability to see her well. But cover the tunic with a pale blue robe trimmed with purple." Parisa hurried to the garment room and returned with clothing that matched Hegai's description. "Do these suffice, my lord?" Hegai took the tunic and robe and nodded. "Soft and beautiful. Yes. This is perfect. Tie the robe with a purple sash. Place a golden pendant around her neck and hang golden earrings from her ears. Let me see her choice of sandals." Parisa hurried back to the room after laying the garments flat on the bed, which had already been stripped of its linens. She returned with an armful of sandals and set them on a chair. Heegai bent to examine them and pulled a pair of intricately carved leather devoid of jewels from the pile. "You will go as a virgin with hints of wealth to show off your character and your beauty. You may wear your mother's ring, but do not wear bracelets. The less distraction you give him, the better. The king, you shall see, likes simple pleasures, despite the ornate designs you find throughout the palace." "And my hair?" Esther's head spun with his quick choices. She sensed by his look that Hegai had planned this for some time, probably in the hopes that she would ask for his help. She breathed a silent prayer of thanks to Adonai, for she knew she could never have decided on her own. Hegai rubbed his chin and had her turn about. Her long dark hair fell to the middle of her back. To wear it down would be scandalous. Her heart beat faster at the thought, for she had no idea what Hegai would suggest or what the king would desire. "Wear it up. Hold it in place with combs that are easily removed. The king will enjoy removing them.
Jill Eileen Smith (Star of Persia: (An Inspirational Retelling about Queen Esther))
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Krishan Kant said ".......... Have to take a leaf from the philosophy of Mussolini to run train on time? Have we to follow Hitlerian methods to bring discipline in offices and the economy?... (great leaders of India) looked behind such cosmetic measure and saw the real nature of the state. This is why Sir, we choose a different path under the inspiration of Gandhiji...
Kuldip Nayar (Emergency Retold)
Reflections Center for Cosmetic Medicine is so much more than a Medical Spa or Plastic Surgery Group. We provide woman and men across New Jersey with noticeable, but natural-looking cosmetic results, by combining the best in surgical and nonsurgical cosmetic treatments. As we like to say, "People will notice, but no one will know!" Discover what our dedicated physicians can do for you.
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If human nature is basically okay, then the crowd’s demand for Jesus to be a human king makes sense, because only surface, cosmetic change is needed: political reform, better education, or more jobs. But if the influence of evil is pervasive, if it is within each person, then a more radical solution is necessary. If the problem is the human heart, and not the Romans, then the human heart needs a new king. Isn’t that why we find love difficult? We want to be the ruler, to be in control, to have another serve us. Instead of “doing nothing on our own and doing just what our Father wants,” we have ignored God, creating gods that make us feel good about ourselves. Faith is a return to God that says, “I’ve done it my way. I need help.” Living independently of God cuts us off from the power to love and ultimately destroys love.
Paul E. Miller (Love Walked among Us: Learning to Love Like Jesus)
Advertising's ultimate triumph of background over content may have been recently achieved in New Zealand, where graphic designer Fiona Jack conducted a peculiar billboard campaign to market her new product, Nothing.6 "I was thinking about advertising and all its strangeness, its coercive ability to sell the most completely bizarre things to people who usually don't need them," Jack observed. "I realized that the ultimate nonexistent product would be nothing." New Zealand's Outdoor Advertising Association became interested in her idea and agreed to feature the slogan "Nothing-What you've been looking for" on twenty-seven billboards around the Auckland area. The billboard company soon began receiving calls from potential customers wanting to know where they could buy some of that Nothing. "The majority of the population," Jack says, "seem to be convinced that it is either a teaser for a campaign, or a new cosmetic product of a similar nature to the `Simple' cosmetic range.
Robert V. Levine (The Power of Persuasion: How We're Bought and Sold)
Furthermore, many of the same toxins that squeeze the life out of the thyroid affect other systems in the body—weight control, blood sugar balance, even proper brain/body function. These toxins, mostly endocrine disruptors, appear in hundreds of cosmetics, plastic bottles, metal cans, toys, and the pesticides on food that isn’t organic. They interfere with production, release, transportation, activity, and elimination of natural hormones, such as thyroid, insulin, estrogen, and testosterone—and as a result may cause a wide range of problems with the brain and body.
Sara Gottfried (Brain Body Diet: 40 Days to a Lean, Calm, Energized, and Happy Self)
The other HBz acted like they couldn’t be more bored. They sat down at a table, lazily skimmed heavy copies of Italian Vogue, popped pieces of Orbit, and reapplied layers of lip gloss. Jennifer, who used to be a bit on the heavy side, had dramatically slimmed down, no doubt through some combination of starvation and cosmetic surgery. Her lost pounds hadn’t completely disappeared, though; whatever extra pounds she’d shed from her hips had ended up in her bra. Jennifer’s hair, which I remembered as dishwater brown and riotously curl, had been bleached Clairol 252: Never Seen in Nature Blonde. It was also so straight it looked washed, pressed and starched.
Kaavya Viswanathan (How Opal Mehta Got Kissed, Got Wild, and Got a Life)
So you see, this debate isn’t just about commercials and cosmetics, it’s about determining what’s the appropriate relationship between the mind and the body. Are we more fully realized when we minimize the physical part of our natures? And that, you have to agree, is a profound question.
Ted Chiang (Stories of Your Life and Others)
When this reciprocity of self and Nature breaks down, we are left with the world of meaningless matter of capitalism, in which Nature is just pliable stuff to be cuffed into whatever shape we fancy. Civilisation becomes one vast cosmetic surgery. At the same time, the self is divorced from Nature, its own body and the bodies of others. Marx believes that even our physical senses have become 'commodified' under capitalism, as the body, converted into a mere abstract instrument of production, is unable to savour its own sensuous life. Only through communism could we come to feel our own bodies again. Only then, he argues, can we move beyond a brutally instrumental reason and take delight in the spiritual and aesthetic dimensions of the world.
Terry Eagleton (Why Marx Was Right)
Makeup often seems to be used to deceive others into thinking that the woman is not, or is no longer, sane.
Mokokoma Mokhonoana
...and she came to the monk wearing cosmetics, much gold jewelry, and an elaborate silk dress. The monk admonished her gently; 'By supposing your body to require [all this],' he said,'you condemn the Creator for deficiency.' It is a remark that might be interpreted as misogyny, but in the context of the story--the monk pleads that he is only a man with the same nature as hers, and has no special access to God--it is clear that the monk believes the woman to be made in the image of God, good as she is, without unnecessary adornment.
Kathleen Norris (The Cloister Walk)
Daily Mandarin Chinese!每日普通話 Cosmetics do not cover up the deficiencies of nature. 化妝品並不能掩蓋先天性缺陷。 Huàzhuāngpǐn bìng bùnéng yǎngài xiāntiānxìng quēxiàn。
eputonghua6
Most people do not know, or cannot accept what they are, and that this present reality is all that there is. The past is just a memory, and the future merely an expectation. There is only one continuous present moment, the now. This explains concepts such as religion, the afterlife, and reincarnation. It explains why women butcher their bodies, with cosmetic surgery and breast implants. It also explains why people make unrealistic promises when they marry, though they are not swans, are not biologically monogamous. They deny primal instincts, such as violence, hate, and war, naturally exist inside them. For they are, the great pretenders.
Robert Black