Mystical Forest Quotes

Favorite Quotations. I speak my mind because it hurts to bite my tongue. The worth of a book is measured by what you carry away from it. It's not over till it's over. Imagination is everything. All life is an experiment. What the caterpillar calls the end of the world, the master calls the butterfly.

WINTER'S GHOST: Autumn moon incautious in the dark river Winter’s ghost walks with a covered face and silver bones wait in all animals to be bone cloth upon her shoulder wait for her happiness in that they are silver

She had sacrificed her childhood to save her brothers; she loved her family above all else, and her spirits yearned to return home once more, to the wild forest and the land of mystic tales and ancient spirits whence he had taken her. That was the place of her heart, and if he loved her, he must let her go.

The forest rose like a dream from the mind of Chaos’s lonely daughter and the sun fell heavy and thick to warm the blood of a world not quite ready to live but so tired of its own imagination

When her doctor took her bandages off and led her into the garden, the girl who was no longer blind saw “the tree with the lights in it.” It was for this tree I searched through the peach orchards of summer, in the forests of fall and down winter and spring for years. Then one day I was walking along Tinker creek and thinking of nothing at all and I saw the tree with the lights in it. I saw the backyard cedar where the mourning doves roost charged and transfigured, each cell buzzing with flame. I stood on the grass with the lights in it, grass that was wholly fire, utterly focused and utterly dreamed. It was less like seeing that like being for the first time see, knocked breathless by a powerful glance. The flood of fire abated, but I’m still spending the power. Gradually the lights went out in the cedar, the colors died, the cells un-flamed and disappeared. I was still ringing. I had been my whole life a bell and never knew it until at that moment I was lifted and struck. I have since only very rarely seen the tree with the lights in it. The vision comes and goes, mostly goes, but I live for it, for the moment the mountains open and a new light roars in spate through the crack, and the mountains slam.

The business man who assumes that this life is everything, and the mystic who asserts that it is nothing, fail, on this side and on that, to hit the truth. "Yes, I see, dear; it's about halfway between," Aunt Juley had hazarded in earlier years. No; truth, being alive, was not halfway between anything. It was only to be found by continuous excursions into either realm, and though proportion is the final secret, to espouse it at the outset is to ensure sterility

The Elven Way passes beyond the fields of the known into the forest of the unknown, illuminated by the glow of the elves.

Arguments for preservation based on the beauty of wilderness are sometimes treated as if they were of little weight because they are "merely aesthetic". That is a mistake. We go to great lengths to preserve the artistic treasures of earlier human civilisations. It is difficult to imagine any economic gain that we would be prepared to accept as adequate compensation for, for instance, the destruction of the paintings in the Louvre. How should we compare the aesthetic value of wilderness with that of the paintings in the Louvre? Here, perhaps, judgment does become inescapably subjective; so I shall report my own experiences. I have looked at the paintings in the Louvre, and in many of the other great galleries of Europe and the United States. I think I have a reasonable sense of appreciation of the fine arts; yet I have not had, in any museum, experiences that have filled my aesthetic senses in the way that they are filled when I walk in a natural setting and pause to survey the view from a rocky peak overlooking a forested valley, or by a stream tumbling over moss-covered boulders set amongst tall tree-ferns, growing in the shade of the forest canopy, I do not think I am alone in this; for many people, wilderness is the source of the greatest feelings of aesthetic appreciation, rising to an almost mystical intensity.

Going barefoot in the forest is a very sensuous and a pleasurable experience. For some of us it is almost a mystical experience. I know that I dreamt of it long before I ever durst try it. It is also an experience that brings into question our entire relationship with nature in a way that disturbs and challenges our ideas about ourselves as civilized beings.

I became totally absorbed into this forest existence. It was an unparalleled period when aloneness was a way of life; a perfect opportunity, it might seem, for meditating on the meaning of existence and my role in it all. But I was far too busy learning about the chimpanzees'lives to worry about the meaning of my own. I had gone to Gombe to accomplish a specific goal, not to pursue my early preoccupation with philosophy and religion. Nevertheless, those months at Gombe helped to shape the person I am today-I would have been insensitive indeed if the wonder and the endless fascination of my new world had not had a major impact on my thinking. All the time I was getting closer to animals and nature, and as a result, closer to myself and more and more in tune with the spiritual power that I felt all around. For those who have experienced the joy of being alone with nature there is really little need for me to say much more; for those who have not, no words of mine can even describe the powerful, almost mystical knowledge of beauty and eternity that come, suddenly, and all unexpected. The beauty was always there, but moments of true awareness were rare. They would come, unannounced; perhaps when I was watching the pale flush preceding dawn; or looking up through the rustling leaves of some giant forest tree into the greens and browns and the black shadows and the occasionally ensured bright fleck of blue sky; or when I stood, as darkness fell, with one hand on the still warm trunk of a tree and looked at the sparkling of an early moon on the never still, softly sighing water of Lake Tanganyika.

