N.w.a Quotes

Hey, man, I'm old school. Don't make me bust out the Easy-E and the N.W.A I will got straight up gangsta on your ass. No one is more hardcore than a rich, suburban white girl.

Everything (N.W.A.) attempted had to possess criminal undertones. I can only assume they spent hours trying to deduce villainous ways to microwave popcorn (and if they'd succeeded, there would absolutely be a song about it, assumedly titled "Pop Goes the Corn Killa", or "45 Seconds to Bitch Snack").

Niggaz start to mumble, they wanna rumble/ Mix em and cook em in a pot like gumbo.” —N.W.A.

More than any other individual rapper, Dr. Dre deserves recognition for his role in helping turn the page on the crack epidemic. As a member of N.W.A. and producer for the group, he helped articulate the conditions of life in the ghetto on songs like “Dopeman,” “Fuck tha Police,” and “Gangsta Gangsta.” Then in 1992, three years after leaving N.W.A., Dr. Dre dropped his magnum opus, The Chronic. The album is ranked by many, including Vibe, Spin, and Rolling Stone, as one of the greatest albums of all time.

You are now about to witness the strength of street knowledge…

Whether or not you agreed with the group’s incendiary style, one thing most people will agree on: N.W.A had a deep, trans-formative and lasting effect on hip hop ideology.

When deployed in rap vernacular, the word villain feels slightly anachronistic, particularly when prefaced by the adjective mother-fuckin’. It’s a little old-timey. But there simply wasn’t a word that better described N.W.A’s public aspirations with such accuracy. I suppose gangsta is the only other word that came close, a modifier so flexible it could even be used to describe how rappers operated their cars. If you lowered the seat and tilted your body toward the vehicle’s passenger side, the posture was referred to as the “gangsta lean.” Spawned in 1972 by forgotten R&B wunderkind William DeVaughn, “gangsta lean” is an amazingly evocative term, particularly to those who did not initially know what it meant. But once you unpacked the definition, it merely outlined a villainous way to drive your jalopy to White Castle, operating from the position that appearing villainous was an important way to appear at all possible times. This was very, very important to the members of N.W.A. It was the only thing they seemed to worry about. Everything they attempted had to possess criminal undertones. I can only assume they spent hours trying to deduce villainous ways to microwave popcorn (and if they’d succeeded, there would absolutely be a song about it, assumedly titled “Pop Goes the Corn Killa” or “45 Seconds to Bitch Snack”).

Straight Outta Compton, N.W.A’s debut album, from selling three million records without a radio single.

Rock and roll is not a guitar, it’s not long hair—that’s not rock and roll. It ain’t about an instrument, or this or that. The blues is the start of it all,” Ice Cube said. “You add some rhythm to that blues and you have all kind of people that’s doing rock and roll. And that develops into hip-hop. All of it is a spirit—the spirit of coming outside of the box. If you don’t see how N.W.A is rock and roll, then you really don’t get what it’s all about.

B. & Rakim. Then straight after that we did the Bring the Noise tour with Public Enemy, N.W.A, and EPMD. “Colors” was always my opening song.

N.W.A dropped Straight Outta Compton, and when Ice Cube said the line “from the gang called Niggas Wit Attitudes,” boom—suddenly the media had a new phrase to latch on to: 1988 was the year of gangsta rap. N.W.A took it to stratospheric heights, and I was

N.W.A dropped Straight Outta Compton, and when Ice Cube said the line “from the gang called Niggas Wit Attitudes,” boom—suddenly the media had a new phrase to latch on to: 1988 was the year of gangsta rap. N.W.A took it to stratospheric heights, and I was dubbed the godfather of the movement.

Eazy, Dre, Cube. Conceptualizer, musicalizer, lyricizer. Father, son, and holy ghost. The trinity behind N.W.A.