“
It was a hurting tune, resigned, a cry of heartache for all in the world that fell apart. As ash rose black against the brilliant sky, Fire's fiddle cried out for the dead, and for the living who stay behind to say goodbye.
”
”
Kristin Cashore (Fire (Graceling Realm, #2))
“
Albert Camus wrote that the only serious question is whether to kill yourself or not.
Tom Robbins wrote that the only serious question is whether time has a beginning and an end.
Camus clearly got up on the wrong side of bed, and Robbins must have forgotten to set the alarm.
There is only one serious question. And that is: Who knows how to make love stay?
Answer me that and I will tell you whether or not to kill yourself.
”
”
Tom Robbins (Still Life with Woodpecker)
“
I want a life that sizzles and pops and makes me laugh out loud. And I don't want to get to the end, or to tomorrow, even, and realize that my life is a collection of meetings and pop cans and errands and receipts and dirty dishes. I want to eat cold tangerines and sing out loud in the car with the windows open and wear pink shoes and stay up all night laughing and paint my walls the exact color of the sky right now. I want to sleep hard on clean white sheets and throw parties and eat ripe tomatoes and read books so good they make me jump up and down, and I want my everyday to make God belly laugh, glad that he gave life to someone who loves the gift.
”
”
Shauna Niequist (Cold Tangerines: Celebrating the Extraordinary Nature of Everyday Life)
“
I'm always amazed at friends who say they try to read at night in bed but always end up falling asleep. I have the opposite problem. If a book is good I can't go to sleep, and stay up way past my bedtime, hooked on the writing. Is anything better than waking up after a late-night read and diving right back into the plot before you even get out of bed to brush your teeth?
”
”
John Waters (Role Models)
“
Some people you meet and they're your friend for a day. Some you meet and you never really know at all. And then there are those who get caught inside your soul and stay there forever.
”
”
Melodie Ramone (After Forever Ends)
“
Take a drink every time you hear you’re not enough.
Not the right fit.
Not the right look.
Not the right focus.
Not the right drive.
Not the right time.
Not the right job.
Not the right path.
Not the right future.
Not the right present.
Not the right you.
Not you.
(Not me?)
There’s just something missing.
From us.
What could I have done?
Nothing. It’s just…
(Who you are.)
I didn’t think we were serious.
(You’re just too…
…sweet.
…soft.
…sensitive.)
I just don’t see us ending up together.
I met someone.
I’m sorry
It’s not you.
Swallow it down.
We’re not on the same page.
We’re not in the same place.
It’s not you.
We can’t help who we fall in love with.
(And who we don’t.)
You’re such a good friend.
You’re going to make the right girl happy.
You deserve better.
Let’s stay friends.
I don’t want to lose you.
It’s not you.
I’m sorry.
”
”
Victoria Schwab (The Invisible Life of Addie LaRue)
“
Girls are taught a lot of stuff growing up. If a guy punches you he likes you. Never try to trim your own bangs and someday you will meet a wonderful guy and get your very own happy ending. Every movie we see, Every story we're told implores us to wait for it, the third act twist, the unexpected declaration of love, the exception to the rule. But sometimes we're so focused on finding our happy ending we don't learn how to read the signs. How to tell from the ones who want us and the ones who don't, the ones who will stay and the ones who will leave. And maybe a happy ending doesn't include a guy, maybe... it's you, on your own, picking up the pieces and starting over, freeing yourself up for something better in the future. Maybe the happy ending is... just... moving on. Or maybe the happy ending is this, knowing after all the unreturned phone calls, broken-hearts, through the blunders and misread signals, through all the pain and embarrassment you never gave up hope.
”
”
Greg Behrendt
“
Some people think love is the end of the road, and if you're lucky enough to find it, you stay there. Other people say it just becomes a cliff you drive off, but most people who've been around awhile know it's just a thing that changes day by day, and depending on how much you fight for it, you get it, or you hold on to it, or you lose it, but sometimes it's never even there in the first place.
”
”
Colum McCann (Let the Great World Spin)
“
We were all supposed to make it,” said Wylan softly. Maybe that was naive, the protest of a rich merchant’s son who’d only had a taste of Barrel life.
But Jesper realized he’d been thinking the same thing. After all their mad escapes and close calls, he’d started to believe the six of them were somehow charmed, that his guns, Kaz’s brains, Nina’s wit, Inej’s talent, Wylan’s ingenuity, and Matthias’ strength had made them somehow untouchable. They might suffer. They might take their knocks, but Wylan was right, in the end they were all supposed to stay standing.
“No mourners,” said Jesper, surprised by the ache of tears in his throat.
“No funerals,” they all replied softly.
”
”
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
“
It can be difficult to leave a long-term relationship, even when our inner-wisdom tells us it's time to let go. At this point, we can choose let go and endure the intense pain of leaving behind the familiar to make way for a new chapter in our life. Or we can stay and suffer a low-grade pain that slowly eats away at our heart and soul, like an emotional cancer. Until we wake up, one day and realize, we are buried so deep in the dysfunction of the relationship that we scarcely remember who we were and what we wanted and needed to be.
”
”
Jaeda DeWalt
“
According to Buddhism, the root of suffering is neither the feeling of pain nor of sadness nor even of meaninglessness. Rather, the real root of suffering is this never-ending and pointless pursuit of ephemeral feelings, which causes us to be in a constant state of tension, restlessness and dissatisfaction. Due to this pursuit, the mind is never satisfied. Even when experiencing pleasure, it is not content, because it fears this feeling might soon disappear, and craves that this feeling should stay and intensify. People are liberated from suffering not when they experience this or that fleeting pleasure, but rather when they understand the impermanent nature of all their feelings, and stop craving them. This is the aim of Buddhist meditation practices. In meditation, you are supposed to closely observe your mind and body, witness the ceaseless arising and passing of all your feelings, and realise how pointless it is to pursue them. When the pursuit stops, the mind becomes very relaxed, clear and satisfied. All kinds of feelings go on arising and passing – joy, anger, boredom, lust – but once you stop craving particular feelings, you can just accept them for what they are. You live in the present moment instead of fantasising about what might have been. The resulting serenity is so profound that those who spend their lives in the frenzied pursuit of pleasant feelings can hardly imagine it. It is like a man standing for decades on the seashore, embracing certain ‘good’ waves and trying to prevent them from disintegrating, while simultaneously pushing back ‘bad’ waves to prevent them from getting near him. Day in, day out, the man stands on the beach, driving himself crazy with this fruitless exercise. Eventually, he sits down on the sand and just allows the waves to come and go as they please. How peaceful!
”
”
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
“
Real heroes are men who fall and fail and are flawed, but win out in the end because they've stayed true to their ideals and beliefs and commitments.
”
”
Kevin Costner
“
You give a lot of great advice about what to do. Do you have any advice of what not to do?
Don’t do what you know on a gut level to be the wrong thing to do. Don’t stay when you know you should go or go when you know you should stay. Don’t fight when you should hold steady or hold steady when you should fight. Don’t focus on the short-term fun instead of the long-term fall out. Don’t surrender all your joy for an idea you used to have about yourself that isn’t true anymore. Don’t seek joy at all costs. I know it’s hard to know what to do when you have a conflicting set of emotions and desires, but it’s not as hard as we pretend it is. Saying it’s hard is ultimately a justification to do whatever seems like the easiest thing to do—have the affair, stay at that horrible job, end a friendship over a slight, keep loving someone who treats you terribly. I don’t think there’s a single dumbass thing I’ve done in my adult life that I didn’t know was a dumbass thing to do while I was doing it. Even when I justified it to myself—as I did every damn time—the truest part of me knew I was doing the wrong thing. Always. As the years pass, I’m learning how to better trust my gut and not do the wrong thing, but every so often I get a harsh reminder that I’ve still got work to do.
”
”
Cheryl Strayed (Tiny Beautiful Things: Advice on Love and Life from Dear Sugar)
“
In the end I sort of though we created a companion who was so alive and dynamic and so wedded to the doctor that you’d need a whole universe to contain her in. The only way to get rid of her is to send her into a parallel world from which she can never return; otherwise she would stay with the doctor forever.
”
”
Russell T. Davies
“
Such lonely, lost things you find on your way. It would be easier, if you were the only one lost. But lost children always find each other, in the dark, in the cold. It is as though they are magnetized and can only attract their like. How I would like to lead you to brave, stalwart friends who would protect you and play games with dice and teach you delightful songs that have no sad endings. If you would only leave cages locked and turn away from unloved Wyverns, you could stay Heartless.
”
”
Catherynne M. Valente (The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making (Fairyland, #1))
“
Frodo: 'It's a pity Bilbo didn't kill Gollum when he had the chance.'
Gandalf: 'Pity? It's a pity that stayed Bilbo's hand. Many that live deserve death. Some that die deserve life. Can you give it to them, Frodo? Do not be too eager to deal out death in judgment. Even the very wise cannot see all ends. My heart tells me that Gollum has some part to play in it, for good or evil, before this is over. The pity of Bilbo may rule the fate of many.' Frodo: 'I wish the Ring had never come to me. I wish none of this had happened.'
Gandalf: 'So do all who live to see such times, but that is not for them to decide. All we have to decide is what to do with the time that is given to us. There are other forces at work in this world, Frodo, besides that of evil. Bilbo was meant to find the Ring, in which case you were also meant to have it. And that is an encouraging thought.
”
”
J.R.R. Tolkien
“
There are things we never tell anyone. We want to but we can’t. So we write them down. Or we paint them. Or we sing about them. It’s our only option. To remember. To attempt to discover the truth. Sometimes we do it to stay alive. These things, they live inside of us. They are the secrets we stash in our pockets and the weapons we carry like guns across our backs. And in the end we have to decide for ourselves when these things are worth fighting for, and when it’s time to throw in the towel. Sometimes a person has to die in order to live. Deep down, I know you know this. You just can’t seem to do anything about it. I guess it’s a sad fact of life that some of us move on and some of us inevitably stay behind. Only in this case I’m not sure which one of us is doing which. You were right about one thing though. It’s not fate. It’s a choice. And who knows, maybe we’ll meet again someday, somewhere up above all the noise. Until then, when you think of me, try and remember the good stuff. Try and remember the love.
”
”
Tiffanie DeBartolo (How to Kill a Rock Star)
“
And you taught me what this feels like.
And then how it feels to lose it.
And you showed me who I wanted.
And then who I wasn’t.
And you ticked every box.
And then drew a line.
And you weren’t mine to begin with.
And then not to end with.
And you looked like everything I wanted.
And then became something I hated.
And you get thought of every day.
And then not in a good way.
And you let me leave.
And then wish I’d stayed.
And you almost killed me.
But I didn’t die.
”
”
pleasefindthis
“
What did I know of life, I who had lived so carefully? Who had neither won nor lost, but just let life happen to him? Who had the usual ambitions and settled all too quickly for them not being realised? Who avoided being hurt and called it a capacity for survival? Who paid his bills, stayed on good terms with everyone as far as possible, for whom ecstasy and despair soon became just words once read in novels? One whose self-rebukes never really inflicted pain? Well, there was all this to reflect upon, while I endured a special kind of remorse: a hurt inflicted at long last on one who always thought he knew how to avoid being hurt—and inflicted for precisely that reason.
”
”
Julian Barnes (The Sense of an Ending)
“
Eleanor stayed with Franklin after his repeated infidelities, and yet toward the end of her life, she regretted it, and advised her children to choose differently. ‘Never for a minute would I advocate that people who no longer love each other should live together because it does not bring the right atmosphere into a home,’ she wrote. She added that it was sad when a couple was unable to make a success of marriage, ‘but I feel it is equally unwise for people to bring up children in homes where love no longer exists.
”
”
Anne Michaud (Why They Stay: Sex Scandals, Deals, and Hidden Agendas of Eight Political Wives)
“
Closing The Cycle
One always has to know when a stage comes to an end. If we insist on staying longer than the necessary time, we lose the happiness and the meaning of the other stages we have to go through. Closing cycles, shutting doors, ending chapters - whatever name we give it, what matters is to leave in the past the moments of life that have finished.
Did you lose your job? Has a loving relationship come to an end? Did you leave your parents' house? Gone to live abroad? Has a long-lasting friendship ended all of a sudden?
You can spend a long time wondering why this has happened. You can tell yourself you won't take another step until you find out why certain things that were so important and so solid in your life have turned into dust, just like that. But such an attitude will be awfully stressing for everyone involved: your parents, your husband or wife, your friends, your children, your sister, everyone will be finishing chapters, turning over new leaves, getting on with life, and they will all feel bad seeing you at a standstill.
None of us can be in the present and the past at the same time, not even when we try to understand the things that happen to us. What has passed will not return: we cannot for ever be children, late adolescents, sons that feel guilt or rancor towards our parents, lovers who day and night relive an affair with someone who has gone away and has not the least intention of coming back.
Things pass, and the best we can do is to let them really go away. That is why it is so important (however painful it may be!) to destroy souvenirs, move, give lots of things away to orphanages, sell or donate the books you have at home. Everything in this visible world is a manifestation of the invisible world, of what is going on in our hearts - and getting rid of certain memories also means making some room for other memories to take their place.
Let things go. Release them. Detach yourself from them. Nobody plays this life with marked cards, so sometimes we win and sometimes we lose. Do not expect anything in return, do not expect your efforts to be appreciated, your genius to be discovered, your love to be understood. Stop turning on your emotional television to watch the same program over and over again, the one that shows how much you suffered from a certain loss: that is only poisoning you, nothing else.
Nothing is more dangerous than not accepting love relationships that are broken off, work that is promised but there is no starting date, decisions that are always put off waiting for the "ideal moment." Before a new chapter is begun, the old one has to be finished: tell yourself that what has passed will never come back. Remember that there was a time when you could live without that thing or that person - nothing is irreplaceable, a habit is not a need. This may sound so obvious, it may even be difficult, but it is very important.
Closing cycles. Not because of pride, incapacity or arrogance, but simply because that no longer fits your life. Shut the door, change the record, clean the house, shake off the dust. Stop being who you were, and change into who you are.
”
”
Paulo Coelho
“
All right ... anyone who gets into one of these cars outside is in it for the long haul … If you even think you’re not ready to put your life on the line for everyone here, then you stay behind. If you screw us out there, I will end you.” He flashed a rather charming smile. “And I will probably enjoy it.
”
”
Jennifer L. Armentrout (Origin (Lux, #4))
“
... What do you want, Ash?"
"Your head," Ash answered softly. "On a pike. But what I want doesn't matter this time." He pointed his sword at me. "I've come for her."
I gasped as my heart and stomach began careening around my chest. He's here for me, to kill me, like he promised at Elysium.
"Over my dead body." Puck smiled, as if this was a friendly conversation on the street, but I felt muscles coiling under his skin.
"This was part of the plan." The prince raised his sword, the icy blade wreathed in mist. "I will avenge her today, and put her memory to rest." For a moment, a shadow of anguish flitted across his face, and he closed his eyes. When he opened them, they were cold and glittered with malice. "Prepare yourself."
"Stay back, princess," Puck warned, pushing me out of the way. He reached into his boot and pullet out a dagger, the curved blade clear as glass. "This might get a little rough."
"Puck, no." I clutched at his sleeve. "Don't fight him. Someone could die."
"Duels to the death tend to end that way." Puck grinned, but it was a savage thing, grim and frightening. "But I'm touched that you care. One moment, princeling," he called to Ash, who inclined his head. Taking my wrist, Puck steered me behind the fountain and bent close, his breath warm on my face.
"I have to do this, princess," he said firmly. "Ash won't let us go without a fight, and this has been coming for a long time now." For a moment, a shadow of regret flickered across his face, but then it was gone.
"So," he murmured, grinning as he tilted my chin up, "before I march off to battle, how 'bout a kiss for luck?"
I hesitated, wondering why now, of all times, he would ask for a kiss. He certainly didn't think of me in that way... did he?
”
”
Julie Kagawa (The Iron King (The Iron Fey, #1))
“
because the people who reach the end of their days must leave others who have to live out their days without them. It is very, very difficult to be the one who has to stay behind and live without them.
”
”
Fredrik Backman (My Grandmother Asked Me to Tell You She's Sorry)
“
Getting to the next level always requires ending something, leaving it behind, and moving on. Growth itself demands that we move on. Without the ability to end things, people stay stuck, never becoming who they are meant to be, never accomplishing all that their talents and abilities should afford them.
”
”
Henry Cloud (Necessary Endings: The Employees, Businesses, and Relationships That All of Us Have to Give Up in Order to Move Forward)
“
To the most inconsiderate asshole of a friend,
I’m writing you this letter because I know that if I say what I have to say
to your face I will probably punch you.
I don’t know you anymore.
I don’t see you anymore.
All I get is a quick text or a rushed e-mail from you every few days. I
know you are busy and I know you have Bethany, but hello? I’m supposed to
be your best friend.
You have no idea what this summer has been like. Ever since we were
kids we pushed away every single person that could possibly have been our
friend. We blocked people until there was only me and you. You probably
haven’t noticed, because you have never been in the position I am in now.
You have always had someone. You always had me. I always had you. Now
you have Bethany and I have no one.
Now I feel like those other people that used to try to become our friend,
that tried to push their way into our circle but were met by turned backs. I
know you’re probably not doing it deliberately just as we never did it deliberately.
It’s not that we didn’t want anyone else, it’s just that we didn’t need
them. Sadly now it looks like you don’t need me anymore.
Anyway I’m not moaning on about how much I hate her, I’m just trying
to tell you that I miss you. And that well . . . I’m lonely.
Whenever you cancel nights out I end up staying home with Mum and
Dad watching TV. It’s so depressing. This was supposed to be our summer
of fun. What happened? Can’t you be friends with two people at once?
I know you have found someone who is extra special, and I know you
both have a special “bond,” or whatever, that you and I will never have. But
we have another bond, we’re best friends. Or does the best friend bond disappear
as soon as you meet somebody else? Maybe it does, maybe I just
don’t understand that because I haven’t met that “somebody special.” I’m
not in any hurry to, either. I liked things the way they were.
So maybe Bethany is now your best friend and I have been relegated to
just being your “friend.” At least be that to me, Alex. In a few years time if
my name ever comes up you will probably say, “Rosie, now there’s a name I
haven’t heard in years. We used to be best friends. I wonder what she’s doingnow; I haven’t seen or thought of her in years!” You will sound like my mum
and dad when they have dinner parties with friends and talk about old times.
They always mention people I’ve never even heard of when they’re talking
about some of the most important days of their lives. Yet where are those
people now? How could someone who was your bridesmaid 20 years ago not
even be someone who you are on talking terms with now? Or in Dad’s case,
how could he not know where his own best friend from college lives? He
studied with the man for five years!
Anyway, my point is (I know, I know, there is one), I don’t want to be
one of those easily forgotten people, so important at the time, so special, so
influential, and so treasured, yet years later just a vague face and a distant
memory. I want us to be best friends forever, Alex.
I’m happy you’re happy, really I am, but I feel like I’ve been left behind.
Maybe our time has come and gone. Maybe your time is now meant to be
spent with Bethany. And if that’s the case I won’t bother sending you this letter.
And if I’m not sending this letter then what am I doing still writing it?
OK I’m going now and I’m ripping these muddled thoughts up.
Your friend,
Rosie
”
”
Cecelia Ahern (Love, Rosie)
“
Who am I? And how I wonder, will this story end? . . .
My life? It is'nt easy to explain. It has not been the rip-roaring spectacular I fancied it woulf be, but neither have I burrowed around with the gophers. i suppose it has most resembled a bluechip stock: fairly stable, more ups and downs, and gradually tending over time. A good buy, a lucky buy, and I've learned that not everyone can say this about his life. But do not be misled. I am nothing special; of this I am sure. I am common man with common thought and I've led a common life. There are no monuments dedicated to me, and my name will soon be forgotten, but I've loved another with all my heart and soul, and to me, this has always been enough.
The romantics would call this a love story, the cynics would call it a tragedy. In my mind, it's a little bit of both, and no matter how you choose to view it in the end, it does not change the fact that involves a great deal of my life and the path I've chosen to follow. I have no complaints about the places it has taken me, enough complaints to fill a circus tent about other thins, maybe, but the path I've chosen has always been the right one, and I would'nt have had it any other way.
Time, unfortunatley, does'nt make it easy to stay on course. The path is straight as ever, but now it is strewn with the rocks and gravel that accumulated over a lifetime . . .
There is always a moment right before I begin to read the story when my mind churns, and I wonder, will it happen today? I don't know, for I never know beforehand, and deep down it really doesn't matter. It's the possibility that keeps me going, not the guarantee, a sort of wager on my part. And though you may call me a dreamer or a fool or any other thing, I believe that anything is possible.
I realize that odds, and science, are againts me. But science is not the answer; this I know, this I have learned in my lifetime. And that leaves me with the belief that miracles, no matter how inexplicable or unbelievable, are real and can occur without regard to the natural order of things. So once again, just as I do ecery day, I begin to read the notebook aloud, so that she can hear it, in the hope that the miracle, that has come to dominate my life will once again prevail.
And maybe, just maybe, it will.
”
”
Nicholas Sparks (The Notebook (The Notebook, #1))
“
Without the ability to end things, people stay stuck, never becoming who they are meant to be, never accomplishing all that their talents and abilities should afford them.
”
”
Henry Cloud (Necessary Endings: The Employees, Businesses, and Relationships That All of Us Have to Give Up in Order to Move Forward)
“
So love is like a test, but in what sense? To what end? Who was carrying out the test? But I think I did believe that love had immense power to unearth all that was good in us, refine us and reveal to us the better versions of ourselves.
”
”
Ayọ̀bámi Adébáyọ̀ (Stay with Me)
“
Since I am writing a book about depression, I am often asked in social situations to describe my own experiences, and I usually end by saying that I am on medication.
“Still?” people ask. “But you seem fine!” To which I invariably reply that I seem fine because I am fine, and that I am fine in part because of medication.
“So how long do you expect to go on taking this stuff?” people ask. When I say that I will be on medication indefinitely, people who have dealt calmly and sympathetically with the news of suicide attempts, catatonia, missed years of work, significant loss of body weight, and so on stare at me with alarm.
“But it’s really bad to be on medicine that way,” they say. “Surely now you are strong enough to be able to phase out some of these drugs!” If you say to them that this is like phasing the carburetor out of your car or the buttresses out of Notre Dame, they laugh.
“So maybe you’ll stay on a really low maintenance dose?” They ask. You explain that the level of medication you take was chosen because it normalizes the systems that can go haywire, and that a low dose of medication would be like removing half of your carburetor. You add that you have experienced almost no side effects from the medication you are taking, and that there is no evidence of negative effects of long-term medication. You say that you really don’t want to get sick again. But wellness is still, in this area, associated not with achieving control of your problem, but with discontinuation of medication.
“Well, I sure hope you get off it sometime soon,” they say.
”
”
Andrew Solomon (The Noonday Demon: An Atlas of Depression)
“
Gmorning.
YOU ARE SO LOVED AND WE LIKE
HAVING YOU AROUND.
*ties one end of this sentence to your heart,
the other end to everyone who loves you,
even the ones you haven’t heard from for a
while*
*checks knots*
THERE. STAY PUT, YOU.
Gnight.
YOU ARE SO LOVED AND WE LIKE
HAVING YOU AROUND.
*ties one end of this sentence to your heart, the
other end to everyone who loves you in this life,
even if clouds obscure your view*
*checks knots*
THERE. STAY PUT, YOU.
TUG IF YOU NEED ANYTHING.
”
”
Lin-Manuel Miranda (Gmorning, Gnight!: Little Pep Talks for Me & You)
“
What does it matter? They’re coming, and we’re staying, and at the end of the day whoever is alive is the side that wins. War doesn’t determine who’s right. War determines who remains.
”
”
R.F. Kuang (The Poppy War (The Poppy War, #1))
“
Once I dreamed I kept a perfect little bed and breakfast by the seaside, and to everyone who came to stay with me I would say, in that tongue, 'Be whole,' and they would become whole, not be broken people, not any longer, because I had spoken the language of shaping.
”
”
Neil Gaiman (The Ocean at the End of the Lane)
“
I don't feel like a trauma victim. I feel like a house after a fire. And sometimes I fell like someone who died but stayed in his body. And sometimes I feel like someone else died, like someone else sacrificed everything, so that I can have a normal life.
With wings.
And a tail.
And vampires.
And magicians.
And a boy in my arms, instead of a girl.
And a happy ending—even if it isn't the ending I ever would have dreamt for myself, or hoped for.
A chance.
”
”
Rainbow Rowell (Carry On)
“
In a duel, man to man, sword against sword, it can be a lack of skill that gets you killed. Often as not, though, it'll be a matter of luck, or if it goes on too long, then it'll be the man who tires first that tends to die.
In the end it's about staying power. They should put that on headstones, "Got tired.
”
”
Mark Lawrence (Prince of Thorns (Broken Empire, #1))
“
Because what you give your attention to is the person you become. Put another way: the mind is the portal to the soul, and what you fill your mind with will shape the trajectory of your character. In the end, your life is no more than the sum of what you gave your attention to. That bodes well for those apprentices of Jesus who give the bulk of their attention to him and to all that is good, beautiful, and true in his world. But not for those who give their attention to the 24-7 news cycle of outrage and anxiety and emotion-charged drama or the nonstop feed of celebrity gossip, titillation, and cultural drivel. (As if we “give” it in the first place; much of it is stolen by a clever algorithm out to monetize our precious attention.) But again: we become what we give our attention to, for better or worse.
”
”
John Mark Comer (The Ruthless Elimination of Hurry: How to stay emotionally healthy and spiritually alive in the chaos of the modern world)
“
To err is to wander and wandering is the way we discover the world and lost in thought it is the also the way we discover ourselves. Being right might be gratifying but in the end it is static a mere statement. Being wrong is hard and humbling and sometimes even dangerous but in the end it is a journey and a story. Who really wants to stay at home and be right when you can don your armor spring up on your steed and go forth to explore the world True you might get lost along get stranded in a swamp have a scare at the edge of a cliff thieves might steal your gold brigands might imprison you in a cave sorcerers might turn you into a toad but what of what To fuck up is to find adventure: it is in the spirit that this book is written.
”
”
Kathryn Schulz (Being Wrong: Adventures in the Margin of Error)
“
You don't realize how terrifying the world can be for someone like that, someone who would rather stay in a familiar hole than an unfamiliar mansion.
”
”
David Wong (John Dies at the End (John Dies at the End, #1))
“
Raffe begins walking away from the village. "Either come with me or stay. I can only help those who want to be helped.
”
”
Susan Ee (World After (Penryn & the End of Days, #2))
“
The problem with letting people tear your walls down, is that you never know who wants to take down those walls just for the fun of it. For amusement purposes. Just to say that he knew that he could. At the end of the day... the things you build should stay built. And you are no scapegoat for the sins of other people, in anyone's life. How dare anyone take down your walls not in order to see you; but only in order to feed their ego. In order to make you pay for sins not done by your own hands.
”
”
C. JoyBell C.
“
There are people who can never go to Fantastica," said Mr. Coreander, "and others who can, but who stay there forever. And there are just a few who fo to fantastica and come back. Like you. And they make both world well again.
”
”
Michael Ende (The Neverending Story)
“
But it does no good--solves nothing--to distance myself from the front lines of human need by using the mail as a safe shelter. I believe that serving the best ends of humanity means getting out in the middle of it just as it is, not staying home writing checks and thinking hopeful thoughts. The world does not need tourists who ride by in a bus clucking their tongues. The world as it is needs those who will love it enough to change it, with what they have, where they are. And you're damned right that's idealistic. No apology. When idealism goes into the trash as junk mail, we're finished.
”
”
Robert Fulghum (Uh-Oh: Some Observations from Both Sides of the Refrigerator Door)
“
The young must grow old
Whilst old ones grow older.
And cowards will shrink
As the bold grow bolder.
Courage may blossom in quiet hearts,
For who can tell where bravery starts?
Truth is a song, oft lying unsung,
Some mother bird protecting her young.
Those who lay down their lives for friends,
The echo rolls onward, it seldom ends.
Who never turned and ran, but stayed?
This is a warrior, born, not made.
Living in peace, aye many a season,
Calm in life and sound in reason,
Till evil arrives, a wicked horde
Driving the warrior to pick up his sword
The challenger rings then, straight and fair,
Justice is with us, beware, beware.
”
”
Brian Jacques
“
I would never even consider leaving you. No matter who else abandons me...or looks down on me...or spits in my face...I will stay with you to the end.
”
”
Hotaru Odagiri (The Betrayal Knows My Name, Vol. 4)
“
Some people go through the heavy stuff. They fight in wars. They're in jail. They start a business and it gets shut down by gangsters. They end up hustling their ass in a foreign country. It's one long list of setbacks and humiliations. But it doesn't touch them, not really. They're having an adventure. It's like: What's next? And then there's other people who are just trying to live quietly, they stay out of trouble, they're maybe ten years old, or fourteen, and one Friday morning at 9:35 something happens to them, something private, something that breaks their heart. Forever.
