I Proved You Wrong Quotes

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Because you don't think I'm a bad person," he said. "And I don't want to prove you wrong.
Victoria E. Schwab (Vicious (Villains, #1))
Sure, I can talk like you, but I choose not to, It's like an art, you know? Picasso had to prove to the world he could paint the right way, before he goes putting both eyes on the side of a face... See if you paint wrong because that's the best you can do, you just a chump. But you do it because you want to? Then you're an artist...You can take that to the grave and dig it up when you need it.
Neal Shusterman (Unwind (Unwind, #1))
I didn't know what hate felt like, not the hate that comes after love. It's huge and desperate and it longs to be proved wrong. And every day it's proved right it grows a little more monstrous. If the love was passion, the hate will be obsession. A need to see the once-loved weak and cowed beneath pity. Disgust is close and dignity is far away. The hate is not only for the once loved, it's for yourself too; how could you ever have loved this?
Jeanette Winterson (The Passion)
Don’t concern yourself with being right in others’ eyes. And don’t secretly hope that their lives will fall apart so that your opinion will be vindicated. Instead, concentrate on obeying God in your own life and, when possible, helping others to obey Him as well. You don’t have to prove others wrong to continue on the course you know God has shown you.
Joshua Harris (I Kissed Dating Goodbye)
1. I’m lonely so I do lonely things 2. Loving you was like going to war; I never came back the same. 3. You hate women, just like your father and his father, so it runs in your blood. 4. I was wandering the derelict car park of your heart looking for a ride home. 5. You’re a ghost town I’m too patriotic to leave. 6. I stay because you’re the beginning of the dream I want to remember. 7. I didn’t call him back because he likes his girls voiceless. 8. It’s not that he wants to be a liar; it’s just that he doesn’t know the truth. 9. I couldn’t love you, you were a small war. 10. We covered the smell of loss with jokes. 11. I didn’t want to fail at love like our parents. 12. You made the nomad in me build a house and stay. 13. I’m not a dog. 14. We were trying to prove our blood wrong. 15. I was still lonely so I did even lonelier things. 16. Yes, I’m insecure, but so was my mother and her mother. 17. No, he loves me he just makes me cry a lot. 18. He knows all of my secrets and still wants to kiss me. 19. You were too cruel to love for a long time. 20. It just didn’t work out. 21. My dad walked out one afternoon and never came back. 22. I can’t sleep because I can still taste him in my mouth. 23. I cut him out at the root, he was my favorite tree, rotting, threatening the foundations of my home. 24. The women in my family die waiting. 25. Because I didn’t want to die waiting for you. 26. I had to leave, I felt lonely when he held me. 27. You’re the song I rewind until I know all the words and I feel sick. 28. He sent me a text that said “I love you so bad.” 29. His heart wasn’t as beautiful as his smile 30. We emotionally manipulated one another until we thought it was love. 31. Forgive me, I was lonely so I chose you. 32. I’m a lover without a lover. 33. I’m lovely and lonely. 34. I belong deeply to myself .
Warsan Shire
I just wanted to thank you' he says, his voice low. 'A group of scientists told you that my genes were damaged, that there was something wrong with me - they showed you the test results that proved it. And even I started to believe it.' He touches my face, his thumb skimming my cheekbone, and his eyes are on mine, intense and insistent. 'You never believed it,' he says 'Not for a second. You always insisted I was... I don't know, whole.
Veronica Roth (Allegiant (Divergent, #3))
To everyone who has been underestimated. I hope you prove everyone wrong, including yourself.
Lauren Asher (Final Offer (Dreamland Billionaires, #3))
We now know the basic rules governing the universe, together with the gravitational interrelationships of its gross components, as shown in the theory of relativity worked out between 1905 and 1916. We also know the basic rules governing the subatomic particles and their interrelationships, since these are very neatly described by the quantum theory worked out between 1900 and 1930. What's more, we have found that the galaxies and clusters of galaxies are the basic units of the physical universe, as discovered between 1920 and 1930. ...The young specialist in English Lit, having quoted me, went on to lecture me severely on the fact that in every century people have thought they understood the universe at last, and in every century they were proved to be wrong. It follows that the one thing we can say about our modern 'knowledge' is that it is wrong... My answer to him was, when people thought the Earth was flat, they were wrong. When people thought the Earth was spherical they were wrong. But if you think that thinking the Earth is spherical is just as wrong as thinking the Earth is flat, then your view is wronger than both of them put together. The basic trouble, you see, is that people think that 'right' and 'wrong' are absolute; that everything that isn't perfectly and completely right is totally and equally wrong. However, I don't think that's so. It seems to me that right and wrong are fuzzy concepts, and I will devote this essay to an explanation of why I think so. When my friend the English literature expert tells me that in every century scientists think they have worked out the universe and are always wrong, what I want to know is how wrong are they? Are they always wrong to the same degree?
Isaac Asimov
I’ve had a lot of practice. The Pack contains thirty-two species in seven tribes, each with their own hang-up. Jackals and coyotes pick fights with wolves, because they have an inferiority complex and think they’ve got something to prove. Wolves believe themselves to be superior, marry the wrong people, and then refuse to divorce them because they cling to their ‘mating for life’ idiocy. Hyenas listen to nobody, screw everything, and break out in berserk rages at some perceived slight against one of their own. Cats randomly refuse to follow orders to prove they can. That’s my life. I’ve been at this for fifteen years now. You’re easy by comparison.
Ilona Andrews (Magic Strikes (Kate Daniels, #3))
Every theory you’ve ever fucking had about men, I’m going to prove wrong,
Krista Ritchie (Hothouse Flower (Calloway Sisters #2))
Damon: I wanted to apologize. Elena: Good. Damon: Let me finish. I said I wanted to. And then I realized, I’m not sorry. Elena: You would rather die than be human, and you expect me to be okay with that? Damon: I didn’t say you were supposed to be okay with it, I just said I’m not sorry. But you know what I really am? Selfish, because I make bad choices that hurt you. Yes, I would rather have died than be human. I’d rather die right now than spend a handful of years with you, only to lose you when I’m too old and sick and miserable and you’re still you. I’d rather die right now than spend my last final years remembering how good I had it and how happy I was, because that’s who I am, Elena, and I’m not gonna change. And there’s no apology in the world that encompasses all the reasons that I’m wrong for you. Elena: Fine, then I’m not sorry either. I’m not sorry that I met you. I’m not sorry that knowing you has made me question everything, that in death you’re the one that made me feel most alive. You’ve been a terrible person, you’ve made all the wrong choices, and of all the choices that I’ve made this will prove to be the worst one. But I am not sorry that I’m in love with you. I love you, Damon. I love you.
L.J. Smith
No one ever said that you would live to see the repercussions of everything you do, or that you have guarantees, or that you are not obliged to wander in the dark, or that everything will be proved to you and neatly verified like something in science. Nothing is: at least nothing that is worthwhile. I didn't bring you up only to move across sure ground. I didn't teach you to think that everything must be within our control or understanding. Did I? For, if I did, I was wrong. I fyou won't take a chance, then the powers you refuse because you cannot explain them, will, as they say, make a monkey out of you.
Mark Helprin (Winter's Tale)
I believe you can prove everyone wrong, too, Victoria. Your behavior is a choice; it isn't who you are.
Vanessa Diffenbaugh (The Language of Flowers)
If only you would realize some day, how much have you hurt me, If only your heart ever, craves for me or my presence… If only you feel that love again someday for me, If only you are affected someday by my absence… Only you can end all my suffering and this unbearable pain, If only you would know what you could never procure… If only you go through the memories of past once again, Since the day you left my heart has bled, no one has its cure… If only you would bring that love, those showers and that rain… If only you would come back and see what damage you create, I’ve been waiting for your return since forever more… If only you would see the woman that you have made, You said we cannot sail through, how were you so sure? If only you can feel the old things that can never fade, You may have moved on, but a piece of my heart is still with you… I know how I’ve come so far alone; I know how I’m able to wade, People say that I’m insane and you won’t ever come back again… Maybe you would have never made your separate way, Maybe you would have stayed with me and proved everyone wrong… If only you would know the pain of dying every day, If only you would feel the burden of smiling and being strong…
Mehek Bassi (Chained: Can you escape fate?)
Release me of my vow,” I say, forcing myself to meet his gaze. “We both know I’ll never have feelings for you. So why even play this game? There’s nothing between us.” If I can say it to his face, maybe it will be true. He leans in so his wings cast us both in shade, and his jewels flash a blinding red. “I’ll prove you wrong. The moment this war is over, when I have you to myself for twenty-four hours. You’ll never again question what we have between us.
A.G. Howard (Unhinged (Splintered, #2))
You needn't take it any further, sir. You've proved to me that all this ultraviolence and killing is wrong, wrong, and terribly wrong. I've learned me lesson, sir. I've seen now what I've never seen before. I'm cured! Praise Bog! I'm cured! I was cured alright.
Anthony Burgess (Clockwork Orange)
The fundamentalist seeks to bring down a great deal more than buildings. Such people are against, to offer just a brief list, freedom of speech, a multi-party political system, universal adult suffrage, accountable government, Jews, homosexuals, women's rights, pluralism, secularism, short skirts, dancing, beardlessness, evolution theory, sex. There are tyrants, not Muslims. United Nations Secretary-General Kofi Annan has said that we should now define ourselves not only by what we are for but by what we are against. I would reverse that proposition, because in the present instance what we are against is a no brainer. Suicidist assassins ram wide-bodied aircraft into the World Trade Center and Pentagon and kill thousands of people: um, I'm against that. But what are we for? What will we risk our lives to defend? Can we unanimously concur that all the items in the preceding list -- yes, even the short skirts and the dancing -- are worth dying for? The fundamentalist believes that we believe in nothing. In his world-view, he has his absolute certainties, while we are sunk in sybaritic indulgences. To prove him wrong, we must first know that he is wrong. We must agree on what matters: kissing in public places, bacon sandwiches, disagreement, cutting-edge fashion, literature, generosity, water, a more equitable distribution of the world's resources, movies, music, freedom of thought, beauty, love. These will be our weapons. Not by making war but by the unafraid way we choose to live shall we defeat them. How to defeat terrorism? Don't be terrorized. Don't let fear rule your life. Even if you are scared.
