“
I once had a garden filled with flowers that grew only on dark thoughts but they need constant attention & one day I decided I had better things to do.
”
”
Brian Andreas
“
She smiled. Her skin looked whiter than he recalled, and dark spidery veins were beginning to show beneath its surface. Her hair was still the color of spun silver and her eyes were still green as a cat’s. She was still beautiful. Looking at her, he was in London again. He saw the gaslight and smelled the smoke and dirt and horses, the metallic tang of fog, the flowers in Kew Gardens. He saw a boy with black hair and blue eyes like Alec’s, heard violin music like the sound of silver water. He saw a girl with long brown hair and a serious face. In a world where everything went away from him eventually, she was one of the few remaining constants.
And then there was Camille.
”
”
Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
“
They had nothing to say to each other. A five-year age gap between siblings is like a garden that needs constant attention. Even three months apart allows the weeds to grow up between you.
”
”
Zadie Smith (On Beauty)
“
We may with confidence approach the throne. We may walk in the garden with Him once again.
”
”
Ami Loper (Constant Companion: Your Practical Path to Real Interaction with God)
“
Your soil and plants are friends that benefit from constant care and attention to the details I explain.
”
”
Charles Dowding (Charles Dowding's Skills for Growing)
“
There was a filmy veil of soft dull mist obscuring, but not hiding, all objects, giving them a lilac hue, for the sun had not yet fully set; a robin was singing ... The leaves were more gorgeous than ever; the first touch of frost would lay them all low to the ground. Already one or two kept constantly floating down, amber and golden in the low slanting sun-rays.
”
”
Elizabeth Gaskell (North and South)
“
The most peaceble people will do the most terrible things when they're pushed.
”
”
John Le Carré (The Constant Gardener)
“
No one today is purely one thing. Labels like Indian, or woman, or Muslim, or American are not more than starting-points, which if followed into actual experience for only a moment are quickly left behind. Imperialism consolidated the mixture of cultures and identities on a global scale. But its worst and most paradoxical gift was to allow people to believe that they were only, mainly, exclusively, white, or Black, or Western, or Oriental. Yet just as human beings make their own history, they also make their cultures and ethnic identities. No one can deny the persisting continuities of long traditions, sustained habitations, national languages, and cultural geographies, but there seems no reason except fear and prejudice to keep insisting on their separation and distinctiveness, as if that was all human life was about. Survival in fact is about the connections between things; in Eliot’s phrase, reality cannot be deprived of the “other echoes [that] inhabit the garden.” It is more rewarding - and more difficult - to think concretely and sympathetically, contrapuntally, about others than only about “us.” But this also means not trying to rule others, not trying to classify them or put them in hierarchies, above all, not constantly reiterating how “our” culture or country is number one (or not number one, for that matter).
”
”
Edward W. Said (Culture and Imperialism)
“
Wherever Harry went inside the tiny cottage or its garden, he could hear the constant ebb and flow of the sea, like the breathing of some great, slumbering creature.
”
”
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
“
Tessa distinguished absolutely between pain observed and pain shared. Pain observed is journalistic pain. It’s diplomatic pain. It’s television pain, over as soon as you switch off your beastly set. Those who watch suffering and do nothing about it, in her book, were little better than those who inflicted it. They were the bad Samaritans.
”
”
John Le Carré (The Constant Gardener)
“
In life, a person can take one of two attitudes: to build or to plant. The builders might take years over their tasks, but one day, they finish what they're doing. Then they find that they're hemmed in by their own walls. Life loses its meaning when the building stops.
Then there are those who plant. They endure storms and all the vicissitudes of the seasons, and they rarely rest. But unlike a building, a garden never stops growing. And while it requires the gardener's constant attention, it also allows life for the gardener to be a great adventure.
Gardeners always recognize each other, because they know that in the history of each plant lies the growth of the whole World.
”
”
Paulo Coelho
“
Love—the desire to love and be loved, to hold and be held, to give love even if your experience as a recipient has been compromised or incomplete—is the constant on the continuum of hunger, it's what links the anorexic to the garden-variety dieter, it's the persistent pulse of need and yearning behind the reach for food, for sex, for something.
”
”
Caroline Knapp (Appetites: Why Women Want)
“
In a civilized country you can never tell.
”
”
John Le Carré (The Constant Gardener)
“
People like you should be stopped, Mr. Woodrow,' she mused aloud, with a puzzled shake of her wise head. 'You think you're solving the world's problems but actually you're the problem.
”
”
John Le Carré
“
Why am I despising you when I'm about to change your life?
”
”
John Le Carré (The Constant Gardener)
“
When I was young I lived a constant storm,
Though now and then the brilliant suns shot through,
So in my garden few red fruits were born,
The rain and thunder had so much to do.
- The Enemy
”
”
Charles Baudelaire (Les Fleurs du Mal)
“
In the sort of screen dappled with different states of mind which my consciousness would simultaneously unfold while I read, and which ranged from the aspirations hidden deepest within me to the completely exterior vision of the horizon which I had, at the bottom of the garden, before my eyes, what was first in me, innermost, the constantly moving handle that controlled the rest, was my belief in the philosophical richness and beauty of the book I was reading, and my desire to appropriate them for myself, whatever that book might be.
”
”
Marcel Proust (Swann’s Way (In Search of Lost Time, #1))
“
You're history, Donohue. You think countries run the fucking world! Go back to fucking Sunday school. It's 'God save our multinational' they're singing these days.
”
”
John Le Carré (The Constant Gardener)
“
Looking at her, he was in London again. He saw the gaslight and smelled the smoke and dirt and horses, the metallic tang of fog, the flowers in Kew Gardens. He saw a boy with black hair and blue eyes like Alec's. A girl with long brown curls and a serious face. In a world where everything went away from him eventually, she was one of the few remaining constants.
”
”
Cassandra Clare
“
He sees passion in her gray eyes, and it scares him as all passion scares him, his own included.
”
”
John Le Carré (The Constant Gardener)
“
Kusha paces around her attic. When her constant pacing seems as if it’d burn the wooden floor, she leaves her attic and enters the garden on the roof beside it.
”
”
Misba (The Oldest Dance (Wisdom Revolution, #2))
“
The graph of life is not a straight line—
Initiatives climax to gradually decline.
The world is infused with greed and hate—
Where innocent errors may alter one's fate.
Where the fulfillment of desires fails to satiate—
Where turbulence is a constant state.
”
”
Mohamad Jebara (The Illustrious Garden)
“
Then there are those who plant. they endure storms and all the many vicissitudes of the seasons, and they rarely rest. But, unlike a building, a garden never stops growing. And while it requires the gardener's constant attention, it also allows life for the gardener to be a great adventure.
”
”
Paulo Coelho (Brida)
“
Love is a handful of seeds, marriage the garden, and like your gardens, Paula, marriage requires total commitment, hard work, and a great deal of love and care. Be ruthless with the weeds. Pull them out before they take hold. Bring the same dedication to your marriage that you do to your gardens and everything will be all right. Remember that a marriage has to be constantly replenished too, if you want it to flourish...
”
”
Barbara Taylor Bradford (Hold the Dream (Emma Harte Saga #2))
“
Modern life is, for most of us, a kind of serfdom to mortgage, job and the constant assault to consume. Although we have more time and money than ever before, most of us have little sense of control over our own lives. It is all connected to the apathy that means fewer and fewer people vote. Politicians don’t listen to us anyway. Big business has all the power; religious extremism all the fear. But in the garden or allotment we are king or queen. It is our piece of outdoors that lays a real stake to the planet.
”
”
Montagu Don (My Roots: A Decade in the Garden)
“
Arseholes who are expert at making something out of nothing [...] appeared equally capable of making nothing out of something
”
”
John Le Carré (The Constant Gardener)
“
Only Esmeralda was not weeping. Instead she wore that wooden look that whites mistake for churlishenss or indifference. Woodrew knew it was neither. It was familiarity. This how real life is constituted, it said. This is grief and hatred and people hacked to death. This is the everyday we have known since we were born and you Wazungu have not.
”
”
John Le Carré
“
She was determined that I hold this thing inside me like a heart—something irremovable and constant.
”
”
Catherynne M. Valente (In the Night Garden (The Orphan's Tales, #1))
“
more cruelly: he feared her faith because, as a fully paid-up pessimist, he knew he had none.
”
”
John Le Carré (The Constant Gardener)
“
Pain observed is journalistic pain. It's diplomatic pain. It's television pain, over as soon as you switch off your beastly set.
”
”
John Le Carré (The Constant Gardener)
“
A man's minor actions and arrangements ought to be free, flexible, creative; the things that should be unchangeable are his principles, his ideals. But with us the reverse is true; our views change constantly; but our lunch does not change. Now, I should like men to have strong and rooted conceptions, but as for their lunch, let them have it sometimes in the garden, sometimes in bed, sometimes on the roof, sometimes in the top of a tree. Let them argue from the same first principles, but let them do it in a bed, or a boat, or a balloon.
