Naive Person Quotes

Gansey had always felt as if there were two of him: the Gansey who was in control, able to handle any situation, able to talk to anyone, and then, the other, more fragile Gansey, strung out and unsure, embarrassingly earnest, driven by naive longing.

If what's always distinguished bad writing--flat characters, a narrative world that's clichéd and not recognizably human, etc.--is also a description of today's world, then bad writing becomes an ingenious mimesis of a bad world. If readers simply believe the world is stupid and shallow and mean, then [Bret] Ellis can write a mean shallow stupid novel that becomes a mordant deadpan commentary on the badness of everything. Look man, we'd probably most of us agree that these are dark times, and stupid ones, but do we need fiction that does nothing but dramatize how dark and stupid everything is? In dark times, the definition of good art would seem to be art that locates and applies CPR to those elements of what's human and magical that still live and glow despite the times' darkness. Really good fiction could have as dark a worldview as it wished, but it'd find a way both to depict this world and to illuminate the possibilities for being alive and human in it. Postmodern irony and cynicism's become an end in itself, a measure of hip sophistication and literary savvy. Few artists dare to try to talk about ways of working toward redeeming what's wrong, because they'll look sentimental and naive to all the weary ironists. Irony's gone from liberating to enslaving. There's some great essay somewhere that has a line about irony being the song of the prisoner who's come to love his cage… The postmodern founders' patricidal work was great, but patricide produces orphans, and no amount of revelry can make up for the fact that writers my age have been literary orphans throughout our formative years. We enter a spiritual puberty where we snap to the fact that the great transcendent horror is loneliness, excluded encagement in the self. Once we’ve hit this age, we will now give or take anything, wear any mask, to fit, be part-of, not be Alone, we young. The U.S. arts are our guide to inclusion. A how-to. We are shown how to fashion masks of ennui and jaded irony at a young age where the face is fictile enough to assume the shape of whatever it wears. And then it’s stuck there, the weary cynicism that saves us from gooey sentiment and unsophisticated naïveté. Sentiment equals naïveté on this continent. You burn with hunger for food that does not exist. A U. S. of modern A. where the State is not a team or a code, but a sort of sloppy intersection of desires and fears, where the only public consensus a boy must surrender to is the acknowledged primacy of straight-line pursuing this flat and short-sighted idea of personal happiness.

Rationality belongs to the cool observer, but because of the stupidity of the average man, he follows not reason, but faith, and the naive faith requires necessary illusion and emotionally potent oversimplifications which are provided by the myth-maker to keep ordinary person on course.

How is it that some celebrities, whom the average person would believe to have all the popularity a human being could want, still admit to feeling lonely? It is quite naive to assume that popularity is the remedy for loneliness. Loneliness does not necessarily equal physical solitude, it is the inability to be oneself and rightfully represented as oneself.

...the representation of human character and personality remains always the supreme literary value, whether in drama, lyric or narrative. I am naive enough to read incessantly because I cannot, on my own, get to know enough people profoundly enough.

you said. if it is meant to be. fate will bring us back together. for a second i wonder if you are really that naive. if you really believe fate works like that. as if it lives in the sky staring down at us. as if it has five fingers and spends its time placing us like pieces of chess. as if it is not the choices we make. who taught you that. tell me. who convinced you. you’ve been given a heart and a mind that isn’t yours to use. that your actions do not define what will become of you. i want to scream and shout it’s us you fool. we’re the only ones that can bring us back together. but instead i sit quietly. smiling softly through quivering lips thinking. isn’t it such a tragic thing. when you can see it so clearly but the other person doesn’t.

As we experience this love, there is a temptation at times to become hostile to our earlier understandings, feeling embarrassed that we were so "simple" or "naive," or "brainwashed" or whatever terms arise when we haven't come to terms with our own story. These past understandings aren't to be denied or dismissed; they're to be embraced. Those experiences belong. Love demands that they belong. That's where we were at that point in our life and God met us there. Those moments were necessary for us to arrive here, at this place at this time, as we are. Love frees us to embrace all of our history, the history in which all things are being made new.

Perhaps there is another kind of writing, I only know this one, in the night, when anxiety does not let me sleep, I only know this one. And what is devilish in it seems to me quite clear. It is the vanity and the craving for enjoyment, which is forever whirring around oneself or even around someone else...and enjoying it. The wish that a naive person sometimes has: "I would like to die and watch others crying over me," is what such a writer constantly experiences: he dies (or he does not live) and continually cries over himself

what love looks like what does love look like the therapist asks one week after the breakup and i’m not sure how to answer her question except for the fact that i thought love looked so much like you that’s when it hit me and i realized how naive i had been to place an idea so beautiful on the image of a person as if anybody on this entire earth could encompass all love represented as if this emotion seven billion people tremble for would look like a five foot eleven medium-sized brown-skinned guy who likes eating frozen pizza for breakfast what does love look like the therapist asks again this time interrupting my thoughts midsentence and at this point i’m about to get up and walk right out the door except i paid too much money for this hour so instead i take a piercing look at her the way you look at someone when you’re about to hand it to them lips pursed tightly preparing to launch into conversation eyes digging deeply into theirs searching for all the weak spots they have hidden somewhere hair being tucked behind the ears as if you have to physically prepare for a conversation on the philosophies or rather disappointments of what love looks like well i tell her i don’t think love is him anymore if love was him he would be here wouldn’t he if he was the one for me wouldn’t he be the one sitting across from me if love was him it would have been simple i don’t think love is him anymore i repeat i think love never was i think i just wanted something was ready to give myself to something i believed was bigger than myself and when i saw someone who probably fit the part i made it very much my intention to make him my counterpart and i lost myself to him he took and he took wrapped me in the word special until i was so convinced he had eyes only to see me hands only to feel me a body only to be with me oh how he emptied me how does that make you feel interrupts the therapist well i said it kind of makes me feel like shit maybe we’re looking at it wrong we think it’s something to search for out there something meant to crash into us on our way out of an elevator or slip into our chair at a cafe somewhere appear at the end of an aisle at the bookstore looking the right amount of sexy and intellectual but i think love starts here everything else is just desire and projection of all our wants needs and fantasies but those externalities could never work out if we didn’t turn inward and learn how to love ourselves in order to love other people love does not look like a person love is our actions love is giving all we can even if it’s just the bigger slice of cake love is understanding we have the power to hurt one another but we are going to do everything in our power to make sure we don’t love is figuring out all the kind sweetness we deserve and when someone shows up saying they will provide it as you do but their actions seem to break you rather than build you love is knowing who to choose

The new dumb, is now wisdom.

I have to wonder if you're not being slightly naive here. I mean, are you saying that you want nothing for people? You have no motives? Everybody has motives. Name the person, the circumstances, I'll name the motive. Even saints have motives -- to feel like saints, probably. ... But still, the point of any relationship is obtaining something from another person.

Maslow might be speaking of clients I have known when he says, “self-actualized people have a wonderful capacity to appreciate again and again, freshly and naively, the basic goods of life with awe, pleasure, wonder, and even ecstasy, however stale these experiences may be for other people.” (4, p. 214)

Because there's something about him - there's always been something about him that's intrigued me and I don't understand it. I wish I could ignore it but I can't. Because I look at him and wonder if maybe it's just me? Maybe I'm naive? But I see layers, shades of gold and green and a person who's never been given a chance to be human and I wonder if I'm just as cruel as my own oppressors if I decide that society is right, that some people are too far gone, that sometimes you can't turn back, that there are people in this world who don't deserve a second chance and I can't I can't I can't I can't help but disagree.

Pathetic creatures on their knees... Tirelessly, naively repeating, "Don't take our word for it! Alas, we're not all that logical. We say God–though in reality God is a person, a particular individual. We speak to him. We address him by name–he is the God of Abraham and Jacob. We treat him just like anybody else, like a personal being..." "So he's a whore?

They ranged from naive to obtuse to hateful, with personalities unencumbered with charisma and minds unclouded by thought.

The capacity for personal freedom is a rare talent. Talent exists to be used. We do not ask sheep to be wolves; we, the wolves, do not ask ourselves to be sheep. Sheep can make such rules as happen to suit them--but it's foolishly naive to expect wolves to obey.

Naive people tend to generalize people as—-good, bad, kind, or evil based on their actions. However, even the smartest person in the world is not the wisest or the most spiritual, in all matters. We are all flawed. Maybe, you didn’t know a few of these things about Einstein, but it puts the notion of perfection to rest. Perfection doesn’t exist in anyone. Nor, does a person’s mistakes make them less valuable to the world. 1. He divorced the mother of his children, which caused Mileva, his wife, to have a break down and be hospitalized. 2.He was a ladies man and was known to have had several affairs; infidelity was listed as a reason for his divorce. 3.He married his cousin. 4.He had an estranged relationship with his son. 5. He had his first child out of wedlock. 6. He urged the FDR to build the Atom bomb, which killed thousands of people. 7. He was Jewish, yet he made many arguments for the possibility of God. Yet, hypocritically he did not believe in the Jewish God or Christianity. He stated, “I believe in Spinoza’s God who reveals himself in the harmony of all that exists, not in a God who concerns himself with the fate and the doings of mankind.

Biased people are seen as prejudicial and unfair, arrogant and overly confident of their position. Nobody wants to be identified as someone who is biased or opinionated. But make no mistake about it, all of us have a point of view; all of us hold opinions and ideas that color the way we see the world. Anyone who tells you that he (or she) is completely objective and devoid of presuppositions has another more important problem: that person is either astonishingly naive or a liar.

