My Life As An Alphabet Quotes

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It's only a story, you say. So it is, and the rest of life with it - creation story, love story, horror, crime, the strange story of you and I. The alphabet of my DNA shapes certain words, but the story is not told. I have to tell it myself. What is it that I have to tell myself again and again? That there is always a new beginning, a different end. I can change the story. I am the story. Begin.
Jeanette Winterson
I invited Intuition to stay in my house when my roommates went North. I warned her that I am territorial and I keep the herb jars in alphabetical order. Intuition confessed that she has a ‘spotty employment record.’ She was fired from her last job for daydreaming. When Intuition moved in, she washed all the windows, cleaned out the fireplace, planted fruit trees, and lit purple candles. She doesn’t cook much. She eats beautiful foods, artichokes, avocadoes, persimmons and pomegranates, wild rice with wild mushrooms, chrysanthemum tea. She doesn’t have many possessions. Each thing is special. I wish you could see the way she arranged her treasures on the fireplace mantle. She has a splendid collection of cups, bowls, and baskets. Well, the herbs are still in alphabetical order, and I can’t complain about how the house looks. Since Intuition moved in, my life has been turned inside out.
J. Ruth Gendler (The Book of Qualities)
I met a girl in a U-Haul. A beautiful girl And I fell for her. I fell hard. Unfortunately, sometimes life gets in the way. Life definitely got in my way. It got all up in my damn way, Life blocked the door with a stack of wooden 2x4's nailed together and attached to a fifteen inch concrete wall behind a row of solid steel bars, bolted to a titanium frame that no matter how hard I shoved against it- It wouldn't budge. Sometimes life doesn't budge. It just gets all up in your damn way. It blocked my plans, my dreams, my desires, my wishes, my wants, my needs. It blocked out that beautiful girl That I fell so hard for. Life tries to tell you what's best for you What should be most important to you What should come in first Or second Or third. I tried so hard to keep it all organized, alphabetized, stacked in chronological order, everything in its perfect space, its perfect place. I thought that's what life wanted me to do. This is what life needed for me to do. Right? Keep it all in sequence? Sometimes, life gets in your way. It gets all up in your damn way. But it doesn't get all up in your damn way because it wants you to just give up and let it take control. Life doesn't get all up in your damn way because it just wants you to hand it all over and be carried along. Life wants you to fight it. It wants you to grab an axe and hack through the wood. It wants you to get a sledgehammer and break through the concrete. It wants you to grab a torch and burn through the metal and steel until you can reach through and grab it. Life wants you to grab all the organized, the alphabetized, the chronological, the sequenced. It wants you to mix it all together, stir it up, blend it. Life doesn't want you to let it tell you that your little brother should be the only thing that comes first. Life doesn't want you to let it tell you that your career and your education should be the only thing that comes in second. And life definitely doesn't want me To just let it tell me that the girl I met, The beautiful, strong, amazing, resilient girl That I fell so hard for Should only come in third. Life knows. Life is trying to tell me That the girl I love, The girl I fell So hard for? There's room for her in first. I'm putting her first.
Colleen Hoover
A baby is God's opinion that life should go on. A book that does nothing to you is dead. A baby, whether it does anything to you, represents life. If a bad fire should break out in this house and I had my choice of saving the library or the babies, I would save what is alive. Never will a time come when the most marvelous recent invention is as marvelous as a newborn baby. The finest of our precision watches, the most super-colossal of our supercargo plants, don't compare with a newborn baby in the number and ingenuity of coils and springs, in the flow and change of chemical solutions, in timing devices and interrelated parts that are irreplaceable. A baby is very modern. Yet it is also the oldest of the ancients. A baby doesn't know he is a hoary and venerable antique — but he is. Before man learned how to make an alphabet, how to make a wheel, how to make a fire, he knew how to make a baby — with the great help of woman, and his God and Maker.
Carl Sandburg
I have a spiritual journey on earth. Lord anoint and empower me to accomplish my great task on earth.
Lailah Gifty Akita (The Alphabets of Success: Passion Driven Life)
For the first time in my life, I became actively interested in a book. Me the sports fanatic, me the game freak, me the only ten-year-old in Illinois with a hate on for the alphabet wanted to know what happened next.
William Goldman (The Princess Bride)
Suspense left my life a long time ago, now it has returned. I do not care for it.
Ben Marcus (The Flame Alphabet)
There's something specific about the doves' way of living my life as a natural result of today since it's raining
Inger Christensen (alphabet)
On Algebra - "We're a month into it, and I'm planning to start a real protest movement, one to have X and Y removed from the alphabet. Z is also suspect as far as I'm concerned...Damn it! They put a man on the moon; can't they find some way to end the scourge of Algebra?
Huston Piner (My Life as a Myth)
I’m going to name my firstborn son 0123456789, because I want him to learn to count before he learns the alphabet. And my second son I’ll call 01, because I want him to get into computers at a young age.
Jarod Kintz (Who Moved My Choose?: An Amazing Way to Deal With Change by Deciding to Let Indecision Into Your Life)
Driving home, I heard the explosion and thought it was a new story born. But, Adrian, it’s the same old story, whispered past the same false teeth. How can we imagine a new language when the language of the enemy keeps our dismembered tongues tied to his belt? How can we imagine a new alphabet when the old jumps off billboards down into our stomachs? Adrian, what did you say? I want to rasp into sober cryptology and say something dynamic but tonight is my laundry night. How do we imagine a new life when a pocketful of quarters weighs our possibilities down?
Sherman Alexie (The Lone Ranger and Tonto Fistfight in Heaven)
I stared at the paper. I said, “This isn’t reading. This is drawing.” “Writing,” she corrected. “It’s like buttons and hems. You’ve got to learn those before you can sew on the machine. You’ve got to know your letters before you can read.” I supposed so, but it was boring. When I said so she got up again and wrote something along the bottom of the paper. “What’s that?” I asked. “‘Ada is a curmudgeon,’” she replied. “Ada is a curmudgeon,” I copied at the end of my alphabet. It pleased me. After
Kimberly Brubaker Bradley (The War That Saved My Life (The War That Saved My Life, #1))
I mean, I’ve always loved her, we’ve been best mates for years. When I started this thing, I thought that maybe, maybe there was something else – the germ of something else that could happen between us. But I don’t think I was entirely serious. It was speculative, you know. But, bloody hell, it’s bitten me in the arse. And now I love her. I think about her all the time. When I’m not with her, I’m just waiting for the next time I can be, and when I am, I’m just really happy. She’s funny, and smart, and.. gorgeous. I love her. Never felt like this before. Want-to-marry-her-and-be-with-her-all-the-rest-of-my-life kind of love her.