Salman Rushdie (Step Across This Line: Collected Nonfiction 1992-2002)
I can't bury another friend." "You won't." "If anything ever happened to you, Rowan-" "Don't" he breathed. "Don't even say it. We dealt with that enough the other night." He lifted a hand - hesitated, and then brushed back a strand of hair that had fallen across her face. His callused fingers scrapped against her cheekbone, then caressed the shell of her ear. It was foolish to even start down that road, when every other man she'd let in had left some wound, in one way or another, accidentally or not. There was nothing tender in his face. Only a predator's glittering gaze. "When we get back," he said, "remind me to prove you wrong about every thought that just went through your head." She lifted an eyebrow. "Oh?" He gave her a sly smile that made thinking impossible. Exactly what he wanted - to distract her from the horrors of tomorrow. "I'll even let you decide how I tell you: with words"- his eyes flickered once to her mouth- "or with my teeth and tongue.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
I want to tell you this story without having to confess anything, without having to say that I ran out into the street to prove something, that he didn't love me, that I wanted to be possessed, thrown over, that I wanted to have the wounds nailed shut. I want to tell you this story without having to be in it: Max in the wrong clothes. Max at the party, drunk again. Max in the kitchen, in refrigerator Ught, his hands around the neck of a beer. Tell me we're dead and I'll love you even more. I'm surprised that I say it with feeling. There's a thing in my stomach about this. A simple thing. The last rung.
Richard Siken (Crush)
You can do anything you put your mind to. I believe in all of you. Never doubt yourself, even if everyone around you is doubting you. Stand tall. Prove them all wrong.Each and every one of you have something amazingly special about you and don’t let anyone tell you any different. Thank you for being my fans.. and my friends. Thank you for giving me a reason to sing. Thank you for being you.
Carrie Underwood
Tell me again that I'm a bad bet. Because I can't wait to prove you wrong.
Kristen Callihan (The Hot Shot (Game On, #4))
You might say “no, you will never do that, that’s not you, not who I know, not who I thought you were”, and I will say "watch me".
Charlotte Eriksson
The central attitudes driving the Victim are: Everybody has done me wrong, especially the women I’ve been involved with. Poor me. When you accuse me of being abusive, you are joining the parade of people who have been cruel and unfair to me. It proves you’re just like the rest. It’s justifiable for me to do to you whatever I feel you are doing to me, and even to make it quite a bit worse to make sure you get the message. Women who complain of mistreatment by men, such as relationship abuse or sexual harassment, are anti-male and out for blood. I’ve had it so hard that I’m not responsible for my actions.
Lundy Bancroft (Why Does He Do That? Inside the Minds of Angry and Controlling Men)
I spent thirty-seven years thinking my perfect match didn’t exist. You proved me wrong in less than one. And even though we didn’t do it right the first time, I’m hoping you’ll give me a chance to prove myself a second time.
Ana Huang (King of Wrath (Kings of Sin, #1))
All emotion disappeared from his face and he took a deep breath through his nose. “I know what you’re trying to do.” His eyes unfocused for a moment, lost in thought. “I’ll just have to prove it to you, then.” His eyes narrowed as he looked into my eyes, determined as he was before one of his fights. “If you think I’m just going to go back to fucking around, you’re wrong. I don’t want anyone else. You wanna be friends? Fine, we’re friends. But you and I both know that what happened wasn’t just sex.
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
Do you think I’m boring, Isabella?” The question came out soft. Dark. Suggestive, like he was ruminating over all the ways he could prove me wrong. It trailed down my spine and left delicious little bursts of electricity in its wake.
Ana Huang (King of Pride (Kings of Sin, #2))
And he'd railed at her, his voice booming so loud the bed had seem to shake. "You canna do this - take my goddamned heart and then leave me! You think I will no' follow?" She knew he was constantly there, was aware of his movement and comprehended his words, but she couldn't seem to open her heavy eyelids or speak. At night, he would wrap his body around hers, keeping her warm, whispering against her hair, "You enjoy being contrary. Then prove them all wrong and get better." He'd clutched her hip, then balled his fist there.
Kresley Cole (If You Deceive (MacCarrick Brothers, #3))
No, Sydney,” he said. “I need you to stay here.” “Why?” she asked. “Because you don’t think I’m a bad person,” he said. “And I don’t want to prove you wrong.
Victoria E. Schwab (Vicious (Villains, #1))
Most people are not prepared to have their minds changed," he said. "And I think they know in their hearts that other people are just the same, and one of the reasons people become angry when they argue is that they realize just that, as they trot out their excuses." "Excuses, eh?" Well, if this ain't cynicism, what is?" Erens snorted. "Yes, excuses," he said, with what Erens thought might just have been a trace of bitterness. "I strongly suspect the things people believe in are usually just what they instinctively feel is right; the excuses, the justifications, the things you're supposed to argue about, come later. They're the least important part of the belief. That's why you can destroy them, win an argument, prove the other person wrong, and still they believe what they did in the first place." He looked at Erens. "You've attacked the wrong thing.
Iain M. Banks (Use of Weapons (Culture, #3))
Because Carter’s not your only fan.” When I looked back up, I saw Roman’s green eyes were deadly serious. “You’re a remarkable woman, just by your own nature. Smart. Funny. Compassionate. But what’s really great is that you’re so easy to underestimate. I did when we first met, you know. And Hell is now. No matter what their reaction to your appeal is, I guarantee most of them doubt you have a chance. You’re going to prove them wrong. You’re going to break the unbreakable. And I’ll be there helping you, as much as I can.
Richelle Mead (Succubus Revealed (Georgina Kincaid, #6))
It's amazing the stupid things I say sometimes. I mean, you could start an entire branch of scientific research about the stuff I say that gets proved wrong while I'm still busy saying it.
Tad Williams (The Dirty Streets of Heaven (Bobby Dollar, #1))
I brought you this." Gale holds up a sheath. When I take it, I notice it holds a single, ordinary arrow. "It's supposed to be symbolic. You firing the last shot of the war." "What if I miss?" I say. "Does Coin retrieve it and bring it back to me? Or just shoot Snow through the head herself?" "You won't miss." Gale adjusts the sheath on my shoulder. We stand there, face-to-face, not meeting each other's eyes. "You didn't come see me in the hospital." He doesn't answer, so finally I just say it. "Was it your bomb?" "I don't know. Neither does Beetee," he says. "Does it matter? You'll always be thinking about it." He waits for me to deny it; I want to deny it, but it's true. Even now I can see the flash that ignites her, feel the heat of the flames. And I will never be able to separate that moment from Gale. My silence is my answer. "That was the one thing I had going for me. Taking care of your family," he says. "Shoot straight, okay?" He touches my cheek and leaves. I want to call him back and tell him that I was wrong. That I'll figure out a way to make peace with this. To remember the circumstances under which he created the bomb. Take into account my own inexcusable crimes. Dig up the truth about who dropped the parachutes. Prove it wasn't the rebels. Forgive him. But since I can't, I'll just have to deal with the pain.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
And I think I’ve found the real benefit of digital memory. The point is not to prove you were right; the point is to admit you were wrong.
Ted Chiang (The Truth of Fact, The Truth of Feeling (Exhalation))
Every time I see you,” he murmured, “I think you couldn’t possibly become any more beautiful—and you always prove me wrong.
Lisa Kleypas (Secrets of a Summer Night (Wallflowers, #1))
I am so proud of you, Flame,” she whispered, and I felt my chest get tight again. “Just when I believe I could not love you even more, you go and prove me wrong.” “I love you too,” I said and kissed her head.
Tillie Cole (Damnable Grace (Hades Hangmen, #5))
I just wanted to thank you," he says, his voice low. "A group of scientists told you that my genes were damaged, that there was something wrong with me - they showed you test results that proved it. And I even started to believe it." He touches my face, his thumb skimming my cheekbone, and his eyes on mine, intense and insistent. "You never believed it," he says. "Not for a second. You always insisted that I was... I don't know, whole." I cover his hand with my own. "Well, you are." "No one has ever told me that before," he says softly. "It's what you deserve to hear," I say firmly, my eyes going cloudy with tears. "That you're whole, that you're worth loving, that you're the best person I've ever known.
Veronica Roth (Allegiant (Divergent, #3))
You can't be just a scribe, or a wizard. Nameless God," he cried, raking a hand through his hair. "I wish they had never found you, never made you think you were the princess. Nothing else, will ever be good enough, not now. You'll never be happy. You'll throw yourself into danger, take it all on yourself, just to prove that they were all wrong about you. And I just-I just-" And without warning, he stepped on front of me, grabbed my shoulders to stop my pacing, and kissed me.
Eilis O'Neal (The False Princess)
I once thought the three most important words in creation were ‘whatever proved necessary,’” he said. “And now?” she gasped against his mouth. “Now I know I was wrong. The three most important words in creation are ‘I love you
Gena Showalter
Love is an intangible thing.” “That’s where you’re wrong,” Arthur said. If I can prove I’m in love with your daughter, will you give us your blessing?
Diane L. Kowalyshyn (Crossbones (Cross your Heart and Die, #3))
[Charlotte Brontë] once told her sisters that they were wrong - even morally wrong - in making their heroines beautiful as a matter of course. They replied that it was impossible to make a heroine interesting on any other terms. Her answer was, 'I will prove to you that you are wrong; I will show you a heroine as plain and as small as myself, who shall be as interesting as any of yours.
Elizabeth Gaskell (The Life of Charlotte Brontë)
For a writer, I'm not sure that feeling of knowing you've just written something good and strong can be trumped. Not because it means I did something right. But because it proves how many wrongs I pushed through to get there.
