Mustang Horse Quotes

We've searched our database for all the quotes and captions related to Mustang Horse. Here they are! All 27 of them:

I became known as Lily Casey, the mustang-breaking, poker-playing, horse-race-winning schoolmarm of Coconino County, and it wasn't half bad to be in place where no one had a problem with a woman having a moniker like that.
Jeannette Walls (Half Broke Horses)
When you turn around, you'll see something I bet you've never seen before. If it takes your breath away, then you'll fit in nicely. If you don't feel anything, then maybe you don't belong here.
Veronica Randolph Batterson (Daniel's Esperanza)
Wild Spanish cattle were easily acquired with a rope - within a year we had a hundred head. Hogs and mustang horses were also for the taking. There were deer, turkey, bear, squirrel, the occasional buffalo, turtles and fish from the river, ducks, plums and mustang grapes, bee trees and persimmons - the country was rich with life the way it is rotten with people today. The only problem was keeping your scalp attached.
Philipp Meyer (The Son)
Her delicate brows drew together. “As a rancher, surely he knows how to ride a horse.” “He can ride just fine. He took it into his head that he could break this rangy mustang, and it broke him instead.” -Houston and Amelia
Lorraine Heath (Texas Destiny (Texas Trilogy, #1))
Everything changes except human behavior and its consequences.
Stephanie M. Sellers (The Gamecocks)
The Nike swoop, the three Adidas stripes, the little Polo player on a horse, the Hollister seagull, the symbols of Philadelphia's professional sports teams, even our high school mascot that you athletes wear to battle other schools - some of you wear our Mustang to class even when there is no sporting event scheduled. These are your symbols, what you wear to prove that your identity matches the identity of others. Much like the Nazis had their swastika.
Matthew Quick (Forgive Me, Leonard Peacock)
Abandoned by the Spanish, thousands of mustangs ran wild into the open plains that resembled so closely their ancestral Iberian lands. Because they were so perfectly adapted to the new land, they thrived and multiplied. They became the foundation stock for the great wild mustang herds of the Southwest. This event has become known as the Great Horse Dispersal.
S.C. Gwynne (Empire of the Summer Moon: Quanah Parker and the Rise and Fall of the Comanches, the Most Powerful Indian Tribe in American History)
Being related to the horse does not make the mule a noble mustang. – To those who believe that nobility is a matter of lineage.
Lamine Pearlheart (The Sunrise Scrolls: To Life from the Shadows II)
Living in the past will make you insane. I need to look forward and not be hindered by things out of my control.
Lacy Chantell (Wild Heart)
Few understand that horses are never truly domesticated. Their instincts are always there and readily take over once they are free. They stay or return to us by their choice, not the compulsion forced upon them. Once realized you must also recognize only kindness will prevail to make a partner of an animal who'd prefer only the company of his kind and the freedom of wide open spaces. Any other relationship is based on the inadequacies of the tormentor on the tormented. One will lose. It's always the horse, for even if he wins his defensive battle the mark of rogue will remain. It's been witnessed how a mustang will give up his life if his freedom can't be regained when in the grip of adversity. There's so much for us to learn from this, if we'd only learn to listen to their message.
Judith-Victoria Douglas (Mass Extinction (Where the Horses Run, #1))
I became known as Lily Casey, the mustang-breaking, poker-playing, horse-race-winning schoolmarm of Coconino County, and it wasn’t half bad to be in a place where no one had a problem with a woman having a moniker like that.
Jeannette Walls (Half Broke Horses)
I'm not one of your mustangs. I don't need saving." "Don't you?" she asked softly. "It's not a weakness or a character flaw. It's human nature to need someone. We all do. You need this, Keith. These horses need you. And I need you.
Victoria Vane (Saddle Up (Hot Cowboy Nights #4))
I am a firm believer that the challenges we endure in life evolve us to be the peole we become. I have learned that life is what you make of it, what you do is important, work shouldn't become your life, and you should enjoy life as God hands it to you.
