Mythical Creature Quotes

I am Switzerland. I refuse to be affected by territorial disputes between mythical creatures.

A controlling man, surely a mythical creature?

The usual warmth of his hands wasn’t there. They chilled my skin as they slipped to my waist, and I realized he was scared.

she told me she'd be a phoenix." The image of the mythical creature rising from the ashes glitters in my mind. "They don't really exist." "She said that depends on whether or not there's someone who can see them.

A star becomes a sun, under the pressure of darkness.

Realization hit his face like a bomb. His hand trembled on my cheek, and he looked down to the ground, no longer able to hold my gaze.

My brother believed in all sorts of mythical creatures: pixies, dragons, werewolves, honest men.

she told me to be my own hero. Inside of all of us was the potential for greatness—all it took was a change in perspective. “You can burn brighter than they can, if you have too.

There are two types of men, Karolina. The ones who can admire the greatness of the little flower. Or the ones who try to control it.

For a second, fire flared inside of him, not like mine, but the fire of a man about to lose control.

Do you want me?” he whispered. It was a simple but loaded question. The answer, like it could remove all anguish from the past few weeks, stood out in my head. “Yes.

In her novel Regeneration, Pat Barker writes of a doctor who 'knew only too well how often the early stages of change or cure may mimic deterioration. Cut a chrysalis open, and you will find a rotting caterpillar. What you will never find is that mythical creature, half caterpillar, half butterfly, a fit emblem of the human soul, for those whose cast of mind leads them to seek such emblems. No, the process of transformation consists almost entirely of decay.

I had plans, Karolina, and I chose power over love.

You can burn brighter than they can, if you have too.

she told me to be my own hero. Inside of all of us was the potential for greatness—all it took was a change in perspective.

I couldn’t remember a time when I felt the type of love Miruna had. Eternal love. The kind which keeps one going when one is ninety and alone.

I believe that. But I want you to know something — when it comes to all this enemies nonsense, I’m out. I am a neutral country. I am Switzerland. I refuse to be affected by territorial disputes between mythical creatures. Jacob is family. You are . . . well, not exactly the love of my life, because I expect to love you for much longer than that. The love of my existence. I don’t care who’s a werewolf and who’s a vampire. If Angela turns out to be a witch, she can join the party, too.

Lucius shrugged. "Perhaps in time you will find it useful." "Sure. I'll keep it on my shelf right next to The Idiot's Guide to Becoming a Mythical Creature.'' Lucius actually laughed. "Very funny. I didn't know you made jokes." "I'm a funny person," I defended myself. "And by the way—I don't snore." "You do snore. And you mumble, too." My blood froze. The dream . . . "What? What did you hear?" "Nothing too intelligible. But it must have been a rather pleasant dream. You sounded ecstatic.

There is no mythical creatures just creatures man ran in to hiding.

...What does the blessing of heaven mean? We know the kirin is just an animal, not a mythical creature." It has become a symbol now.... That is the way human beings deal with the world.

In all this madness, there is only one beast whose existence you doubt. And you are not thinking of God, also known as Whoever. You are thinking of that most impossible of all mythical creatures: the Honest Politician.

I didn’t look to the shore much after this first long and memorable glimpse. I looked up at Heaven and her court of mythical creatures fixed forever in the all powerful and inscrutable stars. Ink black was the night beyond them, and they so like jewels that old poetry came back to me, the sound even of hymns sung only by men.

I don't know if hope is white. But I do know that hope for me is like some mythical creature.

When it comes to all this enemies nonsense, I’m out. I am a neutral country. I am Switzerland. I refuse to be affected by territorial disputes between mythical creatures.

Saint George's legend tells of the dangers of mythical creatures and the value of man asserting dominance over them. Manu's tale, quite conversely, stresses the value of mercy, coexistence, and peaceful symbiosis. [...] Marlowe is a good man, but he only knows how to slay dragons. The world is full of dragon-slayers. What we need are a few more people who aren't too proud to listen to a fish.

He wouldn't let her work. You know, he was controlling. Some men are like that.' He gives me a quick sideways smily. 'Really? A controlling man, surely a mythical creature?' I don't think I can squeeze any more sarcasm into my response.

Lust is a master showman who disguises himself as love, and love is a mythical creature who keeps habitat with the Easter Bunny, Santa Claus, the Tooth Fairy, and other lies we have been fed.

The people thrown into other cultures go through something of the anguish of the butterfly, whose body must disintegrate and reform more than once in its life cycle. In her novel “Regeneration,” Pat Barker writes of a doctor who “knew only too well how often the early stages of change or cure may mimic deterioration. Cut a chrysalis open, and you will find a rotting caterpillar. What you will never find is that mythical creature, half caterpillar, half butterfly, a fit emblem of the human soul, for those whose cat of mind leads them to seek such emblems. No, the process of transformation consists almost entirely of decay.” But the butterfly is so fit an emblem of the human soul that its name in Greek is “psyche,” the word for soul. We have not much language to appreciate this phase of decay, this withdrawal, this era of ending that must precede beginning. Nor of the violence of the metamorphosis, which is often spoken of as though it were as graceful as a flower blooming.

