Natalie Wood Quotes

Everything's a wheel, turning and turning, never stopping. The frogs is part of it, and the bugs, and the fish, and the wood thrush, too. And people. But never the same ones. Always coming in new, always growing and changing, and always moving on. That's the way it's supposed to be. That's the way it is.

For, through the twilight sounds of crickets and sighing trees, a faint, surprising wisp of music came floating to them and all three turned toward it, toward the wood.

The only time a woman really succeeds in changing a man is when he's a baby.

No connection, you would agree. But things can come together in strange ways. The wood was at the center, the hub of the wheel. All wheels must have a hub. A ferris wheel has one, as the sun is the hub of the wheeling calendar. Fixed points they are, and best left undisturbed, for without them, nothing holds together. But sometimes people find this out too late.

At night, when the sky is full of stars and the sea is still you get the wonderful sensation that you are floating in space.

Time is like a wheel. Turning and turning - never stopping. And the woods are the center; the hub of the wheel. It began the first week of summer, a strange and breathless time when accident, or fate, bring lives together. When people are led to do things, they've never done before. On this summer's day, not so very long ago, the wheel set lives in motion in mysterious ways.

Everything's a wheel, turning and turning, never stopping. The frogs is part of it, and the bugs, and the fish, and the wood thush, too. And people. But never the same ones. Always coming in new, always growing and changing, and always moving on. Thats the way it's suppose to be. That's the way it is. If we didn't move it out ourself, it would stay here forever, trying to get loose, but stuck. That's what us Tucks are, Winnie. We ain't part of the wheel anymore.

My whole day has been a unicorn ride through a field of rainbows

The only time a woman really succeeds in changing a man is when he is a baby."   Natalie Wood

All my life I have had my best experiences when I have responded to material with my heart before my mind.

For the wood was full of light, entirely different from the light she was used to. It was green and amber and alive, quivering in splotches on the padded ground, fanning into sturdy stripes between the tree trunks. There were little flowers she did not recognize, white and palest blue; and endless, tangled vines; and here and there a fallen log, half rotted but soft with patches of sweet green-velvet moss.

The people would have noticed the giant ash tree at the center of the wood, and then, in time, they’d have noticed the little spring bubbling up among its roots in spite of the pebbles piled there to conceal it. And that would have been a disaster so immense that this weary old earth, owned or not to its fiery core, would have trembled on its axis like a beetle on a pin.

I was so overprotected, I used to think I was as delicate as people said I was.

Where did the mother end and the child begin?

Well, thought Winnie, crossing her arms of the windowsill, she was different. Things had happened to her that were hers alone, and had nothing to do with them. It was the first time. And no amount of telling about it could help them understand or share what she felt. It was satisfying and lonely, both at once. She rocked, gazing out at the twilight, and the soothing feeling came reliably into her bones. That feeling—it tied her to them, to her mother, her father, her grandmother, with strong threads too ancient and precious to be broken. But there were new threads now, tugging and insistent, which tied her just as firmly to the Tucks” "Winnie watched the sky slide into blackness over the wood outside her window. There was not the least hint of a breeze to soften the heavy August night. And then, over the treetops, on the faraway horizon, there was a flash of white. Heat lightning. Again and again it throbbed, without a sound. It was like pain, she thought. And suddenly she longed for a thunderstorm." "She cradled her head in her arms and closed her eyes. At once the image of the man in the yellow suit rose up. She could see him again, sprawled motionless on the sun-blanched grass. 'He can't die,' she whispered, thinking of Mae. 'He mustn't.