Body of Earth, body of woman call unto the stars Carry – as the river which carries the touch of the forest – carry Earth unto sky Enliven within my body of woman union with Earth, union with sky I am daughter of stars a clear river of light My soul, it is flowing unto body of woman, body of Earth woven with light

Every forest is a good library where you can find many books! Animals, trees, even rocks are the books of this mystic library! Read them to acquire their story! When you obtain the story of someone or something, you obtain their wisdom as well!

Since once again, Lord - though this time not in the forests of the Aisne but in the steppes of Asia - I have neither bread, nor wine, nor altar, I will raise myself beyond these symbols, up to the pure majesty of the Real itself; I, your priest, will make the whole earth my altar and on it will offer you all the labours and sufferings of the world. Over there, on the horizon, the sun has just touched with light the outermost fringe of the eastern sky. Once again, beneath this moving sheet of fire, the living surface of the earth wakes and trembles, and once again begins its fearful travail. I will place on my paten, O God, the harvest to be won by this renewal of labour. Into my chalice I shall pour all the sap which is to be pressed out this day from the earth’s fruits. My paten and my chalice are the depths of a soul laid widely open to all the forces which in a moment will rise up from every corner of the earth and converge upon the Spirit. Grant me the remembrance and the mystic presence of all those whom the light is now awakening to the new day . . . Over every living thing which is to spring up, to grow, to flower, to ripen during this day say again the words: ‘This is my Body’. And over every death-force which waits in readiness to corrode, to wither, to cut down, speak again your commanding words which express the supreme mystery of faith: ‘This is my Blood’.

In the midst of an enchanted, crystal forest lies my soul, beneath a weeping willow tree. On the shadowed side of this mystical haven, heart beats as thunder warns of a raging storm! Yesterday went well in deeds, but silence fell upon me... words could not express these lonesome thoughts. I closed my eyes to shut the doors of reality. Must you always need to understand me; shan't I keep a bit of mystery for my sake? These eyes plead, as I look up to you for such moments of peace and tranquility. Tears have fallen to the earth-- drops that glisten on blades of grass, even in the dark of night; stars shine brighter in my sight! Today, I remember sharing my life with you; Vows of love and friendship, forever spoken; and now, I lie alone beneath a weeping willow tree. Tommorrow, I shall walk alongside a never-ending creek.

My dear, I have known since I was a small boy on a hill in Greece that when I met you, you’d never tell me who you were, you would give another name. Equally beautiful and equally mystical. But I would know you by the music in your voice and the shadow of the forest on your beautiful face.

The road goes west out of the village, past open pine woods and gallberry flats. An eagle's nest is a ragged cluster of sticks in a tall tree, and one of the eagles is usually black and silver against the sky. The other perches near the nest, hunched and proud, like a griffon. There is no magic here except the eagles. Yet the four miles to the Creek are stirring, like the bleak, portentous beginning of a good tale. The road curves sharply, the vegetation thickens, and around the bend masses into dense hammock. The hammock breaks, is pushed back on either side of the road, and set down in its brooding heart is the orange grove. Any grove or any wood is a fine thing to see. But the magic here, strangely, is not apparent from the road. It is necessary to leave the impersonal highway, to step inside the rusty gate and close it behind. By this, an act of faith is committed, through which one accepts blindly the communion cup of beauty. One is now inside the grove, out of one world and in the mysterious heart of another. Enchantment lies in different things for each of us. For me, it is in this: to step out of the bright sunlight into the shade of orange trees; to walk under the arched canopy of their jadelike leaves; to see the long aisles of lichened trunks stretch ahead in a geometric rhythm; to feel the mystery of a seclusion that yet has shafts of light striking through it. This is the essence of an ancient and secret magic. It goes back, perhaps, to the fairy tales of childhood, to Hansel and Gretel, to Babes in the Wood, to Alice in Wonderland, to all half-luminous places that pleased the imagination as a child. It may go back still farther, to racial Druid memories, to an atavistic sense of safety and delight in an open forest. And after long years of spiritual homelessness, of nostalgia, here is that mystic loveliness of childhood again. Here is home. An old thread, long tangled, comes straight again.

To describe the forests of the world as its 'lungs' does no harm, and it might do some good if it encourages people to preserve them. But the rhetoric of holistic harmony can degenerate into a kind of dotty, Prince Charles-style mysticism.

The Bird of Time O Bird of Time on your fruitful bough What are the songs you sing? ... Songs of the glory and gladness of life, Of poignant sorrow and passionate strife, And the lilting joy of the spring; Of hope that sows for the years unborn, And faith that dreams of a tarrying morn, The fragrant peace of the twilight's breath, And the mystic silence that men call death. O Bird of Time, say where did you learn The changing measures you sing? ... In blowing forests and breaking tides, In the happy laughter of new-made brides, And the nests of the new-born spring; In the dawn that thrills to a mother's prayer, And the night that shelters a heart's despair, In the sigh of pity, the sob of hate, And the pride of a soul that has conquered fate.

The Anglo-American can indeed cut down and grub up all this waving forest, and make a stump speech on its ruins, but he cannot converse with the spirit of the tree he fells, he cannot read the poetry and mythology which retire as he advances. He ignorantly erases mythological tablets in order to print his handbills and town-meeting warrants on them. Before he has learned his a b c in the beautiful but mystic lore of the wilderness he cuts it down, puts up a "deestrict" schoolhouse, and introduces Webster's spelling-book.