The Scriven men wore stack-heeled boots and pearl-studded evening coats; the ladies in their vast skirts looked like mythical creatures, half woman, half sofa.

She was like a unicorn. A mythical creature. An honest, no-drama woman who didn’t bullshit and drank beer and cussed and didn’t care about what people thought of her. She was a unicorn, tucked in the body of an attractive woman with a great ass. And I couldn’t have her.

Roscoe was spiritually illegal, a bootlegger of the soul, a mythic creature made of words and wit and wild deeds and boundless memory.

Pain as old as time itself, threaded with memories of heartache old and new, are translated into wails of anguish, the sonnet of her life.

Silver constellations sparkled across the velvet sky, revealing the mythical creatures that lingered in the valley of stars.

Griffins are mythical creatures—half eagle, half lion. They are believed to be loyal and protective of treasures and priceless possessions. What were the chances of finding a grocery store guy and a Griffin? Well done, Fate. Well done.

Promises bind our kind as surely as iron chains or ropes of human hair. The fae never swear by anything we don't believe in. We don't ask for thanks and we don't offer them; no promises, no regrets, no chains. No lies.

I wish people didn’t call them that. Trolls… They aren’t mythical creatures. You can’t look up how to defeat them in the Monster Manual. There are no critical hits, no saving rolls. They aren’t make-believe. They’re real. And they’re assholes.

It has a name because it's important, and all important things have names.

Out of the trees wild people stepped forth, gods Fauns and Satyrs and Dwarfs. Out of the river rose the river god with his Naiad daughters. And all these and all the beasts and birds in their different voices, low or high or thick or clear, replied: "Hail, Aslan. We hear and obey. We are awake. We love. We think. We speak. We know.

As Kate laments the loss of the singularly most profound love of her life, she watches the black ravens gather in a circle around her, dragging their wings in ritualized fashion as they dance to the beat of ancient drums, pounding out the story of ageless lamentation.

Mythical creatures were born and died all the time. They were born when we needed them and they died when we no longer saw them through the same eyes.

I was twelve. You were a nineteen-year-old hot friend of my brother who joked about sex in our house. You were practically a mythical creature.

I don't want to know more about her; don't want to know her weaknesses or calculate them. What I have is not for her; he gives me to understand she would not know what to do with it; it's not her fault. --One is married and there is nothing to be done.-- Yet he has said to me, I would marry you if I could, meaning: I want very much to marry you. I offended him a bit by not being moved. It's other things he's said that are the text I'm living by. I really do not know if I want any form of public statement, status, code; such as marriage. There's nothing more private and personal than the life of a mistress, is there? Outwardly, no one even knows we are responsible to each other.... 'This is the creature that has never been'--he told me a line of poetry about that unicorn, translated from German. A mythical creature. Un paradis inventé.

As the horde of ancient and mythical creatures impossibly descends upon you and dragonfire envelopes the land, you are forced to concede that it’s probably the very coolest way that you could die.

I’ve given up men.” At that, he arched a brow. Be strong. Be confident. Be… Neytiri from Avatar. Okay, so Neytiri was a mythical creature, not to mention animated, but still. She was strong and confident, and that’s all that matters at the moment. “It’s true. At first, I was just going to give up attorneys, but that seemed immature—and far too exclusive, so I’m playing it safe and giving up all the penis-carrying humans.” Because that was so much more mature.

She had made Matthew want to smile. With her luminous skin, her exotic cinnamon-colored eyes and quicksilver expressions, Daisy Bowman seemed to have come from an enchanted forest populated with mythical creatures.

Don't insert your hand inside a wolf's mouth - or a lion's, bear's, alligator's or crocodile's mouth, or in a lawn mower, garbage disposal, snowblower or blender - because, if you do, you're not going to have that hand for much longer! Don't believe me? Ask my good friend Captain Hook how he got his name! - Tyr

Soon she is lost in another dimension where images prevail and silence rules.  A large, black eye flutters open, staring at Kate from deep within the oceanic darkness of its mysterious pupil.  Falling into the center of this cyclopean abyss, she comes face to face with something completely unexpected.  A tiny infant, seemingly asleep, is suspended in a cocoon of rotating beads of white light above a luminous white stone altar.

I came to the sobering realization that I was not making it out of here alive, no matter what. I was bruised and bloodied in mind and body, surrounded by the most literal interpretation of monsters, and a final nail in the coffin--I was in love with one of them. The love and loss alone would kill me, if not for the mythical creatures standing in front of me, ready to beat love and loss to the punch.-- Camille

Sleep is like a mythical creature that lives in fairy forest and drinks rainbow water.

Never been around dogs much. My mom had a collie when I was a boy, but she was a gentle animal who stayed around the house, mostly. My father, and the men he knew, all had braces of big surly hunting dogs they used for going after wild hogs. The times he took me with him on those hunts, I was more afraid of those dogs than the feral hogs. Think they could sense it. Always felt like they would’ve taken the least opportunity to sink their teeth into me.