The Battle of Gettysburg was fought in Gettysburg, Pennsylvania in 18-something-or-nother. The year doesn‘t matter.They considered it the turning point of the war, and President Lincoln showed up to give his big speech. Who really cares what it was called? I don‘t. After it was all over and the North won, Congress passed the 13th amendment to free the slaves. It outlawed owning another person, yada, yada, yada, but it was a waste of time. All of it. Every bit. Completely pointless. All those people died and it didn't change anything, because it doesn't work if they don't enforce it. They just ignore it, turn their backs and say it‘s not their problem, but it is. It's everyone's problem. They can say slavery ended all they want, but that doesn't make it true. People lie. They'll tell you what they think you wanna hear, and you‘ll believe it. Whatever makes you feel better about your dismal little lives. So, whatever. Go on being naive. Believe what the history book tells you if you want. Believe what Mrs. Anderson wants me to tell you about it. Believe the land of the free, blah, blah, blah, star spangled banner bullshit. Believe there aren‘t any slaves anymore just because a tall guy in a big ass top hat and a bunch of politicians said so. But I won‘t believe it, because if I do too, we‘ll all fucking be wrong, and someone has to be right." -Carmine DeMarco

Our romantic lives are fated to be sad and incomplete, because we are creatures driven by two essential desires which point powerfully in entirely opposing directions. Yet what is worse is our utopian refusal to countenance the divergence, our naive hope that a cost-free synchronisation might somehow be found: that the libertine might live for adventure while avoiding loneliness and chaos. Or that the married Romantic might unite sex with tenderness, and passion with routine.” “Infatuations aren’t delusions. That way a person has of holding their head may truly indicate someone confident, wry and sensitive; they really may have the humour and intelligence implied by their eyes and the tenderness suggested by their mouth. The error of the infatuation is more subtle: a failure to keep in mind the central truth of human nature that everyone – not merely our current partners, in whose multiple failings we are such experts – but everyone will have something substantially and maddeningly wrong with them when we spend more time around them, something so wrong as to make a mockery of those initially rapturous feelings. The only people who can still strike us as normal are those we don’t yet know very well. The bet cure for love is to get to know them better.

It's naive to think that anyone is just one person, that there's a real you. What is real? You can only exist in one moment, and then that moment is gone. And there's a new moment, a new you. And you can't even say you're the sum of all your parts, because you can never be all your parts at once.

Some people may feel that I am unrealistic to believe in a world that is free of abuse. But words like unrealistic, naive, and impractical come from voices of superiority who use them as put-downs to get people to stop thinking for themselves. Abuse does affect us all. If you haven’t been involved with an abusive partner yourself, even if no woman that you love has ever suffered chronic mistreatment, the quality of your life is still dragged down, your horizons still circumscribed, by the existence of abuse and the culture that drives it. The voice of abuse takes so many different forms. You can hear it each time a child’s dreams are shot down by an adult who thinks he or she knows it all. It rings in the ears of anyone who has ever been ridiculed for crying. It echoes through the mind of each person who has dared to put a name to his or her own mistreatment, or to the cruelty directed toward someone else, and then has been derided with stinging words such as sissy or mama’s boy or hysterical or thousands of others. If

... Benji, probably knew deep down that he was never the sort of person who would get a happy ending. Obviously we still hoped. Dear God, how we hoped. Naive dreams are love's last line of defence, so somehow we always convince ourselves that no terrible tragedies will ever afflict those we love, and that our people will succeed in escaping fate.

Just seems more complicated than other people. This complex human being may be at once "more naive and more knowledgeable, being at home equally to primitive symbolism and rigorous logic. He or she is both more primitive and more cultured, more destructive and more constructive, occasionally crazier, and yet adamantly saner than the average person.

If someone had told Allie that she would commit a premeditated act of murder, she would not have believed it. She would have spouted off all the reasons how she could never be capable of such a thing—that no matter how dire the circumstances, she would find a better way. She was so naive, so arrogant to think that the laws of necessity and unthinkable circumstance could not apply to her. She could tell herself that this was an act of mercy, but that would be a lie. This was an act of war. An act of terrorism. It was nothing less than an assassination. If I do this, Allie told herself, I am no better than Mary. I will have sunk to the worst possible place a person can go. After this moment, I will be a cold-blooded killer and it can never be taken back. So the question was, did Allie Johnson have the strength to sacrifice all that was left of her innocence if it meant she might save the world?

According to Q-Jo, the whole tarot deck, or at least the twenty-two trump cards of the Major Arcana, may be read as the Fool's journey. "On one important level," she explained, "the major cards are chapters in the story of a quest. I'm talking the universal human quest for understanding and divine reunion. And it doesn't matter whether the quest starts with the Fool or ends with him, because it's a loop anyhow, a cycle endlessly repeated. When the naive young Fool finally tumbles over the precipice, he falls into the world of experience. Now his journey has really begun. Along the way, he'll meet all the teachers and tempters - the tempters are teachers, too - and challenging situations that a person is likely to meet in the task of his or her growing. The Fool is potentially everybody, but not everybody has the wisdom or the guts to play the fool. A lot of folks don't know what's in that bag they're carrying. And they're all too willing to trade it for cash. Inside the bag, the have every tool they need to facilitate their life's journey, but they won't even open it up and glance inside. Subconsciously, the goal of all of us out-of-control primates is essentially the same, but let me assure you of this: the only ones who'll ever reach that goal are the ones who have the courage to make fools of themselves along the way.

(…) jest naiwnością mniemanie, jakoby zachwyt nasz wobec dzieła sztuki z nas samych pochodził: że zachwyt ten w sporej mierze nie rodzi się z ludzi, ale między ludźmi, i jest to tak jakbyśmy wzajemnie zmuszali się do zachwytu (choć nikt „osobiście” nie jest zachwycony). / It is naive to believe that the admiration for a masterpiece is spontaneous. The admiration, to a great extent, is not born within people but between people, as if we forced each other to admire (while no one is “personally” enraptured). (Dziennik, 1956, XX, Wtorek I)

Pain changes people for better or for worse. It can change a fledging, naive person to a strong, courageous person or on the other end of the spectrum, sadly however, a devout and pious Christian to a smoking meathead.

All year long Sylvia had been trying to overthrow her guileless, college girl image. She knew "cottons with big full skirts and university personalities" would have looked hopelessly naive in New York. Sylvia wanted to be hard and urban.

represented a certain ideal. It’s our attachment to an idealized relationship that is hard to let go of. If your friend lied to you, if your lover cheated on you, or if someone simply decided they didn’t want to be in a relationship with you anymore, they are not right for you. It may feel like they are, even though they hurt you, but they aren’t. You know who is right for you? The person who is everything you love about your ex, except for the part that hurt you. There are 7 billion people on the planet, and it’s naive and scientifically ridiculous to believe that such a person does not exist.

We are primarily responsible for our anger, but we believe very naively that if we can say something or do something to punish the other person, we will suffer less. This kind of belief should be uprooted. Because whatever you do or say in a state of anger will only cause more damage in the relationship. Instead, we should try not to do anything or say anything when we are angry.

Break a bone..and as the broken part heals it becomes the strongest part in it....get hit by a virus, survive that and "supposedly" it can never get u again... observe how ur skin that gets rubbed on a surface often becomes thicker and more rough with time ....remember how naive you were before and with each incident and accident with people that you've had ..it brought you to the "knowing better" person you are now............you cant be stronger..if life doesn't try you every now and then ....and after each trial..it promises a stronger more immune version of you

Above all, we are in need of a renewed Enlightenment, which will base itself on the proposition that the proper study of mankind is man, and woman. This Enlightenment will not need to depend, like its predecessors, on the heroic breakthroughs of a few gifted and exceptionally courageous people. It is within the compass of the average person. The study of literature and poetry, both for its own sake and for the eternal ethical questions with which it deals, can now easily depose the scrutiny of sacred texts that have been found to be corrupt and confected. The pursuit of unfettered scientific inquiry, and the availability of new findings to masses of people by easy electronic means, will revolutionize our concepts of research and development. Very importantly, the divorce between the sexual life and fear, and the sexual life and disease, and the sexual life and tyranny, can now at last be attempted, on the sole condition that we banish all religions from the discourse. And all this and more is, for the first time in our history, within the reach if not the grasp of everyone. However, only the most naive utopian can believe that this new humane civilization will develop, like some dream of “progress,” in a straight line. We have first to transcend our prehistory, and escape the gnarled hands which reach out to drag us back to the catacombs and the reeking altars and the guilty pleasures of subjection and abjection. “Know yourself,” said the Greeks, gently suggesting the consolations of philosophy. To clear the mind for this project, it has become necessary to know the enemy, and to prepare to fight it.

The two psycho-analytic theories were in a different class. They were simply non testable, irrefutable. There was no conceivable human behav­iour which could contradict them. This does not mean that Freud and Adler were not seeing certain things correctly: I personally do not doubt that much of what they say is of considerable importance, and may well play its part one day in a psychological science which is testable. But it does mean that those ‘clinical observations’ which analysts naively believe confirm their theory cannot do this any more than the daily confirmations which astrologers find in their practice. And as for Freud’s epic of the Ego, the Super-ego, and the Id, no substantially stronger claim to scientific status can be made for it than for Homer’s collected stories from Olympus. These theories describe some facts, but in the manner of myths. They contain most interesting psychological suggestions, but not in a testable form.

She had all his savage powers of logic. It made a person feel naive and childish for imagining there could be any good in the world at all.

I know exactly what it means to give someone my all, to be naively genuine, just to be stabbed in the back by the one person I thought was closest to me.

People naively believe a person who narcissistically promotes extreme confidence in themselves; is actually competent.