Between Two Harbors, Reflections of a Catalina Island Harbormaster, tells of my involvement in the death of Natalie Wood, to the many unique and interesting details of life on Catalina Island.

ready for whatever scooted out from under. The water was so deep I had my shortsleeve shirt rolled all the way up to my shoulders. I was aware of how long and skinny my arms must look to her. I know they looked that way to me. I felt pretty strange beside her, actually. Uncomfortable but excited. She was different from the other girls I knew, from Denise or Cheryl on the block or even the girls at school. For one thing she was maybe a hundred times prettier. As far as I was concerned she was prettier than Natalie Wood. Probably she was smarter than the girls I knew too, more sophisticated. She lived in New York City after all and had eaten lobsters. And she moved just like a boy. She had this strong hard body and easy grace about her. All that made me nervous and I missed the first one. Not an enormous crayfish but bigger than what we had. It scudded backward beneath the Rock. She asked if she could try. I gave her the

They had come to the edge of the wood now, with no sign of slowing their rapid jog. The road, where it angled across the meadow, was just ahead, dazzling white in the open sunlight. And there, standing on the road, was the man from the night before, the man in the yellow suit, his black hat on his head. Discovering him, seeing his surprise, and presented at once with choices, Winnie’s mind perversely went blank. Instead of crying out for help, she merely goggled at him as they fled past the spot where he stood. Mae Tuck was the only one who spoke, and the most she could offer was: “Teaching our little girl . . . how to ride!

He's gone," Sara said. "I can feel it. This time for good." Natalie hugged her, and she started to sob. Then Harry shattered the silence with a pained yell, hurling his thermos into the woods. With tears in his eyes, he said, "I want a drink." I hugged him fiercely. "It'll have to be one of my special chais, Harry. Have I made you a dirty one yet?" "I want mine filthy," he said. We trudged back to the museum together, and toasted Coby with dirty vanilla chai lattes.

Winnie woke early next morning. The sun was only just opening its own eye on the eastern horizon and the cottage was full of silence. But she realized that sometime during the night she had made up her mind: she would not run away today. “Where would I go, anyway?” she asked herself. “There’s nowhere else I really want to be.” But in another part of her head, the dark part where her oldest fears were housed, she knew there was another sort of reason for staying at home: she was afraid to go away alone. It was one thing to talk about being by yourself, doing important things, but quite another when the opportunity arose. The characters in the stories she read always seemed to go off without a thought or care, but in real life--well, the world was a dangerous place. People were always telling her so. And she would not be able to manage without protection. They were always telling her that, too. No one ever said precisely what it was that she would not be able to manage. But she did not need to ask. Her own imagination supplied the horrors. Still, it was galling, this having to admit she was afraid. And when she remembered the toad, she felt even more disheartened. What if the toad should be out by the fence again today? What if he should laugh at her secretly and think she was a coward? Well, anyway, she could at least slip out, right now, she decided, and go into the wood. To see if she could discover what had really made the music the night before. That would be something, anyway. She did not allow herself to consider the idea that making a difference in the world might require a bolder venture. She merely told herself consolingly, “Of course, while I’m in the wood, if I decide never to come back, well then, that will be that.” She was able to believe in this because she needed to; and, believing, was her own true, promising friend once more.

From the pay phone at the library I dialed the number on the Missing poster. An elderly female voice identified it as the Natalie Keene Hotline, but in the background I could hear a dishwasher churning. The woman informed me that so far as she knew, the search was still going in the North Woods. Those who wanted to help should report to the main access road and bring their own water. Record temperatures were expected.