She gave him a smile that crinkled her nose and tip-tilted her eyes. It made him a wee bit dizzy, that smile. It fed sunshine into his veins. He was dazzled by her, thinking she could have been some mythical creature. A fairy or even a goddess. Not some coldly aloof and perfect goddess... but a small and merry one.

up in Pacific Grove, a coastal town on the Monterey Peninsula in California, I had spent many Sunday mornings combing beaches, hunting for sea glass. I once believed the surf-tumbled glass had come from mermaids when the mythical creatures wept for sailors lost at sea, their tears hardened and washed ashore by the latest storm front. Mermaid tears were treasure, meant to be guarded close to one’s heart. They brought wishes of true love and kept you safe

metamorphosed into a creature as evil as any mythical Hulder: “a woman,

His POV: Angela lies beneath us, embarrassed and vulnerable. This is not the mythically carnal creature of Lester’s fantasies; this is a nervous child.

The Dire Wolf killed the Jakes,” he said. “Who’s this Dire Wolf?” I asked. Figured he was talking about someone he knew. He spoke in a whisper, almost reverently. “The Dire Wolf is the curse of the Downstream People, the Arkansa. He is an evil spirit of the Quapaw.” I sighed and shook my head, knowing how these old Indians liked to throw in a bunch of mythical tribal mumbo-jumbo and superstition to deflect blame from someone they knew. “Well, you know where I can find this Dire Wolf fella?” I asked. “He cannot be found,” the old man said. “Really. You have reason to believe he’s taken off to other parts?” He said nothing for a full quarter minute, his black eyes intently on mine, searching. I could see contempt in them and a sadness. Made me nervous. “No,” old Long Walker answered at last. “He has not departed. Now that he has awakened, he will kill again.

Polishing her thighs with our warm dripping secretions we experience a spiritual alchemical metamorphosis as we bathe in the pure essence of ecstasy. Traveling with my fingers the length of this mythical creature she consumes from my other hand every morsel of my love.

Rivers knew only too well how often the early stages of change or cure may mimic deterioration. Cut a chrysalis open, and you will find a rotting caterpillar. What you will never find is that mythical creature, half caterpillar, half butterfly, a fit emblem of the human soul, for those whose cast of mind leads them to seek such emblems. No, the proces of transformation consists almost entirely of decay.

you’ve clearly been charged with hiring a jack-of-all-trades. And Dr. Auden is that mythical creature you seek: fully qualified to teach British and American literature, women’s studies, composition, creative writing, intermediate parasailing, advanced sword swallowing, and subcategories and permutations of the above.

Goodwill to all.' I know it's techinically 'goodwill to all men,' but in my mind, I drop the 'men' because that feels segregationist/elitist/sexist/generally bad ist. Goodwill shouldn't be just for men. It should also apply to women and children, and all animals, even the yucky ones like subway rats. I'd even extend the goodwill not just to living creatures but to the dearly departed, and if we include them, we might as well include the undead, those supposedly mythic beings like vampires, and if they're in, then so are elves, fairies, and gnomes. Heck, since we're already being so generous in our big group hug, why not also embrace those supposedly inanimate objects like dolls and stuffed animals. I'm sure Santa would agree. 'Goodwill to all.

Contemplations on the belly When pregnant with our first, Dean and I attended a child birth class. There were about 15 other couples, all 6-8 months pregnant, just like us. As an introduction, the teacher asked us to each share what had been our favorite part of pregnancy and least favorite part. I was surprised by how many of the men and women there couldn't name a favorite part. When it was my turn, I said, "My least favorite has been the nausea, and my favorite is the belly." We were sitting in the back of the room, so it was noticeable when several heads turned to get a look at me. Dean then spoke. "Yeah, my least favorite is that she was sick, and my favorite is the belly too." Now nearly every head turned to gander incredulously at the freaky couple who actually liked the belly. Dean and I laughed about it later, but we were sincere. The belly is cool. It is one of the Seven Natural Wonders of the World, an unmistakable sign of what's going on inside, the wigwam for our little squirmer, the mark of my undeniable superpower of baby-making. I loved the belly and its freaky awesomeness, and especially the flutters, kicks, and bumps from within. Twins belly is a whole new species. I marvel at the amazing uterus within and skin without with their unceasing ability to stretch (Reed Richards would be impressed). I still have great admiration for the belly, but I also fear it. Sometimes I wonder if I should build a shrine to it, light some incense, offer up gifts in an attempt both to honor it and avoid its wrath. It does seem more like a mythic monstrosity you'd be wise not to awaken than a bulbous appendage. It had NEEDS. It has DEMANDS. It will not be taken lightly (believe me, there's nothing light about it). I must give it its own throne, lying sideways atop a cushion, or it will CRUSH MY ORGANS. This belly is its own creature, is subject to different laws of growth and gravity. No, it's not a cute belly, not a benevolent belly. It would have tea with Fin Fang Foom; it would shake hands with Cthulhu. It's no wonder I'm so restless at night, having to sleep with one eye open. Nevertheless, I honor you, belly, and the work you do to protect and grow my two precious daughters inside. Truly, they must be even more powerful than you to keep you enslaved to their needs. It's quite clear that out of all of us, I'm certainly not the one in control. I am here to do your bidding, belly and babies. I am your humble servant.

