Mythos Quotes

We've searched our database for all the quotes and captions related to Mythos. Here they are! All 100 of them:

β€œ
When blame and self-judgement are transformed, healed, and cease to be, we have reawakened without the myth, the mythos, of separation. We are One.
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Wendy E. Slater (Into the Hearth, Poems-Volume 14)
β€œ
Gaia visited her daughter Mnemosyne, who was busy being unpronounceable.
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Stephen Fry (Mythos: The Greek Myths Retold (Stephen Fry's Great Mythology, #1))
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Logan Quinn was the kind of guy who could stab me in the eye with a freaking Twizzler.
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Jennifer Estep (Touch of Frost (Mythos Academy, #1))
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Come on, Gypsy girl. I'm bleeding to death here, in case you haven't noticed. At least make it worth my while and kiss me before I die.
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Jennifer Estep (Kiss of Frost (Mythos Academy, #2))
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In mythos and fairy tales, deities and other great spirits test the hearts of humans by showing up in various forms that disguise their divinity. They show up in robes, rags, silver sashes, or with muddy feet. They show up with skin dark as old wood, or in scales made of rose petal, as a frail child, as a lime-yellow old woman, as a man who cannot speak, or as an animal who can. The great powers are testing to see if humans have yet learned to recognize the greatness of soul in all its varying forms.
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Clarissa Pinkola EstΓ©s (Women Who Run With the Wolves)
β€œ
Since coming to Mythos, I'd almost been run through with a sword and mauled to death by a killer kitty cat. Dirty looks didn't faze me anymore.
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Jennifer Estep (Kiss of Frost (Mythos Academy, #2))
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Did she just call me a bleeding toothpick? Kill her! Kill her now!
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Jennifer Estep (Touch of Frost (Mythos Academy, #1))
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Bunch together a group of people deliberately chosen for strong religious feelings, and you have a practical guarantee of dark morbidities expressed in crime, perversion, and insanity.
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H.P. Lovecraft
β€œ
I wouldn't say hate, exactly. You're kind of like fungus, Gwen. After a while, you just start growing on people.
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Jennifer Estep (Touch of Frost (Mythos Academy, #1))
β€œ
What did you expect? That he'd send you flowers and write you bad poetry? That dead Nemean prowler is pretty much as close to a stuffed animal as you're ever going to get from a Spartan like Logan Quinn.
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Jennifer Estep (Touch of Frost (Mythos Academy, #1))
β€œ
Are you OK?" I asked. "I think so." Logan stared at me, and a smile pulled up his lips. "But maybe you should give me mouth-to-mouth, just to make sure.
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Jennifer Estep (Touch of Frost (Mythos Academy, #1))
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What are you smiling at?’ - β€˜Oh, nothing much. Just my hero
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Jennifer Estep (Kiss of Frost (Mythos Academy, #2))
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For the world seems never to offer anything worthwhile without also providing a dreadful opposite.
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Stephen Fry (Mythos: The Greek Myths Retold (Stephen Fry's Great Mythology, #1))
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That is not dead which can eternal lie, And with strange aeons even death may die.
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null
β€œ
How had I ever thought he was cute? He so needed to be locked up in an insane asylum somewhere. Too bad Batman wasn't here to come and drag his ass off to Arkham.
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Jennifer Estep (Kiss of Frost (Mythos Academy, #2))
β€œ
Just another part of that Spartan killer instinct. I can slay the ladies just as well as I can reapers.
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Jennifer Estep (Crimson Frost (Mythos Academy, #4))
β€œ
The Greeks created gods that were in their image; warlike but creative, wise but ferocious, loving but jealous, tender but brutal, compassionate, but vengeful.
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Stephen Fry (Mythos: The Greek Myths Retold (Stephen Fry's Great Mythology, #1))
β€œ
Yeah, well this Gypsy girl happens to have a grandma that can curse you so bad that your dick will turn black and fall off, so watch your step, Spartan.
