Mushroom Forest Quotes

We've searched our database for all the quotes and captions related to Mushroom Forest. Here they are! All 100 of them:

Devic Magic Woodland sprites, elves and nymphs Waltz in time take a glimpse Fairies hide the forest wit Mushrooms fly, agarics hit
William O'Brien (Peter, Enchantment and Stardust: The Poems (Peter: A Darkened Fairytale, #2))
I was thinking I might want to study public health, but I was also thinking I might want to move to the forest and eat berries and mushrooms and hibernate with the bears in the winter.
Lauren Holmes (Barbara the Slut and Other People)
(Can you understand your own dreams, which arise with mushrooms' rank richness in the night-forests within your skull?)
William T. Vollmann (The Ice-Shirt (Seven Dreams, #1))
It’s relatively easy to agree that only Homo sapiens can speak about things that don’t really exist, and believe six impossible things before breakfast. You could never convince a monkey to give you a banana by promising him limitless bananas after death in monkey heaven. But why is it important? After all, fiction can be dangerously misleading or distracting. People who go to the forest looking for fairies and unicorns would seem to have less chance of survival than people who go looking for mushrooms and deer. And if you spend hours praying to non-existing guardian spirits, aren’t you wasting precious time, time better spent foraging, fighting, and fornicating?
Yuval Noah Harari (קיצור תולדות האנושות)
One of the Big Ideas in this book is that fungi, especially fungi from old-growth forests, may be sources of new medicines that are active against a range of germs, including HIV/AIDS and the causative agents of smallpox and anthrax, potential bioterrorist threats.
Paul Stamets (Mycelium Running: How Mushrooms Can Help Save the World)
In fact, as time goes by, it becomes easier and easier to replace humans with computer algorithms, not merely because the algorithms are getting smarter, but also because humans are professionalising. Ancient hunter-gatherers mastered a very wide variety of skills in order to survive, which is why it would be immensely difficult to design a robotic hunter-gatherer. Such a robot would have to know how to prepare spear points from flint stones, how to find edible mushrooms in a forest, how to use medicinal herbs to bandage a wound, how to track down a mammoth and how to coordinate a charge with a dozen other hunters. However, over the last few thousand years we humans have been specialising. A taxi driver or a cardiologist specialises in a much narrower niche than a hunter-gatherer, which makes it easier to replace them with AI.
Yuval Noah Harari (Homo Deus: A History of Tomorrow)
But a smell shivered him awake. It was a scent as old as the world. It was a hundred aromas of a thousand places. It was the tang of pine needles. It was the musk of sex. It was the muscular rot of mushrooms. It was the spice of oak. Meaty and redolent of soil and bark and herb. It was bats and husks and burrows and moss. It was solid and alive - so alive! And it was close. The vapors invaded Nicholas' nostrils and his hair rose to their roots. His eyes were as heavy as manhole covers, but he opened them. Through the dying calm inside him snaked a tremble of fear. The trees themselves seemed tense, waiting. The moonlight was a hard shell, sharp and ready to ready be struck and to ring like steel. A shadow moved. It poured like oil from between the tall trees and flowed across dark sandy dirt, lengthening into the middle of the ring. Trees seem to bend toward it, spellbound. A long, long shadow...
Stephen M. Irwin (The Dead Path)
The contrast between private mushrooms and fungi-forming forest traffic might be an emblem for commoditisation more generally: the continual, never-finished cutting off of entanglement.
Anna Lowenhaupt Tsing (The Mushroom at the End of the World: On the Possibility of Life in Capitalist Ruins)
We all accepted that this land was a gate to that other world, the realm of spirits and dreams and the Fair Folk, without any question. The place we grew up in was so full of magic that it was almost a part of everyday life - not to say you'd meet one of them every time you went out to pick berries, or draw water from your well, but everyone we knew had a friend of a friend who'd strayed too far into the forest, and disappeared; or ventured inside a ring of mushrooms, and gone away for a while, and come back subtly changed. Strange things could happen in those places. Gone for maybe fifty years you could be, and come back still a young girl; or away for no more than an instant by moral reckoning, and return wrinkled and bent with age. These tales fascinated us, but failed to make us careful. If it was going to happen to you, it would happen, whether you liked it or not.
Juliet Marillier (Daughter of the Forest (Sevenwaters, #1))
Money isn’t like mushrooms in a forest—it doesn’t just pop up on its own, you know.
Haruki Murakami (Kafka on the Shore)
I always had a thing about mushrooms. They’re the odd little children of the forest. I suppose I related
Maureen Johnson (Nine Liars (Truly Devious, #5))
But I’m never lonely, a man who believes can never be lonely. I ride around the villages—I used to find spaghetti, flour—even vegetable oil. Canned fruit. Now I go to the cemeteries—people leave food and drink for the dead. But the dead don’t need it. They don’t mind. In the fields there’s wild grain, and in the forest there are mushrooms and berries. Freedom is here. I
Svetlana Alexievich (Voices from Chernobyl: The Oral History of a Nuclear Disaster)
Intact forest ecosystems, by comparison, provide more ecological services than just board feet of lumber. They clean the water, provide shade, and give communities plants, insects, and animals. Protecting our forests is essential not only for our survival now, but also for the survival of generations to come.
Paul Stamets (Fantastic Fungi: How Mushrooms Can Heal, Shift Consciousness, and Save the Planet)
To walk attentively through a forest, even a damaged one, is to be caught by the abundance of life: ancient and new; underfoot and reaching into the light. But how does one tell the life of the forest? We might begin by looking for drama and adventure beyond the activities of humans. Yet we are not used to reading stories without human heroes. This is the puzzle that informs this section of the book. Can I show landscape as the protagonist of an adventure in which humans are only one kind of participant? Over the past few decades many kinds of scholars have shown that allowing only human protagonists into our stories is not just ordinary human bias. It is a cultural agenda tied to dreams of progress through modernization. There are other ways of making worlds. Anthropologists have become interested, for example, in how substance hunters recognize other living beings as persons, that is protagonists of stories. Indeed, how could it be otherwise? Yet expectations of progress block this insight. Talking animals are for children and primitives. Their voices silent, we imagine wellbeing without them. We trample over them for our advancement. We forget that collaborative survival requires cross-species coordinations. To enlarge what is possible we need other kinds of stories, including adventures of landscapes.
Anna Lowenhaupt Tsing (The Mushroom at the End of the World: On the Possibility of Life in Capitalist Ruins)
It was shameless how life made fun of one; it was a joke, a cause for weeping! Either one lived and let one's senses play, drank full at the primitive mother's breast—which brought great bliss but was no protection against death; then one lived like a mushroom in the forest, colorful today and rotten tomorrow. Or else one put up a defense, imprisoned oneself for work and tried to build a monument to the fleeting passage of life—then one renounced life, was nothing but a tool; one enlisted in the service of that which endured, but one dried up in the process and lost one's freedom, scope, lust for life... Ach, life made sense only if one achieved both, only if it was not split by this brittle alternative! To create, without sacrificing one's senses for it. To live, without renouncing the mobility of creating. Was that impossible?
Hermann Hesse
I’m saying that mushrooms are very clever at surveying a landscape and taking a long-term view of the health of the population of the descendent organisms that give rise to the forest, that create the debris fields, that feed the fungi, that help the fungi’s own progeny live downstream. They take a very advanced view of ecosystem health and management, trying to increase soil depth, and, by increasing soil depth and the richness of the soil, to increase the carrying capacity of the ecosystem. Higher carrying capacity leads to more biodiversity, more sustainability, more resiliency.
Derrick Jensen (Dreams)
If you were a tiny organism in a forest’s soil, you would be enmeshed in a carnival of activity, with mycelium constantly moving through subterranean landscapes like cellular waves, through dancing bacteria and swimming protozoa with nematodes racing like whales through a microcosmic sea of life.
Paul Stamets (Mycelium Running: How Mushrooms Can Help Save the World)
Is it odd to see a book within a book? It shouldn’t be. Books like each other. We understand each other. You could even say we are all related, enjoying a kinship that stretches like a rhizomatic network beneath human consciousness and knits the world of thought together. Think of us as a mycelium, a vast, subconscious fungal mat beneath a forest floor, and each book a fruiting body. Like mushrooms, we are a collectivity. Our pronouns are we, our, us.
