Nashville Moving Quotes

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And besides, everything happened the way it needed to. No sense looking back while you’re still moving forward.
Sarah Adams (The Temporary Roomie (It Happened in Nashville, #2))
Here’s the point. If I had waited until the songs were finished, this thing might never have happened. If I had merely tinkered with these songs for all the years it took to finally record them, chances are I would have moved on to other things and never given it a try. It wouldn’t have grown into what it was meant to be. You can think and plan and think some more, but none of that is half as important as doing something, however imperfect or incomplete it is. Intention trumps execution, remember? Sometimes you book the tour before the songs are written. Sometimes you stand at the altar and say “I do” without any clue how you and your wife are going to make it. Sometimes you move to Nashville with no money in the bank and no real prospects. Sometimes you start with nothing and hope it all works out. Not sometimes—every time. All you really have is your willingness to fail, coupled with the mountain of evidence that the Maker has never left nor forsaken you.
Andrew Peterson (Adorning the Dark: Thoughts on Community, Calling, and the Mystery of Making)
After her mother died and Adrienne and her father took up with wanderlust, Adrienne became exposed to new foods. For two years they lived in Maine, where in the summertime they ate lobster and white corn and small wild blueberries. They moved to Iowa for Adrienne's senior year of high school and they ate pork tenderloin fixed seventeen different ways. Adrienne did her first two years of college at Indiana University in Bloomington, where she lived above a Mexican cantina, which inspired a love of tamales and anything doused with habanero sauce. Then she transferred to Vanderbilt in Nashville, where she ate the best fried chicken she'd ever had in her life. And so on, and so on. Pad thai in Bangkok, stone crabs in Palm Beach, buffalo meat in Aspen. As she sat listening to Thatcher, she realized that though she knew nothing about restaurants, at least she knew something about food.
Elin Hilderbrand (The Blue Bistro)
The next morning there was time before the funeral to wander around my sister’s neighborhood, the same neighborhood we moved to when I was in eighth grade and she was in second, the same neighborhood where our father had lived as an even younger child. I found the spot at the end of the road where rusted tracks emerged from the weeds, the exact place where my father had waited for his own father to step off the trolley after work. I stopped at the bridge over the creek where my eighth-grade boyfriend first held my hand. I named to myself all the neighbors who had once lived on our street, every one of them gone now, as a scent drifted on the air that I couldn’t place. Then, finally: gardenia! It blooms in profusion in Birmingham but not at all in Nashville, where I have lived for decades.
Margaret Renkl (The Comfort of Crows: A Backyard Year)
Benjamin Libet, a scientist in the physiology department of the University of California, San Francisco, was a pioneering researcher into the nature of human consciousness. In one famous experiment he asked a study group to move their hands at a moment of their choosing while their brain activity was being monitored. Libet was seeking to identify what came first — the brain’s electrical activity to make the hand move or the person’s conscious intention to make their hand move. It had to be the second one, surely? But no. Brain activity to move the hand was triggered a full half a second before any conscious intention to move it…. John-Dylan Haynes, a neuroscientist at the Max Planck Institute for Human Cognitive and Brain Studies in Leipzig, Germany, led a later study that was able to predict an action ten seconds before people had a conscious intention to do it. What was all the stuff about free will? Frank Tong, a neuroscientist at Vanderbilt University in Nashville, Tennessee, said: “Ten seconds is a lifetime in terms of brain activity.” So where is it coming from if not ‘us,’ the conscious mind?