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Jennifer Estep (Touch of Frost (Mythos Academy, #1))
β€œ
Two students severely injured, you yourself covered in blood, a Reaper on the premises, a Fenrir wolf running around loose somewhere, and extensive property damage to the resort. Well?" Nickamedes snapped. "What do you have to say for yourself, Gwendolyn?" I thought for a second, then grinned at him. "I followed your directions exactly. I never set one foot outside the hotel.
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Jennifer Estep (Kiss of Frost (Mythos Academy, #2))
β€œ
It'll be okay, I promise. No matter what I see or feel. You'll still be Logan and I'll still be your Gypsy girl.
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Jennifer Estep (Kiss of Frost (Mythos Academy, #2))
β€œ
Gaia listened carefully to this wise counsel and - as we all do, whether mortal or immortal - ignored it.
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Stephen Fry (Mythos: The Greek Myths Retold (Stephen Fry's Great Mythology, #1))
β€œ
I know that look. What are you up to, Gwen?" "What makes you think I'm up to something?" The Valkyrie snorted. "You're breathing, aren't you?
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Jennifer Estep (Crimson Frost (Mythos Academy, #4))
β€œ
Jasmine smirke at the weapon in my hand. "That little toothpick won't save you, Gypsy." "Touthpick?" Vic muttered in an indignant voice. β€œDid she just call me a bleeding toothpick? Kill her! Kill her now!
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Jennifer Estep (Touch of Frost (Mythos Academy, #1))
β€œ
When we illuminate the road back to our ancestors, they have a way of reaching out, of manifesting themselves...sometimes even physically.
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Raquel Cepeda (Bird of Paradise: How I Became Latina)
β€œ
Painters, poets and philosophers have seen many things in the myth of Sisyphus. They have seen an image of the absurdity of human life, the futility of effort, the remorseless cruelty of fate, the unconquerable power of gravity. But they have seen too something of mankind’s courage, resilience, fortitude, endurance and self-belief. They see something heroic in our refusal to submit.
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Stephen Fry (Mythos: The Greek Myths Retold (Stephen Fry's Great Mythology, #1))
β€œ
Etiquette? What kind of etiquette was there in someone trying to murder me?
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Jennifer Estep (Kiss of Frost (Mythos Academy, #2))
β€œ
I'm a figment of your imagination. You're only imagining that I'm sitting here eating with you. Because I'm just so freaking awesome that people daydream about being seen with me.
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Jennifer Estep (Touch of Frost (Mythos Academy, #1))
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That was my favorite dagger." She had a favorite dagger? Seriously? And she thought that I was a freak.
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Jennifer Estep (Touch of Frost (Mythos Academy, #1))
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What was it with people always trying to kill me in the library? Nickamedes so needed to put up warning signs. Danger: Working here could be hazardous to your health.
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Jennifer Estep (Crimson Frost (Mythos Academy, #4))
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I might be old and cranky, but I'm not bloody stupid.
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Jennifer Estep (Kiss of Frost (Mythos Academy, #2))
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You won't hurt me. I know you won't." Logan said. "How can you be so sure?" I whispered. "Because you're that Gypsy girl, and I'm the bad-boy Spartan. And I think it's time we were finally together, don't you?
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Jennifer Estep (Dark Frost (Mythos Academy, #3))
β€œ
When lust descends, discretion, common sense and wisdom fly off and what may seem cunning concealment to one in the grip of passion looks like transparently clumsy idiocy to everyone else.
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Stephen Fry (Mythos: The Greek Myths Retold (Stephen Fry's Great Mythology, #1))
β€œ
He realized something was going on between Logan and me. I wish he'd clue me in on exactly what it was, because I had no idea.
