Museum Of Natural History Quotes

It doesn’t matter,” Reagan said. “He already likes you. I think he’s into the nerdy schoolgirl thing. He talks about you like you’re something he found in a natural history museum.

If humans one day become extinct from a catastrophic collision, there would be no greater tragedy in the history of life in the universe. Not because we lacked the brain power to protect ourselves but because we lacked the foresight. The dominant species that replaces us in post-apocalyptic Earth just might wonder, as they gaze upon our mounted skeletons in their natural history museums, why large-headed Homo sapiens fared no better than the proverbially pea-brained dinosaurs.

I was never surprised that they did not have a phoenix on display. There is only one phoenix at a time, of course, and while the Natural History Museum was filled with dead things, the phoenix is always alive.

A life accumulates a collection: of people, work and perplexities. We are all our own curators.

He talks about you like you're something he found in a natural history museum.

We had a great friendship, good sex, a shared passion for the dinosaur room at the Museum of Natural History and Haagen-Daz French Vanilla ice cream. But love is more than the sum of its parts, isn't it?

I believe profoundly in the importance of museums; I would go as far as to say that you can judge a society by the quality of its museums.

Again and again across the centuries, cosmic discoveries have demoted our self-image. Earth was once assumed to be astronomically unique, until astronomers learned that Earth is just another planet orbiting the Sun. Then we presumed the Sun was unique, until we learned that the countless stars of the night sky are suns themselves. Then we presumed our galaxy, the Milky Way, was the entire known universe, until we established that the countless fuzzy things in the sky are other galaxies, dotting the landscape of our known universe. Today, how easy it is to presume that one universe is all there is. Yet emerging theories of modern cosmology, as well as the continually reaffirmed improbability that anything is unique, require that we remain open to the latest assault on our plea for distinctiveness: multiple universes, otherwise known as the “multiverse,” in which ours is just one of countless bubbles bursting forth from the fabric of the cosmos.

Whether we find it appealing or not is another question, but personally I like being fourth cousin to a mushroom and having a bonobo as my closest living relative. It makes me feel a part of the world.

I don’t go to church, but I regularly attend the Museum of Natural History.

The good news was that "biology" turned out to be the magic password for working at the Museum of Natural History, just the way "art history" would at the Met or "trust fund" at the MoMA.

Wallace travelled independently and was challenged every step. He had no government or military support system. He had little cash — he earned enough to survive by sending natural history specimens to his agent in London for sale to collectors and museums. He had visceral moments of excitement when he discovered a beautiful new butterfly or adopted a baby orangutan he had just orphaned by shooting its mother. He lived simply, often in the rainforest on isolated islands, in a manner completely different to the expected behavior of other Western explorers and colonials.

A museum is a place where nothing was lost, just rediscovered…

It may have been due to the effect of the gordo blanco on my cognitive functions, but I was suddenly overwhelmed by an extraordinary feeling—not of satisfaction but of absolute joy. It was the feeling I had in the Museum of Natural History and when I was making cocktails. We started dancing again, and this time I allowed myself to focus on the sensations of my body moving to the beat of the song from my childhood and of Rosie moving to the same rhythm.

Dr. Kertesz mentioned to me a case known to him of a farmer who had developed prosopagnosia and in consequence could no longer distinguish (the faces of) his cows, and of another such patient, an attendant in a Natural History Museum, who mistook his own reflection for the diorama of an ape

In the last eight weeks I had experienced two of the three best times of my adult life, assuming all visits to the Museum of Natural History were treated as one event. They had both been with Rosie. Was there a correlation? It was critical to find out.

Museums have no political power, but they do have the possibility of influencing the political process. This is a complete change from their role in the early days of collecting and hoarding the world to one of using the collections as an archive for a changing world. This role is not merely scientifically important, but it is also a cultural necessity.

I might as well have offered up my vagina to the Museum of Natural History. Surely, it would be shown in the fossils display. I could already picture it, right beside Tyrannosaurus Rex’s teeth. The Last Virginal Vagina in New York. Georgia Cummings 1990-2080 Died happily in her Chelsea apartment, surrounded by all sixteen of her tabby cats.

The great museums may harbour the conscience for the natural world, not merely provide its catalogue.

The next morning I told Mom I couldn't go to school again. She asked what was wrong. I told her, “The same thing that’s always wrong.” “You’re sick?” “I'm sad.” “About Dad?” “About everything.” She sat down on the bed next to me, even though I knew she was in a hurry. “What's everything?” I started counting on my fingers: “The meat and dairy products in our refrigerator, fistfights, car accidents, Larry–” “Who's Larry?” “The homeless guy in front of the Museum of Natural History who always says ‘I promise it’s for food’ after he asks for money.” She turned around and I zipped her dress while I kept counting. “How you don’t know who Larry is, even though you probably see him all the time, how Buckminster just sleeps and eats and goes to the bathroom and has no ‘raison d’etre’, the short ugly guy with no neck who takes tickets at the IMAX theater, how the sun is going to explode one day, how every birthday I always get at least one thing I already have, poor people who get fat because they eat junk food because it’s cheaper…” That was when I ran out of fingers, but my list was just getting started, and I wanted it to be long, because I knew she wouldn't leave while I was still going. “…domesticated animals, how I have a domesticated animal, nightmares, Microsoft Windows, old people who sit around all day because no one remembers to spend time with them and they’re embarrassed to ask people to spend time with them, secrets, dial phones, how Chinese waitresses smile even when there’s nothing funny or happy, and also how Chinese people own Mexican restaurants but Mexican people never own Chinese restaurants, mirrors, tape decks, my unpopularity in school, Grandma’s coupons, storage facilities, people who don’t know what the Internet is, bad handwriting, beautiful songs, how there won’t be humans in fifty years–” “Who said there won't be humans in fifty years?” I asked her, “Are you an optimist or a pessimist?” She looked at her watch and said, “I'm optimistic.” “Then I have some bed news for you, because humans are going to destroy each other as soon as it becomes easy enough to, which will be very soon.” “Why do beautiful songs make you sad?” “Because they aren't true.” “Never?” “Nothing is beautiful and true.