Suddenly the zephyr kicked up the leaves as well, and Sylvia saw something like a great, green angel arise in the spot where the mask had lain. Sylvia stood frozen to the spot watching as a face of living wood took shape from the mask-like object and rose over six feet with the leaves flowing over limbs.

When monks talk about happiness, they tell the story of the musk deer, a tale derived from a poem by Kabir, a fifteenth-century Indian mystic and poet. The musk deer picks up an irresistible scent in the forest and chases it, searching for the source, not realizing that the scent comes from its own pores. It spends its whole life wandering fruitlessly. In the same way we search for happiness, finding it elusive, when it can be found within us.

Lilith is the Wild Woman within every woman who would rather become notorious than be refrained from bathing in the sea, howling at the moon, dancing in the forest, and making love to life itself. Lilith knows that it is only through setting your boundaries that you can set yourself free. She knows the price both the Goddess and Her daughters pay to honor their ways, for She is not the only one to suffer condemnation by those who fear feminine power. Like Her, they defamed Her sisters too: magical Hecate became the baby-killing hag and wicked witch, and mystical Mary Magdalene was turned into the sinful whore. Know this: there is nothing more threatening to those enslaved by their fears than someone who dares to live freely. And live freely you must. As a bird-snake Goddess who dwells in the dark depths of your holy yoni and crown, Lilith compels you to harness your untapped life-force energy to do all that you wish to do without explanation or apology. Far from being the deceptive serpent, Lilith is the wise liberator. And She is on Eve’s side. Of course She wants her (and everyone) to “be like God,” for She knows that we are the embodiment of the Divine. She wants to free Eve and every woman (and man) from the illusion of the perfect life that comes at the price of blind obedience. She invites us to bite into the forbidden fruit of knowledge so that we may be free to think for ourselves and decide for ourselves what is right and what is wrong. She knows this comes with responsibility and consequence, and She emboldens you to take it on. Yes, Lilith wants you to be God-like, to have Divine authority and will in your own life. She calls you to leap boldly forward as you take the inspired action you need to take to live your most physically- and spiritually-free life. Those who live freely will join you. Those who don’t will no longer have the power to hold you back.

And I am still exploring, The darkest corners of her soul, Of what lay beneath those eyes, And I am still exploring, The mysticism she practices with her smile, Her incandescent calligraphic elegance, Her magnetism has pulled me in her labyrinthine life, I still walk those virgin forest she drew for me, Where the words that kissed her lips, Still echoes like an infectious melody, Oh her beauty and my youth, Had led me into believing that life would go on forever, Oh to love her is like a journey, A journey of a million miles…

You need only embrace the best-known secret of all: no mystery is closed to an open mind. What came of that mystical wedding, of the world we know and the world we do not know, by that rose of the spirit, committed thus in so great a hope, so great a faith? The Druid is not here to tell. Faith after Faith has withered like a leaf. But still we stand by ancestral altars, still offer the Rose of Desire to the veiled Mystery, still commit this our symbol to the fathomless, the everlasting, the unanswered Deep. —WILLIAM SHARP, from Where the Forest Murmurs

Gaia isn't some mystical mumbo-jumbo conjured up by a bunch of superstitious idiots. Nor is Gaia simply a name for a power beyond our understanding, one we follow blindly like primitive nature lovers or stoned hippies. Simply put, Gaia is life — all life, from the single-celled organism up to the blue whale. But it's even more. It's also the world that life inhabits, the complex, evolving, self-regulating system that makes existence possible. It is through Gaia the atmosphere and the seas and the forests combine to maintain the ecosystem sustaining life. Everything in this world has a beginning, an end, and a purpose in maintaining the balance in which we exist.

Only later – much, much later, and after losing all hope and undergoing a seemingly interminable Dark Night of the Soul – would Louie begin to see how Shah’s own work tied in with others. Not only among Sufis, nor in the general fields of spirituality and mysticism, nor in the work of Shah’s own family, friends of Shah, and friends of friends of Shah, and people who quoted people quoting Shah, but in diverse fields and in the town’s marketplace, mucky alleyways and smoke-clouded taverns of everyday life. That was a whole new vista, a continent beyond Shah’s own island – vast, exotic, and apparently self-contained as it had been, and yet not all and everything. Looking back, this wonderful caravanserai had been a very necessary, and much loved, step or two along the way.

The gods were everywhere, and they mingled in all the events of daily life. The fire that cooked the food and warmed the bodies of the faithful, the water that allayed their thirst and cleansed them, the very air they breathed, and the light that shone for them, all were objects of their adoration. Perhaps no other religion has ever offered to its votaries, in so high a degree as Mithraism, opportunities for prayer and motives for veneration. When the initiate betook himself in the evening to the sacred grotto concealed in the solitude of the forest, at every step new sensations awakened in his heart some mystical emotion. The stars that shone in the sky, the wind that whispered in the foliage, the spring or brook that hastened murmuring to the valley, even the earth which he trod under his feet, were in his eyes divine, and all surrounding nature evoked in him a worshipful fear of the infinite forces that swayed the universe.