Elizabeth Noble (Alphabet Weekends)
I remember going to the British Museum one day to read up the treatment for some slight ailment of which I had a touch – hay fever, I fancy it was. I got down the book, and read all I came to read; and then, in an unthinking moment, I idly turned the leaves, and began to indolently study diseases, generally. I forget which was the first distemper I plunged into – some fearful, devastating scourge, I know – and, before I had glanced half down the list of “premonitory symptoms,” it was borne in upon me that I had fairly got it. I sat for awhile, frozen with horror; and then, in the listlessness of despair, I again turned over the pages. I came to typhoid fever – read the symptoms – discovered that I had typhoid fever, must have had it for months without knowing it – wondered what else I had got; turned up St. Vitus’s Dance – found, as I expected, that I had that too, – began to get interested in my case, and determined to sift it to the bottom, and so started alphabetically – read up ague, and learnt that I was sickening for it, and that the acute stage would commence in about another fortnight. Bright’s disease, I was relieved to find, I had only in a modified form, and, so far as that was concerned, I might live for years. Cholera I had, with severe complications; and diphtheria I seemed to have been born with. I plodded conscientiously through the twenty-six letters, and the only malady I could conclude I had not got was housemaid’s knee. ... I had walked into that reading-room a happy, healthy man. I crawled out a decrepit wreck. I went to my medical man. He is an old chum of mine, and feels my pulse, and looks at my tongue, and talks about the weather, all for nothing, when I fancy I’m ill; so I thought I would do him a good turn by going to him now. “What a doctor wants,” I said, “is practice. He shall have me. He will get more practice out of me than out of seventeen hundred of your ordinary, commonplace patients, with only one or two diseases each.” So I went straight up and saw him, and he said: “Well, what’s the matter with you?” I said: “I will not take up your time, dear boy, with telling you what is the matter with me. Life is brief, and you might pass away before I had finished. But I will tell you what is NOT the matter with me. I have not got housemaid’s knee. Why I have not got housemaid’s knee, I cannot tell you; but the fact remains that I have not got it. Everything else, however, I HAVE got.” And I told him how I came to discover it all. Then he opened me and looked down me, and clutched hold of my wrist, and then he hit me over the chest when I wasn’t expecting it – a cowardly thing to do, I call it – and immediately afterwards butted me with the side of his head. After that, he sat down and wrote out a prescription, and folded it up and gave it me, and I put it in my pocket and went out. I did not open it. I took it to the nearest chemist’s, and handed it in. The man read it, and then handed it back. He said he didn’t keep it. I said: “You are a chemist?” He said: “I am a chemist. If I was a co-operative stores and family hotel combined, I might be able to oblige you. Being only a chemist hampers me.” I read the prescription. It ran: “1 lb. beefsteak, with 1 pt. bitter beer every 6 hours. 1 ten-mile walk every morning. 1 bed at 11 sharp every night. And don’t stuff up your head with things you don’t understand.” I followed the directions, with the happy result – speaking for myself – that my life was preserved, and is still going on.
Jerome K. Jerome (Three Men in a Boat (Three Men, #1))
Ich war fünf. Mit fünf weiß man nicht, was man zu erwarten hat. Man weiß auch mit zwölf nicht, was man zu erwarten hat. Vielleicht weiß man nie, was man zu erwarten hat.
Barry Jonsberg (My Life as an Alphabet)
My sacred values are obvious and quite ecumenical: democracy, justice, life, love, and truth (in alphabetical order).
Daniel C. Dennett (Breaking the Spell: Religion as a Natural Phenomenon)
I have come to see this fear, this sense of my own imperilment by my creations, as not only an inevitable, necessary part of writing fiction but as virtual guarantor, insofar as such a thing is possible, of the power of my work: as a sign that I am on the right track, that I am following the recipe correctly, speaking the proper spells. Literature, like magic, has always been about the handling of secrets, about the pain, the destruction and the marvelous liberation that can result when they are revealed. Telling the truth, when the truth matters most, is almost always a frightening prospect. If a writer doesn’t give away secrets, his own or those of the people he loves; if she doesn’t court disapproval, reproach and general wrath, whether of friends, family, or party apparatchiks; if the writer submits his work to an internal censor long before anyone else can get their hands on it, the result is pallid, inanimate, a lump of earth. The adept handles the rich material, the rank river clay, and diligently intones his alphabetical spells, knowing full well the history of golems: how they break free of their creators, grow to unmanageable size and power, refuse to be controlled. In the same way, the writer shapes his story, flecked like river clay with the grit of experience and rank with the smell of human life, heedless of the danger to himself, eager to show his powers, to celebrate his mastery, to bring into being a little world that, like God’s, is at once terribly imperfect and filled with astonishing life. Originally published in The Washington Post Book World
Michael Chabon
The church was stuffed with mourners, of course. No one from work - I tried to keep my life and my magazine separate - but otherwise everybody Andrew and I knew was there. It was disorientating, like having the entire contents of one’s address book dressed in black and exported into pews in non alphabetical order.
Chris Cleave (Little Bee)
10 ways to raise a wild child. Not everyone wants to raise wild, free thinking children. But for those of you who do, here's my tips: 1. Create safe space for them to be outside for a least an hour a day. Preferable barefoot & muddy. 2. Provide them with toys made of natural materials. Silks, wood, wool, etc...Toys that encourage them to use their imagination. If you're looking for ideas, Google: 'Waldorf Toys'. Avoid noisy plastic toys. Yea, maybe they'll learn their alphabet from the talking toys, but at the expense of their own unique thoughts. Plastic toys that talk and iPads in cribs should be illegal. Seriously! 3. Limit screen time. If you think you can manage video game time and your kids will be the rare ones that don't get addicted, then go for it. I'm not that good so we just avoid them completely. There's no cable in our house and no video games. The result is that my kids like being outside cause it's boring inside...hah! Best plan ever! No kid is going to remember that great day of video games or TV. Send them outside! 4. Feed them foods that support life. Fluoride free water, GMO free organic foods, snacks free of harsh preservatives and refined sugars. Good oils that support healthy brain development. Eat to live! 5. Don't helicopter parent. Stay connected and tuned into their needs and safety, but don't hover. Kids like adults need space to roam and explore without the constant voice of an adult telling them what to do. Give them freedom! 6. Read to them. Kids don't do what they are told, they do what they see. If you're on your phone all the time, they will likely be doing the same thing some day. If you're reading, writing and creating your art (painting, cooking...whatever your art is) they will likely want to join you. It's like Emilie Buchwald said, "Children become readers in the laps of their parents (or guardians)." - it's so true! 7. Let them speak their truth. Don't assume that because they are young that you know more than them. They were born into a different time than you. Give them room to respectfully speak their mind and not feel like you're going to attack them. You'll be surprised what you might learn. 8. Freedom to learn. I realize that not everyone can homeschool, but damn, if you can, do it! Our current schools system is far from the best ever. Our kids deserve better. We simply can't expect our children to all learn the same things in the same way. Not every kid is the same. The current system does not support the unique gifts of our children. How can they with so many kids in one classroom. It's no fault of the teachers, they are doing the best they can. Too many kids and not enough parent involvement. If you send your kids to school and expect they are getting all they need, you are sadly mistaken. Don't let the public school system raise your kids, it's not their job, it's yours! 9. Skip the fear based parenting tactics. It may work short term. But the long term results will be devastating to the child's ability to be open and truthful with you. Children need guidance, but scaring them into listening is just lazy. Find new ways to get through to your kids. Be creative! 10. There's no perfect way to be a parent, but there's a million ways to be a good one. Just because every other parent is doing it, doesn't mean it's right for you and your child. Don't let other people's opinions and judgments influence how you're going to treat your kid. Be brave enough to question everything until you find what works for you. Don't be lazy! Fight your urge to be passive about the things that matter. Don't give up on your kid. This is the most important work you'll ever do. Give it everything you have.