Yves Klein said it was the essence of colour itself: the colour that stood for all other colours. A man once spent his entire life searching for a particular shade of blue that he remembered encountering in childhood. He began to despair of ever finding it, thinking he must have imagined that precise shade, that it could not possibly exist in nature. Then one day he chanced upon it. It was the colour of a beetle in a museum of natural history. He wept for joy.’ - "Zima Blue" by Alastair Reynolds

Here’s the story of how Pluto lost its planetary status and was demoted to an ice ball in the outer solar system. It’s also about my role in this at the Rose Center for Earth and Space at the American Museum of Natural History.

As we parted at the Natural History Museum in London, I asked Richard Fortey how science ensures that when one person goes there's someone ready to take his place. He chuckled rather heartily at my naiveté. 'I'm afraid it's not as if we have substitutes sitting on the bench somewhere waiting to be called in to play. When a specialist retires or, even more unfortunately, dies, that can bring a stop to things in that field, sometimes for a very long while.' And I suppose that's why you value someone who spends forty-two years studying a single species of plant, even if it doesn't produce anything terribly new?' 'Precisely,' he said, 'precisely.' And he really seemed to mean it.

the center of the American Museum of Natural History’s Hall of Biodiversity, there’s an exhibit embedded in the floor. The exhibit is arranged around a central plaque that notes there have been five major extinction events since complex animals evolved, over five hundred million years ago. According to the plaque, “Global climate change and other causes, probably including collisions between earth and extraterrestrial objects,” were responsible for these events. It goes on to observe: “Right now we are in the midst of the Sixth Extinction, this time caused solely by humanity’s transformation of the ecological landscape.

Majestatis naturæ by ingenium (Genius equal to the majesty of nature.) [Inscribed ordered by King Louis XV for the base of a statue of Buffon placed at Muséum National d’Histoire Naturelle de Paris.]

she might hiss. “Who pays the rent?” “I don’t know, Monsieur.” “Do the checks come from the Natural History Museum?” “I can’t say.” “When was the last time someone came?” “No one comes. The checks are mailed.

I wonder if we are seeing a return to the object in the science-based museum. Since any visitor can go to a film like Jurassic Park and see dinosaurs reawakened more graphically than any museum could emulate, maybe a museum should be the place to have an encounter with the bony truth. Maybe some children have overdosed on simulations on their computers at home and just want to see something solid--a fact of life.

It is never too late to revive your origins. It is their destiny: since they were not the first to be in on history, they will be the first to immortalize everything by reconstitution (by putting things in museums, they can match in an instant the fossilization process nature took millions of years to complete). But the conceptions Americans have of the museum is much wider than our own. To them, everything is worthy of protection, embalming, restoration. Everything can have a second birth, the eternal birth of the simulacrum.

I attempted in vain to calculate the size of the holdings on the shelves, floor on floor, only to boggle hopelessly, baffled by bibliographic boundlessness.

. . . reality just seems to come in certain undeniable chunks.

All those moments, captured and doubled onto film, frozen, her own museum of natural history unfolding in front of her.

The great proliferation of museums in the nineteenth century was a product of the marriage of the exhibition as a way of awakening intelligent interest in the visitor with the growth of collections that was associated with empire and middle-class affluence. Attendance at museums was as much associated with moral improvement as with explanation of the human or natural world.

Since the dawn of time, several billion human (or humanlike) beings have lived, each contributing a little genetic variability to the total human stock. Out of this vast number, the whole of our understanding of human prehistory is based on the remains, often exceedingly fragmentary, of perhaps five thousand individuals. You could fit it all into the back of a pickup truck if you didn't mind how much you jumbled everything up, Ian Tattersall, the bearded and friendly curator of anthropology at the American Museum of Natural History in New York, replied when I asked him the size of the total world archive of hominid and early human bones. The shortage wouldn't be so bad if the bones were distributed evenly through time and space, but of course they are not. They appear randomly, often in the most tantalizing fashion. Homo erectus walked the Earth for well over a million years and inhabited territory from the Atlantic edge of Europe to the Pacific side of China, yet if you brought back to life every Homo erectus individual whose existence we can vouch for, they wouldn't fill a school bus. Homo habilis consists of even less: just two partial skeletons and a number of isolated limb bones. Something as short-lived as our own civilization would almost certainly not be known from the fossil record at all. In Europe, Tattersall offers by way of illustration, you've got hominid skulls in Georgia dated to about 1.7 million years ago, but then you have a gap of almost a million years before the next remains turn up in Spain, right on the other side of the continent, and then you've got another 300,000-year gap before you get a Homo heidelbergensis in Germany and none of them looks terribly much like any of the others. He smiled. It's from these kinds of fragmentary pieces that you're trying to work out the histories of entire species. It's quite a tall order. We really have very little idea of the relationships between many ancient species which led to us and which were evolutionary dead ends. Some probably don't deserve to be regarded as separate species at all.

Westwards along the basement, I let myself through a heavy door just beyond the dead giraffes. There was a notice on the wall that read "Departmental cock"--I never did find out what that meant.

Birds were what became of dinosaurs. Those mountains of flesh whose petrified bones were on display at the Museum of Natural History had done some brilliant retooling over the ages and could now be found living in the form of orioles in the sycamores across the street. As solutions to the problem of earthly existence, the dinosaurs had been pretty great, but blue-headed vireos and yellow warblers and white-throated sparrows - feather-light, hollow-boned, full of song were even greater. Birds were like dinosaurs' better selves. They had short lives and long summers. We all should be so lucky as to leave behind such heirs.

My contract had specified only that I 'should undertake work upon the fossil Arthropoda,' which left me free to roam through hundreds of millions of years. It might as well have said: 'Amuse yourself--for money.

For over a century, an evolving microcosm of Anthropology’s turbulent history has hidden behind the staid façade of the American Museum of Natural History. From an insider’s perspective, the well-known ethnologist Stan Freed engagingly introduces us to an amazing cast of explorers, eccentrics, idealists, pranksters and forbidding intellectual - an unlikely mix that played a key role in establishing the science of Anthropology as we know it today.

