My Life Bio Quotes

I’m a modern man, a man for the millennium. Digital and smoke free. A diversified multi-cultural, post-modern deconstruction that is anatomically and ecologically incorrect. I’ve been up linked and downloaded, I’ve been inputted and outsourced, I know the upside of downsizing, I know the downside of upgrading. I’m a high-tech low-life. A cutting edge, state-of-the-art bi-coastal multi-tasker and I can give you a gigabyte in a nanosecond! I’m new wave, but I’m old school and my inner child is outward bound. I’m a hot-wired, heat seeking, warm-hearted cool customer, voice activated and bio-degradable. I interface with my database, my database is in cyberspace, so I’m interactive, I’m hyperactive and from time to time I’m radioactive. Behind the eight ball, ahead of the curve, ridin the wave, dodgin the bullet and pushin the envelope. I’m on-point, on-task, on-message and off drugs. I’ve got no need for coke and speed. I've got no urge to binge and purge. I’m in-the-moment, on-the-edge, over-the-top and under-the-radar. A high-concept, low-profile, medium-range ballistic missionary. A street-wise smart bomb. A top-gun bottom feeder. I wear power ties, I tell power lies, I take power naps and run victory laps. I’m a totally ongoing big-foot, slam-dunk, rainmaker with a pro-active outreach. A raging workaholic. A working rageaholic. Out of rehab and in denial! I’ve got a personal trainer, a personal shopper, a personal assistant and a personal agenda. You can’t shut me up. You can’t dumb me down because I’m tireless and I’m wireless, I’m an alpha male on beta-blockers. I’m a non-believer and an over-achiever, laid-back but fashion-forward. Up-front, down-home, low-rent, high-maintenance. Super-sized, long-lasting, high-definition, fast-acting, oven-ready and built-to-last! I’m a hands-on, foot-loose, knee-jerk head case pretty maturely post-traumatic and I’ve got a love-child that sends me hate mail. But, I’m feeling, I’m caring, I’m healing, I’m sharing-- a supportive, bonding, nurturing primary care-giver. My output is down, but my income is up. I took a short position on the long bond and my revenue stream has its own cash-flow. I read junk mail, I eat junk food, I buy junk bonds and I watch trash sports! I’m gender specific, capital intensive, user-friendly and lactose intolerant. I like rough sex. I like tough love. I use the “F” word in my emails and the software on my hard-drive is hardcore--no soft porn. I bought a microwave at a mini-mall; I bought a mini-van at a mega-store. I eat fast-food in the slow lane. I’m toll-free, bite-sized, ready-to-wear and I come in all sizes. A fully-equipped, factory-authorized, hospital-tested, clinically-proven, scientifically- formulated medical miracle. I’ve been pre-wash, pre-cooked, pre-heated, pre-screened, pre-approved, pre-packaged, post-dated, freeze-dried, double-wrapped, vacuum-packed and, I have an unlimited broadband capacity. I’m a rude dude, but I’m the real deal. Lean and mean! Cocked, locked and ready-to-rock. Rough, tough and hard to bluff. I take it slow, I go with the flow, I ride with the tide. I’ve got glide in my stride. Drivin and movin, sailin and spinin, jiving and groovin, wailin and winnin. I don’t snooze, so I don’t lose. I keep the pedal to the metal and the rubber on the road. I party hearty and lunch time is crunch time. I’m hangin in, there ain’t no doubt and I’m hangin tough, over and out!

A man must make of his life a ladder that he never ceases to climb -- if you're not rising, you are slipping down the rungs, my friend.

In Bio last year, I learned that blood is actually a dark maroon when it's inside your body. It's the exposure to oxygen that turns it bright red. And there must have been a lot of oxygen in my bathroom, because that blood was bright, bright red.

In AP Bio, I learned that the cells in our body are replaced every seven years, which means that one day, I'll have a body full of cells that were never sick. But it also means that parts of me that knew and loved Sadie will disappear. I'll still remember loving her, but it'll be a different me who loved her. And maybe this is how we move on. We grow new cells to replace the grieving ones, diluting our pain until it loses potency. The percentage of my skin that touched hers will lessen until one day my lips won't be the same lips that kissed hers, and all I'll have are the memories. Memories of cottages in the woods, arranged in a half-moon. Of the tall metal tray return in the dining hall. Of the study tables in the library. The rock where we kissed. The sunken boat in Latham's lake, Sadie, snapping a photograph, laughing the lunch line, lying next to me at the movie night in her green dress, her voice on the phone, her apple-flavored lips on mine. And it's so unfair. All of it.