Middlemarch is a novel that is diminished by being put on the screen. It can't help but be, because so much of what we enjoy in Middlemarch is the interplay between what the characters do and what we know about them because of the telling voice. It's less of a problem for the cinema when it deals with novels that are purely concerned with action and what people do. I haven't thought this through, and I'm just trying it now to see what it sounds like. But maybe it would be less a problem with novels that are told in the first person. The interesting thing to me about Middlemarch, and Thackeray's Vanity Fair, and several other great novels, is precisely this omniscient, as we call it, third person, which naive readers mistake for the author. It isn't George Eliot who is saying this; it's a voice that George Eliot adopts to tell this story. There can be something very interesting in a novel like Bleak House, which was also done very well on the television by the same adapter, Andrew Davis. Now, Bleak House is told in two voices, as you remember. One is the somewhat trying Esther Summerson, who is a paradigm of every kind of virtue, and the other is a different sort of voice entirely, a voice that tells the story in the present tense, which was unusual for the time, a voice that doesn't seem to have a main character attached to it. But I think that Dickens is playing a very subtle game here. I've noticed a couple of things about that second narration that make me wonder whether it isn't Esther herself writing the other bits of it. For instance, at the very beginning, she says, "When I come to write my portion of these pages . . ." So she knows that there is another narrative going on, but nobody else does. Nobody else refers to it. The second thing is that she is the only character who never appears in those passages of present-tense narration. The other characters do. She doesn't. Why would that be? There's one point very near the end of the book where she almost does. Inspector Bucket is coming into the house to collect Esther to go and look for Lady Dedlock, who's run away, and we hear that Esther is just coming -- but no, she's turned back and brought her cloak, so we don't quite see her. It's as if she's teasing us and saying, "You're going to see me; no, you're not." Now, that's Dickens, at the height of his powers, playing around -- in ways that we would now call, I don't know, postmodern, ironic, self-referential, or something -- with the whole notion of narration, characterization, and so on. Yet, it doesn't matter. Those things are there for us to notice and to enjoy and to relish, if we have the taste for that sort of thing. But the events of Bleak House are so thrilling, so perplexing, so exciting that a mere recital of the events themselves is enough to carry a whole television adaptation, a whole play, a whole story. It's so much better with Dickens's narrative playfulness there, but it's pretty good without them.

He sighed again, but I couldn't see the fate of his dolphin logo person. I was completely fixated on his eyes. They're a pretty amazing combination of green and bronze. "I don't know what's going on, but it's weird, and it shouldn't be. I'm a decent guy." "Of course you are." I sighed. And caved. Apparently, my Phillite defenses were worthless around this particular specimen, no matter that he couldn't seem to make up his mind whether I was worth noticing or not. Truth: Yes,I am that naive. "Good.So.Friday after school. We can meet down here." I could just see Amanda's face when she caught us on our way into the dark depths of the school. "No." "Fine.Your house." "God,no!" "Do you make everything this complicated?" he asked. "No. Don't answer that. Would you come to my house?" That sounded doable.If we were at his place, I could leave whenever I wanted. "okay." As I watched, he did a slo-mo, surprisingly graceful flop onto the floor. "Finally!" I stepped over him and headed for the stairs.

It's naive to assume that another person can fulfill you, or save you, if the two things are, in fact, different, and I have never felt that way with Colin. I simply believe that he fulfills an important part of me, and that Robert fulfilled another equally important part of me. The part of me Robert fulfilled is a part which I imagine Colin, even now, doesn't know exists. It is the part of me that can destroy as easily as it loves. It is the part of me that feels safest and most at home behind closed doors, in a dark bedroom, that believes that the only truth lies in the secrets we keep from each other.

In our day everyone wants to appear intelligent, one would prefer to be accused of crime than of naiveté if the accompanying risks could be avoided. But since intelligence cannot be drawn from the void, subterfuge are resorted to, one of the most prevalent being the mania for "demystification", which allows an air of intelligence to be conveyed at small cost, for all one need do is assert that the normal response to a particular phenomenon is "prejudiced" and that it is high time it was cleared of the "legends" surrounding it; if the ocean could be made out to be a pond or the Himalayas a hill, it would be done. Certain writers find it impossible to be content with taking note of the fact that a particular thing or person has a particular character or destiny, as everyone had done before them; they must always begin by remarking that "it has too often been said", and go on to declare that the reality is something quite different and has at last been discovered, and that up till now all the world has been "living a lie". This strategy is applied above all to things that are evident and universally known, it would doubtless be too naive to acknowledge in so many words that a lion is a carnivore and that he is not quite safe to meet.

Sometimes I think, Why invent projects? What is the point? How will I ever accomplish what I set out to do, what I imagine? Then I think of the past, even before I was born, the great small feats people accomplished. [...] Those people had to work to accomplish those things, they thought of details, they followed through. Even if I come off as naive and zealous, even if I get on everyone's nerves, I have to follow these examples. Even if I fail, I have to try and try and try. It may be exhausting, but that is beside the point. The goal is not necessarily to succeed but to keep trying, to be the kind of person who has ideas and sees them through.

I am not saying these things because I am naive or foolish,' said Christopher. 'Only because I do see things that are not in beakers and test tubes, you know. I see how hatred poisons the person who hates, not the person who is hated. If we treat Grace with the mercy she did not show James, and that was never shown to her, then what she did will have no power over us.' He looked at James. 'You have been terribly strong,' he said, 'enduring this, all alone, for so long. Let us help you leave anger and bitterness in the past. For if we don't do that, if we are consumed by the need to pay Grace back for what she has done, then how are we any different from Tatiana?

Rea­sons Why I Loved Be­ing With Jen I love what a good friend you are. You’re re­ally en­gaged with the lives of the peo­ple you love. You or­ga­nize lovely ex­pe­ri­ences for them. You make an ef­fort with them, you’re pa­tient with them, even when they’re side­tracked by their chil­dren and can’t pri­or­i­tize you in the way you pri­or­i­tize them. You’ve got a gen­er­ous heart and it ex­tends to peo­ple you’ve never even met, whereas I think that ev­ery­one is out to get me. I used to say you were naive, but re­ally I was jeal­ous that you al­ways thought the best of peo­ple. You are a bit too anx­ious about be­ing seen to be a good per­son and you def­i­nitely go a bit over­board with your left-wing pol­i­tics to prove a point to ev­ery­one. But I know you re­ally do care. I know you’d sign pe­ti­tions and help peo­ple in need and vol­un­teer at the home­less shel­ter at Christ­mas even if no one knew about it. And that’s more than can be said for a lot of us. I love how quickly you read books and how ab­sorbed you get in a good story. I love watch­ing you lie on the sofa read­ing one from cover-to-cover. It’s like I’m in the room with you but you’re in a whole other gal­axy. I love that you’re al­ways try­ing to im­prove your­self. Whether it’s running marathons or set­ting your­self chal­lenges on an app to learn French or the fact you go to ther­apy ev­ery week. You work hard to be­come a bet­ter ver­sion of your­self. I think I prob­a­bly didn’t make my ad­mi­ra­tion for this known and in­stead it came off as ir­ri­ta­tion, which I don’t re­ally feel at all. I love how ded­i­cated you are to your fam­ily, even when they’re an­noy­ing you. Your loy­alty to them wound me up some­times, but it’s only be­cause I wish I came from a big fam­ily. I love that you al­ways know what to say in con­ver­sa­tion. You ask the right ques­tions and you know ex­actly when to talk and when to lis­ten. Ev­ery­one loves talk­ing to you be­cause you make ev­ery­one feel im­por­tant. I love your style. I know you think I prob­a­bly never no­ticed what you were wear­ing or how you did your hair, but I loved see­ing how you get ready, sit­ting in front of the full-length mir­ror in our bed­room while you did your make-up, even though there was a mir­ror on the dress­ing ta­ble. I love that you’re mad enough to swim in the English sea in No­vem­ber and that you’d pick up spi­ders in the bath with your bare hands. You’re brave in a way that I’m not. I love how free you are. You’re a very free per­son, and I never gave you the sat­is­fac­tion of say­ing it, which I should have done. No one knows it about you be­cause of your bor­ing, high-pres­sure job and your stuffy up­bring­ing, but I know what an ad­ven­turer you are un­der­neath all that. I love that you got drunk at Jack­son’s chris­ten­ing and you al­ways wanted to have one more drink at the pub and you never com­plained about get­ting up early to go to work with a hang­over. Other than Avi, you are the per­son I’ve had the most fun with in my life. And even though I gave you a hard time for al­ways try­ing to for al­ways try­ing to im­press your dad, I ac­tu­ally found it very adorable be­cause it made me see the child in you and the teenager in you, and if I could time-travel to any­where in his­tory, I swear, Jen, the only place I’d want to go is to the house where you grew up and hug you and tell you how beau­ti­ful and clever and funny you are. That you are spec­tac­u­lar even with­out all your sports trophies and mu­sic cer­tifi­cates and in­cred­i­ble grades and Ox­ford ac­cep­tance. I’m sorry that I loved you so much more than I liked my­self, that must have been a lot to carry. I’m sorry I didn’t take care of you the way you took care of me. And I’m sorry I didn’t take care of my­self, ei­ther. I need to work on it. I’m pleased that our break-up taught me that. I’m sorry I went so mental. I love you. I always will. I'm glad we met.

Since you are bold and persistent I shall be equally bold: Your questions are not real. My answers are not real. The world as you perceive it is not real. War and peace, selfish and deluded projections of aggressive-natured beings, are equally unreal. Aspirations are unreal. Solutions based in egoic identity are unreal. Nature perceived as separate from one’s self, unreal. I also, as an autonomous entity, am unreal. You—equally unreal. Life itself, as is fashioned inside the human psyche is unreal. Death too, as is imagined based upon the ill-conceived notion that we are merely our bodies and personalities, is unreal. All is illusion—unreal. The Self, timeless and spaceless, immutable, beyond all qualities, alone is real. You must look within to find and confirm this for yourself. Until and unless you do, your comprehension of the world is based on very shaky ground; a ground of naive assumptions and second-hand knowledge.

My argument against a naive form of empiricism was essentially anticipated by Mark Twain. On his first appointment as a reporter, he tells us, the editor of the newspaper instructed him never to report anything unless he could verify it or confirm it by personal knowledge. So he described a social event as follows: 'A woman giving the name of Mrs James Jones, who is reported to be one of the society leaders of the city, is said to have given what purported to be a party yesterday to a number of alleged ladies. The hostess claims to be the wife of a reputed attorney.' One sees that Mark Twain was quick to realize the silliness of the naive empiricist (verificationist) theory of the sources of our knowledge.

Your ok. Your fine. Your no troublemaker, no rule breaker, not naive, even. Im happy. Im ok. Im fine. But what will happen.. When my hopes token away? I wont be okay. I wont be fine. I wont be happy. Thats why you have to favor the moments. And thank the universe. Thank them.