Kat stood there looking at the very boys who had stolen the first tooth she had ever lost and tried to ransom it to the tooth fairy; the two young men who had once stolen a Tyrannosaurus rex from the Museum of Natural History—one bone at a time.

you desecrated the shrines of our fathers you pushed our tongue, stole our culture paraded your wickedness as my savior you refused the right to let me own my narrative you butchered our names you brought war on our land you call my people "savages" you stole our histories and wear them proudly in your museums you wash away our achievements you carry it as yours you "discovered" what was already mine you plant puppets, assassinating our leaders you desecrated the shrines of my mothers when we worshipped nature, you laughed at us now, you want to carry our ways, learn from us we refuse to write softness into our stories for you to feel comfortable we refuse to let anyone but us own our narrative we refuse to believe your lies again you will not spit in the face of our fathers and think his children will now sit quietly.

Slowly it dawned on me what’s going on here. The Natural History Museum can’t afford to be a museum anymore, so the directors are stealthily turning it into a food court.

My feeble attempts at ignoring Boaz were about as successful as the time I tried resuscitating a T-rex skeleton at a natural history museum when I was eight.

But, for now, I retreated back down the little hidden staircase into the familiar world of the basement of the Natural History Museum, and to the embrace of the trilobites.

It remains culturally relevant in Germany, home of the Struwwelpeter Museum as well as the industrial metal band Rammstein, which made the book the subject of a song.

The zoos are already natural history museums, the children’s books already out of date.

The theory that languages are tools used for particular purposes, sometimes for many different purposes, means that extinct languages belong neither in a museum of art nor in a museum of natural history. Tools are meant to be surpassed by better tools. Once they are, they should be preserved in a museum of technology, of human ingenuity, of the cultural past.

THE YEAR 1977 marked the first significant victory in the history of the anti-vivisection movement, which had existed for over a century without stopping a single experiment. The campaign, run by activist Henry Spira, succeeded in ending experiments on mutilated cats at the American Museum of Natural History and was such a triumph that it mobilized the modern animal rights movement.

SMALL BOY: Where do animals go when they die? SMALL GIRL: All good animals go to heaven, but the bad ones go to the Natural History Museum. — Caption to a drawing by E.H. Shepard, PUNCH, 1929     SIMON

Extinction is always bad news for the victims, of course, but it appears to be a good thing for a dynamic planet. “The alternative to extinction is stagnation,” says Ian Tattersall of the American Museum of Natural History, “and stagnation is seldom a good thing in any realm.” (I should perhaps note that we are speaking here of extinction as a natural, long-term process. Extinction brought about by human carelessness is another matter altogether.)

The Natural History Museum is open to the public on Tuesdays and Fridays. Elephant, rhinoceros, hippopotamus; extraordinary animals! Rubens rendered them marvelously. I had a feeling of happiness as soon as I entered the place and the further I went the stronger it grew. I felt my whole being rise above commonplaces and trivialities and the petty worries of my daily life. What an immense variety of animals and species of different shapes and functions!

First Altorian: What do you mean? We will ask your permission to introduce you to our Academy of Sciences. Tartelet: The Academy of Sciences? First Altorian: And then you will be placed in the Museum of Natural History. Valdemar: You mean ... mounted? Second Altorian: Oh no. Embalmed. Tartelet: Embalmed? Just a minute, now. First Altorian: Oh, later, only after you are dead. Valdemar: That's very kind of you, sir. Tartelet: Lead on, then. We'll follow you.

After one raid set London’s Natural History Museum on fire, water from firemen’s hoses caused seeds in its collection to germinate, among them those from an ancient Persian silk tree, or mimosa—Albizia julibrissin. The seeds were said to be 147 years old.

In 1932 he and other leading eugenicists attended the Third Inter-national Congress of Eugenics, which was held in New York City. The exhibits were intended to show that eugenics was a “pure and applied science.” Major Leonard Darwin, the son of Charles Darwin, also presented his views at the meeting. The New York Times reported on the event. Eugenists from all over the world will attend the Third International Congress of Eugenics today and tomorrow at the American Museum of Natural History. At general and sectional meetings they will discuss advances in the study for the physical and mental improvement of the human race… It [the exhibit] will seek to emphasize the fact that eugenics is concerned primarily with racial and family-stock, quality in the turn-over of population from generation to generation. “As a pure science,” the announcement says, “eugenics tries to understand the forces which govern this turn-over, while as an applied science it strives to use these forces in the improvement of family-stocks and races.

Later . . . the sports jacket became a kind of signature uniform for the museum scientist, complete with leather elbow patches. It indicated an endearing otherworldliness. Too much smartness might betray the wrong priorities, and an inadequate grasp of carabids.

[There is an] immense advantage to be gained by ample space and appropriate surroundings in aiding the formation of a just idea of the beauty and interest of each specimen... Nothing detracts so much from the enjoyment ... from a visit to a museum as the overcrowding of the specimens exhibited.

It is spring 2007, and the block-long security lines into the Smithsonian Institution’s National Museum of American History (NMAH) are missing now while it is closed for renovation. The once controversial and “technically superb” exhibition Science in American Life is due to be phased out. The hot new museum exhibit is at the National Museum of Natural History’s (NMNH) Kenneth E. Behring Hall of Mammals. There, entering this multimedia, multisensory immersive installation, we are invited to a “Mammal Family Reunion—Come meet your relatives!”—in a savvy response to antievolution religious activism.

He loved the energy of the place, though he barely ever visited without getting shoved around or having his pockets picked. The slam of the city, the assault of neon and electric light, the roiling mass of people, made up of mixed elements: sailors, tourists, cops, hookers, hustlers and dealers. He wandered through the crowds, fascinated; a skinny boy with big teeth and glasses, his ribs sticking out. At the same time he was drawn to quieter, more inward pursuits. He liked to draw, liked going to the movies on his own or wandering round the dioramas in the Natural History Museum; the dusty smell, the long unpopulated corridors.