Vickie L. Peach Wilkins (If Horses Could Talk: Tails of Two Mustangs)
The Americans had a greater tendency to name places for people than had the Spanish. After he valleys were settled the names of places refer more to things which happened there, and these to me are the most fascinating of all names because each name suggests a story that has been forgotten. I think of Bolsa Nueva, a new purse; Morocojo, a lame Moor (who was he and how did he get there?); Wild Horse Canyon and Mustang Grade and Shirt Tail Canyon. The names of places carry a charge of the people who named them, reverent or irreverent, descriptive, either poetic or disparaging. You can name anything San Lorenzo, but Shirt Tailor Canyon or the Lame Moor is something quite different.
John Steinbeck
You are all more or less wearing the same types of clothes—look around the room and you will see it’s true. Now imagine you’re the only one not wearing a cool symbol. How would that make you feel? The Nike swoop, the three Adidas stripes, the little Polo player on a horse, the Hollister seagull, the symbols of Philadelphia’s professional sports teams, even our high school mascot that you athletes wear to battle other schools—some of you wear our Mustang to class even when there is no sporting event scheduled. These are your symbols, what you wear to prove that your identity matches the identity of others. Much like the Nazis had their swastika. We have a very loose dress code here and yet most of you pretty much dress the same. Why? Perhaps you feel it’s important not to stray too far from the norm. Would you not also wear a government symbol if it became important and normal to do so? If it were marketed the right way? If it was stitched on the most expensive brand at the mall? Worn by movie stars? The president of the United States?
Matthew Quick (Forgive Me, Leonard Peacock)
You don't watch many movies, do you?" "Fraid not," he said. "I never had much interest in movies. 'Sides that, the nearest cinema was almost two hours from my home." "What about cable TV?" "No cable." "Satellite?" "Nope." "No Internet either?" He shook his head. "Are you serious?" she asked, incredulous. "How did you ever survive?" "Where I come from, there was always something more interesting to do outside." "And where was that?" she asked. "Mars?
Victoria Vane (Saddle Up (Hot Cowboy Nights #4))
Business leadership is based on two elements: vision and technical competence. Top people in a given industry always embody at least one of those two elements. Sometimes, but rarely, they embody both of them. Simply put, vision is the ability to see what other people don’t. It’s a Ford executive named Lee Iacocca realizing that a market existed for an automobile that was both a racing car and a street vehicle—and coming up with the Mustang. It’s Steven Jobs realizing that computers needed to be sold in a single box, like a television sets, instead of piece by piece. About one hundred years ago, Walter Chrysler was a plant manager for a locomotive company. Then he decided to go into the car business, which was a hot new industry at the time. The trouble was, Walter Chrysler didn’t know a lot about cars, except that they were beginning to outnumber horses on the public roadways. To remedy this problem, Chrysler bought one of the Model T Fords that were becoming so popular. To learn how it worked, he took it apart and put it back together. Then, just to be sure he understood everything, he repeated this. Then, to be absolutely certain he knew what made a car work, he took it apart and put it together forty-eight more times, for a grand total of fifty. By the time he was finished, Chrysler not only had a vision of thousands of cars on American highways, he also had the mechanical details of those cars engraved in his consciousness. Perhaps you’ve seen the play called The Music Man. It’s about a fast-talking man who arrives in a small town with the intention of hugely upgrading a marching band. However, he can’t play any instruments, doesn’t know how to lead a band, and doesn’t really have any musical skills whatsoever. The Music Man is a comedy, but it’s not totally unrealistic. Some managers in the computer industry don’t know how to format a document. Some automobile executives could not change a tire. There was once even a vice president who couldn’t spell potato. It’s not a good idea to lack the fundamental technical skills of your industry, and it’s really not a good idea to get caught lacking them. So let’s see what you can do to avoid those problems.
Dale Carnegie (Make Yourself Unforgettable: How to Become the Person Everyone Remembers and No One Can Resist (Dale Carnegie Books))
Stallions," Frank said, "they're fightin' over a girl. - DANIEL'S ESPERANZA
Veronica Randolph Batterson (Daniel's Esperanza)
Her armor appears fragile – a delicate shell of silk and perfume. Life's troubles seem to find each chink. But try to touch that smooth shield and you will see it crumble in your hands. As the dust dissipates, you find she is gone.
