Mushroom After Rain Quotes

On my way home, I noticed a few mushrooms that had sprung up after the rain. They were perfect and intact because everyone knew they were poisonous.

If we didn’t have bodies, we couldn’t feel the sun on our faces or smell the earthy, mushroom-y rich smell of the ground right after the rain. If we didn’t have bodies, we couldn’t wrap our arms around the people we love or taste a perfect tomato right at the height of summer. I’m so thankful to live in this physical, messy, blood-and-guts world. I don’t want to live in a world that’s all dry ideas and theorems. Food is one of the ways we acknowledge our humanity, our appetites, our need for nourishment. And so it may seem trivial or peripheral to some people, but to me, when I’m telling a story, the part about what we ate really does matter.

You’re not a mushroom who popped up after a rain. You have parents.

Social contract theory is based on the autonomous individual, apart from any natural relationships. The atomistic creature running around under the trees appears to be an independent, fully developed adult—say, a twenty-one-year-old male. But this Robinson Crusoe image is not true of anyone. Contrary to Hobbes, we do not pop up overnight like mushrooms after a rain. Each of us begins life as a dependent, helpless baby, born into a pre-existing family, clan, church, town, and nation. We grow into mature adults only because other people, especially our parents, commit to us sacrificially—to love, teach, and care for us.

the roof of Pluto’s shrine, which was covered with bones and diamonds. As far as Hazel knew, the bones had always been there. The diamonds were her fault. If she sat anywhere too long, or just got anxious, they started popping up all around her like mushrooms after a rain. Several million dollars’ worth of stones glittered on the roof,

It is strange that God, who is beyond the limits of time, manifests Himself within time and its transformations. If you don’t know “where” God is – and people sometimes ask such questions – you have to look at everything that changes and moves, that doesn’t fit into a shape, that fluctuates and disappears: the surface of the sea, the dances of the sun’s corona, earthquakes, the continental drift, snows melting and glaciers moving, rivers flowing to the sea, seeds germinating, the wind that sculpts mountains, a foetus developing in its mother’s belly, wrinkles near the eyes, a body decaying in the grave, wines maturing, or mushrooms growing after a rain. God is present in every process. God is vibrating in every transformation. Now He is there, now there is less of Him, but sometimes He is not there at all, because God manifests Himself even in the fact that He is not there. People – who themselves are in fact a process – are afraid of whatever is impermanent and always changing, which is why they have invented something that doesn’t exist – invariability, and recognised that whatever is eternal and unchanging is perfect. So they have ascribed invariability to God, and that was how they lost the ability to understand Him.

I don’t like stories. I like moments. I like night better than day, moon better than sun, and here-and-now better than any sometime-later. I also like birds, mushrooms, the blues, peacock feathers, black cats, blue-eyed people, heraldry, astrology, criminal stories with lots of blood, and ancient epic poems where human heads can hold conversations with former friends and generally have a great time for years after they’ve been cut off. I like good food and good drink, sitting in a hot bath and lounging in a snowbank, wearing everything I own at once, and having everything I need close at hand. I like speed and that special ache in the pit of the stomach when you accelerate to the point of no return. I like to frighten and to be frightened, to amuse and to confound. I like writing on the walls so that no one can guess who did it, and drawing so that no one can guess what it is. I like doing my writing using a ladder or not using it, with a spray can or squeezing the paint from a tube. I like painting with a brush, with a sponge, and with my fingers. I like drawing the outline first and then filling it in completely, so that there’s no empty space left. I like letters as big as myself, but I like very small ones as well. I like directing those who read them here and there by means of arrows, to other places where I also wrote something, but I also like to leave false trails and false signs. I like to tell fortunes with runes, bones, beans, lentils, and I Ching. Hot climates I like in the books and movies; in real life, rain and wind. Generally rain is what I like most of all. Spring rain, summer rain, autumn rain. Any rain, anytime. I like rereading things I’ve read a hundred times over. I like the sound of the harmonica, provided I’m the one playing it. I like lots of pockets, and clothes so worn that they become a kind of second skin instead of something that can be taken off. I like guardian amulets, but specific ones, so that each is responsible for something separate, not the all-inclusive kind. I like drying nettles and garlic and then adding them to anything and everything. I like covering my fingers with rubber cement and then peeling it off in front of everybody. I like sunglasses. Masks, umbrellas, old carved furniture, copper basins, checkered tablecloths, walnut shells, walnuts themselves, wicker chairs, yellowed postcards, gramophones, beads, the faces on triceratopses, yellow dandelions that are orange in the middle, melting snowmen whose carrot noses have fallen off, secret passages, fire-evacuation-route placards; I like fretting when in line at the doctor’s office, and screaming all of a sudden so that everyone around feels bad, and putting my arm or leg on someone when asleep, and scratching mosquito bites, and predicting the weather, keeping small objects behind my ears, receiving letters, playing solitaire, smoking someone else’s cigarettes, and rummaging in old papers and photographs. I like finding something lost so long ago that I’ve forgotten why I needed it in the first place. I like being really loved and being everyone’s last hope, I like my own hands—they are beautiful, I like driving somewhere in the dark using a flashlight, and turning something into something completely different, gluing and attaching things to each other and then being amazed that it actually worked. I like preparing things both edible and not, mixing drinks, tastes, and scents, curing friends of the hiccups by scaring them. There’s an awful lot of stuff I like.