Ruth Ozeki (The Book of Form and Emptiness)
Did you know that only older forests grow the sort of fungi that feeds the variety of orchid called Goodyera pubescens—” “You’re making that up.” “I promise you, I’m not making up mushroom facts for your amusement.” “Pubescens? Pubescent orchid?” He snorted. “Has it grown a little stupid mustache? Does it skateboard?
Brittany Cavallaro (A Question of Holmes (Charlotte Holmes, #4))
i dreamt i crawled on top of you and kissed your hips, one at a time, my lips a smolder. i straddled your waist and pressed both shaking hands against your torso. spongy, like an old tree on the forest floor. i push and your flesh sinks inwardly, collapsing with decay, a soft shushing sound. a yawning hole where your organs should be. maggots used to live here until your own poison killed them off. i laid my cheek into the loam and three little mushrooms brushed over my eyelid. peat, decomposing matter, all of it, whatever you wish to call it, rested in the cavity of your chest. and there i planted seeds in the hopes something good would come out of you.
Taylor Rhodes (calloused: a field journal)
Be gentle with yourself, my white one. Come with me tomorrow through the forest; we will gather black mushrooms and herbs that, crushed against the fingers, give a magic smell. You will feel the sun on your hair and the rich earth beneath your feet, and the fresh winds scented with the spice of snow from the hidden places on Eld Mountain. Be patient, as you must always be patient with new pale seeds buried in the dark ground. When you are stronger, you can begin to think again. But now is the time to feel.
Patricia A. McKillip (The Forgotten Beasts of Eld)
The mushroom is the visible tip of something deep and elaborate, like a thick lace tablecloth knitted into the forest floor.
Suzanne Simard (Finding the Mother Tree: Discovering the Wisdom of the Forest)
Life passes by in a second; we are like mushrooms in the forest, eternal today and rotten tomorrow...
Damian Maher (This One Thing)
The day I no longer walk through the forest with wonder, is the day I no longer belong to this earth.
Jess Starwood (Mushroom Wanderland: A Forager's Guide to Finding, Identifying, and Using More Than 25 Wild Fungi)
In love, if you can say things that give the magical air and the beauty of the forest mushrooms, then what you say will definitely fascinate the person you love!
Mehmet Murat ildan
listened to the small, high-pitched sounds of the tree swallows and the nuthatches, and smelled the smoke and the wet ground, the good, musty scent of mushrooms and always-damp wood, and I felt all the ways in which this world seemed so, so enormous—the height of the trees, the hush and tick of the forest, the shift of the sunlight and shadows—but also so, so removed.
Emily M. Danforth (The Miseducation of Cameron Post)
There are few things as startling as encountering an unearthly glow in the wild. Glow-worms. Ghost mushrooms. Fireflies. Flashlight fish. Lantern sharks. Vampire squid. Our forest floors and ceilings, our ocean depths and fringes are full of luminous beings, creatures lit from the inside. And they have, for many centuries, enchanted us, like glowing missionaries of wonder, emissaries of awe. Is there anything more beautiful than living light?
Julia Baird (Phosphorescence: On Awe, Wonder and Things That Sustain You When the World Goes Dark)
Without another word, we began to eat. I was hungry, but no appetite would excuse the way we set upon those dishes. We shoveled food into our mouths in a manner ill befitting our fine attire. Bears would have blushed to see us bent over our plates. The pheasant, still steaming from the oven, its dark flesh redolent with the mushroom musk of the forest floor, was gnawed quickly to the bone. It was a touch gamy - no milk-fed goose, this - but it was tender, and the piquant hominy balanced that wild taste as I had hoped it would. The eggs, laced pink at the edges and floating delicately in a carnal sauce, were gulped down in two bites. The yolks were cooked to that rare liminal degree, no longer liquid but not yet solid, like the formative moment of a sun-colored gem.
Eli Brown (Cinnamon and Gunpowder)
People who go to the forest looking for fairies and unicorns would seem to have less chance of survival than people who go looking for mushrooms and deer. And if you spend hours praying to non-existing guardian spirits, aren’t you wasting precious time, time better spent foraging, fighting and fornicating? But
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
At childhood’s end, the houses petered out into playing fields, the factory, allotments kept, like mistresses, by kneeling married men, the silent railway line, the hermit’s caravan, till you came at last to the edge of the woods. It was there that I first clapped eyes on the wolf. He stood in a clearing, reading his verse out loud in his wolfy drawl, a paperback in his hairy paw, red wine staining his bearded jaw. What big ears he had! What big eyes he had! What teeth! In the interval, I made quite sure he spotted me, sweet sixteen, never been, babe, waif, and bought me a drink, my first. You might ask why. Here’s why. Poetry. The wolf, I knew, would lead me deep into the woods, away from home, to a dark tangled thorny place lit by the eyes of owls. I crawled in his wake, my stockings ripped to shreds, scraps of red from my blazer snagged on twig and branch, murder clues. I lost both shoes but got there, wolf’s lair, better beware. Lesson one that night, breath of the wolf in my ear, was the love poem. I clung till dawn to his thrashing fur, for what little girl doesn’t dearly love a wolf? Then I slid from between his heavy matted paws and went in search of a living bird – white dove – which flew, straight, from my hands to his hope mouth. One bite, dead. How nice, breakfast in bed, he said, licking his chops. As soon as he slept, I crept to the back of the lair, where a whole wall was crimson, gold, aglow with books. Words, words were truly alive on the tongue, in the head, warm, beating, frantic, winged; music and blood. But then I was young – and it took ten years in the woods to tell that a mushroom stoppers the mouth of a buried corpse, that birds are the uttered thought of trees, that a greying wolf howls the same old song at the moon, year in, year out, season after season, same rhyme, same reason. I took an axe to a willow to see how it wept. I took an axe to a salmon to see how it leapt. I took an axe to the wolf as he slept, one chop, scrotum to throat, and saw the glistening, virgin white of my grandmother’s bones. I filled his old belly with stones. I stitched him up. Out of the forest I come with my flowers, singing, all alone. Little Red-Cap
Carol Ann Duffy (The World's Wife)
The woods were definitely changing. Aurora and Phillip could no longer see the sky at all because of the ancient tall trees that stretched far overhead. Pines and other shaggy-barked species shot a hundred feet straight up on massive trunks, some of which were as thick around as a small house. The canopies that spread out at their tops blocked out most of the sun; only a rare dappled shaft made it through. But it didn't feel claustrophobic. The absence of light kept the underbrush low: moss on ancient fallen logs, puddles of shade flowers, mushrooms and tiny lilies. It was airy and endless like the largest cathedral ever imagined.
Liz Braswell (Once Upon a Dream)
When it’s still—when it’s the cellar of a house, or a ring of mushrooms in a forest or a gun emplacement outside Offenburg—it’s called one of two things. If it remains static and unchanging then we call it a despair. If it seeks to extend its influence then it is a malignancy. Or as the Director puts it—a despair will suck you in, but a malignancy is coming to get you.
Ben Aaronovitch (The October Man (Rivers of London, #7.5))
The lake was unexceptional, lovely and green-blue, but the forest was a peculiar thing. Among the needles carpeting the floor were clusters of mushrooms and strange white flowers, lantern-shaped, their cupped petals like small orbs. The trees themselves were taller and healthier than such flora had cause to be a high altitude--- indeed, they were quite fat, as if overfed.
Heather Fawcett (Emily Wilde’s Map of the Otherlands (Emily Wilde, #2))
He planted his feet a shoulders width apart in the ground. After a moment he closed his eyes. Here was the wood. Slow and green he felt the life of it, the life that had been his life as well these four centuries past. It poured around him thick and steady, binding all together: the long patient strength of the trees that anchored, the deep bright power of the handful of dryads--Tobias felt Bramble clear as day among them, young and strong--and then the small and necessary, the bracken and ferns, the mosses and mushrooms. Here were the songbirds and ravens and solemn wide-winged owls, shy deer and burrowing rabbits, fox and badger and snake, beetles and moths and midges, all the things that were in the wood, that lived each in their own way under the shelter of the old oak. (76-77)
Emily Tesh (Silver in the Wood (The Greenhollow Duology, #1))
Well, then,” said Lilith, “by all means, show her around. Expose her to the beauty of Mother Earth.” A chill went down Arisha’s back. She could swear she saw a split tongue in Lilith’s mouth. Almost like the garter snakes she had played with in the forest. Maybe it was the mushrooms. She saw three tame looking hyenas sitting off a short distance from Lilith and her children, watching them like loyal dogs—or guardians.
