Mythology And Folklore Quotes

myths reflect centuries of oral tradition in non-literate as well as literate peoples – when it comes to the supernatural, there's no beating folklore.” - Breena Malloy from Bitter Frost by Kailin Gow

In prehistoric times, early man was bowled over by natural events: rain, thunder, lightning, the violent shaking and moving of the ground, mountains spewing deathly hot lava, the glow of the moon, the burning heat of the sun, the twinkling of the stars. Our human brain searched for an answer, and the conclusion was that it all must be caused by something greater than ourselves - this, of course, sprouted the earliest seeds of religion. This theory is certainly reflected in faery lore. In the beautiful sloping hills of Connemara in Ireland, for example, faeries were believed to have been just as beautiful, peaceful, and pleasant as the world around them. But in the Scottish Highlands, with their dark, brooding mountains and eerie highland lakes, villagers warned of deadly water-kelpies and spirit characters that packed a bit more punch.

She would let her soul hide while her body was consumed with magic, fire, and boiling blood. A riveting communion.

Fun fact: The planet Venus- aka, the 'morning star' when it appears before sunrise, outshining all the stars in the heavens-was once known as Luciferin. Funner fact: The chemical that makes fireflies' butts light up is called "luciferin

Never interrupt a faerie circle ceremony. And, if a faerie has appeared to you, visually, do not speak to it until it has spoken to you. These two transgressions are considered so rude, that the faeries may literally attack you, on the spot.

The earth is our mother, it gives us nourishment, shelters us, and takes us back to her after we pass

Nothing I have will tempt you?” King Herla murmured. Lin could only shake her head. “Then perhaps I should offer myself,” Herla said as he sank to his knees before her. “Wonderful girl, will you have me as your husband?” “Oh, yes,” Lin said.

...a fundamental rule of journalism, which is to tell a story and stick to it. The narratives of journalism (significantly called "stories"), like those of mythology and folklore, derive their power from their firm, undeviating sympathies and antipathies. Cinderella must remain good and the stepsisters bad. "Second stepsister not so bad after all" is not a good story.

Never invite any kind of spirit to enter either your home or your person. This is an extremely important point to remember. To do so always risks to unwittingly invite evil spirits in, instead. Good spirits never need to be invited in.

It's not easy being the Chosen One. Just ask Buffy Summers. Ask Harry Potter. And ask Zoey Redbird, the latest in this list of "lucky" candidates picked by fate to save the world from darkness- and oh yeah, find romance, keep their friends and maybe not flunk every class. In their spare time of course.

Folklore, myth, you know.” “That’s just fiction that’s old.

Why has not England a great mythology? Our folklore has never advanced beyond daintiness, and the greater melodies about our country-side have all issued through the pipes of Greece. Deep and true as the native imagination can be, it seems to have failed here. It has stopped with the witches and the fairies. It cannot vivify one fraction of a summer field, or give names to half a dozen stars. England still waits for the supreme moment of her literature—for the great poet who shall voice her, or, better still for the thousand little poets whose voices shall pass into our common talk.

You know why I really hated you? With all that you had you were just so oblivious to it all. You didn't use your beauty. You didn't ever try to get what you wanted. You didn't deserve what you had. I did because I would have used it. And you just...loved me. Loved me no matter what I did. You have no idea how I despised you for that. I wanted you gone." 'The Yielding

spirit gives us the power to think and act, to be caring and compassionate or petty and cruel

She knew him as much as the knowing of her own heart’s secret: she was destined for the forest.

When two kindred souls meet, a confluence forms that joins them in an ancient and eternal way. (Dru)

Poseidon was also the father of Percy (Perseus) in the Percy Jackson series

I can't swallow the thought of the Woodsmen killing the little part of her that's left in me, the facsimile of our shared blood.

Memorable stories of every culture tell us what principles the citizenry saved their smiles for and shed their sorrowful tears lamenting.

Faerie footprints are specks of magic that the earth couldn't bear to part with.

I'll tear down your realm, starting with this castle.

I see folktales and myths as humankind's first stories. They are a kind of collective dreaming, filled with timeless symbols and images we can all relate to, regardless of age or culture.

Part of me felt like I was throwing my life away, for a guy I barely knew. But I wasn’t just doing it for him. Since my parents died, I’d had absolutely no control over my life. If I really thought about it, maybe I’d given up control long before—that day in Oregon when I almost drowned. Since then, I’d always relied on others to take care of me. Maybe it was time to take my life back into my own hands… even if it meant growing fins.