My dad. I don’t really know where to begin other than to say he simply wasn’t a “dad.” He was this mythical creature. Part unicorn, part violent storm. And although he separated from my mom when she was pregnant, I somehow knew to forgive him. It’s as if I could grasp as a kid that this horse was so wild, he couldn’t be pinned down, and even if he could I am not sure you would want him around. This was the kind of man you saw in small doses. They were memorable. Sometimes dark, sometimes humorous, sometimes quotable.

Finally, I meet a mythical creature that isn’t trying to kill me!

believed in all sorts of mythical creatures: pixies, dragons, werewolves, honest men.

A man I barely knew told me, “When the grid goes down, the mythical creatures return.

I know it’s technically goodwill to all men, but in my mind, I drop the men because that feels segregationist/elitist/sexist/generally bad ist. Goodwill shouldn’t be just for men. It should also apply to women and children, and all animals, even the yucky ones like subway rats. I’d even extend the goodwill not just to living creatures but to the dearly departed, and if we include them, we might as well include the undead, those supposedly mythic beings like vampires, and if they’re in, then so are elves, fairies, and gnomes. Heck, since we’re already being so generous in our big group hug, why not also embrace those supposedly inanimate objects like dolls and stu

My mother's going to love you, you know. Although," I paused, "I'm not sure the feeling will be mutual." "You make her sound like such an ogre." "Harpy." "What?" "Ogres are male. Harpies are female. At least, I think so. Shit, I don't know. I'm a graphic designer. Mythology wasn't on the curriculum." Cat worked at a local bank as an IT consultant, and I doubted she knew much more about mythic creatures than I did. "Anyway, I think she's too short to be an ogre.

Goodwill shouldn't be just for men. It should also apply to women and children, and all animals, even the yucky ones like subway rats. I'd even extend the goodwill not just to living creatures but to the dearly departed, and if we include them, we might as well include the undead, those supposedly mythic beings like vampires, and if they're in, then so are elves, fairies, and gnomes. Heck, since we're already being so generous in our big group hug, why not also embrace those supposedly inanimate objects like dolls and stuffed animals (special shout-out to my Ariel mermaid, who presides over the shabby chic flower power pillow on my bed - love you, girl!). I'm sure Santa would agree. Goodwill to all.

With his pendulous penis swinging from side to side, the beast clip-clopped up a rickety flight of stairs led by Pablo Zapata's wife, who took him through a beaded curtain into a room where a bevy of sullen women reclined on tatty sofas. A collective gasp rang out among the group and many crossed themselves in silent prayer.

Endured a lecture on the Nine Worlds given by some fossilized thane named Snorti. (Might be Snorri? So boring, I almost started snorri-ing….)

From what I’ve gleaned, when combined with other words, hashtag has the power to distract the mind from more important matters.

Tammy, I hunt mythical monsters for a living. Try me.

It's impressive when you're such a mysterious fictional character that even avid enthusiasts are debating your existence within the mythos.

Sometimes we need to step away from our current reality in order to truly appreciate it.

Everybody dies. Including your messiahs. And gods.

Square one, here I come. - Sam

He snatched at the kerchief, managing to loosen it. "Please. It's all I want from life, to see you with-" another swipe, and he snagged the edge of the cloth, "-your hair all-" But Leo broke off as the kerchief pulled free, and the hair that spilled out was not any conceivable shade of green. It was blond... pale amber and champagne and honey... and there was so much of it, cascading in shimmering waves to the middle of her back. Leo went still, holding her in place as his astonished gaze raked over her. They both gulped for breath, worked up and winded like racehorses. Marks couldn't have looked more appalled if he had just stripped her naked. And the truth was, Leo couldn't have been any more confounded- or aroused- if he were actually viewing her naked. Though he certainly would have been willing to try it. Such a commotion had risen in him, Leo hardly knew how to react. Just hair, just locks of hair... but it was like a previously undistinguished painting in the perfect frame, revealing its beauty in full luminous detail. Catherine Marks in the sunlight was a mythical creature, a nymph, with delicate features and opalescent eyes. The most confounding realization was that it wasn't really hair color that had concealed all this from him... he had never noticed how stunning she was because she had deliberately kept him from seeing it. "Why," Leo asked, his voice husky, "would you conceal something so beautiful?" Staring at her, nearly devouring her, he asked more softly still, "What are you hiding from?