Brian Godawa (Joshua Valiant (Chronicles of the Nephilim Book 5))
In the years following daysdeath, most of the green places of the empire had withered, starved of the sun that had once gifted them life. But that wasn’t to say nothing grew in Elidaen anymore. There’s no end of successors waiting for old monarchs to fall, and in the breach left by those towering giants in their robes of whispering green, a new king had risen. “Fungus. “Luminous flowers of maryswort. Long, strangling tendrils of asphyxia. Bloated pustules of beggarbelly and jagged, crawling runs of shadespine. These were the new sovereigns of the forest, the grand lords of decay, building castles on the rotting tombs of the kings who’d come before. Mushroom and toadstool, moldweave and whitespore, running thick across the ground or flowering on the still-standing corpses, so thick you could barely see the shape of the tree beneath.
Jay Kristoff (Empire of the Vampire (Empire of the Vampire, #1))
Promise me that you won’t leave school to apprentice with the Mage Council, no matter how much your aunt pressures you.” I don’t understand why he’s being so grave about this. I want to be an apothecary like my mother was, not apprenticed with our ruling council. I nod my head in agreement. “And if something happens to me, you’ll wait to wandfast to someone. You’ll finish your education first.” “But nothing’s going to happen to you.” “No, no, it’s not,” he says, reassuringly. “But promise me anyway.” A familiar worry mushrooms inside me. We all know that my uncle has been struggling with ill health for some time, prone to fatigue and problems with his joints and lungs. My brothers and I are loath to speak of this. He’s been a parent to us for so long—the only parent we can really remember. The thought of losing him is too awful to think of. “Okay,” I say. “I promise. I’ll wait.
Laurie Forest (The Black Witch (The Black Witch Chronicles, #1))
Mushrooms are only a small part of fungal anatomy. A mushroom is just how a fungus has sex.” Maisie’s slim eyebrows arched high. “Oh, really,” she said. “It’s true. A single fungus in a forest like this can go on for miles, underground, wrapping itself around tree roots. The mushrooms are just its reproductive parts. Fungi are some of the largest living things on Earth. Each tendril is nearly microscopic, but put together they can weigh far more than any California redwood or blue whale.
David Walton (The Genius Plague)
Life lines are entangled: candy cane and matsutake; matsutake and its host trees; host trees and herbs, mosses, insects, soil bacteria, and forest animals; heaving bumps and mushroom pickers. Matsutake pickers are alert to life lines in the forest; searching with all the senses creates this alertness. It is a form of forest knowledge and appreciation without the completeness of classification. Instead, searching brings us to the liveliness of beings experienced as subjects rather than objects.
Anna Lowenhaupt Tsing (The Mushroom at the End of the World: On the Possibility of Life in Capitalist Ruins)
You could never convince a monkey to give you a banana by promising him limitless bananas after death in monkey heaven. But why is it important? After all, fiction can be dangerously misleading or distracting. People who go to the forest looking for fairies and unicorns would seem to have less chance of survival than people who go looking for mushrooms and deer. And if you spend hours praying to non-existing guardian spirits, aren’t you wasting precious time, time better spent foraging, fighting and fornicating?
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
Finns have a deep and abiding love of their country’s forests and lakes. In July Finland is one of the world’s most relaxing, joyful places to be – a reason Finns traditionally have not been big travellers. After the long winter, why miss the best their country has to offer? Finns head en masse for the mökki (summer cottage) from midsummer until the end of the July holidays. Most Finns of any age could forage in a forest for an hour at the right time of year and emerge with a feast of fresh berries, wild mushrooms and probably a fish or two. City-dwelling Finns are far more in touch with nature than most of their European equivalents.
Lonely Planet Finland
It’s relatively easy to agree that only Homo sapiens can speak about things that don’t really exist, and believe six impossible things before breakfast. You could never convince a monkey to give you a banana by promising him limitless bananas after death in monkey heaven. But why is it important? After all, fiction can be dangerously misleading or distracting. People who go to the forest looking for fairies and unicorns would seem to have less chance of survival than people who go looking for mushrooms and deer. And if you spend hours praying to non-existing guardian spirits, aren’t you wasting precious time, time better spent foraging, fighting and fornicating?
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
It’s relatively easy to agree that only Homo sapiens can speak about things that don’t really exist, and believe six impossible things before breakfast. You could never convince a monkey to give you a banana by promising him limitless bananas after death in monkey heaven. But why is it important? After all, fiction can be dangerously misleading or distracting. People who go to the forest looking for fairies and unicorns would seem to have less chance of survival than people who go looking for mushrooms and deer. And if you spend hours praying to non-existing guardian spirits, aren’t you wasting precious time, time better spent foraging, fighting and fornicating? But fiction has enabled us not merely to imagine things, but to do so collectively. We can weave common myths such as the biblical creation story, the Dreamtime myths of Aboriginal Australians, and the nationalist myths of modern states. Such myths give Sapiens the unprecedented ability to cooperate flexibly in large numbers. Ants and bees can also work together in huge numbers, but they do so in a very rigid manner and only with close relatives. Wolves and chimpanzees cooperate far more flexibly than ants, but they can do so only with small numbers of other individuals that they know intimately. Sapiens can cooperate in extremely flexible ways with countless numbers of strangers. That’s why Sapiens rule the world, whereas ants eat our leftovers and chimps are locked up in zoos and research laboratories. The
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
I had actually wanted to say something more, to express a wider gratitude for the meal we were about to eat, but I was afraid that to offer words of thanks for the pig and the mushrooms and the forests and the garden would come off sounding corny, and, worse, might ruin some appetites. The words I was reaching for, of course, were the words of grace. But as the conversation at the table unfurled like a sail amid the happy clatter of silver, tacking from stories of hunting to motherlodes of mushrooms to abalone adventures, I realized that in this particular case, words of grace were unnecessary. Why? Because that's what the meal itself had become, for me certainly, but I suspect for some of the others, too: a wordless way of saying grace.
Michael Pollan (The Omnivore's Dilemma: A Natural History of Four Meals)
The difference is that in Scandinavia fears regarding such dangers are fought with familiarity, both at preschool and at home. When you grow up going to the woods on a regular basis, climb those trees, roll down those hills, cross those creeks, scramble up those boulders, those activities don’t feel any more dangerous than sitting on your couch. (Which, it could be argued, is actually far riskier, considering the very real and serious effects of a sedentary lifestyle on children’s health.) “In the forest there are poisonous berries and mushrooms, but instead of telling the children that they can’t pick any of them, we teach them which ones are poisonous,” Linde says. “Otherwise they won’t know once they get out in the woods on their own.
Linda Åkeson McGurk (There's No Such Thing as Bad Weather: A Scandinavian Mom's Secrets for Raising Healthy, Resilient, and Confident Kids (from Friluftsliv to Hygge))
At that time, a number of myths were created by the young people of the smoking carriages and forests of hallucinogenic mushrooms, the hungry for the thirst of lysergic acid, who were too tired of the suffering they grew up in and needed to take refuge in dreams. In these children's universe there were unbelievable stories about places in the mountains that women sought to retreat to, places where people were united by music and love for a mutual spiritual growth. For Aunt Jeanine, who had grown up with the image of her father, an amputee due to the war, feeding on such stories was like a haven, one she would later try to turn into her home. And one of those stories, one particular one, stood in her memory until the last stage of her life, when she passed away at eighty-one, burned with fire. (...) At that time, kid, they said that if we searched enough, we would find a place where the world wouldn't end. Men would never know what hell of a place that was, totally unconquerable! A place where the dirty hands of men would never arrive. A place men would never know about . Don't you think I could find it? To have my body disappearing in the woods, as I saw happening to kids in Japan, in that forest that swallows them to its core. Flesh turned to powder, my essence disappearing in the middle of life. They said that, when you die at a place, you'll stay at that place forever. That was why everyone was afraid to go to war. They weren't afraid of dying, kid, they were afraid of dying there.