”
”
Michel Faber (The Book of Strange New Things)
“
Anyone who has ever left a manipulative, abusive spouse and somehow stayed that course deserves a medal. A statue. A freaking superhero movie.
Society has obviously been worshipping the wrong heroes this whole time because I'm convinced it takes less strength to pick up a building than it does to permanently leave an abusive situation.
”
”
Colleen Hoover (It Starts with Us (It Ends with Us, #2))
“
Love is never a relationship; love is relating. It is always a river, flowing, unending. Love knows no full stop; the honeymoon begins but never ends. It is not like a novel that starts at a certain point and ends at a certain point. It is an ongoing phenomenon. Lovers end, love continues—it is a continuum. It is a verb, not a noun. And why do we reduce the beauty of relating to relationship? Why are we in such a hurry? Because to relate is insecure, and relationship is a security. Relationship has a certainty; relating is just a meeting of two strangers, maybe just an overnight stay and in the morning we say goodbye. Who knows what is going to happen tomorrow? And we are so afraid that we want to make it certain, we want to make it predictable. We would like tomorrow to be according to our ideas; we don’t allow it freedom to have its own say. So we immediately reduce every verb to a noun. You
”
”
Osho (Love, Freedom, and Aloneness: On Relationships, Sex, Meditation, and Silence)
“
I want to write stories that are different from the ones I've written so far, Junpei thought: I want to write about people who dream and wait for the night to end, who long for the light so they can hold the ones they love. But right now I have to stay here and keep watch over this woman and this girl. I will never let anyone-not anyone-try to put them into that crazy box- not even if the sky should fall or the earth crack open with a roar.
”
”
Haruki Murakami (After the Quake)
“
If we lived for ever, what you say would be true. But we have to die, we have to leave life presently. Injustice and greed would be the real thing if we lived for ever. As it is, we must hold to other things, because Death is coming. I love death - not morbidly, but because He explains. He shows me the emptiness of Money. Death and Money are the eternal foes. Not Death and Life. . . . Death destroys a man: the idea of Death saves him. Behind the coffins and the skeletons that stay the vulgar mind lies something so immense that all that is great in us responds to it. Men of the world may recoil from the charnel-house that they will one day enter, but Love knows better. Death is his foe, but his peer, and in their age-long struggle the thews of Love have been strengthened, and his vision cleared, until there is no one who can stand against him.
”
”
E.M. Forster (Howards End)
“
Mom taught me not to look away from the worst but to believe that we can all do better. She never wavered in her conviction that books are the most powerful tool in the human arsenal, that reading all kinds of books, in whatever format you choose - electronic (even though that wasn't for her) or printed, or audio - is the grandest entertainment, and also is how you take part in human conversation. Mom taught me that you can make a difference in the world and that books really do matter: they're how we know what we need to do in life, and how we tell others. Mom also showed me, over the course of two years and dozens of books and hundreds of hours in hospitals, that books can be how we get closer to each other, and stay close, even in the case of a mother and son who were very close to begin with, and even after one of them has died.
”
”
Will Schwalbe (The End of Your Life Book Club)
“
We can't and don't know what others are thinking. We can't and don't know what motivations people have for doing the things they do. Ever. Not entirely. This was my terrifying youthful epiphany. We just never really know anyone. I don't. Neither do you.
It's amazing that relationships can form and last under the constraints of never fully knowing. Never knowing for sure what the other person is thinking, never knowing for sure who the other person is. We can't do whatever we want. There are ways we have to act. There are things we have to say.
But we can think whatever we want.
Anyone can think anything. Thoughts are the only reality. It's true, I'm sure of it now. Thoughts are never faked or bluffed. This simple realization has stayed with me. It has bothered me for years and years. It still does.
”
”
Iain Reid (I'm Thinking of Ending Things)
“
Suffering is part of life,' she said. 'All the parts of life are jumbled up together; you can't separate out just the one thing.' She parred his hand again, kindly. 'I could let you kill me now, lovely man, and have peace and good dreams forever. But who knows what I get instead, if I stay? Maybe time to see a new grandchild. Maybe a good joke that sets me laughing for days. Maybe another handsome young fellow flirting with me.' She grinned toothlessly, then let loose another horrible, racking cough. Ehiru steadies her with shaking hands. 'I want every moment of my life, pretty man, the painful and the sweet alike. Until the very end. If these are all the memories I get for eternity, I want to take as many of them with me as I can.
”
”
N.K. Jemisin (The Killing Moon (Dreamblood, #1))
“
This gets tricky, from a narrative perspective, because the people who reach the end of their days must leave others who have to live out their days without them. It is very, very difficult to be the one who has to stay behind and live without them.
”
”
Fredrik Backman (My Grandmother Asked Me to Tell You She's Sorry)
“
It turns out that you don't end up with the people you love; by definition, you end up with the ones who stay.
”
”
Andrew Sean Greer (The Path of Minor Planets)
“
Here you sit on your high-backed chair
Wonder how the view is from there
I wouldn't know 'cause I like to sit
Upon the floor, yeah upon the floor
If you like we could play a game
Let's pretend that we are the same
But you will have to look much closer
Than you do, closer than you do
And I'm far too tired to stay here anymore
And I don't care what you think anyway
'Cause I think you were wrong about me
Yeah what if you were, what if you were
And what if I'm a snowstorm burning
What if I'm a world unturning
What if I'm an ocean, far too shallow, much too deep
What if I'm the kindest demon
Something you may not believe in
What if I'm a siren singing gentlemen to sleep
I know you've got it figured out
Tell me what I am all about
And I just might learn a thing or two
Hundred about you, maybe about you
I'm the end of your telescope
I don't change just to suit your vision
'Cause I am bound by a fraying rope
Around my hands, tied around my hands
And you close your eyes when I say I'm breaking free
And put your hands over both your ears
Because you cannot stand to believe I'm not
The perfect girl you thought
Well what have I got to lose
And what if I'm a weeping willow
Laughing tears upon my pillow
What if I'm a socialite who wants to be alone
What if I'm a toothless leopard
What if I'm a sheepless shepherd
What if I'm an angel without wings to take me home
You don't know me
Never will, never will
I'm outside your picture frame
And the glass is breaking now
You can't see me
Never will, never will
If you're never gonna see
What if I'm a crowded desert
Too much pain with little pleasure
What if I'm the nicest place you never want to go
What if I don't know who I am
Will that keep us both from trying
To find out and when you have
Be sure to let me know
What if I'm a snowstorm burning
What if I'm a world unturning
What if I'm an ocean, far too shallow, much too deep
What if I'm the kindest demon
Something you may not believe in
What if I'm a siren singing gentlemen to sleep
Sleep...
Sleep...
”
”
Emilie Autumn
“
THE ONE WHO STAYED
You should have heard the old men cry,
You should have heard the biddies
When that sad stranger raised his flute
And piped away the kiddies.
Katy, Tommy, Meg and Bob
Followed, skipped gaily,
Red-haired Ruth, my brother Rob,
And little crippled Bailey,
John and Nils and Cousin Claire,
Dancin', spinnin', turnin',
'Cross the hills to God knows where-
They never came returnin'.
'Cross the hills to God knows where
The piper pranced, a leadin'
Each child in Hamlin Town but me,
And I stayed home unheedin'.
My papa says that I was blest
For if that music found me,
I'd be witch-cast like all the rest.
This town grows old around me.
I cannot say I did not hear
That sound so haunting hollow-
I heard, I heard, I heard it clear...
I was afraid to follow.
”
”
Shel Silverstein (Where the Sidewalk Ends)
“
THE BIBLIOGRAPHY OF STRINGS And you taught me what this feels like. And then how it feels to lose it. And you showed me who I wanted. And then who I wasn’t. And you ticked every box. And then drew a line. And you weren’t mine to begin with. And then not to end with. And you looked like everything I wanted. And then became something I hated. And you get thought of every day. And then not in a good way. And you let me leave. And then wish I’d stayed. And you almost killed me. But I didn’t die.
”
”
pleasefindthis (I Wrote This For You)
“
Not all stories have happy endings. I cannot promise this one will either. But I am certain you will be glad you stayed with Susanna to the end. She deserves that much - a witness, one who says I see you, hear you, I'm better for knowing your story
”
”
Joy McCullough (Blood Water Paint)
“
I needed to wander… whenever and wherever I wanted! I’d found myself at the end of my rope as far as school was concerned; there seemed no particular reason for me to stay. The teachers didn’t want to teach, and I didn’t want to learn—from them. I wanted my education to come from living life, getting out there in the world, seeing and doing and moving amongst the other vagabonds who had had the same sneaking suspicion that I did, that there would be no great need for high-end mathematics, nope… I was not going to be doing other people’s taxes and going home at 5:37 p.m. to pat my dog’s head and sit down to my one meat and two vegetable table waiting for Jeopardy to pop on the glass tit, the Pat Sajak of my own private game show, in the bellybutton of the universe, Miramar, Florida.
”
”
Johnny Depp
“
As long as you're around, your life is too. So just as you shower love and affection and attention on the husbands, wives, parents, children and forever friends who surround you, you have to do so equally with your life, because it's yours, it's you, and it's always there rooting for you, cheering you on, even when you feel like you can't do it. I gave up on my life for a while, but what I've learned is that even when that happens and especially when that happens, life never gives up on you. Mine didn't. And we'll be there for each other until those final moments when we will look at each other and say, 'Thanks for staying until the end.'
And that's the truth.
”
”
Cecelia Ahern (The Time of My Life)
“
It’s not that I’m so smart,” Albert Einstein once said. “It’s just that I stay with problems longer.” Einstein’s simple statement is a clarion call for all who seek greatness, for themselves or their children. In the end, persistence is the difference between mediocrity and enormous success.
”
”
David Shenk (The Genius in All of Us: New Insights into Genetics, Talent, and IQ)
“
What starts like a fairy tale ends up as a psychiatric case study.
”
”
Ramani S. Durvasula ("Don't You Know Who I Am?": How to Stay Sane in an Era of Narcissism, Entitlement, and Incivility)
“
Finally, I'd like to thank my readers for staying with me all these years. I especially want to thank the ones who understand that the world isn't made up of happy endings, but messy, complicated, and untidy ones.
”
”
Lisa Lutz (The Last Word (The Spellmans, #6))
“
The gotta, as in: “I think I’ll stay up another fifteen-twenty minutes, honey, I gotta see how this chapter comes out.” Even though the guy who says it spent the day at work thinking about getting laid and knows the odds are good his wife is going to be asleep when he finally gets up to the bedroom. The gotta, as in: “I know I should be starting supper now — he’ll be mad if it’s TV dinners again — but I gotta see how this ends.” I gotta know will she live. I gotta know will he catch the shitheel who killed his father. I gotta know if she finds out her best friend’s screwing her husband. The gotta. Nasty as a hand-job in a sleazy bar, fine as a fuck from the world’s most talented call-girl. Oh boy it was bad and oh boy it was good and oh boy in the end it didn’t matter how rude it was or how crude it was because in the end it was just like the Jacksons said on that record — don’t stop til you get enough.
”
”
Stephen King (Misery)
“
Newton’s First Law, also known as the Law of Inertia: Objects at rest tend to stay at rest unless acted on by an outside force. Objects in motion tend to stay in motion, unless something stops their momentum. Put another way, couch potatoes tend to stay couch potatoes. Achievers—people who get into a successful rhythm—continue busting their butts and end up achieving more and more.
”
”
Darren Hardy (The Compound Effect)
“
...the people who reach the end of their days must leave others to live out the end of their days without them.
It is very, very difficult to be the one who has to stay behind and live without them.
”
”
Fredrik Backman (My Grandmother Asked Me to Tell You She's Sorry)
“
I knew I was a grain of sand in the vast desert that never ended and he was a sparkling star in the sky. I was a fish who couldn’t breathe in air and had to stay in dark waters forever while he was a majestic bird who soared so high that he barely touched the ground. I did not deserve him. I could only watch him from down here and wish, wish that he could come here someday. That he could know that I existed. But for that, he had to fall. He had to drop to the ground but I could not let that happen. And then I thought, birds are meant to fly and stars are meant to shine and if someone takes it away from them, they can't be the same anymore. So, I just prayed that his wings never fail him, that the star never explodes. And I was at peace.
”
”
Aleena Yasin
“
ON THE DAY I DIE
On the day I die, when I'm being carried
toward the grave, don't weep. Don't say,
He's gone! He's gone. Death has nothing to do with going away. The sun sets and
the moon sets, but they're not gone.
Death is a coming together. The tomb
looks like a prison, but it's really
release into union. The human seed goes
down in the ground like a bucket into
the well where Joseph is. It grows and
comes up full of some unimagined beauty.
Your mouth closes here, and immediately
opens with a shout of joy there.
---------------------------------
One who does what the Friend wants done
will never need a friend.
There's a bankruptcy that's pure gain.
The moon stays bright when it
doesn't avoid the night.
A rose's rarest essence
lives in the thorn.
----------------------------------
Childhood, youth, and maturity,
and now old age.
Every guest agrees to stay
three days, no more.
Master, you told me to
remind you. Time to go.
-----------------------------------
The angel of death arrives,
and I spring joyfully up.
No one knows what comes over me
when I and that messenger speak!
-------------------------------------
When you come back inside my chest no matter how far I've wandered off,
I look around and see the way.
At the end of my life, with just one breath left, if you come then, I'll sit up and sing.
--------------------------------------
Last night things flowed between us
that cannot now be said or written.
Only as I'm being carried out
and down the road, as the folds of my shroud open in the wind,
will anyone be able to read, as on
the petal-pages of a turning bud,
what passed through us last night.
-------------------------------------
I placed one foot on the wide plain
of death, and some grand
immensity sounded on the emptiness.
I have felt nothing ever
like the wild wonder of that moment.
Longing is the core of mystery.
Longing itself brings the cure.
The only rule is, Suffer the pain.
Your desire must be disciplined,
and what you want to happen
in time, sacrificed.
”
”
Jalal ad-Din Muhammad ar-Rumi (The Soul of Rumi: A New Collection of Ecstatic Poems – Coleman Barks's Sublime Renderings of the 13th-Century Sufi Mystic's Insights into Divine Love and the Human Heart)
“
In Memory of M. B.
Here is my gift, not roses on your grave,
not sticks of burning incense.
You lived aloof, maintaining to the end
your magnificent disdain.
You drank wine, and told the wittiest jokes,
and suffocated inside stifling walls.
Alone you let the terrible stranger in,
and stayed with her alone.
Now you’re gone, and nobody says a word
about your troubled and exalted life.
Only my voice, like a flute, will mourn
at your dumb funeral feast.
Oh, who would have dared believe that half-crazed I,
I, sick with grief for the buried past,
I, smoldering on a slow fire,
having lost everything and forgotten all,
would be fated to commemorate a man
so full of strength and will and bright inventions,
who only yesterday it seems, chatted with me,
hiding the tremor of his mortal pain.
”
”
Anna Akhmatova
“
We all have that one person. It’s not necessarily someone we end up with. But it’s that person who, for whatever reason, gets under your skin and stays there. You can move on, but parts of them are always with you. Sometimes, if things never had a chance to develop, if feelings are still unresolved, that person becomes an even more powerful force in your life, even in absentia.
”
”
Penelope Ward (Mack Daddy)
“
Some girls will love you for your intelligence, your spirit, or your smile. Some girls will fall all over themselves if you even make the smallest effort to understand them. Some girls don't care how you act as long as you drive a nice car(And some boys deserve those kind of girls. i'm just sayin'.) Some girls will require a lot more from you than most guys are willing to give. This is the girl you'll need a lot of patience for, because she will lead you down blind paths and up steep hills. The challenge will be staying true to who you are while pursuing this person. She'll wring you out, simultaneously repel and attract you, and question your every intention. She'll be the biggest pain in the asphalt you've ever had. She'll need you to understand what she won't tell you, believe in her when she extends no faith in you, and not give in to her when she wants to roll over you. She'll expect that you'll always be there, even when she avoids you. She'll want lots of independence but want you to need her desperately. She'll expect you to be smart but treat her like she's smarter than you. Hopefully, you'll believe she's worth it in the end.
”
”
Gwen Hayes (So Over You)
“
What did I know of life, I who had lived so carefully? Who had neither won nor lost, but just let life happen to him. Who had the usual ambitions and settled all too quickly for them not being realised? Who avoided being hurt and called it a capacity for survival? Who paid his bills, stayed on good terms with everyone as far as possible, for whom ecstasy and despair soon became just words once read in novels? One whose self-rebukes never really inflicted pain?
”
”
Julian Barnes (The Sense of an Ending)
“
Life is like a train ride.
The passengers on the train are seemingly going to the same destination as you, but based on their belief in you or their belief that the train will get them to their desired destination they will stay on the ride or they will get off somewhere during the trip.
People can and will get off at any stop.
Just know that where people get off is more of an reflection on them, than it is on you.
There will be a few people in your life that will make the whole trip with you, who believe in you, accept that you are human and that mistakes will be made along the way, and that you will get to your desired destination - together, no matter what.
Be very grateful of these people.
They are rare and when you find one, don't let go of them - ever.
Be blessed for the ones who get on at the worst stops when no one is there.
Remember those people, they are special.
Always hold them dear to your heart.
Be very wary of people sneaking on at certain stops when things are going good and acting like they have been there for the whole ride.
For they will be the first to depart.
There will be ones who secretly try to get off the ride and there will be those that very publicly will jump off.
Don't pay any heed to the defectors.
Pay heed to the passengers that are still on the trip.
They are the important ones.
If someone tries to get back on the train - don't be angry or hold a grudge, let them.
Just see where they are around the next hard turn.
If they are buckled in - accept them.
If they are pulling the hand rail alarm again - then let them off the train freely and waste no space in your head for them again, ever.
There will be times that the train will be moving slow, at almost a crawls pace.
Appreciate that you can take in the view.
There will be times where the train is going so fast that everything is a blur.
Enjoy the sense of speed in your life, as it is exhilarating but unsustainable.
There will also be the chance that the train derails.
If that does happen, it will hurt, a lot, for a long time.
But there will be people who will appear out of no where who will get you back on track.
Those will be the people that will matter most in your life.
Love them forever.
For you can never repay these people.
The thing is, that even if you could repay them, they wouldn't accept it anyway.
Just pay it forward.
Eventually your train will get to its final stop and you will need to deboard.
At that time you will realize that life is about the journey AND the destination.
Know and have faith that at the end of your ride your train will have the right passengers on board and all the passengers that were on board at one time or another were there for a distinct purpose.
Enjoy the ride.
”
”
JohnA Passaro
“
every choice has its history, so many moments of our existence are shoved into a corner, waiting for an outlet, and in the end the outlet arrives.
”
”
Elena Ferrante (Those Who Leave and Those Who Stay)
“
I have dreamed of that song, of the strange words to that simple rhyme-song, and on several occasions I have understood what she was saying, in my dreams. In those dreams I spoke that language too, the first language, and I had dominion over the nature of all that was real. In my dream, it was the tongue of what is, and anything spoken in it becomes real, because nothing said in that language can be a lie. It is the most basic building brick og everything. In my dreams I have used that language to heal the sick and to fly; once I dreamed I kept a perfect little bed-and-breakfast by the seaside, and to everyone who came to stay with me I would say, in that tongue, 'Be whole.' and they would become whole, not be broken people , not any longer, because I had spoken the language of shaping.
”
”
Neil Gaiman (The Ocean at the End of the Lane)
“
Amy hated--hated--the way the grown-ups her parents had surrounded themselves with were so quick to offer prayers and so low to actually do anything. Old women who barely left the house for anything but bingo and congratulated themselves on never drinking alcohol or saying dirty words, thinking God created humans to stay home and watch televangelists and just run out the clock until the day they die. Well, Amy figured you don't need more than five minutes on this planet to figure out that one thing we know about God--maybe the only thing--is that he favors those who act. David also believed that, through he didn't realize it.
”
”
David Wong (This Book Is Full of Spiders (John Dies at the End, #2))
“
There is only one serious question. And that is: Who knows how to make love stay? Answer me that and I will tell you whether or not to kill yourself. Answer me that and I will ease your mind about the beginning and the end of time. Answer me that and I will reveal to you the purpose of the moon.
”
”
Tom Robbins (Still Life With Woodpecker)
“
And you taught me what this feels like. And then how it feels to lose it. And you showed me who I wanted. And then who I wasn’t. And you ticked every box. And then drew a line. And you weren’t mine to begin with. And then not to end with. And you looked like everything I wanted. And then became something I hated. And you get thought of every day. And then not in a good way. And you let me leave. And then wish I’d stayed. And you almost killed me. But I didn’t die.
”
”
pleasefindthis (I Wrote This For You)
“
Let me stay where the sun shines ever so brightly in the sky—where I can be who I am, carefree.
Boxes, boxes, so many to choose from! Some are given to us; some were always there to begin with. Some are taken away from us. Choices, choices . . . so many choices!
However, at the end of the day, you get to choose the boxes you want to keep. The ones that make your heart beat. Whatever they may be, you decide.
Never let anyone steer you away from who you are meant to be.
”
”
Kim Hebert (In the Land of Boxes)
“
I think about it all the time, about what makes everyone who they are, and if we went back in time and changed anything, whether or not it would make a difference. Would it make us better or worse, or would we just stay exactly the same because we were always destined to end up this way no matter what happened throughout our lives? ~ Evie Snow
”
”
Carrie Hope Fletcher (On the Other Side)
“
THE DAY YOU READ THIS On this day, you read something that moved you and made you realise there were no more fears to fear. No tears to cry. No head to hang in shame. That every time you thought you’d offended someone, it was all just in your head and really, they love you with all their heart and nothing will ever change that. That everyone and everything lives on inside you. That that doesn’t make any of it any less real. That soft touches will change you and stay with you longer than hard ones. That being alone means you’re free. That old lovers miss you and new lovers want you and the one you’re with is the one you’re meant to be with. That the tingles running down your arms are angel feathers and they whisper in your ear, constantly, if you choose to hear them. That everything you want to happen, will happen, if you decide you want it enough. That every time you think a sad thought, you can think a happy one instead. That you control that completely. That the people who make you laugh are more beautiful than beautiful people. That you laugh more than you cry. That crying is good for you. That the people you hate wish you would stop and you do too. That your friends are reflections of the best parts of you. That you are more than the sum total of the things you know and how you react to them. That dancing is sometimes more important than listening to the music. That the most embarrassing, awkward moments of your life are only remembered by you and no one else. That no one judges you when you walk into a room and all they really want to know, is if you’re judging them. That what you make and what you do with your time is more important than you’ll ever fathom and should be treated as such. That the difference between a job and art is passion. That neither defines who you are. That talking to strangers is how you make friends. That bad days end but a smile can go around the world. That life contradicts itself, constantly. That that’s why it’s worth living. That the difference between pain and love is time. That love is only as real as you want it to be. That if you feel good, you look good but it doesn’t always work the other way around. That the sun will rise each day and it’s up to you each day if you match it. That nothing matters up until this point. That what you decide now, in this moment, will change the future. Forever. That rain is beautiful. And so are you.
”
”
pleasefindthis (I Wrote This For You)
“
IF YOU WANT A STORYBOOK ENDING, stop—now—and remember them in that tender moment. Be content to know that they embarked on a series of adventures throughout the West and that they stayed together through thick and thin for forty-five years.
But know this as well: If their story ended here, no one would remember them at all.
Where a tale begins and where it ends matters. Who tells the story, and why . . . That makes all the difference.
”
”
Mary Doria Russell (Epitaph)
“
My Sabine,
I just left your room. You were so beautiful lying there sound asleep that I couldn’t bear to wake you. But I’m not feeling so great and there are things I promised to tell you that I fear I may not get the chance to.
I know you had once hoped that I would be the one to pass on your letters to Maddie once you were gone. But, as it turns out, I think it is going to be me who ends up leaving the letters behind.
Be mad at me. You should. But after that try to understand that I did what I thought was best. I wanted to tell you. So many times I snuck down to your room planning on telling you everything, but I just couldn’t.
Partly it was for you – yes. You needed time and I didn’t want to influence your choices, even once I realised what was happening between us, even more so then. Falling in love with you only made those choices more complicated and I feared that you might choose to stay for me and then, after I was gone, change your mind. I couldn’t let that happen.
Partly the choice was selfish, and for that I am sorry. For so long now people have been trying to fix me, but where they failed, you succeeded. You’ve given me more life in the last couple of weeks that I’ve had in years. Being with you, loving you, making memories with you, fearing for you, wanting to show you the beauty of life instead of the terror – it was bittersweet, but more importantly Sabine, it was real.
I know this is the part when I beg you to go on, live your life and be happy. But I don’t need to say those things. I know you. Your lives will be extraordinary. You certainly made mine feel that way.
Please find it in your heart to forgive me one day. I wish we had more time, but I want to thank you – for giving me life in my time of death.
My love for you is eternal.
Ethan.
”
”
Jessica Shirvington (Between the Lives)
“
Life is just like an ocean; we are moving without end. Nothing stays with us, what remains is just the memories of someone who touched us like waves.
”
”
Debasish Mridha
“
Someone who touches your heart, all be it a mere fleeting moment, means no less than those who stay a lifetime. The longing is no less, and your life will never be the same after their gentle caress burns a swathe through your soul as there it will remain until the end of time...
”
”
Virginia Alison
“
The thing is, you make choices. You do some things and you don't do others and in the end there's not much point in asking what different choices might have gained you, and lost you, unless you have a time machine. You become those choices, you embody them...
I'd known I couldn't stay, just as I'd known years before I couldn't be with him, even as I'd gone on pretending I had a choice. I was who I was, and I wanted what I already had.
”
”
Leah Stewart (Husband and Wife)
“
Maybe I was just flattering myself, thinking I'd be worth some sort of risk. Not that I'd wish that on anyone!" he clarified. "I don't mean that. It just...I don't know. Don't you all see everything I'm risking?"
"Umm, no. You're here with your family to give you advice, and we all live around your schedule. Everything about your life stays the same, and ours changed overnight. What in the world could you possibly be risking?"
Maxon looked shocked.
"America, I might have my family, but imagine how embarrassing it is to have your parents watch as you attempt to date for the first time. And not just your parents-the whole country! Worse than that, it's not even a normal style of dating.
"And living around my schedule? When I'm not with you all, I'm organizing troops, making laws, perfecting budgets...and all on my own these days, while my father watches me stumble in my own stupidity because I have none of his experience. And then, when I inevitably do things in a way he wouldn't, he goes and corrects my mistakes. And while I'm trying to do all this work, you-the girls, I mean-are all I can think about. I'm excited and terrified by the lot of you!"
He was using his hands more than I'd ever seen, whipping them in the air and running them through his hair.
"And you think my life isn't changing? What do you think my chances might be of finding a soul mate in the group of you? I'll be lucky if I can just find someone who'll be able to stand me for the rest of our lives. What if I've already sent her home because I was relying on some sort of spark I didn't feel? What if she's waiting to leave me at the first sign of adversity? What if I don't find anyone at all? What do I do then, America?"
His speech had started out angered and impassioned, but by the end his questions weren't rhetorical anymore. He really wanted to know: What was he going to do if no one here was even close to being someone he could love? Though that didn't even seem to be his main concern; he was more worried that no one would love him.
"Actually, Maxon, I think you will find your soul mate here. Honestly."
"Really?" His voice charged with hope at my prediction.
"Absolutely." I put a hand on his shoulder. He seemed to be comforted by that touch alone. I wondered how often people simply touched him. "If your life is as upside down as you say it is, then she has to be here somewhere. In my experience, true love is usually the most inconvenient kind.
”
”
Kiera Cass (The Selection (The Selection, #1))
“
A woman can only stay in love with a man for as long as she continues loving herself when she's with him. As soon as she starts to hate who she has become while in the relationship, she will move heaven and earth to end it. Does she get hurt? Definitely. It doesn't mean that she wants to leave her love for him has faded or diminished. However, just like the most basic rule of human existence, you cannot continue giving what you do not have.
”
”
Laarni Venus Marie Giango
“
Grief is a never-ending battle that drains you of who you once were. I’ll never be the same person I was five months ago. I’ve been forced to toughen up, face life head on, and protect myself at all costs.