”
”
G.K. Chesterton
“
Then he is a monster!" the Prince crowed, "and I must slay him at once. The Formula works!"
"Your Formula must result in a great deal of fighting," I mused.
"Oh, yes, when applied correctly mighty and noble battles result! Of course I always win—the value of Prince X is a constant. It cannot be lesser than that of Monster Y—this is the Moral Superiority Hypothesis made famous five hundred years ago by my ancestor Ethelred, the Mathematician-King. We have never seen his equal, in all these centuries.
”
”
Catherynne M. Valente (In the Night Garden (The Orphan's Tales, #1))
“
Messersmith wrote. “We must keep in mind, I believe, that when Hitler says anything he for the moment convinces himself that it is true. He is basically sincere; but he is at the same time a fanatic.” Messersmith urged skepticism regarding Hitler’s protestations. “I think for the moment he genuinely desires peace but it is a peace of his own kind and with an armed force constantly becoming more effective in reserve, in order to impose their will when it may become essential.
”
”
Erik Larson (In the Garden of Beasts: Love, Terror, and an American Family in Hitler's Berlin)
“
Over them, in a swaying, muddy mist, hung the flies, snoring on a single note.
”
”
John Le Carré (The Constant Gardener)
“
Know that...there's plenty of food and of course popcorn on the dining-room table. Just...help yourself. If that runs out just let me know. Don't panic. And there's coffee, both caff and decaf, and soft drinks and juice in the kitchen, and plenty of ice in the freezer so...let me know if you have any questions with that.' And lastly, since I have you all here in one place, I have something to share with you. Along the garden ways just now...I too heard the flowers speak. They told me that our family garden has all but turned to sand. I want you to know I've watered and nurtured this square of earth for nearly twenty years, and waited on my knees each spring for these gentle bulbs to rise, reborn. But want does not bring such breath to life. Only love does. The plain, old-fashioned kind. In our family garden my husband is of the genus Narcissus , which includes daffodils and jonquils and a host of other ornamental flowers. There is, in such a genus of man, a pervasive and well-known pattern of grandiosity and egocentrism that feeds off this very kind of evening, this type of glitzy generosity. People of this ilk are very exciting to be around. I have never met anyone with as many friends as my husband. He made two last night at Carvel. I'm not kidding. Where are you two? Hi. Hi, again. Welcome. My husband is a good man, isn't he? He is. But in keeping with his genus, he is also absurdly preoccupied with his own importance, and in staying loyal to this, he can be boastful and unkind and condescending and has an insatiable hunger to be seen as infallible. Underlying all of the constant campaigning needed to uphold this position is a profound vulnerability that lies at the very core of his psyche. Such is the narcissist who must mask his fears of inadequacy by ensuring that he is perceived to be a unique and brilliant stone. In his offspring he finds the grave limits he cannot admit in himself. And he will stop at nothing to make certain that his child continually tries to correct these flaws. In actuality, the child may be exceedingly intelligent, but has so fully developed feelings of ineptitude that he is incapable of believing in his own possibilities. The child's innate sense of self is in great jeopardy when this level of false labeling is accepted. In the end the narcissist must compensate for this core vulnerability he carries and as a result an overestimation of his own importance arises. So it feeds itself, cyclically. And, when in the course of life they realize that their views are not shared or thier expectations are not met, the most common reaction is to become enraged. The rage covers the fear associated with the vulnerable self, but it is nearly impossible for others to see this, and as a result, the very recognition they so crave is most often out of reach. It's been eighteen years that I've lived in service to this mindset. And it's been devastating for me to realize that my efforts to rise to these standards and demands and preposterous requests for perfection have ultimately done nothing but disappoint my husband. Put a person like this with four developing children and you're gonna need more than love poems and ice sculpture to stay afloat. Trust me. So. So, we're done here.
”
”
Joshua Braff (The Unthinkable Thoughts of Jacob Green)
“
It is hope-giving to consider the young, and it is also hope-giving to consider growth as a constant. Here I am at fifty-eight and in this past year I have only begun to understand what loving is … forced to my knees again and again like a gardener planting bulbs or weeding, so that I may once more bring a relationship to flower, keep it truly alive.
”
”
May Sarton (Journal of a Solitude)
“
I never could see that delicacy of constitution is pretty, either in plants or women. No doubt there are many lovely flowers to be had by heat and constant coaxing, but then for each of these there are fifty others still lovelier that will gratefully grow in God's wholesome air and are blessed in return with a far greater intensity of scent and colour.
”
”
Elizabeth von Arnim (Elizabeth and Her German Garden (Elizabeth))
“
Some enterprising rabbit had dug its way under the stakes of my garden again. One voracious rabbit could eat a cabbage down to the roots, and from the looks of things, he'd brought friends. I sighed and squatted to repair the damage, packing rocks and earth back into the hole. The loss of Ian was a constant ache; at such moments as this, I missed his horrible dog as well.
I had brought a large collection of cuttings and seeds from River Run, most of which had survived the journey. It was mid-June, still time--barely--to put in a fresh crop of carrots. The small patch of potato vines was all right, so were the peanut bushes; rabbits wouldn't touch those, and didn't care for the aromatic herbs either, except the fennel, which they gobbled like licorice.
I wanted cabbages, though, to preserve a sauerkraut; come winter, we would want food with some taste to it, as well as some vitamin C. I had enough seed left, and could raise a couple of decent crops before the weather turned cold, if I could keep the bloody rabbits off. I drummed my fingers on the handle of my basket, thinking. The Indians scattered clippings of their hair around the edges of the fields, but that was more protection against deer than rabbits.
Jamie was the best repellent, I decided. Nayawenne had told me that the scent of carnivore urine would keep rabbits away--and a man who ate meat was nearly as good as a mountain lion, to say nothing of being more biddable. Yes, that would do; he'd shot a deer only two days ago; it was still hanging. I should brew a fresh bucket of spruce beer to go with the roast venison, though . . . (Page 844)
”
”
Diana Gabaldon (Drums of Autumn (Outlander, #4))
“
If weeds constantly overrun your garden rows, ask yourself what those are and why they are growing there. Put down the hoe long enough to consider what the weeds are telling you.
”
”
Sarah Owens (Sourdough: Recipes for Rustic Fermented Breads, Sweets, Savories, and More)
“
Perhaps it was the 'sir's' that turned the trick. At their first meeting it was Mr. Woodrow, or when they felt bold, Sandy. Now it was sir, advising Woodrow that these two junior police officers were not his colleagues, not his friends, but lower-class outsiders poking their noses into the exclusive club that had given him standing and protection these seventeen years.
”
”
John Le Carré
“
God wants to be as close to us as a branch is to a vine. One is an extension of the other. It’s impossible to tell where one starts and the other ends. The branch isn’t connected only at the moment of bearing fruit. The gardener doesn’t keep the branches in a box and then, on the day he wants grapes, glue them to the vine. No, the branch constantly draws nutrition from the vine. Separation means certain death.
”
”
Max Lucado (Just Like Jesus: A Heart Like His)
“
It would be incorrect in every sense to say that so near the end of his life he had lost his faith, when in fact
God seemed more abundant to him in the Regina Cleri home than any place he had been before. God was in the folds of his bathrobe, the ache of his knees. God saturated the hallways in the form of a pale electrical light. But now that his heart had become so shiftless and unreliable, now that he should be sensing the afterlife like a sweet scent drifting in from the garden, he had started to wonder if there was in fact no afterlife at all. Look at all these true believers who wanted only to live, look at himself, cling onto this life like a squirrel scrambling up the icy pitch of a roof. In suggesting that there may be nothing ahead of them, he in no way meant to diminish the future; instead, Father Sullivan hoped to elevate the present to a state of the divine. It seemed from this moment of repose that God may well have been life itself. God may have been the baseball games, the beautiful cigarette he smoked alone after checking to see that all the bats had been put back behind the closet door. God could have been the masses in which he had told people how best to prepare for the glorious life everlasting, the one they couldn't see as opposed to the one they were living at that exact moment in the pews of the church hall, washed over in stained glass light. How wrongheaded it seemed now to think that the thrill of heartbeat and breath were just a stepping stone to something greater. What could be greater than the armchair, the window, the snow? Life itself had been holy. We had been brought forth from nothing to see the face of God and in his life Father Sullivan had seen it miraculously for eighty-eight years. Why wouldn't it stand to reason that this had been the whole of existence and now he would retreat back to the nothingness he had come from in order to let someone else have their turn at the view. This was not the workings of disbelief. It was instead a final, joyful realization of all he had been given. It would be possible to overlook just about anything if you were trained to constantly strain forward to see the power and the glory that was waiting up ahead. What a shame it would have been to miss God while waiting for him.