I found a small velvet-and-nailhead Victorian sofa at a rummage sale on my way to a demonstration in the Castro District; the gay men selling it for $10 kindly hauled it over and up the stairs after the protest was over. It left droppings of ancient horsehair stuffing on the floor like an incontinent old pet. I accumulated small souvenirs, treasures, and artifacts that made the place gradually come to resemble an eccentric natural history museum, with curious lichen-covered twigs and branches, birds’ nests and shards of eggs, antlers, stones, bones, dead roses, a small jar of yellow sulfur butterflies from a mass migration in eastern Nevada, and, from my younger brother, a stag’s antlered skull that still presides over my home.

During the aerial bombing of London in World War II, damage to the Natural History Museum allowed light and moisture to enter the buildings, and mimosa seeds that had been brought over from China in 1793 and stashed in wooden collection cases suddenly awoke from their 150-year sleep and began sprouting. We, too, are revivable. No matter how long or deep the sleep, the soul is always willing to awaken.

It opens the mind toward an understanding of human nature and destiny. It increases wisdom. It is the very essence of that much misinterpreted concept, a liberal education. It is the foremost approach to humanism, the lore of the specifically human concerns that distinguish man from other living beings. . . . Personal culture is more than mere familiarity with the present state of science, technology, and civic affairs. It is more than acquaintance with books and paintings and the experience of travel and of visits to museums. It is the assimilation of the ideas that roused mankind from the inert routine of a merely animal existence to a life of reasoning and speculating. It is the individual’s effort to humanize himself by partaking in the tradition of all the best that earlier generations have bequeathed.

I was convinced that the Natural History Museum was missing only one thing: a unicorn. Well, a unicorn and a dragon. Also it was missing werewolves. (Why was there nothing about werewolves in the Natural History Museum? I wanted to know about werewolves.) There were vampire bats, but none of the better-dressed vampires on display , and no mermaids at all, not one— I looked— and as for griffins or manticores, they were completely out.

decade after the first edition of this book was published, Yan Wong and I met in the fitting surroundings of the Oxford Museum of Natural History to discuss the possibility of producing a new, tenth anniversary edition. Yan, once my undergraduate pupil, had been employed as my research assistant during the writing of the original edition, before he left for his lecturing position in Leeds and his career as a television presenter. He played an enormously important part in the conception and execution of the first edition, and he was credited as joint author of several of the chapters. During the course of our discussion ten years on, we realised that much new information had come in, especially from the molecular genetics laboratories of the world. Yan undertook the bulk of the revision and I proposed to the publisher that this time he should be properly credited as joint author of the whole book.

Cajole, v. I didn`t understand how someone from a competently landlocked state could be so terrified of sharks. Even in the aquarium, I had to do everything to get you come close to the tank. Then,, in the Natural History Museum, I couldn`t stay quiet any longer. “It`s not alive,” I said. “It can`t hurt you.” But you held back, and I was compelled to push you into the glass. What did it matter to me? Did I think that by making you rational about one thing could make you rational about everything? Maybe. Or maybe I just wanted to save you from your fears.

Still, his altruism in general toward his fellow man did not deflect him from more personal rivalries. One of his last official acts was to lobby against a proposal to erect a statue in memory of Charles Darwin. In this he failed—though he did achieve a certain belated, inadvertent triumph. Today his statue commands a masterly view from the staircase of the main hall in the Natural History Museum, while Darwin and T. H. Huxley are consigned somewhat obscurely to the museum coffee shop, where they stare gravely over people snacking on cups of tea and jam doughnuts.

Youth. Murder (Biko). Slavery. Freedom. We are all creatures of ignorance at the end of the day. The natural order of the hierarchy of life states that we are creatures. Creatures of habit whether it is normal (following the status quo and all of that jazz). Creatures of marching orders and almost sanitary routine. Creatures of the abnormal. Our leaders are coldly obliterating the past. It is impossible to destroy nations, tribes, individuals without their permission. Many lessons learned from the past come to life like the connect the dots game of a child in a museum. We are swift to forget history. Bury the past like yesterday’s newspaper, our infirm and elderly in nursing homes.

It took me another few hours to realize that I had just spent an entire day at a Jewish museum that made no mention of the Holocaust. It was as if the Jews of the shtetlach from that first display case had just vanished, disappeared into history for no apparent reason. It was as though there had been no reason for the new influx of Jews after the war. It was as though history, and Birobidzhan itself, had just happened. That view of history is the post-Soviet condition. What happened to people - to families that still carry the memory, whose physical and psychic scars are plainly visible - was so enormous and so inexplicable, and, worst of all, the victims and their executioners were so intimately entangled, so indistinguishable at times, that, following a brief and torturous period of examination, the country's population has conspired to treat it as a force of nature.

The next morning I told Mom I couldn’t go to school again. She asked what was wrong. I told her, “The same thing that’s always wrong.” “You’re sick?” “I’m sad.” “About Dad?” “About everything.” She sat down on the bed next to me, even though I knew she was in a hurry. “What’s everything?” I started counting on my fingers: “The meat and dairy products in our refrigerator, fistfights, car accidents, Larry—” “Who’s Larry?” “The homeless guy in front of the Museum of Natural History who always says ‘I promise it’s for food’ after he asks for money.” She turned around and I zipped her dress while I kept counting. “How you don’t know who Larry is, even though you probably see him all the time, how Buckminster just sleeps and eats and goes to the bathroom and has no raison d’être, the short ugly guy with no neck who takes tickets at the IMAX theater, how the sun is going to explode one day, how every birthday I always get at least one thing I already have, poor people who get fat because they eat junk food because it’s cheaper . . . ” That was when I ran out of fingers, but my list was just getting started, and I wanted it to be long, because I knew she wouldn’t leave while I was still going. “ . . . domesticated animals, how I have a domesticated animal, nightmares, Microsoft Windows, old people who sit around all day because no one remembers to spend time with them and they’re embarrassed to ask people to spend time with them, secrets, dial phones, how Chinese waitresses smile even when there’s nothing funny or happy, and also how Chinese people own Mexican restaurants but Mexican people never own Chinese restaurants, mirrors, tape decks, my unpopularity at school, Grandma’s coupons, storage facilities, people who don’t know what the Internet is, bad handwriting, beautiful songs, how there won’t be humans in fifty years—