It must be understood that in some cases the process by which a god or goddess degenerates into a fairy may occupy centuries, and that in the passage of generations such an alteration may be brought about in appearance and traits as to make it seem impossible that any relationship actually exists between the old form and the new. This may be accounted for by the circumstance that in gradually assuming the traits of fairyhood the god or goddess may also have taken on the characteristics of fairies which Already existed in the minds of the folk, the elves of a past age, who were already elves at a period when he or she still flourished in the full vigour of godhead. For in one sense Faerie represents a species of limbo, a great abyss of traditional material, into which every kind of ancient belief came to be cast as the acceptance of one new faith after another dictated the abandonment of forms and ideas unacceptable to its doctrines. The difference between god and fairy is indeed the difference between religion and folk-lore.

Some stories soak into the threads of the universe, beyond time, becoming echoes of memory lingering in the darkness, like dead stars, whispering light.

Imagine a perfect world

Why do mythological heroes of past civilizations have a thousand faces? Is it because each one of us takes a heroic journey of self-discovery?

The gods had some very strange ways of making mortals immortal or invulnerable.

Women had no power without a husband or father—a woman living in exile had nothing.

The origin of the term kamikakushi, “spirited away” is said to be unknown, but in the end, it’s all about the same thing. Killing children in times of famine.

Thus Arthur achieved the adventure of the sword that day and entered into his birthright of royalty. Wherefore, may God grant His Grace unto you all that ye too may likewise succeed in your undertakings. For any man may be a king in that life in which he is placed if so he may draw forth the sword of success from out of the iron of circumstance. Wherefore when your time of assay cometh, I do hope it may be with you as it was with Arthur that day, and that ye too may achieve success with entire satisfaction unto yourself and to your great glory and perfect happiness.

Andersen himself believed that many of his finest stories were written after travels to Rome, Naples, Constantinople, and Athens in 1841. He returned to Copenhagen reinvigorated by the encounter with the 'Orient' and began inventing his own tales rather than relying on the folklore of his culture. Andersen believed that he had finally found his true voice, and 'The Snow Queen,' even if it does not mark a clean break with the earlier fairy tales, offers evidence of a more reflective style committed to forging new mythologies rather than producing lighthearted entertainments.

Cabinet is a conscious, explicit attempt to portray the Doctor himself as myth. “He’s a mischief, a leprechaun, a boojum,” says one character, bookseller and collector of incunabula, Syme. “The Doctor is a myth. He’s straight out of Old English folklore, typical trickster figure really.”29 Neither part of an ongoing narrative, nor specifically located within the series’ past, Cabinet is in a position to challenge the portrayal of the Doctor.

Magic is the first language of the world. It was the language before words, before mathematics. Humanity can accept concepts like space travel to other galaxies, and yet magic can only be real in the minds of those who believe it, or in the imagination of children.

Not all the gods who appear in these tales and fancies became more than mythological figures. Many of them continued merely in this role, without temple or form of worship; they had but a folklore or finally a theological existence. Others became the great gods of Egypt.

Allegorical stories of saints battling with giants, monsters and demons may be interpreted as symbolizing the Christian's fight against paganism. At Bwlch Rhiwfelen (Denbigh) St Collen fought and killed a cannibal giantess, afterwards washing away the blood-stains in a well later known as Ffynnon Gollen. In Ireland, the tales of saints slaying giant serpents may have the same meaning; alternatively they (or some of them) may refer to early sightings of genuine water monsters. St Barry banished a serpent from a mountain into Lough Lagan (Roscommon), and a holy well sprang up where the saint's knee touched the ground.

Some gay soldiers and officers, particularly those with a college education, carried with them a mythology, developed from reading the classics and in conversations with other gay men, about "armies of lovers," such as the "Sacred Band of Thebes" in ancient Greece, and heroic military leaders, such as Alexander the Great, Julius Caesar, Frederick the Great, and Lawrence of Arabia, who like themselves had had male lovers. This folklore provided them with romantic historical images that could help allay self-doubts before their first combat missions. It confirmed that there had always been gay warriors who fought with courage and skill, sometimes spurred on by the desire to fight bravely by the side of their lovers.

While the sleep and euphoria-inducing qualities of this plant have also been known about for a long time, the idea that the poppy is a symbol of fecundity is an ancient one, especially in Anatolian folklore. "It has to be noted that the plant has always been referred to as a symbol of fertility in Anatolian folklore. Needless to say, the countless seeds contained in the poppy pod make it an ideal symbol of birth

Why has not England a great mythology? our folklore has never advanced beyond daintiness, and the greater melodies about our country-side have all issued through the pipes of Greece. Deep and true as the native imagination can be, it seems to have failed here. It has stopped with the witches and the fairies. It cannot vivify one fraction of a summer field, or give names to half a dozen stars. England still waits for the supreme moment of her literature—for the great poet who shall voice her, or, better still for the thousand little poets whose voices shall pass into our common talk. At

Religions, creeds, drama, poetry, games, folklore, folk tales, mythology, moral and aesthetic codes' elements of the political and juridical life affirming a personality's value , freedom and tolerance ; philosophy, theater, galleries , museums, libraries-this is the unbroken line of human culture, the first act of which has been played in heaven between God and man. That is climbing the holy mountain , the top of which remains unreachable' marching through darkness by means of the blazing candle carried by man. Civilization is the continuation of technical rather than spiritual progress in the same way that Darwinian evolution is the continuation of biological rather than human progress. Civilization represents the development of the potential forces that existed in our less developed ancestors. It is a continuation of the natural , mechanical elements-that is, of the unconscious, senseless elements of our existence. Therefore, civilization is neither good nor bad in itself. Man must create civilization , just as he must breathe or eat. It is an expression of necessity and of our lack of freedom. Culture ,on the contrary, is the ever-present feeling of choice and expression of human freedom.