”
”
Corinne Michaels (Say You'll Stay (The Hennington Brothers, #1))
“
If you don't make a conscious effort to visualize, who you are and what you want to become in life, then you empower other people and circumstances to shape your journey by default. Your silence makes you reactive vs. proactive. God will bring people in your life that can take you on many different journeys that will bring about different outcomes to your life mission. However, if you are not proactive and define your dreams you will never know where “you” need to be and who needs to be with you to fulfill what God is asking you to do. Your life is your own. You must define your dreams, not live someone else’s vision of a good life. What is it that God is asking you to do with the talents and hobbies you enjoy? What were you blessed with a desire for? A good life is one spent in the service of helping others. Find a life partner that will help you reach God’s highest potential—service to humanity, service to his Kingdom, service to building others up. Also, begin any choice with the end in mind. This means to begin each day with a clear vision of your desired direction. It is not enough to live a passive life of religious devotion. God asked you to do more than worship. He has called you to serve, not to be a servant to other people’s dreams. You and only you know where your heart must travel. God brings you storms in life to wake you up. Don’t see it as his disappointment, but as his parental love for you. Life was not meant to stay the same. If someone truly loves you they will never take you away from God’s plan, they will only magnify it.
”
”
Shannon L. Alder
“
Eddie saw great things and near misses. Albert Einstein as a child, not quite struck by a run-away milk-wagon as he crossed a street. A teenage boy named Albert Schweitzer getting out of a bathtub and not quite stepping on the cake of soap lying beside the pulled plug. A Nazi Oberleutnant burning a piece of paper with the date and place of the D-Day Invasion written on it. He saw a man who intended to poison the entire water supply of Denver die of a heart attack in a roadside rest-stop on I-80 in Iowa with a bag of McDonald’s French fries on his lap. He saw a terrorist wired up with explosives suddenly turn away from a crowded restaurant in a city that might have been Jerusalem. The terrorist had been transfixed by nothing more than the sky, and the thought that it arced above the just and unjust alike. He saw four men rescue a little boy from a monster whose entire head seemed to consist of a single eye.
But more important than any of these was the vast, accretive weight of small things, from planes which hadn’t crashed to men and women who had come to the correct place at the perfect time and thus founded generations. He saw kisses exchanged in doorways and wallets returned and men who had come to a splitting of the way and chosen the right fork. He saw a thousand random meetings that weren’t random, ten thousand right decisions, a hundred thousand right answers, a million acts of unacknowledged kindness. He saw the old people of River Crossing and Roland kneeling in the dust for Aunt Talitha’s blessing; again heard her giving it freely and gladly. Heard her telling him to lay the cross she had given him at the foot of the Dark Tower and speak the name of Talitha Unwin at the far end of the earth. He saw the Tower itself in the burning folds of the rose and for a moment understood its purpose: how it distributed its lines of force to all the worlds that were and held them steady in time’s great helix. For every brick that landed on the ground instead of some little kid’s head, for every tornado that missed the trailer park, for every missile that didn’t fly, for every hand stayed from violence, there was the Tower.
And the quiet, singing voice of the rose. The song that promised all might be well, all might be well, that all manner of things might be well.
”
”
Stephen King (Wolves of the Calla (The Dark Tower, #5))
“
Off To The Races"
My old man is a bad man but
I can't deny the way he holds my hand
And he grabs me, he has me by my heart
He doesn't mind I have a Las Vegas past
He doesn't mind I have an LA crass way about me
He loves me with every beat of his cocaine heart
Swimming pool glimmering darling
White bikini off with my red nail polish
Watch me in the swimming pool bright blue ripples you
Sitting sipping on your black Cristal
Oh yeah
Light of my life, fire of my loins
Be a good baby, do what I want
Light of my life, fire of my loins
Give me them gold coins, gimme them coins
And I'm off to the races, cases of Bacardi chasers
Chasing me all over town
Cause he knows I'm wasted, facing
Time again at Riker's Island and I won't get out
Because I'm crazy, baby I need you to come here and save me
I'm your little scarlet, starlet singing in the garden
Kiss me on my open mouth
Ready for you
My old man is a tough man but
He's got a soul as sweet as blood red jam
And he shows me, he knows me
Every inch of my tar black soul
He doesn't mind I have a flat broke down life
In fact he says he thinks it's why he might like about me
Admires me, the way I roll like a Rolling Stone
Likes to watch me in the glass room bathroom, Chateau Marmont
Slippin' on my red dress, puttin' on my makeup
Glass film, perfume, cognac, lilac
Fumes, says it feels like heaven to him
Light of his life, fire of his loins
Keep me forever, tell me you own me
Light of your life, fire of your loins
Tell me you own me, gimme them coins
And I'm off to the races, cases of Bacardi chasers
Chasing me all over town
Cause he knows I'm wasted, facing
Time again at Riker's Island and I won't get out
Because I'm crazy, baby I need you to come here and save me
I'm your little scarlet, starlet singing in the garden
Kiss me on my open mouth
Now I'm off to the races, laces
Leather on my waist is tight and I am fallin' down
I can see your face is shameless, Cipriani's basement
Love you but I'm going down
God I'm so crazy, baby, I'm sorry that I'm misbehaving
I'm your little harlot, starlet, Queen of Coney Island
Raising hell all over town
Sorry 'bout it
My old man is a thief and I'm gonna stay and pray with him 'til the end
But I trust in the decision of the Lord to watch over us
Take him when he may, if he may
I'm not afraid to say that I'd die without him
Who else is gonna put up with me this way?
I need you, I breathe you, I never leave you
They would rue the day I was alone without you
You're lying with your gold chain on, cigar hanging from your lips
I said "Hon' you never looked so beautiful as you do now, my man."
And we're off to the races, places
Ready, set the gate is down and now we're goin' in
To Las Vegas chaos, Casino Oasis, honey it is time to spin
Boy you're so crazy, baby, I love you forever not maybe
You are my one true love, you are my one true love
You are my one true love
”
”
Lana Del Rey
“
You know, you love someone and they love you back, and then they're gone. Where does that love go?"
Father Christmas thought about this....
"The love of a person never disappears," he said softly. "Even if they might. We have memories, you see, Amelia. Love never dies. We love someone and they love us back, and that love is stored, and it protects us. It is bigger than life, and it doesn't end with with life. It stays inside us. They stay inside us. Inside our hearts.
”
”
Matt Haig (The Girl Who Saved Christmas (Christmas, #2))
“
it’s a terrible feeling when you first fall in love. your mind gets completely taken over, you can’t function properly anymore. the world turns into a dream place, nothing seems real. you forget your keys, no one seems to be talking English and even if they are you don’t care as you can’t hear what they’re saying anyway, and it doesn’t matter since your not really there. things you cared about before don’t seem to matter anymore and things you didn’t think you cared about suddenly do. I must become a brilliant cook, I don’t want to waste time seeing my friends when I could be with him, I feel no sympathy for all those people in India killed by an earthquake last night; what is the matter with me? It’s a kind of hell, but you feel like your in heaven.
even your body goes out of control, you can’t eat, you don’t sleep properly, your legs turn to jelly as your not sure where the floor is anymore. you have butterflies permanently, not only in your tummy but all over your body - your hands, your shoulders, your chest, your eyes everything’s just a jangling mess of nerve endings tingling with fire. it makes you feel so alive. and yet its like being suffocated, you don’t seem to be able to see or hear anything real anymore, its like people are speaking to you through treacle, and so you stay in your cosy place with him, the place that only you two understand. occasionally your forced to come up for air by your biggest enemy, Real Life, so you do the minimum then head back down under your love blanket for more, knowing it’s uncomfortable but compulsory.
and then, once you think you’ve got him, the panic sets in. what if he goes off me? what if I blow it, say the wrong thing? what if he meets someone better than me? Prettier, thinner, funnier, more like him? who doesn’t bite there nails? perhaps he doesn’t feel the same, maybe this is all in my head and this is just a quick fling for him. why did I tell him that stupid story about not owning up that I knew who spilt the ink on the teachers bag and so everyone was punished for it? does he think I'm a liar? what if I'm not very good at that blow job thing and he’s just being patient with me? he says he loves me; yes, well, we can all say words, can’t we? perhaps he’s just being polite.
of course you do your best to keep all this to yourself, you don’t want him to think you're a neurotic nutcase, but now when he’s away doing Real Life it’s agony, your mind won’t leave you alone, it tortures you and examines your every moment spent together, pointing out how stupid you’ve been to allow yourself to get this carried away, how insane you are to imagine someone would feel like that about you. dad did his best to reassure me, but nothing he said made a difference - it was like I wanted to see Simon, but didn’t want him to see me.
”
”
Annabel Giles (Birthday Girls)
“
We can ask and ask but we can't have again what once seemed ours forever—the way things looked, that church alone in the fields, a bed on a belfry floor, a remembered voice, the touch of a hand, a loved face. They've gone and you can only wait for the pain to pass.
All this happened so long ago. And I never returned, never wrote, never met anyone who might have given me news of Oxgody. So, in memory, it stays as I left it, a sealed room furnished by the past, airless, still, ink long dry on a put-down pen.
But this was something I knew nothing of as I closed the gate and set off across the meadow.
”
”
J.L. Carr (A Month in the Country)
“
It is much, much worse to receive bad news through the written word than by somebody simply telling you, and I’m sure you understand why. When somebody simply tells you bad news, you hear it once, and that’s the end of it. But when bad news is written down, whether in a letter or a newspaper or on your arm in felt tip pen, each time you read it, you feel as if you are receiving the news again and again. For instance, I once loved a woman, who for various reasons could not marry me. If she had simply told me in person, I would have been very sad, of course, but eventually it might have passed. However, she chose instead to write a two-hundred-page book, explaining every single detail of the bad news at great length, and instead my sadness has been of impossible depth. When the book was first brought to me, by a flock of carrier pigeons, I stayed up all night reading it, and I read it still, over and over, and it is as if my darling Beatrice is bringing me bad news every day and every night of my life. The Baudelaire orphans
”
”
Lemony Snicket (The Miserable Mill (A Series of Unfortunate Events, #4))
“
Know that...there's plenty of food and of course popcorn on the dining-room table. Just...help yourself. If that runs out just let me know. Don't panic. And there's coffee, both caff and decaf, and soft drinks and juice in the kitchen, and plenty of ice in the freezer so...let me know if you have any questions with that.' And lastly, since I have you all here in one place, I have something to share with you. Along the garden ways just now...I too heard the flowers speak. They told me that our family garden has all but turned to sand. I want you to know I've watered and nurtured this square of earth for nearly twenty years, and waited on my knees each spring for these gentle bulbs to rise, reborn. But want does not bring such breath to life. Only love does. The plain, old-fashioned kind. In our family garden my husband is of the genus Narcissus , which includes daffodils and jonquils and a host of other ornamental flowers. There is, in such a genus of man, a pervasive and well-known pattern of grandiosity and egocentrism that feeds off this very kind of evening, this type of glitzy generosity. People of this ilk are very exciting to be around. I have never met anyone with as many friends as my husband. He made two last night at Carvel. I'm not kidding. Where are you two? Hi. Hi, again. Welcome. My husband is a good man, isn't he? He is. But in keeping with his genus, he is also absurdly preoccupied with his own importance, and in staying loyal to this, he can be boastful and unkind and condescending and has an insatiable hunger to be seen as infallible. Underlying all of the constant campaigning needed to uphold this position is a profound vulnerability that lies at the very core of his psyche. Such is the narcissist who must mask his fears of inadequacy by ensuring that he is perceived to be a unique and brilliant stone. In his offspring he finds the grave limits he cannot admit in himself. And he will stop at nothing to make certain that his child continually tries to correct these flaws. In actuality, the child may be exceedingly intelligent, but has so fully developed feelings of ineptitude that he is incapable of believing in his own possibilities. The child's innate sense of self is in great jeopardy when this level of false labeling is accepted. In the end the narcissist must compensate for this core vulnerability he carries and as a result an overestimation of his own importance arises. So it feeds itself, cyclically. And, when in the course of life they realize that their views are not shared or thier expectations are not met, the most common reaction is to become enraged. The rage covers the fear associated with the vulnerable self, but it is nearly impossible for others to see this, and as a result, the very recognition they so crave is most often out of reach. It's been eighteen years that I've lived in service to this mindset. And it's been devastating for me to realize that my efforts to rise to these standards and demands and preposterous requests for perfection have ultimately done nothing but disappoint my husband. Put a person like this with four developing children and you're gonna need more than love poems and ice sculpture to stay afloat. Trust me. So. So, we're done here.
”
”
Joshua Braff (The Unthinkable Thoughts of Jacob Green)
“
I was in the fifth grade the first time I thought about turning thirty. My best friend Darcy and I came across a perpetual calendar in the back of the phone book, where you could look up any date in the future, and by using this little grid, determine what the day of the week would be. So we located our birthdays in the following year, mine in May and hers in September. I got Wednesday, a school night. She got a Friday. A small victory, but typical. Darcy was always the lucky one. Her skin tanned more quickly, her hair feathered more easily, and she didn't need braces. Her moonwalk was superior, as were her cart-wheels and her front handsprings (I couldn't handspring at all). She had a better sticker collection. More Michael Jackson pins. Forenze sweaters in turquoise, red, and peach (my mother allowed me none- said they were too trendy and expensive). And a pair of fifty-dollar Guess jeans with zippers at the ankles (ditto). Darcy had double-pierced ears and a sibling- even if it was just a brother, it was better than being an only child as I was.
But at least I was a few months older and she would never quite catch up. That's when I decided to check out my thirtieth birthday- in a year so far away that it sounded like science fiction. It fell on a Sunday, which meant that my dashing husband and I would secure a responsible baby-sitter for our two (possibly three) children on that Saturday evening, dine at a fancy French restaurant with cloth napkins, and stay out past midnight, so technically we would be celebrating on my actual birthday. I would have just won a big case- somehow proven that an innocent man didn't do it. And my husband would toast me: "To Rachel, my beautiful wife, the mother of my chidren and the finest lawyer in Indy." I shared my fantasy with Darcy as we discovered that her thirtieth birthday fell on a Monday. Bummer for her. I watched her purse her lips as she processed this information.
"You know, Rachel, who cares what day of the week we turn thirty?" she said, shrugging a smooth, olive shoulder. "We'll be old by then. Birthdays don't matter when you get that old."
I thought of my parents, who were in their thirties, and their lackluster approach to their own birthdays. My dad had just given my mom a toaster for her birthday because ours broke the week before. The new one toasted four slices at a time instead of just two. It wasn't much of a gift. But my mom had seemed pleased enough with her new appliance; nowhere did I detect the disappointment that I felt when my Christmas stash didn't quite meet expectations. So Darcy was probably right. Fun stuff like birthdays wouldn't matter as much by the time we reached thirty.
The next time I really thought about being thirty was our senior year in high school, when Darcy and I started watching ths show Thirty Something together. It wasn't our favorite- we preferred cheerful sit-coms like Who's the Boss? and Growing Pains- but we watched it anyway. My big problem with Thirty Something was the whiny characters and their depressing issues that they seemed to bring upon themselves. I remember thinking that they should grow up, suck it up. Stop pondering the meaning of life and start making grocery lists. That was back when I thought my teenage years were dragging and my twenties would surealy last forever.
Then I reached my twenties. And the early twenties did seem to last forever. When I heard acquaintances a few years older lament the end of their youth, I felt smug, not yet in the danger zone myself. I had plenty of time..
”
”
Emily Giffin (Something Borrowed (Darcy & Rachel, #1))
“
You have been abroad then?” said Henry, a little surprised.
“Oh! No, I only mean what I have read about. It always puts me in mind of the country that Emily and her father traveled through, in The Mysteries of Udolpho. But you never read novels, I dare say?”
“Why not?”
“Because they are not clever enough for you — gentlemen read better books.”
“The person, be it gentleman or lady, who has not pleasure in a good novel, must be intolerably stupid. I have read all Mrs. Radcliffe’s works, and most of them with great pleasure. The Mysteries of Udolpho, when I had once begun it, I could not lay down again; I remember finishing it in two days — my hair standing on end the whole time.”
“Yes,” added Miss Tilney, “and I remember that you undertook to read it aloud to me, and that when I was called away for only five minutes to answer a note, instead of waiting for me, you took the volume into the Hermitage Walk, and I was obliged to stay till you had finished it.
”
”
Jane Austen (Northanger Abbey)
“
Girls are taught a lot of stuff growing up: if a boy punches you he likes you, never try to trim your own bangs, and someday you will meet a wonderful guy and get your very own happy ending. Every movie we see, every story we're told implores us to wait for it: the third act twist, the unexpected declaration of love, the exception to the rule. But sometimes we're so focused on finding our happy ending we don't learn how to read the signs. How to tell the ones who want us from the ones who don't, the ones who will stay and the ones who will leave. And maybe a happy ending doesn't include a guy, maybe it's you, on your own, picking up the pieces and starting over, freeing yourself up for something better in the future. Maybe the happy ending is just moving on. Or maybe the happy ending is this: knowing after all the unreturned phone calls and broken-hearts, through the blunders and misread signals, through all the pain and embarrassment... You never gave up hope.
”
”
Jennifer Goodwin
“
4. The Right to Choose Relationships I have the right to know whether I love you or not. I have the right to refuse what you want to give me. I have the right not to be disloyal to myself just to make things easier on you. I have the right to end our relationship, even if we’re related. I have the right not to be depended upon. I have the right to stay away from anyone who is unpleasant or draining.
”
”
Lindsay C. Gibson (Recovering from Emotionally Immature Parents: Practical Tools to Establish Boundaries & Reclaim Your Emotional Autonomy)
“
Planning a career should be like traveling in a foreign country. Even if you prepare carefully, have an itinerary and a place to stay at night, the most interesting experiences usually aren’t planned. You might end up meeting a fascinating person who shows you places that aren’t in the guidebook, or you might miss your train and end up spending the day exploring a small town you hadn’t planned to visit.
”
”
Tina Seelig (What I Wish I Knew When I Was 20)
“
What did I know of life, I who had lived so carefully? Who had
neither won nor lost, but just let life happen to him? Who had the usual ambitions and settled all too quickly for them not being realised? Who avoided being hurt and called it a capacity for survival? Who paid his bills, stayed on good terms with everyone as far as possible, for whom ecstasy and despair soon became just words once read in novels?
”
”
Julian Barnes (The Sense of an Ending)
“
Have you ever taken yourself a bit too seriously, thinking that who you are is actually defined by what you look like, how much talent you have (or don't have), how well known you are (or aren't), or how much money you have (or don't have)? Those are all "garments and labels" you wear during the course of your stay here on this planet, but it's not who you are. At the end of the day, when it's all said and done, you will turn all of that back in just like a car you had on lease.
”
”
Dennis Merritt Jones (The Art of Being: 101 Ways to Practice Purpose in Your Life)
“
Dear Mr. Peter Van Houten
(c/o Lidewij Vliegenthart),
My name is Hazel Grace Lancaster. My friend Augustus Waters, who read An Imperial Affliction at my recommendationtion, just received an email from you at this address. I hope you will not mind that Augustus shared that email with me.
Mr. Van Houten, I understand from your email to Augustus that you are not planning to publish any more books. In a way, I am disappointed, but I'm also relieved: I never have to worry whether your next book will live up to the magnificent perfection of the original. As a three-year survivor of Stage IV cancer, I can tell you that you got everything right in An Imperial Affliction. Or at least you got me right. Your book has a way of telling me what I'm feeling before I even feel it, and I've reread it dozens of times.
I wonder, though, if you would mind answering a couple questions I have about what happens after the end of the novel. I understand the book ends because Anna dies or becomes too ill to continue writing it, but I would really like to mom-wether she married the Dutch Tulip Man, whether she ever has another child, and whether she stays at 917 W. Temple etc. Also, is the Dutch Tulip Man a fraud or does he really love them? What happens to Anna's friends-particularly Claire and Jake? Do they stay that this is the kind of deep and thoughtful question you always hoped your readers would ask-what becomes of Sisyphus the Hamster? These questions have haunted me for years-and I don't know long I have left to get answers to them.
I know these are not important literary questions and that your book is full of important literally questions, but I would just really like to know.
And of course, if you ever do decide to write anything else, even if you don't want to publish it. I'd love to read it. Frankly, I'd read your grocery lists.
Yours with great admiration,
Hazel Grace Lancaster (age 16)
”
”
John Green (The Fault in Our Stars)
“
It was your birthday, we had drunk and dined
Half of the night with our old friend
Who’d showed us in the end
To a bed I reached in one drunk stride.
Already I lay snug,
And drowsy with the wine dozed on one side.
I dozed, I slept. My sleep broke on a hug,
Suddenly, from behind,
In which the full lengths of our bodies pressed:
Your instep to my heel,
My shoulder-blades against your chest.
It was not sex, but I could feel
The whole strength of your body set,
Or braced, to mine,
And locking me to you
As if we were still twenty-two
When our grand passion had not yet
Become familial.
My quick sleep had deleted all
Of intervening time and place.
I only knew
The stay of your secure firm dry embrace.
”
”
Thom Gunn
“
Self-discovery changes everything, including your relationships with people. When you find your authentic self, those who loved your mask are disappointed. You may end up alone, but you don’t need to stay alone. While it’s painful to sever old connections, it’s not a tragedy. It’s an opportunity. Now, you can find people who understand the importance of looking for truth and being authentic. Now, you can find people who want to connect deeply, like you’ve always wanted to, instead of constant small talk and head games. Now, you can have real intimacy. Now, you can find your tribe.
”
”
Vironika Tugaleva
“
Pleasantly full as she was, Rika felt like crying. She might dine with someone, but at the end of the meal they would go their separate ways. She couldn’t stay with that person forever. Even with her stomach full of warmth and the taste of delicious food lingering on her tongue, she remained alone. It didn’t matter who she had for company. She was beginning to understand that the more delicious the time she spent with others, the more alone she felt.
”
”
Asako Yuzuki (Butter)
“
I ended up in the nurse’s office after falling asleep in second period. She only agreed to not call my parents if I stayed under her supervision and rested. She wasn’t taking any chances with Dr. Lahey’s daughter and the heroine who’d saved the Ishida’s only girl, who, by the way, Ayden mentioned wasn’t back at school.
She probably got to recover in her native habitat. Some far off exotic locale, lounging on a tropical beach drinking fruity umbrella drinks brought to her by hunky, scantily clad beach boys who rubbed her back with suntan oil and hung on her every word while I ran for my life in the Waiting World, woke from a coma, and, bam, back at school with ten million pounds of schoolwork to make up, and no beach boys. Except for Ayden. He’d make a good beach boy. But don’t get too excited. He’s just a pretend boyfriend.
“You alright?” the nurse asked.
“Fine.”
“You’re sighing and making odd noises.”
“Sorry.
”
”
A. Kirk (Demons at Deadnight (Divinicus Nex Chronicles, #1))
“
One of the biggest mistakes made by people who wish to help an abused woman is to measure success by whether or not she leaves her abusive partner. If the woman feels unable or unready to end her relationship, or if she does separate for a period but then goes back to him, people who have attempted to help tend to feel that their effort failed and often channel this frustration into blaming the abused woman. A better measure of success for the person helping is how well you have respected the woman’s right to run her own life—which the abusive man does not do—and how well you have helped her to think of strategies to increase her safety. If you stay focused on these goals you will feel less frustrated as a helper and will be a more valuable resource for the woman.
”
”
Lundy Bancroft (Why Does He Do That? Inside the Minds of Angry and Controlling Men)
“
In order to stay healthy, our nervous systems and psyches need to face challenges and to succeed in meeting those challenges. When this need is not met, or when we are challenged and cannot triumph, we end up lacking vitality and are unable to fully engage in life. Those of us who have been defeated by war, abuse, accidents, and other traumatic events suffer far more severe consequences.
”
”
Peter A. Levine (Waking the Tiger: Healing Trauma)
“
Families learned of the deaths of kin mostly by telegram, but some knew or sensed their loss even when no telegram brought the news. Husbands and wives had promised to write letters or send cables to announce their safe arrival, but these were never sent. Passengers who had arranged to stay with friends in England and Ireland never showed up. The worst were those situations where a passenger was expected to be on a different ship but for one reason or another had ended up on the Lusitania
”
”
Erik Larson (Dead Wake: The Last Crossing of the Lusitania)
“
Danger lies before you, while safety lies behind, Two of us will help you, whichever you would find, One among us seven will let you move ahead, Another will transport the drinker back instead, Two among our number hold only nettle wine, Three of us are killers, waiting hidden in line. Choose, unless you wish to stay here forevermore, To help you in your choice, we give you these clues four: First, however slyly the poison tries to hide You will always find some on nettle wine’s left side; Second, different are those who stand at either end, But if you would move onward, neither is your friend; Third, as you see clearly, all are different size, Neither dwarf nor giant holds death in their insides; Fourth, the second left and the second on the right Are twins once you taste them, though different at first sight.
”
”
J.K. Rowling (Harry Potter and the Sorcerer's Stone (Harry Potter, #1))
“
When emotions turn and stay sour, when thoughts become cynical and judgmental, good and compassionate treatment is on the line. Helpers who become sour and cynical tend to begrudge their high need clients for their neediness. There is a risk that helpers become too well-practiced at taking a bleak view of those they have avowed to assist. There is a temptation to begin to blame clients for their failure to improve. If treatment ends pre-maturely, with either a client never returning to treatment or a helper 'firing' them out of frustration, there is a tendency for the client to take the fall. Of course what we are talking about here are signs of burnout.
”
”
Scott E. Spradlin
“
Persons Are Turned against Themselves
Evil also turns a person against herself so that self is used against self. The case of the woman who received a dismissal letter from her pastor comes to mind again. The psychological decompensation she suffered was successfully used by her husband to intercede with a psychiatrist of his choosing to commit her to the mental unit of a hospital for an extended involuntary stay, which further worsened her condition. Additional examples abound. Some patients report cults using induced hypnotic states to encourage a subject's dissociated hands and arms to do something hurtful to someone else. In such cases, the subject is encouraged to watch the hand that is hers but not hers (because it is dissociated from her). The end result is often extreme guilt. self-loathing, and distrust of one's self and motives.An incestuous parent may use a child's own natural bodily responses to repeated sexual stimulation to make the point that the child really "wants and enjoys“ what is being forced upon her.
”
”
J. Jeffrey Means (Trauma and Evil: Healing the Wounded Soul)
“
Here’s the stark truth about the person who is right for you: They want the same lifestyle that you do. How do I know this? Because that is, by definition, what makes them right for you. To be with someone whose eyes light up when yours do, whose heart races when your blood also pounds, who is enticed and inspired by the same forces that drive you forward, is a gift many of us never truly get to experience.
Because we settle. We settle for the person we love over the person who could push us – to be bigger, stronger, greater versions of ourselves. We tell ourselves that love is enough. That it conquers everything. But we forget that love shouldn’t be the thing that conquers our lives – we should be. And we should do it deliberately, triumphantly, by the side of somebody who shares all of our joys and successes.
So how do we meet such a person? That’s simple – we do more of what we love. We give ourselves up to uncertainty, to searching, to pursuing what we want out of life without the certainty of having someone beside us while we do it. We throw ourselves wholeheartedly into the things that we love and we consequently attract the people who love what we love. Who value what we prioritize. Who appreciate all that we are. We throw ourselves into the heart of possibility instead of staying comfortably settled inside of certainty. Because we owe it to ourselves to do so. We owe it to ourselves to live the greatest life that we’re capable of living, even if that means that we have to be alone for a very long time.
At the end of the day, love is wonderful but it isn’t enough to make up for an entire lifetime of compromising your core values. You don’t want to spend forever gazing into somebody’s eyes expecting to find all of the answers you need inside of them. Wait for the person who is gazing outward in the same direction as you are.
It’s going to make all of the difference in the world
”
”
Heidi Priebe
“
It's been a harsh fight.
You've been pummeled and knocked down. Your body aches, flesh torn and bruised. Your eyes can hardly see through a stream of blood. But you are cognizant and alive; therefore, you rise from the fight.
This is life. It will test your will, your strength, and endurance. It will challenge your faith and convictions. It will scar your hopes and try your beliefs. In the end, life validates those who refuse to stay down.
”
”
Richelle E. Goodrich (Making Wishes: Quotes, Thoughts, & a Little Poetry for Every Day of the Year)
“
God will not be tolerated. He instructs us to worship and fear Him.
In our world, where hundreds of things distract us from God, we have to intentionally and consistently remind ourselves of Him.
Because we don’t often think about the reality of who God is, we quickly forget that He is worthy to be worshiped and loved. We are to fear Him.
The answer to each of these questions is simply this: because He’s God. He has more of a right to ask us why so many people are starving. As much as we want God to explain himself to us, His creation, we are in no place to demand that He give an account to us.
Can you worship a God who isn’t obligated to explain His actions to you? Could it be your arrogance that makes you think God owes you an explanation?
If God is truly the greatest good on this earth, would He be loving us if He didn’t draw us toward what is best for us (even if that happens to be Himself)? Doesn’t His courting, luring, pushing, calling, and even “threatening” demonstrate His love? If He didn’t do all of that, wouldn’t we accuse Him of being unloving in the end, when all things are revealed?
Has your relationship with God actually changed the way you live? Do you see evidence of God’s kingdom in your life? Or are you choking it out slowly by spending too much time, energy, money, and thought on the things of this world?