The evidence of cheetah genetic monotony would only grow. Bob Wayne, a talented postdoctoral fellow in our lab, examined cranial measurements and the bilateral symmetry of cheetah skulls. Although no one is certain why, in most livestock, asymmetry in skeletal characteristics (the difference between right and left measures of a trait) increases with inbreeding. Bob measured sixteen bilateral traits in thirty-three cheetah skulls held in natural history museums in Washington, Chicago, and New York. The study was not perfect because several of the skulls were incomplete due to a bullet hole in the skull. Nonetheless, in nearly every case, cheetah skulls were more asymmetric compared to the skulls of leopards, ocelots, or margays. When I explained these skull results in a television interview, the correspondent asked, "Dr. O'Brien, are you telling me that these cheetahs are lopsided?" Not exactly, but the cheetahs certainly looked very inbred.

As they moved through the halls and galleries the children darting from one exhibit to another, he felt at peace with the world. There was nothing like a museum for calming the mind, for putting the problems of everyday life in their true perspective. Here, surrounded by the infinite variety and wonder of Nature, he was reminded of truths he had forgotten. He was only one of a million million creatures that shared this planet Earth. The entire human race, with its hopes and fears, its triumphs and its follies, might be no more than an incident in the history of the world. As he stood before the monstrous bone of Diplodocus - the children for once awed and silent - he felt the winds of Eternity blowing through his soul. He could no longer take so seriously the gnawing of ambition, the belief that he was the man the nation needed. What nation, if it came to that? A mere two centuries ago this summer, the Declaration of Independence had been signed but this old American had lain in the Utah rocks for a hundred million years -

So acquire the habit of being present at this activity of the material and moral universe. Learn to look; compare what is before you with your familiar or secret ideas. Do not see in a town merely houses, but human life and history. Let a gallery or a museum show you something more than a collection of objects, let it show you schools of art and of life, conceptions of destiny and of nature, successive or varied tendencies of technique, of inspiration, of feeling. Let a workshop speak to you not only of iron and wood, but of man's estate, of work, of ancient and modern social economy, of class relationships. Let travel tell you of mankind; let scenery remind you of the great laws of the world; let the stars speak to you of measureless duration; let the pebbles on your path be to you the residue of the formation of the earth; let the sight of a family make you think of past generations; and let the least contact with your fellows throw light on the highest conception of man. If you cannot look thus, you will become, or be, a man of only commonplace mind. A thinker is like a filter, in which truths as they pass through leave their best substance behind.

Trusting to this unity of civilized races countless people left hearth and home to live in strange lands and trusted their fortunes to the friendly relations existing between the various countries. And even he who was not tied down to the same spot by the exigencies of life could combine all the advantages and charms of civilized countries into a newer and greater fatherland which he could enjoy without hindrance or suspicion. He thus took delight in the blue and the grey ocean, the beauty of snow clad mountains and of the green lowlands, the magic of the north woods and the grandeur of southern vegetation, the atmosphere of landscapes upon which great historical memories rest, and the peace of untouched nature. The new fatherland was to him also a museum, filled with the treasure that all the artists of the world for many centuries had created and left behind. While he wandered from one hall to another in this museum he could give his impartial appreciation to the varied types of perfection that had been developed among his distant compatriots by the mixture of blood, by history, and by the peculiarities of physical environment. Here cool, inflexible energy was developed to the highest degree, there the graceful art of beautifying life, elsewhere the sense of law and order, or other qualities that have made man master of the earth.

At that time Eugene had quite reached the conclusion that there was no hereafter—there was nothing save blind, dark force moving aimlessly—where formerly he had believed vaguely in a heaven and had speculated as to a possible hell. His reading had led him through some main roads and some odd by-paths of logic and philosophy. He was an omnivorous reader now and a fairly logical thinker. He had already tackler Spencer's 'First Principles,' which had literally torn him up by the roots and set him adrift and from that had gone back to Marcus Aurelius, Epictetus, Spinoza and Schopenhauer—men who ripped out all his private theories and wonder what life really was. He had walked the streets for a long time after reading some of these things, speculating on the play of forces, the decay of matter, the fact that thought-forms had no more stability than cloud-forms. Philosophies came and went, governments came and went, races arose and disappeared. He walked into the great natural history museum of New York once to discover enormous skeletons of prehistoric animals—things said to have lived two, three, five millions of years before his day and he marvelled at the forces which produced them, the indifference, apparently, with which they had been allowed to die. Nature seemed lavish of its types and utterly indifferent to the persistence of anything. He came to the conclusion that he was nothing, a mere shell, a sound, a leaf which had no great significance, and for the time being it almost broke his heart. It tended to smash his egotism, to tear away his intellectual pride. He wandered about dazed, hurt, moody, like a lost child. But he was thinking persistently. ¶ Then came Darwin, Huxley, Tyndall, Lubbock—a whole string of British thinkers who fortified the original conclusions of the others, but showed him a beauty, a formality, a lavishness of form and idea in nature's methods which fairly transfixed him. He was still reading—poets, naturalists, essayists, but he was still gloomy. Life was nothing save dark forces moving aimlessly. ¶ The manner in which he applied this thinking to his life was characteristic and individual. To think that beauty should blossom for a little while and disappear for ever seemed sad. To think that his life should endure but for seventy years and then be no more was terrible. He and Angela were chance acquaintances—chemical affinities—never to meet again in all time. He and Christina, he and Ruby—he and anyone—a few bright hours were all they could have together, and then would come the great silence, dissolution, and he would never be anymore. It hurt him to think of this, but it made him all the more eager to live, to be loved while he was here. If he could only have a lovely girl's arms to shut him in safely always!