David Icke
His hand felt odd against her swollen belly. She started to speak at the same moment that the baby suddenly moved. Tate’s hand jerked back as if it had been stung. He stared at her stomach with pure horror as it fluttered again. She couldn’t help it. She burst out laughing. “Is that…normal?” he wanted to know. “It’s a baby,” she said softly. “They move around. He kicks a little. Not much, just yet, but as he grows, he’ll get stronger.” “I never realized…” He drew in a long breath and put his hand back against her body. “Cecily, does it hurt you when he…” He hesitated. His black, stunned eyes met hers. “He?” She nodded. “They can tell, so soon?” “Yes,” she said simply. “They did an ultrasound.” His fingers became caressing. A son. He was going to have a son. He swallowed. It was a shock. He hadn’t thought past her pregnancy, but now he realized that there was going to be a miniature version of himself and Cecily, a child who would embody the traits of all his ancestors. All his ancestors. It made him feel humble. “How did you find me?” she asked. He glared into her eyes. “Not with any help from you, let me tell you! It took me forever to track down the driver who brought you to Nashville. He was off on extended sick leave, and it wasn’t until this week that anybody remembered he’d worked that route before Christmas.” She averted her eyes. “I didn’t want to be found.” “So I noticed. But you have been, and you’re damned well coming home,” he said furiously. “I’m damned if I’m going to leave you here at the mercy of people who go nuts over an inch of snow!” She sat up, displacing his hand, noticed that she was too close to him for comfort, swung her legs off the sofa and got up. “I’m not going as far as the mailbox with you!” she told him flatly. “I’ve made a new life for myself here, and I’m staying!” “That’s what you think.” He got up, too, and went toward the bedroom. He found her suitcase minutes later, threw it open on the bed and started filling it. “I’m not going with you,” she told him flatly. “You can pack. You can even take the suitcase and all my clothes. But I’m not leaving. This is my life now. You have no place in it!” He whirled. He was furious. “You’re carrying my child!” The sight of him was killing her. She loved him, wanted him, needed him, but he was here only out of a sense of duty, maybe even out of guilt. She knew he didn’t want ties or commitments; he’d said so often enough. He didn’t love her, either, and that was the coldest knowledge of all. “Colby asked me to marry him for the baby’s sake,” she said bitterly. “Maybe I should have.” “Over my dead body,” he assured her.
Diana Palmer (Paper Rose (Hutton & Co. #2))
Jamie used the time away from me to do some soul-searching. She finally also did something she’d thought about for a long time. She walked into an Army recruitment office in Nashville and joined the military. She didn’t discuss it with me beforehand. Instead she called and said, “I’m joining the Army. It’s active duty and I’m going to be a truck driver with an airborne contract.” Shocked, I blurted out, “You’re going to do what? No you’re not.” “What do you mean? I’m gonna be a truck driver in a convoy.” I knew she was referring to a seventies country song she likes. Only this wasn’t a country song, this was real life. “Are you crazy? This is not a game. You will hate being a truck driver. You don’t even know if you’ll like being in the military. Go National Guard or Reserves and see if you like it.” “They said I’m already in. Basic is not for another few months but I’m in and I can’t change it.” “Yes you can. You are not in yet. You are not in the military. That was just a recruiter telling you that. Why aren’t you going in as an officer? You have a degree. You can make more money.” She seemed annoyed that I was raining on her parade, but I think it was also dawning on her that maybe I was right and she hadn’t done the research. “They told me that it’s not really that much more.” I explained to her, “They are lying to you. It is a lot more.” I had no problem with her joining the military. If that’s what she wanted to do, I supported it. But I was going to make sure she made the smartest moves she could make if that was in fact what she wanted to do with her life. I certainly wasn’t going to let her be talked into a lower-paid, higher-risk job.
Noah Galloway (Living with No Excuses: The Remarkable Rebirth of an American Soldier)
In June 1981, a strike shuttered the major leagues for fifty days, the first time in baseball history that players walked out during the season. Determined to make his people earn their keep, George Steinbrenner ordered his major-league coaches into the minors to scout and help mentor the organization’s prospects. Berra drew Nashville, where Merrill was the manager. Merrill was a former minor-league catcher with a degree in physical education from the University of Maine. He began working for the Yankees in 1978 at West Haven, Connecticut, in the Eastern League and moved south when the Yankees took control of the Southern League’s Nashville team in 1980. Suddenly, in mid-1981, the former catcher who had never made it out of Double-A ball had the most famous and decorated Yankees backstop asking him, “What do you want me to do?” Wait a minute, Merrill thought. Yogi Berra is asking me to supervise him? “Do whatever you want,” Merrill said. “No,” Berra said. “Give me something specific.” And that was when Merrill began to understand the existential splendor of Yogi Berra, whom he would come to call Lawrence or Sir Lawrence in comic tribute to his utter lack of pretense and sense of importance. “He rode buses with us all night,” Merrill said. “You think he had to do that? He was incredible.” One day Merrill told him, “Why don’t you hit some rollers to that lefty kid over there at first base?” Berra did as he was told and later remarked to Merrill, “That kid looks pretty good with the glove.” Berra knew a prospect when he saw one. It was Don Mattingly, who at the time was considered expendable by a chronically shortsighted organization always on the prowl for immediate assistance at the major-league level.