Christians who did most for the present world were precisely those who thought most of the next.
Jesus’ call to commitment is clear: He wants all or nothing.
Our greatest fear as individuals and as a church should not be of failure but of succeeding at things in life that don’t really matter.
If life is a river, then pursuing Christ requires swimming upstream. When we stop swimming, or actively following Him, we automatically begin to be swept downstream.
How could we think for even a second that something on this puny little earth compares to the Creator and Sustainer and Savior of it all?
True faith means holding nothing back; it bets everything on the hope of eternity.
When you are truly in love, you go to great lengths to be with the one you love. You’ll drive for hours to be together, even if it’s only for a short while. You don’t mind staying up late to talk. Walking in the rain is romantic, not annoying. You’ll willingly spend a small fortune on the one you’re crazy about. When you are apart from each other, it’s painful, even miserable. He or she is all you think about; you jump at any chance to be together.
There is nothing better than giving up everything and stepping into a passionate love relationship with God, the God of the universe who made galaxies, leaves, laughter, and me and you.
Do you recognize the foolishness of seeking fulfillment outside of Him?
Are you ready and willing to make yourself nothing? To take the very nature of a servant? To be obedient unto death?
True love requires sacrifice.
What are you doing right now that requires faith?
God doesn’t call us to be comfortable.
If one person “wastes” away his day by spending hours connecting with God, and the other person believes he is too busy or has better things to do than worship the Creator and Sustainer, who is the crazy one?
Am I loving my neighbor and my God by living where I live, by driving what I drive, by talking how I talk?”
If I stop pursuing Christ, I am letting our relationship deteriorate.
The way we live out our days is the way we will live our lives.
What will people say about your life in heaven? Will people speak of God’s work and glory through you? And even more important, how will you answer the King when He says, “What did you do with what I gave you?
”
”
Francis Chan (Crazy Love: Overwhelmed by a Relentless God)
“
If you have read this far in the chronicle of the Baudelaire orphans - and I certainly hope you have not - then you know we have reached the thirteenth chapter of the thirteenth volume in this sad history, and so you know the end is near, even though this chapter is so lengthy that you might never reach the end of it. But perhaps you do not yet know what the end really means. "The end" is a phrase which refers to the completion of a story, or the final moment of some accomplishment, such as a secret errand, or a great deal of research, and indeed this thirteenth volume marks the completion of my investigation into the Baudelaire case, which required much research, a great many secret errands, and the accomplishments of a number of my comrades, from a trolley driver to a botanical hybridization expert, with many, many typewriter repairpeople in between. But it cannot be said that The End contains the end of the Baudelaires' story, any more than The Bad Beginning contained its beginning. The children's story began long before that terrible day on Briny Beach, but there would have to be another volume to chronicle when the Baudelaires were born, and when their parents married, and who was playing the violin in the candlelit restaurant when the Baudelaire parents first laid eyes on one another, and what was hidden inside that violin, and the childhood of the man who orphaned the girl who put it there, and even then it could not be said that the Baudelaires' story had not begun, because you would still need to know about a certain tea party held in a penthouse suite, and the baker who made the scones served at the tea party, and the baker's assistant who smuggled the secret ingredient into the scone batter through a very narrow drainpipe, and how a crafty volunteer created the illusion of a fire in the kitchen simply by wearing a certain dress and jumping around, and even then the beginning of the story would be as far away as the shipwreck that leftthe Baudelaire parents as castaways on the coastal shelf is far away from the outrigger on which the islanders would depart. One could say, in fact, that no story really has a beginning, and that no story really has an end, as all of the world's stories are as jumbled as the items in the arboretum, with their details and secrets all heaped together so that the whole story, from beginning to end, depends on how you look at it. We might even say that the world is always in medias res - a Latin phrase which means "in the midst of things" or "in the middle of a narrative" - and that it is impossible to solve any mystery, or find the root of any trouble, and so The End is really the middle of the story, as many people in this history will live long past the close of Chapter Thirteen, or even the beginning of the story, as a new child arrives in the world at the chapter's close. But one cannot sit in the midst of things forever. Eventually one must face that the end is near, and the end of The End is quite near indeed, so if I were you I would not read the end of The End, as it contains the end of a notorious villain but also the end of a brave and noble sibling, and the end of the colonists' stay on the island, as they sail off the end of the coastal shelf. The end of The End contains all these ends, and that does not depend on how you look at it, so it might be best for you to stop looking at The End before the end of The End arrives, and to stop reading The End before you read the end, as the stories that end in The End that began in The Bad Beginning are beginning to end now.
”
”
Lemony Snicket (The End (A Series of Unfortunate Events, #13))
“
Imagine yourself taking a stroll through Manhattan, somewhere north of 68th street, deep inside Central Park, late at night. It would be nice to meet someone friendly, but you know that the park is dangerous at night. That's when the monsters come out. There's always a strong undercurrent of drug dealings, muggings, and occasional homicides.
It is not easy to distinguish the good guys from the bad guys. They dress alike, and the weapons are concealed. The only difference is intent, and you can't read minds.
Stay in the dark long enough and you may hear an occasional distance shriek or blunder across a body.
How do you survive the night? The last thing you want to do is shout, "I'm here!" The next to last thing you want to do is reply to someone who shouts, "I'm a friend!"
What you would like to do is find a policeman, or get out of the park. But you don't want to make noise or move towards a light where you might be spotted, and it is difficult to find either a policeman or your way out without making yourself known. Your safest option is to hunker down and wait for daylight, then safely walk out.
There are, of course, a few obvious differences between Central Park and the universe.
There is no policeman.
There is no way out.
And the night never ends.
”
”
Charles Pellegrino (The Killing Star)
“
Also, on account of the odd relationship between time and space, the people who do manage to time-jump sometimes space-jump at the same time and end up in places where they simply don't belong. Over there, for example," he said as a raucous DeLorean sports car rared into view from nowhere, "is that crazy American professorwho can't seem to stay put in one time, and, I must say, there is an absolute plague of of killer robots from the future being sent to change the past. Sleeping there under that banyan tree is a certain Hank Morgan of Hartford, Connecticut, who was accidentally transported one day back to King Arthur's Court, and stayed there until Merlin put him to sleep for 1300 thirteen hundred years. He was suppsoed to wake up back in his own time, but look at this lazy fellow! He's still snoring away, and has missed his slot.
”
”
Salman Rushdie (Luka and the Fire of Life (Khalifa Brothers, #2))
“
So me and her, we dated for a while. A long while. Then, one day, we got to talking, and I told her how much I loved her, and she looked at me and told me, 'I don't love you. I never will...' I told her I thought I could change that. Maybe she didn't love me right now, but she would eventually...She said okay. And we stayed together. And we fought. We fought a lot. And then I realized I had made a big mistake. She had given me her youth, and it was gone, and I didn't know how to get out of it. And then she got sick. And she was dying. So I made good with her, and I stuck by her. And I felt horrible. Because I felt like here was this woman who didn't want to be with me, she told me that, and I ignored it. And she was spending the end of her like with someone she didn't love. And now she was gone. And part of me felt relieved that I was freed of this relationship, and that made me feel so terrible. I couldn't deal with it.
People are always trying to tell you something, how they feel. Some of them say it outright, and some of them, they tell you with their actions. And your have to listen...Listen, and don't ignore what you hear.
”
”
Justin Halpern (Sh*t My Dad Says)
“
Self-discovery changes everything, including your relationships with people. When you find your authentic self, those who loved your mask are disappointed. you may end up alone, but you don’t need to stay alone. While it’s painful to sever old connections, it’s not a tragedy. it’s an opportunity. Now, you can find people who understand the importance of looking for truth and being authentic. Now you can find people who want to connect deeply, like you’ve always wanted to, instead of constant small talk and head games. Now you can have real intimacy. Now, you can find your tribe.
”
”
Vironika Tugaleva
“
We read off the ancient Hebrew words, with no idea of what they might mean, and the congregation responds with more words that they don't understand either. We are gathered together on a Saturday morning to speak gibberish to each other, and you would think, in these godless times, that the experience would be empty, but somehow it isn't. The five of us, huddled together shoulder to shoulder over the bima, read the words aloud slowly, and the congregation, these old friends and acquaintances and strangers, all respond, and for reasons I can't begin to articulate, it feels like something is actually happening. It's got nothing to do with God or souls, just the palpable sense of goodwill and support emanating in waves from the pews around us, and I can't help but be moved by it. When we reach the end of the page, and the last "amen" has been said, I'm sorry that' it's over. I could stay up here a while longer. And as we step down to make our way back to the pews, a quick survey of the sadness in my family's wet eyes tells me that I'm not the only one who feels that way. I don't feel any closer to my father than I did before, but for a moment there I was comforted, and that's more than I expected.
”
”
Jonathan Tropper (This is Where I Leave You)
“
I was surrounded by the surgeons and residents and nurses who helped me stay alive when I was born blue and if it weren’t for them I would be dead now. All those people I didn’t even know, I couldn’t pick them out of a lineup if I had to, but they had worked their whole lives to get the knowledge that ended up saving my life. It was because of them that I was in this magnificent wave of people and music.
”
”
Maria Semple (Where'd You Go, Bernadette)
“
There is a plain under a dim sky. It is covered with gentle rolling curves that might remind you of something else if you saw it from a long way away, and if you did see it from a long way away you'd be very glad that you were, in fact, a long way away.
Three gray figures floated just above it. Exactly what they were can't be described in normal language. Some people might call them cherubs, although there was nothing rosy-cheeked about them. They might be rumored among those who see to it that gravity operates and that time stays separate from space. Call them auditors. Auditors of reality.
They were in conversation without speaking. They didn't need to speak. They just changed reality so that they had spoken.
One said, It has never happened before. Can it be done?
One said, It will have to be done. There is a personality. Personalities come to an end. Only forces endure.
It said this with satisfaction.
One said, Besides... there have been irregularities. Where you get personality, you get irregularities. Well-known fact.
One said, He has worked inefficiently?
One said, No. We can't get him there.
One said, That is the point. The word is him. Becoming a personality is inefficient. We don't want it to spread. Supposing gravity developed a personality? Supposing it decided to like people?
One said, Got a crush on them, that sort of thing?
One said, in a voice that would have been even chillier if it was not already at absolute zero, No.
One said, Sorry. Just my little joke.
One said, Besides, sometimes he wonders about his job. Such speculation is dangerous.
One said, No argument there.
One said, Then we are agreed?
One, who seemed to have been thinking about something, said, Just one moment. Did you not just use the singular pronoun "my?" Not developing a personality, are you?
One said, guiltily, Who? Us?
One said, Where there is personality, there is discord.
One said, Yes. Yes. Very true.
One said, All right. But watch it in future.
One said, Then we are agreed?
They looked up at the face of Azrael, outlined against the sky. In fact, it was the sky.
Azrael nodded, slowly.
One said, Very well. Where is this place?
One said, It is the Discworld. It rides through space on the back of a giant turtle.
One said, Oh, one of that sort. I hate them.
One said, You're doing it again. You said "I."
One said, No! No! I didn't! I never said "I!"... oh, bugger...
It burst into flame and burned in the same way that a small cloud of vapor burns, quickly and with no residual mess. Almost immediately, another one appeared. It was identical in appearance to its vanished sibling.
One said, Let that be a lesson. To become a personality is to end. And now... let us go.
”
”
Terry Pratchett (Reaper Man (Discworld, #11; Death, #2))
“
Ending a relationship doesn't end the love that was shared. Love doesn't ever die, it just morphs. Love is eternal. Allowing love to move freely rather than try to force it to be something it's not is the only way to find peace. Gratitude is the first step to happiness and peace. Accepting someone is not what you wanted them to be doesn't make anyone “bad” or “wrong.” That's love. Accepting the whole. Letting go out of love takes courage. Staying safe is of the ego. Entrapment is of the ego. And fear. And letting go simply means allowing everyone to be who they are and to live the life they came here to live.
”
”
Camille Lucy (The (Real) Love Experiment: Explore Love, Relationships & The Self)
“
Discouragement, fear, and depression—
three villains who lurk in the dark.
They slip inside souls with a blindfold and goals
to shatter your dreams and extinguish your spark.
Their tactics are highly effective.
They crush a great many each day.
And under their spell it is easy to dwell
On fiascoes and failures that end in dismay.
The heart and the mind are left heavy.
The last speck of will is erased.
And nothing stays on when these villains are gone
but a mouthful of bile with the bitterest taste.
Alas! You must conquer the scoundrels!
Elude, dodge, and keep them at bay!
To feel fear slink in, boring under your skin,
is a sign that his brothers are well on their way.
So reach for your weapons against them!
Take hope and hard work in each hand!
Strap faith on your hips and a prayer on your lips
and show those debasers how firmly you stand!
Discouragement, fear and depression—
the truth should be known of these cads.
They’re empty and weak; it is your strength they seek.
Deny them and life is your wish in the bag.
”
”
Richelle E. Goodrich (Making Wishes: Quotes, Thoughts, & a Little Poetry for Every Day of the Year)
“
Almost everyone stopped when he did, but Enaila and Jalani exchanged glances and kept on right past him toward the garden. He raised his voice a fraction and hardened it considerably more. “The Maidens here will come with me. Anyone who wants to put on a dress and discuss matchmaking can stay behind.”
..................................
Bashere motioned, and one of the younger Saldaeans loped ahead in that rolling stride of a man more used to a saddle. “A man must know when to retreat from a woman,” Bashere said to the air, “but a wise man knows that sometimes he must stand and face her.”
“Young men,” Bael said indulgently. “A young man chases shadows and runs from moonlight, and in the end he stabs himself in the foot with his own spear.” Some of the other Aiel chuckled, Maidens and Knife Hands alike. The older ones did.
Irritated, Rand looked over his shoulder again. “Neither of you would look well in a dress.” Surprisingly, the Maidens and Knife Hands laughed again, more loudly. Maybe he was getting a grip on Aiel humor.
”
”
Robert Jordan (Lord of Chaos (The Wheel of Time, #6))
“
Does God exist?
Unlike many people, this had not been the great inner debate of her life. Under the old Communist regime, the official line in schools had been that life ended with death, and she had gotten used to the idea. On the other hand, her parents’ generation and her grandparents’ generation still went to church, said prayers, and went on pilgrimages, and were utterly convinced that God listened to what they said.
At twenty-four, having experienced everything she could experience—and that was no small achievement—Veronika was almost certain that everything ended with death. That is why she had chosen suicide: freedom at last. Eternal oblivion.
In her heart of hearts, though, there was still a doubt: What if God did exist? Thousands of years of civilization had made of suicide a taboo, an affront to all religious codes: Man struggles to survive, not to succumb. The human race must procreate. Society needs workers. A couple has to have a reason to stay together, even when love has ceased to exist, and a country needs soldiers, politicians and artists.
If God exists, and I truly don’t believe he does, he will know that there are limits to human understanding. He was the one who created this confusion in which there is poverty, injustice, greed, and loneliness. He doubtless had the best of intentions, but the results have proved disastrous; if God exists, he will be generous with those creatures who chose to leave this Earth early, and he might even apologize for having made us spend time here.
To hell with taboos and superstitions. Her devout mother would say: “God knows the past, the present, and the future.” In that case, he had placed her in this world in the full knowledge that she would end up killing herself, and he would not be shocked by her actions.
Veronika began to feel a slight nausea, which became rapidly more intense.
”
”
Paulo Coelho (Veronika Decides to Die)
“
What a bore, someone who doesn’t deign to make an impression. Vain people are almost always annoying, but they make an effort, they take the trouble: they are bores who don’t want to be bores, and we are grateful to them for that: we end by enduring them, even by seeking them out. On the other hand, we turn livid with fury in the presence of someone who pays no attention whatever to the effect he makes. What are we to say to him, and what are we to expect from him? Either keep some vestiges of the monkey, or else stay home.
”
”
Emil M. Cioran (The Trouble With Being Born)
“
I.
My first thought was, he lied in every word,
That hoary cripple, with malicious eye
Askance to watch the workings of his lie
On mine, and mouth scarce able to afford
Suppression of the glee, that pursed and scored
Its edge, at one more victim gained thereby.
II.
What else should he be set for, with his staff?
What, save to waylay with his lies, ensnare
All travellers who might find him posted there,
And ask the road? I guessed what skull-like laugh
Would break, what crutch 'gin write my epitaph
For pastime in the dusty thoroughfare.
III.
If at his counsel I should turn aside
Into that ominous tract which, all agree,
Hides the Dark Tower. Yet acquiescingly
I did turn as he pointed, neither pride
Now hope rekindling at the end descried,
So much as gladness that some end might be.
IV.
For, what with my whole world-wide wandering,
What with my search drawn out through years, my hope
Dwindled into a ghost not fit to cope
With that obstreperous joy success would bring,
I hardly tried now to rebuke the spring
My heart made, finding failure in its scope.
V.
As when a sick man very near to death
Seems dead indeed, and feels begin and end
The tears and takes the farewell of each friend,
And hears one bit the other go, draw breath
Freelier outside, ('since all is o'er,' he saith
And the blow fallen no grieving can amend;')
VI.
When some discuss if near the other graves
be room enough for this, and when a day
Suits best for carrying the corpse away,
With care about the banners, scarves and staves
And still the man hears all, and only craves
He may not shame such tender love and stay.
VII.
Thus, I had so long suffered in this quest,
Heard failure prophesied so oft, been writ
So many times among 'The Band' to wit,
The knights who to the Dark Tower's search addressed
Their steps - that just to fail as they, seemed best,
And all the doubt was now - should I be fit?
VIII.
So, quiet as despair I turned from him,
That hateful cripple, out of his highway
Into the path he pointed. All the day
Had been a dreary one at best, and dim
Was settling to its close, yet shot one grim
Red leer to see the plain catch its estray.
IX.
For mark! No sooner was I fairly found
Pledged to the plain, after a pace or two,
Than, pausing to throw backwards a last view
O'er the safe road, 'twas gone; grey plain all round;
Nothing but plain to the horizon's bound.
I might go on, naught else remained to do.
X.
So on I went. I think I never saw
Such starved ignoble nature; nothing throve:
For flowers - as well expect a cedar grove!
But cockle, spurge, according to their law
Might propagate their kind with none to awe,
You'd think; a burr had been a treasure trove.
XI.
No! penury, inertness and grimace,
In some strange sort, were the land's portion. 'See
Or shut your eyes,' said Nature peevishly,
It nothing skills: I cannot help my case:
Tis the Last Judgement's fire must cure this place
Calcine its clods and set my prisoners free.
”
”
Robert Browning
“
On occasion Jobs would use the semi-abandoned Woodside home, especially its swimming pool, for family parties. When Bill Clinton was president, he and Hillary Clinton stayed in the 1950s ranch house on the property on their visits to their daughter, who was at Stanford. Since both the main house and ranch house were unfurnished, Powell would call furniture and art dealers when the Clintons were coming and pay them to furnish the houses temporarily. Once, shortly after the Monica Lewinsky flurry broke, Powell was making a final inspection of the furnishings and noticed that one of the paintings was missing. Worried, she asked the advance team and Secret Service what had happened. One of them pulled her aside and explained that it was a painting of a dress on a hanger, and given the issue of the blue dress in the Lewinsky matter they had decided to hide it. (During one of his late-night phone conversations with Jobs, Clinton asked how he should handle the Lewinsky issue. “I don’t know if you did it, but if so, you’ve got to tell the country,” Jobs told the president. There was silence on the other end of the line.)
”
”
Walter Isaacson (Steve Jobs)
“
I once met a traveler who told me he would live to see the end of time. He laid out all his vitamins before me and told me he slept seven hours every night, no more or less. All the life you want, he said. It's all within the palm of your hand now. He said he would outlast all the wars and all the diseases, long enough to remember everything, and long enough to forget everything. He'd be the last man still standing when the sun decides to collapse upon itself and history ends. He said he had found the safest place on earth, where he could stay until the gateway to the beyond opened before him. A thousand generations from today. I pictured him there, atop a remote and snowy mountain. The heavens opening and God congratulating him for his perseverance. Asking him to join Him and watch as the sun burns down to a dull orange cinder and everything around it breaks is orbit and goes tumbling tumbling away, everything that once seemed permanent pulled apart so effortlessly, like a ball of yarn. A life into divinity.
But I knew it was a lie. I've always known it was a lie. You can not hide from the world. It will find you. It always does. And now it has found me. My split second of immortality is over. All that's left now is the end, which is all any of us ever has.
”
”
Drew Magary (The Postmortal)
“
As I worked I continued to be a bit terrified in the back of my mind that it would be awful in the end, a big mishmash of nothing in particular, and there I would be, having wasted a whole week of my life destroying things I wanted to keep.
But I should have trusted the long history of women who've come before me making rag rugs from everything that wasn't nailed down because it wasn't like that at all. Instead it was like a big, incredible tapestry that just happened to--if you could decipher it--tell a million little stories from my life. I could look at it and see my old lace slip and the girls' party dresses and my high school rainbow tie-dyes, the Irish kilt and the Halloween clown pants and so many, many other things. It was all in there somewhere.
I felt like the miller's daughter in the fairy tale, the one who stays up all night spinning straw into gold. But who needs yellow metal, anyway? The was way better.
”
”
Eve O. Schaub (Year of No Clutter)
“
If we are content to go back and become humble plain men obeying tradition, well. If we are ready to climb and struggle on till we become sages ourselves, better still. But the man who will neither obey wisdom in others nor adventure for her/himself is fatal. A society where the simple many obey the few seers can live: a society where all were seers could live even more fully. But a society where the mass is still simple and the seers are no longer attended to can achieve only superficiality, baseness, ugliness, and in the end extinction. On or back we must go; to stay here is death.
”
”
C.S. Lewis
“
They way I walk now
you’d have a hard time recognising me,
on these streets
where I once imagined walking with you.
Hand in hand,
like we always did,
and it never mattered where we were going
because it was all just fine.
I was always fine.
But they rest restlessly in my pockets now,
in a new town,
on these new streets,
and it’s heavy to stay standing
for my body is half the size
when you’re gone
and these buildings are tall and old and beautiful
and I wonder what secrets they hold.
How to stand so proud after so many years
because I’m still young but I feel worn
and I get through the days on too much caffeine and mood altering chemicals
to stay awake long enough to make the poetry come alive.
I fall asleep on the floor with the music still playing
when my neighbour leaves for the office
and I’m jealous.
I wonder what it’s like to go outside and know where to go,
know where you want to end up
and just simply go there.
I’ve been making lists of things I want to do,
where to go
and who to be,
now that you’re gone,
and it’s nice and all,
it’s just …
I’d rather write it with you,
and go there with you.
Be things
with you.
There were days when I still put on make up
in case you’d come back,
but I wear the same clothes and shower in the rain,
eat when I can and sleep when I can,
which is rare and not often,
so if you’d see me now
on these streets
where I once imagined walking with you
you’d have a hard time recognising me.
It takes a lot to run away.
”
”
Charlotte Eriksson (Another Vagabond Lost To Love: Berlin Stories on Leaving & Arriving)
“
America, how’s your marriage? Your two-hundred-fifty-year-old promise to stay together in sickness and in health? First thirteen states, then more and more, until fifty of you had taken the vow. Like so many marriages, I know, it was not for love; I know it was for tax reasons, but soon you all found yourselves financially entwined, with shared debts and land purchases and grandiose visions of the future, yet somehow, from the beginning, essentially at odds. Ancient grudges. That split you had—that still stings, doesn’t it? Who betrayed whom, in the end? I hear you tried getting sober. That didn’t last, did it? So how’s it going, America? Do you ever dream of each being on your own again? Never having to be part of someone else’s family squabble? Never having to share a penny? Never having to bear with someone else’s gun hobby, or car obsession, or nutrition craze? Tell me honestly, because I have contemplated marriage and wonder: If it can’t work for you, can it work for any of us?
”
”
Andrew Sean Greer (Less Is Lost)
“
Best not to look back. Best to believe there will be happily ever afters all the way around- and so there may be; who is to say there will to be such endings? Not all boats which sail away into darkness never find the sun again, or the hand of another child; if life teaches anything at all, it teaches that there are so many happy endings that the man who believes there is no God needs his rationality called into serious question… And if you spare a last though, maybe it’s ghosts you wonder about… the ghosts of children standing in the water at sunset, standing in a circle, standing with their hands joined together, their faces young, sure, but tough… tough enough, anyway, to give birth to the people they will become, tough enough understand, maybe, that the people they will become must necessarily birth the people they were before they can get on with trying to understand simple morality. The circle closes, the wheel rolls, and that’s all there is. You don’t have to look back to see those children; part of you mind wills them forever, live with them forever, love with them forever. They are not necessarily the best part of you, but were once the repository of all you could become. Children I love you. I love you so much. So drive away quick, drive away while the last of the light slips away,drive away from Derry, from memory… but not from desire. That stays, the bright cameo of all we were and all we believed as children, all that shone in our eyes even when we were lost and the wind blew in the night. Drive away and try to keep smiling. Get a little rock and roll on the radio and go toward all the life there is with all the courage you can and all the belief you can muster. Be true, be brave, stand. All the rest is darkness.
”
”
Stephen King (It)
“
People aren’t really needed for anything else in the Griftopia, but since Americans require the illusion of self-government, we have elections. To make sure those elections are effectively meaningless as far as Wall Street is concerned, two things end up being true. One is that voters on both sides of the aisle are gradually weaned off that habit of having real expectations for their politicians, consuming the voting process entirely as culture-war entertainment. The other is that millions of tenuously middle-class voters are conned into pushing Wall Street’s own twisted greed ethos as though it were their own. The Tea Party, with its weirdly binary view of society as being split up cleanly into competing groups of producers and parasites—that’s just a cultural echo of the insane greed-is-good belief system on Wall Street that’s provided the foundation/excuse for a generation of brilliantly complex thievery. Those beliefs have trickled down to the ex-middle-class suckers struggling to stay on top of their mortgages and their credit card bills, and the real joke is that these voters listen to CNBC and Fox and they genuinely believe they’re the producers in this binary narrative. They don’t get that somewhere way up above, there’s a group of people who’ve been living the Atlas dream for real—and building a self-dealing financial bureaucracy in their own insane image.
”
”
Matt Taibbi (Griftopia: Bubble Machines, Vampire Squids, and the Long Con That Is Breaking America)
“
Speech therapy is an art that deserves to be more widely known. You cannot imagine the acrobatics your tongue mechanically performs in order to produce all the sounds of a language. Just now I am struggling with the letter l, a pitiful admission for an editor in chief who cannot even pronounce the name of his own magazine! On good days, between coughing fits, I muster enough energy and wind to be able to puff out one or two phonemes. On my birthday, Sandrine managed to get me to pronounce the whole alphabet more or less intelligibly. I could not have had a better present. It was as if those twenty-six letters and been wrenched from the void; my own hoarse voice seemed to emanate from a far-off country. The exhausting exercise left me feeling like a caveman discovering language for the first time. Sometimes the phone interrupts our work, and I take advantage of Sandrine's presence to be in touch with loved ones, to intercept and catch passing fragments of life, the way you catch a butterfly. My daughter, Celeste, tells me of her adventures with her pony. In five months she will be nine. My father tells me how hard it is to stay on his feet. He is fighting undaunted through his ninety-third year. These two are the outer links of the chain of love that surrounds and protects me. I often wonder about the effect of these one-way conversations on those at the other end of the line. I am overwhelmed by them. How dearly I would love to be able to respond with something other than silence to these tender calls. I know that some of them find it unbearable. Sweet Florence refuses to speak to me unless I first breathe noisily into the receiver that Sandrine holds glued to my ear. "Are you there, Jean-Do?" she asks anxiously over the air.
And I have to admit that at times I do not know anymore.
”
”
Jean-Dominique Bauby (The Diving Bell and the Butterfly: A Memoir of Life in Death)
“
You go out into your world, and try and find the things that will be useful to you. Your weapons. Your tools. Your charms. You find a record, or a poem, or a picture of a girl that you pin to the wall and go, "Her. I'll try and be her. I'll try and be her - but here." You observe the way others walk, and talk, and you steal little bits of them - you collage yourself out of whatever you can get your hands on. You are like the robot Johnny 5 in Short Circuit, crying, "More input! More input for Johnny 5! as you rifle through books and watch films and sit in front of the television, trying to guess which of these things that you are watching - Alexis Carrington Colby walking down a marble staircase; Anne of Green Gables holding her shoddy suitcase; Cathy wailing on the moors; Courtney Love wailing in her petticoat; Dorothy Parker gunning people down; Grace Jones singing "Slave to the Rhythm" - you will need when you get out there. What will be useful. What will be, eventually, you?
And you will be quite on your own when you do all this. There is no academy where you can learn to be yourself; there is no line manager slowly urging you toward the correct answer. You are midwife to yourself, and will give birth to yourself, over and over, in dark rooms, alone.