Cara Rosalie Olsen
I do not think there is a demonstrative proof (like Euclid) of Christianity, nor of the existence of matter, nor of the good will and honesty of my best and oldest friends. I think all three are (except perhaps the second) far more probable than the alternatives. The case for Christianity in general is well given by Chesterton…As to why God doesn't make it demonstratively clear; are we sure that He is even interested in the kind of Theism which would be a compelled logical assent to a conclusive argument? Are we interested in it in personal matters? I demand from my friend trust in my good faith which is certain without demonstrative proof. It wouldn't be confidence at all if he waited for rigorous proof. Hang it all, the very fairy-tales embody the truth. Othello believed in Desdemona's innocence when it was proved: but that was too late. Lear believed in Cordelia's love when it was proved: but that was too late. 'His praise is lost who stays till all commend.' The magnanimity, the generosity which will trust on a reasonable probability, is required of us. But supposing one believed and was wrong after all? Why, then you would have paid the universe a compliment it doesn't deserve. Your error would even so be more interesting and important than the reality. And yet how could that be? How could an idiotic universe have produced creatures whose mere dreams are so much stronger, better, subtler than itself?
C.S. Lewis
That pain you feel," Master Blint said almost gently, "is the pain of abandoning a delusion. The delusion is meaning, Kylar. There is no higher purpose. There are no gods. No arbiters of right and wrong. I don't ask you to like reality. I only ask you to be strong enough to face it. There is nothing beyond this. There is only the perfection we attain by becoming weapons, as strong and merciless as a sword. There is no essential good in living. Life is nothing in itself. It's a place marker that proves who's winning, and we are the winners. We are always the winners. There is nothing by the winning. Even winning means nothing. We win because it's an insult to lose. The ends don't justify the means. The means don't justify the ends. There is no one to justify to. There is no justification.
Brent Weeks (The Way of Shadows (Night Angel, #1))
Oh, pride, pride. I was so wrong. It defeated me. It simply proved insurmountable. There was so much, oh, far too much for me. I mean, there's the weather, there's the water and the land, there are the animals, and the buildings, and the past and the future, there's space, there's history. There's this thread or something caught between my teeth, there's the old woman across the way, did you notice she switched the donkey and the squirrel on her windowsill? And, of course, there's time. And place. And there's you, Mrs. D. I wanted to tell part of the story of part of you. Oh, I'd love to have done that." "Richard. You wrote a whole book." "But everything's left out of it, almost everything. And then I just stuck on a shock ending. Oh, now, I'm not looking for sympathy, really. We want so much, don't we?" "Yes. I suppose we do." "You kissed me beside a pond." "Ten thousand years ago." "It's still happening.
Michael Cunningham (The Hours)
You're wrong about me, because we can be friends if you let me try, now that you know how worthless I am. And you're wrong about Barcelona, too, because you may think you've seen everything, but I can guarantee that's not true. If you'll allow me, I can prove it to you.
Carlos Ruiz Zafón (The Shadow of the Wind (The Cemetery of Forgotten Books, #1))
I have been wrongly accused; and you, ma'am, and everybody else, will now think me wicked." "We shall think you what you prove yourself to be, my child. Continue to act as a good girl, and you will satisfy us.
Charlotte Brontë (Jane Eyre)
You go first," Four says. Eric shrug. "Edward." Four leans against the door frame and nods. The moonlight makes his eyes bright. He scans the group of transfer initiates briefly, without calculation and says, "I want the Stiff." .... Heat rushes into my cheeks and I don't know whether to be angry at the people laughing at me or flattered by the fact that he chose me first. "Got something to prove?" asks Eric, with his trademark smirk. "Or you just picking the weak ones, so that if you lose, you'll have someone to blame it on?" Four shrugs. "Something like that." Angry. I should be angry. I scowl at my hands. Whatever Four's strategy is, it's based on the idea that I am weaker than the other initiates. And it gives me a bitter taste in my mouth. i have to prove him wrong-- I have to.
Veronica Roth (Divergent (Divergent, #1))
I don't always think I'm a good person. But telling people this only makes them want to prove me wrong, and the more they try to prove me wrong, the more I want to push them away, but the more I push them away, the guiltier I get, the nicer I become, the more they think I've changed. It never lasts. In the end I learn to hate both myself and them for things that should have lasted no longer than a few hours.' She reflected on this. 'Maybe a few nights. Inky and I could have stayed friends.' 'This is the most twisted thing you've said so far' 'What, that being kind to people makes me want to hurt them? Or that hurting them makes me want to be kind?
André Aciman (Eight White Nights)
You ever get gut feelings? Like you see something and just know?' Ty asked, feeling stupid but not caring. He felt Zane squeeze his hand. "First time I saw you, after I got over hating you, I knew, I knew we'd die together. I could just feel it deep down.' Zane exhaled heavily. 'Not today. And not tomorrow. And not for a long time to come, Ty Grady. You hear me? A hell of a long time.' Ty nodded jerkily... ...Several heartbeats of quiet passed before Zane spoke. 'First time I saw you, after i got over hating you, I knew,' he said echoing Ty's words, 'I knew I'd fall in love with you...I laughed at myself,' Zane continued, a hint of pleading in his voice, 'and then I denied it, and then I did everything I could to prove myself wrong, but it didn't work...Ty,' Zane's even, soothing tones finally broke on the short gasp of his name. 'I love you and I'm scared I'll lose you. Please don't leave me a lone in the dark.
Abigail Roux (Divide & Conquer (Cut & Run, #4))
He saw her red eyes filled with tears of anger. "Tell me why this rage?" He asked holding her in his arms. "Why do you fence for yourself so much? She sighed and muttered, "Because all I really want is nothing but to be proved wrong.
Sanhita Baruah
Life is not a sport. Life is not math. There is no final end goal and there is no right answer. Just because your truth does not match someone else's truth does not make either of you wrong. Life is not a zero sum game. If I am right, that does not make you wrong. If you are right, that does not make me wrong either. A jar of vinegar can sit in a cupboard beside a box of baking soda peacefully, and we can allow those who disagree with us to exist alongside us without reacting to them. There is nothing to prove. There is enough room in the world for all of us.
Vironika Tugaleva
Marconi said, "I see you have your instruments. Can any of you sing? The old spirituals work best." John said, "I can sing." I said, "No, you can't, John." "Well, I play the guitar." "So can I," said Big Jim. "We have two guitars." I said, "This could not be any stupider." John said, "Dave, you remember the words to 'Camel Holocaust'?" "Ah, once again, you prove me wrong, John.
David Wong (John Dies at the End (John Dies at the End, #1))
We should go to Vegas," I announced. "We're on a streak." His brows drew together. "Babe, not sure you're payin' attention but, shit that's flyin' around us does not say 'winning streak'." "I've got a naked hot guy bad boy on top of my that proves you wrong.
Kristen Ashley (Wild Man (Dream Man, #2))
Ten Best Song to Strip 1. Any hip-swiveling R&B fuckjam. This category includes The Greatest Stripping Song of All Time: "Remix to Ignition" by R. Kelly. 2. "Purple Rain" by Prince, but you have to be really theatrical about it. Arch your back like Prince himself is daubing body glitter on your abdomen. Most effective in nearly empty, pathos-ridden juice bars. 3. "Honky Tonk Woman" by the Rolling Stones. Insta-attitude. Makes even the clumsiest troglodyte strut like Anita Pallenberg. (However, the Troggs will make you look like even more of a troglodyte, so avoid if possible.) 4. "Pour Some Sugar on Me" by Def Leppard. The Lep's shouted choruses and relentless programmed drums prove ideal for chicks who can really stomp. (Coincidence: I once saw a stripper who, like Rick Allen, had only one arm.) 5. "Amber" by 311. This fluid stoner anthem is a favorite of midnight tokers at strip joints everywhere. Mellow enough that even the most shitfaced dancer can make it through the song and back to her Graffix bong without breaking a sweat. Pass the Fritos Scoops, dude. 6. "Miserable" by Lit, but mostly because Pamela Anderson is in the video, and she's like Jesus for strippers (blonde, plastic, capable of parlaying a broken nail into a domestic battery charge, damaged liver). Alos, you can't go wrong stripping to a song that opens with the line "You make me come." 7. "Back Door Man" by The Doors. Almost too easy. The mere implication that you like it in the ass will thrill the average strip-club patron. Just get on all fours and crawl your way toward the down payment on that condo in Cozumel. (Unless, like most strippers, you'd rather blow your nest egg on tacky pimped-out SUVs and Coach purses.) 8. Back in Black" by AC/DC. Producer Mutt Lange wants you to strip. He does. He told me. 9. "I Touch Myself" by the Devinyls. Strip to this, and that guy at the tip rail with the bitch tits and the shop teacher glasses will actually believe that he alone has inspired you to masturbate. Take his money, then go masturbate and think about someone else. 10. "Hash Pipe" by Weezer. Sure, it smells of nerd. But River Cuomo is obsessed with Asian chicks and nose candy, and that's just the spirit you want to evoke in a strip club. I recommend busting out your most crunk pole tricks during this one.
Diablo Cody
I've confessed to everything and I'd like to be hanged. Now, if you please. I don't mean to be difficult, but I can't bear to tell my story. I can't relive those memories—the touch of the Dead Hand, the smell of eel, the gulp and swallow of the swamp. How can you possibly think me innocent? Don't let my face fool you; it tells the worst lies. A girl can have the face of an angel but have a horrid sort of heart. I know you believe you're giving me a chance—or, rather, it's the Chime Child giving me the chance. She's desperate, of course, not to hang an innocent girl again, but please believe me: Nothing in my story will absolve me of guilt. It will only prove what I've already told you, which is that I'm wicked. Can't the Chime Child take my word for it? In any event, where does she expect me to begin? The story of a wicked girl has no true beginning. I'd have to begin with the day I was born. If Eldric were to tell the story, he'd likely begin with himself, on the day he arrived in the Swampsea. That's where proper stories begin, don't they, when the handsome stranger arrives and everything goes wrong? But this isn't a proper story, and I'm telling you, I ought to be hanged.