I craved a form of naive realism. I paid special attention, I craned my readerly neck whenever a London street I knew was mentioned, or a style of frock, a real public person, even a make of car. Then, I thought, I had a measure, I could guage the quality of the writing by its accuracy, by the extent to which it aligned with my own impressions, or improved upon them. I was fortunate that most English writing of the time was in the form of undemanding social documentary. I wasn't impressed by those writers (they were spread between South and North America) who infiltrated their own pages as part of the cast, determined to remind poor reader that all the characters and even they themselves were pure inventions and the there was a difference between fiction and life. Or, to the contrary, to insist that life was a fiction anyway. Only writers, I thought, were ever in danger of confusing the two.

Wie es im Zeitalter der Könige naiv gewesen wäre zu glauben, dass der erstgeborene Königssohn der zum Herrschen Geeignetste wäre, so ist es in unserer zeit naiv zu glauben, dass der demokratisch gewählte Machthaber der Geeignetste sein wird. Die Nachfolgeregelung ist kein Rezept für die Bestimmung des besten Machthabers, sie ist ein Rezept für die Legitimierung dieser oder jener Person und somit für die Vermeidung von Bürgerkriegen. Die Wählerschaft - der Demos - glaubt, es sei ihre Aufgabe, den Besten auszuwählen, doch in Wahrheit ist ihre Aufgabe viel schlichter: einen Mann zu salben [...], gleichgültig welchen.

I have seen conversations that I had three years ago, when I was young, in love, and naive. I've grown a lot since those days. I now know that love isn't just that abstract feeling, because there are so many other sides to it. Sometimes you learn that to truly love someone you have to just support them as a person, and step out of their view finder. Be their friend and nothing else. Sometimes you learn to walk away and find what you need. You learn you knew nothing and that's when you grow up and change your ways. There may be no fairy take endings, but that is okay, because love is much more real than that. So much less superficial.

The claim that “mental illnesses are diagnosable disorders of the brain” is not based on scientific research; it is a lie, an error, or a naive revival of the somatic premise of the long-discredited humoral theory of disease. My claim that mental illnesses are fictitious illnesses is also not based on scientific research; it rests on the materialist-scientific definition of illness as a pathological alteration of cells, tissues, and organs. If we accept this scientific definition of disease, then it follows that mental illness is a metaphor, and that asserting that view is asserting an analytic truth, not subject to empirical falsification.

Those who were seen dancing were thought to be insane by those who could not hear the music.” I love this quote because I want to be one of those people who dances to God’s invisible music—that invisible reality where God works in response to His children’s prayers, where angels dance, and where heaven prepares a glorious banquet for those just naive enough to believe in a Hero who will take us to a heaven where the celebration will never end. Our God delights to find even one such person. Own your sense of wonder, and the celebration of the stars and the unseen blessings of your life will always bring you a secret delight, an unquenchable song, and a bubbling joy that this world will never be able to quench.

As for my own answers to any of this? I have none. I'm far more confused than before I first went. I've had no great epiphanies, no profound realisations, but since returning home I've resigned myself to this one thing: that, putting the economics and politics of it all aside - naive as that may be - what it all boils down to is individuals. It's a simple interaction between just two people: one, a person with opportunities and choices, and who could get a flight out tomorrow should they choose; the other, a person with few options - if any. If nothing else, it's a gesture. An attempt. Food and a tent for Toto. Burns dressing for Jose. A little operating theatre with car batteries and boiled instruments, where Roberto can ply his trade. Free HIV treatment for Elizabeth, who'll never be cured and will always live in a hut anyway, but who'll have a longer, healthier life because of it. And sometimes it's little more than a bed in which to die peacefully, attended to by family and health workers... but hey, that's no small thing in some parts. My head says it's futile. My heart knows differently.

Despite the liberal atmosphere of our time, it would be naive to assume that the distinction between “weird” and “normal” has disappeared. It stands as secure as ever, waiting to intimidate and herd back into line those who would question the normative limits of love and sex. It may now be deemed “normal” to wear cutoff shorts, expose belly buttons, marry someone of either gender, and watch a little porn for fun, but it also remains indispensably “normal” to believe that true love should be monogamous and that one’s desire should be focused exclusively on one person. To be in dispute with this founding principle is to risk being dismissed, in public or private, with that most dispiriting, caustic and shameful of all epithets: pervert. Rabih

What is most striking and troubling in the Enlightenment perspective, though, is its naive confidence that reason operates autonomously, largely free from the effects of personal disposition, social context, cultural background and religious community. Not only does postmodern philosophy and hermeneutics challenge this assertion, but classical Christianity doubts its fundamental viability.

As an artist she finds Dick's work hopelessly naive, yet she is a lover of certain kinds of bad art, art which offers a transparency into the hopes and desires of the person who made it. Bad art makes the viewer much more active. (Years later Chris would realise that her fondness for bad art is exactly like Jane Eyre's attraction to Rochester, a mean horse-faced junkie: bad characters invite invention.)

When Rayle later submitted a mandatory report to the State Department on the defector’s “personality” and her “adaptability to different environments,” he described Svetlana as “the most completely cooperative defector I have ever met.” He said she’d remained cheerful and optimistic throughout the week as they waited in the safe house, even as she took in the shock that the Americans were refusing her asylum. As Rayle put it, “She recognizes that she cannot be considered a normal, ordinary human being and that her actions have political implications. . . . You’ll find her a warm, friendly person who responds to warmth and friendliness. I think you’ll find her genuinely likeable.” He added, “She is a very stable person.”21 But he warned that she seemed quite naive, as if she’d never lived “in any real world,” and would need help in finding her way in the West.

If you are disappointed because you can’t be the best person to do everything yourself, you are terribly naive. Nobody can do everything well. Would you want to have Einstein on your basketball team? When he fails to dribble and shoot well, would you think badly of him? Should he feel humiliated? Imagine all the areas in which Einstein was incompetent, and imagine how hard he struggled to excel even in the areas in which he was the best in the world.

Oh, stop talking," I cried, in a hunted tone. "I can't bear it. If you are going to arrest me, get it over." "I'd rather NOT arrest you, if we can find a way out. You look so young, so new to Crime! Even your excuse for being here is so naive, that I—won't you tell me why you wrote a love letter, if you are not in love? And whom you sent it to? That's important, you see, as it bears on the case. I intend," he said, "to be judgdicial[sic], unimpassioned, and quite fair." "I wrote a love letter" I explained, feeling rather cheered, "but it was not intended for any one, Do you see? It was just a love letter." "Oh," he said. "Of course. It is often done. And after that?" "Well, it had to go somewhere. At least I felt that way about it. So I made up a name from some malted milk tablets——" "Malted milk tablets!" he said, looking bewildered. "Just as I was thinking up a name to send it to," I explained, "Hannah—that's mother's maid, you know—brought in some hot milk and some malted milk tablets, and I took the name from them." "Look here," he said, "I'm unpredjudiced and quite calm, but isn't the `mother's maid' rather piling it on?" "Hannah is mother's maid, and she brought in the milk and the tablets, I should think," I said, growing sarcastic, "that so far it is clear to the dullest mind." "Go on," he said, leaning back and closing his eyes. "You named the letter for your mother's maid—I mean for the malted milk. Although you have not yet stated the name you chose; I never heard of any one named Milk, and as to the other, while I have known some rather thoroughly malted people—however, let that go." "Valentine's tablets," I said. "Of Course, you understand," I said, bending forward, "there was no such Person. I made him up. The Harold was made up too—Harold Valentine." "I see. Not clearly, perhaps, but I have a gleam of intellagence[sic]." "But, after all, there was such a person. That's clear, isn't it? And now he considers that we are engaged, and—and he insists on marrying me." "That," he said, "is realy[sic] easy to understand. I don't blame him at all. He is clearly a person of diszernment[sic]." "Of course," I said bitterly, "you would be on HIS side. Every one is." "But the point is this," he went on. "If you made him up out of the whole cloth, as it were, and there was no such Person, how can there be such a Person? I am merely asking to get it all clear in my head. It sounds so reasonable when you say it, but there seems to be something left out." "I don't know how he can be, but he is," I said, hopelessly. "And he is exactly like his picture." "Well, that's not unusual, you know." "It is in this case. Because I bought the picture in a shop, and just pretended it was him. (He?) And it WAS." He got up and paced the floor. "It's a very strange case," he said. "Do you mind if I light a cigarette? It helps to clear my brain. What was the name you gave him?" "Harold Valentine. But he is here under another name, because of my Familey. They think I am a mere child, you see, and so of course he took a NOM DE PLUME." "A NOM DE PLUME? Oh I see! What is it?" "Grosvenor," I said. "The same as yours.

She considered him to be a good person, possibly with a Practical Pig complex that was sometimes a little too apparent. And he was unbearably naive with regard to certain elementary moral issues. He had an indulgent and forgiving personality that looked for explanations and excuses for the way people behaved, and he would never get it that the raptors of the world only understood only one language. She almost felt awkwardly protective whenever she thought of him.

is turning all life into a unified flow experience. If a person sets out to achieve a difficult enough goal, from which all other goals logically follow, and if he or she invests all energy in developing skills to reach that goal, then actions and feelings will be in harmony, and the separate parts of life will fit together—and each activity will “make sense” in the present, as well as in view of the past and of the future. In such a way, it is possible to give meaning to one’s entire life. But isn’t it incredibly naive to expect life to have a coherent overall meaning? After all, at least since Nietzsche concluded that God was dead, philosophers and social scientists have been busy demonstrating that existence has no purpose, that chance and impersonal forces rule our fate, and that all values are relative and hence arbitrary. It is true that life has no meaning, if by that we mean a supreme goal built into the fabric of nature and human experience, a goal that is valid for every individual. But it does not follow that life cannot be given meaning. Much of what we call culture and civilization consists in efforts people have made, generally against overwhelming odds, to create a sense of purpose for themselves and their descendants. It is one thing to recognize that life is, by itself, meaningless. It is another thing entirely to accept this with resignation. The first fact does not entail the second any more than the fact that we lack wings prevents us from flying. From the point of view of an individual, it does not matter what the ultimate goal is—provided it is compelling enough to order a lifetime’s worth of psychic energy. The challenge might involve the desire to have the best beer-bottle collection in the neighborhood, the resolution to find a cure for cancer, or simply the biological imperative to have children who will survive and prosper. As long as it provides clear objectives, clear rules for action, and a way to concentrate and become involved, any goal can serve to give meaning to a person’s life. In the past few years I have come to be quite well acquainted with several Muslim professionals—electronics engineers, pilots, businessmen, and teachers, mostly from Saudi Arabia and from the other Gulf states. In talking to them, I was struck with how relaxed most of them seemed to be even under strong pressure. “There is nothing to it,” those I asked about it told me, in different words, but with the same message: “We don’t get upset because we believe that our life is in God’s hands, and whatever He decides will be fine with us.” Such implicit faith used to be widespread in our culture as well, but it is not easy to find it now. Many of us have to discover a goal that will give meaning to life on our own, without the help of a traditional faith.

