My Contrary Mary Quotes

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Looking down from my throne full of thorns, I glanced at the people on Earth. Oh, man. I despised them. It wasn’t like they were becoming better humans or anything, Devil forbid. In fact, they all roasted in their sin, mayonnaised in their stupidity, tomato-sauced in their envy and anger toward each other....
Cameron Jace (Mary Mary Quite Contrary (The Grimm Diaries Prequels, #5))
Dora was stunned by this information. She stopped. 'Do you mean' she said, 'that they're completely imprisoned in there?' Mrs. Marks laughed. 'Not imprisoned, my dear,' she said. 'They are there of their own free will. This is not a prison. It is on the contrary a place which it is very hard to get into, and only the strongest achieve it. Like Mary in the parable, they have chosen the better part.
Iris Murdoch
I am going to make you what you may perhaps consider rather a singular proposition. It is this, that if you don’t like me, say so at once, and we will part now, before we have time to know anything more of each other, and I will endeavour not to cross your path again unless you seek me out. But if on the contrary, you do like me,—if you find something in my humour or turn of mind congenial to your own disposition, give me your promise that you will be my friend and comrade for a while, say for a few months at any rate. I can take you into the best society, and introduce you to the prettiest women in Europe as well as the most brilliant men. I know them all, and I believe I can be useful to you. But if there is the smallest aversion to me lurking in the depths of your nature”—here he paused,—then resumed with extraordinary solemnity—“in God’s name give it full way and let me go,—because I swear to you in all sober earnest that I am not what I seem!
Marie Corelli (The Sorrows of Satan; or, The Strange Experience of One Geoffrey Tempest, Millionaire)
I was not a soldier; I was a factory worker drafted to be a guard at ‘the ‘house of special purpose’. I did not have reason to kill any of the Romanovs. Most of the young guards, the other boys from the factory, felt as I did. We did not hate the Imperial family; to the contrary, we regarded them with respect. Many of the boys still held to the religious belief that the tsar was divine, an emissary of God himself. In the case of the young grand duchesses; we had never seen such beautiful girls. Even the house maids liked the girls as the sisters did not put on any airs but even assisted the maids in their housecleaning duties. The grand duchesses darned their own socks and made up their beds. All save the eldest sister, the sad looking blond one, were open and friendly. I speak for most of the boys who guarded the four grand duchesses when I say the last thing on this earth that we wished was to harm these girls. Kill them? It was unthinkable. I was 17 when I began my guard duty at the great house once known as the Ipatiev Mansion, but which the Bolsheviks renamed ‘The House of Special Purpose.
Laura Rose (The Passion of Marie Romanov)
arrived in Cambridge, and made an appointment to meet the formidable Krister Stendahl, a Swedish scholar of fierce intelligence, now to be my first adviser. We met in his office. I was nervous, but also amused that this tall and severe man, wearing a black shirt and clerical collar, looked to me like an Ingmar Bergman version of God. After preliminary formalities, he abruptly swiveled in his chair and turned sternly to ask, “So really, why did you come here?” I stumbled over the question, then mumbled something about wanting to find the essence of Christianity. Stendahl stared down at me, silent, then asked, “How do you know it has an essence?” In that instant, I thought, That’s exactly why I came here: to be asked a question like that—challenged to rethink everything. Now I knew I had come to the right place. I’d chosen Harvard because it was a secular university, where I wouldn’t be bombarded with church dogma. Yet I still imagined that if we went back to first-century sources, we might hear what Jesus was saying to his followers when they walked by the Sea of Galilee—we might find the “real Christianity,” when the movement was in its golden age. But Harvard quenched these notions; there would be no simple path to what Krister Stendahl ironically called “play Bible land” simply by digging through history. Yet I also saw that this hope of finding “the real Christianity” had driven countless people—including our Harvard professors—to seek its origins. Naive as our questions were, they were driven by a spiritual quest. We discovered that even the earliest surviving texts had been written decades after Jesus’s death, and that none of them are neutral. They reveal explosive controversy between his