Wagner’s Ring Cycle has kept one version of one of the great Norse stories alive in the minds of music lovers. Readers of modern fantasy will find many echoes of the Norse tales as well. Neil Gaiman, Douglas Adams and others have explicitly taken some of the Norse gods and put them into a modern setting with strange, sad and humorous results. Echoes of Norse tales and creatures abound in the speculative fiction of Ursula Le Guin, J.R.R. Tolkien, C.S. Lewis, Tad Williams and others. Something in these old and puzzling stories still has the power to move and unsettle us, and to inspire new acts of creation.

After Guru Rinpoche subdued Tseringma, he pursued her four younger sisters. One by one, they repented and became Buddhist deities, moving to mountains of their own. Miyolangsangma patrols the summit of Everest on the back of a tigress. Now the goddess of prosperity, her face shines like 24-carat gold. Thingi Shalsangma, her body a pale shade of blue, became the goddess of healing after galloping on a zebra to the top of Shishapangma, a 26,289-foot peak in Tibet. Chopi Drinsangma, with a face in perpetual blush, became the goddess of attraction. She chose a deer instead of a zebra and settled on Kanchenjunga, a 28,169-foot peak in Nepal. The final sister—Takar Dolsangma, the youngest, with a green face—was a hard case. She mounted a turquoise dragon and fled northward to the land of three borders. In the modern Rolwaling folklore, this is Pakistan. Guru Rinpoche chased after her and eventually cornered her on a glacier called the Chogo Lungma. Takar Dolsangma appeared remorseful and, spurring her dragon, ascended K2, accepting a new position as the goddess of security. Although Guru Rinpoche never doubted her sincerity, maybe he should have: Takar Dolsangma, it seems, still enjoys the taste of human flesh.

SELKIE Alone, the cold body of the selkie man lay upon the sand, so like the drowned one the widow had called for. For her longing, he was hauled upon the sand, exposed to the moonlight. The selkie strained in fraught movements and human form broke from the gleaming seal fur. Undeniably he bore the image of the widow’s lost husband and spoke with the sounds of the dead man’s voice. She hailed back from the rocks. Shadows accumulating beyond the moon’s ability to reform. Colours were washed from sight and silver crashed through her, colder than snow dreams of being. In the dark, the ocean became the rolling flanks of a great beast drifting back across the horizon. Out deep soon, the land’s drop sharp.

If the invariable human problem with the sacred is its intangibility, its elusiveness, here all complaints are surely laid to rest. For here is reality in capital letters. Here is mountain – solid, physical, eminently tactile. And here is metaphor – richly veined, textured, inflected by aeons of spiritual folklore. The result of this conjunction between the physical and the metaphysical, between the literal and the emblematic is Shiva frozen eternally in form. Or, to put it another way, here is simply the staggering sight of centuries of abstraction – of incredible mythological and mystical sophistication – embodied in unequivocal stone. Here is idea made image. The conceptual made concrete. Thought turned thingy. Miracle as mountain.

As the red-haired female watched, it was obvious she could not process what was happening. It was as though she had never seen anything magical; her fear had her locked in place, unable to move. In her reality, humans didn’t “feed” off of other humans, but the Sluagh were not human. They were demons and ghosts that haunt and invade. They were your darkest fears. The nightmarish creatures were a part of folklore passed down from generation to generation. The Sluagh were in essence rejected by heaven and hell, existing in the human realm only to consume souls. Humans were blinded by the magic that existed in the world. They assumed fairytales were just someone’s wild imagination, creative tales told to delight and frighten children. It was this lack of acknowledgement that made humans the perfect prey for these outcasts.

As for the relatively fixed symbols, this example gives a fair idea of their general nature. There are a great many of them, and they may differ in individual cases by subtle shifts of meaning. It is only through comparative studies in mythology, folk-lore, religion and language that we can determine these symbols in a scientific way. The evolutionary stages through which the human psyche has passed are more clearly discernible in the dream than in consciousness. The dream speaks in images, and gives expression to instincts, that are derived from the most primitive levels of nature. Consciousness all too easily departs from the law of nature; but it can be brought again into harmony with the latter by the assimilation of unconscious contents. By fostering this process we lead the patient to the rediscovery of the law of his own being.