”
”
Ann Patchett (Run)
“
There was music from my neighbor's house through the summer nights. In his blue gardens men and girls came and went like moths among the whisperings and the champagne and the stars. At high tide in the afternoon I watched his guests diving from the tower of his raft, or taking the sun on the hot sand of his beach while his two motor-boats slit the waters of the Sound, drawing aquaplanes over cataracts of foam. On week-ends his Rolls-Royce became an omnibus, bearing parties to and from the city between nine in the morning and long past midnight, while his station wagon scampered like a brisk yellow bug to meet all trains. And on Mondays eight servants, including an extra gardener, toiled all day with mops and scrubbing-brushes and hammers and garden-shears, repairing the ravages of the night before.
Every Friday five crates of oranges and lemons arrived from a fruiterer in New York--every Monday these same oranges and lemons left his back door in a pyramid of pulpless halves. There was a machine in the kitchen which could extract the juice of two hundred oranges in half an hour if a little button was pressed two hundred times by a butler's thumb.
At least once a fortnight a corps of caterers came down with several hundred feet of canvas and enough colored lights to make a Christmas tree of Gatsby's enormous garden. On buffet tables, garnished with glistening hors-d'oeuvre, spiced baked hams crowded against salads of harlequin designs and pastry pigs and turkeys bewitched to a dark gold. In the main hall a bar with a real brass rail was set up, and stocked with gins and liquors and with cordials so long forgotten that most of his female guests were too young to know one from another.
By seven o'clock the orchestra has arrived, no thin five-piece affair, but a whole pitful of oboes and trombones and saxophones and viols and cornets and piccolos, and low and high drums. The last swimmers have come in from the beach now and are dressing up-stairs; the cars from New York are parked five deep in the drive, and already the halls and salons and verandas are gaudy with primary colors, and hair shorn in strange new ways, and shawls beyond the dreams of Castile. The bar is in full swing, and floating rounds of cocktails permeate the garden outside, until the air is alive with chatter and laughter, and casual innuendo and introductions forgotten on the spot, and enthusiastic meetings between women who never knew each other's names.
The lights grow brighter as the earth lurches away from the sun, and now the orchestra is playing yellow cocktail music, and the opera of voices pitches a key higher. Laughter is easier minute by minute, spilled with prodigality, tipped out at a cheerful word. The groups change more swiftly, swell with new arrivals, dissolve and form in the same breath; already there are wanderers, confident girls who weave here and there among the stouter and more stable, become for a sharp, joyous moment the centre of a group, and then, excited with triumph, glide on through the sea-change of faces and voices and color under the constantly changing light.
Suddenly one of the gypsies, in trembling opal, seizes a cocktail out of the air, dumps it down for courage and, moving her hands like Frisco, dances out alone on the canvas platform. A momentary hush; the orchestra leader varies his rhythm obligingly for her, and there is a burst of chatter as the erroneous news goes around that she is Gilda Gray's understudy from the FOLLIES. The party has begun.
”
”
F. Scott Fitzgerald (The Great Gatsby)
“
Now the light is rich and full and constant, bathing the fields, the garden, the gathering of friends.
Here is a single afternoon in the lives that lie ahead.
Two of these people are lovers, and one is expecting a child.
Two of these people love one another, and are celibate.
The air is so still, so still.
These moments are perfect.
No one speaks.
”
”
Sue Gee (Hours of the Night)
“
Some of my friends in the other nations would argue that, on occasion, truth and beauty must be defended with ugliness. They would claim a gardener who nurtures a flower so others can enjoy it bloom for a few moments must spend much time with their hands buried in dirt.” Kyoshi would have chosen a less pleasant word than dirt. “What do you believe then?” Jinpa smiled sadly. “I believe I have to make peace with my own choices, just like everyone else.” The tint of pain in his expression reminded her too much of Kelsang for her to believe Jinpa was at complete peace with himself. Outsiders enviously and condescendingly assumed Airbenders lived in a state of innocent bliss, but that didn’t give the monks and nuns enough credit for their inner strength. From what Kyoshi knew, belonging to the wandering nation meant a constant struggle with your own morals against the world’s.
”
”
F.C. Yee (Avatar: The Shadow of Kyoshi (The Kyoshi Novels, #2))
“
Stop with the consistent interpretation of struggle as purpose. Struggle is not defined as purpose. If you need constant friction to fuel your belief in your primary relationships, there are issues in your mind that you need to give attention to. Our relationships need to be gardens of life; not twisted, mangled vines we have forced to take root and to grow.
”
”
C. JoyBell C.
“
Half the interest of a garden is the constant exercise of the imagination.
”
”
Maria Theresa Earle
“
Betrayal was fucked up like that. It left the kind of scars on your soul that were so deep and permanent they were a constant reminder of the battle you endured.
”
”
Faith Andrews (Garden of Goodbyes)
“
Hope that something beautiful would grow despite the harsh winter, the frozen earth and a world that was constantly at war.
”
”
Viola Shipman (The Heirloom Garden)
“
Responsibility has already changed the primary leaders of the Party very considerably,” he wrote. “There is every evidence that they are becoming constantly more moderate.
”
”
Erik Larson (In the Garden of Beasts: Love, Terror, and an American Family in Hitler's Berlin)
“
Dr. Ransome marked the exercises in the algebra textbook and gave him two strips of rice-paper bandage on which to solve the simultaneous equations. As he stood up, Dr. Ransome removed the three tomatoes from Jim's pocket. He laid them on the table by the wax tray.
'Did they come from the hospital garden?'
'Yes.' Jim gazed back frankly at Dr. Ransome. Recently he had begun to see him with a more adult eye. The long years of imprisonment, the constant disputes with the Japanese had made this young physician seem middle-aged. Dr. Ransome was often unsure of himself, as he was of Jim's theft.
'I have to give Basie something whenever I see him.'
'I know. It's a good thing that you're friends with Basie. He's a survivor, though survivors can be dangerous. Wars exist for people like Basie.' Dr. Ransome placed the tomatoes in Jim's hand. 'I want you to eat them, Jim. I'll get you something for Basie.
”
”
J.G. Ballard (Empire of the Sun)
“
Looking at her, he was in London again. He saw the gaslight and smelled the smoke and dirt and horses, the metallic tang of fog, the flowers in Kew Gardens. He saw a boy with black hair and blue eyes like Alec’s. A girl with long brown curls and a serious face. In a world where everything went away from him eventually, she was one of the few remaining constants.
”
”
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
“
When you make a mistake with metal, you can melt things down and start afresh. It is irritating, and it costs in time and soot and sweat, but it can be done. There is a comfort in iron, knowing that a fresh start is always possible.
But a city is not a sword. It is a living thing, and living things defy simple fixing. Roots cannot be reforged. They scar, and broken branches must be cut and sealed with tar, and this makes me angry, as it always has, and my anger has no place to go.
It was easier when I was young. I could use my anger like a hammer against the world. I was so sure of myself and my friends and my rightness. I would hammer at the world, and breaking felt like making to me, and I was good at it. And while I was not wrong, neither was I entirely right.
Nothing is simple. I do not work in wood. I am not brave enough for that. There is a comfort in iron, a promise of safety, a second chance if mistakes are made. But a city is more a forest than a sword. No, it needs more tending than that. Perhaps a city is like a garden, then.
So these days, it seems I have become a gardener. I dig foundations in the earth. I sow rows of houses. I plan and plant. I watch the skies for rain and ruin. I cannot help but think that you would be better at this, but circumstance has put both of us in our own odd place. You are forced to be a hammer in the world, and my ungentle hands are learning how to tend a plot of land.
We must do what we can do.
Did you know that there are some seeds that cannot sprout unless they are first burned? A friend once told me that. She was– she was a bookish sort. I think of gardening constantly these days. I wear your gift, and I think of you, and I think it is interesting that there are some living things that need to pass through fire before they flourish.
I ramble. You have the heart of a gardener, and because of this, you think of consequence, and your current path pains you. I am not wise, and I do not give advice, but I have come to know a few things: sometimes breaking is making, even iron can start again, and there are many things that move through fire and find themselves much better for it afterward.
”
”
Patrick Rothfuss
“
I do not betray the confidence of friends and I require you to respect that fact and admire me for it. Enormously and all the time. Where secrets are concerned, compared to me, the grave is a chatterbox
”
”
John Le Carré (The Constant Gardener)
“
On the Divide Near Rattlesnake Creek, on the side of a little draw stood Canute's shanty. North, east, south, stretched the level Nebraska plain of long rust-red grass that undulated constantly in the wind.