followers, who loved him, and outsiders like the Roman senator Tacitus and the Roman court historian Suetonius, who likely despised him. Taken together, what the range of sources does show, contrary to those who imagine that Jesus didn’t exist, is that he did: fictional people don’t have real enemies. What came next was a huge surprise: our professors at Harvard had file cabinets filled with facsimiles of secret gospels I had never heard of—the Gospel of Thomas, the Gospel of Philip, the Gospel of Mary Magdalene, the Gospel of Truth—and dozens of other writings, transcribed by hand from the original Greek into Coptic, and mimeographed in blue letters on pages stamped TOP SECRET. Discovered in 1945, these texts only recently had become available to scholars. This wasn’t what I’d expected to find in graduate school, or even what I wanted—at least, not so long as I still hoped to find answers instead of more questions
Elaine Pagels (Why Religion?: A Personal Story)
The Venetians catalogue everything, including themselves. ‘These grapes are brown,’ I complain to the young vegetable-dealer in Santa Maria Formosa. ‘What is wrong with that ? I am brown,’ he replies. ‘I am the housemaid of the painter Vedova,’ says a maid, answering the telephone. ‘I am a Jew,’ begins a cross-eyed stranger who is next in line in a bookshop. ‘Would you care to see the synagogue?’ Almost any Venetian, even a child, will abandon whatever he is doing in order to show you something. They do not merely give directions; they lead, or in some cases follow, to make sure you are still on the right way. Their great fear is that you will miss an artistic or ‘typical’ sight. A sacristan, who has already been tipped, will not let you leave until you have seen the last Palma Giovane. The ‘pope’ of the Chiesa dei Greci calls up to his housekeeper to throw his black hat out the window and settles it firmly on his broad brow so that he can lead us personally to the Archaeological Museum in the Piazza San Marco; he is afraid that, if he does not see to it, we shall miss the Greek statuary there. This is Venetian courtesy. Foreigners who have lived here a long time dismiss it with observation : ‘They have nothing else to do.’ But idleness here is alert, on the qui vive for the opportunity of sightseeing; nothing delights a born Venetian so much as a free gondola ride. When the funeral gondola, a great black-and-gold ornate hearse, draws up beside a fondamenta, it is an occasion for aesthetic pleasure. My neighbourhood was especially favoured this way, because across the campo was the Old Men’s Home. Everyone has noticed the Venetian taste in shop displays, which extends down to the poorest bargeman, who cuts his watermelons in half and shows them, pale pink, with green rims against the green side-canal, in which a pink palace with oleanders is reflected. Che bello, che magnifici, che luce, che colore! - they are all professori delle Belle Arti. And throughout the Veneto, in the old Venetian possessions, this internal tourism, this expertise, is rife. In Bassano, at the Civic Museum, I took the Mayor for the local art-critic until he interupted his discourse on the jewel-tones (‘like Murano glass’) in the Bassani pastorals to look at his watch and cry out: ‘My citizens are calling me.’ Near by, in a Paladian villa, a Venetian lasy suspired, ‘Ah, bellissima,’ on being shown a hearthstool in the shape of a life-size stuffed leather pig. Harry’s bar has a drink called a Tiziano, made of grapefruit juice and champagne and coloured pink with grenadine or bitters. ‘You ought to have a Tintoretto,’ someone remonstrated, and the proprietor regretted that he had not yet invented that drink, but he had a Bellini and a Giorgione. When the Venetians stroll out in the evening, they do not avoid the Piazza San Marco, where the tourists are, as Romans do with Doney’s on the Via Veneto. The Venetians go to look at the tourists, and the tourists look back at them. It is all for the ear and eye, this city, but primarily for the eye. Built on water, it is an endless succession of reflections and echoes, a mirroring. Contrary to popular belief, there are no back canals where tourist will not meet himself, with a camera, in the person of the another tourist crossing the little bridge. And no word can be spoken in this city that is not an echo of something said before. ‘Mais c’est aussi cher que Paris!’ exclaims a Frenchman in a restaurant, unaware that he repeats Montaigne. The complaint against foreigners, voiced by a foreigner, chimes querulously through the ages, in unison with the medieval monk who found St. Mark’s Square filled with ‘Turks, Libyans, Parthians, and other monsters of the sea’. Today it is the Germans we complain of, and no doubt they complain of the Americans, in the same words.
