Musician Funny Quotes

For someone so conflicted, who am I to give advice to anybody? It’s such a funny, grandiose idea

[novan]: bassists are very good with their fingers [novan]: and some of us sing backup vocals, so that means we're good with our mouths too... (~ IM chat with Novan Chang, 18, bassist)

You know, fame is a funny thing, man, especially, you know, actors, musicians, rappers, rock singers, it's kind of a lifestyle and it's easy to get caught up in it - you go to bars, you go to clubs, everyone's doing a certain thing... It's tough.

Dave walked closer to me, his dark eyes combing my every move. "Do you always hold your guitar like that?" I dropped my pick. "Do you always shop at Hot Topic?

It's so funny being a Christian musician. It always scares me when people think so highly of Christian music, Contemporary Christian music especially. Because I kinda go, I know a lot of us, and we don't know jack about anything. Not that I don't want you to buy our records and come to our concerts. I sure do. But you should come for entertainment. If you really want spiritual nourishment, you should go to church...you should read the Scriptures.

Monogamous musicians are like vegan hockey players.

Now, as I understand it, the bards were feared. They were respected, but more than that they were feared. If you were just some magician, if you'd pissed off some witch, then what's she gonna do, she's gonna put a curse on you, and what's gonna happen? Your hens are gonna lay funny, your milk's gonna go sour, maybe one of your kids is gonna get a hare-lip or something like that — no big deal. You piss off a bard, and forget about putting a curse on you, he might put a satire on you. And if he was a skilful bard, he puts a satire on you, it destroys you in the eyes of your community, it shows you up as ridiculous, lame, pathetic, worthless, in the eyes of your community, in the eyes of your family, in the eyes of your children, in the eyes of yourself, and if it's a particularly good bard, and he's written a particularly good satire, then three hundred years after you're dead, people are still gonna be laughing, at what a twat you were.

Marketing is so powerful that it can make even an extremely untalented musician a one-hundred-hits wonder.

I'm forty-two," he said. "That's eighty-four in musician years.

I don't think I knew what depression was. I knew I felt funny sometimes and I was different. I think it's a musician thing. That's why I write music. You know, I'm not like some messed up person. There is a lot of people that suffer depression that don't have an outlet, you know what I mean? That can't pick up a guitar for an hour and feel better.

Wehehehehell, if it isn’t Ollie-Ollie-oxidant-free..." You can take…all the tea in China…put it in a big brown…bag for me. He’s as sweet as tupelo honey; he’s an angel of the first degree. Men with insight…men in granite…knights in armor bent on…chivalry. He’s as sweet as…tupelo honey; just like honey, baby…from the bee." => For those who read and liked "When Irish eyes are sparkling" Can i have a musician here?

Orpheus never liked words. He had his music. He would get a funny look on his face and I would say what are you thinking about and he would always be thinking about music.

Liberace was certainly master and commander of the ivories ~ he is the only pianist I can watch or listen to without suffering a case of 'Stagefright Sympathy Sickness'.

Funny, there had been a time when building things was what America did. From massive dams to towering skyscrapers, from mechanized factories to moon rockets, the nation had created, had viewed that as part of the national identity. Being an engineer or an architect had once been high aspirations. Now everybody wanted to be musicians and basketball players, and America didn’t build squat.

Probably more than any concrete vice or failing Amory despised his own personality - he loathed knowing that to-morrow and the thousand days after he would sell pompously at a compliment and sulk at an ill word like a third-rate musician or a first-class actor.

The "four angels" were the Beatles, whom Manson considered ""leaders, spokesmen, prophets," according to Gregg. The line "And he opened the bottomless pit...And there came out of the smoke locusts upon the earth; and unto them was given power..." was still another reference to the English group, Gregg said. Locusts - Beatles - one and the same. "Their faces were as the faces of men," yet "they had hair as the hair of women." An obvious reference to the long-haired musicians. Out of the mouths of the four angles "issued fire and brimstone." Gregg: "This referred to the spoken words, the lyrics of the Beatles' songs, the power that came out of their mouths.

