Jaguar Money Quotes

We've searched our database for all the quotes and captions related to Jaguar Money. Here they are! All 13 of them:

Money may not buy happiness, but I'd rather cry in a Jaguar than on a bus.
Françoise Sagan
He had a principle: if you lend money and never see the person again, that's money well spent.
Isabel Allende (City of the Beasts (Eagle and Jaguar, #1))
Ok look man, you clearly are not hard up for money, you’re driving a range rover, so call whoever has your jaguar or benz and ask them to help you out. I got things to do.
Holly Hood (Prison of Paradise (Wingless, #4))
The Maya’s economy was based on extensive occupational specialization, with skilled potters, weavers, woodworkers, and tool and ornament makers. They also traded obsidian, jaguar pelts, marine shells, cacao, salt, and feathers among themselves and other polities over long distances in Mexico. They probably had money, too, and like the Aztecs, used cacao beans for currency. The
Daron Acemoğlu (Why Nations Fail: The Origins of Power, Prosperity, and Poverty)
What does ‘poor’ mean? No television?” Steve raised his eyebrows. “It means no money,” said Bride. “Same thing,” he answered. “No money, no television.” “Means no washing machine, no fridge, no bathroom, no money!” “Money get you out of that Jaguar? Money save your ass?
Toni Morrison (God Help the Child)
So, if you suddenly experienced a financial windfall, you would ultimately be much happier if you spent the money on numerous pleasant, mood-boosting things occurring on a day-to-day or weekly basis—a daily lunch of expensive sushi, a weekly massage, a regular delivery of fresh flowers, or Sunday-morning calls to your best friend in Europe—rather than spend it all on a single big-ticket item that you believe you would really love, like a new top-of-the-line Jaguar or the remodeling of a bathroom with hand-painted tile.
Sonja Lyubomirsky (The How of Happiness: A Scientific Approach to Getting the Life You Want)
The automobile, like the all-important domestic façade, is another mechanism for outdoor class display. Or class lack of display we'd have to say, if we focus on the usages of the upper class, who, on the principle of archaism, affect to regard the automobile as very nouveau and underplay it consistently. Class understatement describes the technique: if your money and freedom and carelessness of censure allow you to buy any kind of car, you provide yourself with the meanest and most common to indicate that you're not taking seriously so easily purchasable and thus vulgar a class totem. You have a Chevy, Ford, Plymouth, or Dodge, and in the least interesting style and color. It may be clean, although slightly dirty is best. But it should be boring. The next best thing is to have a "good" car, like a Jaguar or BMW, but to be sure it's old and beat-up. You may not have a Rolls, a Cadillac, or a Mercedes. Especially a Mercedes, a car, Joseph Epstein reports in The American Scholar (Winter 1981-82), which the intelligent young in West Germany regard, quite correctly, as "a sign of vulgarity, a car of the kind owned by Beverly Hills dentists or African cabinet ministers.
Paul Fussell
By age thirty, I was living a life that most people only dream of living. But it’s a strange phenomenon. When you’re caught in the whirlwind, it begins to feel commonplace. Suddenly, you begin to forget all the years of walking through the kitchen to play the wedding. You forget the people throwing quarters at you on some makeshift stage. It all becomes a distant memory. You feel elevated. People treat you differently. Now that you can afford things, you seem to get a lot of things for free. The guitar strings that I used to buy—free. The guitar itself—free. Clothes, sneakers, tennis rackets—you name it, we were being offered it. Now that we had a best-selling album and were a household name, everyone wanted us to use their brand of whatever. It was crazy. The money wasn’t bad either after all those years of eating every other day and sleeping four to a room. I remember when we got our first big royalty check. The business manager that we had used for years called John and I and said, “Come see me, I have a check for you both.” When John and I went to see him, he handed us both an envelope. I opened mine first and looked inside. When I saw the amount, I said, “Oh, this can’t be for us.” I asked, John, “How much is yours?” He said, “Two hundred and fifty thousand dollars. How much is yours?” I said, “Two hundred and fifty thousand.” All we could do was laugh. This was crazy money to us. When we started out I remember thinking, if I could make $50,000 at this I’ll be happy. Now, it looked like we were going to make a little bit more. I didn’t spend elaborately when we started making money. But I did have my little splurges. For instance, I bought a Jaguar. I remember the Jaguar salesman warning me, “Now are you sure you want to buy this car? I don’t want you spending all your money.” Eventually,
Chuck Panozzo (The Grand Illusion: Love, Lies, and My Life with Styx: The Personal Journey of "Styx" Rocker Chuck Panozzo)
In transforming natural environments into artificial form, the United States is the most advanced country in the world. This is not an accident. It is inherent in our economic system. To the capitalist, profit-oriented mind, there is no outrage so great as the existence of some unmediated nook or cranny of creation which has not been converted into a new form that can then be sold for money. This is because in the act of converting the natural into the artificial, something with no inherent economic value becomes “productive” in the capitalist sense. An uninhabited desert is “nonproductive” unless it can be mined for uranium or irrigated for farms or covered with tracts of homes. A forest of uncut trees is nonproductive. A piece of land which has not been built upon is nonproductive. Coal or oil that remains in the ground is nonproductive. Animals living wildly are nonproductive. Virtually any land, any space, any material, any time that remains in an original, unprocessed, unconverted form is an outrage to the sensibilities of the capitalist mind. Iron, tungsten, trees, oil, sulphur, jaguars and open space are searched out and transformed because transformation creates economic benefits for the transformers. In economics this transformation has a name: “value added.” Value added derives from all the processes that alter a raw material from something which has no intrinsic economic value to something which does. Each change in form, say, from iron ore in the ground to iron or steel to car to car which is heavily advertised adds value to the material. The only raw materials which have intrinsic economic value before processing are gold and silver. This is only because people have agreed on these values in order to define a value for paper money, which certainly has no intrinsic value. It is, then, the nature of profit seeking to convert as much as possible of what has not been processed and exists in its own right into something which has the potential for economic gain.
Jerry Mander (Four Arguments for the Elimination of Television)
It’s just habit, now. Got all the creature comforts I want.” “You don’t do it for money, Murph. It’s because you don’t have anything else.
Mike Bond (House of Jaguar)
It also was enough for a judge to authorize the FBI to secretly break into Ames’s house and search it. Finding incontrovertible evidence he was a Russian double agent, the FBI arrested Ames on February 21, 1994, and quickly extracted a confession of espionage from him. He copped to betraying in 1985 nearly a dozen CIA and FBI Soviet agents. He’d done it for money, banally fencing the CIA’s crown jewels to treat himself to a new Jaguar and suburban spread. It was an act of treason from which the CIA would never
Robert B. Baer (The Fourth Man: The Hunt for a KGB Spy at the Top of the CIA and the Rise of Putin's Russia)
There were dozens of limos and taxis and MBs and Jaguars. Suitcases were going in and out and doormen in red uniforms were whistling for the next taxi in line and guys I took to be tourists who looked like they made a lot of money were with tall slender women who looked like they cost a lot of money to keep up. None of them looked like gunsels or thugs or art thief-maniacs, but you can never be sure.
Robert Crais (Stalking The Angel (Elvis Cole, #2))
he eventually traded his old blue Ford Mondeo for a Jaguar – the traditional marque of the self-made working-class man. At the same time, it was a Jaguar S-Type, the least extravagant Jaguar money could buy. Indeed, the S-Type was the closest a person could get to owning a Ford while actually owning a Jaguar.
Rob Wilkins (Terry Pratchett: A Life With Footnotes: The Official Biography)