Brooke Hampton
Thanks to my mum, Pamela Marrs, the biggest reader I know and who inspired my love of books. Thank you to Tracy Fenton from Facebook’s THE Book Club for discovering this story and helping it to take on a life of its own. And in alphabetical order, thank you to my early readers Katie Begley, Lorna Fitch, Fiona Goodman, Jenny Goodman,
John Marrs (When You Disappeared)
To pragmatists, the letter Z is nothing more than a phonetically symbolic glyph, a minor sign easily learned, readily assimilated, and occasionally deployed in the course of a literate life. To cynics, Z is just an S with a stick up its butt. Well, true enough, any word worth repeating is greater than the sum of its parts; and the particular word-part Z can, from a certain perspective, appear anally wired. On those of us neither prosaic nor jaded, however, those whom the Fates have chosen to monitor such things, Z has had an impact above and beyond its signifying function. A presence in its own right, it’s the most distant and elusive of our twenty-six linguistic atoms; a mysterious, dark figure in an otherwise fairly innocuous lineup, and the sleekest little swimmer ever to take laps in a bowl of alphabet soup. Scarcely a day of my life has gone by when I’ve not stirred the alphabetical ant nest, yet every time I type or pen the letter Z, I still feel a secret tingle, a tiny thrill… Z is a whip crack of a letter, a striking viper of a letter, an open jackknife ever ready to cut the cords of convention or peel the peach of lust. A Z is slick, quick, arcane, eccentric, and always faintly sinister - although its very elegance separates it from the brutish X, that character traditionally associated with all forms of extinction. If X wields a tire iron, Z packs a laser gun. Zap! If X is Mike Hammer, Z is James Bond. If X marks the spot, Z avoids the spot, being too fluid, too cosmopolitan, to remain in one place. In contrast to that prim, trim, self-absorbed supermodel, I, or to O, the voluptuous, orgasmic, bighearted slut, were Z a woman, she would be a femme fatale, the consonant we love to fear and fear to love.
Tom Robbins
Speech therapy is an art that deserves to be more widely known. You cannot imagine the acrobatics your tongue mechanically performs in order to produce all the sounds of a language. Just now I am struggling with the letter l, a pitiful admission for an editor in chief who cannot even pronounce the name of his own magazine! On good days, between coughing fits, I muster enough energy and wind to be able to puff out one or two phonemes. On my birthday, Sandrine managed to get me to pronounce the whole alphabet more or less intelligibly. I could not have had a better present. It was as if those twenty-six letters and been wrenched from the void; my own hoarse voice seemed to emanate from a far-off country. The exhausting exercise left me feeling like a caveman discovering language for the first time. Sometimes the phone interrupts our work, and I take advantage of Sandrine's presence to be in touch with loved ones, to intercept and catch passing fragments of life, the way you catch a butterfly. My daughter, Celeste, tells me of her adventures with her pony. In five months she will be nine. My father tells me how hard it is to stay on his feet. He is fighting undaunted through his ninety-third year. These two are the outer links of the chain of love that surrounds and protects me. I often wonder about the effect of these one-way conversations on those at the other end of the line. I am overwhelmed by them. How dearly I would love to be able to respond with something other than silence to these tender calls. I know that some of them find it unbearable. Sweet Florence refuses to speak to me unless I first breathe noisily into the receiver that Sandrine holds glued to my ear. "Are you there, Jean-Do?" she asks anxiously over the air. And I have to admit that at times I do not know anymore.
Jean-Dominique Bauby (The Diving Bell and the Butterfly)
From this time I was most narrowly watched. If I was in a separate room any considerable length of time, I was sure to be suspected of having a book, and was at once called to give an account of myself. All this, however, was too late. The first step had been taken. Mistress, in teaching me the alphabet, had given me the inch, and no precaution could prevent me from taking the ell. The plan which I adopted, and the one by which I was most successful, was that of making friends of all the little white boys whom I met in the street. As many of these as I could, I converted into teachers. With their kindly aid, obtained at different times and in different places, I finally succeeded in learning to read. When I was sent of errands, I always took my book with me, and by going one part of my errand quickly, I found time to get a lesson before my return.
Frederick Douglass (Narrative Of The Life Of Frederick Douglass: By Frederick Douglass & Illustrated)
Imagination of a place, attracted the possibility of my travel to the place.
Lailah Gifty Akita (The Alphabets of Success: Passion Driven Life)
I would like to dedicate this book to the alphabet. For those twenty-six letters have changed my life. Within those twenty-six letters, I found myself and live my dream. Next time you say the alphabet remember its power. I do every day.
T.L. Swan (Mr. Masters (Mr. Series, #1))
I would like to dedicate this book to the alphabet, for those twenty-six letters have changed my life. Within those twenty-six letters I found myself, and now I live my dream. Next time you say the alphabet, remember its power. I do every day.
T.L. Swan (The Stopover (Miles High Club, #1))
I had taken up my quill to begin writing many times before now, but I always abandoned it quickly: each time I was overcome with fear. Yes, may God forgive me, but the letters of the alphabet frighten me terribly. They are sly, shameless demons—and dangerous! You open the inkwell, release them: they run off—and how will you ever get control of them again! They come to life, join, separate, ignore your commands, arrange themselves as they like on the paper—black, with tails and horns. You scream at them and implore them in vain: they do as they please. Prancing, pairing up shamelessly before you, they deceitfully expose what you did not wish to reveal, and they refuse to give voice to what is struggling, deep within your bowels, to come forth and speak to mankind.
Nikos Kazantzakis (Saint Francis)
I am alone as the pearl is alone in its shell. I have withdrawn into myself, but the sea – life hits me and forces me to open. It opens my womb, takes out my round pearl – soul, and strings it on a necklace. I cannot breathe under its weight. It holds all my dear, lost pearls...
Jasna Horvat
To All My Mariners in One Forget the many who talk much, say little, mean less and matter least Forget we live in times when broadcasts of Tchaikovsky's 5th precede announcements of the death of tyrants. Forget that life for governments is priced war cheap but kidnap high Our seamanship is not with such. From port to port we learn that "depths last longer than heights", that years are meant to disappear like wakes, that nothing but the sun stands still. We share the sweeter alphabets of laughter and the slower languages of pain. Common as coal, we find in one another's eyes the quiet diamonds that are worth the world. Drawn by the song of our keel, who are we but horizons coming true? Let others wear their memories like jewelry We're of the few who work apart so well, together when we must. We speak cathedrals when we speak and trust no promise but the pure supremacy of tears. What more can we expect? The sea's blue mischief may be waiting for its time and place, but still we have the stars to guide us, we have the winds for company. We have ourselves. We have the sailor's faith that not even dying can divide us.