Dave and Serge...played the Fiddler's Elbow as if it were Giants Stadium, and even though it was acoustic, they just about blew the place up. They were standing on chairs adn lying on the floor, they were funny, they charmed everyone in the pub apart from an old drunk ditting next to the drum kit...who put his fingers firmly in his ears during Serge's extended harmonica solo. It was utterly bizarre and very moving: most musicians wouldn't have bothered turning up, let alone almost killing themselves. And I was reminded...how rarely one feels included in a live show. Usually you watch, and listen, and drift off, and the band plays well or doesn't and it doesn't matter much either way. It can actually be a very lonely experience. But I felt a part of the music, and a part of the people I'd gone with, and, to cut this short before the encores, I didn't want to read for about a fortnight afterward. I wanted to write, but I didn't want to read no book. I was too itchy, too energized, and if young people feel like that every night of the week, then, yes, literature 's dead as a dodo. (Nick's thoughts after seeing Marah at a little pub called Fiddler's Elbow.)

Sarah sits up and reaches over, plucking a string on my guitar. It’s propped against the nightstand on her side of the bed. “So . . . do you actually know how to play this thing?” “I do.” She lies down on her side, arm bent, resting her head in her hand, regarding me curiously. “You mean like, ‘Twinkle, Twinkle, Little Star,’ the ‘ABC’s,’ and such?” I roll my eyes. “You do realize that’s the same song, don’t you?” Her nose scrunches as she thinks about it, and her lips move as she silently sings the tunes in her head. It’s fucking adorable. Then she covers her face and laughs out loud. “Oh my God, I’m an imbecile!” “You shouldn’t be so hard on yourself, but if you say so.” She narrows her eyes. “Bully.” Then she sticks out her tongue. Big mistake. Because it’s soft and pink and very wet . . . and it makes me want to suck on it. And then that makes me think of other pink, soft, and wet places on her sweet-smelling body . . . and then I’m hard. Painfully, achingly hard. Thank God for thick bedcovers. If this innocent, blushing bird realized there was a hot, hard, raging boner in her bed, mere inches away from her, she would either pass out from all the blood rushing to her cheeks or hit the ceiling in shock—clinging to it by her fingernails like a petrified cat over water. “Well, you learn something new every day.” She chuckles. “But you really know how to play the guitar?” “You sound doubtful.” She shrugs. “A lot has been written about you, but I’ve never once heard that you play an instrument.” I lean in close and whisper, “It’s a secret. I’m good at a lot of things that no one knows about.” Her eyes roll again. “Let me guess—you’re fantastic in bed . . . but everybody knows that.” Then she makes like she’s playing the drums and does the sound effects for the punch-line rim shot. “Ba dumb ba, chhhh.” And I laugh hard—almost as hard as my cock is. “Shy, clever, a naughty sense of humor, and a total nutter. That’s a damn strange combo, Titebottum.” “Wait till you get to know me—I’m definitely one of a kind.” The funny thing is, I’m starting to think that’s absolutely true. I rub my hands together, then gesture to the guitar. “Anyway, pass it here. And name a musician. Any musician.” “Umm . . . Ed Sheeran.” I shake my head. “All the girls love Ed Sheeran.” “He’s a great singer. And he has the whole ginger thing going for him,” she teases. “If you were born a prince with red hair? Women everywhere would adore you.” “Women everywhere already adore me.” “If you were a ginger prince, there’d be more.” “All right, hush now smartarse-bottum. And listen.” Then I play “Thinking Out Loud.” About halfway through, I glance over at Sarah. She has the most beautiful smile, and I think something to myself that I’ve never thought in all my twenty-five years: this is how it feels to be Ed Sheeran.

I knew that being funny always came in second to musicians. (In the world of music, there’s a hierarchy, too—it’s my contention that bass players tend to get laid first, because they’re stolid and cool and their fingers move in gentle yet powerful ways [except for Paul Mc-Cartney; he never got laid first]; drummers come next because they’re all power and grit; then guitarists because they get those fancy solos; then, weirdly, the lead singer, because even though he’s out there up front, he never quite looks fully sexy when he has to throw his head back and reveal his molars to hit a high note.) Whatever the correct order, I knew I was way behind Eddie Van Halen—not only was he a musician, which means he was able to get laid more easily than someone who is funny, but he was also already married to the object of my desire.