Pat R (Os Homens Nunca Saberão Nada Disto)
The forager economy provided most people with more interesting lives than agriculture or industry do. Today, a Chinese factory hand leaves home around seven in the morning, makes her way through polluted streets to a sweatshop, and there operates the same machine, in the same way, day in, day out, for ten long and mind-numbing hours, returning home around seven in the evening in order to wash dishes and do the laundry. Thirty thousand years ago, a Chinese forager might leave camp with her companions at, say, eight in the morning. They’d roam the nearby forests and meadows, gathering mushrooms, digging up edible roots, catching frogs and occasionally running away from tigers. By early afternoon, they were back at the camp to make lunch. That left them
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
We rode for perhaps an hour with the snow tapping at our cheeks before we came to a little gully where the mountainside folded itself around a grove of misshapen willows. Even if the changeling hadn't directed us there, I would have taken it for a faerie door of some sort; though there are many sorts of doors, they all have a similar quality which can best---and quite inadequately---be described as unusual. A round ring of mushrooms is the obvious example, but one must additionally be on the lookout for large, hoary trees that dwarf their neighbors; for twisted trunks and gaping hollows; for wildflowers out of sync with the forest's floral denizens; for patterns of things; for mounds and depressions and inexplicable clearings. Anything that does not fit.
Heather Fawcett (Emily Wilde's Encyclopaedia of Faeries (Emily Wilde, #1))
Suppose you were given a choice between the following two vacation packages: Stone Age package: On day one we will hike for ten hours in a pristine forest, setting camp for the night in a clearing by a river. On day two we will canoe down the river for ten hours, camping on the shores of a small lake. On day three we will learn from the native people how to fish in the lake and how to find mushrooms in the nearby woods. Modern proletarian package: On day one we will work for ten hours in a polluted textile factory, passing the night in a cramped apartment block. On day two we will work for ten hours as cashiers in the local department store, going back to sleep in the same apartment block. On day three we will learn from the native people how to open a bank account and fill out mortgage forms.
Yuval Noah Harari (Homo Deus: A History of Tomorrow)
Suppose you were given a choice between the following two vacation packages: Stone Age package: On day one we will hike for ten hours in a pristine forest, setting camp for the night in a clearing by a river. On day two we will canoe down the river for ten hours, camping on the shores of a small lake. On day three we will learn from the native people how to fish in the lake and how to find mushrooms in the nearby woods. Modern proletarian package: On day one we will work for ten hours in a polluted textile factory, passing the night in a cramped apartment block. On day two we will work for ten hours as cashiers in the local department store, going back to sleep in the same apartment block. On day three we will learn from the native people how to open a bank account and fill out mortgage forms. Which package would you choose?
Yuval Noah Harari (Homo Deus: A Brief History of Tomorrow)
Suppose you were given a choice between the following two vacation packages: Stone Age package: On day one we will hike for ten hours in a pristine forest, setting camp for the night in a clearing by a river. On day two we will canoe down the river for ten hours, camping on the shores of a small lake. On day three we will learn from the native people how to fish in the lake and how to find mushrooms in the nearby woods. Modern proletarian package: On day one we will work for ten hours in a polluted textile factory, passing the night in a cramped apartment block. On day two we will work for ten hours as cashiers in the local department store, going back to sleep in the same apartment block. On day three we will learn from the native people how to open a bank account and fill out mortgage forms. Which package would you choose? (p.205)
Yuval Noah Harari (Homo Deus: A History of Tomorrow)
As she relaxed, she started to notice something happening to the ingredients beneath her fingers. As she touched them, poking and prodding, kneading and caressing, the sensations she used to feel when she cooked started to return. She could feel the icy gurgle of the salt water against weather-barren black rock as she tossed a handful of local mussels into a pot of butter and white wine. She chopped a foraged mushroom and inhaled the damp, loamy soil of the forest spicy with ferns and dripping with cool humidity. She grinned, buoyed by a wave of relief. At least for tonight, her Technicolor senses were in full swing. With a satisfied sigh of contentment, she spooned Star's honey over local goat cheese on rounds of sunflower seed crackers, hearing all around her the nectar-drunk buzzing of the bees. It felt like pure joy to handle the ingredients.
Rachel Linden (Recipe for a Charmed Life)
Always seeking to open channels to new dimensions of consciousness and reach new heights of enlightenment, he spent a lot of time and money endearing himself to and worming his way into the trust of secretive tribal healers and shamans. Under their guidance, he experimented with all kinds of psychoactive substances and entheogens—mostly plant-derived concoctions that played a pivotal role in the religious practices of the tribal cultures he was exploring. He started with more easily accessible, local mind-altering substances like psilocybin mushrooms and Salvia divinorum, under the guidance of Mazatec shamans in the isolated cloud forests of the Sierra Mazateca, then he moved on to more obscure, and more intense, hallucinogens like ayahuasca, the vine of the soul; iboga, the sacred visionary root; borrachero; and others that few outsiders had ever been offered. He
Raymond Khoury (The Devil's Elixir (Templar, #3))
Permaculture Economics is a system that only allows contexts whererby the pursuit of profit is aligned with the pursuit of service, and whereby that service is to the benefit of not only a specific group directly but to society at large indirectly - such that every economic participant indirectly benefits from the profit pursuits of other economic participants. Lets learn from nature. In a forest, every life form there benefits when a single leaf is returned to the soil, or when a single bee transports the pollen of a single flower, or when a single mushroom sends out spores. There are exclusive interactions and exclusive services, but the exclusivity of benefits has its limits. A single kind of life form may get the majority of benefits from a certain activity, but all life forms in that ecosystem will receive some residual benefits from that activity. And this isn't by force, but by design.
Hendrith Vanlon Smith Jr.
Rice paddies climb the hillsides in wet, verdant staircases, dense woodlands trade space with geometric farmscapes, tiny Shinto shrines sprout like mushrooms in Noto forests. Villages seem to materialize from nowhere- wedged into valleys, perched atop hills, finessed into coastal corners. Pull over, climb out of your car, breathe deep for a taste of the finest air that will ever enter your lungs: green as a high mountain, salty and sweet, with just a whisper of decay in the finish. Noto gained its reputation as the Kingdom of Fermentation because of this air. For most of its history, Noto was cut off from the rest of Japan, forced into a subsistence model that in many ways endures today. That was possible not only because of the bounty of Noto's fertile environment of trees, grasslands, fresh water, and sea, but because the air is rich with humidity that encourages the growth of healthy bacteria, the building blocks of fermentation.
Matt Goulding (Rice, Noodle, Fish: Deep Travels Through Japan's Food Culture)
In the underland of the hardwood forests of Oregon’s Blue Mountains there exists a honey fungus, Armillaria solidipes, that is two and a half miles in extent at its widest point, and covers a total lateral area of almost four square miles. The blue whale is to this honey fungus as an ant is to us. It is a deeply mysterious organism: the largest in the world that we know of, and one of the oldest. The best guess that US Forest Service scientists have been able to offer for the honey fungus’s age is between 1,900 and 8,650 years old. The fungus expresses itself above ground as mushrooms with white-flecked stems rising to tawny, gill-frilled cups. Below ground, where its true extent lies, Armillaria solidipes moves as rhizomorphs resembling black bootlaces, out of which reach the hyphal fingers of its mycelium, spreading in search both of new hosts which they might kill, and the mycelia of other parts of the colony with which they might fuse.
Robert Macfarlane (Underland: A Deep Time Journey)
Even when you're keeping score, golf is all about focusing on the shot at hand, the total score being a sum of those shots. On magic mushrooms, each shot was an act of self-expression - a karate kick, a pirouette, a paintbrush stroke. The course was an aren, a stage, and a canvas. That's the way it felt playing in the backcountry, too. Going beyond the simple visual appreciation of a landscape and interacting with it beyond the reach of the physical body. Launching shots across canyons and rivers and down mountainsides and beaches. The motion of the body determining the motion of the ball - its flight an extension of the body like a spider riding the wind on a silken thread or a perfectly cast fly arcing down onto the surface of the water. This is the part of the game that is hard for nongolfers to see. You have to play to feel it. It isn't visible through the TV screen or from outside the picket fences and privet hedges. The forest gets lost in tress of tartan and argyle, visors and V-necks. Golf seems to be one thing but is very much another, and backcountry golf and mushroom night golf are as true to the nature of the game as any stuffy country club championship or Saturday Nassau or fourball.