I had long wanted to see “true” indigo, and thought that drugs might be the way to do this. So one sunny Saturday in 1964, I developed a pharmacologic launchpad consisting of a base of amphetamine (for general arousal), LSD (for hallucinogenic intensity), and a touch of cannabis (for a little added delirium). About twenty minutes after taking this, I faced a white wall and exclaimed, “I want to see indigo now—now!” And then, as if thrown by a giant paintbrush, there appeared a huge, trembling, pear-shaped blob of the purest indigo. Luminous, numinous, it filled me with rapture: It was the color of heaven, the color, I thought, which Giotto had spent a lifetime trying to get but never achieved—never achieved, perhaps, because the color of heaven is not to be seen on earth. But it had existed once, I thought—it was the color of the Paleozoic sea, the color the ocean used to be. I leaned toward it in a sort of ecstasy. And then it suddenly disappeared, leaving me with an overwhelming sense of loss and sadness that it had been snatched away. But I consoled myself: Yes, indigo exists, and it can be conjured up in the brain. For months afterward, I searched for indigo. I turned over little stones and rocks near my house, looking for it. I examined specimens of azurite in the natural history museum—but even they were infinitely far from the color I had seen. And then, in 1965, when I had moved to New York, I went to a concert in the Egyptology gallery of the Metropolitan Museum of Art. In the first half, a Monteverdi piece was performed, and I was utterly transported. I had taken no drugs, but I felt a glorious river of music, four hundred years long, flowing from Monteverdi’s mind into my own. In this ecstatic mood, I wandered out during the intermission and looked at the ancient Egyptian objects on display—lapis lazuli amulets, jewelry, and so forth—and I was enchanted to see glints of indigo. I thought: Thank God, it really exists! During the second half of the concert, I got a bit bored and restless, but I consoled myself, knowing that I could go out and take a “sip” of indigo afterward. It would be there, waiting for me. But when I went out to look at the gallery after the concert was finished, I could see only blue and purple and mauve and puce—no indigo. That was nearly fifty years ago, and I have never seen indigo again.

Between 2003 and 2008, Iceland’s three main banks, Glitnir, Kaupthing and Landsbanki, borrowed over $140 billion, a figure equal to ten times the country’s GDP, dwarfing its central bank’s $2.5 billion reserves. A handful of entrepreneurs, egged on by their then government, embarked on an unprecedented international spending binge, buying everything from Danish department stores to West Ham Football Club, while a sizeable proportion of the rest of the adult population enthusiastically embraced the kind of cockamamie financial strategies usually only mooted in Nigerian spam emails – taking out loans in Japanese Yen, for example, or mortgaging their houses in Swiss francs. One minute the Icelanders were up to their waists in fish guts, the next they they were weighing up the options lists on their new Porsche Cayennes. The tales of un-Nordic excess are legion: Elton John was flown in to sing one song at a birthday party; private jets were booked like they were taxis; people thought nothing of spending £5,000 on bottles of single malt whisky, or £100,000 on hunting weekends in the English countryside. The chief executive of the London arm of Kaupthing hired the Natural History Museum for a party, with Tom Jones providing the entertainment, and, by all accounts, Reykjavik’s actual snow was augmented by a blizzard of the Colombian variety. The collapse of Lehman Brothers in late 2008 exposed Iceland’s debts which, at one point, were said to be around 850 per cent of GDP (compared with the US’s 350 per cent), and set off a chain reaction which resulted in the krona plummeting to almost half its value. By this stage Iceland’s banks were lending money to their own shareholders so that they could buy shares in . . . those very same Icelandic banks. I am no Paul Krugman, but even I can see that this was hardly a sustainable business model. The government didn’t have the money to cover its banks’ debts. It was forced to withdraw the krona from currency markets and accept loans totalling £4 billion from the IMF, and from other countries. Even the little Faroe Islands forked out £33 million, which must have been especially humiliating for the Icelanders. Interest rates peaked at 18 per cent. The stock market dropped 77 per cent; inflation hit 20 per cent; and the krona dropped 80 per cent. Depending who you listen to, the country’s total debt ended up somewhere between £13 billion and £63 billion, or, to put it another way, anything from £38,000 to £210,000 for each and every Icelander.

In the early 1680s, at just about the time that Edmond Halley and his friends Christopher Wren and Robert Hooke were settling down in a London coffee house and embarking on the casual wager that would result eventually in Isaac Newton’s Principia, Hemy Cavendish’s weighing of the Earth, and many of the other inspired and commendable undertakings that have occupied us for much of the past four hundred pages, a rather less desirable milestone was being passed on the island of Mauritius, far out in the Indian Ocean some eight hundred miles off the east coast of Madagascar. There, some forgotten sailor or sailor’s pet was harrying to death the last of the dodos, the famously flightless bird whose dim but trusting nature and lack of leggy zip made it a rather irresistible target for bored young tars on shore leave. Millions of years of peaceful isolation had not prepared it for the erratic and deeply unnerving behavior of human beings. We don’t know precisely the circumstances, or even year, attending the last moments of the last dodo, so we don’t know which arrived first a world that contained a Principia or one that had no dodos, but we do know that they happened at more or less the same time. You would be hard pressed, I would submit to find a better pairing of occurrences to illustrate the divine and felonious nature of the human being-a species of organism that is capable of unpicking the deepest secrets of the heavens while at the same time pounding into extinction, for no purpose at all, a creature that never did us any harm and wasn’t even remotely capable of understanding what we were doing to it as we did it. Indeed, dodos were so spectacularly short on insight it is reported, that if you wished to find all the dodos in a vicinity you had only to catch one and set it to squawking, and all the others would waddle along to see what was up. The indignities to the poor dodo didn’t end quite there. In 1755, some seventy years after the last dodo’s death, the director of the Ashmolean Museum in Oxford decided that the institution’s stuffed dodo was becoming unpleasantly musty and ordered it tossed on a bonfire. This was a surprising decision as it was by this time the only dodo in existence, stuffed or otherwise. A passing employee, aghast tried to rescue the bird but could save only its head and part of one limb. As a result of this and other departures from common sense, we are not now entirely sure what a living dodo was like. We possess much less information than most people suppose-a handful of crude descriptions by "unscientific voyagers, three or four oil paintings, and a few scattered osseous fragments," in the somewhat aggrieved words of the nineteenth century naturalist H. E. Strickland. As Strickland wistfully observed, we have more physical evidence of some ancient sea monsters and lumbering saurapods than we do of a bird that lived into modern times and required nothing of us to survive except our absence. So what is known of the dodo is this: it lived on Mauritius, was plump but not tasty, and was the biggest-ever member of the pigeon family, though by quite what margin is unknown as its weight was never accurately recorded. Extrapolations from Strickland’s "osseous fragments" and the Ashmolean’s modest remains show that it was a little over two and a half feet tall and about the same distance from beak tip to backside. Being flightless, it nested on the ground, leaving its eggs and chicks tragically easy prey for pigs, dogs, and monkeys brought to the island by outsiders. It was probably extinct by 1683 and was most certainly gone by 1693. Beyond that we know almost nothing except of course that we will not see its like again. We know nothing of its reproductive habits and diet, where it ranged, what sounds it made in tranquility or alarm. We don’t possess a single dodo egg. From beginning to end our acquaintance with animate dodos lasted just seventy years.