Samuel Hazo (The Holy Surprise of Right Now: Selected and New Poems)
There’s twenty-six letters in the alphabet that can be arranged to express an infinity of emotions.” I shake my head. “But not mine, not for you. There are no words to express the way my whole world falls at your feet, staring up in awe at my best friend, my lover … my forever. The river of love for you that runs through me is deep and all consuming. I came alive for you. With the soft stroke of your brush, you painted my life a million shades of amazing and now my heart finds its rhythm from your love … our love … forever. So be my husband, Trick. Let our story be the only one that matters.
Jewel E. Ann (Only Trick)
The cruel white man tried to braid fabrications. He tried to cut a curve and make me weak. He tried to split me from the ones I love. I tell him to, suck a lemon or sit on thorned spirea. Alphabet coming from my mouth is like us. But I maintain my faith, hope for dreams of silk and my greatest kiss of life.
Renee Michelle Christian (A Life Aligned with Mary Magdalene)
Let us spend one day as deliberately as Nature, and not be thrown off the track by every nutshell and mosquito's wing that falls on the rails. Let us rise early and fast, or break fast, gently and without perturbation; let company come and let company go, let the bells ring and the children cry, -- determined to make a day of it. Why should we knock under and go with the stream? Let us not be upset and overwhelmed in that terrible rapid and whirlpool called a dinner, situated in the meridian shallows. Weather this danger and you are safe, for the rest of the way is down hill. With unrelaxed nerves, with morning vigor, sail by it, looking another way, tied to the mast like Ulysses. If the engine whistles, let it whistle till it is hoarse for its pains. If the bell rings, why should we run? We will consider what kind of music they are like. Let us settle ourselves, and work and wedge our feet downward through the mud and slush of opinion, and prejudice, and tradition, and delusion, and appearance, that alluvion which covers the globe, through Paris and London, through New York and Boston and Concord, through church and state, through poetry and philosophy and religion, till we come to a hard bottom and rocks in place, which we can call reality, and say, This is, and no mistake; and then begin, having a point d'appui, below freshet and frost and fire, a place where you might found a wall or a state, or set a lamp-post safely, or perhaps a gauge, not a Nilometer, but a Realometer, that future ages might know how deep a freshet of shams and appearances had gathered from time to time. If you stand right fronting and face to face to a fact, you will see the sun glimmer on both its surfaces, as if it were a cimeter, and feel its sweet edge dividing you through the heart and marrow, and so you will happily conclude your mortal career. Be it life or death, we crave only reality. If we are really dying, let us hear the rattle in our throats and feel cold in the extremities; if we are alive, let us go about our business. Time is but the stream I go a-fishing in. I drink at it; but while I drink I see the sandy bottom and detect how shallow it is. Its thin current slides away, but eternity remains. I would drink deeper; fish in the sky, whose bottom is pebbly with stars. I cannot count one. I know not the first letter of the alphabet. I have always been regretting that I was not as wise as the day I was born. The intellect is a cleaver; it discerns and rifts its way into the secret of things. I do not wish to be any more busy with my hands than is necessary. My head is hands and feet. I feel all my best faculties concentrated in it. My instinct tells me that my head is an organ for burrowing, as some creatures use their snout and fore-paws, and with it I would mine and burrow my way through these hills. I think that the richest vein is somewhere hereabouts; so by the divining rod and thin rising vapors I judge; and here I will begin to mine.
Henry David Thoreau (Walden)
In my native Denmark, literature seems to be a kind of all people’s Church - or its substitute. We all treat our Danish literature like a church. This is our true form of state religion, our contribution to the world’s variety, diversity and cultural wealth, our vivid and palpable contribution to the entire treasury box of the world and mankind. That's what the Danish literature is. For some of our more down-to-earth neighbours, the literature and literary exercises are merely means of communication, relaxation, amusement, but certainly, nothing that might be considered sacred. Not for us, the Danes. We didn’t happen to write “Hamlet”, but we all the more so revere Karen Blixen, Nikolai Grundtvig, Georg Brandes, Tove Ditlevsen. No wonder: the Vikings whom we also revere as our founding forefathers, were the first Danish writers. The first Danish writings are the Viking inscriptions in the Runic alphabet on raised stones – called “runestones” - that are still quite visible in the Danish landscape.
Della Swanholm
This was supposed to be the Presidential Suite," she said, gazing into the room at the holes in the wall. well, even presidents get shot," I said. I was just going to say that myself," she said, smiling. "But I didn't want to scare you." I didn't know whether this was interesting--that we were both thinking the same gruesome thing--or even whether it was actually the case. Perhaps it was just rhetorical ESP: Kreskin's Guide to Etiquette. But even if it was true, that we were about to say the same thing, did this connect us in some deep private way? Or was it just a random obviousness shared between strangers? The deeper life between two people I had yet to read with confidence. It seemed a kind of vaporous text that kept revising its very alphabet. An exfoliating narrative, my professors would probably say. The paratext of the possible.
Lorrie Moore
Alongside my mispronunciation of hello, good-bye and sorry in seventeen languages, and my ability to recite the Greek alphabet forward and backward (I who have never learned a word of Greek in my life), the phonetic alphabet was one of those secret, random wells of useless knowledge left over from my bookish childhood. I learned it only to amuse myself; its purpose in those days was merely private, so as the years passed I made no particular effort to practice it.
Diane Setterfield (The Thirteenth Tale)
I believe without the miracles I have prayed for then; that is what I am explaining. I believe because certain, uncertain things have happened, dim half-miracles, sermons and silences and what not. Perhaps it is the believing itself that is the miracle I believe by. Perhaps it is the miracle of my own life, that I, who might so easily not have been, am; who might so easily at any moment, even now, give the whole thing up, nonetheless by God’s grace do not give it up and am not given up by it.
Frederick Buechner
Noirtier looked towards the dictionary. Franz picked it up with a nervous shudder and said the letters of the alphabet until he reached ‘M’. Here the old man signalled ‘Yes’. ‘M!’ Franz repeated. The young man’s finger ran down the words but, at every one, Noirtier replied in the negative. Valentine’s head was buried in her hands. At last Franz reached the word: ‘MYSELF’. ‘Yes,’ the old man said. ‘You!’ Franz cried, his hair rising on his head. ‘You, Monsieur Noirtier! Did you kill my father?’ ‘Yes,’ Noirtier replied, fixing the young man with an imperious look. Franz’s feet could no longer support him and he slumped into a chair. Villefort opened the door and fled, for he had just had an impulse to stifle the last dregs of life still remaining in the old man’s fearsome heart.