Contemporary writers use animal-transformation themes to explore issues of gender, sexuality, race, culture, and the process of transformation...just as storytellers have done, all over the world, for many centuries past. One distinct change marks modern retellings, however, reflecting our changed relationship to animals and nature. In a society in which most of us will never encounter true danger in the woods, the big white bear who comes knocking at the door [in fairy tales] is not such a frightening prospective husband now; instead, he's exotic, almost appealing. Whereas once wilderness was threatening to civilization, now it's been tamed and cultivated; the dangers of the animal world have a nostalgic quality, removed as they are from our daily existence. This removal gives "the wild" a different kind of power; it's something we long for rather than fear. The shape-shifter, the were-creature, the stag-headed god from the heart of the woods--they come from a place we'd almost forgotten: the untracked forests of the past; the primeval forests of the mythic imagination; the forests of our childhood fantasies: untouched, unspoiled, limitless. Likewise, tales of Animal Brides and Bridegrooms are steeped in an ancient magic and yet powerfully relevant to our lives today. They remind us of the wild within us...and also within our lovers and spouses, the part of them we can never quite know. They represent the Others who live beside us--cat and mouse and coyote and owl--and the Others who live only in the dreams and nightmares of our imaginations. For thousands of years, their tales have emerged from the place where we draw the boundary lines between animals and human beings, the natural world and civilization, women and men, magic and illusion, fiction and the lives we live.

To build a church when a school house is needed is to perpetrate a theft upon education. To build a church when a hospital is needed is to take from the parched lips of the sick the cup of relief and from the suffering the merciful hand of help. When the object of man's conduct will be to improve the conditions of his fellow man and not the appeasement of a mythical God, he will become more understanding and more indulgent of the frailties, mistakes, and action of others, and by the same token he will become more appreciative of their efforts. He will develop a greater consciousness to avoid mistakes and to prevent injury. Life and its living will take on a greater significance, and our efforts and energies will be devoted to creating as much joy and happiness as possible for all living creatures.

Trolls have existed on this planet for as long as humans. This is what I was told and what I translated to Tub. The first mention of them in recorded history is from ninth-century Norway, when the nefarious creatures began showing up in song, verse, and bedtime stories to keep misbehaving children in line. According to Norse folklore, trolls are one of the Dark Beings, the purest embodiments of evil, and they scurried from between the toes of Ymir, the mythic six-headed Frost Giant whose murdered body became the universe in which we live; his bones became the mountains, his teeth boulders, and so forth.

But be aware that you could encounter other beings who may strive to deceive, distract, or manipulate. They go by the names draugr (zombies), vala (seers), witches (witches), and telemarketers (annoyances).

B'gwus is famous because of his wide range of homes. In some places, he's called Bigfoot. In other places, he's Yeti, or the Abominable Snowman, or Sasquatch. To most people, he is the equivalent of the Loch Ness monster, something silly to bring the tourist in. His image is even used to sell beer, and he is portrayed as a laid-back kind of guy, lounging on mountaintops in patio chairs, cracking open a frosty one.

Christopher Argent kept stealing disbelieving looks at Farah, his blue eyes reflecting the ambient glow like an alley cat's. Dorian understood why the man would dare in his presence. First, because Christopher Argent was an unfeeling, fearless killer-for-hire. And second, because most of the incarcerated men at Newgate had considered Dougan's Fairy some mythical creature, a sight too rare and beautiful to be beheld by a common man. Maybe even a fancy born of an imagination keen enough to take possession of the prison. To meet her was to gaze upon a fantasy realized, to remember the desperate yearnings of a lonely prisoner bereft of kindness, mercy, or beauty. To be blinded by the embodiment of all three of those things. For a man like Argent, one born to incarceration, the sight might have him reassessing some long-held cynical philosophies.

He felt again the presence of invisible cities, here in the moist soil of his back yard, providing shelter for his fears, his memories, and every mythic animal that had ever visited him whether on earth plane or dreamscape.

For the record," I do not desire your body. Not that you're hideous or anything, far from it. Even with those scars, your chest is really nice, and I like your legs because they aren't scrawny, and you have nice shoulders and naughty bits, but I've never been one to put physical attributes ahead of more important things." "Such as?" He had his hands on his hips when he asked the question, which just made me want to giggle again. "Intelligence, a sense of humor, and oh yes, not being a mythical creature." I swallowed another giggle. "Not that it wasn't a cool form, but still. I like my men without the sort of baggage that must go with being a shape-shifter." "Is that so?" One eyebrow lifted. "Yes." "Then you will not like this." He pulled me against him, his mouth moving into place on mine, his breath hotter than I could have imagined. And then he kissed the very wits right out of my brain.

These two Kings and two Queens governed Narnia well, and long and happy was their reign. At first much of their time was spent in seeking out the remnants of the White Witch's army and destroying them, and indeed for a long time there would be news of evil things lurking in the wilder parts of the forest- a haunting here and a killing there, a glimpse of a werewolf one month and a rumor of a hag the next. But in the end all that foul brood was stamped out. And they made good laws and kept the peace and saved good trees from being unnecessarily cut down, and liberated young dwarfs and young satyrs from being sent to school, and generally stopped busybodies and interferers and encouraged ordinary people who wanted to live and let live. And they drove back the fierce giants (quite a different sort from Giant Rumblebuffin) in the North of Narnia when these ventured across the frontier. And they entered into friendship and alliance with countries beyond the sea and paid them visits of state and received visits of state from them. And they themselves grew and changed as the years passed over them. And Peter became a tall and deep-chested man and a great warrior, and he was called King Peter the Magnificent. And Susan grew into a tall and gracious woman with black hair that fell almost to her feet and the kings of the countries beyond the sea began to send ambassadors asking for her hand in marriage. And she was called Queen Susan the Gentle. Edmund was a graver and quieter man than Peter, and great in council and judgement. He was called King Edmund the Just. But as for Lucy, she was always gay and golden-haired, and all the princes in those parts desired her to be their Queen, and her own people called her Queen Lucy the Valiant.