”
”
Willa Cather (The Troll Garden and Selected Stories)
“
Ah, but thinking became morbid, sentimental, directly one began conjuring up doctors, dead bodies; a little glow of pleasure, a sort of lust, too, over the visual impression warned one not to go on with that sort of thing any more - fatal to art, fatal to friendship. True. And yet, thought Peter Walsh, as the ambulance turned the corner, though the light high bell could be heard down the next street and still farther as it crossed the Tottenham Court Road, chiming constantly, it is the privilege of loneliness; in privacy one may do as one chooses. One might weep if no one saw. It had been his undoing - this susceptibility - in Anglo-Indian society; not weeping at the right time, or laughing either. I have that in me, he thought, standing by the pillar box, which could now dissolve in tears. Why heaven knows. Beauty of some sort probably, and the weight of the day, which, beginning with that visit to Clarissa, had exhausted him with its heat, its intensity, and the drip, drip of one impression after another down into that cellar where they stood, deep, dark, and no one would ever know. Partly for that reason, its secrecy, complete and inviolable, he had found life like an unknown garden, full of turns and corners, surprising, yes; really it took one's breath away, these moments; there coming to him by the pillar-box opposite the British Museum one of them, a moment, in which things came together; this ambulance; and life and death.
”
”
Virginia Woolf (Mrs. Dalloway)
“
It came to me then that we're each something of a constant gardener of a million forgotten galaxies, a librarian of lost places and times, a curator of a museum of random details that really only matter to each of us.
”
”
Jonathan Riggs
“
Fight hate but don't forget to Spread Love. Replace the weeds with seeds of good and they will grow, otherwise new weeds will simply take their place in the empty plot. It's a constant exercise.
Spread Love and it will prevail.
”
”
Elizabeth Tambascio
“
Every person who finds herself constantly navigating political spaces—by which I mean every person who regularly finds herself demoralized and exhausted by the everyday patterns of life in America—should have access to such a garden.
”
”
Camille T. Dungy (Soil: The Story of a Black Mother's Garden)
“
Pessimism is a towering skyscraper eighty stories high in the suburbs of the soul at the end of a long avenue with waste ground on either side and a few poorly-stocked little shops. Several ultra-fast staircases give access to the building, running up from the cellars to the roof-gardens. The comfort of this place leaves nothing to be desired and only the greatest luxury is acceptable, but every Friday the residents gather on the ground floor to read from a bible bound in the skin of a blind man. The psalmic words they intone rise up through the pipes, sigh in the stoves and sweep the chimneys coated inside with black grease which leaves dirt on the skin. Water runs constantly in the bathrooms and the showers beat down on the numbered bodies, peppering them with sand. On Sundays the bed linen unrolls by itself and nobody makes love. For this tower block, like an obscure phallus scraping the vulva of the sky, is usually a hive of sexual activity. The most beautiful woman lives there, but no-one has ever known her. It is said, that dressed in furs and feathers, she keeps herself shut away in a first-floor apartment as if in a white safe. Her windows are scissors which cut short both shadow and breath. Her name is AURORA.
”
”
Michel Leiris (Aurora)
“
No flower is quite like another of the same species. On a single bush one is constantly surprised by the remarkable character shown by each individual rose. But from the house all one sees is a garden, which is all there is to it anyway in the long run.
”
”
Paul Scott (The Towers of Silence (The Raj Quartet, #3))
“
Metaphors, whether in poems or advertisements, only work with our active collusion. Metaphors are born plotters and we are their eager co-conspirators. They need us, as readers and consumers, to complete the link between deodorant and sexual prowess, fast food and immediate gratification, real toads and imaginary gardens. By stepping outside the constant commerce of imagery and affect, we can allow our actual needs and desires to surface.
Smoke may always get in our eyes, but where there is smoke there is not always fire.
”
”
James Geary (I is an Other: The Secret Life of Metaphor and How it Shapes the Way We See the World)
“
Original sin is now also translated into sickness, calling in a new and scientific priest craft who rush to the rescue. Man is sick, addicted, lame, and dangerous, needing constant protection and supervision by the state, insurance companies, and a never-ending parade of caring, licensed professionals. We are told over and over again that man’s illness and addictions are costing US billions. Man the slave/resource, is causing US trouble, he is interfering with OUR Plans. Man’s debt has now increased a billion-fold. Those who question the “plans” or the sanity of the metaphors in play, are diagnosed as morally unfit or mentally ill. Evil emerges as a metaphor which refers to those who refuse to accept the Plan—the prevailing Garden of Eden—created by God so She may bestow Her Love and Grace. If man refuses he must be force-fed.
”
”
Christopher S. Hyatt (Rebels & Devils: The Psychology of Liberation)
“
I’ve tried to be a good neighbor and have shared vegetables from my garden with him since he moved in after his father died, and I have yet to receive a thank-you.” “Then why do you keep doing it?” “Because a constant sprinkling of water will eventually smooth any stone.” Kitty winked.
”
”
Holly Varni (On Moonberry Lake)
“
Then there are those who plant. They endure storms and all the many vicissitudes of the seasons, and they rarely rest. But, unlike a building, a garden never stops growing. And while it requires the gardener’s constant attention, it also allows life for the gardener to be a great adventure.
”
”
Paulo Coelho (Brida)
“
The hobbies and personal passions we cultivate on our own—whether studying history, creating ink pen doodles, speculating in stocks and shares, playing the piano, or gardening—play a crucial role in shaping meaning in our lives. The creative person is constantly seeking to discover himself, to remodel his own identity, and to find meaning in the universe through what he creates.
”
”
Scott Barry Kaufman (Wired to Create: Unraveling the Mysteries of the Creative Mind)
“
The Gardener: 41"
I long to speak the deepest words I have to say to you; but I
dare not, for fear you should laugh.
That is why I laugh at myself and shatter my secret in jest.
I make light of my pain, afraid you should do so.
I long to tell you the truest words I have to say to you; but I
dare not, being afraid that you would not believe them.
That is why I disguise them in untruth, saying the contrary of
what I mean.
I make my pain appear absurd, afraid that you should do so.
I long to use the most precious words I have for you; but I dare
not, fearing I should not be paid with like value.
That is why I gave you hard names and boast of my callous
strength.
I hurt you, for fear you should never know any pain.
I long to sit silent by you; but I dare not lest my heart come
out at my lips.
That is why I prattle and chatter lightly and hide my heart
behind words.
I rudely handle my pain, for fear you should do so.
I long to go away from your side; but I dare not, for fear my
cowardice should become known to you.
That is why I hold my head high and carelessly come into your
presence.
Constant thrusts from your eyes keep my pain fresh for ever.
”
”
Rabindranath Tagore (The Gardener)
“
When I wasn’t in the barn garden, helping out, sorting seeds or checking hoses I’d spend time alone, usually in the bathroom adjacent to Joel’s room, staring into the shattered mirror as my hand gently caressed my baby bump.
More often than not I would cry. Not because my pregnancy upset me, or that my hormones were getting the better of me, but because I missed Joel, my baby’s father. That the baby would grow up without a dad made me anxious. Then again, if he had survived, what irreparable damage would he have suffered and how would his pain translate to his child? Jesus, I was studying myself in the very mirror he’d smashed the night he chose to take his own life.
The bump had grown slowly in the last couple of months. With these limited resources, I didn’t have the privilege of eating whatever I craved. Had that been the case, I was sure I would have been bigger by now. Still, I tried to eat as well and as often as I could and the size of my belly had proven that my attempts at proper nutrition were at least growing something in there.
Nothing made me happier than feeling my baby move. It was a constant source of relief for me. In our present circumstances, with no vitamins and barely any meat products save the recent stash of jerky Earl had found in an abandoned trailer, my diet consisted of berries, lettuce, and canned beans for the most part. Feeling the baby move inside me was an experience I often enjoyed alone. I would think of Joel then as well. Imagining his hand on my belly, with mine guiding his to the kicks and punches.
”
”
Michael Poeltl (Rebirth (The Judas Syndrome, #2))
“
If a plant is wild, living in a forest, it is not reliant on you at all. Dig that plant up, and resettle it in your garden, then it is slightly reliant on you. But if you put that plant in a pot, and bring it into your house, then it is totally reliant on you. It can no longer be called wild, and no longer survive, or breed, without your help. And that is what your leaders are constantly trying to do to you.
”
”
Jack Freestone
“
I knew there was going to be a problem when one of the first priests said there were certain ways that I must be loved and all other ways were wrong. It has been a long dark road since. The garden was a wonderful time. It was not quite the fairy tale it has been shown to be. Men and women still died. Life was a constant struggle. Yet it was beautiful in its innocence. I suppose in the end it was all my fault.