The birds had multiplied. She'd installed rows upon rows of floating melamine shelves above shoulder height to accommodate the expression of her once humble collection. Though she'd had bird figurines all over the apartment, the bulk of her prized collection was confined to her bedroom because it had given her joy to wake up to them every morning. Before I'd left, I had a tradition of gifting her with bird figurines. It began with a storm petrel, a Wakamba carving of ebony wood from Kenya I had picked up at the museum gift shop from a sixth-grade school field trip. She'd adored the unexpected birthday present, and I had hunted for them since. Clusters of ceramic birds were perched on every shelf. Her obsession had brought her happiness, so I'd fed it. The tiki bird from French Polynesia nested beside a delft bluebird from the Netherlands. One of my favorites was a glass rainbow macaw from an Argentinian artist that mimicked the vibrant barrios of Buenos Aires. Since the sixth grade, I'd given her one every year until I'd left: eight birds in total. As I lifted each member of her extensive bird collection, I imagined Ma-ma was with me, telling a story about each one. There were no signs of dust anywhere; cleanliness had been her religion. I counted eighty-eight birds in total. Ma-ma had been busy collecting while I was gone. I couldn't deny that every time I saw a beautiful feathered creature in figurine form, I thought of my mother. If only I'd sent her one, even a single bird, from my travels, it could have been the precursor to establishing communication once more. Ma-ma had spoken to her birds often, especially when she cleaned them every Saturday morning. I had imagined she was some fairy-tale princess in the Black Forest holding court over an avian kingdom. I was tempted to speak to them now, but I didn't want to be the one to convey the loss of their queen. Suddenly, however, Ma-ma's collection stirred. It began as a single chirp, a mournful cry swelling into a chorus. The figurines burst into song, tiny beaks opening, chests puffed, to release a somber tribute to their departed beloved. The tune was unfamiliar, yet its melancholy was palpable, rising, surging until the final trill when every bird bowed their heads toward the empty bed, frozen as if they hadn't sung seconds before. I thanked them for the happiness they'd bestowed on Ma-ma.

After Natalie [Wood] and I got back from our honeymoon, I began The Hunters, with Robert Mitchum, directed by Dick Powell. I adored both of them. Powell was one of the great guys of all time, and Mitchum and I became fast friends. He insisted that I call him "Mother Mitchum." One day we cooked up a juvenile practical joke—we hired a girl to sit on a bench at lunchtime without any underpants on. We were in Arizona, at an Air Force base, and from the reaction you'd have thought the men of the United States Air Force had never seen a woman's private parts before. As word spread, we gradually brought the entire base to a halt. The fact that it was juvenile didn't make it any less funny; actually, it made it funnier.

OVERALL, THE MORE STRESSFUL MY LIFE WAS BECOMING, THE MORE DETERMINED I was to get it together, stop acting like a passenger, and climb back behind the wheel where I belonged,

I think,” Thoreau wrote in his essay “Walking,” “that I cannot preserve my health and spirits unless I spend four hours a day at least—and it is commonly more than that—sauntering through the woods and over the hills and fields absolutely free from all worldly engagements.” Ha! Four hours! Clearly Thoreau did not own a smartphone.

Mama and I walked back out of the woods just in time to hear Frannie squeal, "I want to stay here forever!" "Fine by me." Cleo smiled. She opened up her little red cooler and sloshed through the ice. She pulled out an orange soda bottle and passed it to my sister. "We can stay here all day, at least." "Cleo Harness?" yelled a familiar, husky voice from the edge of the woods. "Is that you?" "Pack up!" Cleo hollered. "We're leaving!" She kicked the cooler lid shut and stood up so fast that her camping chair stayed stuck to her behind.

Natalie’s house, not least because of the seventeen-inch Zenith, inside a pale wood cabinet, the biggest television Miri had ever seen. Her grandmother had a set but it was small with rabbit ears and sometimes the picture was snowy. The furniture in the Osners’ den all matched, the beige sofas and club chairs arranged around a Danish modern coffee table, with its neat stacks of magazines—Life, Look, Scientific American, National Geographic. A cloth bag with a wood handle, holding Mrs. Osner’s latest needlepoint project, sat on one of the chairs. A complete set of the Encyclopaedia Britannica took up three shelves of the bookcase, along with family photos, including one of Natalie at summer camp, in jodhpurs, atop a sleek black horse, holding her ribbons, and another of her little sister, Fern, perched on a pony. In one corner of the room was a game table with a chess set standing ready, not that she and Natalie knew how to play, but Natalie’s older brother, Steve, did and sometimes he and Dr. Osner would play for hours.