No, she would never try to explain such a thing to her husband. It would ruin whatever small bit of credibility she had left. Her intuition, her feelings didn't matter to him-they were unbelievable, in fact. That was the precise word- unbelievable - in the manner of tall tales, urban legends, folk remedies, aliens, mythical creatures rumored to roam the woods, and so her feelings were immediately discounted, even though she knew them to be the truest things in her human experience, a light to show the way.

How different this world to the one about which I used to read, and in which I used to live! This is one peopled by demons, phantoms, vampires, ghouls, boggarts, and nixies. Names of things of which I knew nothing are now so familiar that the creatures themselves appear to have real existence. The Arabian Nights are not more fantastic than our gospels; and Lempriere would have found ours a more marvelous world to catalog than the classical mythical to which he devoted his learning. Ours is a world of luprachaun and clurichaune, deev and cloolie, and through the maze of mystery I have to thread my painful way, now learning how to distinguish oufe from pooka, and nis from pixy; study long screeds upon the doings of effreets and dwergers, or decipher the dwaul of delirious monks who have made homunculi from refuse. Waking or sleeping, the image of some uncouth form is always present to me. What would I not give for a volume by the once despised 'A. L. O. E' or prosy Emma Worboise? Talk of the troubles of Winifred Bertram or Jane Eyre, what are they to mine? Talented authoresses do not seem to know that however terrible it may be to have as a neighbour a mad woman in a tower, it is much worse to have to live in a kitchen with a crocodile. This elementary fact has escaped the notice of writers of fiction; the re-statement of it has induced me to reconsider my decision as to the most longed-for book; my choice now is the Swiss Family Robinson. In it I have no doubt I should find how to make even the crocodile useful, or how to kill it, which would be still better. ("Mysterious Maisie")

Why do people often feel bad in good environments and good in bad environments? Why did Mother Teresta think that affluent Westerners often seemed poorer than the Calcutta poor, the poorest of the poor? The paradox comes to pass because the impoverishments and enrichments of a self in a world are not necessarily the same as the impoverishments and enrichments of an organism in an environment. The organism is needy or not needy accordingly as needs are satisfied or not satisfied by its environment. The self in a world is rich or poor accordingly as it succeeds in identifying its otherwise unspeakable self, e.g., mythically, by identifying itself with a world-sign, such as a totem; religiously, by identifying itself as a creature of God...In a post-religious age, the only recourses of the self are self as transcendent and self as immanent. The impoverishment of the immanent self derives from a perceived loss of sovereignty to "them," the transcending scientists and experts of society. As a consequence, the self sees its only recourse as an endless round of work, diversion, and consumption of goods and services. Failing this and having some inkling of its plight, it sees no way out because it has come to see itself as an organism in an environment and so can't understand why it feels so bad in the best of all possible environments--say, a good family and a good home in a good neighborhood in East Orange on a fine Wednesday afternoon--and so finds itself secretly relishing bad news, assassinations, plane crashes, and the misfortunes of neighbors, and even comes secretly to hope for catastrophe, earthquake, hurricane, wars, apocalypse--anything to break out of the iron grip of immanence.

As she watched the creature slowly raise its head, its antlers like luminous branches of mythical trees, Lily felt the awe of being in the presence of something irrefutably divine. Eyes that radiated kindness surveyed her, and with the slightest sideways jerk of its crown, the sacred deer invited her closer.

When I came up, I chanced a look at him. A mistake. The famished, wounded set of his body hinted agony. That he was dangerous seemed secondary to how alive I became. I’d been pretty all my life, but no one had ever watched me as Mark Donahue did now— as if I were a mythical creature. I hooked my elbows over the side of the tub, nipples pressed against the slick porcelain, and crooked a finger at him. "Come here." He was on his feet immediately. I stood, naked skin steaming, smelling like Johanna's gardenias, not like Wren at all. Like someone loved and desperately needed. But he kept his distance, as if I were the dangerous one.

There is a small wooden viewing tower, and pamphlets from the State of Ohio, but they focus on facts—for instance, the Serpent Mound is as long as four football fields—not on meaning. In The Sacred Hoop, Paula Gunn Allen, a Native poet, mythologist, and scholar, explains that Serpent Woman was one of the names of the quintessential original spirit “that pervades everything, that is capable of powerful song and radiant movement, and that moves in and out of the mind…she is both Mother and Father to all people and all creatures. She is the only creator of thought, and thought precedes creation.” In Western mythology, she might be compared to Medusa, the serpent-haired Greek goddess whose name means Knowing Woman or Protectress. She once was all-powerful—until patriarchy came along in the form of a mythic young man who chopped off her head. He was told to do this by Athena, who sprang full-blown from the mind of her father, Zeus—a goddess thought up by patriarchy and therefore motherless. There is history in what is dismissed as prehistory.