Franny Billingsley (Chime)
Nolan crossed his arms; he had his gorgeous frowny face on. "Don't you trust me?" Raina looked at him incredulously. "Of course I trust you...undoubtedly." She felt her spine stiffen in defiance of her friend’s assumption. She'd like to prove her wrong! A slow sexy grin tugged at his lips. "Then take a ride on my bike, Aelan.
Sarah Brocious (The Awakening)
Many people will tell you to ignore these doubters. Others will tell you to listen and then prove them wrong, which worked for me in those first shows. But I’m going to recommend something better that I learned much later: Don’t invite them into the conversation. You already know what you want to dedicate yourself to, so you don’t need to ask for their approval. There’s no need to seek external approval when you already have internal approval.
Kevin Hart (I Can't Make This Up: Life Lessons)
There is a thought among some brands of theology that souls are waiting up in heaven to be born. Now how in the world anybody comes up with that is beyond me, and how you can be so sure of that is also beyond me. I always like to go back to Snoopy's theological writings, which he called, "Has It Ever Occurred to You That You Might Be Wrong." And that's the way I feel. These things fascinate me, and I like to talk about them with other people, and hear what they think. But I'm always a little bit leery of people who are sure that they're right about things that nobody's ever been able to prove, and never will be able to prove.
Charles M. Schulz (Charles M. Schulz: Conversations (Conversations with Comic Artists Series))
How could it be wrong to wish to prove yourself?" she asked, a fierce light in her eyes. "You were not wrong to dare." "Jason -" "Jason cannot protect you forever. We cannot spend our lives in hiding, wondering what we might accomplish if given the chance. We have to take that chance ourselves. You were brave to board that boat." "I was stupid. Everything that happened just proved Jason right." "No. You survived the wreck. When the waves came, you held on. Maybe you were stronger than you think you are, than anyone thinks you are.
Leigh Bardugo (Wonder Woman: Warbringer)
Dear Camryn, I know you're scared. I'd be lying if I said I wasn't a little scared, too, but I have to believe that this time around everything will be fine. And it will be. We've been through so much together. More than most people in such a short time. But no matter what, the one thing that has never changed is that we're still together. Death couldn't take me away from you. Weakness couldn't make me look at you in a bad light. Drugs and all the shit that comes with them couldn't take you away from me. I think it's more safe to say that we're indestructable. Maybe all of this has been a test. Yeah, I think about that a lot and I've convinced myself of it. A lot of people take Fate for granted. Some have everything they've ever wanted right at their fingertips, but they abuse it. Others walk right past their only opportunity because they never open their eyes long enough to see that it's there. But you and I, even before we met, took all the risks, made our own decisions without listening to everybody around us telling us, in so many ways, that what we're doing is wrong. Hell no, we did it our way, no matter how reckless, or crazy or unconventional. It's like the more we pushed and the more we fought, the harder the obstacles. Because we had to prove we were the real deal. And I know we've done just that. Camryn, I want you to read this letter to yourself once a week. It doesn't matter what day or what time, just read it. Every time you open it, I want you to see that another week has passed and you're still pregnant. That I'm still in good health. That we're still together. I want you to think about the three of us, you, me and our son or daughter, traveling Europe and Soth America. Because we're going to do it. I promise you that. You're everything to me, and I want you to stay strong and not let your fear of the past taint the path to our future. Everything will work out this time, Camryn, everything will, I swear to you. Just trust me. Until next week... Love, Andrew
J.A. Redmerski (The Edge of Always (The Edge of Never, #2))
The question is, Miss Finch . . . what are you doing in this village?” “I’ve been trying to explain it to you. We have a community of ladies here in Spindle Cove, and we support one another with friendship, intellectual stimulation, and healthful living.” “No, no. I can see how this might appeal to a mousy, awkward chit with no prospects for something better. But what are you doing here?” Perplexed, she turned her gloved hands palms-up. “Living happily.” “Really,” he said, giving her a skeptical look. Even his horse snorted in seeming disbelief. “A woman like you.” She bristled. Just what kind of woman did he think she was? “If you think yourself content with no man in your life, Miss Finch, that only proves one thing.” In a swift motion, he pulled himself into the saddle. His next words were spoken down at her, making her feel small and patronized. “You’ve been meeting all the wrong men.
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
So many girls around the world—refugee girls in particular—suffer in silence after being sexually assaulted by someone they know. Most rapes happen at the hands of a relative or friend, not a stranger. I want girls to know that they have the power to speak out. They don’t have to stay quiet. No matter what culture or country you are from, there will always be pressure to remain silent, to never tell. But you don’t have to protect sexual predators. By speaking up, you are standing up for yourself. And you might be preventing it from happening again. Tell people what happened. The predators expect you to stay silent. You can prove them wrong.
Sandra Uwiringiyimana (How Dare the Sun Rise: Memoirs of a War Child)
Do not think of him with Blay. Do not think of him with Blay. Do not think of him— “I didn’t know you were a sherry man.” “Huh?" Qhuinn glanced down at what he’d poured himself. Fuck. In the midst of the self-lecture, he’d picked up the wrong bottle. “Oh, you know… I’m good with it.” To prove the point, he tossed back the hooch—and nearly choked as the sweetness hit his throat. He served himself another only so he didn’t look like the kind of idiot who wouldn’t know what he was dishing out into his own glass. Okay, gag. The second was worse than the first. From out of the corner of his eye, he watched Saxton settle in at the table, the brass lamp in front of him casting the most perfect glow over his face. Shiiiiiit, he looked like something out of a Ralph Lauren ad, with his buff-colored tweed jacket and his pointed pocket square and that button-down/sweater vest combo keeping his fucking liver cozy. Meanwhile, Qhuinn was sporting hospital scrubs, bare feet. And sherry.
J.R. Ward (Lover Reborn (Black Dagger Brotherhood, #10))
Three days ago, I was fired from my job teaching at a college because one of my students bet me that you don’t cum when you get a prostate exam and it took me seven minutes to prove that dumb fucking kid wrong. It was hard to touch my own prostate, but ultimately, I was correct. I came onto the floor and onto the person in the desk up front. I said, “Kids, that is what is known as ‘empirical evidence’.
Sam Pink (Dragons With Cancer)
There is no great religion without a great schism. All of them have it. And that's because you're dealing with something called faith. And faith is not something you can prove; faith is personal opinion. Uh, when you're dealing with something with certainty, like, y'know, science or logic, you don't have the--there's no wiggle room; that's why history is not filled with warring math cults, y'know, because you can settle the issue; you can prove something to be right or wrong, and that's the end of the argument: next case. Whereas, when you're dealing with faith, you can forever argue your point, or another point, because you're dealing with intangibles. Personally, I think, faith is what you ask of somebody when you don't have the goods to prove your point.
Tom Quinn
The young specialist in English Lit, having quoted me, went on to lecture me severely on the fact that in every century people have thought they understood the Universe at last, and in every century they were proved to be wrong. It follows that the one thing we can say about our modern 'knowledge' is that it is wrong. The young man then quoted with approval what Socrates had said on learning that the Delphic oracle had proclaimed him the wisest man in Greece. 'If I am the wisest man,' said Socrates, 'it is because I alone know that I know nothing.' The implication was that I was very foolish because I was under the impression I knew a great deal. Alas, none of this was new to me. (There is very little that is new to me; I wish my correspondents would realize this.) This particular theme was addressed to me a quarter of a century ago by John Campbell, who specialized in irritating me. He also told me that all theories are proven wrong in time. My answer to him was, 'John, when people thought the Earth was flat, they were wrong. When people thought the Earth was spherical, they were wrong. But if you think that thinking the Earth is spherical is just as wrong as thinking the Earth is flat, then your view is wronger than both of them put together.
Isaac Asimov (The Relativity of Wrong)
I’m actually not a tactile person,” Fiona said. That was such a big lie she couldn’t look him in the eye. Not a tactile person. All her powers were concentrated in the most intimate tactile experience possible. Armando's grin split even wider. “I’d love the chance to prove you wrong.
Sara Daniel
Thoughts close more doors then they open. This causes limitation. Action opens more doors then it closes. This results in liberation. I suggest spending less time on trying to change thoughts and more time on the action steps you will take to prove your current thoughts wrong. Once you take consistent, habitual action the thoughts change, spontaneously.
Charles F. Glassman (Brain Drain - The Breakthrough That Will Change Your Life)
Asking me not to break the rules of society is like telling your kid not to eat candy because it’s bad for him. The kid will continue to eat candy until you take it away, or until you prove why he shouldn’t. You also need to provide substitutes for the candy you have denied that child. I was told often enough what was bad, but I was never given a substitute or the opportunity to try another world until I had already become so defiant and twisted, I no longer cared about someone else’s right or wrong. By then I could not see enough honest faces in the world to pattern myself after. Your Bibles didn’t mean anything to me. A Bible had driven my mother from her home. The people you chose to raise me beat and raped me and taught me to hate and fear. From what I have seen throughout my life, the laws of the land are practiced only by the little guy. Those who have money and success abuse every law written and get away with it. I admit my reasoning comes from the wrong side of the tracks, but once these opinions are formed and reinforced a few times, it is hard to believe otherwise. So even if I don’t shed a tear, I console myself: I had some help in becoming the person I am.
Charles Manson (Manson in His Own Words)
Men are not born equal in themselves, so I think it beneath a man to postulate that they are. If I thought myself as good as Sokrates I should be a fool; and if, not really believing it, I asked you to make me happy by assuring me of it, you would rightly despise me. So why should I insult my fellow-citizens by treating them as fools and cowards? A man who thinks himself as good as everyone else will be at no pains to grow better. On the other hand, I might think myself as good as Sokrates, and even persuade other fools to agree with me; but under a democracy, Sokrates is there in the Agora to prove me wrong. I want a city where I can find my equals and respect my betters, whoever they are; and where no one can tell me to swallow a lie because it is expedient, or some other man's will.