The Name "Arthur" The etymology of the Welsh name Arthur is uncertain, though most scholars favour either a derivation from the Roman gens name Artorius (ultimately of Messapic or Etruscan origin), or a native Brittonic compound based on the root *arto- "bear" (which became arth in Medieval and Modern Welsh). Similar "bear" names appear throughout the Celtic-speaking world. Gildas does not give the name Arthur but he does mention a British king Cuneglasus who had been "charioteer to the bear". Those that favor a mythological origin for Arthur point out that a Gaulish bear goddess Artio is attested, but as yet no certain examples of Celtic male bear gods have been detected. John Morris argues that the appearance of the name Arthur, as applied to the Scottish, Welsh and Pennine "Arthurs", and the lack of the name at any time earlier, suggests that in the early 6th century the name became popular amongst the indigenous British for a short time. He proposes that all of these occurrences were due to the importance of another Arthur, who may have ruled temporarily as Emperor of Britain. He suggests on the basis of archaeology that a period of Saxon advance was halted and turned back, before resuming again in the 570s. Morris also suggests that the Roman Camulodunum, modern Colchester, and capital of the Roman province of Britannia, is the origin of the name "Camelot". The name Artúr is frequently attested in southern Scotland and northern England in the 7th and 8th centuries. For example, Artúr mac Conaing, who may have been named after his uncle Artúr mac Áedáin. Artúr son of Bicoir Britone, was another 'Arthur' reported in this period, who slew Morgan mac Fiachna of Ulster in 620/625 in Kintyre. A man named Feradach, apparently the grandson of an 'Artuir', was a signatory at the synod that enacted the Law of Adomnan in 697. Arthur ap Pedr was a prince in Dyfed, born around 570–580. Given the popularity of this name at the time, it is likely that others were named for a figure who was already established in folklore by that time.

micel walcan wolde we do from that daeg micel walcan in the great holt the brunnesweald but though we walced for wices months years though this holt becum ham to me for so long still we did not see efen a small part of it so great was this deop eald wud. so great was it that many things dwelt there what was not cnawan to man but only in tales and in dreams. wihts for sure the boar the wulf the fox efen the bera it was saed by sum made this holt their ham. col beorners and out laws was in here as they was in all wuds but deop deoper efen than this was the eald wihts what was in angland before men here i is meanan the aelfs and the dweorgs and ents who is of the holt who is the treows them selfs. my grandfather he telt me he had seen an aelf at dusc one daeg he seen it flittan betweon stoccs of treows thynne it was and grene and its eages was great and blaec and had no loc of man in them. well he was blithe to lif after that for oft it is saed that to see an aelf is to die for they sceots their aelf straels at thu and aelfscot is a slow death

The wind was blustering again, whipping the curtains. Peter went over to close the window. The moon was now high on the eastern rise, radiant above the church where small water-cart clouds raced across the sky. About to fasten the window latch, his eye was drawn down to the garden. The fox stood under the apple tree looking up at him. The animal began to bark. Each monosyllabic yip and yap seemed to mimic human speech. By some strange power or spell, Peter could understand what the animal was saying. He heard the words loud and clear. ‘I-am Si-on,’ the fox barked. Man and beast looked unwaveringly at one another, neither moving a muscle. The wind stopped blowing, the curtains hung at rest. Peter leaned out the window. ‘What do you want from me?’ he called down. ‘Save-us-from-the-stea-lers,’ barked Sion. Peter’s mind reeled. It would be madness to believe he could understand what the fox was saying—lunacy to think he could commune with it! ‘I must still be asleep,’ he reasoned, closing the window. He sat down on the bed, folding his hands in his lap. But this is not a dream. Lying down, he pulled the bedcovers over himself. ‘Save-us! Save-us! Save-us!’ the fox kept barking from the garden.

But after he had been singing awhile, mist and shadows seemed to gather about him, sometimes coming out of the sea, and sometimes moving upon it. It seemed to him that one of the shadows was the queen-woman he had seen in her sleep at Slieve Echtge; not in her sleep now, but mocking, and calling out to them that were behind her: 'He was weak, he was weak, he had no courage.' And he felt the strands of the rope in his hand yet, and went on twisting it, but it seemed to him as he twisted, that it had all the sorrows of the world in it. And then it seemed to him as if the rope had changed in his dream into a great water-worm that came out of the sea, and that twisted itself about him, and held him closer and closer, and grew from big to bigger till the whole of the earth and skies were wound up in it, and the stars themselves were but the shining of the ridges of its skin. And then he got free of it, and went on, shaking and unsteady, along the edge of the strand, and the grey shapes were flying here and there around him. And this is what they were saying, 'It is a pity for him that refuses the call of the daughters of the Sidhe, for he will find no comfort in the love of the women of the earth to the end of life and time, and the cold of the grave is in his heart for ever. It is death he has chosen; let him die, let him die, let him die.