Harvey Araton (Driving Mr. Yogi: Yogi Berra, Ron Guidry, and Baseball's Greatest Gift)
On my next weekend without the kids I went to Nashville to visit her. We had a great weekend. On Monday morning she kissed me goodbye and left for work. I would drive home while she was at work. Only I didn’t go straight home. I went and paid her recruiting officer a little visit. I walked in wearing shorts and a T-shirt so my injuries were fully visible. The two recruiters couldn’t hide the surprise on their faces. I clearly looked like an injured veteran. Not their typical visitor. “I’m here about Jamie Boyd,” I said. One of the recruiters stood up and said, “Yes, I’m working with Jamie Boyd. How can I help you?” I walked to the center of the room between him and the female recruiter who was still seated at her desk and said, “Jamie Boyd is not going to be active duty. She is not going to be a truck driver. She wants to change her MOS and you’re not going to treat her like some high school student. She has a degree. She is a young professional and you will treat her as such.” “Yes, sir, yes, sir. We hold ourselves to a higher standard. We’ll do better. I’m sorry,” he stammered. “You convinced her she can’t change anything. That’s a lie. It’s paperwork. Make it happen.” “Yes, sir, yes, sir.” That afternoon Jamie had an appointment at the recruitment center anyway for more paperwork. Afterward, she called me, and as soon as I answered, without even a hello, she said, “What have you done?” “How were they acting?” I asked, sounding really pleased with myself. “Like I can have whatever I want,” she answered. “You’re welcome. Find a better job.” She wasn’t mad about it. She just laughed and said, “You’re crazy.” “I will always protect you. You were getting screwed over. And I’m sorry you didn’t know about it, but you wouldn’t have let me go if I had told you ahead of time.” “You’re right, but I’m glad you did.” Jamie ended up choosing MP, military police, as her MOS because they offered her a huge signing bonus. We made our reunion official and she quit her job in Nashville to move back to Birmingham. She had a while before basic training, so she moved back in with me. We were both very happy, and as it turned out, some very big changes were about to happen beyond basic training.
Noah Galloway (Living with No Excuses: The Remarkable Rebirth of an American Soldier)
Nashville bike store: With 110 people moving to Nashville every day, people are wasting more and more time every day sitting in traffic.
Donald Miller (Marketing Made Simple: A Step-by-Step StoryBrand Guide for Any Business (Made Simple Series))
Nashville bike store: With 110 people moving to Nashville every day, people are wasting more and more time every day sitting in traffic. With a Circuit E-bike fitted just for you, you’ll get hours back in your day and get to work faster.