John Dunn (Loopers: A Caddie's Twenty-Year Golf Odyssey)
You could never convince a monkey to give you a banana by promising him limitless bananas after death in monkey heaven. But why is it important? After all, fiction can be dangerously misleading or distracting. People who go to the forest looking for fairies and unicorns would seem to have less chance of survival than people who go looking for mushrooms and deer. And if you spend hours praying to non-existing guardian spirits, aren’t you wasting precious time, time better spent foraging, fighting and fornicating? But fiction has enabled us not merely to imagine things, but to do so collectively. We can weave common myths such as the biblical creation story, the Dreamtime myths of Aboriginal Australians, and the nationalist myths of modern states. Such myths give Sapiens the unprecedented ability to cooperate flexibly in large numbers. Ants and bees can also work together in huge numbers, but they do so in a very rigid manner and only with close relatives. Wolves and chimpanzees cooperate far more flexibly than ants, but they can do so only with small numbers of other individuals that they know intimately. Sapiens can cooperate in extremely flexible ways with countless numbers of strangers. That’s why Sapiens rule the world.
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
Despite all the immense achievements of the Chinese dynasties, the Muslim empires and the European kingdoms, even in ad 1850 the life of the average person was not better – and might actually have been worse – than the lives of archaic hunter-gatherers. In 1850 a Chinese peasant or a Manchester factory hand worked longer hours than their hunter-gatherer ancestors; their jobs were physically harder and mentally less fulfilling; their diet was less balanced; hygiene conditions were incomparably worse; and infectious diseases were far more common. Suppose you were given a choice between the following two vacation packages: Stone Age package: On day one we will hike for ten hours in a pristine forest, setting camp for the night in a clearing by a river. On day two we will canoe down the river for ten hours, camping on the shores of a small lake. On day three we will learn from the native people how to fish in the lake and how to find mushrooms in the nearby woods. Modern proletarian package: On day one we will work for ten hours in a polluted textile factory, passing the night in a cramped apartment block. On day two we will work for ten hours as cashiers in the local department store, going back to sleep in the same apartment block. On day three we will learn from the native people how to open a bank account and fill out mortgage forms. Which package would you choose?
Yuval Noah Harari (Homo Deus: A Brief History of Tomorrow)
It’s relatively easy to agree that only Homo sapiens can speak about things that don’t really exist, and believe six impossible things before breakfast. You could never convince a monkey to give you a banana by promising him limitless bananas after death in monkey heaven. But why is it important? After all, fiction can be dangerously misleading or distracting. People who go to the forest looking for fairies and unicorns would seem to have less chance of survival than people who go looking for mushrooms and deer. And if you spend hours praying to non-existing guardian spirits, aren’t you wasting precious time, time better spent foraging, fighting and fornicating? However, fiction has enabled us not merely to imagine things, but to do so collectively. We can weave common myths such as the biblical creation story, the Dreamtime myths of Aboriginal Australians, and the nationalist myths of modern states. Such myths give Sapiens the unprecedented ability to cooperate flexibly in large numbers. Ants and bees can also work together in huge numbers, but they do so in a very rigid manner and only with close relatives. Wolves and chimpanzees cooperate far more flexibly than ants, but they can do so only with small numbers of other individuals that they know intimately. Sapiens can cooperate in extremely flexible ways with countless numbers of strangers. That’s why Sapiens rule the world, whereas ants eat our leftovers and chimps are locked up in zoos and research laboratories.
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
Wait until the truffles hit the dining room---absolute sex," said Scott. When the truffles arrived the paintings leaned off the walls toward them. They were the grand trumpets of winter, heralding excess against the poverty of the landscape. The black ones came first and the cooks packed them up in plastic quart containers with Arborio rice to keep them dry. They promised to make us risotto with the infused rice once the truffles were gone. The white ones came later, looking like galactic fungus. They immediately went into the safe in Chef's office. "In a safe? Really?" "The trouble we take is in direct proportion to the trouble they take. They are impossible," Simone said under her breath while Chef went over the specials. "They can't be that impossible if they are on restaurant menus all over town." I caught her eye. "I'm kidding." "You can't cultivate them. The farmers used to take female pigs out into the countryside, lead them to the oaks, and pray. They don't use pigs anymore, they use well-behaved dogs. But they still walk and hope." "What happened to the female pigs?" Simone smiled. "The scent smells like testosterone to them. It drives them wild. They destroyed the land and the truffles because they would get so frenzied." I waited at the service bar for drinks and Sasha came up beside me with a small wooden box. He opened it and there sat the blanched, malignant-looking tuber and a small razor designed specifically for it. The scent infiltrated every corner of the room, heady as opium smoke, drowsing us. Nicky picked up the truffle in his bare hand and delivered it to bar 11. He shaved it from high above the guest's plate. Freshly tilled earth, fields of manure, the forest floor after a rain. I smelled berries, upheaval, mold, sheets sweated through a thousand times. Absolute sex.
Stephanie Danler (Sweetbitter)
Coming back to the village through the snow, under the dark cloudy skies, Belle felt like she had been away for a lifetime. She had, in fact, never left the village by herself before this. There were a couple of overnight trips to fairs with her father, and once or twice during mushroom season they got swept up in the fury and spent a few nights in the forest, gathering morels and truffles and camping out. But that was all, and always with Papa.
Liz Braswell (As Old as Time)
If I’m busy, I might overlook something magnificent and splendid like a rare mushroom in the forest … and who knows when I might see such an amazing thing again?
Andy Couturier (The Abundance of Less: Lessons in Simple Living from Rural Japan)
A great deal of what they were eating was gathered or grown there. The guess about Amaranth being a hardworking lass was true. She had been a dairymaid, and had a flock of goats to provide milk, which mostly went into cheese. Andie chose to believe that the dragons had bought the goats rather than stealing them. The girls had a good vegetable garden, a flock of hens, several beehives, the dragons brought back flour and other things they could not grow or raise themselves, and there was much they could collect from the forest in the valley below. Nuts, berries, wild olives. Cress and other edible greens and herbs. Mushrooms.
Mercedes Lackey (One Good Knight (Five Hundred Kingdoms, #2))
Off along one of the banks, a scrawny hooved girl crashed merrily through the undergrowth, humming and making disgusting chewing noises. Everything in the forest was interesting to her, and interesting meant tasting it. Adam said she was a lot like Ronan, Ronan was going to choose to take that as a compliment. "Opal," he snapped, and she spat out a mouthful of mushrooms. "Stop dicking around!" The girl galloped to catch up with him, but she didn't pause when she reached him. She preferred to form a lopsided perimeter of frantic activity around his person. Anything else might give the appearance of willing obedience, and she would do a lot to avoid that.
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
At the base of the closest tree was a clump of wild mint. She broke off a stalk and chewed it, beginning to walk again. The world was beautiful. There was an ancient oak tree heralding a shift in the forest. At its roots underground would be the mushrooms the wild pigs liked.
Liz Braswell (Once Upon a Dream)
The Czechs are downright crazy about mushrooms! In late summer and autumn, a foreigner might even get the impression that the number of sponge-hunting Czechs roaming about in the forests with a punnet largely exceeds the possible number of mushrooms.
Terje B. Englund (The Czechs in a Nutshell)
Not a squalid den of demons and indecency at the back of a beautiful great house, the mind is a vast and ancient wood, the density of its canopy allowing sunlight only now and then to reach through and touch the spiders and mushrooms in the leaf mould of the forest floor. This is who we are.
Emma Restall Orr (The Wakeful World: Animism, Mind and the Self in Nature)
Go outside. Frequently. Step outside anywhere and find a leaf and permit it to blow your mind. Check out its delta of veins. Run your finger on its underside. Taste it. Check if it has hair. Crumple it and smell it. Go further, to a forest of any size, a forest clearing, a clump of trees, or even a spot under a single specimen—someplace where, even though you may hear cars and dogs in the distance, you can sit on soft, uneven ground, unseen. Consider the unspooling ribbon of human affairs that the surrounding trees have witnessed and with what interest or indifference they may have watched. Inspect the ground and picture the interlaced fingers of mycelium and roots that swap sugar and water and carbon and data, a mushroom-assisted conversation that betrays care among trees. Notice the mosaic of leaves catching light or the weave of needles on the ground. Be still and birds will invade your copse. Trees, even in small groups, exhale monoterpenes that reduce stress, lower blood pressure and heart rate, and perhaps even trigger dopamine. So stay long enough to feel your mood change, watch shadows shorten or stretch. Get caught by rain or snow or nightfall. Get a little lost.