I don’t know how many souls I have. I’ve changed at every moment. I always feel like a stranger. I’ve never seen or found myself. From being so much, I have only soul. A man who has soul has no calm. A man who sees is just what he sees. A man who feels is not who he is. Attentive to what I am and see, I become them and stop being I. Each of my dreams and each desire Belongs to whoever had it, not me. I am my own landscape, I watch myself journey - Various, mobile, and alone. Here where I am I can’t feel myself. That’s why I read, as a stranger, My being as if it were pages. Not knowing what will come And forgetting what has passed, I note in the margin of my reading What I thought I felt. Rereading, I wonder: “Was that me?” God knows, because he wrote it...

When we were doing interviews for our bio, I described hearing that song for the first time to be like Sara was standing on my chest. I just felt really sad, and that was having heard all the other songs in order leading up to that one. I know that when Sara was writing these songs it was during the end of her relationship and it was someone she’d been friends with for almost ten years and been with for four years. It was just the psyche of it, when you’ve known someone for half your life, literally, and then have to leave them, and not necessarily because you want to but just because it’s the right thing to do, and it’s just not healthy and you’re not good anymore, there’s no growth and you have to have growth. And when I hear that song, the idea of that all happening just makes me sick to my stomach a little bit. But it’s in an enjoyable way.

Since it might appear unusual that a bio-psychiatrist should work as an expert in the realm of non-living nature, I believe it will be helpful to give the following summary: My present work began in the realm of psychiatry and psychoanalysis, with natural scientific investigations of the energy at work in human emotions. This led to the discovery of the bio-energy in the living organism, termed organismic orgone energy; and further to the discovery of the same type of a basically physical orgone energy in the atmosphere. Orgonomy is not psychiatry, but the science of biophysics of the emotions, thus also including psychiatry, and physics in the realm of basic cosmic orgone energy. It is not mysticism, but natural scientific, experimental investigation, also of mystical emotions and experiences. Orgone energy is energy before matter (not after matter, as is atomic energy). It is studied by means of Geiger-Müller Counters and other physical instruments. It follows entirely new, hitherto unknown functional laws of nature, and not the well known mechanical laws of electricity, heat, or mechanics.

How are you feeling, Aven?” “Why?” “Because you’ve been sick,” Lando said. “You were sick all week. I was worried about you.” “Why?” Lando laughed. “Are you always this suspicious?” “I just don’t understand why you’d care.” Lando grabbed his chest. “Ouch. Straight to the heart. So what did you have?” Oh my gosh. What did I have? I couldn’t think of anything. “Botulism,” I blurted out. “I had botulism.” Lando looked from me to Zion. Zion nodded seriously. “Yes, that’s what she had.” “Geez,” Lando said. “We learned about that in bio.” Oh, shoot.

Political economist and sociologist Max Weber famously spoke of the “disenchantment of the world,” as rationalization and science led Europe and America into modern industrial society, pushing back religion and all “magical” theories about reality. Now we are witnessing the disenchantment of the self. One of the many dangers in this process is that if we remove the magic from our image of ourselves, we may also remove it from our image of others. We could become disenchanted with one another. Our image of Homo sapiens underlies our everyday practice and culture; it shapes the way we treat one another as well as how we subjectively experience ourselves. In Western societies, the Judeo-Christian image of humankind—whether you are a believer or not—has secured a minimal moral consensus in everyday life. It has been a major factor in social cohesion. Now that the neurosciences have irrevocably dissolved the Judeo-Christian image of a human being as containing an immortal spark of the divine, we are beginning to realize that they have not substituted anything that could hold society together and provide a common ground for shared moral intuitions and values. An anthropological and ethical vacuum may well follow on the heels of neuroscientific findings. This is a dangerous situation. One potential scenario is that long before neuroscientists and philosophers have settled any of the perennial issues—for example, the nature of the self, the freedom of the will, the relationship between mind and brain, or what makes a person a person—a vulgar materialism might take hold. More and more people will start telling themselves: “I don’t understand what all these neuroexperts and consciousness philosophers are talking about, but the upshot seems pretty clear to me. The cat is out of the bag: We are gene-copying bio- robots, living out here on a lonely planet in a cold and empty physical universe. We have brains but no immortal souls, and after seventy years or so the curtain drops. There will never be an afterlife, or any kind of reward or punishment for anyone, and ultimately everyone is alone. I get the message, and you had better believe I will adjust my behavior to it. It would probably be smart not to let anybody know I’ve seen through the game.