Moa mock hunt reconstructed by Augustus Hamilton Giant Haast's eagle attacking New Zealand moa by John Megahan Auroch bull restoration by DFoidl Dodo at Oxford University Museum of Natural History by BazzaDaRambler Elephant bird - author unknown Bluebuck by le Vaillant 1781 Great Auk reconstruction at Kelvingrove, Glasgow by Mike Pennington Quagga photograph - Regent's Park ZOO, London by F. York Stephens Island wren by John Gerrard Keulemans Honshu wolf from The Chrysanthemum Magazine February 1881

Nature does not work to minimize suffering and maximize happiness. Should we thank the E. coli bacteria in our guts that help us to digest certain foods? Should we, alternatively, blame the virus that is breaking down our immune systems and spreading through the host population? These organisms are not evil or noble creatures, intentionally wreaking havoc or health; they are simply doing what comes naturally, which is to say, reproducing. This is not meant to sound callous or insensitive, for it is obvious that our struggle with other organisms matters a great deal to us, causing real delight and real despair. But from the more general evolutionary perspective, this drama is value-neutral.

Physicians amassed knowledge, but that knowledge did not lead to improved patient management. Visitors to France from Britain and the United States even expressed serious moral reservations about Paris and its priorities. They noted that all too often physicians were little concerned about alleviating suffering or preserving life; surgeons, it was said, regarded operations as primarily a means to achieve greater manual dexterity, and the curriculum did not stress that the primary mission was to heal. Knowledge and its advancement were all that counted. Patients were objects to be observed as if they were displays in a natural history museum or stage props in a theater, and their presence on a ward was principally a means to serve science. Dr.

over her mouth to stifle a giggle. She wouldn’t have had Her Majesty down as a heckler. Poor Lankester looked aghast, as you might if the most powerful person in the world was barracking you. The man tried to carry on as best he could. “YOUR MAJESTY, MY LORDS, LADIES AND GENTLEMEN,” he began again, his voice cracking with nerves. “As director of the Natural History Museum, it is a huge honour to house what I am sure you will all agree is the greatest find of the century. When a group of explorers set off across the Arctic…

During Peabody’s last years, the scope of his charity grew dazzling. He endowed a natural history museum at Yale University, an archaeology and ethnology museum at Harvard, and an educational fund for emancipated southern blacks. For this last, he handed over a $1-million batch of defaulted Mississippi and

1681: First museum of natural history in London.

When I think about the history of slavery and racism in this country, I think about how quick we are to espouse notions of progress without accounting for its uncertain and serpentine path. I think of how decades of racial violence have shaped everything we see, but sometimes I find myself forgetting its impact on those right beside me. I forget that many of the men and women who spat on the Little Rock Nine are still alive. I forget that so many of the people who threw rocks at Dr. King are still voting in our elections. I forget that, but for the arbitrary nature of circumstance, what happened to Emmett Till could have happened to my grandfather. That the children who threw food at my grandmother and called her a nigger are likely bouncing their own great-grandchildren on their laps. That the people who lynched a man in my grandfather's town may have had children who inherited their parents' hatred. That the woman who stood alongside the Obamas to officially open the National Museum of African American History and Culture was the daughter of a man born into slavery. My grandfather's grandfather was born into slavery, while my grandmother's grandfather was born at its edge. We tell ourselves that the most nefarious displays of racial violence happened long ago, when they were in fact not so long ago at all. These images and videos that appall our twenty-first-century sensibilities are filled with people who are still among us. There are people still alive today who knew and held and loved people who were born into slavery. I do not misunderstand the language of progress. Though I realize that I do not yet have all the words to discuss a crime that is still unfolding. But I do know that spending the day with my grandparents in a museum documenting the systemic and interpersonal violence they witnessed the hand that beat them and the laws that said it was okay reminded me that in the long arc of the universe, even the most explicit manifestations of racism happened a short time ago.

He was forced to resign from the Museum in 1917 because of ill health.