There was a nice brown egg, lightly boiled, for each of them, and then sardines on toast, and then buttered toast, and then toast with honey, and then a sugar-topped cake. And when Lucy was tired of eating, the Faun began to talk. He had wonderful tales to tell of life in the forest. He told about the midnight dances and how the Nymphs who lived in the wells and the Dryads who lived in the trees came out to dance with the Fauns; about long hunting parties after the milk-white stag who could give you wishes if you caught him; about feasting and treasure-seeking with the wild Red Dwarfs in deep mines and caverns far beneath the forest floor; and then about summer when the woods were green and old Silenus on his fat donkey would come to visit them, and sometimes Bacchus himself, and then the streams would run with wine instead of water and the whole forest would give itself up to jollification for weeks on end.

He believed that touching the limits of human experience was something he shared with the Prophet Muhammad, who was also reputedly epileptic. Dostoevsky’s Prince Myshkin notes that Muhammad’s ecstasy took the form of a mythical white creature who whisked the prophet away “to survey all the dwellings of Allah” in the split second it took a jug of water to spill to the ground. That experience, Prince Myshkin says, is how he first grasped the biblical verse “time shall be no more.” Dostoevsky was describing an “ecstatic aura,” a phenomenon that researchers now realize affects some people with temporal lobe epilepsy.

And what is the nature of these other worlds? As we have discovered in previous chapters, they are infinitely varied and ever-changing, and often fail to comply with the conventions of our present world, which we are arrogant enough to call the physical laws of the universe. There are places where men and women are winged and red-skinned, and places where there is no such thing as man and woman but only persons somewhere in between. There are worlds where the continents are carried on the backs of vast turtles swimming through freshwater oceans, where snakes speak riddles, where the lines between the dead and living are blurred to insignificance. I have seen villages where fire itself had been tamed, and followed at men's heels like an obedient hound, and cities with glass spires so high they gathered clouds around their spiral points. (If you are wondering why other worlds seem so brimful of magic compared to your own dreary Earth, consider how magical this world seems from another perspective. To a world of sea people, your ability to breathe air is stunning; to a world of spear throwers, your machines are demons harnessed to work tirelessly in your service; to a world of glaciers and clouds, summer itself is a miracle.)

Cowperwood, who saw things in the large, could scarcely endure this minutae. He was but little interested in the affairs of bygone men and women, being so intensely engaged with the living present. And after a time he slipped outside, preferring the wide sweep of gardens, with their flower-lined walks and views of the cathedral. Its arches and towers and stained-glass windows, this whole carefully executed shrine, still held glamor, but all because of the hands and brains, aspirations and dreams of selfish and self-preserving creatures like himself. And so many of these, as he now mused, walking about, had warred over possession of this church. And now they were within its walls, graced and made respectable, the noble dead! Was any man noble? Had there ever been such a thing as an indubitably noble soul? He was scarcely prepared to believe it. Men killed to live—all of them —and wallowed in lust in order to reproduce themselves. In fact, wars, vanities, pretenses, cruelties, greeds, lusts, murder, spelled their true history, with only the weak running to a mythical saviour or god for aid. And the strong using this belief in a god to further the conquest of the weak. And by such temples or shrines as this. He looked, meditated, and was somehow touched with the futility of so

SELKIE Alone, the cold body of the selkie man lay upon the sand, so like the drowned one the widow had called for. For her longing, he was hauled upon the sand, exposed to the moonlight. The selkie strained in fraught movements and human form broke from the gleaming seal fur. Undeniably he bore the image of the widow’s lost husband and spoke with the sounds of the dead man’s voice. She hailed back from the rocks. Shadows accumulating beyond the moon’s ability to reform. Colours were washed from sight and silver crashed through her, colder than snow dreams of being. In the dark, the ocean became the rolling flanks of a great beast drifting back across the horizon. Out deep soon, the land’s drop sharp.

Apart from such visits, for the first time in her life Eliza was truly alone. In the beginning, unfamiliar sounds, nocturnal sounds, disturbed her, but as the days passed she came to know them: soft-pawed animals under the eaves, the ticking of the warming range, floorboards shivering in the cooling nights. And their were unexpected benefits to her solitary life: alone in the cottage, Eliza discovered that the characters from her fairy tales became bolder. She found fairies playing in the spiders' webs, insects whispering incantations on the windowsills, fire sprites spitting and hissing in the range. Sometimes in the afternoons, Eliza would sit on the rocking chair listening to them. And late at night, when they were all asleep, she would spin their stories into her own tales.