And that was exactly her gamble: that they'd accept her as the person she is now, coming back. She left here as a a naive young woman, and she has come back mature, with a life behind her, a difficult life that she's proud of. She means to do all she can to get them to accept her with her experiences of the past twenty years, with her convictions, her ideas; it'll be double or nothing: either she succeeds in being among them as the person she has become, or else she won't stay.

Much of the ability to help other people arises from personal power, but it would be naive to assert that nothing else is required. In large organizations, there are many resources available to a leader—money to pay for training, support staff, office space, tools to make work more efficient, access to helpful people. Such resources are not evenly distributed, and one of the requirements for becoming a problem-solving leader is to acquire organizational power so as to obtain resources for other innovators. Most

STAR WARS • Premise When a princess falls into mortal danger, a young man uses his skills as a fighter to save her and defeat the evil forces of a galactic empire. W—weaknesses at the beginning: naive, impetuous, paralyzed, unfocused, lacking confidence A—basic action: uses his skills as a fighter C—changed person: self-esteem, a place among the chosen few, a fighter for good Luke’s initial weaknesses are definitely not the qualities of a fighter. But when constantly forced to use skills as a fighter, he is strengthened into a confident fighter for the good.

Hypnosis is a fascinating subject, and more common than we realize. How does it work? Essentially, when we relax our inner powers of discrimination, associated with our personal wills, and passively allow ideas and input into our subconscious mind, we are open to suggestions, which over time can be directed in specific ways that we call conditioning. The discriminating part of the mind is sometimes called the Gateway to the Unconscious. This gateway opens naturally and is most apparent, and useful, in the way children can quickly learn and adapt to their surroundings. This is an automatic occurrence and part of the learning process. This dynamic of “taking in” our surroundings is natural. It is fast and fluid and probably vital for the survival of our species to “learn” things rapidly. Our cultures, languages and civilizations are, to a great extent, passed on this way. Children are like sponges, we are told. We are delighted by this open and vital acceptance and curiosity of the world displayed by children. Interestingly enough, adults who maintain this open sense of wonder are labeled naive and gullible. I take delight in children, and encourage my clients to nurture their inner children.

Much, much later. when I am back home and being treated for Post Traumatic Stress Disorder (PTSD). I will be enabled to see what was going on in my mind immediately after 11 August. I am still capable of operating mechanically as a soldier in these following days. But operating mechanically as a soldier is now all I am capable of. Martin says he is worried about me. He says I have the thousand-yard stare'. Of course, I cannot see this stare. But by now we both have more than an idea what it means. So, among all the soldiers here, this is nothing to be ashamed of. But as it really does just go with the territory we find ourselves in. it is just as equally not a badge of honour. Martin is seasoned enough to never even think this. but I know of young men back home, sitting in front of war films and war games, who idolise this condition as some kind of mark of a true warrior. But from where I sit, if indeed I do have this stare, this pathetically naive thinking is a crock of shit. Because only some pathetically naive soul who had never felt this nothingness would say something so fucking dumb. You are no longer human, with all those depths and highs and nuances of emotion that define you as a person. There is no feeling any more, because to feel any emotion would also be to beckon the overwhelming blackness from you. My mind has now locked all this down. And without any control of this self-defence mechanism my subconscious has operated. I do not feel any more. But when I close my eyes. I see the dead Taliban looking into this blackness. And I see the Afghan soldier's face staring into it, singing gently as he slips into another world. And I see Dave Hicks's face. shaking gently as he tries to stay awake in this one. With this, I lift myself up, sitting foetal and hugging my knees on my sleeping mat.

The thing about Dostoevsky's characters is that they are alive. By which I don't just mean that they're successfully realized or developed or "rounded". The best of them live inside us, forever, once we've met them. Recall the proud and pathetic Raskolnikov, the naive Devushkin, the beautiful and damned Nastasya of The Idiot, the fawning Lebyedev and spiderish Ippolit of the same novel; C&P's ingenious maverick detective Porfiry Petrovich (without whom there would probably be no commercial crime fiction w/ eccentrically brilliant cops); Marmeladov, the hideous and pitiful sot; or the vain and noble roulette addict Aleksey Ivanovich of The Gambler; the gold-hearted prostitutes Sonya and Liza; the cynically innocent Aglaia; or the unbelievably repellent Smerdyakov, that living engine of slimy resentment in whom I personally see parts of myself I can barely stand to look at; or the idealized and all too-human Myshkin and Alyosha, the doomed human Christ and triumphant child-pilgrim, respectively. These and so many other FMD creatures are alive-retain what Frank calls their "immense vitality"-not because they're just skillfully drawn types or facets of human beings but because, acting withing plausible and morally compelling plots, they dramatize the profoundest parts of all humans, the parts most conflicted, most serious-the ones with the most at stake. Plus, without ever ceasing to be 3-D individuals, Dostoevsky's characters manage to embody whole ideologies and philosophies of life: Raskolnikov the rational egoism of the 1860's intelligentsia, Myshkin mystical Christian love, the Underground Man the influence of European positivism on the Russian character, Ippolit the individual will raging against death's inevitability, Aleksey the perversion of Slavophilic pride in the face of European decadence, and so on and so forth....

The “noble” person has a completely naïve and non-reflective awareness of his own value and of his fullness of being, an obscure conviction which enriches every conscious moment of his existence, as if he were autonomously rooted in the universe. This should not be mistaken for “pride.” Quite on the contrary, pride results from an experienced diminution of this “naive” self-confidence. It is a way of “holding on” to one’s value, of seizing and “preserving” it deliberately. The noble man’s naive self-confidence, which is as natural to him as tension is to the muscles, permits him calmly to assimilate the merits of others in all the fullness of their substance and configuration. He never “grudges” them their merits. On the contrary: he rejoices in their virtues and feels that they make the world more worthy of love. His naive self-confidence is by no means “compounded” of a series of positive valuations based on specific qualities, talents, and virtues: it is originally directed at his very essence and being. Therefore he can afford to admit that another person has certain “qualities” superior to his own or is more “gifted” in some respects—indeed in all respects. Such a conclusion does not diminish his naïve awareness of his own value, which needs no justification or proof by achievements or abilities. Achievements merely serve to confirm it. On the other hand, the “common” man (in the exact acceptation of the term) can only experience his value and that of another if he relates the two, and he clearly perceives only those qualities which constitute possible differences. The noble man experiences value prior to any comparison, the common man in and through a comparison. For the latter, the relation is the selective precondition for apprehending any value. Every value is a relative thing, “higher” or “lower,” “more” or “less” than his own. He arrives at value judgments by comparing himself to others and others to himself

the feeling that they are. Psychologists have a name for our tendency to confuse our own perspective with something more universal: it’s called “naive realism,” the sense that we are seeing reality as it truly is, without filters or errors.9 Naive realism can lead us badly astray when we confuse our personal perspective on the world with some universal truth. We are surprised when an election goes against us: Everyone in our social circle agreed with us, so why did the nation vote otherwise? Opinion polls don’t always get it right, but I can assure you they have a better track record of predicting elections than simply talking to your friends.

We can reject the literal notion of Hell along the lines of Dante’s Inferno, an actual location where bad people are punished for their sins. We can dismiss that as naive. But, calling on ‘second naïveté' can we believe that there are some things a person might do during his lifetime, the memory of which will haunt him for the rest of his days and make it hard for him to feel good about the kind of person he is? Can we believe that there are some moments in our lives that we can look back on, opportunities we missed that never came our way again, and bear the consequences of having missed that opportunity for as long as we live? ‘What might have been’ is a pretty good definition of Hell.

In comedy, if fate is to appear comic, it must be arbitrary and appear to behave like a person, and the people who are subject to fate should not be responsible for what occurs. In tragedy fate is not an arbitrary person - it is we who are responsible, and we bring our fate upon ourselves. Where fate plays too large a role, however, the effect is not tragic but pathetic. The effect of Greek tragedy can seem pathetic to us just in this way. The Greeks naively argue that the sign of guilt is misfortune and that therefore if there is misfortune, then there must be guilt. Comic fate is arbitrary and does not involve real suffering - whatever suffering in is presented in comic must be temporary and imaginary.

To laugh is to risk appearing the fool. To weep is to risk being called sentimental. To reach out to another is to risk involvement. To expose feelings is to risk showing your true self. To place your ideas and your dreams before them is to risk being called naive. To love is to risk not being loved in return. To live is to risk dying. To hope is to risk despair, and to try is to risk failure. But risks must be taken, because the greatest hazard in life is to risk nothing. The person who risks nothing, does nothing, has nothing, is nothing and becomes nothing. He [or she] may avoid suffering and sorrow, but simply cannot learn and feel and change and grow and love and live. Chained by their certitudes, they are slaves who forfeit their freedom. Only the person who risks is truly free.