My mother thinks I’ve dyed my hair red for attention— How can I explain to her the ways that she is right and wrong. As of last night, my hair is the color of a brick the moment before it goes through a stained-glass window. My hair is the color of a fire engine driving through a burning building. My hair is the color of a dart frog: generations of death adapting into this exact shade of poison. It’s called aposematism— we learned about it in bio. It’s when an animal advertises to predators that it is not worth the attempt to consume. Bright red and orange, the colors of pain, I WILL MAKE YOU SICK I WILL KILL YOU FROM INSIDE YOUR THROAT ATTENTION! I MAY LOOK LIKE PREY BUT I WILL END YOUR LIFE My mother says I want attention and maybe she’s right My mother says I am just making a statement and maybe she’s right But in my mind it’s not saying please— it’s saying don’t and this is how I know men are not really wolves because maybe a wolf would listen.

10,000 roentgens per hour is enough radiation to kill you in one minute and was by far the highest level of radioactivity faced by any of the Liquidators. They nicknamed themselves Bio-Robots for the occasion. Nobody had ever worked in such conditions - before or since. “Obviously some people didn’t want to go,” recalls Alexander Fedotov, a former Bio-robot, “but they had to - they were reservists. They had to go. For me there was no question, I had to do my duty. Who was going to do it for me? Who was going to clear up this disaster and stop the spread of radioactivity all over the world? Somebody had to do it.”232 And so it was. Scientists calculated that people could work on the roof for up to 40 seconds at a time without receiving a fatal dose. During the day, terrified men from all walks of life dashed across the roof, hurled reactor graphite weighing up to 40 - 50kg over the precipice, and ran back inside. They wore hand-sewn, lead-plated suits that could only be used once (the lead absorbed too much radiation) as their only protection. At night, scouts - nicknamed Roof Cats - scampered over the ruined roof with dosimeters, mapping pockets of radiation so their daytime counterparts could avoid the most contaminated spots.233

Amazing.” Anders glanced around with a start. He found Lucian leaning against the door frame, eyeing him with amusement. “What?” he asked, sitting up straight. “How everything can change so swiftly,” Lucian said dryly, moving into the kitchen. Anders watched him get a glass out of the cupboard before asking mildly, “And what is it you think is changing?” “Three days ago when you first realized you couldn’t read her and that she might possibly be your life mate, you weren’t happy,” Lucian said. He filled the glass with water, took a drink, and then continued, “You didn’t like the idea of anyone stealing so much of your attention, of having something to lose, of becoming a mother hen like me, or of being led around by your dick. Now you want to follow that presently very evident dick upstairs and claim Valerie by any means necessary.” Anders glanced down to note that not only did he still have an erection, but it was very evident in his boxers. Grabbing one of the couch pillows, he dragged it over his lap and muttered, “You caught all that from reading my thoughts, did you?” “Clear as glass,” Lucian said. “Right.” Anders said and grimaced at the knowledge that Lucian had read his less than complimentary thoughts about his worry for Leigh and being led around by his dick. Raising an eyebrow, he asked, “Do I owe you an apology?” “Nope. I can hardly complain when I was eavesdropping on your thoughts.” He took another drink of his water. As Lucian lowered the glass, he swallowed, and added, “But I’d go softly with Valerie. I wouldn’t want you to rush things and blow it.” “Thanks for the advice,” Anders said dryly. “I’m serious,” Lucian said softly. Anders stilled. As a rule, Lucian could be counted on to growl, grunt, or bark. His voice only got that soft, solemn sound on very rare occasions. When it did, you were smart to listen. Anders nodded. “I’m listening.” “She just experienced a nightmarish two weeks at the hands of what she thinks is a vampire. One of our kind,” he pointed out. “Ten days and nights in the flesh and three in fever-driven nightmares.” “But we aren’t vampires,” Anders pointed out. “We’re immortals.” “Semantics,” Lucian said with a shrug. “It won’t make any difference to her whether we are the mythological cursed and soulless beast Stoker wrote about, or scientifically evolved mortals turned nearly immortal by bio-engineered nanos that were introduced into our blood before the fall of Atlantis.” “Scientifically evolved mortals who need more blood than the human body can produce to power those nanos,” Anders added wearily. Lucian nodded. “We have fangs, we don’t age, we are hard to kill and we need blood to survive. To her and many others, we are vampires.” “We drink bagged blood to survive now,” Anders argued. “The immortal who kidnapped and held Valerie and the other women is a rogue.” “True,” Lucian agreed. “Unfortunately, Valerie’s first encounter with our kind was via that rogue. She, understandably, is not going to be very receptive to the possibility that there are good guys among our kind. She needs to get to know and trust us, you especially, before you reveal too much.” Anders nodded, seeing the wisdom in what he said. Then he cleared his throat and asked, “By don’t reveal too much, you aren’t including—” “No,” Lucian said, rare amusement curving his lips. “Bed her all you want, just keep your mouth shut while you do. At least until you think she can handle it. Otherwise,” he warned, “you could lose the chance of a lifetime.