The LXX translates the word for “satyrs” that appears in these Isaiah passages as onokentaurois or “donkey-centaurs,” from which we get our word “centaur.” The Greek-English Lexicon of the Septuagint defines this word as “donkey-centaur, mythic creature (a centaur resembling a donkey rather than a horse).”[6] In Isaiah 34:14 of the ESV we read of “the wild goat crying to his fellow,” and in 13:21, “there wild goats will dance.” But the underlying Hebrew (seirim) is not about wild goats, but satyrs, that were prevalent in Canaanite religion. Scholar Judd Burton points out that Panias or Panias at the base of Mount Hermon in Bashan was a key worship site for the Greek goat-god Pan as early as the third century B.C. and earlier connections to the goat-idol Azazel (see Azazel below).[7]

And one by one, driven to exhaustion, trapped by fence and horses and bewilderment, under an immaculate sky the mythic creatures died. They died not in mercy, not in the majesty which was their due, but as the least of life, accursed of nature. They died in the dust of insult and the spittle of lead. There was more here than profaned the eye or ear or nose or heart. There was more here than mere destruction. The American soul itself was involved, its anthropology. We are born with buffalo blood upon our hands. In the prehistory of us all, the atavistic beasts appear. They graze the plains of our subconscious, they trample through our sleep, and in our dreams we cry out our damnation. We know what we have done, we violent people. We know that no species was created to exterminate another, and the sight of their remnant stirs in us the most profound lust, the most undying hatred, the most inexpiable guilt. A living buffalo mocks us. It has no place or purpose. It is a misbegotten child, a monster with which we cannot live and which we cannot live without. Therefore we slay, and slay again, for while a single buffalo remains, the sin of our fathers, and hence our own, is imperfect. But the slaughter of the buffalo is part of something larger. It is as though the land of Canaan into which we were led was too divine, and until we have done it every violence, until we have despoiled and murdered and dirtied every blessing, until we have erased every reminder of our original rape, until we have washed our hands of the blood of every other, we shall be unappeased. It is as though we are too proud to be beholden to Him. We cannot bear the goodness of God.

Darwin’s Bestiary PROLOGUE Animals tame and animals feral prowled the Dark Ages in search of a moral: the canine was Loyal, the lion was Virile, rabbits were Potent and gryphons were Sterile. Sloth, Envy, Gluttony, Pride—every peril was fleshed into something phantasmic and rural, while Courage, Devotion, Thrift—every bright laurel crowned a creature in some mythological mural. Scientists think there is something immoral in singular brutes having meat that is plural: beasts are mere beasts, just as flowers are floral. Yet between the lines there’s an implicit demurral; the habit stays with us, albeit it’s puerile: when Darwin saw squirrels, he saw more than Squirrel. 1. THE ANT The ant, Darwin reminded us, defies all simple-mindedness: Take nothing (says the ant) on faith, and never trust a simple truth. The PR men of bestiaries eulogized for centuries this busy little paragon, nature’s proletarian— but look here, Darwin said: some ants make slaves of smaller ants, and end exploiting in their peonages the sweating brows of their tiny drudges. Thus the ant speaks out of both sides of its mealy little mouth: its example is extolled to the workers of the world, but its habits also preach the virtues of the idle rich. 2. THE WORM Eyeless in Gaza, earless in Britain, lower than a rattlesnake’s belly-button, deaf as a judge and dumb as an audit: nobody gave the worm much credit till Darwin looked a little closer at this spaghetti-torsoed loser. Look, he said, a worm can feel and taste and touch and learn and smell; and ounce for ounce, they’re tough as wrestlers, and love can turn them into hustlers, and as to work, their labors are mythic, small devotees of the Protestant Ethic: they’ll go anywhere, to mountains or grassland, south to the rain forests, north to Iceland, fifty thousand to every acre guzzling earth like a drunk on liquor, churning the soil and making it fertile, earning the thanks of every mortal: proud Homo sapiens, with legs and arms— his whole existence depends on worms. So, History, no longer let the worm’s be an ignoble lot unwept, unhonored, and unsung. Moral: even a worm can turn. 3. THE RABBIT a. Except in distress, the rabbit is silent, but social as teacups: no hare is an island. (Moral: silence is golden—or anyway harmless; rabbits may run, but never for Congress.) b. When a rabbit gets miffed, he bounds in an orbit, kicking and scratching like—well, like a rabbit. (Moral: to thine own self be true—or as true as you can; a wolf in sheep’s clothing fleeces his skin.) c. He populates prairies and mountains and moors, but in Sweden the rabbit can’t live out of doors. (Moral: to know your own strength, take a tug at your shackles; to understand purity, ponder your freckles.) d. Survival developed these small furry tutors; the morals of rabbits outnumber their litters. (Conclusion: you needn’t be brainy, benign, or bizarre to be thought a great prophet. Endure. Just endure.) 4. THE GOSSAMER Sixty miles from land the gentle trades that silk the Yankee clippers to Cathay sift a million gossamers, like tides of fluff above the menace of the sea. These tiny spiders spin their bits of webbing and ride the air as schooners ride the ocean; the Beagle trapped a thousand in its rigging, small aeronauts on some elusive mission. The Megatherium, done to extinction by its own bigness, makes a counterpoint to gossamers, who breathe us this small lesson: for survival, it’s the little things that count.