And some versions of you will end in dismal failure - many prototypes won't even get out the front door, as you suddenly realize that no, you can't style-out an all-in-one gold bodysuit and a massive attitude problem in Wolverhampton. Others will achieve temporary success - hitting new land-speed records, and amazing all around you, and then suddenly, unexpectedly exploding, like the Bluebird on Coniston Water.
But one day you'll find a version of you that will get you kissed, or befriended, or inspired, and you will make your notes accordingly, staying up all night to hone and improvise upon a tiny snatch of melody that worked.
Until - slowly, slowly - you make a viable version of you, one you can hum every day. You'll find the tiny, right piece of grit you can pearl around, until nature kicks in, and your shell will just quietly fill with magic, even while you're busy doing other things. What your nature began, nature will take over, and start completing, until you stop having to think about who you'll be entirely - as you're too busy doing, now. And ten years will pass without you even noticing.
And later, over a glass of wine - because you drink wine now, because you are grown - you will marvel over what you did. Marvel that, at the time, you kept so many secrets. Tried to keep the secret of yourself. Tried to metamorphose in the dark. The loud, drunken, fucking, eyeliner-smeared, laughing, cutting, panicking, unbearably present secret of yourself. When really you were about as secret as the moon. And as luminous, under all those clothes.
”
”
Caitlin Moran (How to Build a Girl (How to Build a Girl, #1))
“
At its most elemental level the human organism, like crawling life, has a mouth, digestive tract, and anus, a skin to keep it intact, and appendages with which to acquire food. Existence, for all organismic life, is a constant struggle to feed-a struggle to incorporate whatever other organisms they can fit into their mouths and press down their gullets without choking. Seen in these stark terms, life on this planet is a gory spectacle, a science-fiction nightmare in which digestive tracts fitted with teeth at one end are tearing away at whatever flesh they can reach, and at the other end are piling up the fuming waste excrement as they move along in search of more flesh. I think this is why the epoch of the dinosaurs exerts such a strange fascination on us: it is an epic food orgy with king-size actors who convey unmistakably what organisms are dedicated to. Sensitive souls have reacted with shock to the elemental drama of life on this planet, and one of the reasons that Darwin so shocked his time-and still bothers ours-is that he showed this bone crushing, blood-drinking drama in all its elementality and necessity: Life cannot go on without the mutual devouring of organisms. If at the end of each person’s life he were to be presented with the living spectacle of all that he had organismically incorporated in order to stay alive, he might well feel horrified by the living energy he had ingested. The horizon of a gourmet, or even the average person, would be taken up with hundreds of chickens, flocks of lambs and sheep, a small herd of steers, sties full of pigs, and rivers of fish. The din alone would be deafening. To paraphrase Elias Canetti, each organism raises its head over a field of corpses, smiles into the sun, and declares life good.
”
”
Ernest Becker (Escape from Evil)
“
The child was left alone to die in the hallway. Here, in the dawn, was mortality itself. In the city were places to fall from which one could never emerge -- dark dreams and slow death, the death of children, suffering without grace or redemption, ultimate and eternal loss. The memory of the child stayed with Peter. But that was not to be the end of it, for reality went around in a twisting ring. Even the irredeemable would be redeemed, and there was a balance for everything. There had to be.
The old man said, "Nothing is random, nor will anything ever be, whether a long string of perfectly blue days that begin and end in golden dimness, the most seemingly chaotic political acts, the rise of a great city, the crystalline structure of a gem that has never seen the light, the distributions of fortune, what time the milkman gets up, or the position of the electron. Even electrons, supposedly the paragons of unpredictability, do exactly as they are told. Of this, one is certain.
And yet, there is a wonderful anarchy, in that the milkman chooses when to arise, the rat picks the tunnel into which he will dive when the subway comes rushing down the track from Borough Hall, and the snowflake will fall as it will. How can this be? If nothing is random, and everything is predetermined, how can there be free will?
The answer to that is simple. Nothing is predetermined, it is determined, or was determined, or will be determined. No matter, it all happened at once, in less than an instant, and time was invented because we cannot comprehend in one glance the enormous and detailed canvas that we have been given - so we track it, in linear fashion piece by piece. Time however can be easily overcome; not by chasing the light, but by standing back far enough to see it all at once.
The universe is still and complete. Everything that ever was, is. Everything that ever will be, is. In all possible combinations. Though we imagine that it is in motion and unfinished, it is quite finished and quite astonishingly beautiful. So any event is intimately and sensibly tied to all others. All rivers run full to the sea; those who are apart are brought together; the lost ones are redeemed; the dead come back to life; the perfectly blue days that have begun and ended in golden dimness continue, immobile and accessible.
And, when all is perceived in such a way as to obviate time, justice becomes apparent not as something that will be, but something that is.
”
”
Mark Helprin (Winter's Tale)
“
To Marry One's Soul Being true to who we are means carrying our spirit like a candle in the center of our darkness. If we are to live without silencing or numbing essential parts of who we are, a vow must be invoked and upheld within oneself. The same commitments we pronounce when embarking on a marriage can be understood internally as a devotion to the care of one's soul: to have and to hold … for better or for worse … in sickness and in health … to love and to cherish, till death do us part. This means staying committed to your inner path. This means not separating from yourself when things get tough or confusing. This means accepting and embracing your faults and limitations. It means loving yourself no matter how others see you. It means cherishing the unchangeable radiance that lives within you, no matter the cuts and bruises along the way. It means binding your life with a solemn pledge to the truth of your soul. It is interesting that the nautical definition of marry is “to join two ropes end to end by interweaving their strands.” To marry one's soul suggests that we interweave the life of our spirit with the life of our psychology; the life of our heart with the life of our mind; the life of our faith and truth with the life of our doubt and anxiety. And just as two ropes that are married create a tie that is twice as strong, when we marry our humanness to our spirit, we create a life that is doubly strong in the world.
”
”
Mark Nepo (The Book of Awakening: Having the Life You Want by Being Present to the Life You Have)
“
Neil stared back at him, suddenly lost. He was fluent in two languages, nearly there in a third, and could string together some useful survival phrases in a half-dozen more. But with the whole truth bared between them Neil didn't have the right words to say. "You should have thrown my file away," Neil said at last. "You should have walked away when I threw your contract back in your face. But you took a chance on me and you brought me here. You saved my life. Three times," Neil said, "you've saved my life. I can't just say 'thank you' for that."
"You don't have to," Wymack said. "I brought you here, but you saved yourself. You're the one who decided to stay. You're the one who stopped being afraid long enough to realize you could get a grip here and a foothold there. You found your own way."
"If anything," Wymack continued when Neil tried to protest, "I should be thanking you. You told us last night you intended to end the year dead or in federal custody. You could have shut everyone and everything out and worried about yourself this year. Instead you agreed to help Dan fix this team. You're saving the two I thought we couldn't reach, and you're a living example for Kevin to follow. He never used to watch you," Wymack said, "but he's had eyes on you since December trying to figure out how you stand your ground.
”
”
Nora Sakavic (The King's Men (All for the Game, #3))
“
The Dunning-Kruger effect was proposed by David Dunning and Justin Kruger in 1999. They found that, if people have limited knowledge on a topic, they tend to be extremely confident in what they’re saying and grossly overestimate their competence to discuss it. Conversely, as people gain more knowledge, they become more shy about expressing it. If we apply this theory to social media conversations, the people who know the least will be commenting the most because they’re over-confident. The Dunning-Kruger effect, combined with empathy destruction, could create an environment where those with the least knowledge are the most vocal, yet are unable to comprehend opposing points of view. At the same time, those with the most knowledge are likely to stay silent. Hence we end up with a cesspool of over-confident ignoramuses yelling at each other. Social media in a nutshell, ladies and gentlemen.
”
”
Dagogo Altraide (New Thinking: From Einstein to Artificial Intelligence, the Science and Technology that Transformed Our World)
“
Look out! Oh, you chump and weak fool, you are one of a humanity that can't be numbered and not more than the dust of metals scattered in a magnetic field and clinging to the lines of force, determined by laws, eating, sleeping, employed, conveyed, obedient, and subject. So why hunt for still more ways to lose liberty? Why go toward, and not instead run from, the huge drag that threatens to wear out your ribs, rub away your face, splinter your teeth? No, stay away!
Be the wiser person who crawls, rides, runs, walks to his solitary ends used to solitary effort, who procures for himself and heeds the fears that are the kings of this world. Ah, they don't give you much of a break, these kings! Many a dead or dying face lies or drifts under them.
”
”
Saul Bellow (The Adventures of Augie March)
“
…Homo sapiens doesn’t seem able to cut himself off at the supply end. He’s one of the few species that doesn’t limit reproduction in the face of dwindling resources. In other words - and up to a point, of course - the less we eat, the more we fuck.’
‘How do you account for that?’ said Jimmy.
‘Imagination,’ said Crake, ‘Men can imagine their own deaths, they can see them coming, and the mere thought of impending death acts like an aphrodisiac. A dog or a rabbit doesn’t behave like that. Take birds - in a lean season they cut down on the eggs, or they don’t mate at all. They put their energy into staying alive themselves until times get better. But human beings hope they can stick their souls into someone else, some new version of themselves, and live on forever.’
‘As a species we’re doomed by hope then?’
‘You could call it hope. That, or desperation.’
‘But we’re doomed without hope, as well,’ said Jimmy.
‘Only as individuals,’ said Crake cheerfully.
‘Well, it sucks.’
‘Jimmy, grow up.’
Crake wasn’t the first person who ever said that to Jimmy.
”
”
Margaret Atwood (Oryx and Crake (MaddAddam, #1))
“
So many gods. Which was the god of test scores? Which was the god of unmarried shopgirls who wished to stay that way?
She decided to simply pray to all of them.
“If you exist, if you’re up there, help me. Give me a way out of this shithole. Or, if you can’t do that, give the import inspector a heart attack.”
She looked around the empty temple. What came next? She had always imagined that praying involved more than just speaking out loud. She spied several unused incense sticks lying by the altar. She lit the end of them by dipping it in the brazier, and then waved it experimentally in the air.
Was she supposed to hold the smoke to the gods? Or should she smoke the stick herself? She had just held the burned end to her nose when a temple custodian strode out from behind the altar.
They blinked at each other.
Slowly, Rin removed the incense stick from her nostril.
“Hello,” she said. “I’m praying.”
“Please leave,” he said.
”
”
R.F. Kuang (The Poppy War (The Poppy War, #1))
“
We're meant to stay connected to our hearts, you see. Feeling our feelings, present in the moments we're given. But we don't do that. And that's when we get in trouble. ...
We mature and take responsibility for ourselves and others, and that's a good thing. But we're never meant to lose that alive quality, to get cut off from our true hearts. Growing up isn't the same thing as shutting down. ...
We can fight it. We have to fight it. Because when our hearts shut down, we become mere shells of who we once were. We don't laugh—not honestly, not from the heart. We don't dream. We don't feel our feelings or use our gifts. We end up trying to just survive instead of live. It's like we've handed our hearts over to the enemy of our souls and said, 'Here you can have it. I'm giving up.
”
”
Denise Hildreth Jones (Secrets over Sweet Tea)
“
I have dreamed of that song, of the strange words to that simple rhyme-song, and on several occasions I have understood what she was saying, in my dreams. In those dreams I spoke that language too, the first language, and I had dominion over the nature of all that was real. In my dream, it was the tongue of what is, and anything spoken in it becomes real, because nothing said in that language can be a lie. It is the most basic building brick of everything. In my dreams I have used that language to heal the sick and to fly; once I dreamed I kept a perfect little bed-and-breakfast by the seaside, and to everyone who came to stay with me I would say, in that tongue, 'Be whole,' and they would become whole, not broken people, not any longer, because I had spoken the language of shaping.
”
”
Neil Gaiman (The Ocean at the End of the Lane)
“
What is wrong with you?” I say in lieu of greeting. “You went to Morris’s dorm and declared your intentions?”
He offers a faint smile. “Of course. It was the noble thing to do. I can’t be chasing after another guy’s girl without his knowledge.”
“I’m not his girl,” I snap. “We went on one date! And now I’m never going to be his girl, because he doesn’t want to go out with me again.”
“What the hell?” Logan looks startled. “I’m disappointed in him. I thought he had more of a competitive spirit than that.”
“Seriously? You’re going to pretend to be surprised? He won’t see me again because your jackass self told him he couldn’t.”
Astonishment fills his eyes. “No, I didn’t.”
“Yes, you did.”
“Is that what he told you?” Logan demands.
“Not in so many words.”
“I see. Well, what words did he actually use?”
I grit my teeth so hard my jaw aches. “He said he’s backing off because he doesn’t want to get in the middle of something so complicated. I pointed out that there’s nothing complicated about it, seeing as you and I are not together.” My aggravation heightens. “And then he insisted that I need to give you a chance, because you’re a—” I angrily air-quote Morris’s words “—‘stand-up guy who deserves another shot.’”
Logan breaks out in a grin.
I stab the air with my finger. “Don’t you dare smile. Obviously you put those words in his mouth. And what the hell was he jabbering about when he told me you and him were ‘family’?” All the disbelief I’d felt during my talk with Morris comes spiraling back, making me pace the bedroom in hurried strides. “What did you say to him, Logan? Did you brainwash him or something? How are you guys family? You don’t even know each other!”
Strangled laughter sounds from Logan’s direction. I spin around and level a dark glower at him.
“He’s talking about the joint family we created in Mob Boss. It’s this role-playing game where you’re the Don of a mob family and you’re fighting a bunch of other mafia bosses for territory and rackets and stuff. We played it when I went over there, and I ended up staying until four in the morning. Seriously, it was intense.” He shrugs. “We’re the Lorris crime syndicate.”
I’m dumbfounded.
Oh my God.
Lorris? As in Logan and Morris? They fucking Brangelina’d themselves?
“What is happening?” I burst out. “You guys are best friends now?”
“He’s a cool guy. Actually, he’s even cooler in my book now for stepping down like that. I didn’t ask him to, but clearly he grasps what you refuse to see.”
“Yeah, and what’s that?” I mutter.
“That you and I are perfect for each other.”
No words. There are no words to accurately convey what I’m feeling right now. Horror maybe? Absolute insanity? I mean, it’s not like I’m madly in love with Morris or anything, but if I’d known that kissing Logan at the party would lead to…this, I would have strapped on a frickin’ chastity gag.
”
”
Elle Kennedy (The Mistake (Off-Campus, #2))
“
This time she is the one who leans forward. She is on her knees in front of him, grasping his shirt collar, pulling him close to her. He is clearly as startled by this as she herself is, but he allows himself to be drawn in. Their mouths meet, she moves even closer still until she is sitting on his lap takes his hands from her waist and puts them on her breasts, does everything but devour him, desperate to see if she can have something beyond her bondage with the razor.
Pictures of the accident start writhing beneath her closed lids, competing for attention with the image she holds of his face. A tidal wave of emotion threatens to engulf her. She is suddenly back in the basement with the bookcases. "I can't." Willow pushes him away. "I can't"
Willow claps her hands over her ears in a vain attempt to drown out the dreadful sounds of the accident. She jumps up, wheels away from him, fumbles in her pocket for the razor that she always keeps there. But just as she's preparing to slice, to save herself, to end the nightmare visions, Guy's hand clamps down on hers He pulls her down on the floor again roughly.
"No." He's shaking his head. "Not here. Not now. Not with me around."
"I have to." Willow is gasping. "Just let me do it!"
"All right then, you can cut yourself, but not like this, not like some concerned animal. You have to do it in front of me."
Willow doesn't flinch as she presses the blade into her flesh. She stares at Guy, aware that although she is fully clothed, she is completely bare before him. It hurts. It hurts badly, and within seconds the pain is swirling through her like an opiate, completely crowding out everything else.
"Oh my god. Oh my god!" Now Guy is the one who is clapping a hand over his mouth. "Stop it! I can't watch!" He grabs the razor and flings it around the room, grabs her arm and stares at the blood, grabs her and crushes her close.
Willow is so close that once again she's sitting in his lap. She's so close that they might as well be sharing the same breath.
"You won't let yourself feel anything but pain?" He holds her more tightly than she would have thought possible. She watches with half closed lids as he wipes the blood on her arm with his shirttail. Now that she's numbed herself, she'd like nothing more than to stay there with him, like this, forever. She just stays there like that, for as long as she possibly can.
”
”
Julia Hoban
“
Jessilyn, ain't no man can't get someplace he never thought he'd get to. You let enough bad thoughts into your head, you can end up doin' all sorts of things you never thought possible. Otis let evil into his mind and it took over his heart. We best be on our guard and keep our minds on what's right and true so we don't become things we'll regret. His words scared me. I wanted to always be able to trust people, to know that good people stayed good people, but I was realizing all too quickly that the human heart is fragile and needs constant attention. I'd seen enough bleakness in my own heart to know my daddy was speaking the truth. That's why we all need to know Jesus in our hearts, Daddy said. Ain't no one else who can keep watch over our hearts like He can. Ain't no one else who can take the bad and replace it with good.
”
”
Jennifer Erin Valent (Fireflies in December (Calloway Summers #1))
“
I have entered the place I thought was death and it has turned out to be life itself. I entered this Ache alone, but inside it I have found everyone. In surrendering to the Ache of loneliness I have discovered un-loneliness. Right here, inside the Ache, with everyone who has welcomed a child or held the hand of a dying grandmother or said goodbye to a great love. I am here, with all of them. ... Inside the ache is “We.” We can do hard things like be alive and love deep and lose it all, because we do these hard things alongside everyone who has ever walked the Earth with her arms, eyes, and heart wide open. The Ache is not a flaw. It’s our meeting place. It’s the clubhouse of the brave. All the lovers are there. It is where you go alone to meet the world. The ache is love. The ache was never warning me “this ends, so leave.” She was saying “this ends, so stay.
”
”
Glennon Doyle (Untamed)
“
For a moment, there was silnece, and then at Brooke's nod, the rest of the Squad, minus me, chimed in. "Yes, sir."
I said nothing. For one thing, I wasn't exactly keen on speaking in unison, and for another, I wasn't about to make any promises I couldn't keep.
"Toby."
I jumped in my seat. The Voice actually knew my name. And somehow, he had the freaky ability to ascertain that of all of us, I was the one who hadn't responded.
"Do you understand?"
I contemplated telling him what I didn't understand was his familial relationshiops, but stayed momentarily silent, causing everyone within a three-foot radius to kick me under the table at once.
"Ow!" I cleared my throat. "I mean, yes." I didn't throw the sir on the end, but apparently, that was good enough for the Voice.
"Excellent. Report in tonight, and we'll have more information for you all tomorrow. And girl?"
"Yes?"
"Congratulations on the homecoming nominations. We're all very proud.
”
”
Jennifer Lynn Barnes (Killer Spirit (The Squad, #2))
“
I asked him what kind of consolation a priest could offer to people such as the parents of Okawa school, and he was quiet for a moment. “You have to be careful,” he said. “You have to be very careful in doing this to people who have lost their children. It takes long months, long years—it might take a whole lifetime. It might be the very last thing that you say to someone. But perhaps all that we can tell them in the end is to accept. The task of acceptance is very hard. It’s up to every single person, individually. People of religion can play only a part in achieving that—they need the support of everyone around them. We watch them, watch over them. We remember our place in the cosmos, as we work. We stay with them, and we walk together. That’s all we can do.
”
”
Richard Lloyd Parry (Ghosts of the Tsunami: Death and Life in Japan's Disaster Zone)
“
Sometimes I hate this language with its false words like sunset. The sun does not set. It doesn't rise either. It just stays there in one place, yet we get all romantic, huddling on beaches to watch its so-called departure, when it is we who turn away from it, which is a good thing-if the sun could turn, it would never come back, it'd just keep going, look for some better planet to nourish.
Moonlight is another lie. It's a luminescent echo. The moon is a politician whose speeches are written by the sun. I long for a world where witnesses in court must place their hands on a dictionary when they swear. A world where an archer must ask an arrow's permission before loading it into a crossbow. A world with inverted flashlights that shoot out beams of darkness, so you can go to the beach and sabotage sunbathers, rob them of their shine.
A world where people eat animals they wish to emulate. But who the hell am I? I'm just the spark from two people who rubbed their genitals together like sticks in a forest one October night because they were cold. I'm just burning the firecracker at both ends. Every morning I get up and swallow my weirdness pills.
I know the glass is half full, but it's a shot glass, and there are four of us, and we're all very thirsty. I know it's easy not to cry over spilled milk when you've got another carton in the fridge.
”
”
Jeffrey McDaniel (The Endarkenment)
“
even the most dependable of men will stumble every now and then
There are some people who insist that every time one door closes, another door opens, but this isn't always the case. There are doors that are meant to stay closed, ones that lead to rooms filled with serpents, rooms of regret, rooms that will lbind you if you dare to raise your eye to the keyhole in all innocence, simply to see what's inside
Silence doesn't frighten us. We can just look at each other and recognize that there is pain in this world, even on beautiful nights when twilight settles in our backyards , sifting through the grass and the hedges
you can't change what's means to be
I had found if you didn't expect much, you weren't disappointed as much
I'd simply have to live with the doubt hanging over me
You could tell she didn't want to, she was trying with all her might to hold it back, but sometimes it's impossible to do that. I know from personal experience. You have to turn yourself cold as ice in order to stop yourself, and then if anything falls from your eyes it will only be blue ice crystals, hard and unbreakable as stone
people who have faith were ao lucky, you didn't want to ruin anything for them. you didn't want to plant doubt where there was none. you had to treat such individuals tenderly and hope that some of whatever they were feeling rubs off on you
everything is stupid when you really think about it. people get up everyday and they act like whatever they do is so important , but they're all just going to die in the end, so none of it matters.
”
”
Alice Hoffman (Blue Diary)
“
You think I married you because I lost when we drew straws?” He chuckled softly. “Oh, Meri. Sweetheart. I won the straw draw. I didn’t lose it.” She stared at him, not comprehending the difference. “What are you saying?” Travis grinned. “When we sat around the table that night, we didn’t decide to draw straws because none of us wanted to marry you. We drew straws because all of us wanted to marry you.” Meredith blinked up at her husband. Could it be true? Had she been a prize, not a chore? “And I’ll tell you something else.” He dipped his head and lowered his voice, his grin turning downright mischievous. “But you gotta swear not to tell the others.” She nodded. “I rigged the contest.” “What?” “I made sure that I was the one who ended up with the short straw.” Meredith’s pulse quickened. “Why?” Travis shrugged a bit, and if she didn’t know better, she could have sworn his skin pinkened a bit under his tan. “At the time I told myself that you were my responsibility. That because of our previous encounter, I should be the one to marry you.” A responsibility. Of course. Meredith forced her chin to stay raised and her back straight despite her yearning to curl up into a protective ball. “But I was fooling myself.” Travis’s gaze met hers, and she caught her breath. The way he looked at her, it was . . . was . . . “Even then I was falling in love with you.” It was love. “I couldn’t stand the idea of one of my brothers marrying you. You belonged with me. I knew it. I couldn’t explain it, but I knew it. And over the last several weeks, I’ve only grown more sure. I love you, Meredith. I thank God every day for bringing you back into my life.
”
”
Karen Witemeyer (Short-Straw Bride (Archer Brothers, #1))
“
The breakdown of the neighborhoods also meant the end of what was essentially an extended family....With the breakdown of the extended family, too much pressure was put on the single family. Mom had no one to stay with Granny, who couldn't be depended on to set the house on fire while Mom was off grocery shopping. The people in the neighborhood weren't there to keep an idle eye out for the fourteen-year-old kid who was the local idiot, and treated with affection as well as tormented....So we came up with the idea of putting everybody in separate places. We lock them up in prisons, mental hospitals, geriatric housing projects, old-age homes, nursery schools, cheap suburbs that keep women and the kids of f the streets, expensive suburbs where everybody has their own yard and a front lawn that is tended by a gardener so all the front lawns look alike and nobody uses them anyway....the faster we lock them up, the higher up goes the crime rate, the suicide rate, the rate of mental breakdown. The way it's going, there'll be more of them than us pretty soon. Then you'll have to start asking questions about the percentage of the population that's not locked up, those that claim that the other fifty-five per cent is crazy, criminal, or senile.
WE have to find some other way....So I started imagining....Suppose we built houses in a circle, or a square, or whatever, connected houses of varying sizes, but beautiful, simple. And outside, behind the houses, all the space usually given over to front and back lawns, would be common too. And there could be vegetable gardens, and fields and woods for the kids to play in. There's be problems about somebody picking the tomatoes somebody else planted, or the roses, or the kids trampling through the pea patch, but the fifty groups or individuals who lived in the houses would have complete charge and complete responsibility for what went on in their little enclave. At the other side of the houses, facing the, would be a little community center. It would have a community laundry -- why does everybody have to own a washing machine?-- and some playrooms and a little cafe and a communal kitchen. The cafe would be an outdoor one, with sliding glass panels to close it in in winter, like the ones in Paris. This wouldn't be a full commune: everybody would have their own way of earning a living, everybody would retain their own income, and the dwellings would be priced according to size. Each would have a little kitchen, in case people wanted to eat alone, a good-sized living space, but not enormous, because the community center would be there. Maybe the community center would be beautiful, lush even. With playrooms for the kids and the adults, and sitting rooms with books. But everyone in the community, from the smallest walking child, would have a job in it.
”
”
Marilyn French (The Women's Room)
“
What do they think has happened, the old fools,
To make them like this ? Do they somehow suppose
It's more grown-up when your mouth hangs open and drools
And you keep on pissing yourself, and can't remember
Who called this morning ? Or that, if they only chose,
They could alter things back to when they danced all night,
Or went to their wedding, or sloped arms some September ?
Or do they fancy there's really been no change,
And they've always behaved as if they were crippled or tight,
Or sat through days of thin continuous dreaming
Watching light move ? If they don't (and they can't), it's strange:
Why aren't they screaming ?
At death, you break up: the bits that were you
Start speeding away from each other for ever
With no one to see. It's only oblivion, true:
We had it before, but then it was going to end,
And was all the time merging with a unique endeavour
To bring to bloom the million-petalled flower
Of being here. Next time you can't pretend
There'll be anything else. And these are the first signs:
Not knowing how, not hearing who, the power
Of choosing gone. Their looks show that they're for it:
Ash hair, toad hands, prune face dried into lines-
How can they ignore it ?
Perhaps being old is having lighted rooms
Inside your head, and people in them, acting.
People you know, yet can't quite name; each looms
Like a deep loss restored, from known doors turning,
Setting down a Iamp, smiling from a stair, extracting
A known book from the shelves; or sometimes only
The rooms themselves, chairs and a fire burning,
The blown bush at the window, or the sun' s
Faint friendliness on the wall some lonely
Rain-ceased midsummer evening. That is where they live:
Not here and now, but where all happened once.
This is why they give
An air of baffled absence, trying to be there
Yet being here. For the rooms grow farther, leaving
Incompetent cold, the constant wear and tear
Of taken breath, and them crouching below
Extinction' s alp, the old fools, never perceiving
How near it is. This must be what keeps them quiet.
The peak that stays in view wherever we go
For them is rising ground. Can they never tell
What is dragging them back, and how it will end ? Not at night?
Not when the strangers come ? Never, throughout
The whole hideous inverted childhood? Well,
We shall find out.
”
”
Philip Larkin
“
At some point, sisters began to talk about how unseen they have felt. How the media has focused on men, but it has been them - the sisters - who were there. They were there, in overwhelming numbers, just as they were during the civil rights movement.
Women - all women, trans women - are roughly 80% of the people who were staring down the terror of Ferguson, saying “we are the caretakers of this community”. Is it women who are out there, often with their children, calling for an end to police violence, saying “we have a right to raise our children without fear”.
But it is not women’s courage that is showcased in the media. One sister says “when the police move in we do not run, we stay. And for this, we deserve recognition”. Their words will live with us, will live in us, as Ferguson begins to unfold and as the national attention begins to really focus on what Alicia, Opal and I have started.
The first time there’s coverage of Black Lives Matter in a way that is positive is on the Melissa Harris-Perry show. She does not invite us - it isn’t intentional, I’m certain of that. And about a year later she does, but in this early moment, and despite the overwhelming knowledge of the people on the ground who are talking about what Alicia, Opal and I have done, and despite of it being part of the historical record, that it is always women who do the work even as men get the praise. It takes a long time for us to occur to most reporters and the mainstream. Living in patriarchy means that the default inclination is to center men and their voices, not women and their work.
The fact seems ever more exacerbated in our day and age, when presence on twitter, when the number of followers one has, can supplant the everyday and heralded work of those who, by virtue of that work, may not have time to tweet constantly or sharpen and hone their personal brand so that it is an easily sellable commodity. Like the women who organized, strategized, marched, cooked, typed up and did the work to ensure the civil rights movement; women whose names go unspoken, unknown, so too that this dynamic unfolds as the nation began to realize that we were a movement.