Mary McCarthy
She had only to call and Mary would come, bringing all her faith, her youth and her ardour. Yes, she had only to call, and yet—would she ever be cruel enough to call Mary? Her mind recoiled at that word; why cruel? She and Mary loved and needed each other. She could give the girl luxury, make her secure so that she need never fight for her living; she should have every comfort that money could buy. Mary was not strong enough to fight for her living. And then she, Stephen, was no longer a child to be frightened and humbled by this situation. There was many another exactly like her in this very city, in every city; and they did not all live out crucified lives, denying their bodies, stultifying their brains, becoming the victims of their own frustrations. On the contrary, they lived natural lives—lives that to them were perfectly natural. They had their passions like everyone else, and why not? They were surely entitled to their passions? They attracted too, that was the irony of it, she herself had attracted Mary Llewellyn—the girl was quite simply and openly in love. 'All my life I've been waiting for something...' Mary had said that, she had said: 'All my' life I've been waiting for something...I've been waiting for you.' Men—they were selfish, arrogant, possessive. What could they do for Mary Llewellyn? What could a man give that she could not? A child? But she would give Mary such a love as would be complete in itself without children. Mary would have no room in her heart, in her life, for a child, if she came to Stephen. All things they would be the one to the other, should they stand in that limitless relationship; father, mother, friend, and lover, all things—the amazing completeness of it; and Mary, the child, the friend, the beloved. With the terrible bonds of her dual nature, she could bind Mary fast, and the pain would be sweetness, so that the girl would cry out for that sweetness, hugging her chains always closer to her. The world would condemn but they would rejoice; glorious outcasts, unashamed, triumphant!
Radclyffe Hall (The Well of Loneliness)
[the virgin birth account] occurs everywhere. When the Herod figure ( the extreme figure of misgovernment) has brought man to the nadir of spirit, the occult forces of the cycle begin to move. In an inconspicuous village, Mary is born who will maintain herself undefiled by fashionable errors of her generation. Her womb, remaining fallw as the primordial abyss, summons itself by its very readiness the original power that fertilzed the void. Mary's virgin birth story is recounted everywhere. and with such striking unity of the main contours, that early christian missionaries had to think the devil must be creating mockeries of Mary's birth wherever they testified. One missionary reports that after work was begun among Tunja and Sogamozzo South American Indians, "the demon began giving contrary doctrines. The demon sought to discredit Mary's account, declaring it had not yet come to pass; but presently, the sun would bring it to pass by taking flesh in the womb of a virgin in a small village, causing her to conceive by rays of the sun while she yet remained virgin." Hindu mythology tells of the maiden parvati who retreated to the high hills to practice austerities. Taraka had usurped mastery of the world, a tyrant. Prophecy said only a son of the high god Shiva could overthrow him. Shive however was the pattern god of yoga-alone, aloof, meditating. It was impossible Shiva could be moved to beget. Parvati tried changing the world situation by metching Shiva in meditation. Aloof, indrawn in her soul meditating, she fasted naked beneath the blazing sun, even adding to the heat by building four great fires. One day a Brahmin youth arrived and asked why anyone so beautiful should be destroying herself with such torture. "My desire," she said "is Shiva, the Highest. He is the god of solitude and concentration. I therefore imitate his meditation to move him from his balance and bring him to me in love." Shiva, the youth announced, is a god of destruction, shiva is World Annhilator. Snakes are his garlands. The virgin said: He is beyond the mind of such as you. He is terrifying but the source of grace. snake garlands or jewel garlands he can assume or put off at will. Shiva is my love. The youth thereupon put away his disguise-he was Shiva. The Buddha descended from heaven to his mother's womb in the shape of a milk white elephant. The Aztec Coatlicue was approached by a god in the form of a ball of feathers. The chapters of Ovid's Metamorphoses swarm with nymphs beset by gods in sundry masquerades: jove as a bull, a swan, a shower of gold. Any leaf, any nut, or even the breath of a breeze, may be enough to fertilize the ready virgin womb. The procreating power is everywhere. And according to whim or destiny of the hour, either a hero savior or a world--annihilating demon may be conceived-one can never know.