Thats all we should be, a squishy golem, an extremely articulate automaton, Without one thing- Spirit

My family taught me an alternate perspective. Greek mythology was completely borrowed from Polynesian and Pacific Island folklore.

He threw the knife at Karian’s face, deliberately catching his temple. “Sons of Kings shouldn’t play with sharp toys.

Chaos came Eros (Sexual love) and Gaia (Earth). Both are personifications of the driving force behind the acts of procreation through which the Cosmos became populated. In time, Gaia would surround and engulf Chaos itself.

From the first three (Chaos, Gaia and Eros) as well as the possible addition of a fourth, Tartarus (the world beneath the earth), came all that exists.

The extent to which cheese figures in Cambrian folklore is surprising.

Deeply rooted in Celtic tradition, folklore, and mythology, fairies occupy a unique space within the realm of mythical creatures. Unlike iconic horror figures like vampires, werewolves, and zombies, fairies aren’t typically categorized as outright malevolent beings. In fact, their nature is multifaceted, as they are just as likely to grant wishes and bestow blessings as they are to mete out malicious retribution.

the Greek аnd Rоmаn stereоtype thаt the Celts were crude, viоlent, аnd "uncivilized" peоple is untrue. Rаther, this nаrrаtive served Julius Cаesаr аs а pretext tо аnnex severаl Celtic peоples under the rule оf Rоme in the Iberiаn аnd French prоvinces.

By bringing together our differences we will see how similar we really are. Combining our strengths and talents is how we will survive, and embracing love according to the needs and values of the tribe is how we shall conquer our fear...

The Viking warriors created “warrior cults” of the bear and the wolf. The ones that were members of the bear cult were known as the berserkers. They raided all across Europe, and their appearance was described as notorious due to their timing and speed. Whereаs Berserkers were considered men who fought аnd behаved like beаrs, the Ulfhednа, wаrriors of the wolf cult, were considered to be men who becаme wolves. They wore wolf skins and howled in battle, аnd their behаviour influenced lаter Europeаn werewolf folklore. Unlike the beаrs, they hаd no shields. Lаter, they eventuаlly merged with the berserkers in nаme, yet continued to prefer their own methods.

But really, why should the Cailleach matter now? Why should the other fierce and shining old women of European myth and folklore who populate the pages of this book matter? Why should any of these old stories matter? Aren’t they just ancient history? Nice to know, but irrelevant to our infinitely more sophisticated lives today? Well, they matter because the ways in which we think about aging depend on the stories we tell about it. How we think about aging women depends on the images we hold of them. And the images we hold of aging women today aren’t healthy. Truth is, there is no clear image of enviable female elderhood in the contemporary cultural mythology of the West; it’s not an archetype we recognize anymore. In our culture, old women are mostly ignored, encouraged to be inconspicuous, or held up as objects of derision and satire. But our old mythology and folklore tell us something very much more interesting: that it hasn’t always been so. In our more distant past, as of course in many indigenous cultures today, female elders were respected and had important and meaningful roles to play. They are the ones who hold the myths and the wisdom stories, the ones who know where the medicine plants grow and what their uses are. They serve as guides for younger adults; they’re the caregivers and mentors for the community’s children. They know when the community is going to the dogs, and they’re not afraid to speak out and say so. When they do, they’re listened to. Their focus is on giving back — on bringing out, for the sake of Earth and community, the hard-earned wisdom which they’ve grown within themselves.

The Fey's Captive by Stewart Stafford Sprite music in moonlit sway, Her song turned azaleas grey, A haunting lilt that carried far; Charmed ear to shimmering star. Hornpipe down, melody went on, Lovelight flickered, then it shone, Claimed me then on yearly shore, Dragged me behind the fairy door. An enchanted hostage kept there, Gossamer glowed her flaxen hair, Made me pledge to be her slave, This regal man, reduced to knave. A year and a day passed, comet swift, My sentence over, her parting gift, Conditions met by kith and kin, Woke to bedroom light with a grin. © Stewart Stafford, 2024. All rights reserved

Legends and mythology have always played a vital role in shaping the identity and cultural heritage of civilizations. The Klassikan Empire is no exception, as it is steeped in a rich tapestry of mythical tales and folklore that have been passed down through generations.

High Magic’s Aid)

Sleep my baby, rock-a-bye, On the edge you must not lie. Wolf the Fluffy roams astray, Will he grab you, drag away? Into Furthest Darkest Woods, Hide you under Willow roots? There birdies chirp and squeak, Will they let you fall asleep?

Vila the White, Built a City up height, Not in the Heavens, not on the ground, But on the edge of a Cloud, Vila the White, Put defenses the bright: Gold defends the heights, Sun defends the gate, Moon defends the City when it's late, Vila the White, Stood with Sun at sight, Watching what comes from the bay, And saw Lightning and Thunder play, Vila the White, Wed her son on Moon at night, And gave her daughter to Gold, as bride, They have couple brothers, she's their brother's wife.