Alexandre Dumas (The Count of Monte Cristo)
Look for a wave shaped like an A. An A. Hmm. I saw Zs and H's and Vs. I saw the Hindi alphabet and the Thai alphabet. I saw Arabic script. I saw no As. Finally I gave up, and chose the next wave that would have me, which turned out to be a poor move. There is a moment, shortly after one accepts the imminence of one's demise, when it occurs that you could be elsewhere: that if you simply left the house a little later, or lingered over a Mai Tai, you would not be here now confronting your mortality. This moment occurred just as I encountered a very large (from my perspective), rare and surprising wave. A wave that was pitching and howling, and it really had no business being where it was - underneath me. The demon wave picked me up, and after that I have only a a vague recollection of spinning limbs, a weaponized surf board, and chaotic white water, churning together over a reef. I decided surfing was not for me. I generally no longer engage in adrenaline rush activities that carry with them a strong likely hood of life-altering injury. (p. 138)
J. Maarten Troost (The Sex Lives of Cannibals: Adrift in the Equatorial Pacific)
Truth About Love" I apologize for not being Gandhi or Tom the mailman who is always kind. He makes his way every day no matter the mood of the sky with our words in a sack and Gandhi made the English give India back without taking a gun for a wife. My contribution to the common good is playing with the alphabet in a little room while the world goes foraging for food. I’m a better poet than man and it’s well known how little my verbs are worth. I am my only subject, being the god of my horizons. What saves me is that just beyond my skin the world of yours is where I’d rather live. The AMA says you’ve added seven point six years to my life. In a phrase, love is a transfer of wealth. This is why Adam Smith gave up romantic verse. In trying to say what can’t be said I’ll take the Dragnet approach. Just the facts. I’d be dead sooner without you, you’ll die faster for being a Mrs., raw deal can’t be more clearly defined. To make amends I offer ten percent more kisses each year. Or do I do more harm the closer we become? If yes, leaving would be love and a better man might. But my thrills are selfishly domestic. I like sweeping words into piles and whispering good night.
Bob Hicok (Insomnia Diary (Pitt Poetry Series))
Emma, calm down. I had to know-" I point my finger in his face, almost touching his eyeball. "It's one thing for me to give your permission to look into it. But I'm pretty sure looking into it without my consent is illegal. In fact, I'm pretty sure everything that woman does is illegal. Do you even know what the Mafia is, Galen?" His eyebrows lift in surprise. "She told you who she is? I mean, who she used to be?" I nod. "While you were checking in with Grom. Once in the Mob, always in the Mob, if you ask me. How else would she get all her money? But I guess you wouldn't care about that, since she buys you houses and cars and fake IDs." I snatch my wrist away and turn back toward our hotel. At least, I hope it's our hotel. Galen laughs. "Emma, it's not Rachel's money; it's mine." I whirl on him. "You are a fish. You don't have a job. And I don't think Syrena currency has any of our presidents on it." Now "our" means I'm human again. I wish I could make up my mind. He crosses his arms. "I earn it another way. Walk to the Gulfarium with me, and I'll tell you how." The temptation divides me like a cleaver. I'm one part hissy fit and one part swoon. I have a right to be mad, to press charges, to cut Rachel's hair while she's sleeping. But do I really want to risk the chance that she keeps a gun under her pillow? Do I want to miss the opportunity to scrunch my toes in the sand and listen to Galen's rich voice tell me how a fish came to be wealthy? Nope, I don't. Taking care to ram my shoulder into him, I march past him and hopefully in the right direction. When he catches up to me, his grin threatens the rest of my hissy fit side, so I turn away, fixing my glare on the waves. "I sell stuff to humans," he says. I glance at him. He's looking at me, his expression every bit as expectant as I feel. I hate this little game of ours. Maybe because I'm no good at it. He won't tell me more unless I ask. Curiosity is one of my most incurable flaws-and Galen knows it. Still, I already gave up a perfectly good tantrum for him, so I feel like he owes me. Never mind that he saved my life today. That was so two hours ago. I lift my chin. "Rachel says I'm a millionaire," he says, his little knowing smirk scrubbing my nerves like a Brillo pad. "But for me, it's not about the money. Like you, I have a soft spot for history." Crap, crap, crap. How can he already know me this well? I must be as readable as the alphabet. What's the use? He's going to win, every time.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
Oh,Ella. I wish you'd had a better time at the ball." "Fuhgeddaboudit," I muttered. Greaseball. Freddy. Freak. "It's not like she and I were ever going to be BFFs." "I wasn't just referring to Amanda." Of course he wasn't. "I'll try," I moaned into the crook of my elbow. "Oh, Lord.I'll try to carry on." "That sounds rather dramatic, even for you." "It's Styx," I told him. "After your time, before mine. I don't know all the words,but those work for the moment. And for the record, I'm being ironic, not dramatic." "If you say so." I ignored him. "I have had my last flutter over Alex Bainbridge. I mean it. Frankie was right.How many signs do I need that we are never, ever going to have...anything...before I get it? Obviously, it doesn't matter that we realte to the same schizo seventies songs. Or that we can discuss antique Japanese woodblock prints. Or that when he sits next to me, he kinda takes my breath away. You would think that would count for a lot,wouldn't you?" Edward gets the concept of rhetorical questions, so I went on. "I wouldn't even want to hazard a guess about what makes Amanda's pulse go all skittery, but I would bet anything it's not Alex. And he's still with her. He doesn't belong with her, but apparently he feels he belongs to her. Explain that,please." "Oh,Ella.We men are not always the best at looking beyond the...er..." "Boobs,Edward. You can say it. Amanda Alstead has boobs and blonda hair. Beyond that, I can't see a single thing that's special about her." "Because there isn't a single thing. Beyond the...er, obvious. You,on the other hand,are a creature of infinite charms. Shall I list them alphabetically or from the top down?" I scowled up at him. "Y'know, you are beginning to sound a little too much like Frankie and Sadie,my deluded Greek chorus." "yes,well,I rather thought that's what friends are for." "You're not supposed to be my friend," I muttered. "You're supposed to be my Prince Charming." "Ahem." Edward's sculpted lips compressed into a grim line. "Have you looked at me lately? I am supposed to be startling and even a bit scary." "Nope.Neither." I rested my chin on my forearm. "To me,you are perfect. You are loyal and reliable and completely lacking in surprises." "That is a good thing?" "Absolutely," I said. "It's an excellent thing.I don't want any more surprises, over." "Hardly an admirable goal,that." "Maybe not," I agreed, "but pleasant. Among all the other bizarreness tonight, I found something new to be afraid of. Evil girlfriends." "Now,Ella. You can't go on being afraid forever." "Oh,yes,I can. As far as Amanda Alstead is concerned, I can." Edward tilted his head and studied me for a moment. He looked annoyed. "Why do you insist on having these conversations with me when you ignore everything I have to say?" It was a pretty good question. "Fine." I sat up straight and folded my hands in my lap. Home Truth time. "Go ahead. On this night when we celebrate the mysteries of life and death..Say something profound, something startling." There was a long silence. Then, "Boo," Edward said. "Thank you,Mr. Willing." "Don't mention it, Miss Marino. I am yours to command.