Our present economic, social and international arrangements are based, in large measure, upon organized lovelessness. We begin by lacking charity towards Nature, so that instead of trying to co-operate with Tao or the Logos on the inanimate and sub-human levels, we try to dominate and exploit, we waste the earth's mineral resources, ruin its soil, ravage its forests, pour filth into its rivers and poisonous fumes into its air. From lovelessness in relation to Nature we advance to lovelessness in relation to art - a lovelessness so extreme that we have effectively killed all the fundamental or useful arts and set up various kinds of mass-production by machines in their place. And of course this lovelessness in regard to art is at the same time a lovelessness in regard to the human beings who have to perform the fool-proof and grace-proof tasks imposed by our mechanical art-surrogates and by the interminable paper work connected with mass-production and mass-distribution.

Iain MacGregor,” she whispered longingly, looking up. The woods were quiet. Strips of moonlight shone through tree limbs that reached like surreal black fingertips across her vision. A single tear slid down her cheek. She touched her mouth, imagining his kiss. Taking a small pocket knife out of her cargo pants, she looked about. A mystic had once told her that if she left pieces of herself around while she lived, it would expand her haunting territory when she died. Jane wasn’t sure she believed in sideshow magic tricks—or the Old Magick as the mystic had spelled it on her sign. She had no idea what had possessed her to talk to the palm reader and ask about ghosts. Still, just in case, she was leaving her stamp all over the woods. She cut her palm and pressed it to a nearby tree under a branch. Holding the wound to the rough bark stung at first, but then it made her feel better. This forest wouldn’t be a bad eternity. The sound of running feet erupted behind her and she stiffened. No one ever came out here at night. She’d walked the woods hundreds of times. Her mind instantly went to the creepy girl ghosts chanting by the stream. “Whoohoo!” Jane whipped around, startled as a streak of naked flesh sprinted past her. The Scottish voice was met with loud cheers from those who followed him. “Water’s this way, lads, or my name isn’t Raibeart MacGregor, King of the Highlands!” Another naked man dashed through the forest after him. “It smells of freedom.” Jane stayed hidden in the branches, undetected, with her hand pressed to the bark. “Aye, freedom from your proper Cait,” Raibeart answered, his voice coming through the dark where he’d disappeared into the trees. “Murdoch, stop him before he reaches town. Cait will not teleport ya out of jail again,” a third man yelled, not running quite so fast. “Raibeart, ya are goin’ the wrong way!” “Och, Angus, my Cait canna live without me,” Murdoch, the second streaker, answered. “She’ll always come to my rescue.” “I said stop him, Murdoch, we’re new to this place.” Angus skidded to a stop and lifted his jaw, as if sensing he was being watched. He looked in her direction and instantly covered his manhood as his eyes caught Jane’s shocked face in the tree limbs. “Oh, lassie.” “Oh, naked man,” Jane teased before she could stop herself. “That I am,” Angus answered, “but there is an explanation for it.” “I don’t think some things need explained,” Jane said.

It used to be that you could get a lot of recognition by writing about Canada, as long as it was about small towns and nature.' 'Really?' 'Yeah. You could have canoes and the prairies or, also, sad women, very sad women who were fat or whose husbands had left them or something. There was a lady who wrote about fucking a bear, which was like a union with the land. There was a lady who wrote about mystical experiences she had at a cottage in northern Ontario. I was never sure what that was about. They were very important at one time, very stern and important. I had to study them in school. Anyway, he was one of them. He concentrated on the prairies, with a lot of native names, and wise native people, like there's a young boy with an Ojibway grandmother who will teach him the ways of the forest, sort of thing, and there's a lot of history, like a lot of the Riel rebellion for example.' 'The what?' 'History. And there's a lot of disaster, on the prairies, like people having to rebuild their sod houses after floods and so on.' They drove on the humming highway for a while. Then Nicola said, 'So you haven't answered my question.' 'What question?' 'Do you think he's any good?' 'Oh. The thing is... it's not, it doesn't matter. It's important. So it doesn't matter if I think it's good or not.' 'Okay. So it doesn't matter. So I'm asking you. What you think. Do. You. Think. It's. Good.' She slapped her bare thigh. James paused for a long moment... He said, 'There's one Boben book, I think it's Cold Season, or maybe it's Comfort of Winter, which ends with the line, "a story which Canadians must never tire of telling." What do you think of that line? A story which Canadians must never tire of telling.' She shrugged. 'I have no idea.' 'I'll tell you what you think of it. You don't give a shit. I'll tell you what I think of it. I don't give a shit either. But I also think it's the worst bullshit I've ever heard. I think,' he said, accelerating, 'that Ludwig Boben is a fucking asshole.

I remember standing in the bush above this unbelievably wild river, and thinking this is as good as it gets. Exquisite birdsong, jagged peaks of the Alps beckoning like the spires of mystical cathedrals, the smell of moisture in the beech forest like an elixir. Nature in its raw, unpredictable state – at an entirely different end of the spectrum from the confines of a test tube or comfort of a biotech lab.