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Jennifer Estep (Kiss of Frost (Mythos Academy, #2))
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Can't believe she bloody dropped me again. . .," I heard him mutter. P 308
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Jennifer Estep (Touch of Frost (Mythos Academy, #1))
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I’ll give you this, Spartan. You sure can kiss. Feel free to lay one on me anytime you want to." β€œWell, I do aim to please,” he drawled. β€œYou should see what I can do with my hands. And other parts of my body.” I rolled my eyes. β€œSeriously? You’ve been cut open like a fish, there’s a psycho-killer Reaper after us, and you’re still hitting me up for sex?” Logan shrugged, but the devilish light didn’t fade from his gaze. β€œHey, you can’t blame a guy for trying.
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Jennifer Estep (Kiss of Frost (Mythos Academy, #2))
β€œ
Kiss me or let me go. I don’t care anymore.
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Jennifer Estep (Kiss of Frost (Mythos Academy, #2))
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I didn't know what would take my mind off the sexy Spartan, except for maybe a total lobotomy.
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Jennifer Estep (Kiss of Frost (Mythos Academy, #2))
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I know that maniacal twinkle in your eye. You're up to something Gwen," he said.
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Jennifer Estep (Kiss of Frost (Mythos Academy, #2))
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No matter what happens, I'll always come back to you." "Promise?" I asked in a shaky voice. Logan's eyes burned with icy determination. "Promise.
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Jennifer Estep (Crimson Frost (Mythos Academy, #4))
β€œ
I was so getting tired of fighting for my life in the library.
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Jennifer Estep (Dark Frost (Mythos Academy, #3))
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Oh, fantastic," Vic muttered. "Just bloody fantastic. The goddess has given me to a bleeding pacifist-
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Jennifer Estep (Touch of Frost (Mythos Academy, #1))
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She doesn't even know how to kill things properlike? What kind of girl have you given me to, goddess?" Vic protested, fixing his eye on Nike once more. Nike let out a laugh. " Vic is a little bloodthirsty. You'll get used to it.
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Jennifer Estep (Touch of Frost (Mythos Academy, #1))
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I'd be damned if I let him see the tears in my eyes.
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Jennifer Estep (Kiss of Frost (Mythos Academy, #2))
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It didn't take long for the anger to put the happiness in a headlock.
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Jennifer Estep (Kiss of Frost (Mythos Academy, #2))
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The seeding of Gaia gave us meaning, a germination of thought into shape. Seminal semantic semiology from the semen of the sky.
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Stephen Fry (Mythos: The Greek Myths Retold (Stephen Fry's Great Mythology, #1))
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It is probably best for us not to concentrate in too literal a fashion on the temporal structure of myth.
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Stephen Fry (Mythos: The Greek Myths Retold (Stephen Fry's Great Mythology, #1))
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In many college English courses the words β€œmyth” and β€œsymbol” are given a tremendous charge of significance. You just ain’t no good unless you can see a symbol hiding, like a scared gerbil, under every page. And in many creative writing course the little beasts multiply, the place swarms with them. What does this Mean? What does that Symbolize? What is the Underlying Mythos? Kids come lurching out of such courses with a brain full of gerbils. And they sit down and write a lot of empty pomposity, under the impression that that’s how Melville did it.
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Ursula K. Le Guin (The Language of the Night: Essays on Fantasy and Science Fiction)
β€œ
It is enough to say that the Greeks thought it was Chaos who, with a massive heave, or a great shrug, or hiccup, vomit or cough, began the long chain of creation that has ended with pelicans and penicillin and toadstools and toads, sea-lions, lions, human beings and daffodils and murder and art and love and confusion and death and madness and biscuits.
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Stephen Fry (Mythos: The Greek Myths Retold (Stephen Fry's Great Mythology, #1))
β€œ
And that's when I snapped up my left hand and smashed him in the face with the hammer I'd grabbed.
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Jennifer Estep (Kiss of Frost (Mythos Academy, #2))
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My heart lifted, and a matching grin curved my lips. He wanted to see me again. Maybe he really did like me after all. I felt like doing a happy dance, but of course, I was way too cool for that. I'd at least wait until I got back to my hotel room, alone, where no one would see.