Melissa Jensen (The Fine Art of Truth or Dare)
It was like a page out of the telephone book. Alphabetically, numerically, statistically, it made sense. But when you looked at it up close, when you examined the pages separately, or the parts separately, when you examined one lone individual and what constituted him, examined the air he breathed, the life he led, the chances he risked, you saw something so foul and degrading, so low, so miserable, so utterly hopeless and senseless, that it was worse than looking into a volcano. Outwardly it seems to be a beautiful honeycomb, with all the drones crawling over each other in a frenzy of work; inwardly it’s a slaughterhouse, each man killing off his neighbor and sucking the juice from his bones. Superficially it looks like a bold, masculine world; actually it’s a whorehouse run by women, with the native sons acting as pimps and the bloody foreigners selling their flesh... The whole continent is sound asleep and in that sleep a grand nightmare is taking place… At night the streets of New York reflect the crucifixion and death of Christ. When the snow is on the ground and there is the utmost silence there comes out of the hideous buildings of New York a music of such sullen despair and bankruptcy as to make the flesh shrivel. No stone was laid upon another with love or reverence; no street was laid for dance or joy. One thing has been added to another in a mad scramble to fill the belly, and the streets smell of empty bellies and full bellies and bellies half full. The streets smell of a hunger which has nothing to do with love; they smell of the belly which is insatiable and of the creations of the empty belly which are null and void. Just as the city itself had become a huge tomb in which men struggled to earn a decent death so my own life came to resemble a tomb which I was constructing out of my own death. I was walking around in a stone forest the center of which was chaos; sometimes in the dead center, in the very heart of chaos, I danced or drank myself silly, or I made love, or I befriended some one, or I planned a new life, but it was all chaos, all stone, and all hopeless and bewildering. Until the time when I would encounter a force strong enough to whirl me out of this mad stone forest no life would be possible for me nor could one page be written which would have meaning… Everybody and everything is a part of life... As an individual, as flesh and blood, I am leveled down each day to make the fleshless, bloodless city whose perfection is the sum of all logic and death to the dream. I am struggling against an oceanic death in which my own death is but a drop of water evaporating. To raise my own individual life but a fraction of an inch above this sinking sea of death I must have a faith greater than Christ’s, a wisdom deeper than that of the greatest seer. I must have the ability and the patience to formulate what is not contained in the language of our time, for what is now intelligible is meaningless. My eyes are useless, for they render back only the image of the known. My whole body must become a constant beam of light, moving with an ever greater rapidity, never arrested, never looking back, never dwindling. The city grows like a cancer; I must grow like a sun. The city eats deeper and deeper into the red; it is an insatiable white louse which must die eventually of inanition. I am going to starve the white louse which is eating me up. I am going to die as a city in order to become again a man. Therefore I close my ears, my eyes, my mouth. Infinitely better, as life moves toward a deathly perfection, to be just a bit of breathing space, a stretch of green, a little fresh air, a pool of water. Better also to receive men silently and to enfold them, for there is no answer to make while they are still frantically rushing to turn the corner.
Henry Miller (Tropic of Capricorn (Tropic, #2))
... instead of spelling stories you spread silence, which was outside the alphabet.
Lauren Slater (The $60,000 Dog: My Life with Animals)
I wish all the lobbyists on K Street would drown in alphabet soup.
Jarod Kintz (Who Moved My Choose?: An Amazing Way to Deal With Change by Deciding to Let Indecision Into Your Life)
What happened to the troubled young reporter who almost brought this magazine down The last time I talked to Stephen Glass, he was pleading with me on the phone to protect him from Charles Lane. Chuck, as we called him, was the editor of The New Republic and Steve was my colleague and very good friend, maybe something like a little brother, though we are only two years apart in age. Steve had a way of inspiring loyalty, not jealousy, in his fellow young writers, which was remarkable given how spectacularly successful he’d been in such a short time. While the rest of us were still scratching our way out of the intern pit, he was becoming a franchise, turning out bizarre and amazing stories week after week for The New Republic, Harper’s, and Rolling Stone— each one a home run. I didn’t know when he called me that he’d made up nearly all of the bizarre and amazing stories, that he was the perpetrator of probably the most elaborate fraud in journalistic history, that he would soon become famous on a whole new scale. I didn’t even know he had a dark side. It was the spring of 1998 and he was still just my hapless friend Steve, who padded into my office ten times a day in white socks and was more interested in alphabetizing beer than drinking it. When he called, I was in New York and I said I would come back to D.C. right away. I probably said something about Chuck like: “Fuck him. He can’t fire you. He can’t possibly think you would do that.” I was wrong, and Chuck, ever-resistant to Steve’s charms, was as right as he’d been in his life. The story was front-page news all over the world. The staff (me included) spent several weeks re-reporting all of Steve’s articles. It turned out that Steve had been making up characters, scenes, events, whole stories from first word to last. He made up some funny stuff—a convention of Monica Lewinsky memorabilia—and also some really awful stuff: racist cab drivers, sexist Republicans, desperate poor people calling in to a psychic hotline, career-damaging quotes about politicians. In fact, we eventually figured out that very few of his stories were completely true. Not only that, but he went to extreme lengths to hide his fabrications, filling notebooks with fake interview notes and creating fake business cards and fake voicemails. (Remember, this was before most people used Google. Plus, Steve had been the head of The New Republic ’s fact-checking department.) Once we knew what he’d done, I tried to call Steve, but he never called back. He just went missing, like the kids on the milk cartons. It was weird. People often ask me if I felt “betrayed,” but really I was deeply unsettled, like I’d woken up in the wrong room. I wondered whether Steve had lied to me about personal things, too. I wondered how, even after he’d been caught, he could bring himself to recruit me to defend him, knowing I’d be risking my job to do so. I wondered how I could spend more time with a person during the week than I spent with my husband and not suspect a thing. (And I didn’t. It came as a total surprise). And I wondered what else I didn’t know about people. Could my brother be a drug addict? Did my best friend actually hate me? Jon Chait, now a political writer for New York and back then the smart young wonk in our trio, was in Paris when the scandal broke. Overnight, Steve went from “being one of my best friends to someone I read about in The International Herald Tribune, ” Chait recalled. The transition was so abrupt that, for months, Jon dreamed that he’d run into him or that Steve wanted to talk to him. Then, after a while, the dreams stopped. The Monica Lewinsky scandal petered out, George W. Bush became president, we all got cell phones, laptops, spouses, children. Over the years, Steve Glass got mixed up in our minds with the fictionalized Stephen Glass from his own 2003 roman à clef, The Fabulist, or Steve Glass as played by Hayden Christiansen in the 2003
Anonymous
Stell dir eine Kartoffel mit aufgemaltem Gesicht vor, dann weißt du ungefähr, wie er aussieht. Es war nicht schwer, sich auszumalen, wie sich im Innern dieser knubbeligen Kugel viel zu viele großartige Gedanken um Raum und Plätze zankten und aus Platzmangel nach außen drückten.
Barry Jonsberg (My Life as an Alphabet)
Mums Augen waren trocken, wahrscheinlich weil sie sich für eine Expertin im Weinen hielt und keine Übung brauchte.
Barry Jonsberg (My Life as an Alphabet)
Ich bin kein Fan von Dingen, die zu Ende gehen. Deshalb drehe ich mich wahrscheinlich immer im Kreis.
Barry Jonsberg (My Life as an Alphabet)
The oil of grace has also the power of filling the souls of contemplatives with joy. Thus David said to God: “You have anointed my head with oil”; [612] that is, the higher part of my soul. Since grace has the quality of engendering men newly to God, Zacharias calls the saints “sons of oil”, that is, of the grace that begot them anew spiritually to the Lord. As oil floats on all other liquids, so grace holds precedence over the rest of the gifts, virtues, blessings, and fruits of the Holy Spirit, for without the grace that makes us pleasing to God we cannot be saved whatever else we have. As, however skilled and practiced a man may be in any art, he cannot practice it without the proper instruments, so whatever other virtues and qualities a man may have, without grace he cannot perform actions worthy of eternal life.