Mary Renault (The Last of the Wine)
The one thing that I want every single child to have experienced at some point in their life, as part of their education, is to have some idea they hold to be true, and at the very basis of their being, proved to be wrong. Because that opens your mind to the realization that the world is different than you thought it would be, and you have to begin to open your mind to the possibilities of existence. And opening your mind frees you, it doesn't constrain you. It makes the world more wonderful, more exciting, and more worth living in.
Lawrence M. Krauss
You're assuming,' said Dr. Robert, 'that the brain produces consciousness. I'm assuming that it transmits consciousness. And my explanation is no more farfetched than yours. How on earth can a set of events belonging to one order be experienced as a set of events belonging to an entirely different and incommensurable order? Nobody has the faintest idea. All one can do is to accept the facts and concoct hypotheses. And one hypothesis is just about as good, philosophically speaking, as another. You say that the moksha-medicine does something to the silent areas of the brain which causes them to produce a set of subjective events to which people have given the name 'mystical experience.' I say that the moksha-medicine does something to the silent areas of the brain which opens some kind of neurological sluice and so allows a larger volume of Mind with a large 'M' to flow into your mind with a small 'm.' You can't demonstrate the truth of your hypothesis, and I can't demonstrate the truth of mine. And even if you could prove that I'm wrong, would it make any practical difference?
Aldous Huxley (Island)
I used to be so obsessed with making the right choice. Then, after I found out what was happening to us, I thought it proved that none of our choices in here meant anything. But I was wrong. Every single choice we made told us something about ourselves, about each other.’ She turns back to him, moves his hands in emphasis with her words. ‘Peregrine tried to tell us, but I didn’t understand. I do now. That was the point. For me to know every you. And for you to know every me. Because there’s only the two of us here, we needed to be everything to each other. And no one can be that. Not in just one life.’ Her voice shakes. ‘But we’ve lived so many, and I know you, as well as I know myself. And I know that every single version of us would choose the journey. Whatever it costs.
Catriona Silvey (Meet Me in Another Life)
I love you," he repeated, quieter this time, as if he only wanted me to hear. "I love your smutty books, and your weird documentaries, and your obsession with orange, processed snacks." I choked on something between a laugh and a sob. "I love the way you dress, and the way you light up when you talk about the universe, and the way you saw through every wall I tried to put between me and the rest of the world and knew who I was even when I didn't." He shook his head, licking his lips before he continued. "I love how you believe in me, and how you burn to prove everyone wrong when they size you up too quickly. I love that you challenge me." I leaned into his palm, bottom lip quivering before I bit down to hold it still. "I love everything about you- big and small, silly and serious. And I'm sorry I was an idiot and tried to end our story before it even had the chance to begin.
Kandi Steiner (Blind Side (Red Zone Rivals, #2))
Has it ever occurred to you that maybe you’re sane? That you’ve always been sane? That perhaps you’re the sanest person in the city?" "I hope not," whispered Neverfell. "Because, if I’m sane, then there’s something wrong with Caverna, something horrible and sick, and nobody else has noticed. If I’m sane, then we shouldn’t be sitting around talking – we should all be clawing our way out as fast as we can." "Oh, I don’t think she’d like that," the Kleptomancer remarked, with a hint of affection in his voice. "She needs us. Without us, there is no her, after all. She is the city, not the tunnels, and so she does everything she can to keep us down here. Sometimes I even wonder whether it is only possible to create True Delicacies here because she gives them their power, as a bribe to stop us leaving. When the Grand Steward declared that nobody was allowed to enter or leave the city, I believe he became her chosen beloved. I will tell you something else, though I cannot prove it. The city grows, and not just through the effort of pick and shovel. She has been stretching, spreading and contorting to make room for us all, and I think that is why geography no longer makes sense.
Frances Hardinge (A Face Like Glass)
Why are you telling me all this, Vivienne?” Tears were threatening to spill down my cheeks. “Remember the night when you arrived? When you were in the dungeon? I told you that you were nothing but a pawn.” I could still remember her exact words and how frightened she made me feel: "Understand, girl, that you are nothing here. You’re nothing but a pawn, a piece used to make the board move. Your best chance at survival and proving your significance is to win Derek’s affections. Considering everything I know about my brother, I’m not sure that’s even possible." I smiled bitterly. “How could I forget?” “I was wrong.” Vivienne, in all her grace and beauty, looked me in the eye and said, “You’re not a pawn, Sofia. You’re the queen.
Bella Forrest (A Shade of Blood (A Shade of Vampire, #2))
Agnosticism, in fact, is not a creed, but a method, the essence of which lies in the rigorous application of a single principle. That principle is of great antiquity; it is as old as Socrates; as old as the writer who said, 'Try all things, hold fast by that which is good'; it is the foundation of the Reformation, which simply illustrated the axiom that every man should be able to give a reason for the faith that is in him, it is the great principle of Descartes; it is the fundamental axiom of modern science. Positively the principle may be expressed: In matters of the intellect, follow your reason as far as it will take you, without regard to any other consideration. And negatively: In matters of the intellect, do not pretend that conclusions are certain which are not demonstrated or demonstrable. That I take to be the agnostic position, which if a man keep whole and undefiled, he shall not be ashamed to look the universe in the face, whatever the future may have in store for him. The results of the working out of the agnostic principle will vary according to individual knowledge and capacity, and according to the general condition of science. That which is unproved today may be proved, by the help of new discoveries, tomorrow. The only negative fixed points will be those negations which flow from the demonstrable limitation of our faculties. And the only obligation accepted is to have the mind always open to conviction. That it is wrong for a man to say he is certain of the objective truth of a proposition unless he can provide evidence which logically justifies that certainty. This is what agnosticism asserts and in my opinion, is all that is essential to agnosticism.
Thomas Henry Huxley (Agnosticism and Christianity and Other Essays (Great Minds))
Cal was dressed in a Hex Hall uniform. The blazer was a little tight on his broad shoulders, more so when he shrugged. "It was mine.Mrs. Casnoff brought it with her. I don't really, uh, do costumes. Figured this was a good compromise." I'd thought no one but Archer could make that uniform look good, but Cal proved me wrong. The bright blue was nice against his tan skin and golden hair, and he looked younger. There was a dimple in his cheek as he smiled at me-something I'd never noticed before. "You make a good Hecate," he said. I would have snorted and made a sarcastic comment, but there was something in his eyes that made me just say, "Thanks.
Rachel Hawkins (Demonglass (Hex Hall, #2))
Wheeling around, he went blindly for the doors, messing up the piles, nearly knocking himself over on the coffee table. Saxton got there first, blocking the way out with his body. Blay's eyes locked on the males face." Get out of my way. Right now. You don't want to be around me." "Is that not for me to decide." Blay shifted his focus to those lips he knew so well. "Don't push me." "Or what." "If you don't get the fuck out of my way, I'm going to bend you over that desk of your-" "Prove it." Wrong thing to say. In the wrong tone. At the wrong time. Blay let out a roar that rattled the diamond-paned windows. Then he grabbed his lover by the back of the head and all but threw Saxton across the room. As the male caught himself of the desk, papers went flying, the confetti of yellow legal pad and computer printouts falling down like snow. Saxton's torso curled around as he looked behind at what was coming at him. "Too late to run." Blay growled as he ripped open his button fly. Falling upon the male, he was rough with his hands, tearing the the layers that kept him from what he was going to take. When there were no barriers, he bared his fangs and bit down on Saxton's shoulder through his clothes, locking the male beneath him even as he grabbed those wrist and all but nailed them to the leather blotter. And then he pushed in hard and let out everything he had, his body taking over .. . even as his heart stayed far, far away.
J.R. Ward (Lover Reborn (Black Dagger Brotherhood, #10))
On your left!” my bodyguard shouts again, skirting around me. “Looks like you only got two speeds—slow and slower!” I glare after him. “Excuse me?” Lonny spins around and begins jogging backward. “Prove me wrong, pretty boy.” That is it. He has followed me. He has towered over me with that serious, terrifyingly calm face of his. He’s been a quiet, stalking Weeping Angel for as long as he’s been around. But Hades’ll freeze over before I let him throw shade like that.
Ashley Poston (Geekerella (Once Upon a Con, #1))
She slid a slim volume of poetry off the shelf and returned to her chair, swishing her rather unnattractive skirts before she sat down. Benedict frowned. He'd never really noticed before how ugly her dress was. Not as bad as the one Mrs. Cabtree had lent her, but certainly not anything designed to bring out the best in a woman. He ought to buy her a new dress. She would never accept it,of course, but maybe if her current garments were accidentally burned... "Mr. Bridgerton?" But how could he manage to burn her dress? She'd have to not be wearing it, and that posed a certain challenge in and of itself... "Are you even listening to me?" Sophie demanded. "Hmmm?" "You're not listening to me." "Sorry," he admitted. "My apologies. My mind got away from me. Please continue." She began anew, and in his attempt to show how much attention he was paying her, he focused his eyes on her lips, which proved to be a big mistake. Because suddenly those lips were all he could see, and he couldn't stop thinking about kissing her, and he knew- absolutely knew-that if one of them didn't leave the room in the next thirty seconds, he was going to do something for which he'd owe her a thousand apologies. Not that he didn't plan to seduce her. Just that he'd rather do it with a bit more finesse. "Oh, dear," he blurted out. Sophie gave him an odd look. He didn't blame her. He sounded like a complete idiot. He didn't think he'd uttered the phrase, "Oh,dear," in years. If ever. Hell,he sounded like his mother. "Is something wrong?" Sophie asked. "I just remembered something," he said, rather stupidly, in his opinion. She raised her brows in question. "Something that I'd forgotten," Benedict said. "The things one remembers," she said, looking exceedingly amused, "are most often things one had forgotten.