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Jennifer Estep (Kiss of Frost (Mythos Academy, #2))
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I'm crazy about you, Spartan.
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Jennifer Estep (Dark Frost (Mythos Academy, #3))
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I didn't know if he really meant talk, make out, or something else completely, but I'd be happy with any of them.
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Jennifer Estep (Kiss of Frost (Mythos Academy, #2))
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I did not glow with the thrill of battle. Cringe, yes. Glow, no.
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Jennifer Estep (Kiss of Frost (Mythos Academy, #2))
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What Pandora did not know was that, when she shut the lid of the jar so hastily, she for ever imprisoned inside one last daughter of Nyx. One last little creature was left behind to beat its wings hopelessly in the jar for ever. Its name was ELPIS, Hope.
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Stephen Fry (Mythos: The Greek Myths Retold (Stephen Fry's Great Mythology, #1))
β€œ
What can I say?" I grinned. I have a magic touch when it comes to animals." Daphne snorted. "You're touched in the head is more like it.
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Jennifer Estep (Midnight Frost (Mythos Academy, #5))
β€œ
By creating a new mythos - that is, a change in the way we perceive reality, the way we see ourselves, and the ways we behave - la mestiza creates a new consciousness. The work of mestiza consciousness is to break down the subject/object duality that keeps her prisoner and to show in the flesh and through the images in her work how duality is transcended. The answer to the problem between the white race and the colored, between males and females, lies in healing the split that originates in the very foundation of our lives, our culture, our languages, our thoughts. A massive uprooting of dualistic thinking in the individual and collective consciousness is the beginning of a long struggle, but one that could, in our best hopes, bring us to the end of rape, of violence, of war.
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Gloria E. AnzaldΓΊa
β€œ
I supposed images of an evil god who wanted to break free of his mythological prison and enslave the whole world weren't any scarier than a guy wearing big red shoes,yellow plaid pants,and white face paint.Clowns had always creeped me out. They were so not funny.
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Jennifer Estep (Kiss of Frost (Mythos Academy, #2))
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The difference between a criminal and an outlaw is that while criminals frequently are victims, outlaws never are. Indeed, the first step toward becoming a true outlaw is the refusal to be victimized. All people who live subject to other people's laws are victims. People who break laws out of greed, frustration, or vengeance are victims. People who overturn laws in order to replace them with their own laws are victims. ( I am speaking here of revolutionaries.) We outlaws, however, live beyond the law. We don't merely live beyond the letter of the law-many businessmen, most politicians, and all cops do that-we live beyond the spirit of the law. In a sense, then, we live beyond society. Have we a common goal, that goal is to turn the tables on the 'nature' of society. When we succeed, we raise the exhilaration content of the universe. We even raise it a little bit when we fail. When war turns whole populations into sleepwalkers, outlaws don't join forces with alarm clocks. Outlaws, like poets, rearrange the nightmare. The trite mythos of the outlaw; the self-conscious romanticism of the outlaw; the black wardrobe of the outlaw; the fey smile of the outlaw; the tequila of the outlaw and the beans of the outlaw; respectable men sneer and say 'outlaw'; young women palpitate and say 'outlaw'. The outlaw boat sails against the flow; outlaws toilet where badgers toilet. All outlaws are photogenic. 'When freedom is outlawed, only outlaws will be free.' There are outlaw maps that lead to outlaw treasures. Unwilling to wait for mankind to improve, the outlaw lives as if that day were here. Outlaws are can openers in the supermarket of life.
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Tom Robbins (Still Life with Woodpecker)
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[August] Derleth tried to prevent any other (non-Derleth-approved) writer from writing Cthulhu Mythos stories.If Lovecraft had wanted bad writers to avoid Cthulhu Mythos stories, he wouldn’t have written back to August Derleth.