The unholy alliance of science, technology, and industry has given birth to monstrous offspring that threaten the very future of the planet. From factory farming to the harvesting of human eggs, commodified science and technology comes with a utilitarian ethic. Life is cheap. Forests, animals, and people are raw materials. Everyone and everything is expendable.50 Whatever brings the greatest profit is worth the violence. God is calling the church in the night to retrieve the meaning of stewardship first and foremost as caring for the earth.51 Evangelism is not good news until it is good news for all of creation, for humanity, animals, plants, water, and soil, for the earth that God created and called good.

awake you glide upward through glimmering light your clothes fall like feathers from your shoulders with them the worries of day fade you are invited by mystic sounds in strange comforting tongues awake they call eyes open languid before you tiny creatures dance tickling greens and blues from the aura around you chef mischief their only game you smile warmth across your gaze again you float to new shores where you are clothed in the sirens song you relax deeper aphrodites nymphs send pleasure like golden knives into your chest you rise up stepping foot to sand walking to forest land tribal drumming moving with you the very beat of your own heart beaded threads drape you again in deep red the sound ringing in your ears move forth again childlike curiosity it leads you further across desert sands where the cherokee flute paints tiny circles in the palms of your hands the min mins call yet you cannot hear for what was you is no longer here again you float upward gravity pulls you back and forth until deep within a vibrating thunder sounds its clapping hands the fibers of your being all the tendrils of love come apart and dissipate you are dispersed across all these worlds unseen and unknown yet you will assemble again forget not the way you have grown pupps.

In AD 9 was the Battle of the Teutoburg Forest. The Roman commander Quinctilius Varus led twenty-five thousand legionaries into the heart of Germany and was slaughtered by Arminius’s spearmen, who rushed from their holy groves. Six years later, their skulls nailed to trees, their bones piled in torture pits and on votive altars, the Roman Army was discovered by the appropriately named Roman general Germanicus. It was the greatest tragedy ever to befall the Roman Empire and it sent a shudder of horror and shame across the civilized world that has vibrated in our subconscious for a thousand years. The slaughter in the Teutoburg Forest divided Europe into the warm south, who forever saw forests as dreadful places to be avoided and cleared, homes to dragons and trolls, antitheses of the civilized city, and the north, who understood them to be healing, protecting, mystical, spiritual places. How you feel about a silent birch forest at twilight says more about your blood and kin than your passport.

Cian, the ancient one, looked upon the spirit that was crouched and shimmering before him. The moon slid peacefully across the bay and came to rest under his outstretched feet. He sat absolutely still and listened fondly to the voices of the forest that whispered and sang all around him. “Tell me the dream,” he said at last to the spirit. “The dream is of a new daughter among us,” she replied. “She is surrounded in secrets, unseen by most; a mystical one in her own right.” Cian nodded and smiled and sighed into the wind. “Yes. I, too, have seen the vision. A secret child is coming.

The way elves and seelie fae worked with nature was remarkable. They did not bulldoze a forest to make space and use the dead remains to build something. Instead, they employed its features to enhance their accommodation.

So laced and lush is this ecosystem that we walk our several miles through it today without making a footfall, only scuffs. Carol tells me that these Olympic rain forests and the rough coast to their west provide her the greatest calm of any place she has been. That she can walk in this rain forest and only be walking in this rain forest, moving in simple existence. Surprising, that, because neither of us thinks we are at all mystic. Perhaps, efficient dwellers we try to be, we simply admire the deft fit of life systems in the rain forest. The flow of growth out of growth, out of death . . . I do not quite ease off into beingness as she can. Memories and ideas leap to mind. I remember that Callenbach’s young foresters of Ecotopia would stop in the forest to hug a fir and murmur into its bark, brother tree. . . . This Hoh forest is not a gathering of brothers to humankind, but of elders. The dampness in the air, patches of fog snagged in the tree tops above, tells me another story out of memory, of having read of a visitor who rode through the California redwood forest in the first years of this century. He noted to his guide that the sun was dissipating the chilly fog from around them. No, said the guide looking to canyon walls of wood like these, no, “The trees is drinkin’ it. That’s what they live on mostly. When they git done breakfast you’ll git warm enough.” For a time, the river seduces me from the forest. This season, before the glacier melt begins to pour from the Olympic peaks, the water of the Hoh is a painfully lovely slate blue, a moving blade of delicate gloss. The boulder-stropped, the fog-polished Hoh. Question: why must rivers have names? Tentative answer: for the same reason gods do. These Peninsula rivers, their names a tumbled poem of several tongues—Quinault, Quillayute, Hoh, Bogashiel, Soleduck, Elwha, Dungeness, Gray Wolf—are as holy to me as anything I know. Forest again. For comparison’s sake I veer from the trail to take a look at the largest Sitka spruce along this valley bottom. The Park Service has honored it with a sign, giving the tree’s dimensions as sixteen feet four inches in diameter, one hundred eighty feet in height, but now the sign is propped against the prone body of the giant. Toppled, it lies like a huge extracted tunnel bore. Clambering onto its upper surface I find that the Sitka has burls, warts on the wood, bigger around than my body. For all that, I calculate that it is barely larger, if any, than the standard nineteenth-century target that Highpockets and his calendar crew are offhandedly devastating in my writing room. Evening, and west to Kalaloch through portals of sawed-through windfalls, to the campground next to the ocean. In fewer than fifty miles, mountain and ocean, arteried by this pulsing valley.