Opal, Alicia and I never wanted or needed to be the center of anything. We were purposeful about decentralizing our role in the work, but neither did we want, nor deserved, to be erased.
”
”
Patrisse Khan-Cullors (When They Call You a Terrorist: A Black Lives Matter Memoir)
“
I have seen the coming of the dawn.
Unconcernedly watching the passing of the day,
Whiled away my hours in joyful play-
I live to simply sing the song of love
And play the music of my heart-
Dancing and playing in the light,
I am filled with passion and delight.
My voice is free.
It rises and floats away from me-
I am unable to escape these walls.
My body will not float like my song’s plaintive calls.
Only in my mind I float free as my song
And I fly to a home where I belong.
There, those who know my heart well
Sing, sing, sing with my song’s spell-
They snatched my voice,
Held me against my choice.
I forget all that was mine
Yet I reach to dream it one last time.
I struggle to the last
But my light is fading fast,
A lone warrior waging a brutal fight
Against an endless night.
I fight for escape even if the notes of this song
Are only the part of me to leave.
I rise up out of here,
Reaching for the things I hold dear.
I will not stay silent,
I shall not remain still.
I sing. I sing to the end.
”
”
Victoria Forester (The Girl Who Could Fly (Piper McCloud, #1))
“
A week ago," Ishmael said, "when we were talking about laws, you said that there's only one kind of law about how people should live--the kind that can be changed by a vote. What do you think now? Can the laws that govern competition in the community be changed by a vote?"
"No. But they're not absolutes, like the laws of aerodynamics. They can be broken."
"Can't the laws of aerodynamics be broken?"
"No. If your plane isn't built according to the law, it doesn't fly."
"But if you push it off a cliff, it stays in the air, doesn't it?"
"For a while."
"The same is true of a civilization that isn't built in accordance with the law of limited competition... Any species that, as a matter of policy, exempts itself from the law of limited competition will end by destroying the community..."
"Yes."
"Then what have we discovered here?"
"We've discovered a piece of certain knowledge about how people ought to live. Must live in fact."
"The law we've outlined here enables species to live--enables species to survive, including the human. It won't tell you whether mood-altering drugs should be legalized or not. It won't tell you whether premarital sex is good or bad. It won't tell you if capital punishment is right or wrong. It *will* tell you how you have to live if you want to avoid extinction, and that's the first and most fundamental knowledge anyone needs... You might say that this is one of the law's basic operations: Those who threaten the stability of the community by defying the law automatically eliminate themselves.
”
”
Daniel Quinn (Ishmael: An Adventure of the Mind and Spirit (Ishmael, #1))
“
lower her to my side and pull her against me so that her head is resting on my jacket. Her breath tastes like starburst and it makes me want to keep kissing her until I can identify every single flavor. Her hand touches my arm and she gives it a tight squeeze just as my tongue slips inside her mouth. That would be strawberry on the tip of her tongue. She keeps her hand on my arm, periodically moving it to the back of my head, then returning it to my arm. I keep my hand on her waist, never once moving it to touch any other part of her. The only thing we explore is each other’s mouths. We kiss without making another sound. We kiss until the alarm sounds off on my phone. Despite the noise, neither of us stops kissing. We don’t even hesitate. We kiss for another solid minute until the bell rings in the hallway outside and suddenly lockers are slamming shut and people are talking and everything about our moment is stolen from us by all the inconvenient external factors of school. I still my lips against hers, then slowly pull back. “I have to get to class,” she whispers. I nod, even though she can’t see me. “Me, too,” I reply. She begins to scoot out from beneath me. When I roll onto my back, I feel her move closer to me. Her mouth briefly meets mine one more time, then she pulls away and stands up. The second she opens the door, the light from the hallway pours in and I squeeze my eyes shut, throwing my arm over my face. I hear the door shut behind her and by the time I adjust to the brightness, the light is gone again. I sigh heavily. I also remain on the floor until my physical reaction to her subsides. I don’t know who the hell she was or why the hell she ended up here, but I hope to God she comes back. I need a whole hell of a lot more of that. • • • She didn’t come back the next day. Or the day after that. In fact, today marks exactly a week since she literally fell into my arms, and I’ve convinced myself that maybe that whole day was a dream. I did stay up most of the night before watching zombie movies with Chunk, but even though I was going on two hours of sleep, I don’t know that I would have been able to imagine that. My fantasies aren’t that fun. Whether she comes back or not, I still don’t have a fifth period and until someone calls me out on it, I’ll keep hiding out in here. I actually slept way too much last night, so I’m not tired. I pull my phone out to text Holder when the door to the closet begins to open. “Are you in here, kid?” I hear her whisper. My heart immediately picks up pace and I can’t tell if it’s that she came back or if it’s because the
”
”
Colleen Hoover (Finding Cinderella (Hopeless, #2.5))
“
Security ... what does this word mean in relation to life as we know it today? For the most part, it means safety and freedom from worry. It is said to be the end that all men strive for; but is security a utopian goal or is it another word for rut?
Let us visualize the secure man; and by this term, I mean a man who has settled for financial and personal security for his goal in life. In general, he is a man who has pushed ambition and initiative aside and settled down, so to speak, in a boring, but safe and comfortable rut for the rest of his life. His future is but an extension of his present, and he accepts it as such with a complacent shrug of his shoulders. His ideas and ideals are those of society in general and he is accepted as a respectable, but average and prosaic man. But is he a man? has he any self-respect or pride in himself? How could he, when he has risked nothing and gained nothing? What does he think when he sees his youthful dreams of adventure, accomplishment, travel and romance buried under the cloak of conformity? How does he feel when he realizes that he has barely tasted the meal of life; when he sees the prison he has made for himself in pursuit of the almighty dollar? If he thinks this is all well and good, fine, but think of the tragedy of a man who has sacrificed his freedom on the altar of security, and wishes he could turn back the hands of time. A man is to be pitied who lacked the courage to accept the challenge of freedom and depart from the cushion of security and see life as it is instead of living it second-hand. Life has by-passed this man and he has watched from a secure place, afraid to seek anything better What has he done except to sit and wait for the tomorrow which never comes?
Turn back the pages of history and see the men who have shaped the destiny of the world. Security was never theirs, but they lived rather than existed. Where would the world be if all men had sought security and not taken risks or gambled with their lives on the chance that, if they won, life would be different and richer? It is from the bystanders (who are in the vast majority) that we receive the propaganda that life is not worth living, that life is drudgery, that the ambitions of youth must he laid aside for a life which is but a painful wait for death. These are the ones who squeeze what excitement they can from life out of the imaginations and experiences of others through books and movies. These are the insignificant and forgotten men who preach conformity because it is all they know. These are the men who dream at night of what could have been, but who wake at dawn to take their places at the now-familiar rut and to merely exist through another day. For them, the romance of life is long dead and they are forced to go through the years on a treadmill, cursing their existence, yet afraid to die because of the unknown which faces them after death. They lacked the only true courage: the kind which enables men to face the unknown regardless of the consequences.
As an afterthought, it seems hardly proper to write of life without once mentioning happiness; so we shall let the reader answer this question for himself: who is the happier man, he who has braved the storm of life and lived or he who has stayed securely on shore and merely existed?
”
”
Hunter S. Thompson
“
Emptiness was an index. It recorded the incomprehensible chronicle of the metropolis, the demographic realities, how money worked, the cobbled-together lifestyles and roosting habits. The population remained at a miraculous density, it seemed to him, for the empty rooms brimmed with evidence, in the stragglers they did or did not contain, in the busted barricades, in the expired relatives on the futon beds, arms crossed over their chests in ad hoc rites. The rooms stored anthropological clues re: kinship rituals and taboos. How they treated their dead.
The rich tended to escape. Entire white-glove buildings were devoid, as Omega discovered after they worried the seams of and then shattered the glass doors to the lobby (no choice, despite the No-No Cards). The rich fled during the convulsions of the great evacuation, dragging their distilled possessions in wheeled luggage of European manufacture, leaving their thousand-dollar floor lamps to attract dust to their silver surfaces and recount luxury to later visitors, bowing like weeping willows over imported pile rugs. A larger percentage of the poor tended to stay, shoving layaway bureaus and media consoles up against the doors. There were those who decided to stay, willfully uncomprehending or stupid or incapacitated by the scope of the disaster, and those who could not leave for a hundred other reasons - because they were waiting for their girlfriend or mother or soul mate to make it home first, because their mobility was compromised or a relative was debilitated, crutched, too young. Because it was too impossible, the enormity of the thought: This is the end. He knew them all from their absences.
”
”
Colson Whitehead (Zone One)
“
The Liars believe in no afterlife, no God. We see the universe as it is, Father Damien, and these naked truths are cruel ones. We who believe in life, and treasure it, will die. Afterward there will be nothing, eternal emptiness, blackness, nonexistence. In our living there has been no purpose, no poetry, no meaning. Nor do our deaths possess these qualities. When we are gone, the universe will not long remember us, and shortly it will be as if we had never lived at all. Our worlds and our universe will not long outlive us. Ultimately entropy will consume all, and our puny efforts cannot stay that awful end. It will be gone. It has never been. It has never mattered. The universe itself is doomed, transient, uncaring. [...] The truths, the great truths - and most of the lesser ones as well - they are unbearable for most men. We find our shield in faith. Your faith, my faith, any faith. It doesn't matter, as long as we believe, really and truly believe, in whatever lie we cling to. [...] We know truth for the cruel instrument it is. Beauty is infinitely preferable to truth. We invent beauty. Faiths, political movements, high ideals, belief in love and fellowship. All of them are lies. [...] Our lies are not perfect, of course. The truths are too big. But perhaps someday we will find one great lie that all humanity can use. Until then, a thousand small lies will do.
(from Way of Cross and Dragon)
”
”
George R.R. Martin (Dreamsongs, Volume I)
“
So I will commit to showing up with deep humility and doing the best I can. I will keep getting it wrong, which is the closest I can come to getting it right. When I am corrected, I will stay open and keep learning. Not because I want to be the wokest woke who ever woked. But because people’s children are dying of racism, and there is no such thing as other people’s children. Hidden racism is destroying and ending lives. It’s making police officers kill black men at three times the rate of white men. It’s making lawmakers limit funding for clean water and poison children. It’s making doctors allow black women to die during or after childbirth at three to four times the rate of white women. It’s making school officials suspend and expel black students at three times the rate of white students. It’s making judges incarcerate black drug users at nearly six times the rate of white drug users. And—because of my complicity in this system that dehumanizes others—it is dehumanizing me. The fact that the programmed poison of racism was pumped into us may not be our fault, but getting it out is sure as hell our responsibility.
”
”
Glennon Doyle (Untamed)
“
He wouldn’t talk about it—at all. Not that Sophie had many chances to bring up the subject. Only a handful of people knew the truth. The rest believed the Black Swan’s carefully crafted lie, and thought Keefe was taking time away to mourn his mother’s disappearance. Even the Council had no inkling, and Sophie hoped it would stay that way. The less everyone knew, the easier it would be for Keefe to come home. If he came home. “You okay?” Fitz asked, making her realize she’d forgotten to say hello. “I hope you’re not worrying about your tests. There’s no way you didn’t pass.” “I don’t know . . .” Her photographic memory helped—but lately she’d struggled to concentrate during her school sessions. Honestly, though, she’d barely given her midterms a second thought. She wasn’t the same girl she’d been the year before, who thought failing out of Foxfire would be the end of the world. Now she’d been kidnapped, presumed dead, banished from the Lost Cities, and helped stop a plague from killing off the entire gnomish species. She’d even snuck into the ogres’ capital and helped destroy half the city—which happened to be why the Council was struggling to negotiate a new elvin-ogre treaty. “Relax,” Fitz said as her mind spun to nightmares of lumpy-faced ogres tearing through the elves’ glittering streets. “We’re supposed to be celebrating.” His cheer sounded forced. But she knew Fitz was trying. That’s what they did now. Try. Wait. Hope.
”
”
Shannon Messenger (Lodestar (Keeper of the Lost Cities, #5))
“
At the end of the vacation, I took a steamer alone from Wuhan back up through the Yangtze Gorges. The journey took three days. One morning, as I was leaning over the side, a gust of wind blew my hair loose and my hairpin fell into the river. A passenger with whom I had been chatting pointed to a tributary which joined the Yangtze just where we were passing, and told me a story.In 33 B.C., the emperor of China, in an attempt to appease the country's powerful northern neighbors, the Huns, decided to send a woman to marry the barbarian king. He made his selection from the portraits of the 3,000 concubines in his court, many of whom he had never seen. As she was for a barbarian, he selected the ugliest portrait, but on the day of her departure he discovered that the woman was in fact extremely beautiful. Her portrait was ugly because she had refused to bribe the court painter.
The emperor ordered the artist to be executed, while the lady wept, sitting by a river, at having to leave her country to live among the barbarians. The wind carried away her hairpin and dropped it into the river as though it wanted to keep something of hers in her homeland. Later on, she killed herself.
Legend had it that where her hairpin dropped, the river turned crystal clear, and became known as the Crystal River. My fellow passenger told me this was the tributary we were passing. With a grin, he declared: "Ah, bad omen!
You might end up living in a foreign land and marrying a barbarian!" I smiled faintly at the traditional Chinese obsession about other races being 'barbarians," and wondered whether this lady of antiquity might not actually have been better off marrying the 'barbarian' king. She would at least be in daily contact with the grassland, the horses, and nature. With the Chinese emperor, she was living in a luxurious prison, without even a proper tree, which might enable the concubines to climb a wall and escape. I thought how we were like the frogs at the bottom of the well in the Chinese legend, who claimed that the sky was only as big as the round opening at the top of their well. I felt an intense and urgent desire to see the world.
At the time I had never spoken with a foreigner, even though I was twenty-three, and had been an English language student for nearly two years. The only foreigners I had ever even set eyes on had been in Peking in 1972.
A foreigner, one of the few 'friends of China," had come to my university once. It was a hot summer day and I was having a nap when a fellow student burst into our room and woke us all by shrieking: "A foreigner is here! Let's go and look at the foreigner!" Some of the others went, but I decided to stay and continue my snooze. I found the whole idea of gazing, zombie like rather ridiculous. Anyway, what was the point of staring if we were forbidden to open our mouths to him, even though he was a 'friend of China'?
I had never even heard a foreigner speaking, except on one single Linguaphone record. When I started learning the language, I had borrowed the record and a phonograph, and listened to it at home in Meteorite Street. Some neighbors gathered in the courtyard, and said with their eyes wide open and their heads shaking, "What funny sounds!"
They asked me to play the record over and over again.
”
”
Jung Chang (Wild Swans: Three Daughters of China)
“
The judicious words of Danish philosopher Søren Kierkegaard (1813-1855), the first existentialist philosopher, are apropos to end this lumbering manuscript.
1. “One must learn to know oneself before knowing anything else.”
2. “Life always expresses the results of our dominate thoughts.”
3. “Face the facts of being what you are, for that is what changes what you are.”
4. “Personality is only ripe when a man has made the truth his own.”
5. “Love is all, it gives all, and it takes all.”
6. “Don’t forget to love yourself.”
7. “Anxiety is the dizziness of freedom.”
8. “Life has its own hidden forces, which you can only discover by living.”
9. “The highest and most beautiful things in life are not to be heard about, or read about, nor seen, but if one will, are to be lived.”
10. “Patience is necessary, and one cannot reap immediately where one has sown.”
11. “It seems essential, in relationships and all tasks, that we concentrate on only what is most significant and important.”
12. “To dare is to lose one’s footing momentarily. Not to dare is to lose oneself.”
13. “Since my earliest childhood, a barb of sorrow has lodged in my heart. As long as it stays I am ironic, if it is pulled out I shall die.”
14. “A man who as a physical being is always turned to the outside, thinking that his happiness lies outside of him, finally turns inward and discovers that the source is within him.”
15. “Just as in earthly life lovers long for the moment when they are able to breathe forth their love for each other, to let their souls blend into a soft whisper, so the mystic longs for the moment in prayer he can, as it were, creep into God.”
Kierkegaard warned, “The greatest hazard of all, losing the self, can occur very quietly in the world, as if it were nothing at all. No other loss can occur so quietly; any other loss – an arm, a leg, five dollars, a wife, etc. – is sure to be noticed.” Kierkegaard said that the one method to avoid losing oneself is to live joyfully in the moment, which he described as “to be present in oneself in truth,” which in turn requires “to be today, in truth be today.
”
”
Kilroy J. Oldster (Dead Toad Scrolls)
“
Once there were three tribes. The Optimists, whose patron saints were Drake and Sagan, believed in a universe crawling with gentle intelligence—spiritual brethren vaster and more enlightened than we, a great galactic siblinghood into whose ranks we would someday ascend. Surely, said the Optimists, space travel implies enlightenment, for it requires the control of great destructive energies. Any race which can't rise above its own brutal instincts will wipe itself out long before it learns to bridge the interstellar gulf.
Across from the Optimists sat the Pessimists, who genuflected before graven images of Saint Fermi and a host of lesser lightweights. The Pessimists envisioned a lonely universe full of dead rocks and prokaryotic slime. The odds are just too low, they insisted. Too many rogues, too much radiation, too much eccentricity in too many orbits. It is a surpassing miracle that even one Earth exists; to hope for many is to abandon reason and embrace religious mania. After all, the universe is fourteen billion years old: if the galaxy were alive with intelligence, wouldn't it be here by now?
Equidistant to the other two tribes sat the Historians. They didn't have too many thoughts on the probable prevalence of intelligent, spacefaring extraterrestrials— but if there are any, they said, they're not just going to be smart. They're going to be mean.
It might seem almost too obvious a conclusion. What is Human history, if not an ongoing succession of greater technologies grinding lesser ones beneath their boots? But the subject wasn't merely Human history, or the unfair advantage that tools gave to any given side; the oppressed snatch up advanced weaponry as readily as the oppressor, given half a chance. No, the real issue was how those tools got there in the first place. The real issue was what tools are for.
To the Historians, tools existed for only one reason: to force the universe into unnatural shapes. They treated nature as an enemy, they were by definition a rebellion against the way things were. Technology is a stunted thing in benign environments, it never thrived in any culture gripped by belief in natural harmony. Why invent fusion reactors if your climate is comfortable, if your food is abundant? Why build fortresses if you have no enemies? Why force change upon a world which poses no threat?
Human civilization had a lot of branches, not so long ago. Even into the twenty-first century, a few isolated tribes had barely developed stone tools. Some settled down with agriculture. Others weren't content until they had ended nature itself, still others until they'd built cities in space.
We all rested eventually, though. Each new technology trampled lesser ones, climbed to some complacent asymptote, and stopped—until my own mother packed herself away like a larva in honeycomb, softened by machinery, robbed of incentive by her own contentment.
But history never said that everyone had to stop where we did. It only suggested that those who had stopped no longer struggled for existence. There could be other, more hellish worlds where the best Human technology would crumble, where the environment was still the enemy, where the only survivors were those who fought back with sharper tools and stronger empires. The threats contained in those environments would not be simple ones. Harsh weather and natural disasters either kill you or they don't, and once conquered—or adapted to— they lose their relevance. No, the only environmental factors that continued to matter were those that fought back, that countered new strategies with newer ones, that forced their enemies to scale ever-greater heights just to stay alive. Ultimately, the only enemy that mattered was an intelligent one.
And if the best toys do end up in the hands of those who've never forgotten that life itself is an act of war against intelligent opponents, what does that say about a race whose machines travel between the stars?
”
”
Peter Watts (Blindsight (Firefall, #1))
“
(This is from a tribute poem to Ronnie James Dio: Former lead vocalist of the band Rainbow, Black Sabbath. This is written with all the titles of the hit songs of DIO. The titles are all in upper case)
You can “CATCH THE RAINBOW” –
“A RAINBOW IN THE DARK”
Through “ROCK & ROLL CHILDREN”
“HOLY DIVER” will lurk
“BEFORE THE FALL” of “ELECTRA”
“ALL THE FOOLS SAILED AWAY”
“JESUS,MARY AND THE HOLY GHOST”-
“LORD OF THE LAST DAY”
“MASTER OF THE MOON” you are
When my “ONE FOOT IN THE GRAVE”
With our “BLACK”, “COLD FEET”,
“MYSTERY” of “PAIN” you crave
You’re “CAUGHT IN THE MIDDLE”,
“BETWEEN TWO HEARTS”
When “HUNGRY FOR HEAVEN”
“HUNTER OF THE HEART” hurts
“FALLEN ANGELS” “FEED MY HEART”
“FEVER DREAMS” “FEED MY HEAD”
“I AM” “ANOTHER LIE”
“AFTER ALL (THE DEAD)”
Not “GUILTY” if you “HIDE IN THE RAINBOW’’
With your perfect “GUITAR SOLO”
“DON’T TELL THE KIDS” to “DREAM EVIL”
Don’t “GIVE HER THE GUN” to follow
“DON’T TALK TO STRANGERS”
Those “EVIL EYES” can see
“LORD OF THE NIGHT” “MISTREATED”;
“MY EYES” hate to fancy
“SHAME ON THE NIGHT” “TURN UP THE NIGHT”
Now it’s “TIME TO BURN”
“TWISTED” “VOODOO” does “WALK ON WATER”
And today its our turn
“BLOOD FROM A STONE” “BORN ON THE SUN”
I’m “BETTER IN THE DARK” “BREATHLESS”
The “PRISONER OF PARADISE” you are!
Forever you are deathless
“SACRED HEART” “SHIVERS”
Laying “NAKED IN THE RAIN”
“THIS IS YOUR LIFE”- “ WILD ONE”!
Your “GOLDEN RULES” we gain
“IN DREAMS” “I SPEED AT NIGHT”
I’m “LOSING MY INSANITY”
“ANOTHER LIE”: “COMPUTER GOD”
Your “HEAVEN AND HELL”- my vanity!
By “KILLING THE DRAGON”
“I COULD HAVE BEEN A DREAMER”
I’m “THE LAST IN LINE” To “SCREAM”
Like an “INVISIBLE” screamer
Now that you are gone
“THE END OF THE WORLD” is here
“STRAIGHT THROUGH THE HEART”
“PUSH” “JUST ANOTHER DAY” in fear
“CHILDREN OF THE SEA” “ DYING IN AMERICA”
Is it “DEATH BY LOVE”?
“FACES IN THE WINDOW” looking for
A “GYPSY” from above
Dear “STARGAZER” from “STRANGE HIGHWAYS”
Our love “HERE’S TO YOU”
“WE ROCK” “ONE MORE FOR THE ROAD”
The “OTHER WORLD” anew
“ONE NIGHT IN THE CITY” with “NEON KNIGHTS”
“THE EYES” “STAY OUT OF MY MIND”
The “STARSTRUCK” “SUNSET SUPERMAN”
Is what we long to find
“THE MAN WHO WOULD BE KING”
Is the “INSTITUTIONAL MAN”
“SHOOT SHOOT” to “TURN TO STONE”
“WHEN A WOMAN CRIES” to plan
To “STAND UP AND SHOUT”
before “ THE KING OF ROCK AND ROLL”
Though “GOD HATES HEAVY METAL”
“EAT YOUR HEART OUT” to reach the goal.
From the poem- Holy Dio: the Diver (A tribute to Ronnie James Dio)
”
”
Munia Khan
“
California during the 1940s had Hollywood and the bright lights of Los Angeles, but on the other coast was Florida, land of sunshine and glamour, Miami and Miami Beach. If you weren't already near California's Pacific Coast you headed for Florida during the winter. One of the things which made Miami such a mix of glitter and sunshine was the plethora of movie stars who flocked there to play, rubbing shoulders with tycoons and gangsters. Sometimes it was hard to tell the difference between the latter two.
Miami and everything that surrounded it hadn't happened by accident. Carl Fisher had set out to make Miami Beach a playground destination during the 1930s and had succeeded far beyond his dreams. The promenade behind the Roney Plaza Hotel was a block-long lovers' lane of palm trees and promise that began rather than ended in the blue waters of the Atlantic.
Florida was more than simply Miami and Miami Beach, however. When George Merrick opened the Biltmore Hotel in Coral Gables papers across the country couldn't wait to gush about the growing aura of Florida. They tore down Collins Bridge in the Gables and replaced it with the beautiful Venetian Causeway. You could plop down a fiver if you had one and take your best girl — or the girl you wanted to score with — for a gondola ride there before the depression, or so I'd been told.
You see, I'd never actually been to Florida before the war, much less Miami. I was a newspaper reporter from Chicago before the war and had never even seen the ocean until I was flying over the Pacific for the Air Corp. There wasn't much time for admiring the waves when Japanese Zeroes were trying to shoot you out of the sky and bury you at the bottom of that deep blue sea.
It was because of my friend Pete that I knew so much about Miami. Florida was his home, so when we both got leave in '42 I followed him to the warm waters of Miami to see what all the fuss was about. It would be easy to say that I skipped Chicago for Miami after the war ended because Pete and I were such good pals and I'd had such a great time there on leave. But in truth I decided to stay on in Miami because of Veronica Lake.
I'd better explain that. Veronica Lake never knew she was the reason I came back with Pete to Miami after the war. But she had been there in '42 while Pete and I were enjoying the sand, sun, and the sweet kisses of more than a few love-starved girls desperate to remember what it felt like to have a man's arm around them — not to mention a few other sensations. Lake had been there promoting war bonds on Florida's first radio station, WQAM. It was a big outdoor event and Pete and I were among those listening with relish to Lake's sultry voice as she urged everyone to pitch-in for our boys overseas.
We were in those dark early days of the war at the time, and the outcome was very much in question. Lake's appearance at the event was a morale booster for civilians and servicemen alike. She was standing behind a microphone that sat on a table draped in the American flag. I'd never seen a Hollywood star up-close and though I liked the movies as much as any other guy, I had always attributed most of what I saw on-screen to smoke and mirrors. I doubted I'd be impressed seeing a star off-screen. A girl was a girl, after all, and there were loads of real dolls in Miami, as I'd already discovered. Boy, was I wrong." - Where Flamingos Fly
”
”
Bobby Underwood (Where Flamingos Fly (Nostalgic Crime #2))
“
Imagine what it's like to be (untouchable)
Better not take a chance on me (untouchable)
I'm the bad boy your mama told you about
I'm dangerous, without a doubt
Even coming off a ten-year drought
Untouchable
I'm the rose with hidden thorns (untouchable)
Don't tell me that you haven't been warned (untouchable)
I'm pretty poison under the skin,
The bite of the apple that's a mortal sin
In a game of love you'll never win
Untouchable
My reputation's fairly earned (untouchable)
If you play with fire, you will get burned (untouchable)
Stay out of the kitchen if you can't take the heat,
My kisses are deadly as they are sweet,
I'm a runaway bus on a dead-end street
Untouchable
Fools rush in, that's what they say(untouchable)
But angels fall, too, most every day (untouchable)
I'm the snake in the garden, the siren on the reef
I have the face of a saint and the heart of a thief
I'll promise you love! And bring you nothing but grief
Untouchable
Hearing Jonah sing like this was like watching him slice himself open and show off his insides. Why would he do that? Why would be write such a song?
And then Emma answered her own question. Because good music always tells the truth, no matter how much it hurts.
Emma couldn't be the only one who felt the bite of the blade, but everyone else seemed to take it in stride. Did they know? Did they all know about Jonah?
Of course they did. They were there when it happened. They'd allow Jonah to keep the secrets that were most important to him. She knew she shouldn't resent that, but she still did. They must have known she was falling for him. They must have.
”
”
Cinda Williams Chima (The Sorcerer Heir (The Heir Chronicles, #5))
“
He knew he needed to release her, but once he allowed his physical connection to drop away, he was uncertain if he’d ever have a chance to reconnect. Instinctively, he knew Azami was elusive, like water flowing through fingers, or the wind shifting in the trees. He needed a way to seal her to him.
“How does one court a woman in Japan? Do I need your brothers’ permission?”
She blinked again. Shocked. A hint of uncertainty crept into her eyes. She frowned, and he bent his head to swallow her protest before she could utter it. Her mouth trembled beneath his, and then she opened to him, like a flower, luring him deeper. Her arms slid around his neck, her body pressing tightly against his. He tightened his fingers in her hair.
He was burning, through and through, from the inside out, a hot melting of bone and tissue. He hadn’t known he was lonely or even looking for something. He’d been complete. He loved his wife. He was a man with teammates he trusted implicitly. He lived in wild places of beauty he enjoyed. He hadn’t considered there would be a woman who could ever fit with him, who would ever turn his insides soft and his body hard.
Feel the same way, Azami. He didn’t lift his mouth, kissing her again and again because one he’d made the mistake, he was addicted and what was the use fighting it? Not when it felt so damn right.