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Kenneth Hite (Cthulhu 101*OP)
β€œ
Let me walk you to your room," Logan offered in a helpful voice. "You, me, and the Gypsy girl could have our own bonfire tonight." Daphne and I stared at each other. I rolled my eyes while Daphne sniffed. "Oh, please," she scoffed. "Like I need a guy to protect me. I'm a Valkyrie, remember? I could pick you up and break your back over my knee, Spartan. Like you were a piΓ±ata." "Kinky," Logan said, smiling at her. "I like it." She snorted. "Save the smarmy charm for Gwen. We all know that she's the one you're really trying to impress anyway." We did? Because I hadn't gotten that message at all.
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Jennifer Estep (Touch of Frost (Mythos Academy, #1))
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Now, even Nickamedes was being nice to me, which told me exactly how much trouble I was in.
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Jennifer Estep (Crimson Frost (Mythos Academy, #4))
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Let him look," he whispered and kissed me again.
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Jennifer Estep (Crimson Frost (Mythos Academy, #4))
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so many people have been hypnotized by Aristotelian ''yes/ no'' logic to the extent that any step beyond that Bronze Age mythos seems to them a whirling, dizzying plunge into a pit of Chaos and the Dark Night of Nihilism.
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Robert Anton Wilson (Quantum Psychology: How Brain Software Programs You & Your World)
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The only things I could kill with ease were bugs and even then only the tiny ones the big ones crunched too much and made me feel all guilty and icked out.
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Jennifer Estep (Kiss of Frost (Mythos Academy, #2))
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And I was stuck here at Warrior Freaks R Us.
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Jennifer Estep (Touch of Frost (Mythos Academy, #1))
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My own eyes narrowed. i didn't like being made fun of, not even by a dangerous bad boy like Logan Quinn. "Yeah, well, this Gypsy girl happens to have a grandma who can curse you so bad that your dick will turn black and fall off, so watch your step, Spartan.
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Jennifer Estep (Touch of Frost (Mythos Academy, #1))
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And hey, bacon made everything better.
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Jennifer Estep (Spartan Frost (Mythos Academy, #4.5))
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The band geek has liquor?
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Jennifer Estep (Touch of Frost (Mythos Academy, #1))
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Here Phaeton lies who in the sun-god’s chariot fared. And though greatly he failed, more greatly he dared.
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Stephen Fry (Mythos: The Greek Myths Retold (Stephen Fry's Great Mythology, #1))
β€œ
The Greek word for 'everything that is the case', what we could call 'the universe', is COSMOS. And at the moment - although 'moment' is a time word and makes no sense just now (neither does the phrase 'just now') - at the moment, Cosmos is Chaos and only Chaos because Chaos is the only thing that is the case.
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Stephen Fry (Mythos: The Greek Myths Retold (Stephen Fry's Great Mythology, #1))
β€œ
It is their refusal to see any divine beings as perfect, whole and complete of themselves, whether Zeus, Moros or Prometheus, that makes the Greeks so satisfying.
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Stephen Fry (Mythos: The Greek Myths Retold (Stephen Fry's Great Mythology, #1))
β€œ
Whatever the truth, science today agrees that everything is destined to return to Chaos. It calls this inevitable fate entropy: part of the great cycle from Chaos to order and back again to Chaos.
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Stephen Fry (Mythos: The Greek Myths Retold (Stephen Fry's Great Mythology, #1))
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The wolf stared down at me, paws still on my chest, its shaggy tail thumping from side tot side and spraying us both with snow. It seemed like...it expected me to do something. Maybe my mind was completley gone, because there was only one thing I could thing of right now that might satisfy it. I reached up en awkwardly patted the side of its head, since that was al i could reach. "Nice puppy," I whispered, and passed out.
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Jennifer Estep (Kiss of Frost (Mythos Academy, #2))
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Even meaning and destiny themselves can be read in ordinary things, if you have the gift.