The golden salamander walks through fire, because it has no fear

That is why in the case of some of our Mohammedan or Christian countrymen who had originally been forcibly converted to a non-Hindu religion and who consequently have inherited along with Hindus, a common Fatherland and a greater part of the wealth of a common culture—language, law, customs, folklore and history—are not and cannot be recognized as Hindus. For though Hindusthan to them is Fatherland as to any other Hindu yet it is not to them a Holyland too. Their holyland is far off in Arabia or Palestine. Their mythology and Godmen, ideas and heroes are not the children of this soil. Consequently their names and their outlook smack of a foreign origin. Their love is divided. Nay, if some of them be really believing what they profess to do, then there can be no choice—they must, to a man, set their Holy-land above their Fatherland in their love and allegiance. That is but natural. We are not condemning nor are we lamenting. We are simply telling facts as they stand. We have tried to determine the essentials of Hindutva and in doing so we have discovered that the Bohras and such other Mohammedan or Christian communities possess all the essential qualifications of Hindutva but one and that is that they do not look upon India as their Holyland.

In the years leading up to Hitler, many völkisch groups appeared in Germany; the English equivalent “folk” doesn’t quite convey the blend of mythology, folklore, legend, and nationalism that the German term suggests. Jung’s emphasis on history and myth, as well as his rejection of scientific materialism, made these groups sympathetic to his work, as opposed to Freud’s which, along with being Jewish, was reductionist. Although much has been made of it,29 Jung’s own connection, if any,30 to the völkisch movement is unclear. The only strong link is his friendship with the German indologist J. W. Hauer, who founded the German Faith Movement in 1932, a religious society aimed at replacing Christianity in German-speaking countries with an anti-Christian and anti-Semitic modern paganism based on German literature and Hindu scripture. Hauer, an ardent Nazi, hoped his movement would become the official religion of the Reich. Hitler, however, thought little of Hauer and laughed at his followers who “made asses of themselves by worshipping Wotan and Odin and the ancient, but now obsolete, German mythology,”31 a remark that says much about Hitler’s cynicism toward the völkisch ideology he nevertheless exploited to gain power.

Behind every legendary monster, there is an unknown tragedy.

Viņa tic, ka ir mirušo pasaule, klusa un pilna palsas miglas, kas guļ no mūžības gar rāmās miroņupes krastiem un šajos krastos saaugušiem veļu vītoliem. Tur nav mocību, prieka nav un nava arī saules - tik klusums liels bez gala un dūmaku vienmēr pilns gaiss kā rudzu sējai labā rudens miglas rītā.

I blinked. “What do you mean awake?” Bethany grimaced. “Don’t you know the story ordinaries tell about what happened to Merlin?” “Uh, no.” “I do,” said Eli. “There’re lots of different versions, but most say he was imprisoned in some kind of magical tomb by a witch named Niviane or some such.” I gaped at him, surprised by the depth of his knowledge on the subject. “What?” he said, shrugging. “I have sort of a thing for mythology and folklore.” Yeah, that might be even cuter than the cop stuff.

Though each of the Vedas may be regarded as a separate work, their composition must have originated contemporaneously. Thus there is no clear division between the notion of the personification of stellar, atmospheric and chthonic phenomena and the henotheistic and henotic notions that finally superseded them. Some members of the brahmin and ksatra classes, and even of the südra, joined secret coteries in the seclusion of the forest and composed radical Äranyakas and Upanisads, which rejected ritual sacrifice as the sole means of liberation (moksa), and introduced a monistic doctrine. Such ideas challenged the stereotyped theological dogmas and revitalized religion in India. So great was their impact that the Äranyakas and Upanishads were finally regarded as the fulfilment of Vedic nascent aspirations, and therefore called the Vedanta, the end or conclusion ‘anta’ of the Veda.

Shankara’s views were gradually accepted, possibly because he presented brahman both as the cosmic principle and as a personal god (isvara), which added emphasis to the teaching of the later Upanisads and to that of Patañjali. Advaita Vedanta thus reinforced the teaching of the Bhagavadgitä and the concept of liberation (mukti) by grace (prasäda), faith (sraddha), and devotion (bhakti). It succeeded in reviving the ancient belief in the affinity of mankind with the world of nature. From being merely one of the darsanas, the Vedanta became an element that permeated all Hindu cults and dissolved sectarian distinctions. It gave to the Supreme Essence (paramätman), Vishnu and Shiva the common, all-inclusive designation, ‘Isvara’.

That is the way of the gods. When they intervene, everyone loses something.

A voice called to me, but I didn’t know what it was—my rational mind would want to call it a thirst for truth and knowledge but the writer in me tells me romantically it was fate.