In 1969 the Swedish folklorist Bengt Olsson and his partner, Peter Mahlin, spent a summer loitering around Beale Street in Memphis, interviewing and recording blues musicians. I'm certain it was hot, thankless work. In 1970, Olsson compiled some of those interviews into a short, now long-out-of-print book called Memphis Blues. In it, Olsson recounts a conversation with the guitarist Furry Lewis, who was born in Greenwood, Mississippi, in 1893 and come up playing blues with the Memphis legend W.C. Handy. Olsson never did much editorializing on the page - he just presented the material he'd collected - but there's a quote toward the end of the Lewis chapter that's become lodged permanently in my cortex, repeating endlessly like a koan: 'The people I used to play around with, they all done died out,' Lewis tells Olsson. 'And sometimes I get scared myself, 'cause it look like to me it gonna be mine next. You know, it's a funny thing, but you can do a thing for a-many years, and all of them die out and you still here,' he continued. 'And you know, that's more than a notion if you come up and just think about it.' I had thought about it. And I knew they were all still here, together, etched into shellac, tucked into sleeves. I could hear them.

Funny, there had been a time when building things was what America did. From massive dams to towering skyscrapers, from mechanized factories to moon rockets, the nation had created, had viewed that as part of the national identity. Being an engineer or an architect had once been high aspirations. Now everybody wanted to be musicians and basketball players, and America didn’t build squat. But out

That’s what I get for agreeing to a date with a hot, blonde blues musician. Named Josh. Ugh, I should have known.

Rumors seem to go hand-in-hand with the rise to the top and Stevie, usually singled out and labeled as the group’s sex symbol, seemed to get the brunt end most of the time. For a while it was funny. “Then,” Stevie says, “I really started to get angry. I mean I’m having all these relationships with all these guys that I don’t know, that maybe I’ve met once, that I don’t want to know and there’s nothing I can do about it. All of a sudden I’m picking up these papers and I’m the Siren of the North.” In reality, Stevie lives, as do Mick, John, Chris and Lindsey, on the other end of the spectrum. “In the last year,” says Stevie, “I’ve begun to realize what a tremendous power trip rock and roll people are on. I don’t like rock and roll stars. I especially don’t like men rock and roll stars, mainly because they’re just too egoed-out. And, I don’t need it. I’ve gone through it and I didn’t like it and I won’t do it again. I’m really a very quiet lady and I love being at home and so does Chris.

It’s funny to see us before we go onstage, standing in a circle. We look ridiculous! John’s got his crew socks and his cut-offs and his T-shirt and baseball hat. Mick’s got his velvet knickers and the same tights and shoes he’s worn for a hundred years—you wouldn’t want to be within 50 feet of him in that outfit, especially the next night when he’s put it back on after it’s been in the bus all day and never dried. Lindsey wears the same two Armani suits, one white and one grey every night.

For a while it was funny,” Stevie says, “but then personally I really started to get angry, because I live a very quiet life. I’m either working or I’m home and all of a sudden I’m picking up these papers and I’m the Siren of the North.” Seemingly attempting to set the record straight, she adds, “Don Henley [of the Eagles] are friends. We’re not into a heavy romantic relationship. How can we be? We’re always on the road. And Paul Kantner [of Jefferson Airplane/Starship fame]—I never went out with him. He called me a couple of times, but basically I wasn’t interested. I don’t even like rock ‘n’ roll stars,” she groans. “I especially don’t like men rock ‘n’ roll stars, mainly because they’re just too egoed-out. And I don’t need it. I don’t need to go out with rock ‘n’ roll stars for their money. I’ve got my own money. I’ve gone through it and I didn’t like it and I won’t do it again. It’s like that lady onstage—I can’t hold a candle to her if that’s what they want.

How is a heart like a musician? A: They both have a beat!   Q: Why did the boy bring a ladder to chorus? A: He wanted to sing higher!

What is Lisztomania, and how was it cured? Who was Drog, and what was his prophecy regarding Electronic Music? What preparation do you need before throwing an artistic tantrum? Which orchestral musicians are also qualified to run a hospital? The plausible answers to these and many other tantalising questions can be found in this wickedly funny – and occasionally just wicked – book.

… A wonderful collection of truths, and almost all are inconvenient’. ‘… Something here to offend everyone’. ‘… Everything from burlesque to parody, and with a sprinkling of serious commentary to confound the believers’. In the interest of balance however, here are some quotes from reviews which might have been written by others less inclined to view Heresies favorably. Again, I have undertaken this task on their behalf: “…a random assortment of schoolboy jokes. Possibly enjoyable for those who like juvenile humour – assuming they find it funny at all.” “The attempts at serious commentary are laughable, while the so-called heretical viewpoints are the unfunny fancies of a feeble mind.” “… Betrays an underlying resentment – disguised as ‘heresy’ – of those of eminence and achievement in music’s historical record.” Hmm. Can they all be right?