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Stephen Fry (Mythos: The Greek Myths Retold (Stephen Fry's Great Mythology, #1))
β€œ
Don't you agree, fuzzball?
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Jennifer Estep (Dark Frost (Mythos Academy, #3))
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They still weren't as cold as my heart was, though.
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Jennifer Estep (Dark Frost (Mythos Academy, #3))
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All black, of course. Just like his rotting soul.
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Jennifer Estep (Dark Frost (Mythos Academy, #3))
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It was better to know what people were really like than put your trust in someone who just wanted to hurt you in the end.
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Jennifer Estep (Touch of Frost (Mythos Academy, #1))
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The word pneuma (breath) shares its origins with the word psyche; they are both considered words for soul. So when there is song in a tale or mythos, we know that the gods are being called upon to breathe their wisdom and power into the matter at hand. We know then that the forces are at work in the spirit world, busy crafting soul.
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Clarissa Pinkola EstΓ©s (Women Who Run With the Wolves)
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Poseidon spent almost all his time pursuing a perfectly exhausting quantity of beautiful girls and boys and fathering by the girls an even greater number of monsters, demigods and human heroes - Percy Jackson and Theseus to name but two.
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Stephen Fry (Mythos: The Greek Myths Retold (Stephen Fry's Great Mythology, #1))
β€œ
Not your weapons," Agrona sneered. "Your artifacts. Sigyn's bow. The Horn of Roland. The Swords of Ruslan. And, of course, Vic." "Well, naturally," the sword crowed, his voice swelling with pride. "I do put the art in artefact." I looked down on him. "Really?" I whispered. "You're really going to talk about how awesome you are at a time like this?" "Certainly," Vic said. "Why wouldn't I?
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Jennifer Estep (Midnight Frost (Mythos Academy, #5))
β€œ
Her touch was as soft as a snowflake falling onto my skin.
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Jennifer Estep (Spartan Frost (Mythos Academy, #4.5))
β€œ
Arm in arm, we left her room, the beginnings of a real relationship shimmering in the air between us, just like the bright pink sparks fluttering up from the Valkyrie's fingertips.
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Jennifer Estep (Touch of Frost (Mythos Academy, #1))
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Brooding, simmering and raging in the ground, deep beneath the earth that once loved him, Ouranos compressed all his fury and divine energy into the very rock itself, hoping that one day some excavating creature somewhere would mine it and try to harness the immortal power that radiated from within. That could never happen, of course. It would be too dangerous. Surely the race had yet to be born that could be so foolish as to attempt to unleash the power of uranium?
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Stephen Fry (Mythos: The Greek Myths Retold (Stephen Fry's Great Mythology, #1))
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Hermes, the Psychopomp.
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Stephen Fry (Mythos: The Greek Myths Retold (Stephen Fry's Great Mythology, #1))
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Her laughter was like sweet deadly venom.
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H.P. Lovecraft (The Cthulhu Mythos Megapack: 40 Modern and Classic Lovecraftian Stories)
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She loved him, in fact; his violence and strength appealed to some deep part of her. He in turn grew to love her, so far as such a violent brute was capable of the emotion. Love and war, Venus and Mars, have always had a strong affinity. No one quite knows why, but plenty of money has been made trying to find an answer.
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Stephen Fry (Mythos: The Greek Myths Retold (Stephen Fry's Great Mythology, #1))
β€œ
Hey, are you okay?”he asked β€œNickamedes told me what happened with Preston. He and the others were worried about you. They’re out looking for you, along with Daphne, Carson, and Oliver.”I let out a bitter laugh.β€œI must have really freaked them out if Nickamedes was worried about me.
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Jennifer Estep (Kiss of Frost (Mythos Academy, #2))
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Maybe there was something to be said for creepy statues after all.
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Jennifer Estep (Crimson Frost (Mythos Academy, #4))
β€œ
Shut up, Vic!