It is not my desire to impose upon you the shackles of traditional folk beliefs or convictions; instead, I extend to you a heartfelt invitation into a sacred realm where the extraordinary intricately interlaces itself with the fabric of the ordinary.

Let the mystical dance of the daivas intertwine with the vibrant hues of our mortal existence, illuminating our paths with revelations about Tulu Nadu’s spirit deities or as they say in Tulu—Satyolu.

Women in Viking society were described as free and independent rather than suppressed and relegated to menial tasks.

It was a modern folklorist name Adrienne Mayor who first noticed that the Ancient Greek stories of the griffin (which had the body of a lion, head and claws of an eagle, tail of a serpent) perfectly described a Protoceratops. The Greeks believed that the griffin guarded treasures of gold. Mayor discovered that fossilized skulls of Protoceratops were often found in Mongolia, where the Greeks traveled to trade for gold.

His snowshoe paws are encased in chains as he hops on his hind legs. On his forehead was placed a wreath of thorns, crimson and blasphemous it was. His eyes were drenched in white, no colors can be discerned whatsoever in the reflection of his pupils, only a harrowing stillness of nothingness can be glimpsed through his gaze. He was the image of a ghostly figure, his silhouette swirling like the clouds in the loftiest mountains in eternal Paradise; a divine messenger before all animals and humanity. He wears shimmering chest armor resembling the scorching rays of the sunlight, with a fire crown of thorns burning on his forehead, which embodies the colors of the Earth's horizon, showcasing seventeen stars in its center. He had a voluminous, metallic beard, which was made of arctic sand from the Northern Winter lands - it was wizardly like - something out of a mythical folk tale that comes from a children's novel. His body glistens like the shattered fragments from the Moon, with his fur appearing like green moss surrounded by waterfalls flowing from each corner on his appearance - evolving into snowflakes, ice, as well as winter storms if you inflict your might at his anguish. He’s a supernatural being that all the Witches of the globe worshiped. He is greater, more superior, more virtuous than all deities people pray to on Earth. He’s the lunar father of all the Heavens and Earth, the All-father of all Animals and Mankind. When you see the Hare flying in the skies of the Universe, He’s bestowing the blessings of Sprout, Summer, Autumn, Winter. As the Hare Lunar King steps on the green grass, the mountains will begin to shake, the oceans will become huge typhoons, earthquakes will rumble across the nations as mankind annihilates each other in the guise of the Hare Lunar Emperor. However, the hare will grieve for all humankind, for he knows that the Earth is devoid of vengeance, so he must demolish it in preparation to reconstruct it from a pristine foundation. That future is nigh, that soon will arrive - it’s unfolding as I converse. The Lunar Rabbit King is coming back with his swarm of rabbits - mankind will not evade the menace of long ears - for their King will tell the sinister world with a voice of a thundering lion roar, ‘it is completed! go into the depths of your abysmal eternity, and enslave yourself as the locust of the earth in the fires of tribulation, for you will be tormented from sunrise to sunset, where sunlight is no more; forevermore.

He wept gray tears in his anguish. All the crossings he traversed across have dissipated into nothing. His psyche is a vessel of brittleness. Throughout his tear-filled eyes, the crow's feather swirls; finding himself lost in a labyrinth, searching for a way to free himself from his scars. Through his misdeeds, he creates more mysteries and mazes. Each piece of bread that he steps upon is covered with thorns, needles; barbed wire, hooks; and every sharp point from his own mistakes, making him feel the consequences of his own indulging indulgence. For him, the only truths he can uncover are those that reside inside of him, and the Demon inside him does not want him to uncover them. By looking into his own mirror, he can see his nemesis before his eyes, the affliction that keeps him from the true meaning of his existence: himself and the subconscious he is governed by. The battle is between him and himself. From within, the rabbit is perishing, he is trying to figure out how to escape. When the Almighty has switched off the illumination of his radiance in the rabbit's life, there’s no paradise when Hades keeps on existing. Revelation misled him into believing he could be redeemed as he is unwell in discomfort, so he must resolve this conflict alone to find his healing. In retrospect, the previous entryway has been sealed. Through this journey of our missteps; restoration can be attained. Rehabilitating ourselves requires dismantling the demons within us to reach redemption. We must frolic like this rabbit lost in our own personal awareness, for we are all enmeshed in the maze of our own consciousness.

nymph or siren from Basque mythology with duck-like feet (Lamiak = plural Lamia) 2 Txorizo: pork sausage 3 Pintxos: small snacks made from a variety of ingredients fastened to a slice of baguette bread with a toothpick 4 Trikitixa: a small accordion with buttons instead of piano-style keys

Scorpion-men feature in Babylonian poetry etched on clay tablets, and they are popular images used in many situations, from palaces to homes, thrones to ceramics, and murals to stamp seals.