Julia Quinn (An Offer From a Gentleman (Bridgertons, #3))
You want to hear it? Fine. It’s a simple story really, about a pretty girl who was pretty stupid. She let a man touch her because she was scared to say no, and then she told her parents because she was scared to say nothing. Then they were scared to do anything that might ruin their pretty little lives, so they told the girl that it was nothing. That just being touched wasn’t enough to fight for. Too scared to prove them wrong, she kept going like it was nothing, and she let more people touch her, never knowing that she was handing out pieces of herself. Or, hell, maybe she knew deep down, and she just hated herself so much that she was glad to be rid of them. And life wasn’t pretty, but it also wasn’t scary until she met a man with two names who touched her without taking and made her miss the pieces she had lost. And now things aren’t just scary, they’re fucking terrifying, and I can’t do it. I can’t live like this, knowing all that I’ve ruined and that it can’t be fixed.
Cora Carmack (Finding It (Losing It, #3))
There is a story they tell, about a girl dared by her peers to venture to a local graveyard after dark. This was her folly: when they told her that standing on someone’s grave at night would cause the inhabitant to reach up and pull her under, she scoffed. Scoffing is the first mistake a woman can make. I will show you, she said. Pride is the second mistake. They gave her a knife to stick into the frosty earth, as a way of proving her presence and her theory. She went to that graveyard. Some storytellers say that she picked the grave at random. I believe she selected a very old one, her choice tinged by self-doubt and the latent belief that if she were wrong, the intact muscle and flesh of a newly dead corpse would be more dangerous than one centuries gone. She knelt on the grave and plunged the blade deep. As she stood to run she found she couldn’t escape. Something was clutching at her clothes. She cried out and fell down. When morning came, her friends arrived at the cemetery. They found her dead on the grave, the blade pinning the sturdy wool of her skirt to the ground. Dead of fright or exposure, would it matter when the parents arrived? She was not wrong, but it didn’t matter any more. Afterwards, everyone believed that she had wished to die, even though she had died proving that she could live. As it turns out, being right was the third, and worst, mistake.
Carmen Maria Machado (Her Body and Other Parties: Stories)
Jesus thrown everything off balance. It was the same case with Him as with me except He hadn't committed any crime and they could prove I had committed one because they had the papers on me. Of course they never shown me my papers. That's why I sign myself now. I said long ago, you get you a signature and sign everything you do and keep a copy of it. Then you'll know what you done and you can hold up the crime to the punishment and see do they match and in the end you'll have something to prove you ain't been treated right. I call myself the Misfit because I can't make what all I done wrong fit what all I gone through in punishment.
Flannery O'Connor (A Good Man Is Hard to Find and Other Stories)
I emphasize this because some of my colleagues, for whose academic attainments I have great respect, argue" 'You assume too much; this is not proved; this is not strictly scientific. We disagree with your neurology and your psychiatry is misleading, therefore you must be wrong.' My reply has been, with all humility: 'Yes, of course,' and I have returned to the labor ward to be greeted by happy women with their newborn babies in their arms: 'How right you are, Doctor, it is so much easier that way.' That is what really matters to the clinician. He should use the method that gives the best and safest result from all points of view until something better is discovered.
Grantly Dick-Read
Here it comes,” I say gleefully. “The levelheaded reason for why they stay in the house.” “Watch, the ghost won’t let them leave,” Logan guesses. He guesses wrong. On the screen, the characters argue about whether they should go, and one of the girls announces, “We’re doing important work here, guys! We’re proving the existence of paranormal entities! Science needs this. Science needs us.” I burst out laughing, shuddering against Logan’s rock-hard chest. “Did you hear that, Johnny? Science needs them.” “I fucking hate you,” he grumbles. “Five bucks…” I say in a singsong voice. His hand slides down to pinch my butt, making me squeak in surprise. “Go ahead and gloat. You win the battle by getting five bucks out of me, but I win the war.” I sit up. “How do you figure?” “Because you still have to sit through the rest of this movie, and you’re going to hate every second of it. I, on the other hand, am enjoying it immensely.” The jerk is absolutely right. Unless…
Elle Kennedy (The Mistake (Off-Campus, #2))
More than once, I've seen you talk yourself into the wrong decision by thinking too much. But if you could manage to climb out of that labyrinth of a brain long enough to discover what you want... not what you decide you should want, but what your instinct tells you... you might find what your soul is calling for." "I don't have a soul. There's no such thing." Looking exasperated and amused, Winterborne asked, "Then what keeps your brain working and your heart beating?" "Electrical impulses. An Italian scientist by the name of Galvani proved it a hundred years ago, with a frog." Firmly, Winterborne said, "I can't speak for the frog, but you have a soul. And I'd say it's high time you paid attention to it.
Lisa Kleypas (Chasing Cassandra (The Ravenels, #6))
The back of my neck breaks out in a sweat, and I’m getting nervous. Why is he just standing there, staring at me? “What do you want?” I press, my tone curt. He opens his mouth but then closes it swallowing. “Pike, Jesus—” “The day you left,” he blurts out, and I stop. I wait, listening as a look of fear crosses his eyes. “The house was so empty,” he continues. “Like a quiet that was never there before. I couldn’t hear your footsteps upstairs or your hairdryer or anticipate you walking into a room. You were gone. Everything was…” he drops his eyes, “gone.” A ball lodges in my throat, and I feel tears threaten, but I tense my jaw, refusing to let it out. “But I could still feel you,” he whispers. “You were still everywhere. The container of cookies in the fridge, the backsplash you picked out, the way you put all my pictures back in the wrong spot after you dusted my bookshelves.” He smiles to himself. “But I couldn’t rearrange them, because you were the last to touch them, and I wanted everything the way you had it.” My chin trembles, and I fold my arms over my chest, hiding my balled fists under my arms. He pauses and then goes on. “Nothing would ever go back to the way it was before you came into my house. I didn’t want it to.” He shakes his head. “I went to work, and I came home, and I stayed there every night and all weekend, every weekend, because that’s where we were together. That’s where I could still feel you.” He steps closer, dropping his voice. “That’s where I could wrap myself up in you and hang on to every last thread in that house that proved you were mine for just a little while.” His tone grows thick, and I see his eyes water. “I really thought I was doing what was best,” he says, knitting his brow. “I thought I was taking advantage of you, because you’re young and beautiful and so happy and hopeful despite everything you’d been through. You made me feel like the world was a big place again.” My breathing shakes, and I don’t know what to do. I hate that he’s here. I hate that I love that he’s here. I hate him. “I couldn’t steal your life from you and keep you to myself, you know?” he explains. “But then I realized that you’re not happy or hopeful or making me feel good because you’re young. You are those things and you’re capable of those things, because you’re a good person. It’s who you are.” A tear spills over, gliding down my cheek. “Baby,” he whispers, his hands shaking. “I hope you love me, because I love you like crazy, and I’m going to want you the rest of my life. I tried to stay away, because I thought it was the right thing, but I fucking can’t. I need you, and I love you. This doesn’t happen twice, and I’m not going to be stupid again. I promise.” My chin trembles, and something lodges in my throat, and I try to hold it in, but I can’t. My face cracks, and I break down, turning away from him. The tears come like a goddamn waterfall, and I hate him. I fucking hate him. His arms are around me in a second, and he hugs me from behind, burying his face in my neck. “I’m sorry I took so long,” he whispers in my ear.
Penelope Douglas (Birthday Girl)
Sophie.” He said her name softly. If her life depended on it, she could not have looked anywhere but into the flat, silver depths of his eyes. She didn’t think it was possible to be more aware of him than she already was, but the next moment proved her wrong. “Darling. I must turn down your offer. I am as astonished as you. But this is a subject upon which I’ve had months to think. You’re intelligent. You suspected my first offer of marriage was based upon my conviction that you would never consent to an affair with me and that it was desperation only for your person that drove me to offer for you.” “And the second upon a need to rescue me.” He nodded. “Far more straightforward, darling, yet hopelessly complex.” She ignored the shiver in her belly. “Meaning?” “I love you.” He reached for the wine and filled the two glasses, though he left them on the table. “I’ve become like you. A hopeless fool who cannot break his vows. And I did make vows to you today.
Carolyn Jewel (Scandal)
Eight dragons in one small cave, all thinking at the same time. How was she going to get through this? “Let’s go around and introduce ourselves,” Tsunami said. “I mean, maybe it’s unnecessary, but that’s what Sunny said to do. And then she said I probably wouldn’t listen to her anyway, so I am proving her wrong, so there. I’m Tsunami, if anyone didn’t know. I was going to give myself a title like Commander of Recruitment, but then for some reason everyone voted that I would be terrible at recruiting, whatever that is all about, so they made me Head of School instead. So I’m pretty much the boss. And I’m running your first small group-discussion class, which was Glory’s big idea, so I figure we’ll figure it out together. Any questions?” “Yeah,” said Carnelian. “Are we stuck with this group?” “That’s not quite how I would put it,” said Tsunami. “But yes.” “What if we would prefer to be in a group with other IceWings?” Winter asked. “Such as my sister?” “That’s not how the winglets are set up,” Tsunami said. “But you’ll be in some bigger group classes with her and have plenty of time to make other friends as well.” “I love our winglet,” Kinkajou volunteered. “When do we eat?” Umber asked. “Just kidding. Pretending to be Clay.” He grinned, then shot a look at Qibli. Did he think that was funny? I hope that was funny. Did I sound like an idiot?