There were women holding rosaries On the day Manolete died Teenage girls in soft white dresses Standing silent peace respecting Groups of boys held in their hands The fragments of a shattered idol The old men with their traditions challenged Refrained from tears Neck neck hook Poles of wood The Picadors stood eyes ablaze To view the brutal contest In the vale of years Courage unfailing Agility exhausted Youth entered challenge Reached for title shelved The patrons in attendance To disarm a common myth Homage played to the victor of immortality Cloaked in bold tones And in the stockyard Beasts did climb their barriers Bid by a frenzied ring Bred for one purpose only To die in man's sport Dash against the spindle On the day Manolete died On the day An instant fell to wounding On the day Swords penetrating On the day Torches igniting On the day Flower wreaths encircling The day On the day

I haven’t had sex for six months and all this talk is making me…” He struggles to think of a word. “Horny?” I suggest. That makes him laugh. “You really have gotten used to me, haven’t you?” “Sorry. I forget you’re my boss sometimes.” “That’s good. Successful working—and personal—relationships rely on knowing where the other person’s boundaries are, and on understanding their sense of humor. I’m glad you’re used to mine.” “I sometimes wonder what Natalie made of it.” His smile fades. “I don’t think she ever got me. We were like two binary suns, always circling and destined never to meet in the middle.

NATALIE WOOD: And the fan mail departments, too, which no longer exist. In those days, the studios, the executives, used to take great note of the amount of fan mail that would come in from the public to figure out how popular someone really was. And now that’s been abandoned.

There’s only living it. But you see, chère Natalie, what we want most to leave behind is what follows us most closely wherever we go. I also ‘tried’, but then I realized, while living the life I thought I wanted, that who I am could not change. I was in a battle that could never be won. Instead I had to accept.

The roads cut through open fields, through woods. An occasional lone house peers from a hill in the distance. Fisher and Natalie fly. He thinks of his Auntie. He knows this is exactly what she would have wanted for him. To fly. To be free. Free but not alone.

While timing was only part of the issue with Doris Day, it would be a key reason why, from the mid-1950s onward, good people were unable to appear in good musicals. An original like Never Steal Anything Small was unsuccessful on every level—and heinous in its waste of Jimmy Cagney’s talent—while skillful adaptations like Silk Stockings and Bells Are Ringing flopped resoundingly. As fewer opportunities arose, they were sometimes attended by the questionable notion that dubbing solves all problems. This is why Rossano Brazzi and Sidney Poitier could look great, in South Pacific and Porgy and Bess, and sound ostensibly like the opera singers who were doing the actual vocalizing. While dubbing had been present from the very beginning, it achieved some kind of pinnacle from the mid-fifties to the late sixties. Hiring nonsinging names like Deborah Kerr and Rosalind Russell and Natalie Wood and Audrey Hepburn, even nonsinging non-names like Richard Beymer, was viewed as a form of insurance, conviction be damned.8 Casting for name recognition instead of experience has long been part of the film equation, and it cuts both ways. It may, for example, have seemed more astute than desperate to put Lee Marvin and Clint Eastwood into Paint Your Wagon, despite the equivocal results. Nicole Kidman in Moulin Rouge! was far less a musical player than a photogenic, aurally enhanced artifact, and many people left Mamma Mia! wondering if Pierce Brosnan’s execrable singing was intended as a deliberate joke. In contrast with these are the film people who take the plunge with surprising ease.

Filming took place at Research Triangle Park, which was home to three major research universities. Important scenes between Christopher Walken, Natalie Wood, Louise Fletcher and Cliff Robertson were photographed at the Burroughs Wellcome building, where AZT, the first antiretroviral drug approved to treat patients with HIV, was developed.

THROUGHOUT HER LIFE, NATALIE WOOD was the breadwinner in the family. She had bought a house for her Russian parents Nicholas and Maria Gurdin, supported her younger sister Lana Wood, and bestowed gifts on numerous friends.

Losing my mother was the defining moment of my life. No other event would ever again so sharply etch its mark upon my soul, or so completely color the way I navigate the world, or leave my heart quite as broken. We had shared only a little over a decade together, yet I missed her with such intensity that she remained on the cusp of my every thought, the echoes of her face reverberating back to me each time I looked in the mirror.

She was Big Natasha and I was Little Natasha. We were Natasha.

I know I need to be a happy girl so my mom can be happy too. My success ensures her success. We are like the sweet peas tangled on a fence in the backyard, entwined.