Saying NO is also an act of liberation!

Who is that person in your family who has never abused anyone? Who is that ancestor from whom you can draw your own strength? If you cannot find such a person, then You must become the one.

I carry my wounds with pride, because they mean I fought for my freedom.

Faith and mythology, in their profoundest sense, are the twin pillars that uphold the vast cathedral of human consciousness. They are the intertwined roots that nourish our understanding of existence, grounding us in the fertile soil of the unknown. Faith, is the audacious whisper in the heart of man, defying the chasm of uncertainty with its unwavering resonance. It is the audacity to trust in the unseen, to hear the unspoken, and to pursue the uncharted. It is the flame that illuminates the caverns of our deepest fears, casting shadows on our doubts, and lighting the path to our truest selves. Meanwhile, mythology is the grand tapestry we weave to contain the boundless cosmos within the finite landscapes of our minds. It is the narrative thread that stitches together the fabric of our collective consciousness, painting vibrant portraits of gods and monsters, of heroes and villains, of creation and destruction. Mythology gives form to faith, translating the abstract into the tangible, the divine into the comprehensible, the eternal into the temporal. It is the language of symbols, narrating the timeless tales of the human spirit dancing with the cosmos' infinite possibilities. Yet, both faith and mythology are but reflections in the mirror of existence, shimmering illusions that hint at a reality far beyond our comprehension. They are the echoes of the universe whispering its secrets to those daring enough to listen, the gentle lullabies that soothe our existential anxieties, the sweet honey that makes the bitter pill of the unknown more palatable. They are not the ultimate answers to life's mysteries, but the beautiful questions that keep us seeking, exploring, and wondering. They are the compass and the map, guiding us on our endless quest for truth, reminding us that the journey, not the destination, is the essence of existence.

A night when the old year stumbles and the new is yet to be born, a night when time does not flow but pools, and everything that could be, is.

Who knows? But don't we all know the White Witch? Must she be someone in particular? We can try and find the source, but we are all born knowing the Witch, aren't we?" "Yes. We are." I think about the disease that has ravaged my brother's heart, making it weak. His illness is the White Witch. War is the White Witch. Cruelty is the White Witch. I take a breath. "There are so many things in your novel, Mr. Lewis. And then I've listened and I've written down the stories you tell me as best I can in my notebook, and I've read fairy tales and George MacDonald. I see, of course, that there is Greek, Roman, and Norse mythology in your Narnia story. There are British fairy tales, Irish folklore, and...even Father Christmas." His laugh bellows across the room so loudly that outside I spy a flock of birds loosening from their branches and flying away with their black wings.

You are an insufferably wonderful reprieve from my darkness.

You are an insufferably wonderful reprieve from my darkness.

It would have been a lovely evening had it not been for the unfortunate circumstance of my death

Some say that if you look deep into a cat's eyes you will see the world of the fairies.

Mathieu didn’t know at all what to do about May. He felt a kind of nausea, probably induced by the regular movement of the ball. She was having religious fits again. Jesus Christ, she thought, how many thousands of years will it take people to get over their folklore? There was nothing he could do about that now. She wouldn’t listen to all the scientific explanations and would go on imagining things. People will always keep imagining things. It was impossible to convince them that there is nothing there. Nothing at all. Only matter. Particles. Energy.

Fates are an often-misunderstood concept in European folklore, and the western obsession with Greek mythology is partially to blame. We tend to conceptualize the three fates as just three major Goddesses, like the Greek Moirae. Similar figures are found throughout Europe, but the situation in other European traditions tends to be more complex. The word “fairy” in many European languages, including English and Italian (fata) and French (fée) actually comes from the Latin word “fata” or “fate.

Underworld: The Mysterious Origins to Civilization, Graham Hancock has noted that almost any explanation, however harebrained, is more acceptable than the literal interpretation that there was a global flood1 As an example, Alan Dundes, professor of antiquity and folklore at the University of California Berkeley, underscored this scholarly doctrine of denial, (unbelievably) stating that myth is a metaphor, whereby cosmogenic projection of details in human birth, where every child is born in a flood of amniotic fluid, is somehow expressed by flood mythology.2 Conversely,

On the first of October they arrived. They gathered in places they could see the whole island, the rolling hills and the farmland. Sitting in trees and on curbs, on barns and along low pasture walls. Across from the church and atop the green moss-glow of the epitaph in the shadows of the high street. In October the crows always came in threes.

A myth is a work of imagination and therefore a work of art. It needs a poet to make it. It needs a poet to criticize it. ... for some reason it is only the minority of unpoetical people that are allowed to write critical studies of these popular poems. ... Mythology is a lost art. ... Scientists seldom understand as artists understand that one branch of the beautiful is the ugly, they seldom allow for the legitimate liberty of the grotesque. ... the frog laughed but the folklore student remains grave.

Youth and foolishness share the same bed.