John W. Reid (Ever Green: Saving Big Forests to Save the Planet)
My chocolate strawberry chiffon pie was a hit not to be missed: a chocolate crust filled with a pink strawberry custard studded with bits of fresh strawberry. I will make it again and this time I'll decorate it with sugared basil leaves and strawberry hearts. For my savory pie, I'm making a mixed mushroom filling with fresh herbs and taleggio, encased in a double crust that is studded with fresh rosemary and thyme. To decorate it, I've cut out of rolled an intricate forest scene and affixed it to the top crust with a wash of egg white.
Jessa Maxwell (The Golden Spoon)
Not unlike the herbicide-spraying campaigns in Asia, Central Europe was also flown over by helicopters spraying chemicals intended to wipe out the deciduous forests, which had gone out of fashion. Beech and oak trees held very little value at that time; low oil prices meant that no one was interested in firewood. The scales were tilted in favour of spruce – sought after by the timber industry and safe from being devoured by the high game populations. Over 5,000 square kilometres of deciduous woodlands was cleared just in my local region of Eifel and Hunsrück, through this merciless method of dropping death from the air. The carrier for the substance, sold under the trade name Tormona, was diesel oil. Elements of this mixture may still lurk in the soil of our forests today; the rusty diesel drums are certainly still lying around in some places. Have things improved now? Not completely, because chemical sprays are still used, even if they’re not directed at the trees themselves. The target of the helicopters and trucks with their atomising nozzles is the insects that feed on the trees and wood. Because the drab spruce and pine monocultures give free rein to bark beetles and butterfly caterpillars, these are then bumped off with contact insecticides. The pesticides, with names like Karate, are so lethal for three months that mere contact spells the end for any unfortunate insects. Parts of a forest that have been sprayed with pesticide are usually marked and fenced off for a while, but wood piles at the side of the track are often not considered dangerous. I would therefore advise against sitting on them when you’re ready for a rest stop and look out for a mossy stump instead, which is guaranteed to be harmless. This is quite apart from the fact that freshly harvested softwood is often very resinous. The stains don’t come out in the normal wash; you need to attack it with a special stain remover. Stacked wood carries another danger: the whole pile is liable to come crashing down. When you know that a single trunk can weigh hundreds of kilograms, you tend to stay away from a precariously stacked pile. It’s not for nothing that the German name for a wood stack is Polter, as in the crashing and banging of a poltergeist. Back to the poison. In areas sprayed by helicopter I wouldn’t pick berries or mushrooms for the rest of the summer. Otherwise, the forest is low in harmful substances compared to industrial agriculture.
Peter Wohlleben (Walks in the Wild: A Guide Through the Forest)
He saddled up the paint and joined the myriad greens of the late summer forest, where a sudden emergence of mushrooms had invaded the valley after last night’s rain. Staying on the low trail he followed the creek along its winding incision through dark stands of hemlocks and white pine, where the sky was all but shut out. Even in deep shadow the creek boiled with white luminescence. The tumbling water seemed to conjure bright light out of nothing. Like patches of snow in moonlight.
Mark Warren (Last of the Pistoleers)
Practice & Ash 2. Scales of the Malefic Viper 3. Lucenti Plains 4. Pondering on Ponds 5. Introspection 6. Intermission 1 – Viridia (1/2) 7. Intermission 1 – The Malefic Viper (2/2) 8. Moment of Curiosity 9. Cleaning Up the Plains 10. The Great White Stag 11. No Rest for the Wicked 12. Loot & Healing 13. True Protagonist 14. Into the Dark 15. The Right Way 16. Dark Mana & Dark Tunnels 17. Many Rats! Handle it! 18. Dark Attunement 19. Nest Watcher 20. A Final Gift 21. Willful Ignorance 22. The Balance Broken 23. Beers & Exposition 24. Of Fate & Destiny 25. William & Jake 26. Spring Cleaning = Loot 3.0 27. Valley of Tusks 28. Going with the Flow 29. The Right Way Forward 30. Mana 101 31. A Thoughtful Touch 32. Pigs for Slaughter 33. Limit Break 34. Falling Rocks 35. Horde Leader 36. Next Target: King of the Forest 37. King 38. Eclipse 39. Fall 40. When the Curtains Fall 41. Tutorial Rewards: Titles & Math 42. Tutorial Rewards: Narrowing Down Options 43. Tutorial Rewards: Getting Stuff 44. Intermission 2 - Life after Death (Casper) 45. Records 46. A Godlike Getaway 47. Danger Bath 48. Second Part? 49. Embracing Power 50. Defiance & Gains 51. You know, I'm something of a sage myself 52. Homecoming 53. Intermission 3 - Carmen 54. Intermission 4 - Noboru Miyamoto 55. Intermission 5 - Eron 56. The Blue Marble 57. One Step Mile 58. Pylon of Civilization 59. Intermission 6 - Matteo (1/2) 60. Intermission 6 - Matteo (2/2) 61. The Times They Are A-Changin' 62. Monsters 63. Living with the Consequences 64. Points of View 65. Going Down 66. Two Kinds of People 67. Big Blue Mushroom 68. Delegating (avoiding) Responsibilities 69. Construction Plans 70. First World Problems 71. How to Train Your Dragon Wings 72. Freedom
Zogarth (The Primal Hunter 2 (The Primal Hunter, #2))
The French take their bûche de Noël, the traditional Christmas Yule log cake, much more seriously. Gwendal had been training at school, and he came back with snapshots of his gleaming white glaçage, slick as black ice, decorated with a forest of bitty spun-sugar pine trees and spotted meringue mushrooms. Who knew my husband had such talents? I was bordering on jealous when he came home with a foolproof recipe for proper Parisian macaroons. We decided to use one of our signature flavors, honey and fresh thyme, for the outside of our bûche, with a layer of tonka-bean mousse and a center of apricot sorbet for acidity and pizzazz.
Elizabeth Bard (Picnic in Provence: A Memoir with Recipes)
Kulfi was beginning to feel a little tired of what she had been finding in the forest. She looked under a rock, by a tulip tree, along a stream. She needed a new ingredient, she thought, sniffing the air, something exciting and fresh to inspire her to an undiscovered dish, a new invention. She looked up into the sky. Already she had cooked a pigeon and a sparrow, a woodpecker, a hoopoe, a magpie, a shrike, an oriole, a Himalayan nightingale, a parrot … She had cooked a squirrel, a porcupine, a mongoose, all the wildfowl that could be found in those parts, the small fish in the stream, the round-shelled snails that crisscrossed the leaves with silver, the grasshoppers that leapt and jumped, landing with loud raindrop-like plops upon the foliage. Diligently, she searched for a new plant, a new berry, a new mushroom or lichen, fungus or flower, but everything about her looked familiar and dull. No new scents enlivened the air and she wandered farther and farther away.
Kiran Desai (Hullabaloo in the Guava Orchard)
THE MID-1980S, the American musicologist Louis Sarno recorded the music of the Aka people living in the forests of the Central African Republic. One of these recordings is called “Women Gathering Mushrooms.” As they wander around collecting mushrooms, their steps tracing the underground form of a mycelial network, the women sing amid the sounds of the animals in the forest. Each woman sings a different melody; each voice tells a different musical story.
Merlin Sheldrake (Entangled Life: How Fungi Make Our Worlds, Change Our Minds & Shape Our Futures)
I was thinking I might want to study public health, but I was also thinking I might want to move to the forest and eat berries and mushrooms and hibernate with the bears in the winter.
Lauren Holmes
And anyone can enjoy nature. Thanks to “Right of Every Man”, a law that guarantees people to access any part of Norway that isn’t farmed or within meters from a residential house. You can even put your tent in fields and forests, pick berries or mushrooms on mountains and islands or paddle on fjords and rivers, all year around, all for free. Norway will take your breath away. If for no other reason than being
Gunnar Garfors (198: How I Ran Out of Countries*)
George Moonlight had introduced his only son to the woods before Charlie could walk. He’d taught him to hunt, trap, fish, make squirrel stew, skin a deer, build a birchbark canoe, construct a wigwam for shelter, distinguish the edible mushrooms from the poisonous ones, start a blazing fire without matches, find his way through fifty miles of virgin forest without compass or map. He’d taught him to appreciate the sound of a mother quail protecting her babies, the rich smell of a fall day, the crispness of a winter night, the majesty of a hawk soaring across a cloudless sky, the gentle tranquility and harmony of snow blanketing a field. He’d taught him to respect Mother Earth, drilling into his head the Quidnecks’ three commandments: Take only what you need; use all that you take; leave something for tomorrow.
