Museum Of Tolerance Quotes

...this museum must celebrate the OTHER lesson history has taught us - that tyranny and oppression are no match for compassion...that the fanatical shouts of the bullies of the world are invariably silenced by the unified voices of decency that rise up to meet them. It is THESE voices - these choirs of empathy, tolerance and compassion - that I pray one day will sing from this mountaintop.

Wait. Like an art museum, or are we talking a history museum? I could tolerate the dinosaur bones and war relics, but modern art will just give me a headache. A red dot on a white canvas isn’t ‘a representation of a woman’s struggle in a male dominated society;’ it’s a red freakin’ circle!” Michael and Ryan nodded their heads in agreement with Jack’s artistic tirade.

Most importantly,” he said, “this museum must celebrate the other lesson history has taught us—that tyranny and oppression are no match for compassion…that the fanatical shouts of the bullies of the world are invariably silenced by the unified voices of decency that rise up to meet them. It is these voices—these choirs of empathy, tolerance, and compassion—that I pray one day will sing from this mountaintop.

If we lived in a culture with a higher tolerance for ambiguity, rather than obsession with measurement, fixed identity, and knowability, transition wouldn't be so confounding to people, and the process might be more normal. Epistemologically, we are anal retentive, Not rigorous, just stressed out. We need to know what a trans girl is. What are you, trans people get asked. Where are you from, people of color get asked. White supremacist capitalism wants to make a map of everything and then monetize the ways that things move around on the map. Basically literally, the museum.

My wife and I had called on Miss Stein, and she and the friend who lived with her had been very cordial and friendly and we had loved the big studio with the great paintings. I t was like one of the best rooms in the finest museum except there was a big fireplace and it was warm and comfortable and they gave you good things to eat and tea and natural distilled liqueurs made from purple plums, yellow plums or wild raspberries. Miss Stein was very big but not tall and was heavily built like a peasant woman. She had beautiful eyes and a strong German-Jewish face that also could have been Friulano and she reminded me of a northern I talian peasant woman with her clothes, her mobile face and her lovely, thick, alive immigrant hair which she wore put up in the same way she had probably worn it in college. She talked all the time and at first it was about people and places. Her companion had a very pleasant voice, was small, very dark, with her hair cut like Joan of Arc in the Boutet de Monvel illustrations and had a very hooked nose. She was working on a piece of needlepoint when we first met them and she worked on this and saw to the food and drink and talked to my wife. She made one conversation and listened to two and often interrupted the one she was not making. Afterwards she explained to me that she always talked to the wives. The wives, my wife and I felt, were tolerated. But we liked Miss Stein and her friend, although the friend was frightening. The paintings and the cakes and the eau-de-vie were truly wonderful. They seemed to like us too and treated us as though we were very good, well-mannered and promising children and I felt that they forgave us for being in love and being married - time would fix that - and when my wife invited them to tea, they accepted.

To the aesthetic crimes against the city of Jerusalem can be added those of culture and religion. One of the most important parts of the Mamilla area was its Muslim cemetery dating back to the seventh century. The graves were removed at night so that no one could witness this, and in their place the Simon Wiesenthal Foundation built a Museum of Tolerance! To ensure that Muslims could not reach this sacred site, it was surrounded by an electric fence.12 Desecrating Muslim graveyards for new constructions was nothing new, however: the old cemetery in Haifa, al-Istiqlal, was desecrated in a similar way when a highway was driven through it, scattering the gravestones to either side.

...suicide is what happens when one's internal and external life context overwhelms one's resources to keep living. It helped me to think of suicide like this as a kind of tipping mechanism, a result of overwhelm. In a healing/transformation framework, suicide can be prevented by changing a person's life context or by fortifying their inner resources to tolerate the horror of being alive.

Q. Which is my favorite country? A. The United States of America. Not because I'm chauvinistic or xenophobic, but because I believe that we alone have it all, even if not to perfection. The U.S. has the widest possible diversity of spectacular scenery and depth of natural resources; relatively clean air and water; a fascinatingly heterogeneous population living in relative harmony; safe streets; few deadly communicable diseases; a functioning democracy; a superlative Constitution; equal opportunity in most spheres of life; an increasing tolerance of different races, religions, and sexual preferences; equal justice under the law; a free and vibrant press; a world-class culture in books,films, theater, museums, dance, and popular music; the cuisines of every nation; an increasing attention to health and good diet; an abiding entrepreneurial spirit; and peace at home.