Tui T. Sutherland (Moon Rising (Wings of Fire, #6))
I reach for her. 'I'm so sorry I had to keep...' My words die on my tongue as she steps back, avoiding me. 'Not happening.' A world of hurt flashes in those hazel eyes, and I fucking wither. 'Just because I believe you and am willing to fight with you doesn't mean I'll trust you with my heart again. and I can't be with someone I don't trust.' Something in my chest crumples. 'I've never lied to you, Violet. Not once. I never will.' She walks over to the window and looks down, then slowly turns back to me. 'It's not even that you kept this from me. I get it. It's the ease with which you did it. The ease with which I let you into my hear and didn't get the same in return.' She shakes her head, and I see it there, the love, but it's masked behind defences I foolishly forced her to build. I love her. Of course I love her. But if I tell her now, she'll think I'm doing it for all the wrong reasons, and honestly, she'd be right. I'm not going to lose the only woman I've ever fallen for without a fight. 'You're right. I kept secrets,' I admit, pressing forward again, taking step after step until I'm less than a foot from her. I palm the glass on both sides of her head, loosely caging her in, but we both know she could walk away if she wanted. But she doesn't move. 'It took me a long time to trust you, a long time to realise I fell for you.' Someone knocks, I ignore it. 'Don't say that.' She lifts her chin, but I don't miss the way she glances at my mouth. 'I fell for you.' I lower my head and look straight into her gorgeous eyes. She might be rightfully pissed, but she sure as Malek isn't fickle. 'And you know what? You might not trust me anymore, but you still love me.' Her lips part, but she doesn't deny it. 'I gave you my trust for free once, and once is all you get.' She masks the hurt with a quick blink. Never again. Those eyes will never reflect hurt I've inflicted ever again. 'I fucked up by not telling you sooner, and I won't even try to justify my reasons. But now I'm trusting you with my life- with everyone's lives.' I've risked it all by just bringing her here instead of taking her body back to Basgiath. 'I'll tell you anything you want to know and everything you don't. I'll spend every single day of my life earning back your trust.' I'd forgotten what it felt like to be loved, really, truly, loved- it'd been so many years since Dad died. And mom... Not going there. But then Violet gave me those words, gave me her trust, her heart, and I remembered. I'll be damned if I don't fight to keep them. 'And if it's not possible?' 'You still love me. It's possible.' Gods, do I ache to kiss her, to remind her exactly what we are together, but I won't, not until she asks. 'I'm not afraid of hard work, especially not when I know just how sweet the rewards are.. I would rather lose this entire war than live without you, and if that means I have to prove myself, over and over, then I'll do it. You gave me your heart, and I'm keeping it.' She already owns mine, even if she doesn't realise it.
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
I’ve been in your skin,” he taunted. “I know you inside and out. There’s nothing there. Do us all a favor and die so we can start working on another plan and quit thinking maybe you’ll grow the fuck up and be capable of something.” Okay, enough! “You don’t know me inside and out,” I snarled. “You may have gotten in my skin, but you have never gotten inside my heart. Go ahead, Barrons, make me slice and dice myself. Go ahead, play games with me. Push me around. Lie to me. Bully me. Be your usual constant jackass self. Stalk around all broody and pissy and secretive, but you’re wrong about me. There’s something inside me you’d better be afraid of. And you can’t touch my soul. You will never touch my soul!” I raised my hand, drew back the knife, and let it fly. It sliced through the air, straight for his head. He avoided it with preternatural grace, a mere whisper of a movement, precisely and only as much as was required to not get hit. The hilt vibrated in the wood of the ornate mantel next to his head. “So, fuck you, Jericho Barrons, and not the way you like it. Fuck you—as in, you can’t touch me. Nobody can.” I kicked the table at him. It crashed into his shins. I picked up a lamp from the end table. Flung it straight at his head. He ducked again. I grabbed a book. It thumped off his chest. He laughed, dark eyes glittering with exhilaration. I launched myself at him, slammed a fist into his face. I heard a satisfying crunch and felt something in his nose give. He didn’t try to hit me back or push me away. Merely wrapped his arms around me and crushed me tight to his body, trapping my arms against his chest. Then, when I thought he might just squeeze me to death, he dropped his head forward, into the hollow where my shoulder met my neck. “Do you miss fucking me, Ms. Lane?” he purred against my ear. Voice resonated in my skull, pressuring a reply. I was tall and strong and proud inside myself. Nobody owned me. I didn’t have to answer any questions I didn’t want to, ever again. “Wouldn’t you just love to know?” I purred back. “You want more of me, don’t you, Barrons? I got under your skin deep. I hope you got addicted to me. I was a wild one, wasn’t I? I bet you never had sex like that in your entire existence, huh, O Ancient One? I bet I rocked your perfectly disciplined little world. I hope wanting me hurts like hell!” His hands were suddenly cruelly tight on my waist. “There’s only one question that matters, Ms. Lane, and it’s the one you never get around to asking. People are capable of varying degrees of truth. The majority spend their entire lives fabricating an elaborate skein of lies, immersing themselves in the faith of bad faith, doing whatever it takes to feel safe. The person who truly lives has precious few moments of safety, learns to thrive in any kind of storm. It’s the truth you can stare down stone-cold that makes you what you are. Weak or strong. Live or die. Prove yourself. How much truth can you take, Ms. Lane?” Dreamfever
Karen Marie Moning
I pray that the world never runs out of dragons. I say that in all sincerity, though I have played a part in the death of one great wyrm. For the dragon is the quintessential enemy, the greatest foe, the unconquerable epitome of devastation. The dragon, above all other creatures, even the demons and the devils, evokes images of dark grandeur, of the greatest beast curled asleep on the greatest treasure hoard. They are the ultimate test of the hero and the ultimate fright of the child. They are older than the elves and more akin to the earth than the dwarves. The great dragons are the preternatural beast, the basic element of the beast, that darkest part of our imagination. The wizards cannot tell you of their origin, though they believe that a great wizard, a god of wizards, must have played some role in the first spawning of the beast. The elves, with their long fables explaining the creation of every aspect of the world, have many ancient tales concerning the origin of the dragons, but they admit, privately, that they really have no idea of how the dragons came to be. My own belief is more simple, and yet, more complicated by far. I believe that dragons appeared in the world immediately after the spawning of the first reasoning race. I do not credit any god of wizards with their creation, but rather, the most basic imagination wrought of unseen fears, of those first reasoning mortals. We make the dragons as we make the gods, because we need them, because, somewhere deep in our hearts, we recognize that a world without them is a world not worth living in. There are so many people in the land who want an answer, a definitive answer, for everything in life, and even for everything after life. They study and they test, and because those few find the answers for some simple questions, they assume that there are answers to be had for every question. What was the world like before there were people? Was there nothing but darkness before the sun and the stars? Was there anything at all? What were we, each of us, before we were born? And what, most importantly of all, shall we be after we die? Out of compassion, I hope that those questioners never find that which they seek. One self-proclaimed prophet came through Ten-Towns denying the possibility of an afterlife, claiming that those people who had died and were raised by priests, had, in fact, never died, and that their claims of experiences beyond the grave were an elaborate trick played on them by their own hearts, a ruse to ease the path to nothingness. For that is all there was, he said, an emptiness, a nothingness. Never in my life have I ever heard one begging so desperately for someone to prove him wrong. This is kind of what I believe right now… although, I do not want to be proved wrong… For what are we left with if there remains no mystery? What hope might we find if we know all of the answers? What is it within us, then, that so desperately wants to deny magic and to unravel mystery? Fear, I presume, based on the many uncertainties of life and the greatest uncertainty of death. Put those fears aside, I say, and live free of them, for if we just step back and watch the truth of the world, we will find that there is indeed magic all about us, unexplainable by numbers and formulas. What is the passion evoked by the stirring speech of the commander before the desperate battle, if not magic? What is the peace that an infant might know in its mother’s arms, if not magic? What is love, if not magic? No, I would not want to live in a world without dragons, as I would not want to live in a world without magic, for that is a world without mystery, and that is a world without faith. And that, I fear, for any reasoning, conscious being, would be the cruelest trick of all. -Drizzt Do’Urden
R.A. Salvatore (Streams of Silver (Forgotten Realms: The Icewind Dale, #2; Legend of Drizzt, #5))
I lost my second judo tournament. I finished second, losing to a girl named Anastasia. Afterward, her coach congratulated me. "You did a great job. Don't feel bad, Anastasia is a junior national champion." I felt consoled for about a second, until I noticed the look of disgust on Mom's face. I nodded at the coach and walked away. Once we were out of earshot she lit into me. "I hope you know better than to believe what he said. You could have won that match. You had every chance to beat that girl. The fact that she is a junior national champion doesn't mean anything. That's why they have tournaments, so you can see who is better. They don't award medals based on what you won before. If you did your absolute best, if you were capable of doing nothing more, then that's enough. Then you can be content with the outcome. But if you could have done better, if you could have done more, then you should be disappointed. You should be upset you didn't win. You should go home and think about what you could have done differently and then next time do it differently. Don't you ever let anyone tell you that not doing your absolute best is good enough. You are a skinny blonde girl who lives by the beach, and unless you absolutely force them to, no one is ever going to expect anything from you in this sport. You prove them wrong.
Ronda Rousey (My Fight / Your Fight)
His grip on the wheel tightened as we left the limits of DC and reached the beltway. Through the blur of rain pelting the windows, we could just make out the shapes of the new highway lights and cameras that would be installed over the next few months. Right now, though, our only real sources of light were the car itself and the glow of the capital's light pollution. "Did I really always side with him?" I wondered aloud "I swear I didn't mean to...." Chubs risked a quick glance at me, then fixed his eyes back on the road. "It's not about choosing sides. I shouldn't have ever said that. I'm sorry. You know how I get when my blood sugar is low. He's Lee–he's funny and nice and he dresses like a walking hug." He does wear a lot of flannel," I said. But you're those things, too. Don't make that face just to try to prove me wrong. You are." "I don't feel that way," he admitted. "But I always got that you guys had something different. I respect that. I've never been... It's harder for me to open up to people." The headlights caught the raindrops sliding off the windshield and made them glow like shooting tars. He was making it sound like one friendship was better or more important than the other. That wasn't true. They were just different. The love was exactly the same. They only difference was that Liam had lost a little sister; a part of me had always felt like he wanted to prove to himself that he could save at least one of us. "I always understood you," I told him. "Just like you always understood me.