The thing about Dostoevsky's characters is that they are alive. By which I don't just mean that they're successfully realized or developed or "rounded". The best of them live inside us, forever, once we've met them. Recall the proud and pathetic Raskolnikov, the naive Devushkin, the beautiful and damned Nastasya of The Idiot, the fawning Lebyedev and spiderish Ippolit of the same novel; C&P's ingenious maverick detective Porfiry Petrovich (without whom there would probably be no commercial crime fiction w/ eccentrically brilliant cops); Marmeladov, the hideous and pitiful sot; or the vain and noble roulette addict Aleksey Ivanovich of The Gambler; the gold-hearted prostitutes Sonya and Liza; the cynically innocent Aglaia; or the unbelievably repellent Smerdyakov, that living engine of slimy resentment in whom I personally see parts of myself I can barely stand to look at; or the idealized and all too-human Myshkin and Alyosha, the doomed human Christ and triumphant child-pilgrim, respectively. These and so many other FMD creatures are alive-retain what Frank calls their "immense vitality"-not because they're just skillfully drawn types or facets of human beings but because, acting within plausible and morally compelling plots, they dramatize the profoundest parts of all humans, the parts most conflicted, most serious-the ones with the most at stake. Plus, without ever ceasing to be 3-D individuals, Dostoevsky's characters manage to embody whole ideologies and philosophies of life: Raskolnikov the rational egoism of the 1860's intelligentsia, Myshkin mystical Christian love, the Underground Man the influence of European positivism on the Russian character, Ippolit the individual will raging against death's inevitability, Aleksey the perversion of Slavophilic pride in the face of European decadence, and so on and so forth....

In the nouveau roman of Robbe-Grillet there is an attempt at a more or less Copernican change in the relation between the paradigm and the text. In Camus the counter-pointing is less doctrinaire; in Dostoevsky there is no evidence of any theoretical stand at all, simply rich originality within or without, as it chances, normal expectations. All these are novels which most of us would agree (and it is by a consensus of this kind only that these matters, quite rightly, are determined) to be at least very good. They represent in varying degrees that falsification of simple expectations as to the structure of a future which constitutes peripeteia. We cannot, of course, be denied an end; it is one of the great charms of books that they have to end. But unless we are extremely naive, as some apocalyptic sects still are, we do not ask that they progress towards that end precisely as we have been given to believe. In fact we should expect only the most trivial work to conform to pre-existent types. It is essential to the drift of all these talks that what I call the scepticism of the clerisy operates in the person of the reader as a demand for constantly changing, constantly more subtle, relationships between a fiction and the paradigms, and that this expectation enables a writer much inventive scope as he works to meet and transcend it. The presence of such paradigms in fictions may be necessary-that is a point I shall be discussing later--but if the fictions satisfy the clerisy, the paradigms will be to a varying but always great extent attenuated or obscured. The pressure of reality on us is always varying, as Stevens might have said: the fictions must change, or if they are fixed, the interpretations must change. Since we continue to 'prescribe laws to nature'--Kant's phrase, and we do--we shall continue to have a relation with the paradigms, but we shall change them to make them go on working. If we cannot break free of them, we must make sense of them.

[There is] no direct relationship between IQ and economic opportunity. In the supposed interests of fairness and “social justice”, the natural relationship has been all but obliterated. Consider the first necessity of employment, filling out a job application. A generic job application does not ask for information on IQ. If such information is volunteered, this is likely to be interpreted as boastful exaggeration, narcissism, excessive entitlement, exceptionalism [...] and/or a lack of team spirit. None of these interpretations is likely to get you hired. Instead, the application contains questions about job experience and educational background, neither of which necessarily has anything to do with IQ. Universities are in business for profit; they are run like companies, seek as many paying clients as they can get, and therefore routinely accept people with lukewarm IQ’s, especially if they fill a slot in some quota system (in which case they will often be allowed to stay despite substandard performance). Regarding the quotas themselves, these may in fact turn the tables, advantaging members of groups with lower mean IQ’s than other groups [...] sometimes, people with lower IQ’s are expressly advantaged in more ways than one. These days, most decent jobs require a college education. Academia has worked relentlessly to bring this about, as it gains money and power by monopolizing the employment market across the spectrum. Because there is a glut of college-educated applicants for high-paying jobs, there is usually no need for an employer to deviate from general policy and hire an applicant with no degree. What about the civil service? While the civil service was once mostly open to people without college educations, this is no longer the case, and quotas make a very big difference in who gets hired. Back when I was in the New York job market, “minorities” (actually, worldwide majorities) were being spotted 30 (thirty) points on the civil service exam; for example, a Black person with a score as low as 70 was hired ahead of a White person with a score of 100. Obviously, any prior positive correlation between IQ and civil service employment has been reversed. Add to this the fact that many people, including employers, resent or feel threatened by intelligent people [...] and the IQ-parameterized employment function is no longer what it was once cracked up to be. If you doubt it, just look at the people running things these days. They may run a little above average, but you’d better not be expecting to find any Aristotles or Newtons among them. Intelligence has been replaced in the job market with an increasingly poor substitute, possession of a college degree, and given that education has steadily given way to indoctrination and socialization as academic priorities, it would be naive to suppose that this is not dragging down the overall efficiency of society. In short, there are presently many highly intelligent people working very “dumb” jobs, and conversely, many less intelligent people working jobs that would once have been filled by their intellectual superiors. Those sad stories about physics PhD’s flipping burgers at McDonald's are no longer so exceptional. Sorry, folks, but this is not your grandfather’s meritocracy any more.

My radio show’s producer, Sherri, is African American. She just got back from a trip where she was a guest speaker at a youth event in a church that was primarily white. Just before the Sunday morning service, she was called into the minister’s study for prayer, and she met a man who was overtly hostile to her. The way he looked at her, dismissively and contemptuously, made her feel hated. She felt utterly unwelcome, lonely, and out of place. After she spoke, the same man approached her, took off his glasses, and started crying. He told her that hers was the most influential talk he’d ever heard, and it had affected him particularly because he is very racist against blacks. She was stunned by his honesty. “We’ve always been this way. My family has always been racist. I’ve learned this from my dad. I’m so sorry. I’ve got to change,” he told her. “I can see Jesus is using you. And he’s using you to change me.” Sherri then asked to meet his dad. She did. And she hugged him. I know Sherri takes racism very, very seriously. But, she says, she also has to forgive racists, because she has to love people in her family. And they are part of her family. She has to love them as Jesus loves her. Sherri’s love is not naive. But that’s exactly why it’s so profound. She’s setting her offense aside, not because it doesn’t matter, not because it isn’t completely understandable, but because of what Jesus has done for her. She’s choosing against offense, not just because God loves these men but also because God loves her and has set aside her very real offenses in order to be with her. There are those of us who pat ourselves on the back for loving our families and friends. “I’m loyal to the end; I’d die for my kids,” we’ll say. Truth is, that’s not really terribly remarkable. Everyone, or practically everyone, feels this way. What is terribly remarkable is when someone is willing to love a person, in the name of Jesus, whom he or she would otherwise despise. It makes no sense otherwise. Why would we ever regard someone as family who would otherwise be an enemy? Why ignore his faults, or cover her wrongs with love? Without Jesus, it simply makes no sense. Sherri’s very refusal, and our very refusal, to take and hold offense is evidence of the existence of God. This is how they’ll know we belong to Him, Jesus says. So let’s love—from this moment forward—because He first loved us.

arrived in Cambridge, and made an appointment to meet the formidable Krister Stendahl, a Swedish scholar of fierce intelligence, now to be my first adviser. We met in his office. I was nervous, but also amused that this tall and severe man, wearing a black shirt and clerical collar, looked to me like an Ingmar Bergman version of God. After preliminary formalities, he abruptly swiveled in his chair and turned sternly to ask, “So really, why did you come here?” I stumbled over the question, then mumbled something about wanting to find the essence of Christianity. Stendahl stared down at me, silent, then asked, “How do you know it has an essence?” In that instant, I thought, That’s exactly why I came here: to be asked a question like that—challenged to rethink everything. Now I knew I had come to the right place. I’d chosen Harvard because it was a secular university, where I wouldn’t be bombarded with church dogma. Yet I still imagined that if we went back to first-century sources, we might hear what Jesus was saying to his followers when they walked by the Sea of Galilee—we might find the “real Christianity,” when the movement was in its golden age. But Harvard quenched these notions; there would be no simple path to what Krister Stendahl ironically called “play Bible land” simply by digging through history. Yet I also saw that this hope of finding “the real Christianity” had driven countless people—including our Harvard professors—to seek its origins. Naive as our questions were, they were driven by a spiritual quest. We discovered that even the earliest surviving texts had been written decades after Jesus’s death, and that none of them are neutral. They reveal explosive controversy between his followers, who loved him, and outsiders like the Roman senator Tacitus and the Roman court historian Suetonius, who likely despised him. Taken together, what the range of sources does show, contrary to those who imagine that Jesus didn’t exist, is that he did: fictional people don’t have real enemies. What came next was a huge surprise: our professors at Harvard had file cabinets filled with facsimiles of secret gospels I had never heard of—the Gospel of Thomas, the Gospel of Philip, the Gospel of Mary Magdalene, the Gospel of Truth—and dozens of other writings, transcribed by hand from the original Greek into Coptic, and mimeographed in blue letters on pages stamped TOP SECRET. Discovered in 1945, these texts only recently had become available to scholars. This wasn’t what I’d expected to find in graduate school, or even what I wanted—at least, not so long as I still hoped to find answers instead of more questions

It is an attention rebellion,' [Ben Stewart] said. I realised this requires a shift in how we think about ourselves. We are not medieval peasants begging at the court of King Zuckerberg for crumbs of attention. We are free citizens of democracies, and we own our own minds and our own society, and together, we are going to take them back. At times it seemed to me that this would be a hard movement to get off the ground - but then I remembered that all the movements that have changed your life and my life were hard to get off the ground. ...What we face is, in many ways, vastly less challenging than the cliff they had to scale. They didn't give up. Often, when a person argues for social change, they are called 'naive.' The exact opposite is the truth. It's naive to think we as citizens can do nothing, and leave the powerful to do whatever they want, and somehow our attention will survive. There's nothing naive about believing that concerted democratic campaigning can change the world. As the anthropologist Margaret Mead said, it's the only thing that ever has. I realised that we have to decide now: do we value attention and focus? Does being able to think deeply matter to us? Do we want it for our children? If we do, then we have to fight for it. As one politician said - you don't get what you don't fight for.