Despite mournful envy and Dejected wrath, We bask under blue skies, Bewitching stars, And mystical moons, Loving rumbles of thunder, Glistening raindrops, And a hazy peaceful sunrise. In the face of Sorrowful greed, We delight in magnificent mountains, Bountiful oceans, Turquoise lagoons, Beautiful blossoms, And the green, green grass Of springtime. Through raging anger, Aching sadness, We treasure radiant sunsets, Seek marble courtyards, Ancient architecture, And splendid arched bridges. We sing the praises of Breathtaking falls. Even crushed And bewildered, We are captivated by Exquisite winged creatures, Tropical forests, And the critters we nurture. We embrace the power in our divinity And the superb magic of everything. With every threat to the world We belong to And embrace, We revel in books and dreams. We’re mesmerized by Otherworldly visions And plentiful hues. We cherish The light in ever-curious Truth seekers, And are ever grateful For smiles, Rapturous affection, Laughter, And love.

The universe is like a dense forest, full of mysteries. Human beings have cut a small plot inside it. The 'knowldge' you got from home, school, college and society keeps you engaged within this plot. It doesn't let you wonder what lies beyond the plot.

In fields of flowers gently swaying, Young bees sing their happy songs And pheasants strut a dance of joy. The cuckoo too Rings the bell of melody And the kalapingka bird chirps merrily along. Here the earth maiden is beautiful indeed: Her Virgin streams holding up garlands of bubbles As they laughingly dance over rocks and crags; Her orchards filled with all types of trees Laden with fruit, flowers, and leaves; And, standing behind, rings of snow mountains, Their peaks bloused in white silken clouds, Crystal glaciers their tassels And blue forests their exquisite skirt. Lapis lazuli meadows stretch below Like the wings of a parrot in flight, Nets of Lotus flowers embellishing then And wild animals grazing quietly on their slopes A fence of trees stands again behind To lock out the Thief of every distraction.

The forest is like a vast brain full of little brain cells, and in each cell is a thought. The thoughts are witches, sorcerers and mystics. It is an odd community, and it took me a while to get used to it myself.

These were the cloud forests of the far wilderness of Cos, inaccessible and remote. Only rebels haunted the wild terrain, and over the years, they had become used to the rarefied air. Many of them had given birth to mystics.

The Path to Truth passes through a forest of illusions.

That hard sadness when the blue sky turns colorless in the forbidding dark of despair and I struggle like a robin nibbling at your depths to feel the fullness of poetry and all that is tender and sweet for I explode inside to be that drunken soul of summer and impossible dreams that lies deep inside my wellspring where the weeds turn to flowers and moors become mystical forests. Oh, how spring has awakened in my deeps as I desire to be all those things again--the youthful, hopeful, aroused wholeness again. So I can deliver myself to this world, enchanted in my depths.

That hard sadness when the blue sky turns colorless in the forbidding dark of despair and I struggle like a robin nibbling at my depths to feel the fullness of poetry and all that is tender and sweet for I explode inside to be that drunken soul of summer and impossible dreams that lies deep inside my wellspring where the weeds turn to flowers and moors become mystical forests. Oh, how spring has awakened in my deeps as I desire to be all those things again--the youthful, hopeful, aroused wholeness again. So I can deliver myself to this world, enchanted in my depth

While the allure of using magic to rekindle lost love or attract new affection can be irresistible, it’s essential to tread carefully through the mystical forest of love spells. Let’s delve into the enchanted realm of ethical considerations, shall we?

No one ever imagined or could figure how the ghastly passenger survived and made it across the world to October Country, upper Illinois. It was only guessed that perhaps somehow he prolonged himself in deserted abbeys and empty churches and lost graveyards of Scotland and England and finally sailed across in a ghost ship to land in Mystic Seaport, Connecticut, and somehow threaded his way among the forest, across the country, to finally arrive in upper Illinois.

I like rowan trees," he said softly. "They're slim and small, but they're tough and they'll grow anywhere. They take root in stony soil. They're a mystic tree. Diviners use rowan to find precious metal. And they are beautiful." He looked at her, his blue eyes serious for once, telling her without words that he found her beautiful also. "They make good firewood, too," Ro said, trying to lighten the moment.

What will people say when my father goes through with his threats to invade the Dark Enchanted Forest? He’s raising an army as we speak.” “Ah, you heard about that, did you?” Keith sighed. “I was trying to figure out a way to tell you.

The feeling of miscommunication clicked, and I realized with some shock that Keith Monfort, Arcane Sage, Shadow Magician, Evil Overlord, Dark Overlord, His Royal Viciousness, and the ruler of the Dark Enchanted Forest of Nilheim … wasn’t even a decade older than I was.