Francisco De Osuna (Third Spiritual Alphabet)
If by casting salt into the barren waters, Elisha healed them of their barrenness,[962] much more will Christ by casting himself, the true salt of wisdom, into the passions and torments of men, have left them sweet and made them easy to bear. This is figured in Exodus, where it is told that the Children of Israel could not drink the waters of Mara, because they were bitter, until Moses had thrown a tree into them which made them sweet.[963] Christ called himself ‘green wood’: [964]  he turned the waters of suffering sweet by swimming in them; he plunged into them to save those who were perishing. Since then, tribulations are sweet though very difficult to bear and bitter for men under the Law. Now they have lost their bitterness for those under Gospel Law, or if they still have some bitterness, it is little compared with what it was. They are counted sweet by those who found them bitter, since Christ our Redeemer has passed through them. Hence he said to his Apostles, after foretelling the great trials they would undergo in this life: “Have confidence, I have overcome the world.” [965] The gloss comments on this: “I have overcome in myself and in my own, I, who am your head, have overcome.” This should inspire no little confidence in his members.
Francisco De Osuna (Third Spiritual Alphabet)
o resume: 2 It is often said—and even more often screamed at anti–gay marriage rallies outside the statehouse in Lansing—that I created Adam and Eve, not Adam and Steve. 3 Wrong. 4 Now will I tell the story of the first man, Adam; and of the companion I fashioned for him, Steve; and of the great closeting that befell their relationship. 5 For after I created the earth, and sea, and every plant and seed and beast of the field and fowl of the air, and had the place pretty much set up, I saw that it was good; 6 But I also saw, that by way of oversight it made administrative sense to establish a new middle-managerial position. 7 So as my final act of Day Six, I formed a man from the dust of the ground, and breathed life into his nostrils; and I called him Adam, to give him a leg up alphabetically. 8 And lo, I made him for my image; not in my image, but for my image; because with Creations thou never gettest a second chance to make a first impression; 9 And so in fashioning him I sought to make not only a responsible planetary caretaker, but also an attractive, likeable spokesman who in the event of environmental catastrophe could project a certain warmth. 10 To immediately assess his ability to function in my absence, I decided to change my plans; for I had intended to use Day Seven to infuse the universe with an innate sense of compassion and moral justice; but instead I left him in charge and snoozed. 11 And Adam passed my test; yea, he was by far my greatest achievement; he befriended all my creatures, and named them, and cared for them; and tended the Garden most skillfully; for he had a great eye for landscape design. 12 But I soon noticed he felt bereft in his solitude; for oft he sighed, and pined for a helpmeet; and furthermore he masturbated incessantly, until he had well-nigh besplattered paradise. 13 So one night I caused him to fall into a deep sleep; fulsomely did I roofie his nectar; and as he slept, I removed a rib, though not a load-bearing one. 14 And from this rib I fashioned a companion for him; a hunk, unburdened by excess wisdom; ripped, and cut, and hung like unto a fig tree before the harvest; 15 Yea, and a power bottom. 16 And Adam arose, and saw him, and wept for joy; and he called the man Steve; I had suggested Steven, but Adam liked to keep things informal. 17 And Adam and Steve were naked, and felt no shame; they knew each other, as often as possible; truly their loins were a wonderland. 18 And they were happy, having not yet eaten of the Tree of the Knowledge That Your Lifestyle Is Sinful.
David Javerbaum (An Act of God: Previously Published as The Last Testament: A Memoir by God)
A Doorway Opens October 13 AT ITS HEART, I think, religion is mystical. Moses with his flocks in Midian, Buddha under the Bo tree, Jesus up to his knees in the waters of Jordan: each of them responds to something for which words like shalom, oneness, God even, are only pallid, alphabetic souvenirs. “I have seen things,” Aquinas told a friend, “that make all my writings seem like straw.” Religion as institution, as ethics, as dogma, as social action—all of this comes later and in the long run maybe counts for less. Religions start, as Frost said poems do, with a lump in the throat, to put it mildly, or with the bush going up in flames, the rain of flowers, the dove coming down out of the sky. As for the man in the street, any street, wherever his own religion is a matter of more than custom, it is likely to be because, however dimly, a doorway opened in the air once to him too, a word was spoken, and, however shakily, he responded. The debris of his life continues to accumulate, the Vesuvius of the years scatters its ashes deep and much gets buried alive, but even under many layers the tell-tale heart can go on beating still. Where it beats strong, there starts pulsing out from it a kind of life that is marked by, above all things perhaps, compassion: that sometimes fatal capacity for feeling what it is like to live inside another’s skin and for knowing that there can never really be peace and joy for any until there is peace and joy finally for all. Where it stops beating altogether, little is left religiously speaking but a good man, not perhaps in Mark Twain’s “the worst sense of the word” but surely in the grayest and saddest: the good man whose goodness has become cheerless and finicky, a technique for working off his own guilts, a gift with no love in it which neither deceives nor benefits any for long.
Frederick Buechner (Listening to Your Life: Daily Meditations with Frederick Buechne)
Truth About Love" I apologize for not being Gandhi or Tom            the mailman who is always kind. He makes his way every day no matter            the mood of the sky with our words in a sack and Gandhi made the English            give India back without taking a gun for a wife. My contribution            to the common good is playing with the alphabet in a little room            while the world goes foraging for food. I’m a better poet than man            and it’s well known how little my verbs are worth. I am my only subject,            being the god of my horizons. What saves me is that just beyond my skin            the world of yours is where I’d rather live. The AMA says you’ve added            seven point six years to my life. In a phrase, love is a transfer of wealth.            This is why Adam Smith gave up romantic verse. In trying to say what can’t            be said I’ll take the Dragnet approach. Just the facts. I’d be dead            sooner without you, you’ll die faster for being a Mrs., raw deal can’t be more          clearly defined. To make amends I offer ten percent more kisses each year.            Or do I do more harm the closer we become? If yes, leaving would be love            and a better man might. But my thrills are selfishly domestic. I like sweeping words            into piles and whispering good night. Bob Hicok, Insomnia Diary. (University of Pittsburgh Press. 2004)
Bob Hicok (Insomnia Diary (Pitt Poetry Series))
All my life I've resisted Plato, with his broad shoulders, his crippled Republic where poets are exiled.
Adélia Prado (The Alphabet in the Park: Selected Poems (Wesleyan Poetry in Translation))
All the words in the world are made up of just twenty-six letters,” she said. “There’s a big and a little version of each.” She wrote the letters out on the paper, and named them all. Then she went through them again. Then she told me to copy them onto another piece of paper, and then she went back to her chair. I stared at the paper. I said, “This isn’t reading. This is drawing.” “Writing,” she corrected. “It’s like buttons and hems. You’ve got to learn those before you can sew on the machine. You’ve got to know your letters before you can read.” I supposed so, but it was boring. When I said so she got up again and wrote something along the bottom of the paper. “What’s that?” I asked. “‘Ada is a curmudgeon,’” she replied. “Ada is a curmudgeon,” I copied at the end of my alphabet. It pleased me.