I became mad for a time, wanting to dig her up just to be certain she was dead. Once, I even had the shovel in my hand. But then I knew I could not let her suffer the indignity of a man who had lost his mind to grief and loss. Not a man at all, really, but a bio-organic whose soul might never recover from her quick and sudden departure from my life just as we’d found an avenue for happiness.

From the time I was sixteen years my husband surrounded me like a putrid fog, permeating every minute of every day and completely blocking the sun from entering my life. When my husband left us behind in Arizona and moved to Michigan for work I began to see him as he really was, nothing more than a small, evil, isolated creature. I made it my goal to keep my children pure, to keep them from ever becoming like their father.

As we age, it’s hard to recapture the recklessness of youth, when new ideas flew off us like light from a pinwheel sparkler. But we more than compensate for this with the ideas we do generate, and with our hard-earned wisdom about how to capture and, more importantly, connect those ideas. When I was young I understood very little about the value of a spine to a piece; I wasted time and energy by moving blindly in many directions, when a clearer understanding of spine would have kept me on the path I wanted. I’ve learned so much more about my own preferences. I know that my best work comes out of my creative DNA that seeks to reconcile the competing forces of zoe and bios. I’ve grown more efficient in my efforts; I’ve seen enough dead ends to know when an enticing trail will get me nowhere. And I’ve learned to see continuity in all I do.

I can’t understand that, he wrote. You’re wonderful. So full of life and excitement. The priests and servants of the palace, they wear colors, but there’s no color inside of them. They just go about their duties, eyes down, solemn. You’ve got color on the inside, so much of it that it bursts out and colors everything around you." She smiled. “That sounds like BioChroma.” "You are more honest than BioChroma, he wrote. My Breath, it makes things more bright, but it isn’t mine. It was given to me. Yours is your own.

I deserve to die alone. I didn’t give a shit about anyone else but myself all my life, so there’s no reason to expect anybody else to give a shit about me. And you know what? I’m fine with that. I was an asshole, but I liked who I was. I’d rather be myself—an unapologetic self-centered son-of-a-bitch—and be hated by everyone, than have to pretend to be someone I wasn’t just so that people would care whether I lived or died.

My mother thinks I’ve dyed my hair red for attention— How can I explain to her the ways that she is right and wrong. As of last night, my hair is the color of a brick the moment before it goes through a stained-glass window. My hair is the color of a fire engine driving through a burning building. My hair is the color of a dart frog: generations of death adapting into this exact shade of poison. It’s called aposematism— we learned about it in bio. It’s when an animal advertises to predators that it is not worth the attempt to consume. Bright red and orange, the colors of pain, I WILL MAKE YOU SICK I WILL KILL YOU FROM INSIDE YOUR THROAT ATTENTION! I MAY LOOK LIKE PREY BUT I WILL END YOUR LIFE My mother says I want attention and maybe she’s right My mother says I am just making a statement and maybe she’s right But in my mind it’s not saying please— it’s saying don’t and this is how I know men are not really wolves because maybe a wolf would listen.