”
”
Mark Tufo (Tattered Remnants (Zombie Fallout, #9))
“
That, thought Mrs. Fisher, her eyes going steadily line by line down the page and not a word of it getting through into her consciousness, is foolish of friends. It is condemning one to a premature death. One should continue (of course with dignity) to develop, however old one may be. She had nothing against developing, against further ripeness, because as long as one was alive one was not dead—obviously, decided Mrs. Fisher, and development, change, ripening, were life. What she would dislike would be unripening, going back to something green. She would dislike it intensely; and this is what she felt she was on the brink of doing. Naturally it made her very uneasy, and only in constant movement could she find distraction. Increasingly restless and no longer able to confine herself to her battlements, she wandered more and more frequently, and also aimlessly, in and out of the top garden,
”
”
Elizabeth von Arnim (The Elizabeth von Arnim Collection)
“
To picture what happens during the late stages of sepsis, imagine a garden hose with small holes placed throughout to turn it into a sprinkler. When a normal amount of water goes through the hose, the sprinkling effect is constant. If the flow decreases, the sprinkler effect becomes more erratic, and if the volume of water in the hose lessens even further, the sprinkler will turn into a leaky mess that waters only the strip of garden it rests on. The
”
”
Theresa Brown (The Shift: One Nurse, Twelve Hours, Four Patients' Lives)
“
One of the constants in life is that results are always being produced. If you don't consciously decide what results you want to produce and represent things accordingly, then some external trigger-a conversation, a TV show, whatever-may create states that create behaviors that do not support you. Life is like a river. It's moving, and you can be at the mercy of the river if you don't take deliberate, conscious action to steer yourself in a direction you have predetermined. If you don't plant the mental and physiological seeds of the results you want, weeds will grow automatically. If we don't consciously direct our own minds and states, our environment may produce undesirable haphazard states. The results can be disastrous. Thus it's critical that-on a daily basis-we stand guard at the door of our mind, that we know how we are consistently representing things to ourselves. We must daily weed our garden.
”
”
Anthony Robbins
“
Sometimes a fever gathered within him and led him to rove alone in the evening along the quiet avenue. The peace of the gardens and the kindly lights in the windows poured a tender influence into his restless heart. The noise of children at play annoyed him and their silly voices made him feel, even more keenly than he had felt at Clongowes, that he was different from others. He did not want to play. He wanted to meet in the real world the unsubstantial image which his soul so constantly beheld.
”
”
James Joyce (A Portrait of the Artist as a Young Man)
“
Bill and Fleur’s cottage stood alone on a cliff overlooking the sea, its walls embedded with shells and whitewashed. It was a lonely and beautiful place. Wherever Harry went inside the tiny cottage or its garden, he could hear the constant ebb and flow of the sea, like the breathing of some great, slumbering creature. He spent much of the next few days making excuses to escape the crowded cottage, craving the cliff-top view of open sky and wide, empty sea, and the feel of cold, salty wind on his face.
”
”
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
“
When a blind man gets his sight back, he says "I am a divine seer,
an oracle." With the excitement of the change he's a little drunk. A drunk becoming sober
is very different from the ecstatic change that comes in the living presence of an
enlightened one. There's no way to say how that is, even if Abu ibn Sina were here. Only by
the great Names, or by meditation inside music that plays without instruments, can
coverings be lifted. Not by sermons or mental effort. One who tries to do that
will cut off his hand with his famous sword. This is all metaphoric: there is no covering
or hand. It's like the country saying, Yeah, if my aunt had testicles, she'd be my uncle.
It's what-if talking: the distance from words to living is a journey of a hundred thousand years,
but don't be discouraged! It can happen any moment. It takes thirty-five hundred years
to get to Saturn, but Saturnine qualities are constantly here making us solemn and serious.
Influence goes the other way too. An enlightened master, which is to say the inner
nature of each of us, is continually affecting the universe. Philosophers say a human being is
the universe in samll, but it is more true that the essence of a human is the whole
from which the cosmos grew. It looks as if fruit grows from a branch, but growth comes more
truly from the gardener's hope and the work of sowing the seed that grew inside the fruit.
The tree of the universe grows out of the fruit and its seed, even though in form the tree
bears the fruit.
”
”
Jalal ad-Din Muhammad ar-Rumi (The Soul of Rumi: A New Collection of Ecstatic Poems)
“
Ignoring me, she looked up at the pigeons sitting on the windowsills, which this year were so caked with droppings that they looked quite disgusting. The pigeons were a big problem at Wolfsegg; year in, year out, they sat on the buildings in their hundreds and ruined them with their droppings. I have always detested pigeons. Looking up at the pigeons on the windowsills, I told Caecilia that I had a good mind to poison them, as these filthy creatures were ruining the buildings, and moreover there was hardly anything I found as unpleasant as their cooing. Even as a child I had hated the cooing of pigeons. The pigeon problem had been with us for centuries and never been solved; it had been discussed at length and the pigeons had constantly been cursed, but no solution had been found. [i]I've always hated pigeons[/i], I told Caecilia, and started to count them. On one windowsill there were thirteen sitting close together in their own filth. The maids ought at least to clean the droppings off the windowsills, I told Caecilia, amazed that they had not been removed before the wedding. Everything else had been cleaned, but not the windowsills. This had not struck me a week earlier. Caecilia did not respond to my remarks about the pigeons. The gardeners had let some tramps spend the night in the Children's Villa, she said after a long pause, during which I began to wonder whether I had given Gambetti the right books, whether it would not have been a good idea to give him Fontane's [i]Effi Briest[/i] as well.
”
”
Thomas Bernhard (Extinction)
“
For, as on the coloured canvas
Subtle pencils softly blend
Dark and light in such proportions
That the dim perspectives end-
Now perhaps like famous cities,
Now like caves or misty capes,
For remoteness ever formeth
Monstrous or unreal shapes...
So it was, while I alone,
Saw their bulk and vast proportions
But their form remained unknown.
First they seemed to us uplifting
High in heaven their pointed towers,
Clouds that to the sea descended,
To conceive in sapphire showers
What they would bring forth in crystal.
And this fancy seemed more true,
As from their untold abundance
They, methought, could drink the blue
Drop by drop. Again sea monsters
Seemed to us the wandering droves,
Which, to from the train of Neptune,
Issued from their green alcoves.
For the sails, when lightly shaken,
Fanned by zephyrs as by slaves,
Seemed to us like outspread pinions
Fluttering o'er the darkened waves;
Then the mass, approaching nearer,
Seemed a mighty Babylon,
With its hanging gardens pictures
By the streamers fluttering down.
But at last our certain vision
Undeceived, becoming true,
Showed it was a great armada
For I saw the prows cut through
Foam....
”
”
Pedro Calderón de la Barca (El príncipe constante)
“
Donald’s need for affirmation is so great that he doesn’t seem to notice that the largest group of his supporters are people he wouldn’t condescend to be seen with outside of a rally. His deep-seated insecurities have created in him a black hole of need that constantly requires the light of compliments that disappears as soon as he’s soaked it in. Nothing is ever enough. This is far beyond garden-variety narcissism; Donald is not simply weak, his ego is a fragile thing that must be bolstered every moment because he knows deep down that he is nothing of what he claims to be. He knows he has never been loved.
”
”
Mary L. Trump (Too Much and Never Enough: How My Family Created the World's Most Dangerous Man)
“
For now, she would dance among the garden.
When azaleas bloom in winter.
When hurricanes come in fall.
Maybe the paint was not so much these out-of-season moments, but more what was growing in between them. The clumsy grasp to keep summer's blooms in winter would inevitably fail. And yet hope always came rising up, resurrected from the frozen ground.
For as garden turns to garden, flowers turn to dust, and glory goes to glory, the changes are within us.
And maybe beauty's greatest achievement isn't in the staying... but that in its return, again and again, it paints the eternal---all the beautiful things that will never fade.
”
”
Ashley Clark (Paint and Nectar (Heirloom Secrets, #2))
“
The problem with us is, if we are growing a garden, we are always trying to focus on the flower and the fruit. It is not the flower and the fruit that you should focus on; it is the root that you need to focus on. Rather than nurturing the roots, you are constantly seeking the flower and fruit. You do not have to sit there and pray for flowers and fruits. If you nurture the root, the flowers will anyway fall on your head, even if you do not look for them.
The flower and fruit will not come if you do not nurture the roots. You can only dream about it. But if you nurture the root, flowers and fruits will anyway happen. That is so with the garden, and that is so with your life.