Chet Williamson (A Haunting of Horrors: A Twenty-Novel eBook Bundle of Horror and the Occult)
The forest grows ferns and trees; it cultivates mushrooms and spores; it fosters its creatures from nothingness to more of the mulchy same. And for Jason, the seeds of backbone, of entitlement, were nurtured in the fertile hollow that had dropped the bottom out of civilized advancement. The forest insisted. It pushed back. At some sudden swell of that’s-enough, it emphatically refused to be overrun by bullying machinery and someone else’s idea of what it should be.
Jamie Mason (Three Graves Full)
You could never convince a monkey to give you a banana by promising him limitless bananas after death in monkey heaven. But why is it important? After all, fiction can be dangerously misleading or distracting. People who go to the forest looking for fairies and unicorns would seem to have less chance of survival than people who go looking for mushrooms and deer. And if you spend hours praying to non-existing guardian spirits, aren’t you wasting precious time, time better spent foraging, fighting and fornicating? But fiction has enabled us not merely to imagine things, but to do so collectively. We can weave common myths such as the biblical creation story, the Dreamtime myths of Aboriginal Australians, and the nationalist myths of modern states. Such myths give Sapiens the unprecedented ability to cooperate flexibly in large numbers. Ants and bees can also work together in huge numbers, but they do so in a very rigid manner and only with close relatives. Wolves and chimpanzees cooperate far more flexibly than ants, but they can do so only with small numbers of other individuals that they know intimately. Sapiens can cooperate in extremely flexible ways with countless numbers of strangers. That’s why Sapiens rule the world, whereas ants eat our leftovers and chimps are locked up in zoos and research laboratories.
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
THE EARTH WITHOUT A SPIRITUAL DIMENSION except for the smallest white button of mushroom leading the rank-and-file up the rotting trunk of the oak, except for bulb, corm, pip, and spore and the passive mien of the autumn field when the off-kilter scatter and skyward rattle of grasshoppers have disappeared and except for the crowd of acacia thorns pointing toward all destinations possible in every direction out from the stem center of their circumferences and aside from the moss-and-mire covered bones of stripped roots and crippled branches left piled akimbo to molder among the beetles in the sinless murk of the forest floor, except for gorge, gulch, gully, and ravine, except for the moment waiting in the fist of the sycamore’s tufted fruit and in the sting of the loon’s longing before it cries and in the poise of the desert swallowtail before it lifts from the dry mountain wash and in the aim of the alligator’s undeviating glare before it swirls and sinks in the generative and ancient slough, except for the moment waiting in the green walls of palm spikes, pendants and rosettes, knots and currents of saw grasses and orchids, in the tight weave and bloat of prayers and weapons, in the moment before I move out into the empty plain of the open sky silent with sea-light, as if I were a wild and divine thing myself, to be going I know not where.
Pattiann Rogers (Holy Heathen Rhapsody (Penguin Poets))
Most meals that came from the forest were brought by the women – fish, mushrooms, crab, bamboo shoots, some kuccha or the other. The staples, rice and millet, came from the land.
Madhu Ramnath (Woodsmoke and Leafcups: Autobiographical Footnotes to the Anthropology of the Durwa People)
The forager economy provided most people with more interesting lives than agriculture or industry do. Today, a Chinese factory hand leaves home around seven in the morning, makes her way through polluted streets to a sweatshop, and there operates the same machine, in the same way, day in, day out, for ten long and mind-numbing hours, returning home around seven in the evening in order to wash dishes and do the laundry. Thirty thousand years ago, a Chinese forager might leave camp with her companions at, say, eight in the morning. They’d roam the nearby forests and meadows, gathering mushrooms, digging up edible roots, catching frogs and occasionally running away from tigers. By early afternoon, they were back at the camp to make lunch. That left them plenty of time to gossip, tell stories, play with the children and just hang out. Of course the tigers sometimes caught them, or a snake bit them, but on the other hand they didn’t have to deal with automobile accidents and industrial pollution.
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
She’d had unsettling dreams like this. 'I’m wandering through Miryoku, but it’s not Miryoku. Or it is, but it’s been abandoned and overgrown, like no one’s lived here for decades. It’s become a dense forest with pieces of buildings showing through in spots. I hardly recognize anything. Fae and animals have moved in—there’s a raccoon family looking at me from an apartment window, a cluster of mushroom fae crawling all over a café sign—and it smells like wild plants and earth and flowers. It feels both familiar and unsafe, and it makes me so, so sad.
Molly Ringle (Ballad for Jasmine Town)
Rather than redemption, matsutake- forest revitalization picks through the heap of alienation.
Anna Lowenhaupt Tsing (The Mushroom at the End of the World: On the Possibility of Life in Capitalist Ruins)
During the drive to the forest with Hiro, memory gets personal. He points out the window, “That’s Roy’s matsutake hunting place; over there it’s Henry’s special spot.” Only later do I realize that both Roy and Henry are deceased. But they live on in Hiro’s map of the forest, recalled every time he passes their spots. Hiro teaches younger people how to hunt for mushrooms, and with the skill comes the memory.
Anna Lowenhaupt Tsing (The Mushroom at the End of the World: On the Possibility of Life in Capitalist Ruins)
when I embraced Kaukalitrán I sank even deeper into the forest that is Indian Territory. Into the summertime I sank. Into the berries bursting red and replete from the bushes. Into the mushrooms growing in the shade of the trees. Into every single tree I sank. And I became aware of the whims of my heart, the different appetites my body could have: I wanted to be both the berry and the mouth biting into it.
Gabriela Cabezón Cámara (The Adventures of China Iron)
Up in the thickets and caverns of the mountains, night falls as a thick wool blanket over everything. Mountain dark is sweet. Breezes blow with a clean smell, especially when there’s rain on the way. The forests release an organic smell of life, new sprouts of sassafras and privet, flowering laurel, and the damp layers of leaves and fallen logs, mushrooms sprinkled across their tops like freckles on a young girl’s nose. The trees sway above, their leaves rustling and dancing in the summer, pine needles and the evergreen cedars swishing when it’s cold.
Bonnie Blaylock (Light to the Hills)
My fingers trail through the thick forest of sweaty pubes before I reach his magnificent man meat. His thick, hard love sword is heavy in my hand, and so hot, it nearly sears my palm. He hisses as I wrap my fingers around him, feeling his foreskin shift as I begin stroking him. “That’s it,” I murmur, smiling up at him. “You like when Mommy milks your big shaft, don’t you, pookie bear?”  My grip tightens, and his head lifts off the pillow, his body tightening. Leaning down, I nibble at his dark red mushroom head, making little snacking sounds. “Nom nom nom,” I mumble around him. “So yummy. Mommy could just eat you right up.
Haley Tyler (Spunky)
No way was clear, no light unbroken, in the forest. Into wind, water, sunlight, starlight, there always entered leaf and branch, bole and root, the shadowy, the complex. Little paths ran under the branches, around the boles, over the roots; they did not go straight, but yielded to every obstacle, devious as nerves. The ground was not dry and solid but damp and rather springy, product of the collaboration of living things with the long, elaborate death of leaves and trees; and from that rich graveyard grew ninety-foot trees, and tiny mushrooms that sprouted in circles half an inch across. The
Ursula K. Le Guin (The Word for World is Forest (Hainish Cycle, #5))
both the gossip theory and the there-is-a-lion-near-the-river theory are valid. Yet the truly unique feature of our language is not its ability to transmit information about men and lions. Rather, it’s the ability to transmit information about things that do not exist at all. As far as we know, only Sapiens can talk about entire kinds of entities that they have never seen, touched or smelled. Legends, myths, gods and religions appeared for the first time with the Cognitive Revolution. Many animals and human species could previously say, ‘Careful! A lion!’ Thanks to the Cognitive Revolution, Homo sapiens acquired the ability to say, ‘The lion is the guardian spirit of our tribe.’ This ability to speak about fictions is the most unique feature of Sapiens language. It’s relatively easy to agree that only Homo sapiens can speak about things that don’t really exist, and believe six impossible things before breakfast. You could never convince a monkey to give you a banana by promising him limitless bananas after death in monkey heaven. But why is it important? After all, fiction can be dangerously misleading or distracting. People who go to the forest looking for fairies and unicorns would seem to have less chance of survival than people who go looking for mushrooms and deer. And if you spend hours praying to non-existing guardian spirits, aren’t you wasting precious time, time better spent foraging, fighting and fornicating? However, fiction has enabled us not merely to imagine things, but to do so collectively. We can weave common myths such as the biblical creation story, the Dreamtime myths of Aboriginal Australians, and the nationalist myths of modern states. Such myths give Sapiens the unprecedented ability to cooperate flexibly in large numbers.