Joseph Campbell
Contrary to what I thought, being a college grad and fluent in English doesn’t make one a good English teacher. I was surprised to learn that all the stuff I didn’t know about the language was more than I knew—by a multiple of ten. I knew my nouns, verbs and adjectives. I could speak intelligently about the past, present and future tenses. No problem. But my students were asking me about aspects of English way out in the hinterlands of my understanding. Holy hell! When did English get more than three tenses? Turns out a world existed beyond verbs and nouns. A big world that, for me at the time, seemed as deep and incomprehensible as quantum physics. Tenses like the past perfect, the subjunctive, the pluperfect, the present perfect, the future perfect continuous. Often
Mary Williams (The Lost Daughter: A Memoir)
So what can we generalize about Victorian vampires? They are already dead, yet not exactly dead, and clammy-handed. They can be magnetically repelled by crucifixes and they don’t show up in mirrors. No one is safe; vampires prey upon strangers, family, and lovers. Unlike zombies, vampires are individualists, seldom traveling in packs and never en masse. Many suffer from mortuary halitosis despite our reasonable expectation that they would no longer breathe. But our vampires herein also differ in interesting ways. Some fear sunlight; others do not. Many are bound by a supernatural edict that forbids them to enter a home without some kind of invitation, no matter how innocently mistaken. Dracula, for example, greets Jonathan Harker with this creepy exclamation that underlines another recurring theme, the betrayal of innocence (and also explains why I chose Stoker’s story “Dracula’s Guest” as the title of this anthology): “Welcome to my house! Enter freely and of your own will.” Yet other vampires seem immune to this hospitality prohibition. One common bit of folklore was that you ought never to refer to a suspected vampire by name, yet in some tales people do so without consequence. Contrary to their later presentation in movies and television, not all Victorian vampires are charming or handsome or beautiful. Some are gruesome. Some are fiends wallowing in satanic bacchanal and others merely contagious victims of fate, à la Typhoid Mary. A few, in fact, are almost sympathetic figures, like the hero of a Greek epic who suffers the anger of the gods. Curious bits of other similar folklore pop up in scattered places. Vampires in many cultures, for example, are said to be allergic to garlic. Over the centuries, this aromatic herb has become associated with sorcerers and even with the devil himself. It protected Odysseus from Circe’s spells. In Islamic folklore, garlic springs up from Satan’s first step outside the Garden of Eden and onion from his second. Garlic has become as important in vampire defense as it is in Italian cooking. If, after refilling your necklace sachet and outlining your window frames, you have some left over, you can even use garlic to guard your pets or livestock—although animals luxuriate in soullessness and thus appeal less to the undead. The vampire story as we know it was born in the early nineteenth century. As
Michael Sims (Dracula's Guest: A Connoisseur's Collection of Victorian Vampire Stories)
First of all I will confess quite simply—I believe that the Bible alone is the answer to all our questions, and that we need only to ask repeatedly and a little humbly, in order to receive this answer. One cannot simply read the Bible, like other books. One must be prepared really to enquire of it. Only thus will it reveal itself. Only if we expect from it the ultimate answer, shall we receive it. That is because in the Bible God speaks to us. And one cannot simply think about God in one’s own strength, one has to enquire of him. Only if we seek him, will he answer us. Of course it is also possible to read the Bible like any other book, that is to say from the point of view of textual criticism, etc.; there is nothing to be said against that. Only that that is not the method which will reveal to us the heart of the Bible, but only the surface, just as we do not grasp the words of someone we love by taking them to bits, but by simply receiving them, so that for days they go on lingering in our minds, simply because they are the words of a person we love; and just as these words reveal more and more of the person who said them as we go on, like Mary, “pondering them in our heart,” so it will be with the words of the Bible. Only if we will venture to enter into the words of the Bible, as though in them this God were speaking to us who loves us and does not will to leave us along with our questions, only so shall we learn to rejoice in the Bible. . . . If it is I who determine where God is to be found, then I shall always find a God who corresponds to me in some way, who is obliging, who is connected with my own nature. But if God determines where he is to be found, then it will be in a place which is not immediately pleasing to my nature and which is not at all congenial to me. This place is the Cross of Christ. And whoever would find him must go to the foot of the Cross, as the Sermon on the Mount commands. This is not according to our nature at all, it is entirely contrary to it. But this is the message of the Bible, not only in the New but also in the Old Testament. . . .
Eric Metaxas (Bonhoeffer: Pastor, Martyr, Prophet, Spy)
own “empire” consisted of increasingly desperate branding opportunities such as Trump Steaks, Trump Vodka, and Trump University. That made him an easy target for Burnett. Both Donald and the viewers were the butt of the joke that was The Apprentice, which, despite all evidence to the contrary, presented him as a legitimately successful tycoon.
Mary L. Trump (Too Much and Never Enough: How My Family Created the World's Most Dangerous Man)
As an adult, I would come to understand that my reliance on academic achievement to boost my ego no longer served me and that, to the contrary, it represented a kind of internalized oppression.
Crystal Marie Fleming (How to Be Less Stupid About Race: On Racism, White Supremacy, and the Racial Divide)