Somewhere along the line, his kiss went from sheer aggression and command, to absolute tenderness. The emotion for her rose like a volcano, encompassing him entirely, drawn from some part of him he’d never known even existed. His mouth was gentle, his hands on her, possessive, yet just as gentle. Another claiming, this coming from that deep unknown well.
Feel the same way, Azami, he whispered into her mind. An enticement. A need. He waited, something in him going still, waiting for her answer.
Tell me how you’re feeling?
She hadn’t pulled away. If anything, her arms had tightened around his neck. He shared every single breath she took, feeling the slight movement of her rib cage and breasts against him, the warm air they exchanged.
Like I’m burning alive. Drowning. Like I never want this moment to end. He wasn’t a man to say flowery things to a woman, nor did he even think them, but he shared the honest truth with her. Like we belong.
Once he let her go, the world would slip back into kilter. He wanted her to stay with him, to give him a chance with her.
She didn’t hesitate, and he loved that about her as well. She gave herself in truth in the same way he did. I feel the same, but one of us has to be sane.
She initiated the kiss when he pulled back slightly, chasing after him with her soft mouth, fingers digging tightly into the heavy muscle at his neck, sighing when his lips settled once more over hers. He took his time, kissing her thoroughly, again and again, all the while slipping deeper into her spell and hoping she was falling under his.
Is this your idea of sanity? He’d make it his reality. He was falling further down the rabbit hole and he’d make her his sanity if she’d fall with him.
Her soft laughter slipped inside his heart, winding there until there was no shaking her loose. Not really, but you have to be the strong one.
He kissed her again. And again. Why is that?
You started this.
”
”
Christine Feehan (Samurai Game (GhostWalkers, #10))
“
There were twenty-three females on the Keltar estate--not counting Gwen, Chloe, herself, or the cat--Gabby knew, because shortly after Adam had become visible last night, she'd met each and every one, from tiniest tot to tottering ancient.
It had begun with a plump, thirtyish maid popping in to pull the drapes for the evening and inquire if the MacKeltars "were wishing aught else?" The moment her bespectacled gaze had fallen on Adam, she'd begun stammering and tripping over her own feet. It had taken her a few moments to regain a semblance of coordination, but she'd managed to stumble from the library, nearly upsetting a lamp and a small end table in her haste.
Apparently it had been haste to alert the forces, for a veritable parade had ensued: a blushing curvaceous maid had come offering a warm-up of tear (they'd not been having any), followed by a giggling maid seeking a forgotten dust cloth (which--was anyone surprised?--was nowhere to be found), then a third one looking for a waylaid broom (yeah, right--they swept castles at midnight in Scotland--who believed that?), then a fourth, fifth, and sixth inquiring if the Crystal Chamber would do for Mr. Black (no one seemed to care what chamber might do for her; she half-expected to end up in an outbuilding somewhere). A seventh, eighth, and ninth had come to announce that his chamber was ready would he like an escort? A bath drawn? Help undressing? (Well, okay, maybe they hadn't actually asked the last, but their eyes certainly had.)
Then a half-dozen more had popped in at varying intervals to say the same things over again, and to stress that they were there to provide "aught, aught at all Mr. Black might desire."
The sixteenth had come to extract two tiny girls from Adam's lap over their wailing protests (and had stayed out of his lap herself only because Adam had hastily stood), the twenty-third and final one had been old enough to be someone's great-great-grandmother, and even she'd flirted shamelessly with the "braw Mr. Black," batting nonexistent lashes above nests of wrinkles, smoothing thin white hair with a blue-veined, age-spotted hand.
And if that hadn't been enough, the castle cat, obviously female and obviously in heat, had sashayed in, tail straight up and perkily curved at the tip, and would her furry little self sinuously around Adam's ankles, purring herself into a state of drooling, slanty-eyed bliss.
Mr. Black, my ass, she'd wanted to snap (and she liked cats, really she did; she'd certainly never wanted to kick one before, but please--even cats?), he's a fairy and I found him, so that him my fairy. Back off.
”
”
Karen Marie Moning (The Immortal Highlander (Highlander, #6))
“
Ha, ha, ha! You will be finding enjoyment in toothache next," you cry, with a laugh.
We have hundreds more books for your enjoyment. Read them all!
"Well, even in toothache there is enjoyment," I answer. I had toothache for a whole month and I know there is. In that case, of course, people are not spiteful in silence, but moan; but they are not candid moans, they are malignant moans, and the malignancy is the whole point. The enjoyment of the sufferer finds expression in those moans; if he did not feel enjoyment in them he would not moan. It is a good example, gentlemen, and I will develop it. Those moans express in the first place all the aimlessness of your pain, which is so humiliating to your consciousness; the whole legal system of nature on which you spit disdainfully, of course, but from which you suffer all the same while she does not. They express the consciousness that you have no enemy to punish, but that you have pain; the consciousness that in spite of all possible Wagenheims you are in complete slavery to your teeth; that if someone wishes it, your teeth will leave off aching, and if he does not, they will go on aching another three months; and that finally if you are still contumacious and still protest, all that is left you for your own gratification is to thrash yourself or beat your wall with your fist as hard as you can, and absolutely nothing more. Well, these mortal insults, these jeers on the part of someone unknown, end at last in an enjoyment which sometimes reaches the highest degree of voluptuousness. I ask you, gentlemen, listen sometimes to the moans of an educated man of the nineteenth century suffering from toothache, on the second or third day of the attack, when he is beginning to moan, not as he moaned on the first day, that is, not simply because he has toothache, not just as any coarse peasant, but as a man affected by progress and European civilisation, a man who is "divorced from the soil and the national elements," as they express it now-a-days. His moans become nasty, disgustingly malignant, and go on for whole days and nights. And of course he knows himself that he is doing himself no sort of good with his moans; he knows better than anyone that he is only lacerating and harassing himself and others for nothing; he knows that even the audience before whom he is making his efforts, and his whole family, listen to him with loathing, do not put a ha'porth of faith in him, and inwardly understand that he might moan differently, more simply, without trills and flourishes, and that he is only amusing himself like that from ill-humour, from malignancy. Well, in all these recognitions and disgraces it is that there lies a voluptuous pleasure. As though he would say: "I am worrying you, I am lacerating your hearts, I am keeping everyone in the house awake. Well, stay awake then, you, too, feel every minute that I have toothache.
”
”
Fyodor Dostoyevsky (Notes from Underground)
“
God is alive; Magic is afoot
God is alive; Magic is afoot
God is afoot; Magic is alive
Alive is afoot.....
Magic never died.
God never sickened;
Many poor men lied
Many sick men lied
Magic never weakened
Magic never hid
Magic always ruled
God is afoot
God never died.
God was ruler
Though his funeral lengthened
Though his mourners thickened
Magic never fled
Though his shrouds were hoisted
The naked God did live
Though his words were twisted
The naked Magic thrived
Though his death was published
Round and round the world
The heart did not believe
Many hurt men wondered
Many struck men bled
Magic never faltered
Magic always led.
Many stones were rolled
But God would not lie down
Many wild men lied
Many fat men listened
Though they offered stones
Magic still was fed
Though they locked their coffers
God was always served.
Magic is afoot. God rules.
Alive is afoot. Alive is in command.
Many weak men hungered
Many strong men thrived
Though they boasted solitude
God was at their side
Nor the dreamer in his cell
Nor the captain on the hill
Magic is alive
Though his death was pardoned
Round and round the world
The heart did not believe.
Though laws were carved in marble
They could not shelter men
Though altars built in parliaments
They could not order men
Police arrested Magic
And Magic went with them,
For Magic loves the hungry.
But Magic would not tarry
It moves from arm to arm
It would not stay with them
Magic is afoot
It cannot come to harm
It rests in an empty palm
It spawns in an empty mind
But Magic is no instrument
Magic is the end.
Many men drove Magic
But Magic stayed behind
Many strong men lied
They only passed through Magic
And out the other side
Many weak men lied
They came to God in secret
And though they left him nourished
They would not say who healed
Though mountains danced before them
They said that God was dead
Though his shrouds were hoisted
The naked God did live
This I mean to whisper to my mind
This I mean to laugh with in my mind
This I mean my mind to serve 'til
Service is but Magic
Moving through the world
And mind itself is Magic
Coursing through the flesh
And flesh itself is Magic
Dancing on a clock
And time itself the magic length of God.
”
”
Leonard Cohen
“
More recently, Dallas Willard put it this way: Desire is infinite partly because we were made by God, made for God, made to need God, and made to run on God. We can be satisfied only by the one who is infinite, eternal, and able to supply all our needs; we are only at home in God. When we fall away from God, the desire for the infinite remains, but it is displaced upon things that will certainly lead to destruction.5 Ultimately, nothing in this life, apart from God, can satisfy our desires. Tragically, we continue to chase after our desires ad infinitum. The result? A chronic state of restlessness or, worse, angst, anger, anxiety, disillusionment, depression—all of which lead to a life of hurry, a life of busyness, overload, shopping, materialism, careerism, a life of more…which in turn makes us even more restless. And the cycle spirals out of control. To make a bad problem worse, this is exacerbated by our cultural moment of digital marketing from a society built around the twin gods of accumulation and accomplishment. Advertising is literally an attempt to monetize our restlessness. They say we see upward of four thousand ads a day, all designed to stoke the fire of desire in our bellies. Buy this. Do this. Eat this. Drink this. Have this. Watch this. Be this. In his book on the Sabbath, Wayne Muller opined, “It is as if we have inadvertently stumbled into some horrific wonderland.”6 Social media takes this problem to a whole new level as we live under the barrage of images—not just from marketing departments but from the rich and famous as well as our friends and family, all of whom curate the best moments of their lives. This ends up unintentionally playing to a core sin of the human condition that goes all the way back to the garden—envy. The greed for another person’s life and the loss of gratitude, joy, and contentment in our own.
”
”
John Mark Comer (The Ruthless Elimination of Hurry: How to Stay Emotionally Healthy and Spiritually Alive in the Chaos of the Modern World)
“
To fall half in love with someone, move on. Go confidently forward in the direction of whatever life you’d had planned, long before they ever came along. But every now and then, let your mind wander back. Every now and then, remain transfixed on the memory of their skin against yours, of their hands in your hair, of the quiet, patient moments where laughter unexpectedly escaped your lips lying beside them. Let your mind wander back until you realize that it’s not them you’re missing at all – it’s the unfulfilled possibility they embodied. Because the truth is, you never really did fall in love with them. You fell in love with their potential. You fell in love with the maybes and the could-have-beens. You fell in love with all the trips you didn’t take, the plans you didn’t make, the hazy, unintelligible future that stretched out before you without any opportunity to build upon. You fell in love with the potential of what could have happened had you been the kind of person who’d stayed. Had you been the person who could fall in love fully, without pause. You realize that you didn’t fall in love with them at all, but that you could have. That you might have. That there may always be a small part of yourself that is going to wonder ‘what if’ and that maybe you like it that way. That maybe you prefer only falling half in love because it allows you to write your own ending to the story. And theirs is a story that you want to still have and hold onto, years down the line, when you need something to write on and on and on.
”
”
Heidi Priebe (This Is Me Letting You Go)
“
I know you,” he added, helping to arrange the blanket over my shoulders. “You won’t drop the subject until I agree to check on your cousin, so I’ll do it. But only under one condition.”
“John,” I said, whirling around to clutch his arm again.
“Don’t get too excited,” he warned. “You haven’t heard the condition.”
“Oh,” I said, eagerly. “Whatever it is, I’ll do it. Thank you. Alex has never had a very good life-his mother ran away when he was a baby, and his dad spent most of his life in jail…But, John, what is all this?” I swept my free hand out to indicate the people remaining on the dock, waiting for the boat John had said was arriving soon. I’d noticed some of them had blankets like the one he’d wrapped around me. “A new customer service initiative?”
John looked surprised at my change of topic…then uncomfortable. He stooped to reach for the driftwood Typhon had dashed up to drop at his feet. “I don’t know what you mean,” he said, stiffly.
“You’re giving blankets away to keep them warm while they wait. When did this start happening?”
“You mentioned some things when you were here the last time….” He avoided meeting my gaze by tossing the stick for his dog. “They stayed with me.”
My eyes widened. “Things I said?”
“About how I should treat the people who end up here.” He paused at the approach of a wave-though it was yards off-and made quite a production of moving me, and my delicate slippers, out of its path. “So I decided to make a few changes.”
It felt as if one of the kind of flowers I liked-a wild daisy, perhaps-had suddenly blossomed inside my heart.
“Oh, John,” I said, and rose onto my toes to kiss his cheek.
He looked more than a little surprised by the kiss. I thought I might actually have seen some color come into his cheeks.
“What was that for?” he asked.
“Henry said nothing was the same after I left. I assumed he meant everything was much worse. I couldn’t imagine it was the opposite, that things were better.”
John’s discomfort at having been caught doing something kind-instead of reckless or violet-was sweet.
“Henry talks too much,” he muttered. “But I’m glad you like it. Not that it hasn’t been a lot of added work. I’ll admit it’s cut down on the complaints, though, and even the fighting amongst our rowdier passengers. So you were right. Your suggestions helped.”
I beamed up at him.
Keeper of the dead. That’s how Mr. Smith, the cemetery sexton, had referred to John once, and that’s what he was. Although the title “protector of the dead” seemed more applicable.
It was totally silly how much hope I was filled with by the fact that he’d remembered something I’d said so long ago-like maybe this whole consort thing might work out after all.
I gasped a moment later when there was a sudden rush of white feathers, and the bird he’d given me emerged from the grizzly gray fog seeming to engulf the whole beach, plopping down onto the sand beside us with a disgruntled little humph.
“Oh, Hope,” I said, dashing tears of laughter from my eyes. Apparently I had only to feel the emotion, and she showed up. “I’m sorry. I didn’t mean to leave you behind. It was his fault, you know.” I pointed at John.
The bird ignored us both, poking around in the flotsam washed ashore by the waves, looking, as always, for something to eat.
“Her name is Hope?” John asked, the corners of his mouth beginning to tug upwards.
“No.” I bristled, thinking he was making fun of me. Then I realized I’d been caught. “Well, all right…so what if it is? I’m not going to name her after some depressing aspect of the Underworld like you do all your pets. I looked up the name Alastor. That was the name of one of the death horses that drew Hades’s chariot. And Typhon?” I glanced at the dog, cavorting in and out of the waves, seemingly oblivious of the cold. “I can only imagine, but I’m sure it means something equally unpleasant.
”
”
Meg Cabot (Underworld (Abandon, #2))
“
I'm just asking you to accept that there are some people who will go to extraordinary lengths to cover up the facts that they are abusing children.
What words are there to describe what happened to me, what was done to me? Some call it ritual abuse, others call it organised abuse. There are those that call it satanic. I've heard all the phrases, not just in relation to me, but also with regard to those I work with and try to help. Do you know what I think? It doesn't matter how you dress it up, it doesn't matter what label you put on it. It is abuse, pure and simple. It is adults abusing children. It is adults deciding - actually making a conscious decision, a conscious choices that what they want, what they convince themselves they need, is more important than anything else; certainly more important than the safety or feelings or sanity of a child.
However, there can be differences which are layered on top of that abuse. I'm not saying that some abuse is worse than others, or that someone 'wins' the competition to have the worst abuse inflicted on them, but ritual and organised abuse is at the extreme end of the spectrum. If we try to think of a continuum where there are lots of different things imposed on children (or, for that matter, anyone who is forced into these things — and that force can take many forms, it can be threats and promises, as well as kicks and punches), then ritual and organised abuse is intense and complicated.
It often involves multiple abusers of both sexes. There can be extreme violence, mind control, systematic torture and even, in some cases, a complex belief system which is sometimes described as religion. I say 'described as' religion because, to me, I think that when this aspect is involved, it is window dressing. I'm not religious. I cried many times for God to save me. I was always ignored — how could I believe? However, I think that ritual abusers who do use religious imagery or 'beliefs' are doing so to justify it all to themselves, or to confuse the victim, or to hide their activities.
Ritual abuse is highly organised and, obviously, secretive. It is often linked with other major crimes such as child pornography, child prostitution, the drugs industry, trafficking, and many other illegal and heinous activities. Ritual abuse is organised sexual, physical and psychological abuse, which can be systematic and sustained over a long period of time. It involves the use of rituals - things which the abusers 'need' to do, or 'need' to have in place - but it doesn't have to have a belief system. There doesn't have to be God or the Devil, or any other deity for it to be considered 'ritual'. It involves using patterns of learning and development to keep the abuse going and to make sure the child stays quiet.
”
”
Laurie Matthew (Groomed)
“
Her mother, an unshapely, chubby-cheeked creature from the rural gentry of Styria, permanently lost her hair at the age of forty after being treated for influenza by her husband, and prematurely withdrew from society. She and her husband were able to live in the Gentzgasse thanks to her mother's fortune, which derived from the family estates in Styria and then devolved upon her. She provided for everything, since her husband earned nothing as a doctor. He was a socialite, what is known as a beau, who went to all the big Viennese balls during the carnival season and throughout his life was able to conceal his stupidity behind a pleasingly slim exterior. Throughout her life Auersberger's mother-in-law had a raw deal from her husband, but was content to accept her modest social station, not that of a member of the nobility, but one that was thoroughly petit bourgeois. Her son-in-law, as I suddenly recalled, sitting in the wing chair, made a point of hiding her wig from time to time--whenever the mood took him--both in the Gentzgasse and at the Maria Zaal in Styria, so that the poor woman was unable to leave the house. It used to amuse him, after he had hidden her wig, to drive his mother-in-law up the wall, as they say. Even when he was going on forty he used to hide her wigs--by that time she has provided herself with several--which was a symptom of his sickness and infantility. I often witnessed this game of hide-and-seek at Maria Zaal and in the Gentzgasse, and I honestly have to say that I was amused by it and did not feel in the least bit ashamed of myself. His mother-in-law would be forced to stay at home because her son-in-law had hidden her wigs, and this was especially likely to happen on public holidays. In the end he would throw the wig in her face. He needed his mother-in-law's humiliation, I reflected, sitting in the wing chair and observing him in the background of the music room, just as he needed the triumph that this diabolical behavior brought him.
”
”
Thomas Bernhard (Woodcutters)
“
Algren’s book opens with one of the best historical descriptions of American white trash ever written.* He traces the Linkhorn ancestry back to the first wave of bonded servants to arrive on these shores. These were the dregs of society from all over the British Isles—misfits, criminals, debtors, social bankrupts of every type and description—all of them willing to sign oppressive work contracts with future employers in exchange for ocean passage to the New World. Once here, they endured a form of slavery for a year or two—during which they were fed and sheltered by the boss—and when their time of bondage ended, they were turned loose to make their own way. In theory and in the context of history the setup was mutually advantageous. Any man desperate enough to sell himself into bondage in the first place had pretty well shot his wad in the old country, so a chance for a foothold on a new continent was not to be taken lightly. After a period of hard labor and wretchedness he would then be free to seize whatever he might in a land of seemingly infinite natural wealth. Thousands of bonded servants came over, but by the time they earned their freedom the coastal strip was already settled. The unclaimed land was west, across the Alleghenies. So they drifted into the new states—Kentucky and Tennessee; their sons drifted on to Missouri, Arkansas and Oklahoma. Drifting became a habit; with dead roots in the Old World and none in the New, the Linkhorns were not of a mind to dig in and cultivate things. Bondage too became a habit, but it was only the temporary kind. They were not pioneers, but sleazy rearguard camp followers of the original westward movement. By the time the Linkhorns arrived anywhere the land was already taken—so they worked for a while and moved on. Their world was a violent, boozing limbo between the pits of despair and the Big Rock Candy Mountain. They kept drifting west, chasing jobs, rumors, homestead grabs or the luck of some front-running kin. They lived off the surface of the land, like army worms, stripping it of whatever they could before moving on. It was a day-to-day existence, and there was always more land to the west. Some stayed behind and their lineal descendants are still there—in the Carolinas, Kentucky, West Virginia and Tennessee. There were dropouts along the way: hillbillies, Okies, Arkies—they’re all the same people. Texas is a living monument to the breed. So is southern California. Algren called them “fierce craving boys” with “a feeling of having been cheated.” Freebooters, armed and drunk—a legion of gamblers, brawlers and whorehoppers. Blowing into town in a junk Model-A with bald tires, no muffler and one headlight … looking for quick work, with no questions asked and preferably no tax deductions. Just get the cash, fill up at a cut-rate gas station and hit the road, with a pint on the seat and Eddy Arnold on the radio moaning good back-country tunes about home sweet home, that Bluegrass sweetheart still waitin, and roses on Mama’s grave. Algren left the Linkhorns in Texas, but anyone who drives the Western highways knows they didn’t stay there either. They kept moving until one day in the late 1930s they stood on the spine of a scrub-oak California hill and looked down on the Pacific Ocean—the end of the road.
”
”
Hunter S. Thompson (The Great Shark Hunt: Strange Tales from a Strange Time (The Gonzo Papers Series Book 1))
“
Do you believe in love at first sight?”
He made himself look at her face, at her wide-open eyes and earnest forehead. At her unbearably sweet mouth.
“I don’t know,” he said. “Do you believe in love before that?”
Her breath caught in her throat like a sore hiccup.
And then it was too much to keep trying not to kiss her.
She came readily into his arms. Lincoln leaned against the coffee machine and pulled her onto him completely. There it was again, that impossible to describe kiss. This is how 2011 should have ended, he thought. This is infinity.
The first time Beth pulled away, he pulled her back.
The second time, he bit her lip.
Then her neck.
Then the collar of her shirt.
“I don’t know…,” she said, sitting up in his lap, laying her check on the top of his head. “I don’t know what you meant by love before love at first sight.”
Lincoln pushed his face into her shoulder and tried to think of a good way to answer.
“Just that… I knew how I felt about you before I ever saw you,” he said, “when I still thought I might never see you…”
She held his head in her hands and titled it back, so she could see his face.
“That’s ridiculous,” she said. Which made him laugh.
“Absolutely,” he said.
“No, I mean it,” Beth said. “Men fall in love with their eyes.” He closed his. “That’s practically science,” she said.
“Maybe,” Lincoln said. Her fingers felt so good in his hair. “But I couldn’t see you, so…”
“So, what did you see?”
“Just…the sort of girl who would write the sort of things that you wrote.”
“What things?”
Lincoln opened his eyes. Beth was studying his face. She looked skeptical-maybe about more than just the last thing he said. This was important, he realized.
“Everything,” he said, sitting straighter, keeping hold of her waist. “Everything you wrote about your work, about your boyfriend…The way you comforted Jennifer and made her laugh, through the baby and after. I pictured a girl who could be kind, and that kind of funny. I pictured a girl who was that alive…”
She looked guarded. Lincoln couldn’t tell from her eyes whether he was pushing her away or winning her over.
“A girl who never got tired of her favourite movies,” he said softly. “Who saved dresses like ticket stubs. Who could get high on the weather..
“I pictured a girl who made every moment, everything she touched, and everyone around her feel lighter and sweeter. I pictured you,” he said. “I just didn’t know what you looked like. And then, when I did know what you looked like, you looked like the girl who was all those things. You looked like the girl I loved.”
Beth’s fingers trembled in his hair, and her forehead dropped against his. A heavy, wet tear fell onto Lincoln’s lips, and he licked it. He pulled her close, as close as he could. Like he didn’t care for the moment whether she could breath. Like there were two of them and only one parachute.
“Beth,” he barely said, pressing his face against hers until their lashes brushed, pressing his hand into the small of her back. “I don’t think I can explain it. I don’t think I can make any more sense. But I’ll keep trying. If you want me to.”
She almost shook her head. “No,” she said, “no more explaining. Or apologizing. I don’t think it matters how we ended up here. I just…I want to stay…I want..
He kissed her then.
There.
In the middle of the sentence.
”
”
Rainbow Rowell (Attachments)
“
Her. Her. Her. Future breezes implore
me to stay.
But I'm no future. I'm no past.
Only ever contemporary of this path.
I'll sacrifice everything
for all her seasons give from losing.
She, I sigh
from The Mountain top.
By her now. My only role. And for that freedom,
spread my polar chill, reaching even the warmest times,
a warning upon the back of every life
that would by harming Hailey's play, ever wayward
around this vegetative rush of orbit & twine,
awaken among these cascading cliffs of bellicose ice
me.
And my Vengeance.
At once.
The Justice of my awful loss
set free upon this crowded land. An old terror
violent for the glee of
ends.
But to those who would tend her, harrowed
by such Beauty & Fleeting Presence to do more,
my cool cries will kiss their gentle foreheads
and my tears will kiss their tender cheeks,
and then if the Love of their Kindness, which only
Kindness ever finds, spills my ear, for a while I might
slip down and play amidst her canopies of gold.
Solitude. Hailey's bare feet.
And all her patience now assumes.
Garland of Spring's Sacred Bloom.
By you, ever sixteen, this World's preserved.
By you, this World has everything left to lose.
And I, your sentry of ice, shall allways protect
what your Joy so dangerously resumes.
I'll destroy no World
so long it keeps turning with flurry & gush,
petals & stems bending and lush,
and allways our hushes returning anew.
Everyone betrays the Dream
but who cares for it? O Hailey no,
I could never walk away from you.
-
Haloes! Haleskarth!
Contraband!
I can walk away
from anything.
Everyone loves
the Dream but I kill it.
Bald Eagles soar
over me: —Reveille Rebel!
I jump free this weel.
On fire. Blaze a breeze.
I'll devastate the World.
\\
Samsara! Samarra!
Grand!
I can walk away
from anything.
Everyone loves
the Dream but I kill it.
Atlas Mountain Cedars gush
over me: —Up Boogaloo!
I leap free this spring.
On fire. How my hair curls.
I'll destroy the World.
-
Him. Him. Him. Future winds imploring
me to stay.
But I'm no tomorrow. I'm no yesterday.
Only ever contemporary of this way.
I will sacrifice everything
for all his seasons miss of soaring.
He, I sigh
from The Mountain top.
By him now. My only role. And for that freedom,
spread my polar chill, reaching even the warmest climes,
a warning upon the back of every life
that would by harming Sam's play, ever wayward
around this animal streak of orbit & wind,
awaken among these cataracts of belligerent ice
me.
And my Justice.
At once.
The Vengeance of my awful loss set
free upon this crowded land. An old terror
violent for the delirium of
ends.
But to those who would protect him, frightened
by such Beauty & Savage Presence to do more,
my cool cries will kiss their tender foreheads
and my tears will kiss their gentle cheeks,
and then if the Kindness of their Love, which only
Loving ever binds, spills my ear, for a while I might
slip down and play among his foals so green.
My barrenness. Sam's solitude.
And all his patience now presumes.
Luster of Spring's Sacred Brood.
By you, ever sixteen, this World's reserved.
By you, this World has everything left to lose.
And I, your sentry of ice, shall allways protect
what your Joy so terrifyingly elects.
I'll destroy no World
so long it keeps turning with scurry & blush,
fledgling & charms beading with dews,
and allways our rush returning renewed.
Everyone betrays the Dream
but who cares for it? O Sam no,
I could never walk away from you.
”
”
Mark Z. Danielewski (Only Revolutions)
“
The plane banked, and he pressed his face against the cold window. The ocean tilted up to meet him, its dark surface studded with points of light that looked like constellations, fallen stars. The tourist sitting next to him asked him what they were. Nathan explained that the bright lights marked the boundaries of the ocean cemeteries. The lights that were fainter were memory buoys. They were the equivalent of tombstones on land: they marked the actual graves. While he was talking he noticed scratch-marks on the water, hundreds of white gashes, and suddenly the captain's voice, crackling over the intercom, interrupted him. The ships they could see on the right side of the aircraft were returning from a rehearsal for the service of remembrance that was held on the ocean every year. Towards the end of the week, in case they hadn't realised, a unique festival was due to take place in Moon Beach. It was known as the Day of the Dead...
...When he was young, it had been one of the days he most looked forward to. Yvonne would come and stay, and she'd always bring a fish with her, a huge fish freshly caught on the ocean, and she'd gut it on the kitchen table. Fish should be eaten, she'd said, because fish were the guardians of the soul, and she was so powerful in her belief that nobody dared to disagree. He remembered how the fish lay gaping on its bed of newspaper, the flesh dark-red and subtly ribbed where it was split in half, and Yvonne with her sleeves rolled back and her wrists dipped in blood that smelt of tin.
It was a day that abounded in peculiar traditions. Pass any candy store in the city and there'd be marzipan skulls and sugar fish and little white chocolate bones for 5 cents each. Pass any bakery and you'd see cakes slathered in blue icing, cakes sprinkled with sea-salt.If you made a Day of the Dead cake at home you always hid a coin in it, and the person who found it was supposed to live forever. Once, when she was four, Georgia had swallowed the coin and almost choked. It was still one of her favourite stories about herself. In the afternoon, there'd be costume parties. You dressed up as Lazarus or Frankenstein, or you went as one of your dead relations. Or, if you couldn't think of anything else, you just wore something blue because that was the colour you went when you were buried at the bottom of the ocean. And everywhere there were bowls of candy and slices of special home-made Day of the Dead cake. Nobody's mother ever got it right. You always had to spit it out and shove it down the back of some chair.