Religions, creeds, drama, poetry, games, folklore, folk tales, mythology, moral and aesthetic codes' elements of the political and juridical life affirming a personality's value , freedom and tolerance ; philosophy, theater, galleries , museums, libraries-this is the unbroken line of human culture, the first act of which has been played in heaven between God and man. That is climbing the holy mountain , the top of which remains unreachable' marching through darkness by means of the blazing candle carried by man. Civilization is the continuation of technical rather than spiritual progress in the same way that Darwinian evolution is the continuation of biological rather than human progress. Civilization represents the development of the potential forces that existed in our less developed ancestors. It is a continuation of the natural , mechanical elements-that is, of the unconscious, senseless elements of our existence. Therefore, civilization is neither good nor bad in itself. Man must create civilization , just as he must breathe or eat. It is an expression of necessity and of our lack of freedom. Culture ,on the contrary, is the ever-present feeling of choice and expression of human freedom.

Toleration is good for all or it is good for none.

Going beyond the retelling of historical events and seeking deeper emotional and intellectual connection with the visitor; 2.   Have meaningful impact on a person’s sense of citizenship, value for life, freedom, respect, tolerance and human rights; 3.   Strive toward a high retention level of knowledge by making subject matter “come alive,” making past experience “relatable” and appeal to a sense of morality to action against wrongdoing;

Museums of primitive art are filled with masks, figurines, bas-relief sculptures, all looted from all over the world and robbed of their meanings. For those who created them, life resided not in the object itself, but rather in the spirit that inspired it. A corpse, even one artistically entombed, is still a dead body. They are no longer works of art, but simply objects. They are beautiful, whereas they should be alive, From time immemorial, humans have sculpted to magnify their gods. There is a reason why some religions are against any depiction of their gods while others are committed to the practice. There is some form of highly human insolence in recreating the god that created you, and there is a risk of adoring the tangible representation in itself instead of the discarnate deity. That is what sculpture is: both a tribute and a challenge to the gods. Some spiritualities tolerate this ambivalence, others don't. Others yet use representations to further tighten control over their flock and guarantee their submissiveness. They select the artists and dictate the dogma they should represent. Sculpture is both the easiest and the most delicate of art forms. It is more than just hewing a form out of a compact block, or reproducing a model: you have to breathe life into It. That is not something you can learn or improvise. There is always some part of yourself that you infuse into the material. In our modern world, where art is a business like any other, techniques are taught, but the magic, on the other hand, is still a gift, midway between bliss and suffering.

HSPs do take in a lot—all the subtleties others miss. But what seems ordinary to others, like loud music or crowds, can be highly stimulating and thus stressful for HSPs. Most people ignore sirens, glaring lights, strange odors, clutter and chaos. HSPs are disturbed by them. Most people’s feet may be tired at the end of a day in a mall or a museum, but they’re ready for more when you suggest an evening party. HSPs need solitude after such a day. They feel jangled, overaroused. Most people walk into a room and perhaps notice the furniture, the people—that’s about it. HSPs can be instantly aware, whether they wish to be or not, of the mood, the friendships and enmities, the freshness or staleness of the air, the personality of the one who arranged the flowers. If you are an HSP, however, it is hard to grasp that you have some remarkable ability. How do you compare inner experiences? Not easily. Mostly you notice that you seem unable to tolerate as much as other people. You forget that you belong to a group that has often demonstrated great creativity, insight, passion, and caring—all highly valued by society. We are a package deal, however. Our trait of sensitivity means we will also be cautious, inward, needing extra time alone. Because people without the trait (the majority) do not understand that, they see us as timid, shy, weak, or that greatest sin of all, unsociable. Fearing these labels, we try to be like others. But that leads to our becoming overaroused and distressed. Then that gets us labeled neurotic or crazy, first by others and then by ourselves.

Reformists and Capacianists definitely believe in their own ideologies. I mean, we even made names for those movements. However, both of us— and yes, I admit that us Reformists do it, too—have not directed our potentials to acknowledge one another’s capabilities. I swear, I will try to change the name Reformation, and hopefully, Capacianists won’t replicate the same intolerance we showed them in the past. You know what? I wouldn’t be surprised if the person who suggested the enforcement of African education bans and the Triangular Slave Trade to the Museum of Recreation did this because of intolerance. I mean, in 2999, rights for people of color were so intense that gaining rights for people of color meant diminishing the rights of Caucasians! Everyone had this preconceived notion that Caucasians were racists, and they even arrested Caucasians simply by alleging that they were being racist without even giving them a fair trial, which is like the equivalent of wrongfully accusing Black people of being criminals. I am saying this as a person of color! If only Reformists will tolerate Capacianists, Capacianists will tolerate Reformists, and people of all races and colors will tolerate one another!

convert this place into something far more powerful than a contentious shrine and tourist curiosity. This complex should be a living museum. It should be a vibrant symbol of tolerance, where schoolchildren can gather inside a mountain to learn about the horrors of tyranny and the cruelties of oppression, such that they will never be complacent.” The king pressed on as if he had waited a lifetime to speak these words. “Most importantly,” he said, “this museum must celebrate the other lesson history has taught us—that tyranny and oppression are no match for compassion…that the fanatical shouts of the bullies of the world are invariably silenced by the unified voices of decency that rise up to meet them. It is these voices—these choirs of empathy, tolerance, and compassion—that I pray one day will sing from this mountaintop.