Jazz was the opposite of everything Harry Anslinger believed in. It is improvised, and relaxed, and free-form. It follows its own rhythm. Worst of all, it is a mongrel music made up of European, Caribbean, and African echoes, all mating on American shores. To Anslinger, this was musical anarchy, and evidence of a recurrence of the primitive impulses that lurk in black people, waiting to emerge. “It sounded,” his internal memos said, “like the jungles in the dead of night.”94 Another memo warned that “unbelievably ancient indecent rites of the East Indies are resurrected”95 in this black man’s music. The lives of the jazzmen, he said, “reek of filth.”96 His agents reported back to him97 that “many among the jazzmen think they are playing magnificently when under the influence of marihuana but they are actually becoming hopelessly confused and playing horribly.” The Bureau believed that marijuana slowed down your perception of time98 dramatically, and this was why jazz music sounded so freakish—the musicians were literally living at a different, inhuman rhythm. “Music hath charms,”99 their memos say, “but not this music.” Indeed, Harry took jazz as yet more proof that marijuana drives people insane. For example, the song “That Funny Reefer Man”100 contains the line “Any time he gets a notion, he can walk across the ocean.” Harry’s agents warned: “He does think that.” Anslinger looked out over a scene filled with men like Charlie Parker,101 Louis Armstrong,102 and Thelonious Monk,103 and—as the journalist Larry Sloman recorded—he longed to see them all behind bars.104 He wrote to all the agents he had sent to follow them, and instructed: “Please prepare all cases in your jurisdiction105 involving musicians in violation of the marijuana laws. We will have a great national round-up arrest of all such persons on a single day. I will let you know what day.” His advice on drug raids to his men was always “Shoot first.”106 He reassured congressmen that his crackdown would affect not “the good musicians, but the jazz type.”107 But when Harry came for them, the jazz world would have one weapon that saved them: its absolute solidarity. Anslinger’s men could find almost no one among them who was willing to snitch,108 and whenever one of them was busted,109 they all chipped in to bail him out.

I am more a hurricane than a gentle breeze some days. People bother me, annoy me with opinions that don’t make sense and that don’t add any balance to the world. I’m sick of everyone fighting, everyone waiting for their turn, instead of actual equality. I don’t feel like being kind, I don’t feel like being polite, I feel like screaming and cursing, moving the universe from sight. But then I am reminded of the littlest things in life, like the way bees make honey, and ants appear before rain, the way children say funny things, and how some musicians stay humble even after fame. I suppose even on the hurricane days, it’s better to stay kind, for anger and bitterness really have no balance of mind.

I secretly put my microphone up my butt before I perform so I am one with the mic.

There is only one account of the musicians making their way to their position. It comes from stewardess Violet Jessop, who knew Woodward and Hume from their time on the Olympic. She was in her bunk on either E or F Deck and heard a “low, rending, crunching, ripping sound” on impact but didn’t leave her cabin until the call to lifeboats came. On the way up the stairs she passed Captain Smith, J. Bruce Ismay, Chief Purser Herbert McElroy, and the ship’s surgeon, Dr. O’Laughlin, none of whom seemed overly concerned. She wrote that as she turned at the top of the staircase, “I ran into Jock, the bandleader and his crowd with their instruments. ‘Funny, they must be going to play,’ thought I, and at this late hour! Jock smiled in passing, looking rather pale for him, remarking, ‘Just going to give them a tune to cheer things up a bit,’ and passed on.

What song was that? Maybe if you would’ve sung, I would’ve caught on.” I force a laugh. One step at a time, buddy. I don’t even sing for my teddy bears. That’s a different matter entirely.

This song [You Can't Do That by The Beatles] pierced my heart, and I don’t think it will ever heal. ... I have a funny feeling between my legs, it feels good. I play the song over and over again for an hour until Kristina can’t stand it any more and takes me home.

The artists considered musicians nothing more than background noise which interrupted important discussions on Modernism.

Joy through suffering: this phrase (extracted from one of Beethoven's letters, where it actually referred to an uncomfortable coach journey) became the central motto of the Beethoven cult [..].