Donald Miller (Marketing Made Simple: A Step-by-Step StoryBrand Guide for Any Business (Made Simple Series))
Carl finally came home and would come to see me almost every night, usually staying to the wee hours. He was working with his father in his asphalt-paving business in South Nashville and I was living in Madison, Tennessee. Between that and the time he spent with me, he wasn’t getting any sleep at all. Finally, one day he said, quite matter-of-factly, “You’re either gonna have to move to the other side of town or we’re gonna have to get married.” That, to Carl, was a proposal. People always want to know how he asked me to marry him, and I always have to say, “He didn’t exactly ask.” Part of me was thrilled that he wanted to marry me, but another part was a little taken aback. That must have been the strongest part because that was the one that answered. “You never have even said you loved me.” “Hell, you know I love you,” was Carl’s answer. I attribute this to that same kind of unspoken communication that I explained when describing life with my daddy. It is one of the Parton/Dean rules of conduct I have become a one-woman committee to abolish. Always at holidays or other family gatherings, people would hug and say good-bye, but they would never say “I love you.” Sure, I know that the love is there, but dammit, I want to hear it! I was the first one in my family, that I know of, to ever tell other family members that I loved them. One day, after I had been living away from home for many years, I was saying good-bye to Daddy when I told him, “I love you.” He responded in the usual nonverbal, look-at-the-ground Parton way, and I just couldn’t stand it anymore. I took his head between my hands and made him look me right in the eye. “You tell me you love me,” I demanded. With no small amount of embarrassment he said, “Aww, you know I love you’uns” (a mountain word meaning more than one). “Not you’uns!” I kept on. “This has got nothing to do with Cassie or Bobby or anybody else. I want to know if you”—I emphasized the word by poking my finger into his chest—“love me,” I said with an emphatic point toward myself. He tried to look to one side, but I held his face firmly. He blushed and sputtered and finally said haltingly, “I love you.” That must have been the crack in the dam. Once the top man had fallen, it was easier to teach the rest of the Partons to say “I love you.” Now it is something we all do freely. It is still not something Carl does on a regular basis. But now and then, in a kind of sidewinding way, he will say it.
Dolly Parton (Dolly: My Life and Other Unfinished Business)
Conceptually, this was an approach borrowed more from the world of freight movers than communications experts. Think of each message as if it were a large house and ask yourself how you would move that house across the country from, say, Boston to Los Angeles. Theoretically, you could move the whole structure in one piece. House movers do it over shorter distances all the time—slowly and carefully. However, it’s more efficient to disassemble the structure if you can, load the pieces onto trucks, and drive those trucks over the nation’s interstate highway system—another kind of distributed network. Not every truck will take the same route; some drivers might go through Chicago and some through Nashville. If a driver learns that the road is bad around Kansas City, for example, he may take an alternate route. As long as each driver has clear instructions telling him where to deliver his load and he is told to take the fastest way he can find, chances are that all the pieces will arrive at their destination in L.A. and the house can be reassembled on a new site. In some cases the last truck to leave Boston might be the first to arrive in L.A., but if each piece of the house carries a label indicating its place in the overall structure, the order of arrival doesn’t matter. The rebuilders can find the right parts and put them together in the right places. In
Katie Hafner (Where Wizards Stay Up Late: The Origins Of The Internet)
In my family, race was not a construction, or a theory, or an outdated consequence of history, but the active, living foundation of our reality. Race determined the contours of every choice we made; every mundane public act we performed was a project with a name. When we moved into our house, it was called integration. When my older brother and I entered the public school system, it was called desegregation. The split between black and white was not metaphorical; railroad tracks divided black and white Nashville. On the white side of town, South Nashville, we played a role in a grand project of enormous proportions. We lived in South Nashville, but in North Nashville we could be black in a way that was not possible in any other part of the city. In North Nashville, no one white was watching. We could relax. We were free.
Emily Bernard (Black Is the Body: Stories from My Grandmother's Time, My Mother's Time, and Mine)
Making music is like constructing a machine whose function is to dredge up emotions in performer and listener alike. Some people find this idea repulsive, because it seems to relegate the artist to the level of trickster, manipulator, and deceiver—a kind of self-justifying onanist. They would prefer to see music as an expression of emotion rather than a generator of it, to believe in the artist as someone with something to say. I’m beginning to think of the artist as someone who is adept at making devices that tap into our shared psychological makeup and that trigger the deeply moving parts we have in common. In that sense, the conventional idea of authorship is questionable. Not that I don’t want credit for the songs I’ve written, but what constitutes authorship is maybe not what we would like it to be. This queasiness about rethinking how music works is also connected with the idea of authenticity: the idea that musicians who appear to be “down-home,” or seem to be conveying aspects of their own experience, must therefore be more “real.” It can be disillusioning to find out that the archetypical rock and roll persona is an act, and that none of the “country” folk in Nashville really wear cowboy hats (well, except during their public appearances and photo shoots).
David Byrne (How Music Works)