Kimberly Brubaker Bradley (The War That Saved My Life (The War That Saved My Life, #1))
Truth About Love" I apologize for not being Gandhi or Tom            the mailman who is always kind. He makes his way every day no matter            the mood of the sky with our words in a sack and Gandhi made the English            give India back without taking a gun for a wife. My contribution            to the common good is playing with the alphabet in a little room            while the world goes foraging for food. I’m a better poet than man            and it’s well known how little my verbs are worth. I am my only subject,            being the god of my horizons. What saves me is that just beyond my skin            the world of yours is where I’d rather live. The AMA says you’ve added            seven point six years to my life. In a phrase, love is a transfer of wealth.            This is why Adam Smith gave up romantic verse. In trying to say what can’t            be said I’ll take the Dragnet approach. Just the facts. I’d be dead            sooner without you, you’ll die faster for being a Mrs., raw deal can’t be more          clearly defined. To make amends I offer ten percent more kisses each year.            Or do I do more harm the closer we become? If yes, leaving would be love            and a better man might. But my thrills are selfishly domestic. I like sweeping words            into piles and whispering good night.
Bob Hicok (Insomnia Diary (Pitt Poetry Series))
Life is rarely so straightforward as the fairy tales would have us believe. Truth. Justice. Happy endings. Life is, and excuse my alphabet, effing complicated. Should children be held responsible for their genetics or circumstances or the way they were raised? Of course not. Yet after some arbitrary span of time, we do just that. Because at some point the responsibility has to shift to them. Yet how much of who we are is a product of our nature and nurture, really? I suppose the only thing that seems unambiguous is kindness and mercy. But even those are questionable if in granting them you’re denying victims justice or closure…” He sighed. “Like I said, it’s complicated.
Isla Frost (Vampires Will Be Vampires (Fangs and Feathers, #3))
Back in the days when I had no ways to communicate at all—no writing, pointing on my alphabet grid or verbal expression—I was extremely lonely. People who have never experienced this will go through life never knowing how soul-crushing the condition of wordlessness is. If I tried to describe what it’s like to be nonverbal in the World of the Verbal in a single word, I’d choose this one: agony. And yet, this is also true: if we know there is even a single person who understands what it’s like for us, that’s solace enough to give us hope.
Naoki Higashida (Fall Down 7 Times Get Up 8: A Young Man's Voice from the Silence of Autism)
If you think four little alphabets, w-o-k-e, can define civilized human life, you are as dumb as those you consider un-woke. It is another way to codify righteousness, just like the church does with the term "born again". Be human my friend - beyond wokeness - beyond religiousness - beyond intellectualism and all forms of binarism and sectarianism.
Abhijit Naskar (Solo Standing on Guard: Life Before Law)
I would like to dedicate this book to the alphabet, for those twenty-six letters have changed my life. Within those twenty-six letters, I found myself and live my dream. Next time you say the alphabet, remember its power. I do every day.
T.L. Swan (The Do-Over (Miles High Club, #4))
I fall asleep by going through the alphabet, thinking of something to be grateful for with each letter from A to Z (A is for the apple pancakes my son made us, and so on).
A.J. Jacobs (The Puzzler: One Man's Quest to Solve the Most Baffling Puzzles Ever, from Crosswords to Jigsaws to the Meaning of Life)
In three years of purposeful dating, I started to refer to the men I met by the generic name of 'Dick," with a letter of the alphabet assigned in the order in which they appeared in my life: A. Dick, B. Dick, C. Dick, D. Dick, E. Dick. I was so popular on the over-fifty online dating sites that I damn near ran our of alphabet letters to assign to Dicks.
Debi Tolbert Duggar (Riding Soul-O)
In three years of purposeful dating, I started to refer to the men I met by the generic name of 'Dick,' with a letter of the alphabet assigned in the order in which they appeared in my life: A. Dick, B. Dick, C. Dick, D. Dick, E. Dick. I was so popular on the over-fifty online dating sites that I damn near ran our of alphabet letters to assign to Dicks.
Debi Tolbert Duggar (Riding Soul-O)
I was so angry that something that framed itself as comforting and inclusive [church/Christianity] felt like a dagger in the heart. The more I leaned into my true identity, the more distant I felt from religion. It just didn’t align with who I wanted to become.
Natalie M. Esparza (Spectacle: Discover a Vibrant Life through the Lens of Curiosity)
HEY (may be sung to the tune of Tallis’ Canon) Help me, O Lord, Your law to see that I may keep it endlessly. Make me discern Your holy way; preserve it in my heart today. Cause me to walk by Your command, along the path to take Your hand. And turn my heart from unjust gain and turn my eyes from all that’s vain. Give life to me in Your just way and raise Your servant up today. Utter Your word so I may hear. Pass over the reproach I fear. Behold, I long for what is good. I long to follow as I should. Revive my heart to set it right. Show me, O Lord, my soul’s delight
Margaret Ingraham (This Holy Alphabet: Lyric Poems Adapted From Psalm 119)
Who can know when his world is going to change? . . . Who would suspect that in the morning a different child would wake? . . . Perhaps I should have at least known something, but maybe not; who can sense revelation in the wind? What happened was just this: I got hooked on the story. For the first time in my life, I became actively interested in a book. Me the sports fanatic, me the game freak, me the only ten-year-old in Illinois with a hate on for the alphabet wanted to know what happened next.
William Goldman (The Princess Bride)
Wild animals, that is what we are, John. You believe in man and his laws, and laws would not be necessary if we were not wild animals. Look at my cat, he does not attack you, even though you have desecrated his territory. We men, we are wild. Rabid and petulant... In a rabid dog too, one can see only – a short life.
Jasna Horvat (AZ)
Memories are precious, but they are part of the past. The things we treasure, whether a facet of a memory, a particular aspect of a loved one, or a tangible talisman, we carry with us—always. They continue to inform us about our loved ones and remind us that life is ongoing, that we can still learn from those who have died and can still feel their presence. The smell of Old Spice will forever be my grandfather. My bony wrists and the veins in my hands are remnants of my grandmother. These small things are treasures that will never lose their value and cannot be taken from me.
Andrea Raynor (The Alphabet of Grief: Words to Help in Times of Sorrow: Affirmations and Meditations)
How I Taught My Grandmother to Read and Other Stories Sudha Murty What do you do when your grandmother asks you to teach her the alphabet? Or the President of India takes you on a train ride with him? Or a teacher gives you more marks than you deserve? These are just some of the questions you will find answered in this delightful collection of stories recounting real-life incidents from the life of Sudha Murty, teacher, social worker and bestselling writer. There is the engaging story about one of her students who frequently played truant from school, the account of how her mother’s advice to save money came in handy when she wanted to help her husband start a software company and the heart-warming tale of the promise she made—and fulfilled—to her grandfather, to ensure that her little village library would always be well-supplied with books. Funny, spirited and inspiring, each of these stories teaches a valuable lesson about the importance of doing what you believe is right and having the courage to realize your dreams.
Sudha Murty (The Bird with the Golden Wings: Stories of Wit and Magic)