Anyhow, I've begun on the story we discussed. I will not refer specifically to what you said, but I've decided that it will have as its author Hawthorne Abendsen, the novelist in my novel MAN IN THE HIGH CASTLE who wrote THE GRASSHOPPER LIES HEAVY. I wrote & wrote . . . after all, I wrote my 4th novel EYE IN THE SKY in two weeks, so this merely shows I'm in love with what I'm doing. The title of Abendsen's yarn is, "A Man For No Countries," because he is unwanted in the USA where the Asshole Axis rule, and certainly not in Europe where Germany rules from . . . I did bio notes, the uncorrected carbons of which I'm enclosing; they were improved in a second draft, and can/will be cut as needed. And, as to the story, I finished the holographic first draft last night about the time our tomcat Pinky wants indoors to be fed, which is quite late, and at which time nothing, even Pinky, gets me out of bed. It is a short story, but I think a lot of it, Phil. I really do, and when I turn out a lousy one I usually know it and the other way around. I'll send you a carbon of the final, not of the rough, since the rough is in holo. Now, a technical problem. To whom do I send the yarn when I'm done? By contract, it must be to Scott Meredith; that is determined by law. But my own name must be on it, on the far left upper corner, not under the title, so he can see who sent it, and hence pay me. That is, receive pay. Who does pay, by the way? Ed Ferman or whoever buys it (if anyone)? Does it just go onto the market like all stories, OR—and this is crucial, maybe—should I mention to Scott Meredith that you should be involved . . . without mentioning certain details held in confidence between us? How do I handle it? I will sell it, in any case; I wrote MAN IN THE HIGH CASTLE in 1961 and ever since "they" have begged (well, asked me) to do more as a sequel. This story is in fact a follow-up, of Abendsen's life since, besides being an intrinsic plot-idea-theme story. So it'll sell, and Ed Ferman does like my stuff; he has commissioned a set of three stories from me, the last three I have done, including one for FINAL STATE or EDGE or whatever with Malzberg, and so would tend to want to buy it. So advise me, as I type up the final. And thanks for getting my literary ass in gear; God bless, Phil. [The story was never completed or published.]

Halfway through the day, Megan started dicking around on the internet. She made her browser window as small as she could, paused for a second, and then looked up “Carrie Wilkins.” She found Carrie’s website, and on it, this bio: Hi, my name’s Carrie. I’m 26. I make things. I paint and I write, but mostly I design. I like to make things beautiful, or creative. I make my own food and I’m trying to grow my own beets. A lot of people around me seem unhappy and I don’t understand why. I freelance because I know I’d go insane if I couldn’t make my own schedule—I believe variety is the zest of life. I know I want a dog someday soon, and sometimes I make lunch at 3 a.m. I believe in the power of collaboration, and I’d love to work with you! What a total asshole. What does she have, some kind of a pact with Satan? The picture next to Carrie’s bio had some kind of heavy filter on it that made it look vintage, and she had a friendly but aloof look on her face. She was flanked on both sides by plants and was wearing an oxford shirt with fancy shorts and had a cool necklace. It was an outfit, for sure, like all of Carrie’s clothes were outfits, which Megan always thought of as outdated or something only children did. The website linked to a blog, which was mostly photos of Carrie doing different things. It didn’t take too long to find the picture of her with the llama with a caption about how she and her boss got it from a homeless guy. And then just products. Pictures and pictures of products, and then little captions about how the products inspired her. Motherfucker, thought Megan. She doesn’t get it at all. It was like looking at an ad for deodorant or laundry soap that made you feel smelly and like you’d been doing something wrong that the person in the ad had already figured out, but since it was an ad, there was no real way to smell the person and judge for yourself whether or not the person stank, and that was what she hated, hated, hated most of all. I make things, gee-wow. You think you’re an artist? Do you really thing this blog is a representation of art, that great universalizer? That great transmigrator? This isolating schlock that makes me feel like I have to buy into you and your formula for happiness? Work as a freelance designer, grow beets, travel, have lots of people who like you, and above all have funsies! “Everything okay?” asked Jillian. “Yeah, what?” “Breathing kind of heavy over there, just making sure you were okay and everything.” “Oh, uh-huh, I’m fine,” said Megan. “It’s not . . . something I’m doing, is it?” “What? No. No, I’m fine,” said Megan. How could someone not understand that other people could be unhappy? What kind of callous, horrible bullshit was that to say to a bunch of twenty-yearolds, particularly, when this was the time in life when things were even more acutely painful than they were in high school, that nightmare fuck, because now there were actual stakes and everyone was coming to grips with the fact that they’re going to die and that life might be empty and unrewarding. Why even bring it up? Why even make it part of your mini-bio?

I was there for all of it. I knew the lies then and know them now. I knew the liars then and know them now. I know the real story, and it's more than they will ever know, it's a part of my life, part of my bio...

Your agency bio states that you’re looking for great books but life is hard, Alister Tylte, and sometimes you have to settle for what you can get. Sometimes you’re someone’s McGill, but sometimes you’re their safety school, and that’s okay. I believe my book is a book, and you should probably be satisfied with that for your list.

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