Now, what on earth does that mean, especially if one does not spiritualize it away, as Matthew immediately did, into “poor [or destitute] in spirit”—that is, the spiritually humble or religiously obedient? Did Jesus really think that bums and beggars were actually blessed by God, as if all the destitute were nice people and all the aristocrats correspondingly evil? Is this some sort of naive or romantic delusion about the charms of destitution? If, however, we think not just of personal or individual evil but of social, structural, or systemic injustice—that is, of precisely the imperial situation in which Jesus and his fellow peasants found themselves—then the saying becomes literally, terribly, and permanently true. In any situation of oppression, especially in those oblique, indirect, and systemic ones where injustice wears a mask of normalcy or even of necessity, the only ones who are innocent or blessed are those squeezed out deliberately as human junk from the system’s own evil operations. A contemporary equivalent: only the homeless are innocent. That is a terrifying aphorism against society because, like the aphorisms against the family, it focuses not just on personal or individual abuse of power but on such abuse in its systemic or structural possibilities—and there, in contrast to the former level, none of our hands are innocent or our consciences particularly clear.

Everyone today who feels that he is a “good man” is completely incapable of taking a stand on any issue at all, other than with dishonest falseness — an abysmal falsity, which is, however, innocent falsity, true-hearted falsity, blue-eyed falsity, virtuous falsity. These “good people” — collectively they are now utterly and completely moralized and, so far as their honesty is concerned, they’ve been disgraced and ruined for all eternity. Who among them could endure even one truth “about human beings”! ... Or, to ask the question more precisely, who among them could bear a true biography! Here are a couple of indications: Lord Byron recorded some very personal things about himself, but Thomas Moore was “too good” for them. He burned his friend’s papers. The executor of Schopenhauer’s will, Dr. Gwinner, is alleged to have done the same thing, for Schopenhauer had also recorded some things about himself and also perhaps against himself (“eis auton” [against himself]). The capable American Thayer, the biographer of Beethoven, all of a sudden stopped his work: at some point or other in this venerable and naive life he could no longer continue ... Moral: What intelligent man nowadays would still write an honest word about himself? — He would already have to be a member of the Order of Holy Daredevils. We have been promised an autobiography of Richard Wagner. Who has any doubts that it will be a prudent autobiography?

Finally, we the people exercise power by speaking our minds. Many of the early patriots in our nation had experienced tyranny that prevented them from expressing their opinions. They could not speak against the king or against the established church. They knew that America’s citizens would need to be free to express themselves if they were to rule. Thus they set in place the Constitution’s First Amendment, guaranteeing the freedom of speech and expression. We’ve preserved this freedom so that our government doesn’t usually try to prevent the people from speaking. Recognizing this achievement, many assert that there is no restriction of speech in the United States and that everyone is completely free to express themselves. Unfortunately, this is a naive claim. Today the political correctness (PC) police are the biggest threat to America’s freedom of speech, and they are doing their best to squelch the opinions of “we the People.” There is not an officially established PC police force, but its members exist in government, throughout the media, in educational institutions, etc. Members of the PC police are those who carefully monitor the speech and behavior of anyone they consider to be a threat to their leftist ideological domination. The PC police do not care that people disagree with them, as long as those people remain silent. But if someone openly disagrees with them, they demonize that person with ridicule and infantile name-calling. This kind of speech policing has created fear in a large portion of our populace, causing them to remain silent rather than face the repercussions of expressing themselves honestly.

Perspective does not appear to me to be a subjective deformation of things but, on the contrary, to be one of their properties, perhaps their essential property. It is precisely because of it that the perceived possesses in itself a hidden and inexhaustible richness, that it is a 'thing'...Far from introducing a coefficient of subjectivity into perception, it provides us with the assurance of communicating with a world which is richer than what we know of it, that is, of communicating with a real world...The perceived is grasped in an indivisible manner as an 'in-itself,' that is, as gifted with an interior which I will never have finished exploring; and as 'for-me,' that is, as given 'in person' through its momentary aspects. Neither this metallic spot which moves while I glance toward it, nor even the geometric and shiny mass which emerges from it when I look at it, nor finally, the ensemble of perspectival images which I have been able to have of it are the ashtray; they do not exhaust the meaning of the 'this' by which I designate it; and, nevertheless, it is the ashtray which appears in all of them...Thus, to do justice to our direct experience of things it would be necessary to maintain at the same time, against empiricism, that they are beyond their sensible manifestations and, against intellectualism, that they are not unities in the order of judgment, that they are embodied in their apparitions. The 'things' in naive experience are evident as perspectival beings ...I grasp in a perspectival appearance, which I know is only one of its possible aspects, the thing itself which transcends it. A transcendence which is nevertheless open to my knowledge--this is the very definition of a thing as it is intended by naive consciousness.

what happens if you're in a relationship with someone and you trust them, then you make certain assumptions about the past, and you make certain assumptions about the present, and you make certain assumptions about the future. And everything's stable, so you're standing on solid ground. And the chaos, it's like you're standing on thin ice. The chaos is hidden. The shark beneath the waves isn't there. You're safe, you're in the lifeboat. But then if the person betrays you — like if you're in an intimate relationship and the person has an affair and you find out about it — then you think, one moment you're one in one place, right? You're where everything is secure because you've predicated your perception of the world on the axiom of trust, and the next second — really, the next second — you're in a completely different place. And not only is that place different right now, the place you were years ago is different, and the place you're going to be in the future years hence is different. And so, all of that certainty that strange certainty that you inhabit can collapse into incredible complexity. And you say, well if someone betrays you, you think: "Okay, who were you? Because you weren't who I thought you were. And I thought I knew you. But I didn't know you at all. And I never knew you, and so all the things we did together, those weren't the things that I thought were happening. Something else was happening! And you're someone else. That means I'm someone else because I thought I knew what was going on, and clearly I don't. I'm some sort of blind sucker, or the victim of a psychopath or someone who's so naive that they can barely live. And I don't understand anything about human beings, and I don't understand anything about myself, and I have no idea where I am now. I thought I was at home, but I'm not. I'm in a house and it's full of strangers. I don't know what I'm going to do tomorrow, or next week, or next year.

What does it take to use the life we already have in order to make us wiser rather than more stuck? What is the source of wisdom at a personal, individual level? To the degree that I've understood the teachings, the answer to these questions seems to have to do with bringing everything that we encounter to the path. Everything naturally has a ground, path and fruition. This is like saying that everything has a beginning, a middle and an end. But it is also said that the path itself is both the ground and the fruition. So, one sometimes reads, the path is the goal. This path has one very distinct characteristic, it is not prefabricated, it doesn't already exist. The path that we're talking about is the moment by moment evolution of our experience. The moment by moment evolution of the world of phenomena. The moment by moment evolution of our thoughts and our emotions. The path is not Route 66 destination Los Angeles. It's not as if we can take out a map and figure out that this year we might make it to Gallup, New Mexico and maybe by 2001 we'll be in LA. The path is uncharted. It comes into existence moment by moment and at the same time drops away behind us. It's like riding in a train sitting backwards. We can't see where we're headed, only where we've been. This is a very encouraging teaching because it says the source of wisdom is whatever is going to happen to us today. The source of wisdom is whatever is happening to us right at this very instant. We're always in some kind of mood. It might be sadness, it might be anger, it might be not much of anything, just a kind of blur. It might be humor or contentment. In any case, whatever it is, that's the path. When something hurts in life, we don't usually think of it as our path or as the source of wisdom. In fact we think that the reason we're on the path is to get rid of this painful feeling. When I get to LA I won't feel this way anymore. At that level of wanting to get rid of our feeling, we naively cultivate a subtle aggression against ourselves. However the fact is that anyone who has used the moments and days and years of his or her life to become wiser, kinder, and more at home in the world has learned from what has happened right now. We can aspire to be kind right in the moment, to relax and open our heart and mind to what is in front of us right in the moment. Now is the time. If there is any possibility for enlightenment, it's right now. Not at some future time. Now is the time. Now is the only time.

This is painfully obvious at a poker table. Even weak players know, in principle, that seeing through the eyes of opponents is critical. She raised the bet $20? What does that tell me about her thinking—and the cards she has? Each bet is another clue to what your opponent is holding, or wants you to think she is holding, and the only way to piece it together is to imagine yourself in her seat. Good perspective-takers can make a lot of money. So you might suppose that anyone who takes poker seriously would get good at it, quickly, or take up another hobby. And yet they so often don’t. “Here’s a very simple example,” says Annie Duke, an elite professional poker player, winner of the World Series of Poker, and a former PhD-level student of psychology. “Everyone who plays poker knows you can either fold, call, or raise [a bet]. So what will happen is that when a player who isn’t an expert sees another player raise, they automatically assume that that player is strong, as if the size of the bet is somehow correlated at one with the strength of the other person’s hand.” This is a mistake. Duke teaches poker and to get her students to see like dragonflies she walks them through a game situation. A hand is dealt. You like your cards. In the first of several rounds of betting, you wager a certain amount. The other player immediately raises your bet substantially. Now, what do you think the other player has? Duke has taught thousands of students “and universally, they say ‘I think they have a really strong hand.’” So then she asks them to imagine the same situation, except they’re playing against her. The cards are dealt. Their hand is more than strong—it’s unbeatable. Duke makes her bet. Now, what will you do? Will you raise her bet? “And they say to me, ‘Well, no.’” If they raise, Duke may conclude their hand is strong and fold. They don’t want to scare her off. They want Duke to stay in for each of the rounds of betting so they can expand the pot as much as possible before they scoop it up. So they won’t raise. They’ll only call. Duke then walks them through the same hypothetical with a hand that is beatable but still very strong. Will you raise? No. How about a little weaker hand that is still a likely winner? No raise. “They would never raise with any of these really great hands because they don’t want to chase me away.” Then Duke asks them: Why did you assume that an opponent who raises the bet has a strong hand if you would not raise with the same strong hand? “And it’s not until I walk them through the exercise,” Duke says, that people realize they failed to truly look at the table from the perspective of their opponent. If Duke’s students were all vacationing retirees trying poker for the first time, this would only tell us that dilettantes tend to be naive. But “these are people who have played enough poker, and are passionate about the game, and consider themselves good enough, that they’re paying a thousand dollars for a seminar with me,” Duke says. “And they don’t understand this basic concept.”22