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Jennifer Estep (Touch of Frost (Mythos Academy, #1))
β€œ
In a very real way, television is the new mythos. It defines the world, reinterprets it. The seasons do not change because Persephone goes underground. They change because new episodes air, because sweeps week demands conflagrations and ritual deaths. The television series rises slowly, arcs, descends into hiatus, and rises again with the bright, burning autumn.
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Catherynne M. Valente (Chicks Dig Time Lords: A Celebration of Doctor Who by the Women Who Love It)
β€œ
Pandora’s imprisonment of it was a triumphant act that saved us from Zeus’s worst cruelty. With hope, Nietzsche argued, we are foolish enough to believe there is a point to existence, an end and a promise.
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Stephen Fry (Mythos: The Greek Myths Retold (Stephen Fry's Great Mythology, #1))
β€œ
The time would be easy to know, for then mankind would have become as the Great Old Ones; free and wild and beyond good and evil, with laws and morals thrown aside and all men shouting and killing and revelling in joy. Then the liberated Old Ones would teach them new ways to shout and kill and revel and enjoy themselves, and all the earth would flame with a holocaust of ecstasy and freedom.
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H.P. Lovecraft (The Call of Cthulhu and Other Mythos Tales (Lovecraft Library Volume 2))
β€œ
This species, the mute swan, became holy to Apollo. In remembrance of the death of the beloved Phaeton the bird is silent all its life until the very moment of its death, when it sings with terrible melancholy its strange and lovely goodbye, its swan song. In honour of Cygnus the young of all swans are called β€˜cygnets’.
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Stephen Fry (Mythos: The Greek Myths Retold (Stephen Fry's Great Mythology, #1))
β€œ
her laptop. That’s where the good stuff would be anyway. It always was. Even at my old school, kids had always been frantic when they’d lost their laptops, thinking about all the incriminating stuff that someone might find on them. Like e-mails about how drunk the kids had gotten with their friends the weekend their parents thought they went to band camp. Papers they’d downloaded and plagiarized for AP English. Porn.
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Jennifer Estep (Touch of Frost (Mythos Academy, #1))
β€œ
Confronted with the problems that characterize our herding culture, we are perhaps like the metaphorical man wounded by an arrow that the Buddha discussed with his students. He said that the man would be foolish if he tried to discover who shot the arrow, why he shot it, where he was when he shot it, and so forth, before having the arrow removed and the wound treated, lest he bleed to death attempting to get his questions answered. We, likewise, can all remove the arrow and treat the wound of eating animal foods right now. We don't need to know the whole history. We can easily see it is cruel and that it is unnecessary; whatever people have done in the past, we are not obligated to imitate them if it is based on delusion. Perhaps in the past people thought they needed to enslave animals and people to survive, and that the cruelty involved in it was somehow allowed them. It's obviously not necessary for us today, as we can plainly see by walking into any grocery store, and the sooner we can awaken from the thrall of the obsolete mythos that we are predatory by nature, the sooner we'll be able to evolve spiritually and discover and fulfill our purpose on this earth.
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Will Tuttle (The World Peace Diet: Eating for Spiritual Health and Social Harmony)
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We can’t just stand here in the rain with our backs to the town,’ said Baucis. β€˜I’ll look if you will.’ β€˜I love you Philemon, my husband.’ β€˜I love you Baucis, my wife.’ They turned and looked down. They were just in time to see the great flood inundating Eumeneia before Philemon was turned into an oak tree and Baucis into a linden. For hundreds of years the two trees stood side by side, symbols of eternal love and humble kindness, their intertwining branches hung with the tokens left by admiring pilgrims.