Emerson’s master metaphor now is metamorphosis, a metaphor that for the next ten years will increasingly dominate his thinking and writing. Now in his journal he writes boldly, “Metamorphosis is nature,” and he balances this bold statement by saying that while life is “a flux of moods,” there is “that which changes not, and which ranks all sensations and states of mind.”6 The other idea Emerson took from Plotinus, an idea that blazed up in Emerson like fire in a dry forest, is Plotinus’s conception of the final stage in the developing self-consciousness of the individual soul. This last stage is a mystical union of the self with the One “in an ecstasy characterized by the absence of all duality.

I saw the massive stone altar first begin to glow like a ruby; then it was a heart of liquid gold like a solid single-crystal chrysoprase: the gold intensified into ice-cold emerald and passed into the dark sapphire of an arctic sky; this again withdrew into a violet so deep that the visual purple of the eye itself seemed absorbed in that depth, that abyss of color in which sight was being drowned. And as this intensification of vibrancy seemed to sweep across the visible spectrum up to those ranges where energy absorbs all mass and that which can pierce the most solid is itself fine beyond all substance, so it seemed with hearing. That abyss of sound which I had been thinking of as only depth, it, too, seemed to rise or, rather, I suppose I was carried up on some rising wave which explored the deep of the height. As the light drew toward the invisible, I experienced a sound so acute that I can only remember feeling to myself that this was the note emitted when the visible universe returns to the unmanifest—this was the consummatum est of creation. I knew that an aperture was opening in the solid manifold. The things of sense were passing with the music of their own transmutation, out of sight. Veil after veil was evaporating under the blaze of the final Radiance. Suddenly I knew terror as never before. The only words which will go near to recreating in me some hint of that actual mode are those which feebly point toward the periphery of panic by saying that all things men dread are made actually friendly by this ultimate awfulness. Every human horror, every evil that the physical body may suffer, seemed, beside this that loomed before me, friendly, homely, safe. The rage of a leaping tiger would have been a warm embrace. The hell of a forest wrapped in a hurricane of fire, the subzero desolation of the antarctic blizzard, would have been only the familiar motions of a simple well-known world. Yes, even the worst, most cunning and cruel evil would only be the normal reassuring behavior of a well-understood, much-sympathized-with child. Against This, the ultimate Absolute, how friendly became anything less, anything relative.

I moved closer to him. He did not back away, but stood entranced in the dark. I pulled him towards me. I heard his palpitating heart booming through the quiet night. Yet, I encountered no resistance. As I reached to unzip his jeans, his sinewy body trembled. His awkwardness was a sign of inexperience in the gutsy game of seduction, and I was eager to entice this callow Caucasian into my web of sensual delight.               Flashes of my Bahriji schooling rushed through my mind as my lips caressed the tautness of his comely mouth, teasing him open with my slithering tongue. Heartened by my gutsiness, his tension slowly melted to flames of sizzling arousal. I grabbed his wrist and led us deeper into the darken forest. Pinning him against a towering tree our twirling tongues coalesced wantonly. Our pent-up desires burst forth like torrid infernos, consuming our sanity to debaucherous lunacy. We tore at each other’s clothes, athirst to ravage our lusty lubriciousness within the stillness of this stifling forest. Fervent tongues caressed with yearning intimacy over, around and atop every desirous crevice of our fiery souls.               Our pulsating hardness drummed in capricious potency, demanding satisfaction within our forbidden orifices, where only sacred mystics dared to venture. Throwing caution to the wind, I suckled at his bulging protuberance. Beguiled by my prowess, he jabbed his bulbous rosiness down my craving throat while my pleasuring hand evoked a rhythmic carnality that had wooed mankind since the dawn of humanity.               The Caucasian unleashed his deliverance in a flourish of heaving crescendos. Jets of piquant liberation gushed down my yearning orifice, as I drank his nourishing fill with gusto.               Not much coaxing was needed to spew my abundance onto Jules’ athletic frame. My seething virility coated his musculature. We amalgamated in a passionate kiss before the instructor returned alone to camp. I stayed to gather myself, to cherish an end to a licentious evening with a closeted homosexual. He had spoken no words after our frenzied indulgence.               Little did I suspect a lurking snooper nearby when faint rustling sounds, muffled by the careening wind, tantalized the stillness of the night.

While at home his heart dwelt in the silent forests of spiritual thoughts, beating in tune with eternal Pranava-Nada (mystic sound of the Eternal) of the Jnana Ganga (river of Knowledge) within himself. The seven years at home following his return from Tirupati were marked by seclusion, service, intense study of spiritual literature, self-restraint, control of the senses, simplicity in food and dress, abandonment of all comforts and practice of austerities which augmented his inner spiritual power.

She stood naked on the edge of a cliff, towering over a gray ocean, waves crashing below as wind whistled through the forest behind her. The only source of light was the moon, its rippling reflection littering the sea with diamonds.

