Name Pendant Quotes

I hear her pacing the house, mumbling, words I can barely make out and am frightened to hear. The words 'Carpe Diem' come from her lips like she's a broken, skipping record, and I clutch the pendant of my necklace tightly, fighting back tears. Because I know she's talking to him, appealing to an invisible man named John, the one who walked out on her when I was born. I know it's not my fault. Not my fault she's this way. Not my fault he left her. But fuck if I don't feel guilty anyway.

There is a willow grows askant the brook, That shows his hoar leaves in the glassy stream. Therewith fantastic garlands did she make Of crowflowers, nettles, daisies, and long purples, That liberal shepherds give a grosser name, But our cold maids do dead-men's-fingers call them. There on the pendant boughs her crownet weeds Clambering to hang, an envious sliver broke, When down her weedy trophies and herself Fell in the weeping brook. Her clothes spread wide, And mermaid-like awhile they bore her up; Which time she chanted snatches of old tunes, As one incapable of her own distress, Or like a creature native and indued Unto that element.

Comment se peut-il que quelqu’un n’ait pas la moindre idée que vous souffrez toutes les peines de l’enfer pour essayer de vous rapprocher de lui, et ne vous accorde même pas une pensée alors que pendant une semaine entière vous n’avez pas échangé plus de trois mots ?

But you don’t have to!” Juliette did not mean to yell. But here she was. “You’re not actually one of them!” Kathleen pulled away vehemently. “Aren’t I?” she asked. “I am at their meetings. I draw their posters. I know their protest calls.” She tore her jade pendant off. Held it up, in the moonlight. “Short of these riches, short of my last name, what is stopping me from being one of them? I could just as easily be another face in the factories. I could just as easily have been another abandoned child thrown onto the streets, begging for scraps!

There were charming ones as well as terrible ones, that I must admit. The painter was particularly entranced by Japanese masks: warriors', actors' and courtesans' masks. Some of them were frightfully contorted, the bronze cheeks creased by a thousand wrinkles, with vermilion weeping from the corners of the eyes and long trails of green at the corners of the mouths like splenetic beards. 'These are the masks of demons,' said the Englishman, caressing the long black swept-back tresses of one of them. 'The Samurai wore them in battle, to terrify the enemy. The one which is covered in green scales, with two opal pendants between the nostrils, is the mask of a sea-demon. This one, with the tufts of white fur for eyebrows and the two horsehair brushes beside the lips, is the mask of an old man. These others, of white porcelain - a material as smooth and fine as the cheeks of a Japanese maiden, and so gentle to the touch - are the masks of courtesans. See how alike they all are, with their delicate nostrils, their round faces and their heavy slanted eyelids; they are all effigies of the same goddess. The black of their wigs is rather beautiful, isn't it? Those which bubble over with laughter even in their immobility are the masks of comic actors.' That devil of a man pronounced the names of demons, gods and goddesses; his erudition cast a spell. Then: 'Bah! I have been down there too long!' Now he took up the light edifices of gauze and painted silk which were Venetian masks. 'Here is a Cockadrill, a Captain Fracasse, a Pantaloon and a Braggadocio. Only the noses are different - and the cut of their moustaches, if you look at them closely. Doesn't the white silk mask with enormous spectacles evoke a rather comical dread? It is Doctor Curucucu, an actual marionette featured in the Tales of Hoffmann. And what about that one, with all the black horsehair and the long spatulate nose like a stork's beak tipped with a spoon? Can you imagine anything more appalling? It's a duenna's mask; amorous young women were well-guarded when they had to go about flanked by old dragons dressed up in something like that. The whole carnival of Venice is put on parade before us beneath the cape and the domino, lying in ambush behind these masks... Would you like a gondola? Where shall we go, San Marco or the Lido?

Flight. I look a moment longer. Then I snap the pendant shut and run back into the temple, shouting Wren's name over and over, half laughing, half crying, heart bursting with the awe and sun-bright surety of it. Because that is what Wren is to me - my wings. And with her love, she's taught me how to use my own. To fight against what oppresses me.

He watched as they lifted their hats and stiffened as the commodore’s pennant, the confusingly named ‘broad pendant’, reached the masthead – all correct and showing proper respect.