R.L. Martinez (Wild Horses Don't Stop at Whoa: Poems and Stories)
The girl is half my size. I think I can handle her without calling council.” “You disappoint me, Hunter. Where is the patience you show with the wild horses you train? Has it gone the way of the wind?” “A horse is worth the trouble. A yellow-hair is not.” “I know men who greatly treasure golden women. Perhaps she will grow on you.” “I prefer a horse. A black one.” “Women, horses, there is little difference, eh? Well trained, they both give men smooth rides and much pleasure. What happens when you first rope a mustang?” Hunter knew where this conversation was going and refused the bait. Warrior replied for him. “Every time he runs against the rope, he flips end over end.” “And what does he learn? Not to challenge your rope, eh? After that first lesson, he knows you are his master and allows you to gentle him with kindness. The white woman is the same. She is afraid and lunging against the rope. As soon as you break her of that, the battle is won, eh?” Hunter wished it could be that simple. When a horse accepted the touch of his hand, joy filled him. After swirling the dregs of his coffee, Hunter emptied his cup onto the fire. Rising to his feet, he said, “You are both very wise, and I am glad of your advice. I will handle the woman my way, though. She is my woman, eh?” “Take care,” Old Man warned. “The tosi tivo are unpredictable. Especially the females. Wisest-One had himself a yellow-hair once. After one night in his buffalo robes, she jumped into the Talking Water River and drowned herself. Not even Wisest-One could be that bad a lover.
Catherine Anderson (Comanche Moon (Comanche, #1))
Little did Dick think, when the flood of horses swept past him, that his own good steed was there, rejoicing in his recovered liberty. But Crusoe knew it. Ay, the wind had borne down the information to his acute nose before the living storm burst upon the camp; and when Charlie rushed past, with the long tough halter trailing at his heels, Crusoe sprang to his side, seized the end of the halter with his teeth, and galloped off along with him. It was a long gallop and a tough one, but Crusoe held on, for it was a settled principle in his mind never to give in. At first the check upon Charlie’s speed was imperceptible, but by degrees the weight of the gigantic dog began to tell, and after a time they fell a little to the rear; then by good fortune the troop passed through a mass of underwood, and the line getting entangled brought their mad career forcibly to a close; the mustangs passed on, and the two friends were left to keep each other company in the dark. How long they would have remained thus is uncertain, for neither of them had sagacity enough to undo a complicated entanglement. Fortunately, however, in his energetic tugs at the line, Crusoe’s sharp teeth partially severed it, and a sudden start on the part of Charlie caused it to part. Before he could escape, Crusoe again seized the end of it, and led him slowly but steadily back to the Indian camp, never halting or turning aside until he had placed the line in Dick Varley’s hand.
R.M. Ballantyne (The Dog Crusoe and His Master: A Story of Adventure in the Western Prairies)
As I walked away from the cheeky blonde, her sass about the airlines and crew still irritated the hell out of me. She was a damn firecracker; that much was clear. Sure, she had the air of someone who’d never worked a hard day in her life—probably spoiled rotten by her parents. But there was something else about her, the way she challenged me, as though she were a wild mustang daring me to try and break her. Her fiery spirit and sharp tongue contrasted with her delicate features and petite frame, but it had stirred something reckless in me. I’d been compelled to confront her. People always have a way of chasing what’s bad for them, and I wasn’t immune. Maybe it was that instinct, that primal pull to run straight at what could take you down, that appealed to me. Hell, that was how men like me ended up heading off to war.