Alexandra Bracken (The Darkest Legacy (The Darkest Minds, #4))
Jeremy Bentham startled the world many years ago by stating in effect that if the amount of pleasure obtained from each be equal there is nothing to choose between poetry and push-pin. Since few people now know what push-pin is, I may explain that it is a child's game in which one player tries to push his pin across that of another player, and if he succeeds and then is able by pressing down on the two pins with the ball of his thumb to lift them off the table he wins possession of his opponent's pin. [...] The indignant retort to Bentham's statement was that spiritual pleasures are obviously higher than physical pleasures. But who say so? Those who prefer spiritual pleasures. They are in a miserable minority, as they acknowledge when they declare that the gift of aesthetic appreciation is a very rare one. The vast majority of men are, as we know, both by necessity and choice preoccupied with material considerations. Their pleasures are material. They look askance at those who spent their lives in the pursuit of art. That is why they have attached a depreciatory sense to the word aesthete, which means merely one who has a special appreciation of beauty. How are we going to show that they are wrong? How are we going to show that there is something to choose between poetry and push-pin? I surmise that Bentham chose push-pin for its pleasant alliteration with poetry. Let us speak of lawn tennis. It is a popular game which many of us can play with pleasure. It needs skill and judgement, a good eye and a cool head. If I get the same amount of pleasure out of playing it as you get by looking at Titian's 'Entombment of Christ' in the Louvre, by listening to Beethoven's 'Eroica' or by reading Eliot's 'Ash Wednesday', how are you going to prove that your pleasure is better and more refined than mine? Only, I should say, by manifesting that this gift you have of aesthetic appreciation has a moral effect on your character.
W. Somerset Maugham (Vagrant Mood)
On Earth We’re Briefly Gorgeous" i Tell me it was for the hunger & nothing less. For hunger is to give the body what it knows it cannot keep. That this amber light whittled down by another war is all that pins my hand to your chest. i You, drowning                         between my arms — stay. You, pushing your body                          into the river only to be left                          with yourself — stay. i I’ll tell you how we’re wrong enough to be forgiven. How one night, after backhanding mother, then taking a chainsaw to the kitchen table, my father went to kneel in the bathroom until we heard his muffled cries through the walls. And so I learned that a man, in climax, was the closest thing to surrender. i Say surrender. Say alabaster. Switchblade.                    Honeysuckle. Goldenrod. Say autumn. Say autumn despite the green                    in your eyes. Beauty despite daylight. Say you’d kill for it. Unbreakable dawn                    mounting in your throat. My thrashing beneath you                    like a sparrow stunned with falling. i Dusk: a blade of honey between our shadows, draining. i I wanted to disappear — so I opened the door to a stranger’s car. He was divorced. He was still alive. He was sobbing into his hands (hands that tasted like rust). The pink breast cancer ribbon on his keychain swayed in the ignition. Don’t we touch each other just to prove we are still here? I was still here once. The moon, distant & flickering, trapped itself in beads of sweat on my neck. I let the fog spill through the cracked window & cover my fangs. When I left, the Buick kept sitting there, a dumb bull in pasture, its eyes searing my shadow onto the side of suburban houses. At home, I threw myself on the bed like a torch & watched the flames gnaw through my mother’s house until the sky appeared, bloodshot & massive. How I wanted to be that sky — to hold every flying & falling at once. i Say amen. Say amend. Say yes. Say yes anyway. i In the shower, sweating under cold water, I scrubbed & scrubbed. i In the life before this one, you could tell two people were in love because when they drove the pickup over the bridge, their wings would grow back just in time. Some days I am still inside the pickup. Some days I keep waiting. i It’s not too late. Our heads haloed             with gnats & summer too early to leave any marks.             Your hand under my shirt as static intensifies on the radio.             Your other hand pointing your daddy’s revolver             to the sky. Stars falling one by one in the cross hairs.             This means I won’t be afraid if we’re already             here. Already more than skin can hold. That a body             beside a body must ma
Ocean Vuong (On Earth We're Briefly Gorgeous)
Because no one of us lives for himself and no one dies for himself. For if we live, then we live for the Lord; and if we die, then we die for the Lord. Therefore whether we live or die, we belong to the Lord.' Pastor Jón Prímus to himself: That's rather good. With that he thrust the manual into his cassock pocket, turned towards the coffin, and said: That was the formula, Mundi. I was trying to get you to understand it, but it didn't work out; actually it did not matter. We cannot get round this formula anyway. It's easy to prove that the formula is wrong, but it is at least so right that the world came into existence. But it is a waste of words to try to impute to the Creator democratic ideas or social virtues; or to think that one can move Him with weeping and wailing, and persuade Him with logic and legal quibbles. Nothing is so pointless as words. The late pastor Jens of Setberg knew all this and more besides. But he also knew that the formula is kept in a locker. The rest comes by itself. The Creation, which includes you and me, we are in the formula, this very formula I have just been reading; and there is no way out of it. Because no one lives for himself and so on; and whether we live or die, we and so on. You are annoyed that demons should govern the world and that consequently there is only one virtue that is taken seriously by the newspapers: killings. You said they had discovered a machine to destroy everything that draws breath on earth; they were now trying to agree on a method of accomplishing this task quickly and cleanly; preferably while having a cocktail. They are trying to break out of the formula, poor wretches. Who can blame them for that? Who has never wanted to do that? Many consider the human being to be the most useless animal on earth or even the lowest stage of evolution in all the universe put together, and that it is more than high time to wipe this creature out, like the mammoth in the tundras. We once knew a war maiden, you and I. There was only one word ever found for her: Úa. So wonderful was this creation that it's no exaggeration to say that she was completely unbearable; indeed I think that we two helped one another to destroy her, and yet perhaps she is still alive. There was never anything like her. ... In conclusion I, as the local pastor, thank you for having participated in carrying the Creation on your shoulders alongside me.
Halldór Laxness (Under the Glacier)
The guard locks the gates of the turbeh, letting the heavy sound of the lock fall into the dark interior, as though leaving the name of the key inside. Dispirited, like me, he sits down on the stone beside me and closes his eyes. Just when I think he has dozed off in his part of the shade, the guard lifts his hand and points to a moth fluttering above the entrance to the tomb, having come out of our clothes or the Persian carpets in the turbeh. "You see," he says to me casually, "the moth is way up there by the white wall of the doorway, and it is visible only because it moves. From here it almost looks like a bird in the sky. That's probably how the moth sees the wall, and only we know it is wrong. But it doesn't know that we know. It doesn't even know we exist. You try to communicate with it if you can. Can you tell it anything in a way it understands; can you be sure it understood you completely?" "I don't know," I replied. "Can You?" "Yes," the old man said quietly, and with a clap of his hands he killed the moth, then profered its crushed body on the palm of his hand. "Do you think it didn't understand what I told it?" "You can do the same thing with a candle, extinguish it with your two fingers to prove you exist," I commented. "Certainly, if a candle is capable of dying... Now, imagine," he went on, "that there is somebody who knows about us what we know about the moth. Somebody who knows how, with what, and why this space that we call the sky and assume to be boundless, is bounded-- somebody who cannot approach us to let us know that he exists except in one way-- by killing us. Somebody, on whose garments we are nourished, somebody who carries our death in his hand like a tongue, as a means of communicating with us. By killing us, this anonymous being informs us about himself. And we, through our deaths, which may be no more than a warning to some wayfarer sitting alongside the assassin, we, I say, can at the last moment perceive, as through an opened door, new fields and other boundaries. This sixth and highest degree of deathly fear (where there is no memory) is what holds and links us anonymous participants in the game. The hierarchy of death is, in fact, the only thing that makes possible a system of contacts between the various levels of reality in an otherwise vast space where deaths endlessly repeat themselves like echoes within echoes...
Milorad Pavić
Before the troops left Rome, the consul Varro made a number of extremely arrogant speeches. The nobles, he complained, were directly responsible for the war on Italian soil, and it would continue to prey upon the country's vitals if there were any more commanders on the Fabian model. He himself, on the contrary, would bring it to an end on the day he first caught sight of the enemy. His colleague Paullus spoke only once before the army marched, and in words which though true were hardly popular. His only harsh criticism of Varro was to express his surprise about how any army commander, while still at Rome, in his civilian clothes, could possibly know what his task on the field of battle would be, before he had become acquainted either with his own troops or the enemy's or had any idea of the lie and nature of the country where he was to operate--or how he could prophesy exactly when a pitched battle would occur. As for himself, he refused to recommend any sort of policy prematurely; for policy was moulded by circumstance, not circumstance by policy. . . . [T]o strengthen [Paullus'] determination Fabius (we are told) spoke to him at his departure in the following words. 'If, Lucius Aemilius, you were like your colleague, or if--which I should much prefer--you had a colleague like yourself, anything I could now say would be superfluous. Two good consuls would serve the country well in virtue of their own sense of honour, without any words from me; and two bad consuls would not accept my advice, nor even listen to me. But as things are, I know your colleague's qualities and I know your own, so it is to you alone I address myself, understanding as I do that all your courage and patriotism will be in vain, if our country must limp on one sound leg and one lame one. With the two of you equal in command, bad counsels will be backed by the same legal authority as good ones; for you are wrong, Paullus, if you think to find less opposition from Varro than from Hannibal. Hannibal is your enemy, Varro your rival, but I hardly know which will prove the more hostile to your designs; with the former you will be contending only on the field of battle, but with the latter everywhere and always. . . . [I]t is not the enemy who will make it difficult and dangerous for you to tread, but your fellow-countrymen. Your own men will want precisely what the enemy wants; the wishes of Varro, the Roman consul, will play straight into the hands of Hannibal, commander-in-chief of the Carthaginian armies. You will have two generals against you; but you will stand firm against both, if you can steel yourself to ignore the tongues of men who will defame you--if you remain unmoved by the empty glory your colleague seeks and the false infamy he tries to bring upon yourself. . . . Never mind if they call your caution timidity, your wisdom sloth, your generalship weakness; it is better that a wise enemy should fear you than that foolish friends should praise. Hannibal will despise a reckless antagonist, but he will fear a cautious one. Not that I wish you to do nothing--all I want is that your actions should be guided by a reasoned policy, all risks avoided; that the conduct of the war should be controlled by you at all times; that you should neither lay aside your sword nor relax your vigilance but seize the opportunity that offers, while never giving the enemy a chance to take you at a disadvantage. Go slowly, and all will be clear and sure. Haste is always improvident and blind.
Livy (The History of Rome, Books 21-30: The War with Hannibal)