”
”
Sadhguru (Life and Death in One Breath)
“
There was a short railway official travelling up to the terminus, three fairly short market-gardeners picked up two stations afterwards, one very short widow lady going up from a small Essex town, and a very short Roman Catholic priest going up from a small Essex village. When it came to the last case, Valentin gave it up and almost laughed. The little priest was so much the essence of those Eastern flats; he had a face as round and dull as a Norfolk dumpling; he had eyes as empty as the North Sea; he had several brown-paper parcels, which he was quite incapable of collecting. The Eucharistic Congress had doubtless sucked out of their local stagnation many such creatures, blind and helpless, like moles disinterred. Valentin was a skeptic in the severe style of France, and could have no love for priests. But he could have pity for them, and this one might have provoked pity in anybody. He had a large, shabby umbrella, which constantly fell on the floor. He did not seem to know which was the right end of his return ticket. He explained with a moon-calf simplicity to everybody in the carriage that he had to be careful, because he had something made of real silver "with blue stones" in one of his brown-paper parcels. His quaint blending of Essex flatness with saintly simplicity continuously amused the Frenchman till the priest arrived (somehow) at Tottenham with all his parcels, and came back for his umbrella.
”
”
G.K. Chesterton (The Innocence of Father Brown (Father Brown, #1))
“
The underlying reason why this transition was piecemeal is that food production systems evolved as a result of the accumulation of many separate decisions about allocating time and effort. Foraging humans, like foraging animals, have only finite time and energy, which they can spend in various ways. We can picture an incipient farmer waking up and asking: Shall I spend today hoeing my garden (predictably yielding a lot of vegetables several months from now), gathering shellfish (predictably yielding a little meat today), or hunting deer (yielding possibly a lot of meat today, but more likely nothing)? Human and animal foragers are constantly prioritizing and making effort-allocation decisions, even if only unconsciously. They concentrate first on favorite foods, or ones that yield the highest payoff. If these are unavailable, they shift to less and less preferred foods.
”
”
Jared Diamond (Guns, Germs, and Steel)
“
But the most constant source of enchantment during those readings came from the harlequin pattern of colored panes inset in a whitewashed framework on either side of the veranda. The garden when viewed through these magic glasses grew strangely still and aloof. If one looked through blue glass, the sand turned to cinders while inky trees swam in a tropical sky. The yellow created an amber world infused with an extra strong brew of sunshine. The red made the foliage drip ruby dark upon a pink footpath. The green soaked greenery in a greener green. And when, after such richness, one turned to a small square of normal, savorless glass, with its lone mosquito or lame daddy longlegs, it was like taking a draught of water when one is not thirsty, and one saw a matter-of-fact white bench under familiar trees. But of all the windows this is the pane through which in later years parched nostalgia longed to peer.
”
”
Vladimir Nabokov (Speak, Memory)
“
Is it not very important, while we are young, to be loved and to love? It seems to me that most of us neither love nor are loved. And I think it is essential, while we are young, to understand this problem very seriously because it may be that while we are young, we can be sensitive enough to feel it, to know its quality, to know its perfume and perhaps, when we grow older, it will not be entirely destroyed. So, let us consider the question—that is, not that you should not be loved, but that you should love. What does it mean? Is it an ideal? Is it something far away, unattainable? Or is it something that can be felt by each one at odd moments of the day?
To feel it, to be aware, to know the quality of sympathy, the quality of understanding, to help naturally, to aid another without any motive, to be kind, to be generous, to have sympathy, to care for something, to care for a dog, to be sympathetic to the villager, to be generous to your friend, to be forgiving, is that what we mean by love? Or is love something in which there is no sense of resentment, something which is everlasting forgiveness?
And is it not possible while we are young, to feel it? Most of us, while we are young, do feel it—a sense of outward agony, sympathy to the villager, to the dog, to those who are little. And should it not be constantly tended? Should you not always have some part of the day when you are helping another or tending a tree or garden or helping in the house or in the hostel so that as you grow into maturity, you will know what it is to be considerate naturally—not with an enforced considerateness that is merely a negative word for one’s own happiness, but with that considerateness that is without motive.
So, should you not when you are young, know this quality of real affection? It cannot be brought into being; you have to have it, and those who are in charge of you, like your guardian, your parents, your teachers, must also have it. Most people have not got it. They are concerned with their achievements, with their longings, with their success, with their knowledge, and with what they have done. They have built up their past into such colossal importance that it ultimately destroys them.
So, should you not, while you are young, know what it is to take care of the rooms, to care for a number of trees that you yourself dig and plant so that there is a feeling, a subtle feeling of sympathy, of care, of generosity, the actual generosity—not the generosity of the mere mind—that means you give to somebody the little that you may have? If that is not so, if you do not feel that while you are young, it will be very difficult to feel that when you are old. So, if you have that feeling of love, of generosity, of kindness, of gentleness, then perhaps you can awaken that in others.
”
”
J. Krishnamurti (Relationships to Oneself, to Others, to the World)
“
Later, this desire will invade and overwhelm me. It will begin, in the classic way, with an urge to travel to new places, destinations selected from maps and picture postcards. I will take trains, boats, planes, I will embrace Europe, discover London, a youth hostel next to Paddington Station, a Bronski Beat concert, thrift stores, the speakers of Hyde Park, beer gardens, darts, tawdry nights, Rome, walks among the ruins, finding shelter under the umbrella pines, tossing coins into fountains, watching boys with slicked-back hair whistle at passing girls. Barcelona, drunken wanderings along La Rambla and accidental meetings late on the waterfront. Lisbon and the sadness that’s inevitable before such faded splendor. Amsterdam with her mesmerizing volutes and red neon. All the things you do when you’re twenty years old. The desire for constant movement will come after, the impossibility of staying in one place, the hatred of the roots that hold you there, Doesn’t matter where you go, just change the scenery,
”
”
Philippe Besson (Lie With Me)
“
But my grandmother, in all weathers, even when the rain was coming down in torrents and Françoise had rushed the precious wicker armchairs indoors so that they should not have soaked, was to be seen pacing the desert rain-lashed garden, pushing back her disordered grey locks so that her forehead might be freer to absorb the health-giving draughts of wind and rain. She would say, "At last one can breathe!" and would trot up and down the sodden paths—too straight and symmetrical for her liking, owing to the want of any feeling for nature in the new gardener, whom my father had been asking all morning if the weather were going to improve—her keen, jerky little step regulated by the various effects wrought upon her soul by the intoxication of the storm, the power of hygiene, the stupidity of my upbringing and the symmetry of gardens, rather than by any anxiety (for that was quite unknown to her) to save her plum-coloured skirt from the mudstains which it would gradually disappear to a height that was the constant bane and despair of her maid.
”
”
Marcel Proust (Swann’s Way (In Search of Lost Time, #1))
“
Sadhana The body responds the moment it is in touch with the earth. That is why spiritual people in India walked barefoot and always sat on the ground in a posture that allowed for maximum area of contact with the earth. In this way, the body is given a strong experiential reminder that it is just a part of this earth. Never is the body allowed to forget its origins. When it is allowed to forget, it often starts making fanciful demands; when it is constantly reminded, it knows its place. This contact with the earth is a vital reconnection of the body with its physical source. This restores stability to the system and enhances the human capacity for rejuvenation greatly. This explains why there are so many people who claim that their lives have been magically transformed just by taking up a simple outdoor activity like gardening. Today, the many artificial ways in which we distance ourselves from the earth—in the form of pavements and multi-storied structures, or even the widespread trend of wearing high heels—involves an alienation of the part from the whole and suffocates the fundamental life process. This alienation manifests in large-scale autoimmune disorders and chronic allergic conditions. If you tend to fall sick very easily, you could just try sleeping on the floor (or with minimal organic separation between yourself and the floor). You will see it will make a big difference. Also, try sitting closer to the ground. Additionally, if you can find a tree that looks lively to you, in terms of an abundance of fresh leaves or flowers, go spend some time around it. If possible, have your breakfast or lunch under that tree. As you sit under the tree, remind yourself: “This very earth is my body. I take this body from the earth and give it back to the earth. I consciously ask Mother Earth now to sustain me, hold me, keep me well.” You will find your body’s ability to recover is greatly enhanced. Or if you have turned all your trees into furniture, collect some fresh soil and cover your feet and hands with it. Stay that way for twenty to thirty minutes. This could help your recovery significantly.
”
”
Sadhguru (Inner Engineering: A Yogi's Guide to Joy)
“
How long will you be away?”
“Three days,” he said cheerfully. “You’ll scarcely have time to miss me before I’m back.”
“I wouldn’t miss you no matter how long you were gone.” But Kathleen looked over him with concern as the butler helped him don his hat and coat. When he returned, she thought, they would have to take in his clothes again; he had lost at least another stone. “Don’t forget to eat while you’re away,” she scolded. “You’ll soon be mistaken for a scarecrow if you keep missing your dinner.”