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Stephen Fry (Mythos: The Greek Myths Retold (Stephen Fry's Great Mythology, #1))
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Religious discourse was not intended to be understood literally because it was only possible to speak about a reality that transcended language in symbolic terms. The story of the lost paradise was a myth, not a factual account of a historical event. People were not expected to β€œbelieve" it in the abstract; like any mythos, it depended upon the rituals associated with the cult of a particular holy place to make what it signified a reality in the lives of participants. The same applies to the creation myth that was central to ancient religion and has now become controversial in the Western world because the Genesis story seems to clash with modern science. But until the early modern period, nobody read a cosmology as a literal account of the origins of life. In the ancient world, it was inspired by an acute sense of the contingency and frailty of existence. Why had anything come into being at all, when there could so easily have been nothing? There has never been a simple or even a possible answer to this question, but people continue to ask it, pushing their minds to the limit of what we can know.
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Karen Armstrong (The Case for God)
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...we do not lend the hearth quite the importance that our ancestors did, Greek or otherwise. Yet, even for us, the word stands for something more than just a fireplace. We speak of 'hearth and home'. The word 'hearth' shares its ancestry with 'heart', just as the modern Greek for 'hearth' is kardia, which also means 'heart'. In Ancient Greece the wider concept of hearth and home was expressed by the oikos, which lives on for us today in economics and ecology. The Latin for hearth is focus - with speaks for itself. It is a strange and wonderful thing that out of the words for fireplace we have spun "cardiologist', 'deep focus' and 'eco-warrior'. The essential meaning of centrality that connects them also reveals the great significance of the hearth to the Greeks and Romans, and consequently the importance of Hestia, its presiding deity.
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Stephen Fry (Mythos: The Greek Myths Retold (Stephen Fry's Great Mythology, #1))
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The Chorus Line: The Birth of Telemachus, An Idyll Nine months he sailed the wine-red seas of his mother's blood Out of the cave of dreaded Night, of sleep, Of troubling dreams he sailed In his frail dark boat, the boat of himself, Through the dangerous ocean of his vast mother he sailed From the distant cave where the threads of men's lives are spun, Then measured, and then cut short By the Three Fatal Sisters, intent on their gruesome handcrafts, And the lives of women also are twisted into the strand. And we, the twelve who were later to die by his hand At his father's relentless command, Sailed as well, in the dark frail boats of ourselves Through the turbulent seas of our swollen and sore-footed mothers Who were not royal queens, but a motley and piebald collection, Bought, traded, captured, kidnapped from serfs and strangers. After the nine-month voyage we came to shore, Beached at the same time as he was, struck by the hostile air, Infants when he was an infant, wailing just as he wailed, Helpless as he was helpless, but ten times more helpless as well, For his birth was longed-for and feasted, as our births were not. His mother presented a princeling. Our various mothers Spawned merely, lambed, farrowed, littered, Foaled, whelped and kittened, brooded, hatched out their clutch. We were animal young, to be disposed of at will, Sold, drowned in the well, traded, used, discarded when bloomless. He was fathered; we simply appeared, Like the crocus, the rose, the sparrows endangered in mud. Our lives were twisted in his life; we also were children When he was a child, We were his pets and his toythings, mock sisters, his tiny companions. We grew as he grew, laughed also, ran as he ran, Though sandier, hungrier, sun-speckled, most days meatless. He saw us as rightfully his, for whatever purpose He chose, to tend him and feed him, to wash him, amuse him, Rock him to sleep in the dangerous boats of ourselves. We did not know as we played with him there in the sand On the beach of our rocky goat-island, close by the harbour, That he was foredoomed to swell to our cold-eyed teenaged killer. If we had known that, would we have drowned him back then? Young children are ruthless and selfish: everyone wants to live. Twelve against one, he wouldn't have stood a chance. Would we? In only a minute, when nobody else was looking? Pushed his still-innocent child's head under the water With our own still-innocent childish nursemaid hands, And blamed it on waves. Would we have had it in us? Ask the Three Sisters, spinning their blood-red mazes, Tangling the lives of men and women together. Only they know how events might then have had altered. Only they know our hearts. From us you will get no answer.
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Margaret Atwood (The Penelopiad)