There is a wonderful story in the yogic lore. One day, one gnana yogi, one bhakthi yogi, one karma yogi, and one kriya yogi were walking together. Usually these four people can never be together, because gnana yogi has total disdain for every other yoga; it is the yoga of intelligence. Normally, an intellectual person, a thinking person has complete disdain for everybody else. A bhakthi yogi, full of emotion and love, thinks all this gnana, karma and kriya yoga is just a waste of time. Just love God and it will happen. The karma yogi thinks that everybody is lazy and that they have all kinds of fancy philosophies; what needs to be done is work. One must work and work and work. The kriya yogi just laughs at everything. The whole existence is energy. If you don’t transform your energy, whether you long for God or you long for anything, nothing is going to happen. So they can’t be together, but today they were walking together. Then it started to rain. They were in the forest and it started raining. They started running, looking for shelter, and there they found an ancient temple which just had a roof, no walls on the sides. In the center, there was a Linga. So these people went inside the temple for shelter. The storm became more and more furious and it started blowing in torrents. The fury of the storm was getting into the temple so they went closer and closer and closer to the Linga. There was no other way to be because it was just blasting them from all sides. Then it became very furious. There was no other place; the only way they could get some protection was for all four to hug the Linga. Suddenly they felt something enormous happening. A huge presence, a fifth presence was there. Then all of them said, “Why now? For so many years we have pursued You and nothing happened; why now?” Then Shiva said, “At last the four of you got together. I have been waiting for this to happen for a long time.

We scientists are taught never to look for ourselves in other species. So we make sure nothing looks like us! Until a short while ago, we didn't even let chimpanzees have consciousness, let alone dogs or dolphins. Only man, you see: only man could know enough to want things. But believe me: trees want something from us, just as we've always wanted things from them. This isn't mystical. The 'environment' is alive - a fluid, changing web of purposeful lives dependent on each other. Love and war can't be teased apart. Flowers shape bees as much as bees shape flowers. Berries may compete to be eaten more than animals compete for berries. A thorn acacia makes sugary protein treats to feed and enslave the ants who guard it. Fruit-bearing plants trick us into distributing their seeds, and ripening fruit led to colour vision. In teaching us how to find their bait, trees taught us how to see that the sky is blue. Our brains evolved to solve the forest. We've shaped and been shaped by the forest for longer than we've been Homo Sapiens.

forest,

If Christians remain faithful to the message of the resurrection and become truly eucharistic people, they are in society like a forest in the middle of cultivated lands – an unlimited reserve of silence, peace and authentic life that makes possible all the good and lasting creations of history.

When you are open and aware, it allows for all magical possibilities! We, here in the forest, can see all that goes on in our environment on the surface; but we have true awareness that sees beyond the shallow! This belief comes from the depths of wisdom that there is more than meets the eyes!” Den the Wise Oak Tree, See the Little People…An Enchanting Adventure

Hitlerites are blood and soil worshipers, human sacrifice mystics out of the dark forests of Germany before the dawn of civilization.

the Lover energy, through the mystics, intuits the ultimate Oneness of all that is and actively seeks to experience that Oneness in daily life, while it still dwells in a mortal, finite man. The same boy who could imagine himself as an ant also reported what we could see as the beginnings of mystical experience in his account of a peculiar feeling he had on certain occasions at a YMCA camp one summer. Once a week, the campers would be roused from their beds late at night and trekked along obscure forest paths in the pitch blackness to a central clearing, there to watch a reenactment of ancient Native American songs and dances. This boy said that often, as he was snaking his way along behind the other boys from his cabin, he would have the almost uncontrollable urge to open his arms wide to the darkness and to fly into it, feeling the trees tear through his “spiritual body” with no pain, just a feeling of ecstasy. He said he felt like he wanted to be “one” with the mystery of the dark unknown and with the threatening yet strangely reassuring night forest. These kinds of sensations are exactly what the mystics of the world’s religions describe when they talk about their urge to become One with the Mystery.

Pinchot was the first professional forester in the United States. He admired and respected Muir but on the whole regarded the other man’s mystic effusions as hooey. Instead of individual spiritual enlightenment, Pinchot sought the common material good—“the greatest good, for the greatest number, for the longest run.” Born in 1865 to a wealthy family, he was a shrewd self-promoter, clever with other people’s ideas, who cast himself as an avatar of Science (in fact, he had attended a year of forestry school in France, leaving before his professors thought he was ready). An inauthentic scientist but a visionary as authentic as Muir, he proclaimed that the world’s prosperity depended on sustaining its resources, especially renewable resources like timber, soil, and freshwater. He wanted to protect them not by leaving great swathes of terrain free from human influence but by managing forests and fields with an elite cadre of scientific mandarins. “The first principle of conservation is development,” he said. Development had to be conceived in the long term: “the welfare of this generation and afterwards the welfare of the generations to follow.” He said, “The human race controls the earth it lives upon.

Colours also played their part in the naming of Hagrid and Dumbledore, whose first names are Rubeus (red) and Albus (white) respectively. The choice was a nod to alchemy, which is so important in the first Harry Potter book, where ‘the red’ and ‘the white’ are essential mystical components of the process. The symbolism of the colours in this context has mystic meaning, representing different stages of the alchemic process (which many people associate with a spiritual transformation). Where my two characters were concerned, I named them for the alchemical colours to convey their opposing but complementary natures: red meaning passion (or emotion); white for asceticism; Hagrid being the earthy, warm and physical man, lord of the forest; Dumbledore the spiritual theoretician, brilliant, idealised and somewhat detached. Each is a necessary counterpoint to the other as Harry seeks father figures in his new world.