In their eagerness to eliminate from history any reference to individuais and individual events, collectivist authors resorted to a chimerical construction, the group mind or social mind. At the end of the eighteenth and beginning of the nineteenth centuries German philologists began to study German medieval poetry, which had long since fallen into oblivion. Most of the epics they edited from old manuscripts were imitations of French works. The names of their authors—most of them knightly warriors in the service of dukes or counts—were known. These epics were not much to boast of. But there were two epics of a quite different character, genuinely original works of high literary value, far surpassing the conventional products of the courtiers: the Nibelungenlied and the Gudrun. The former is one of the great books of world literature and undoubtedly the outstanding poem Germany produced before the days of Goethe and Schiller. The names of the authors of these masterpieces were not handed down to posterity. Perhaps the poets belonged to the class of professional entertainers (Spielleute), who not only were snubbed by the nobility but had to endure mortifying legal disabilities. Perhaps they were heretical or Jewish, and the clergy was eager to make people forget them. At any rate the philologists called these two works "people's epics" (Volksepen). This term suggested to naive minds the idea that they were written not by individual authors but by the "people." The same mythical authorship was attributed to popular songs (Volkslieder) whose authors were unknown. Again in Germany, in the years following the Napoleonic wars, the problem of comprehensive legislative codification was brought up for discussion. In this controversy the historical school of jurisprudence, led by Savigny, denied the competence of any age and any persons to write legislation. Like the Volksepen and the Volkslieder, a nation s laws, they declared, are a spontaneous emanation of the Volksgeist, the nations spirit and peculiar character. Genuine laws are not arbitrarily written by legislators; they spring up and thrive organically from the Volksgeist. This Volksgeist doctrine was devised in Germany as a conscious reaction against the ideas of natural law and the "unGerman" spirit of the French Revolution. But it was further developed and elevated to the dignity of a comprehensive social doctrine by the French positivists, many of whom not only were committed to the principies of the most radical among the revolutionary leaders but aimed at completing the "unfinished revolution" by a violent overthrow of the capitalistic mode of production. Émile Durkheim and his school deal with the group mind as if it were a real phenomenon, a distinct agency, thinking and acting. As they see it, not individuais but the group is the subject of history. As a corrective of these fancies the truism must be stressed that only individuais think and act. In dealing with the thoughts and actions of individuais the historian establishes the fact that some individuais influence one another in their thinking and acting more strongly than they influence and are influenced by other individuais. He observes that cooperation and division of labor exist among some, while existing to a lesser extent or not at ali among others. He employs the term "group" to signify an aggregation of individuais who cooperate together more closely.

Langley bred a certain type of person with great intention. The human resources department required nearly as sophisticated of analysts as the foreign intelligence department. Apply the massive computing technology of the CIA to hiring, along with the naive appeal of the exciting, though perhaps not so lucrative life of a spy, and any headhunter would be jealous of the results.

These people.... talked. All the time. And Malick especially. Bloody magpies, all of them, even Samin sometimes. Jacin couldn't understand it. Couldn't understand how they could just... say things, give them power through spoken words. Give him power by letting him hear them. Spilling life stories through random conversation, and they didn't even have the slightest idea who he was, let alone what he might do with it all. Letting parts of their lives just spew out their mouths like it didn't matter that it all gained strength with each breath. Hemorrhaging words. All of them. Didn't they know words were power? They all seemed like intelligent people--didn't they know that voicing the things inside you, letting another know, was handing that power over, betraying yourself, and if you betrayed yourself to the wrong person.... Maybe that was it--maybe none of them had ever shown another everything they had inside them and had it all turned back on them, used against them. That, he could understand. He'd been naive once too.

The kinds of men and women most likely to engender trust in others are those described in the same study as developed persons. They are not perfect, but they are relatively mature. They show signs of having engaged in life and with people. They are optimistic, but not naive, good-humored, but not glad-handers. They have suffered, but not been overcome by suffering. They have loved and been loved and know the struggle of trying to be a friend to another. They have friends for whom they care deeply. They have experienced failure and sinfulness - their own and others' - but seem at ease with themselves in a way that indicates an experience of being saved and freed by a power greater than the power of failure and sin. They are relatively unafraid of life with all its light and darkness, all its mystery.

Elderly citizens naively believe that the younger generation is less respectful and more immodest than prior generations. As we age, it is easy for us to forget the follies of our own youth and attribute greater decorum onto our parents’ generation than to our peers. Every age produces its share of fools, braggarts, con artist, manipulators of the public trust, and other forms of degenerate behavior. Politicians from all eras come from the ranks of people who seek power, the type of persons inclined to swindle the masses and promote their personal glory. As we mature, we look with increasing skepticism on the fun-loving madness that drove our youth, and we grow more susceptible falsely to believe that a few short decades ago there was more decency, modesty, sincerity, and moral rectitude. In addition, as we age and feel increasingly secure in our position in society, we easily forget some of the great tragedies that marred prior generations and insensate to the vices that corrupted our ancestors’ culture. Each generation recollects with fondness the social infrastructure that formed their being and holds in reverence the scientists, teachers, religious leaders, artists, artisans, heroic soldiers, and revered social and political leaders whom influenced their generation.

Author Dan Wile accurately points out that all couples have conflicts, miscommunication, and misunderstandings. In fact, he states that when two people get married, they are choosing a set of perpetual problems that will be there for decades- perhaps forever. Many people mistakenly believe that problems in a relationship are a sign that they married the wrong person. This is a naive and immature view of relationships. Wile says that if you had married someone else, you might not have the same problems that you have with your spouse, but you would undoubtedly have some set of problems with that person which seem to have no ostensible solution. They key is to accept that you and your spouse will have some things to work out, and the way you work them out is much more important than the solutions you come up with for the problems (assuming here are solutions to be found at all).

I think of Gabe writing a 300-page tribute to his ex-girlfriend, which will soon be published for all the world to read. I think of Talia, who is apparently back in the picture, or maybe has been in it all along. And Charlie, trying his darnedest to be back in the picture, too, as usual knowing exactly where my tender spots are to probe at. And me, falling for the fantasy that a wedding dress can be some kind of chrysalis, metamorphosing me from a regular person with all my regular person problems into a beautiful butterfly, fit to fly away from it all. How naive I am, how stupid. 

Big Data’s gift, the way it kept itself growing stronger, was in its ability to persuade the majority of people that the unique collection of physical and personality characteristics that they naively referred to as the “self” was in fact made up of a complex matrix of statistical values, too complicated for humans to process but not so hard for computers to comprehend.

I had believed that it was just a matter of looking, of trying hard enough. But suddenly, finding a single person among the billions of people who have lived and are living on this planet seemed absurd. Perhaps it was naive to believe that people leave marks on the world, that we are not churned back int the earth like dead leaves in a compost pile. I had heard once that in a hundred millions years, all buildings will be gone. Paper will exist, but the ink will vanish, so everything will be blank. Eternal blankness - forever. Why resist if that is our fate? I didn't even know my own great-grandparents' names. They had lived entire complex lives, had careers, had created homes and raised children. They had wanted things. Their children had known about them, their grandchildren less so but still some, and I knew nothing.

Good tennis players are those who beat other tennis players, and a good shot during play is one the opponent can't return. But that's not a truth about life or excellence -- it's a truth about tennis. We've created an artificial structure in which one person can't succeed without doing so at someone else's expense, and then we accuse anyone who prefers other kinds of activities of being naive because "there can be only one best -- you're it or you're not," as the teacher who delivered that much-admired you're-not-special commencement speech declared. You see the sleight of hand here? The question isn't whether everyone playing a competitive game can win or whether every student can be above average. Of course they can't. The question that we're discouraged from asking is why our games are competitive -- or our students are compulsively ranked against one another -- in the first place.

Shona thought of another question. "What does a man expect of a woman? I would have no inkling what to do." Isobel waved a hand. "He will show you soon enough. Anyway, it will come to you as if 'twas something you'd always known. Accepting his kisses and kissing him back. Touching him. Men loved to be touched." "Where?" "Anywhere," Isobel snickered. "I remember one thing that surprised me the first time. Although I should have known considering how men are always staring down at my breasts." Shona felt her eyes widen again, then tried to hide her shock. "Men love to kiss and suckle nipples," Isobel whispered. "Heavens, you cannot be serious." Shona felt like the most naive person on earth at that moment. "Indeed, I am. That is why they're always gawking at women's breasts, even when they're covered my layers of clothing. They also like to fondle, squeeze, kiss and stroke them." Shona cleared her throat. She had never imagined such a thing.

I found this way of interacting a joyous blessing to be exposed to. It was so useful and thrilling, giving one a whole new range of opportunities while sharing this way. It created a bond between the three of us that secures a person in a way that our naive society doesn't know of.

Suzanne decided she didn't want a personal manager, and she certainly didn't want one that got this personal. People she had known for years didn't call her "naive". She felt defeated. She didn't seem to want to be anything badly enough to do what was required. She knew a lot of the right people, but she didn't know them in the right way. Something about pushing your way to the front seemed so undignified. She liked acting, all right. She just didn't like a lot of what you had to do in order to to be allowed to act: the readings, the videotapings, the meetings, the criticism, the rejections. She was too old, too young, too pretty, too short, not funny enough, too funny... It could wear you down after a while. After a while, it became a job in itself not to take these pronouncements personally.

The Pink Floyd Sound had not penetrated my consciousness very much during this trip. I simply thought that, come September, I’d be back on the academic treadmill. However, in New York, I came across a copy of the East Village Other newspaper, with a report from London on up and coming bands, which mentioned the Pink Floyd Sound. Finding this name check so far from home really gave me a new perception of the band. Displaying a touchingly naive trust in the fact that you can believe everything you read in the papers, it made me realise that the band had the potential to be more than simply a vehicle for our own amusement.

The person of faith is not a person who has been born, luckily, with a good digestion and sunny disposition. The assumption by outsiders that Christians are naive or protected is the opposite of the truth: Christians know more about the deep struggles of life than others, more about the ugliness of sin.