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
She was either outside the forest or deep inside it, swallowed up by the forest and a part of it, the sounds of birds and insects and running water and the smell of moss and rotting trees and new shoots and mushrooms and of animals that have only just disappeared.
Vigdis Hjorth (A House in Norway (B Book 72))
Eugenians are proud of the regional bounty and were passionate about incorporating local, seasonal, and organic ingredients well before it was back in vogue. Anglers are kept busy in fresh waters, fishing for wild chinook salmon in the spring and steelhead in the summer, and sweet Dungeness crab is abundant in the estuaries year-round. Local farmers gather every Saturday downtown to sell homegrown organic produce and honey, foraged mushrooms, and wild berries. The general demographic is of hippies who protest Whole Foods in favor of local co-ops, wear Birkenstocks, weave hair wraps to sell at outdoor markets, and make their own nut butter. They are men with birth names like Herb and River and women called Forest and Aurora.
Michelle Zauner (Crying in H Mart)
The area where I sat was slick with dampness. It wasn't just that the ground was moist - all around me, it felt like it was bursting: with the leaves on the trees, the undergrowth, the countless microorganisms under the ground, the flat bugs crawling over the surface, the winged insects flitting through the air, the birds perched on branches, even the breath of the larger animals that inhabited the deep forest. I could only see a small patch of sky, the part that was left open between the treetops of the forest around me. The branches seemed like a network that in some places almost obscured the sky. Once my eyes had adjusted to the faint light, I realized that the undergrowth was alive with all manner of things. Tiny orange mushrooms. Moss. Something that looked like coarse white veins in the underside of a leaf. What must be some kind of fungus. Dead beetles. Various kinds of ants. Centipedes. Moths on the back of leaves. It seemed strange to be surrounded by so many living things. When I was in Tokyo, I couldn't help but feel like I was always alone, or occasionally in the company of Sensei. It seemed like the only living things in Tokyo were big like us. But of course, if I really paid attention, there were plenty of other living things surrounding me in the city as well. It was never just the two of us, Sensei and me. Even when we were at the bar, I tended to only take notice of Sensei. but Satoru was always there, along with the usual crowd of familiar faces. And I never really acknowledged that any of them were alive in any way. I never gave any thought to the fact that they were leading the same kind of complicated life as I was.
Hiromi Kawakami (Strange Weather in Tokyo)
The area where I sat was slick with dampness. It wasn't just that the ground was moist - all around me, it felt like it was bursting: with the leaves on the trees, the undergrowth, the countless microorganisms under the ground, the flat bugs crawling over the surface, the winged insects flitting through the air, the birds perched on branches, even the breath of the larger animals that inhabited the deep forest. I could only see a small patch of sky, the part that was left open between the treetops of the forest around me. The branches seemed like a network that in some places almost obscured the sky. Once my eyes had adjusted to the faint light, I realized that the undergrowth was alive with all manner of things. Tiny orange mushrooms. Moss. Something that looked like coarse white veins in the underside of a leaf. What must be some kind of fungus. Dead beetles. Various kinds of ants. Centipedes. Moths on the back of leaves. It seemed strange to be surrounded by so many living things. When I was in Tokyo, I couldn't help but feel like I was always alone, or occasionally in the company of Sensei. It seemed like the only living things in Tokyo were big like us. But of course, if I really paid attention, there were plenty of other living things surrounding me in the city as well. It was never just the two of us, Sensei and me. Even when we were at the bar, I tended to only take notice of Sensei. but Satoru was always there, along with the usual crowd of familiar faces. And I never really acknowledged that any of them were alive in any way. I never gave any thought to the fact that they were leading the same kind of complicated life as I was.
Hiromi Kawakami (Strange Weather in Tokyo)
We moved to Eugene, Oregon, a small college town in the Pacific Northwest. The city sits near the source of the Willamette River, which stretches 150 miles north, from the Calapooya Mountains outside of town to its mouth on the Columbia. Carving its way between mountains, the Cascade Range to the east and the Oregon Coast Range to the west, the river defines a fertile valley where tens of thousands of years ago a series of ice age floods surged southwest from Lake Missoula, traveling over eastern Washington and bringing with their floodwaters rich soil and volcanic rock that now shore up the layers of its earth, alluvial plains fit for a vast variety of agriculture. The town itself is coated in green, hugging the banks of the river and spreading out up into the rugged hills and pine forests of central Oregon. The seasons are mild, drizzly, and gray for most of the year but give way to a lush, unspoiled summer. It rains incessantly and yet I never knew an Oregonian to carry an umbrella. Eugenians are proud of the regional bounty and were passionate about incorporating local, seasonal, and organic ingredients well before it was back in vogue. Anglers are kept busy in fresh waters, fishing for wild chinook salmon in the spring and steelhead in the summer, and sweet Dungeness crab is abundant in the estuaries year-round. Local farmers gather every Saturday downtown to sell homegrown organic produce and honey, foraged mushrooms, and wild berries. The general demographic is of hippies who protest Whole Foods in favor of local co-ops, wear Birkenstocks, weave hair wraps to sell at outdoor markets, and make their own nut butter. They are men with birth names like Herb and River and women called Forest and Aurora.
Michelle Zauner (Crying in H Mart)
The footprint reminded me of grass and trees, the green of the forest. It could point to Vodyanoy, the old Water Lord out in the rivers who dragged people underwater and enslaved rusalkas. There were the rusalkas themselves, drowned maidens turned sirens unable to let go of the Land of the Living. There were other sprites, nymphs, and spirits—the poleviki and poludnitsy of the fields and meadows, the treelike leshy, mushroom-topped lesovichki, Wild Ones, and vily fairies of the forests. But like the gods, these spirits had not been seen in a very long time and never by me.
Olesya Salnikova Gilmore (The Witch and the Tsar)
, like this: In healthy forests, which we might imagine to exist mostly above ground, and be wrong in our imagining, given as the bulk of the tree, the roots, are reaching through the earth below, there exists a constant communication between those roots and mycelium, where often the ill or weak or stressed are supported by the strong and surplused. By which I mean a tree over there needs nitrogen, and a nearby tree has extra, so the hyphae (so close to hyphen, the handshake of the punctuation world), the fungal ambulances, ferry it over. Constantly. This tree to that. That to this. And that in a tablespoon of rich fungal duff (a delight: the phrase fungal duff, meaning a healthy forest soil, swirling with the living the dead make) are miles and miles of hyphae, handshakes, who get a little sugar for their work. The pronoun who turned the mushrooms into people, yes it did. Evolved the people into mushrooms. Because in trying to articulate what, perhaps, joy is, it has occurred to me that among other things—the trees and the mushrooms have shown me this—joy is the mostly invisible, the underground union between us, you and me, which is, among other things, the great fact of our life and the lives of everyone and thing we love going away. If we sink a spoon into that fact, into the duff between us, we will find it teeming. It will look like all the books ever written. It will look like all the nerves in a body. We might call it sorrow, but we might call it a union, one that, once we notice it, once we bring it into the light, might become flower and food. Might be joy.
Ross Gay (The Book of Delights: Essays)
Nothing is so strong as gentleness. Nothing is so gentle as real strength.” Saint Francis de Sales (August 16, 1567 – December 28, 1622)
Ellen King Rice (The EvoAngel: A scorching thriller about a woman's changing body and the wild mushrooms of the dark forest)