Later, when it grew dark, a fleet of ships would set sail for the ocean cemeteries, and the remembrance service would be held. Lying awake in his room, he'd imagine the boats rocking the the priest's voice pushed and pulled by the wind. And then, later still, after the boats had gone, the dead would rise from the ocean bed and walk on the water. They gathered the flowers that had been left as offerings, they blew the floating candles out. Smoke that smelt of churches poured from the wicks, drifted over the slowly heaving ocean, hid their feet. It was a night of strange occurrences. It was the night that everyone was Jesus...
...Thousands drove in for the celebrations. All Friday night the streets would be packed with people dressed head to toe in blue. Sometimes they painted their hands and faces too. Sometimes they dyed their hair. That was what you did in Moon Beach. Turned blue once a year. And then, sooner or later, you turned blue forever.
”
”
Rupert Thomson (The Five Gates of Hell)
“
All right, now that the weirdness between us has caused actual physical damage, I think it’s time we talked it out, don’t you?”
He gave a half smile and then turned back to the path. “We don’t need to be weird,” he said. “These past few days, since the thing with Elodie, I’ve been thinking.” He took a deep breath, and I knew that this was one of those rare occasions when Cal was about to say a lot of words at once. “I like you, Sophie. A lot. For a while, I thought it might be more than that. But you love Cross.”
He said it matter-of-factly, but I still caught the way his ears reddened. “I know I’ve said some pretty awful stuff about him, but…I was wrong. He’s a good guy. So, I guess what I’m saying is that as the guy who’s betrothed to you, I wish we could be more than friends.” He stopped, turning around to face me. “But as your friend, I want you to be happy. And if Cross is who you want, then I’m not gonna stand in the way of that.”
“I’m the worst fiancé ever, aren’t I?”
Cal lifted one shoulder. “Nah. This one warlock I knew, his betrothed set him on fire.”
Laughing so I wouldn’t cry, I tentatively lifted my arms to hug him. He folded me against his chest, and there was no awkwardness between us, and I knew the warmth in the pit of my stomach was love. Just a different kind.
Sniffling, I pulled back and rubbed at my nose. “Okay, now that the hard part’s over, let’s go tackle the Underworld.”
“Got room for two more?”
Startled, I turned to see Jenna and Archer standing on the path, Jenna’s hand clutching Archer’s sleeve as she tried to stay on her feet. “What?” was all I could say.
Archer took a few careful steps forward. “Hey, this has been a group effort so far. No reason to stop now.”
“You guys can’t go into the Underworld with me,” I told them. “You heard Dad, I’m the only one with-“
“With powers strong enough. Yeah, we got that,” Jenna said. “But how are you supposed to carry a whole bunch of demonglass out of that place? It’ll burn you. And hey, maybe your powers will be strong enough to get all of us in, too.” She gestured to herself and the boys. “Plus it’s not like we don’t have powers of our own.”
I knew I should tell them to go back. But having the three of them there made me feel a whole lot better and whole lot less terrified. So in the end, I gave an exaggerated sign and said, “Okay, fine. But just so you know, following me into hell means you’re all definitely the sidekicks.”
“Darn, I was hoping to be the rakishly charming love interest,” Archer said, taking my hand.
“Cal, any role you want?” I asked him, and he looked ruefully at the craggy rock looming over us. As he did, there was the grinding sound of stone against stone. We all stared at the opening that appeared.
“I’m just hoping to be the Not Dead Guy,” Cal muttered.
We faced the entrance. “Between the four of us, we fought ghouls, survived attacks by demons and L’Occhio di Dio, and practically raised the dead,” I said. “We can do this.”
“See, inspiring speeches like that are why you get to be the leader,” Archer said, and he squeezed my hand.
And then, moving almost as one, we stepped into the rock.
”
”
Rachel Hawkins (Spell Bound (Hex Hall, #3))
“
Thou grievest where no grief should be! thou speak'st Words lacking wisdom! for the wise in heart Mourn not for those that live, nor those that die. Nor I, nor thou, nor any one of these, Ever was not, nor ever will not be, For ever and for ever afterwards. All, that doth live, lives always! To man's frame As there come infancy and youth and age, So come there raisings-up and layings-down Of other and of other life-abodes, Which the wise know, and fear not. This that irks—Thy sense-life, thrilling to the elements—Bringing thee heat and cold, sorrows and joys, 'Tis brief and mutable! Bear with it, Prince! As the wise bear. The soul which is not moved, The soul that with a strong and constant calm Takes sorrow and takes joy indifferently, Lives in the life undying! That which is Can never cease to be; that which is not Will not exist. To see this truth of both Is theirs who part essence from accident, Substance from shadow. Indestructible, Learn thou! the Life is, spreading life through all; It cannot anywhere, by any means, Be anywise diminished, stayed, or changed. But for these fleeting frames which it informs With spirit deathless, endless, infinite, They perish. Let them perish, Prince! and fight! He who shall say, "Lo! I have slain a man!" He who shall think, "Lo! I am slain!" those both Know naught! Life cannot slay. Life is not slain! Never the spirit was born; the spirit shall cease to be never; Never was time it was not; End and Beginning are dreams! Birthless and deathless and changeless remaineth the spirit for ever; Death hath not touched it at all, dead though the house of it seems! Who knoweth it exhaustless, self-sustained, Immortal, indestructible,—shall such Say, "I have killed a man, or caused to kill?" Nay, but as when one layeth His worn-out robes away, And taking new ones, sayeth, "These will I wear to-day!" So putteth by the spirit Lightly its garb of flesh, And passeth to inherit A residence afresh. I say to thee weapons reach not the Life; Flame burns it not, waters cannot o'erwhelm, Nor dry winds wither it. Impenetrable, Unentered, unassailed, unharmed, untouched, Immortal, all-arriving, stable, sure, Invisible, ineffable, by word And thought uncompassed, ever all itself, Thus is the Soul declared! How wilt thou, then,—Knowing it so,—grieve when thou shouldst not grieve? How, if thou hearest that the man new-dead Is, like the man new-born, still living man—One same, existent Spirit—wilt thou weep? The end of birth is death; the end of death Is birth: this is ordained! and mournest thou, Chief of the stalwart arm! for what befalls Which could not otherwise befall? The birth Of living things comes unperceived; the death Comes unperceived; between them, beings perceive: What is there sorrowful herein, dear Prince?
”
”
Krishna-Dwaipayana Vyasa (The Song celestial; or, Bhagabad-gîtâ (from the Mahâbhârata) being a discourse between Arjuna, prince of India, and the Supreme Being under the form of Krishna)
“
Diana” was the first thing out of her mouth. “I’m dying,” the too familiar voice on the other end moaned.
I snorted, locking the front door behind me as I held the phone up to my face with my shoulder. “You’re pregnant. You’re not dying.”
“But it feels like I am,” the person who rarely ever complained whined. We’d been best friends our entire lives, and I could only count on one hand the number of times I’d heard her grumble about something that wasn’t her family. I’d had the title of being the whiner in our epic love affair that had survived more shit than I was willing to remember right then.
I held up a finger when Louie tipped his head toward the kitchen as if asking if I was going to get started on dinner or not. “Well, nobody told you to get pregnant with the Hulk’s baby. What did you expect? He’s probably going to come out the size of a toddler.”
The laugh that burst out of her made me laugh too. This fierce feeling of missing her reminded me it had been months since we’d last seen each other. “Shut up.”
“You can’t avoid the truth forever.” Her husband was huge. I didn’t understand why she wouldn’t expect her unborn baby to be a giant too.
“Ugh.” A long sigh came through the receiver in resignation. “I don’t know what I was thinking—”
“You weren’t thinking.”
She ignored me. “We’re never having another one. I can’t sleep. I have to pee every two minutes. I’m the size of Mars—”
“The last time I saw you”—which had been two months ago—“you were the size of Mars. The baby is probably the size of Mars now. I’d probably say you’re about the size of Uranus.”
She ignored me again. “Everything makes me cry and I itch. I itch so bad.”
“Do I… want to know where you’re itching?”
“Nasty. My stomach. Aiden’s been rubbing coconut oil on me every hour he’s here.”
I tried to imagine her six-foot-five-inch, Hercules-sized husband doing that to Van, but my imagination wasn’t that great. “Is he doing okay?” I asked, knowing off our past conversations that while he’d been over the moon with her pregnancy, he’d also turned into mother hen supreme. It made me feel better knowing that she wasn’t living in a different state all by herself with no one else for support. Some people in life got lucky and found someone great, the rest of us either took a long time… or not ever.
“He’s worried I’m going to fall down the stairs when he isn’t around, and he’s talking about getting a one-story house so that I can put him out of his misery.”
“You know you can come stay with us if you want.”
She made a noise.
“I’m just offering, bitch. If you don’t want to be alone when he starts traveling more for games, you can stay here as long as you need. Louie doesn’t sleep in his room half the time anyway, and we have a one-story house. You could sleep with me if you really wanted to. It’ll be like we’re fourteen all over again.”
She sighed. “I would. I really would, but I couldn’t leave Aiden.”
And I couldn’t leave the boys for longer than a couple of weeks, but she knew that. Well, she also knew I couldn’t not work for that long, too.
“Maybe you can get one of those I’ve-fallen-and-I-can’t-get-up—”
Vanessa let out another loud laugh. “You jerk.”
“What? You could.”
There was a pause. “I don’t even know why I bother with you half the time.”
“Because you love me?”
“I don’t know why.”
“Tia,” Louie hissed, rubbing his belly like he was seriously starving.
“Hey, Lou and Josh are making it seem like they haven’t eaten all day. I’m scared they might start nibbling on my hand soon. Let me feed them, and I’ll call you back, okay?”
Van didn’t miss a beat. “Sure, Di. Give them a hug from me and call me back whenever. I’m on the couch, and I’m not going anywhere except the bathroom.”
“Okay. I won’t call Parks and Wildlife to let them know there’s a beached whale—”
“Goddammit, Diana—”
I laughed. “Love you. I’ll call you back. Bye!”
“Vanny has a whale?” Lou asked.
”
”
Mariana Zapata (Wait for It)
“
A flash of lightning ghosts into the room, and when it leaves again, my eyes follow it back out to sea. In the window's reflection, I glimpse a figure standing behind me. I don't need to turn around to see who creates such a big outline-or who makes my whole body turn into a goose-bump farm.
"How do you feel?" he says.
"Better," I say to his reflection.
He hops over the back of the couch and grabs my chin, turning my head side to side, up and down, all around, watching for my reaction. "I just did that," I tell him. "Nothing."
He nods and unhands me. "Rach-Uh, my mom called your mom and told her what happened. I guess your mom called your doctor, and he said it's pretty common, but that you should rest a few more days. My mom insisted you stay the night since no one needs to be driving in this weather."
"And my mother agreed to that?"
Even in the dark, I don't miss his little grin. "My mom can be pretty persuasive," he says. "By the end of the conversation, your mom even suggested we both stay home from school tomorrow and hang out here so you can relax-since my mom will be home supervising, of course. Your mom said you wouldn't stay home if I went to school."
A flash from the storm illuminates my blush. "Because we told her we're dating."
He nods. "She said you should have stayed home today, but you threw a fit to go anyway. Honestly, I didn't realize you were so obsessed-ouch!"
I try to pinch him again, but he catches my wrist and pulls me over his lap like a child getting a spanking. "I was going to say, 'with history.'" He laughs.
"No you weren't. Let me up."
"I will." He laughs.
"Galen, you let me up right now-"
"Sorry, not ready yet."
I gasp. "Oh, no! The room is spinning again." I hold still, tense up.
Then the room does spin when he snatches me up and grabs my chin again. The look of concern etched on his face makes me feel a little guilty, but not guilty enough to keep my mouth shut. "Works every time," I tell him, giving my best ha-ha-you're-a-sucker smirk.
A snicker from the entryway cuts off what I can tell is about to be a good scolding. I've never heard Galen curse, but his glower just looks like a four-letter word waiting to come out. We both turn to see Toraf watching us with crossed arms. He is also wearing a ha-ha-you're-a-sucker smirk. "Dinner's ready, children," he says.
Yep, I definitely like Toraf. Galen rolls his eyes and extracts me from his lap. He hops up and leaves me there, and in the reflection, I see him ram his fist into Toraf's gut as he passes. Toraf grunts, but the smirk never leaves his face. He nods his head for me to follow them.
As we pass through the rooms, I try to remember the rich, sophisticated atmosphere, the marble floors, the hideous paintings, but my stomach makes sounds better suited to a dog kennel at feeding time.
"I think your stomach is making mating calls," Toraf whispers to me as we enter the kitchen. My blush debuts the same time we enter the kitchen, and it's enough to make Toraf laugh out loud.
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
Girls, I was dead and down
in the Underworld, a shade,
a shadow of my former self, nowhen.
It was a place where language stopped,
a black full stop, a black hole
Where the words had to come to an end.
And end they did there,
last words,
famous or not.
It suited me down to the ground.
So imagine me there,
unavailable,
out of this world,
then picture my face in that place
of Eternal Repose,
in the one place you’d think a girl would be safe
from the kind of a man
who follows her round
writing poems,
hovers about
while she reads them,
calls her His Muse,
and once sulked for a night and a day
because she remarked on his weakness for abstract nouns.
Just picture my face
when I heard -
Ye Gods -
a familiar knock-knock at Death’s door.
Him.
Big O.
Larger than life.
With his lyre
and a poem to pitch, with me as the prize.
Things were different back then.
For the men, verse-wise,
Big O was the boy. Legendary.
The blurb on the back of his books claimed
that animals,
aardvark to zebra,
flocked to his side when he sang,
fish leapt in their shoals
at the sound of his voice,
even the mute, sullen stones at his feet
wept wee, silver tears.
Bollocks. (I’d done all the typing myself,
I should know.)
And given my time all over again,
rest assured that I’d rather speak for myself
than be Dearest, Beloved, Dark Lady, White Goddess etc., etc.
In fact girls, I’d rather be dead.
But the Gods are like publishers,
usually male,
and what you doubtless know of my tale
is the deal.
Orpheus strutted his stuff.
The bloodless ghosts were in tears.
Sisyphus sat on his rock for the first time in years.
Tantalus was permitted a couple of beers.
The woman in question could scarcely believe her ears.
Like it or not,
I must follow him back to our life -
Eurydice, Orpheus’ wife -
to be trapped in his images, metaphors, similes,
octaves and sextets, quatrains and couplets,
elegies, limericks, villanelles,
histories, myths…
He’d been told that he mustn’t look back
or turn round,
but walk steadily upwards,
myself right behind him,
out of the Underworld
into the upper air that for me was the past.
He’d been warned
that one look would lose me
for ever and ever.
So we walked, we walked.
Nobody talked.
Girls, forget what you’ve read.
It happened like this -
I did everything in my power
to make him look back.
What did I have to do, I said,
to make him see we were through?
I was dead. Deceased.
I was Resting in Peace. Passé. Late.
Past my sell-by date…
I stretched out my hand
to touch him once
on the back of the neck.
Please let me stay.
But already the light had saddened from purple to grey.
It was an uphill schlep
from death to life
and with every step
I willed him to turn.
I was thinking of filching the poem
out of his cloak,
when inspiration finally struck.
I stopped, thrilled.
He was a yard in front.
My voice shook when I spoke -
Orpheus, your poem’s a masterpiece.
I’d love to hear it again…
He was smiling modestly,
when he turned,
when he turned and he looked at me.
What else?
I noticed he hadn’t shaved.
I waved once and was gone.
The dead are so talented.
The living walk by the edge of a vast lake
near, the wise, drowned silence of the dead.
”
”
Carol Ann Duffy (The World's Wife)
“
Sisyphus cheated death,” Nico explained. “First he chained up Thanatos, the reaper of souls, so no one could die. Then when Thanatos got free and was about to kill him, Sisyphus told his wife to do incorrect funeral rites so he wouldn’t rest in peace. Sisy here—May I call you Sisy?” “No!” “Sisy tricked Persephone into letting him go back to the world to haunt his wife. And he didn’t come back.” The old man cackled. “I stayed alive another thirty years before they finally tracked me down!” Thalia was halfway up the hill now. She gritted her teeth, pushing the boulder with her back. Her expression said Hurry up! “So that was your punishment,” I said to Sisyphus. “Rolling a boulder up a hill forever. Was it worth it?” “A temporary setback!” Sisyphus cried. “I’ll bust out of here soon, and when I do, they’ll all be sorry!” “How would you get out of the Underworld?” Nico asked. “It’s locked down, you know.” Sisyphus grinned wickedly. “That’s what the other one asked.” My stomach tightened. “Someone else asked your advice?” “An angry young man,” Sisyphus recalled. “Not very polite. Held a sword to my throat. Didn’t offer to roll my boulder at all.” “What did you tell him?” Nico said. “Who was he?” Sisyphus massaged his shoulders. He glanced up at Thalia, who was almost to the top of the hill. Her face was bright red and drenched in sweat. “Oh . . . it’s hard to say,” Sisyphus said. “Never seen him before. He carried a long package all wrapped up in black cloth. Skis, maybe? A shovel? Maybe if you wait here, I could go look for him. . . .” “What did you tell him?” I demanded. “Can’t remember.” Nico drew his sword. The Stygian iron was so cold it steamed in the hot dry air of Punishment. “Try harder.” The old man winced. “What kind of person carries a sword like that?” “A son of Hades,” Nico said. “Now answer me!” The color drained from Sisyphus’s face. “I told him to talk to Melinoe! She always has a way out!” Nico lowered his sword. I could tell the name Melinoe bothered him. “Are you crazy?” he said. “That’s suicide!” The old man shrugged. “I’ve cheated death before. I could do it again.” “What did this demigod look like?” “Um . . . he had a nose,” Sisyphus said. “A mouth. And one eye and—” “One eye?” I interrupted. “Did he have an eye patch?” “Oh . . . maybe,” Sisyphus said. “He had hair on his head. And—” He gasped and looked over my shoulder. “There he is!” We fell for it. As soon as we turned, Sisyphus took off down the hill. “I’m free! I’m free! I’m—ACK!” Ten feet from the hill, he hit the end of his invisible leash and fell on his back. Nico and I grabbed his arms and hauled him up the hill. “Curse you!” He let loose with bad words in Ancient Greek, Latin, English, French, and several other languages I didn’t recognize. “I’ll never help you! Go to Hades!” “Already there,” Nico muttered. “Incoming!” Thalia shouted. I looked up and might have used a few cuss words myself. The boulder was bouncing straight toward us. Nico jumped one way. I jumped the other. Sisyphus yelled, “NOOOOOOO!” as the thing plowed into him. Somehow he braced himself and stopped it before it could run him over. I guess he’d had a lot of practice. “Take it again!” he wailed. “Please. I can’t hold it.” “Not again,” Thalia gasped. “You’re on your own.” He treated us to a lot more colorful language. It was clear he wasn’t going to help us any further, so we left him to his punishment.
”
”
Rick Riordan (The Demigod Files (Percy Jackson and the Olympians))
“
her power now that she had lost the hair. So when the bride had finished drinking, and would have got upon Falada again, the maid said, "I shall ride upon Falada, and you may have my horse instead;" so she was forced to give up her horse, and soon afterwards to take off her royal clothes, and put on her maid's shabby ones. At last, as they drew near the end of the journey, this treacherous servant threatened to kill her mistress if she ever told anyone what had happened. But Falada saw it all, and marked it well. Then the waiting-maid got upon Falada, and the real bride was set upon the other horse, and they went on in this way till at last they came to the royal court. There was great joy at their coming, and the prince hurried to meet them, and lifted the maid from her horse, thinking she was the one who was to be his wife; and she was led upstairs to the royal chamber, but the true princess was told to stay in the court below. However, the old king happened to be looking out of the window, and saw her in the yard below; and as she looked very pretty, and too delicate for a waiting-maid, he went into the royal chamber to ask the bride whom it was she had brought with her, that was thus left standing in the court below. "I brought her with me for the sake of her company on the road," said she. "Pray give the girl some work to do, that she may not be idle." The old king could not for some time think of any work for her, but at last he said, "I have a lad who takes care of my geese; she may go and help him." Now the name of this lad, that the real bride was to help in watching the king's geese, was Curdken. Soon after, the false bride said to the prince, "Dear husband, pray do me one piece of kindness." "That I will," said the prince. "Then tell one of your slaughterers to cut off the head of the horse I rode upon, for it was very unruly, and plagued me sadly on the road." But the truth was, she was very much afraid lest Falada should speak, and tell all she had done to the princess. She carried her point, and the faithful Falada was killed; but when the true princess heard of it she wept, and begged the man to nail up Falada's head against a large dark gate in the city through which she had to pass every morning and evening, that there she might still see him sometimes. Then the slaughterer said he would do as she wished, so he cut off the head and nailed it fast under the dark gate. Early the next morning, as the princess and Curdken went out through the gate, she said sorrowfully— "Falada, Falada, there thou art hanging!" and the head answered— "Bride, bride, there thou are ganging! Alas! alas! if thy mother knew it, Sadly, sadly her heart would rue it." Then they went out of the city, driving the geese. And when they came to the meadow, the princess sat down upon a bank there and let down her waving locks of hair, which were all of pure gold; and when Curdken saw it glitter in the sun, he ran up, and would have pulled some of the locks out; but she cried— "Blow, breezes, blow! Let Curdken's hat go! Blow breezes, blow! Let him after it go! "O'er hills, dales, and rocks, Away be it whirl'd, Till the golden locks Are all comb'd and curl'd!" Then there came a wind, so strong that it blew off Curdken's hat, and away it flew over the hills, and he after it; till, by the time he came back, she had done combing and curling her hair, and put it up again safely. Then he was very angry and sulky, and would not speak to her at all; but they watched the geese until it grew dark in the evening, and then drove them homewards. The next morning, as they were going through the dark gate, the poor girl looked up at Falada's head, and cried— "Falada, Falada, there thou art hanging!" and it answered— "Bride, bride, there thou are ganging! Alas! alas! if thy mother knew it, Sadly, sadly her heart would rue it." Then she drove on the geese and sat down again in the meadow, and began to comb
”
”
Jacob Grimm (Grimm's Fairy Stories)
“
What franticke fit (quoth he) hath thus distraught
Thee, foolish man, so rash a doome to give?
What justice ever other judgement taught,
But he should die, who merites not to live?
None else to death this man despayring drive,
But his owne guiltie mind deserving death.
Is then unjust to each his due to give?
Or let him die, that loatheth living breath?
Or let him die at ease, that liveth here uneath?
Who travels by the wearie wandring way,
To come unto his wished home in haste,
And meetes a flood, that doth his passage stay,
Is not great grace to helpe him over past,
Or free his feet, that in the myre sticke fast?
Most envious man, that grieves at neighbours good,
And fond, that joyest in the woe thou hast,
Why wilt not let him passe, that long hath stood
Upon the banke, yet wilt thy selfe not passe the flood?
He there does now enjoy eternall rest
And happie ease, which thou doest want and crave,
And further from it daily wanderest:
What if some litle paine the passage have,
That makes fraile flesh to feare the bitter wave?
Is not short paine well borne, that brings long ease,
And layes the soule to sleepe in quiet grave?
Sleepe after toyle, port after stormie seas,
Ease after warre, death after life does greatly please.
[...]
Is not his deed, what ever thing is donne,
In heaven and earth? did not he all create
To die againe? all ends that was begonne.
Their times in his eternall booke of fate
Are written sure, and have their certaine date.
Who then can strive with strong necessitie,
That holds the world in his still chaunging state,
Or shunne the death ordaynd by destinie?
When houre of death is come, let none aske whence, nor why.
The lenger life, I wote the greater sin,
The greater sin, the greater punishment:
All those great battels, which thou boasts to win,
Through strife, and bloud-shed, and avengement,
Now praysd, hereafter deare thou shalt repent:
For life must life, and bloud must bloud repay.
Is not enough thy evill life forespent?
For he, that once hath missed the right way,
The further he doth goe, the further he doth stray.
Then do no further goe, no further stray,
But here lie downe, and to thy rest betake,
Th'ill to prevent, that life ensewen may.
For what hath life, that may it loved make,
And gives not rather cause it to forsake?
Feare, sicknesse, age, losse, labour, sorrow, strife,
Paine, hunger, cold, that makes the hart to quake;
And ever fickle fortune rageth rife,
All which, and thousands mo do make a loathsome life.
Thou wretched man, of death hast greatest need,
If in true ballance thou wilt weigh thy state:
For never knight, that dared warlike deede,
More lucklesse disaventures did amate:
Witnesse the dongeon deepe, wherein of late
Thy life shut up, for death so oft did call;
And though good lucke prolonged hath thy date,
Yet death then, would the like mishaps forestall,
Into the which hereafter thou maiest happen fall.
Why then doest thou, O man of sin, desire
To draw thy dayes forth to their last degree?
Is not the measure of thy sinfull hire
High heaped up with huge iniquitie,
Against the day of wrath, to burden thee?
Is not enough, that to this Ladie milde
Thou falsed hast thy faith with perjurie,
And sold thy selfe to serve Duessa vilde,
With whom in all abuse thou hast thy selfe defilde?
Is not he just, that all this doth behold
From highest heaven, and beares an equall eye?
Shall he thy sins up in his knowledge fold,
And guiltie be of thine impietie?
Is not his law, Let every sinner die:
Die shall all flesh? what then must needs be donne,
Is it not better to doe willinglie,
Then linger, till the glasse be all out ronne?
Death is the end of woes: die soone, O faeries sonne.
”
”
Edmund Spenser (The Faerie Queene)
“
Let us go and sit in the shade," said Lord Henry. "Parker has brought out the drinks, and if you stay any longer in this glare, you will be quite spoiled, and Basil will never paint you again. You really must not allow yourself to become sunburnt. It would be unbecoming." "What can it matter?" cried Dorian Gray, laughing, as he sat down on the seat at the end of the garden. "It should matter everything to you, Mr. Gray." "Why?" "Because you have the most marvellous youth, and youth is the one thing worth having." "I don't feel that, Lord Henry." "No, you don't feel it now. Some day, when you are old and wrinkled and ugly, when thought has seared your forehead with its lines, and passion branded your lips with its hideous fires, you will feel it, you will feel it terribly. Now, wherever you go, you charm the world. Will it always be so? ... You have a wonderfully beautiful face, Mr. Gray. Don't frown. You have. And beauty is a form of genius--is higher, indeed, than genius, as it needs no explanation. It is of the great facts of the world, like sunlight, or spring-time, or the reflection in dark waters of that silver shell we call the moon. It cannot be questioned. It has its divine right of sovereignty. It makes princes of those who have it. You smile? Ah! when you have lost it you won't smile.... People say sometimes that beauty is only superficial. That may be so, but at least it is not so superficial as thought is. To me, beauty is the wonder of wonders. It is only shallow people who do not judge by appearances. The true mystery of the world is the visible, not the invisible.... Yes, Mr. Gray, the gods have been good to you. But what the gods give they quickly take away. You have only a few years in which to live really, perfectly, and fully. When your youth goes, your beauty will go with it, and then you will suddenly discover that there are no triumphs left for you, or have to content yourself with those mean triumphs that the memory of your past will make more bitter than defeats. Every month as it wanes brings you nearer to something dreadful. Time is jealous of you, and wars against your lilies and your roses. You will become sallow, and hollow-cheeked, and dull-eyed. You will suffer horribly.... Ah! realize your youth while you have it. Don't squander the gold of your days, listening to the tedious, trying to improve the hopeless failure, or giving away your life to the ignorant, the common, and the vulgar. These are the sickly aims, the false ideals, of our age. Live! Live the wonderful life that is in you! Let nothing be lost upon you. Be always searching for new sensations. Be afraid of nothing.... A new Hedonism--that is what our century wants. You might be its visible symbol. With your personality there is nothing you could not do. The world belongs to you for a season.... The moment I met you I saw that you were quite unconscious of what you really are, of what you really might be. There was so much in you that charmed me that I felt I must tell you something about yourself. I thought how tragic it would be if you were wasted. For there is such a little time that your youth will last--such a little time. The common hill-flowers wither, but they blossom again. The laburnum will be as yellow next June as it is now. In a month there will be purple stars on the clematis, and year after year the green night of its leaves will hold its purple stars. But we never get back our youth. The pulse of joy that beats in us at twenty becomes sluggish. Our limbs fail, our senses rot. We degenerate into hideous puppets, haunted by the memory of the passions of which we were too much afraid, and the exquisite temptations that we had not the courage to yield to. Youth! Youth! There is absolutely nothing in the world but youth!
”
”
Oscar Wilde (The Picture of Dorian Gray)