The constant exercise of riding across the estate lands, walking the fields, helping a farmer repair a gate or retrieve a ewe that had jumped a garden wall, had wrought considerable changes in West. He’d lost so much weight that his garments hung on his frame. The bloat had melted from his face and neck, revealing a firm jawline and hard profile. All the time spent outdoors had imparted healthy color to his complexion, and he appeared years younger, an air of vitality replacing the look of sleepy indolence.
West leaned down to press a light kiss on her forehead. “Good-bye, Attila,” he said affectionately. “Try not to browbeat everyone in my absence.
”
”
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
“
The Chancellor’s assurances were so satisfying and so unexpected that I think they are on the whole too good to be true,” Messersmith wrote. “We must keep in mind, I believe, that when Hitler says anything he for the moment convinces himself that it is true. He is basically sincere; but he is at the same time a fanatic.” Messersmith urged skepticism regarding Hitler’s protestations. “I think for the moment he genuinely desires peace but it is a peace of his own kind and with an armed force constantly becoming more effective in reserve, in order to impose their will when it may become essential.” He reiterated his belief that Hitler’s government could not be viewed as a rational entity. “There are so many pathological cases involved that it would be impossible to tell from day to day what will happen any more than the keeper of a madhouse is able to tell what his inmates will do in the next hour or during the next day.” He urged caution, in effect warning Phillips to be skeptical of Dodd’s conviction that Hitler wanted peace. “I think for the present moment … we must guard against any undue optimism which may be aroused by the apparently satisfying declarations of the Chancellor.
”
”
Erik Larson (In the Garden of Beasts: Love, Terror, and an American Family in Hitler's Berlin)
“
Donald’s need for affirmation is so great that he doesn’t seem to notice that the largest group of his supporters are people he wouldn’t condescend to be seen with outside of a rally. His deep-seated insecurities have created in him a black hole of need that constantly requires the light of compliments that disappears as soon as he’s soaked it in. Nothing is ever enough. This is far beyond garden-variety narcissism; Donald is not simply weak, his ego is a fragile thing that must be bolstered every moment because he knows deep down that he is nothing of what he claims to be. He knows he has never been loved. So he must draw you in if he can by getting you to assent to even the most seemingly insignificant thing: “Isn’t this plane great?” “Yes, Donald, this plane is great.” It would be rude to begrudge him that small concession. Then he makes his vulnerabilities and insecurities your responsibility: you must assuage them, you must take care of him. Failing to do so leaves a vacuum that is unbearable for him to withstand for long. If you’re someone who cares about his approval, you’ll say anything to retain it. He has suffered mightily, and if you aren’t doing all you can to alleviate that suffering, you should suffer, too.
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Mary L. Trump (Too Much and Never Enough: How My Family Created the World's Most Dangerous Man)
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Ever since she was a young girl, [Patricia Highsmith] had felt an extraordinary empathy for animals, particularly cats. The creatures, she said, 'provide something for writers that humans cannot: companionship that makes no demands or intrusions, that is as restful and ever-changing as a tranquil sea that barely moves'. Her affection for cats was 'a constant as was feline companionship wherever her domestic situation permitted,' says Kingsley. 'As for animals in general, she saw them as individual personalities often better behaved, and endowed with more dignity and honesty than humans. Cruelty to or neglect of any helpless living creature could turn her incandescent with rage.' Janice Robertson remembers how [...] Highsmith was walking through the streets of Soho when she saw a wounded pigeon lying in the gutter. 'Pat decided there and then that this pigeon should be rescued,' says Janice. 'Although I think Roland persuaded her that it was past saving, she really was distraught. She couldn't bear to see animals hurt.' Bruno Sager, Highsmith's carer at the end of her life, recalls the delicacy with which the writer would take hold of a spider which had crawled into the house, making sure to deposit it safely in her garden. 'For her human beings were strange - she thought she would never understand them - and perhaps that is why she liked cats and snails so much,' he says.
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Andrew Wilson (Patricia Highsmith, ζωή στο σκοτάδι)
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Echad is first mentioned in the garden. It says a man and a woman, when they join together, become echad, or “one.” But that word echad is more explosive with meaning than just one flesh. It can literally mean to fuse together at the deepest part of our beings. Two becoming one, completely glued together, completely meshing. I still remember one of the hardest conversations I have had with Alyssa. We were just starting to date again, and were sitting in the car after a wonderful date night. We knew marriage was a possibility on the horizon, and I felt like I finally had to share things in my past that would affect her if we got married. I was incredibly nervous, as well as terrified of rejection or hurt, but I realized that if intimacy were to grow, I had to get vulnerable. For marriage to be what it truly is—two people becoming one in mind, body, soul, and spirit—I had to be honest. I remember sharing with her many things, but specifically some details of my sexual past. My teenage years were littered with me almost worshiping sexual fulfillment in pornography, partying, and girls. And I say worship, because that was where I got my worth, value, and purpose as well as what I most lived for (which is what the definition of worship is). I had to apologize and ask forgiveness from Alyssa for things I had done before I even knew her because of echad—one form of complete and utter intimacy. Because of that beauty, mystery, and power, God created it to function best in a man and a woman coming together for life and constantly echading or fusing together. I needed forgiveness because I had betrayed echad. I had betrayed oneness. I had betrayed intimacy. And if I wasn’t honest about it, it’d be a little part of my life or heart that Alyssa didn’t know—thus blocking echad. But something really peculiar happened in that moment. With the grace and forgiveness of Jesus, Alyssa forgave me. She heard all that I was and am, and still wanted to walk this journey with me. I still remember the tenderness in her voice as she spoke truth and forgiveness over me. In that moment I was exposed and known, and yet because of Alyssa’s grace, I was at the same time loved. And that is where intimacy is found—to be fully loved and to be fully known. To be fully loved, but not fully known will always allow us to buy the lie that “if they only knew the real me, they wouldn’t want me anymore.” And to be fully known but not fully loved feels sharp, painful, at a level of rejection that hurts so bad. But to be fully known and at the same time fully loved, now that is intimacy. I don’t want to give the wrong impression. Intimacy is certainly romantic in some aspects, but at its deepest level, it’s much more than that. It can be experienced with friends and family, not just spouses and loved ones.
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Jefferson Bethke (It's Not What You Think: Why Christianity Is About So Much More Than Going to Heaven When You Die)
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Presently my attention would wander still further, and it was then perhaps that the rare purity of her rhythmic voice accomplished its true purpose. I looked at a creamy cloud and years later was able to visualize its exact shape. The gardener was pottering among the peonies. A wagtail took a few steps, remembered something, and then strutted on. Coming from nowhere, a comma butterfly settled on the threshold, basked in the sun with its fulvous wings spread, suddenly closed them just to show the tiny initial chalked on the under side, and as suddenly darted away. But the most constant source of enchantment was the rhomboids of colored glass inset harlequinwise in the crisscross panes of the side windows. The garden when viewed through these magic panes grew strangely still and aloof. If one looked through the blue glass the sand turned to cinders while inky-black trees swam in a tropical sky. The yellow one led to Cathay and tea-colored vistas. The red made the foliage drip ruby dark upon a pink-flushed footpath. The green soaked greenery in a greener green. And when after such richness one turned to a little square of normal savorless glass with its lone mosquito or lame daddy longlegs, it was like taking a draught of water when one is not thirsty, and one saw the first withered leaf lying on yonder bench and the blandly familiar birch trees. But of all the windows this is the pane through which parched nostalgia would long to peer now.
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Vladimir Nabokov (Красавица и други истории)
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IN THE NAME OF GOD, THE MOST GRACIOUS, THE DISPENSER OF GRACE: (1) IT IS NOT [conceivable] that such as are bent on denying the truth – [be they] from among the followers of earlier revelation or from among those who ascribe divinity to aught beside God5268 – should ever be abandoned [by Him] ere there comes unto them the [full] evidence of the truth: (2) an apostle from God, conveying [unto them] revelations blest with purity, (3) wherein there are ordinances of ever-true soundness and clarity.5269 (4) Now those who have been vouchsafed revelation aforetime5270 did break up their unity [of faith] after such an evidence of the truth had come to them.5271 (5) And withal, they were not enjoined aught but that they should worship God, sincere in their faith in Him alone, turning away from all that is false;5272 and that they should be constant in prayer; and that they should spend in charity:5273 for this is a moral law endowed with ever-true soundness and clarity.5274 (6) Verily, those who [despite all evidence] are bent on denying the truth5275 – [be they] from among the followers of earlier revelation or from among those who ascribe divinity to aught beside God – will find themselves in the fire of hell, therein to abide: they are the worst of all creatures. (7) [And,] verily, those who have attained to faith and do righteous deeds – it is they, they who are the best of all creatures. (8) Their reward [awaits them] with God: gardens of perpetual bliss, through which running waters flow, therein to abide beyond the count of time; well-pleased is God with them, and well-pleased are they with Him: all this awaits him who of his Sustainer stands in awe!