Wait until the truffles hit the dining room---absolute sex," said Scott. When the truffles arrived the paintings leaned off the walls toward them. They were the grand trumpets of winter, heralding excess against the poverty of the landscape. The black ones came first and the cooks packed them up in plastic quart containers with Arborio rice to keep them dry. They promised to make us risotto with the infused rice once the truffles were gone. The white ones came later, looking like galactic fungus. They immediately went into the safe in Chef's office. "In a safe? Really?" "The trouble we take is in direct proportion to the trouble they take. They are impossible," Simone said under her breath while Chef went over the specials. "They can't be that impossible if they are on restaurant menus all over town." I caught her eye. "I'm kidding." "You can't cultivate them. The farmers used to take female pigs out into the countryside, lead them to the oaks, and pray. They don't use pigs anymore, they use well-behaved dogs. But they still walk and hope." "What happened to the female pigs?" Simone smiled. "The scent smells like testosterone to them. It drives them wild. They destroyed the land and the truffles because they would get so frenzied." I waited at the service bar for drinks and Sasha came up beside me with a small wooden box. He opened it and there sat the blanched, malignant-looking tuber and a small razor designed specifically for it. The scent infiltrated every corner of the room, heady as opium smoke, drowsing us. Nicky picked up the truffle in his bare hand and delivered it to bar 11. He shaved it from high above the guest's plate. Freshly tilled earth, fields of manure, the forest floor after a rain. I smelled berries, upheaval, mold, sheets sweated through a thousand times. Absolute sex.

It is strange that God, who is beyond the limits of time, manifests Himself within time and its transformations. If you don't know 'where' God is--and people sometimes ask such questions--you have to look at everything that changes and moves, that doesn't fit into a shape, that fluctuates and disappears: the surface of the sea, the dances o the sun's corona, earthquakes, the continental drift, snows melting and glaciers moving, rivers flowering to the sea, seed germinating, the wind that sculpts mountains, a foetus developing in its mother's belly, wrinkles near the eyes, a body decaying in the grave, wines maturing, or mushrooms growing after a rain. God is present in every process. God is vibrating in every transformation.

Mushroomed: after a rain mushrooms appear on the surface of the earth as if from nowhere. Many do so from a sometimes vast underground fungus that remains invisible and largely unknown. What we call mushrooms mycologists call the fruiting body of a larger, less visible fungus. Uprisings and revolutions are often considered to be spontaneous, but less visible long-term organizing—or underground work—often laid the foundation.

He looked at a WMD attack on America in much the same terms. There was so much post-Soviet matériel out there, and so many fanatics who wanted to use it, that it was just a matter of time. But no one wanted to accept this fact, any more than the Los Angeles suburban homeowners wanted to accept that a little annual soot on their wood siding might be a small price to pay to avoid a fucking holocaust. It was just how people’s minds worked. There wasn’t much you could do about it. He shook his head, disgusted. It all made him think of the way municipalities install traffic lights. After a certain number of auto fatalities at a given intersection, the politicians say, “Hmm, we really ought to put in a light there.” They were going to do the same thing when New York had disappeared under a mushroom cloud. “Hmm, we really ought to do something about the threat of WMDs.

He saddled up the paint and joined the myriad greens of the late summer forest, where a sudden emergence of mushrooms had invaded the valley after last night’s rain. Staying on the low trail he followed the creek along its winding incision through dark stands of hemlocks and white pine, where the sky was all but shut out. Even in deep shadow the creek boiled with white luminescence. The tumbling water seemed to conjure bright light out of nothing. Like patches of snow in moonlight.

I’ve never understood how there can be so many asswipes in the universe,” Kelsey said mournfully. “Darwinism should’ve fixed that problem by now.” “You’d be surprised. They sprout up like mushrooms after the rain. It’s up to us to trim the herd,

Being moody is as natural as mushrooms after the rain.