Evie James (Christmas Cancellation)
Cade?" He twisted in his saddle and looked at her questioningly. "What did you mean when you said we were married?" "You accepted my horse, didn't you?" He nodded at the huge gray she rode even now. "You invited me into your house and brought me a dowry of two mustangs. My father approved. That is all that is necessary." His satisfied tone raised her anger. "You know that isn't all that is necessary!" Cade shrugged and walked his mount through a particularly narrow strip between trees. "We can go to town and sign the alcalde's book, if you like. There are no priests. I would take you to San Antonio and a church, but your rebels are probably already there trying to blow holes in the city with their cannon. What more would you have me do?" "You could have at least asked me," Lily answered spitefully. He was too close to truth for comfort. Marriages were a haphazard thing in this country. She would have preferred San Antonio, but after taking Goliad, the rebels were undoubtedly marching to the next city. She didn't want a church that much. But she would have liked to have been asked and to have had her father and son present. She didn't feel in the least married. "If I'm married, what is my name? Mrs. Cade?" He tilted his head as if to consider the notion. "Probably not. It might be easiest if you call yourself Senora de Suela. That's my grandfather's name." "Do you have an Indian name?" "Just my birth name. I did not stay with the tribe long enough to give myself an adult name. My father is Lipan and does not have a family name." "What is your birth name?" They had reached the grassy plain, and Cade could turn and watch her now. Lily supposed the flicker in his eyes could be called amusement. She had never seen him laugh, and rarely did he smile, but she was beginning to understand some of his expressions. Or lack of them. "My father called me something that translates roughly as 'Mighty Quiver.' I never asked him what he was thinking about at the time. My mother called me Luis Philippe, after her father. Do you prefer either of those?" A grin quirked Lily's mouth. Mighty Quiver. She could just imagine a screaming baby boy being called that. She suspected his father had a sense of humor even if Cade did not. He was definitely not a Luis Philippe. She shook her head in reply. "Where does Cade come from?" "The Spanish word for music, cadenza. They thought they insulted me, but they were unaware of the other poor names I had to choose from." Lily didn't want to ask who "they" were or why they would wish to insult him for his love of music. She knew absolutely nothing about this man. "Cade suits you," she answered decisively. "And de Suela?" He lifted his eyebrows questioningly. "Or shall I give myself an adult name now? No one will know the difference." Lily considered this briefly, then shook her head. "I think that is your decision." "De Suela is an old and respected name. I will stay with it, then." Lily de Suela. Considering the state of current affairs, a Mexican name wasn't any better than an Indian one, but she wasn't even certain that either belonged to her. Lily supposed if a child came of their night together, she would be glad of a name for it, but she couldn't reconcile herself to the position of wife just yet. She was just now learning to be herself again. She
Patricia Rice (Texas Lily (Too Hard to Handle, #1))
She pats my chest with a quick good-bye tap, and then she walks away. She goes inside the house, and she doesn’t come back out. She doesn’t come back out to lifeguard for the youth group at the pool. She doesn’t come back out to roast marshmallows. She doesn’t come back out to check on her horse. She doesn’t come out the next morning to start events with the campers. She doesn’t come outside again at all until the next night, when a neon-yellow Mustang pulls into the drive. Chase Gerald gets out and goes to get my girl. Then she finally comes out. On his fucking arm.
Tammy Falkner (Calmly, Carefully, Completely (The Reed Brothers, #3))
Their faces burned with zeal and joy and their breathing was like the expelled air of mustangs. The clomp of their blades made me think of hoofs on frozen ground. This was the game. This gathering of brothers, of kin, joined by the exuberance of effort and challenge and strain, breathing the air that rose from the glacial face of a rink under a bleak sun.
Richard Wagamese (Indian Horse)
The Americans had a greater tendency to name places for people than had the Spanish. After the valleys were settled the names of places refer more to things which happened there, and these to me are the most fascinating of all names because each name suggests a story that has been forgotten. I think of Bolsa Nueva, a new purse; Morocojo, a lame Moor (who was he and how did he get there?); Wild Horse Canyon and Mustang Grade and Shirt Tail Canyon. The names of places carry a charge of the people who named them, reverent or irreverent, descriptive, either poetic or disparaging. You can name anything San Lorenzo, but Shirt Tail Canyon or the Lame Moor is something quite different.
John Steinbeck (East of Eden)
How can I see anything but all that pain?" "You will. I promise you, you will. There will always be men with guns, Nash. There'll always be... I don't know. Ugliness? But one day you'll see how beautiful those horses are. Jesus, those crazy animals! You'll see them, the beauty of 'em will be bigger than anything awful. Beauty trumps the bad every time, Nash, I swear.
Deb Caletti (The Secrets She Keeps)