Come to London with me,” she heard Devon say. “What?” she asked, bewildered. “Come to London with me,” he repeated. “I have to leave within a fortnight. Bring the girls and your maid. It will be good for everyone, including you. At this time of year there’s nothing to do in Hampshire, and London offers no end of amusements.” Kathleen looked at him with a frown. “You know that’s impossible.” “You mean because of mourning.” “Of course that’s what I mean.” She didn’t like the sparks of mischief that had appeared in his eyes. “I’ve already considered that,” he told her. “Not being as familiar with the rules of propriety as yourself, I undertook to consult a paragon of society about what activities might be permissible for young women in your situation.” “What paragon? What are you talking about?” Shifting her weight more comfortably in his lap, Devon reached across the table to retrieve a letter by his plate. “You’re not the only one who received correspondence today.” He extracted the letter from its envelope with a flourish. “According to a renowned expert on mourning etiquette, even though attending a play or a dance is out of the question, it’s permissible to go to a concert, museum exhibition, or private art gallery.” Devon proceeded to read aloud from the letter. “This learned lady writes, One fears that the prolonged seclusion of young persons may encourage a lasting melancholy in such malleable natures. While the girls must pay appropriate respect to the memory of the late earl, it would be both wise and kind to allow them a few innocent recreations. I would recommend the same for Lady Trenear, whose lively disposition, in my opinion, will not long tolerate a steady diet of monotony and solitude. Therefore you have my encouragement to--” “Who wrote that?” Kathleen demanded, snatching the letter from his hand. “Who could possibly presume to--” She gasped, her eyes widening as she saw the signature at the conclusion of the letter. “Dear God. You consulted Lady Berwick?

According to a renowned expert on mourning etiquette, even though attending a play or a dance is out of the question, it’s permissible to go to a concert, museum exhibition, or private art gallery.” Devon proceeded to read aloud from the letter. “This learned lady writes, One fears that the prolonged seclusion of young persons may encourage a lasting melancholy in such malleable natures. While the girls must pay appropriate respect to the memory of the late earl, it would be both wise and kind to allow them a few innocent recreations. I would recommend the same for Lady Trenear, whose lively disposition, in my opinion, will not long tolerate a steady diet of monotony and solitude. Therefore you have my encouragement to--” “Who wrote that?” Kathleen demanded, snatching the letter from his hand. “Who could possibly presume to--” She gasped, her eyes widening as she saw the signature at the conclusion of the letter. “Dear God. You consulted Lady Berwick?” Devon grinned. “I knew you would accept no one’s judgment but hers.” He bounced Kathleen a little on his knee. The slim, supple weight of her was anchored amid the rustling layers of skirts and underskirts, the pretty curves of her body corseted into a narrow column. With every movement she made, little whiffs of soap and roses floated around them. She reminded him of one of those miniature sweet-smelling bundles that women tucked into dressers and wardrobes. “Come,” he said, “London isn’t such an appalling idea, is it? You’ve never stayed at Ravenel House--and it’s in far better condition than this heap of ruins.

Though the feeling which breaks out in the repeated attempts to stop railway travelling on Sunday, in the resistance to the opening of Museums, and the like, has not the cruelty of the old persecutors, the state of mind indicated by it is fundamentally the same. It is a determination not to tolerate others in doing what is permitted by their religion, because it is not permitted by the persecutor's religion. It is a belief that God not only abominates the act of the misbeliever, but will not hold us guiltless if we leave him unmolested.

This complex should be a living museum. It should be a vibrant symbol of tolerance, where schoolchildren can gather inside a mountain to learn about the horrors of tyranny and the cruelties of oppression, such that they will never be complacent.

Europe would have done better to tolerate the non-European civilizations at its side, leaving them alive, dynamic' and prosperous, whole and not mutilated; that it would have been better to let them develop and fulfill themselves than to present for our admiration, duly labeled, their dead and scattered parts; that anyway, the museum by itself is nothing; that it means nothing, that it can say nothing, when smug self-satisfaction rots the eyes, when a secret contempt for others withers the heart, when racism, admitted or not, dries up sympathy; that it means nothing if its only purpose is to feed the delights of vanity; that after all, the honest contemporary of Saint Louis, who fought Islam but respected it, had a better chance of knowing it than do our contemporaries (even if they have a smattering of ethnographic literature), who despise it. No, in the scales of knowledge all the museums in the world will never weigh so much as one spark of human sympathy.