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Anonymous (The Message of the Qur'an)
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He would muse about the greatness and the living presence of God; about the strange mystery of the eternal future; about the even stranger mystery of the eternal past; about all the infinities streaming in every direction before his very eyes; and, without trying to comprehend the incomprehensible, he saw it. He did not study God, he was dazzled by Him. He considered the magnificent collision of the atoms that produce what we see of matter, showing the forces at work by observing them, creating individuality within unity, proportion within extension, the numberless within the infinite, and producing beauty through light. Such collisions are constantly taking shape, bringing things together and pulling them apart; it is a matter of life and death.
He would sit on a wooden bench with his back against a decrepit trellis and he would gaze at the stars through the scrawny stunted silhouettes of his fruit trees. This quarter-acre patch of ground, so sparsely planted, so crowded with sheds and shacks, was dear to him, was all he needed.
What more could an old man need when he divided whatever spare time his life allowed, he who has so little spare time, between gardening of a day and contemplation of a night? Surely this small enclosure, with the sky as a ceiling, was enough to enable him to worship God by regarding His loveliest works and His most sublime works, one by one? Isn't that all there is? Indeed, what more could you want? A little garden to amble about it, and infinite space to dream in. At his feet, whatever could be grown and gathered; over his head, whatever could be studied and meditated upon; a few flowers on the ground and all the stars in the sky.
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Victor Hugo (Les Misérables)
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My greetings and constant love to Emory and my grandchildren. I am well and continue to make my rounds with the news of the day and as always am well-received in the towns of which we have more than a few now as the Century grows older and the population increases so that large crowds come to hear reportage of distant places as well as those nearby. I enjoy good health as always and hope that Emory is doing well using his left hand now and look forward to an example of his handwriting. It is true what Elizabeth has said about employment for a one-armed man but that concerns manual labor only and at any rate there should be some consideration for a man who has lost a limb in the war. As soon as he is adept with his left I am sure he will consider Typesetting, Accounting, Etc. & Etc. Olympia is I am sure a steady rock to you all. Olympia’s husband, Mason, had been killed at Adairsville, during Johnston’s retreat toward Atlanta. The man was too big to be a human being and too small to be a locomotive. He had been shot out of the tower of the Bardsley mansion and when he fell three stories and struck the ground he probably made a hole big enough to bury a hog in. The Captain’s younger daughter, Olympia, was in reality a woman who affected helplessness and refinement and had never been able to pull a turnip from the garden without weeping over the poor, dear thing. She fluttered and gasped and incessantly tried to demonstrate how sensitive she was. Mason was a perfect foil and then the Yankees went and killed him. Olympia was now living with Elizabeth and Emory in the remains of their farm in New Hope Church, Georgia, and was quite likely a heavy weight. He put one hand to his forehead. My youngest daughter is in reality a bore. There was a pounding on the wall: Kep-dun! Kep-dun!
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Paulette Jiles (News of the World)
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A respectable old man gives the following sensible account of the method he pursued when educating his daughter. "I endeavoured to give both to her mind and body a degree of vigour, which is seldom found in the female sex. As soon as she was sufficiently advanced in strength to be capable of the lighter labours of husbandry and gardening, I employed her as my constant companion. Selene, for that was her name, soon acquired a dexterity in all these rustic employments which I considered with equal pleasure and admiration. If women are in general feeble both in body and mind, it arises less from nature than from education. We encourage a vicious indolence and inactivity, which we falsely call delicacy; instead of hardening their minds by the severer principles of reason and philosophy, we breed them to useless arts, which terminate in vanity and sensuality. In most of the countries which I had visited, they are taught nothing of an higher nature than a few modulations of the voice, or useless postures of the body; their time is consumed in sloth or trifles, and trifles become the only pursuits capable of interesting them. We seem to forget, that it is upon the qualities of the female sex, that our own domestic comforts and the education of our children must depend. And what are the comforts or the education which a race of beings corrupted from their infancy, and unacquainted with all the duties of life, are fitted to bestow? To touch a musical instrument with useless skill, to exhibit their natural or affected graces, to the eyes of indolent and debauched young men, who dissipate their husbands' patrimony in riotous and unnecessary expenses: these are the only arts cultivated by women in most of the polished nations I had seen. And the consequences are uniformly such as may be expected to proceed from such polluted sources, private misery, and public servitude.
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Mary Wollstonecraft (A Vindication of the Rights of Woman)
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During the war, I was constantly afraid Chris would die. What made it worse was that he told me many times that he wanted to die on the battlefield.
Let me refine that.
He didn’t want to die, but if he had to die, then he couldn’t imagine anything better than dying on the battlefield. It was part of his sense of duty: dying on the battlefield would mean that he had been doing his utmost to protect others. There was no higher calling, and no higher proof of dedication, for Chris. So there was no sense fearing death in combat. It would be an honor.
That idea hurt me. I knew my husband wasn’t reckless--far from it--but in war there is a very thin line between being brave and being foolish, and when Chris talked like that I worried the line might be crossed.
I started going to church more during his first deployment, and eventually went to women’s Bible studies to learn more about the Bible. But fitting the idea of God and faith and service together was never easy. What should I pray for? My husband to live, certainly. But wasn’t that selfish? What if that wasn’t God’s will?
I prayed Chris would make the right decision when it came time to reenlist or leave the Navy. I wanted him to leave, yet that wasn’t exactly what I prayed for.
Yet I was disappointed when he reenlisted. Was I disappointed with God, or Chris?
Had my prayers even been heard?
If it was God’s plan that he reenlist, I should have been at peace with it. Yet I can’t say that I was.
Right after he made his decision, I took a walk with a friend whose faith ran very deep. She knew the Bible much better than I did, and was far more active in the church. I cried to her.
“I have to believe this is the best thing for our family,” I told her. “But I don’t know how it can be. I’m really struggling to accept it.”
“It’s okay to be angry with God,” she told me.
That caught me short. “I--I don’t think we’re supposed to be.”
“Why not?”
“Well…Jesus was never mad at God, and--“
“That’s wrong,” she said. “Don’t you remember in the temple with the money changers? Or in the garden before he was crucified, his doubts? Or on the cross? It’s okay to have those feelings.”
We talked some more.
“I do believe that if Chris dies,” I said finally, “God must be saying it’s still okay for our family, even if I don’t know how.”
She teared up. “I’m in awe,” she confessed. “I don’t know if I could say that.
”
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Taya Kyle (American Wife: Love, War, Faith, and Renewal)
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The Pakistani film International Gorillay (International guerillas), produced by Sajjad Gul, told the story of a group of local heroes - of the type that would, in the language of a later age, come to be known as jihadis, or terrorists - who vowed to find and kill an author called "Salman Rushdie" . The quest for "Rushdie" formed the main action of the film and "his" death was the film's version of happy ending.
"Rushdie" himself was depicted as a drunk, constantly swigging from a bottle, and a sadist. He lived in what looked very like a palace on what looked very like an island in the Philippines (clearly all novelists had second homes of this kind), being protected by what looked very like the Israeli Army (this presumably being a service offered by Israel to all novelists), and he was plotting the overthrow of Pakistan by the fiendish means of opening chains of discotheques and gambling dens across that pure and virtuous land, a perfidious notion for which, as the British Muslim "leader" Iqbal Sacranie might have said, death was too light a punishment. "Rushdie" was dressed exclusively in a series of hideously coloured safari suits - vermilion safari suits, aubergine safari suits, cerise safari suits - and the camera, whenever it fell upon the figure of this vile personage, invariably started at his feet and then panned [sic] with slow menace up to his face. So the safari suits got a lot of screen time, and when he saw a videotape of the film the fashion insult wounded him deeply. It was, however, oddly satisfying to read that one result of the film's popularity in Pakistan was that the actor playing "Rushdie" became so hated by the film-going public that he had to go into hiding.
At a certain point in the film one of the international gorillay was captured by the Israeli Army and tied to a tree in the garden of the palace in the Philippines so that "Rushdie" could have his evil way with him. Once "Rushdie" had finished drinking form his bottle and lashing the poor terrorist with a whip, once he had slaked his filthy lust for violence upon the young man's body, he handed the innocent would-be murderer over to the Israeli soldiers and uttered the only genuinely funny line in the film. "Take him away," he cried, "and read to him from The Satanic Verses all night!" Well, of course, the poor fellow cracked completely. Not that, anything but that, he blubbered as the Israelis led him away.
At the end of the film "Rushdie" was indeed killed - not by the international gorillay, but by the Word itself, by thunderbolts unleashed by three large Qurans hanging in the sky over his head, which reduced the monster to ash. Personally fried by the Book of the Almighty: there was dignity in that.
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Salman Rushdie (Joseph Anton: A Memoir)