And now the reader will ask what became of the three penguins' eggs for which three human lives had been risked three hundred times a day, and three human frames strained to the utmost extremity of human endurance. Let us leave the Antarctic for a moment and conceive ourselves in the year 1913 in the Natural History Museum in South Kensington. I had written to say that I would bring the eggs at this time. Present, myself, C.-G., the sole survivor of the three, with First or Doorstep Custodian of the Sacred Eggs. I did not take a verbatim report of his welcome; but the spirit of it may be dramatized as follows: First Custodian. Who are you? What do you want? This ain't an egg-shop. What call have you to come meddling with our eggs? Do you want me to put the police on to you? Is it the crocodile's egg you're after? I don't know nothing about 'no eggs. You'd best speak to Mr. Brown: it's him that varnishes the eggs. I resort to Mr. Brown, who ushers me into the presence of the Chief Custodian, a man of scientific aspect, with two manners: one, affably courteous, for a Person of Importance (I guess a Naturalist Rothschild at least) with whom he is conversing, and the other, extraordinarily offensive even for an official man of science, for myself. I announce myself with becoming modesty as the bearer of the penguins' eggs, and proffer them. The Chief Custodian takes them into custody without a word of thanks, and turns to the Person of Importance to discuss them. I wait. The temperature of my blood rises. The conversation proceeds for what seems to me a considerable period. Suddenly the Chief Custodian notices my presence and seems to resent it. Chief Custodian. You needn't wait. Heroic Explorer. I should like to have a receipt for the eggs, if you please. Chief Custodian. It is not necessary: it is all right. You needn't wait. Heroic Explorer. I should like to have a receipt. But by this time the Chief Custodian's attention is again devoted wholly to the Person of Importance. Feeling that to persist in overhearing their conversation would be an indelicacy, the Heroic Explorer politely leaves the room, and establishes himself on a chair in a gloomy passage outside, where he wiles away the time by rehearsing in his imagination how he will tell off the Chief Custodian when the Person of Importance retires. But this the Person of Importance shows no sign of doing, and the Explorer's thoughts and intentions become darker and darker. As the day wears on, minor officials, passing to and from the Presence, look at him doubtfully and ask his business. The reply is always the same, "I am waiting for a receipt for some penguins' eggs." At last it becomes clear from the Explorer's expression that what he is really waiting for is not to take a receipt but to commit murder. Presumably this is reported to the destined victim: at all events the receipt finally comes; and the Explorer goes his way with it, feeling that he has behaved like a perfect gentleman, but so very dissatisfied with that vapid consolation that for hours he continues his imaginary rehearsals of what he would have liked to have done to that Custodian (mostly with his boots) by way of teaching him manners.

None of them seemed concerned that the most wanted bomber in America might want to spend the day at the Natural History Museum.

He had the kind of forehead you rarely see outside of the Museum of Natural History.

For the first time in the history of the Federal Republic of Germany, the task of subjecting the colonial legacy to reappraisal has even been adopted as an element of government policy: the programme of the fourth Merkel government states that ‘it is part of the fundamental democratic consensus in Germany that the Nazi reign of terror, the SED dictatorship and Germany’s colonial history need to be reappraised and come to terms with’. Despite this, the debate is concentrated on a narrow range of topics: for example, war crimes and genocide, and whether particular objects in museums were legally acquired. That colonialism in itself was structurally criminal gets lost sight of. For it is indeed the case that not merely were crimes committed under colonialism, as is generally conceded, but rather that colonialism itself is criminal. There is a distinct lack of awareness of this. A favourite method of approaching the issue is to draw up a balance sheet: aspects of colonialism that are considered to have been positive – the ‘civilizatory achievements’ – are set off against the excessively violent episodes. In this way, war crimes are transformed into exceptional events: the genocide committed against the Herero and Nama, for example, is above all laid at the door of the commanding general, Lothar von Trotha. This is alarmingly reminiscent of the strategy with which German colonial offcials sought to justify particularly brutal events in German South West Africa, as is depicted in my book. The blame always lay only with individuals; nobody called the racist colonial system itself into question. Pointing the finger at individuals who bore a particular degree of blame serves to push the structurally racist and structurally criminal nature of colonialism into the background.

One of the curators at the Natural History Museum responsible for lice was Bruce Frederic Cummings, who joined the staff in January 1912.

This was the beginning of my political life. It was a strange place for the political life of a Kenyan man to be born - among antiques shops crowded with bric-a-brac, on scholarship in a world I could spend a lifetime in without understanding. But there it was. I saw the system: cities like Hong Kong and New York and London at the center, vortexes into which goods from all over the world were pulled. Places where things became materials. Where things became commodities. And on the other end of all of that, the places people like me were from - the extraction zones where the tug of all this displacement began. I saw the slave ships then, moving like shuttles in a loom across the sea. I saw the sugarcane fields and the cotton plantations. I saw the taxidermized bodies of our African animals in Western museums. I saw the rare earth metals in every terminal in every hand in Hong Kong, London, New York. I saw everything that was torn from its natural environment to become a material, to become anonymous, denatured. I saw all of that. But for some reason - perhaps because I grew up here, among the elephants, what caught my eye, always, was ivory. It stood out, white and gleaming among the other objects in every display - like maggots in a wound. And I understood: I know what it is like to be from an extraction zone. What it is like to grow up in a place where the taking begins. But an elephant knows what it is like to be an extraction zone. That is their history. The elephant is enormous, but it is not as gigantic as the history of human exploitation.

Good,” Mr. Axelrod said, “but we cannot meet you at the airport. Are you familiar with the Museum of Natural History at the Smithsonian?

I wanted to go back to England with her. To London with her. Taking her to the Science Museum, the Natural History Museum, revisiting Norwich again but this time with her, to the Wizarding World, to the castles, the historical places, the old British-style bookshops, the Piccadilly Circus, or the Oxbridge vibes. I ruined it myself. It is no longer possible, I am no longer even able to see the beauty of that world, that country anymore. I can never go there for any purposes like that. I can never take anyone. You made everything beautiful. It’s all gone.

Until the advent of metal tubes for paint, invented in 1841, an artist’s studio looked like a cross between an apothecary shop and a natural history museum.*

When we reached the last room, I asked Katy which picture was her favorite. She led me back to the one that had stumped her in the synonym department. Her sister, Emily, who’s fourteen and had been off wandering through the Met’s collection of European paintings, then showed me her favorite piece in the museum: a Monet water lily (the first she’d ever seen) from 1919. This is when I let each girl in on a secret: It can be yours. No different from falling in love with a song, one may fall in love with a work of art and claim it as one’s own. Ownership does not come free. One must spend time with it; visit at different times of the day or evening; and bring to it one’s full attention. The investment will be repaid as one discovers something new with each viewing—say, a detail in the background, a person nearly cropped from the picture frame, or a tiny patch of canvas left unpainted, deliberately so, one may assume, as if to remind you not to take all the painted parts for granted. This is true not just for New Yorkers but for anyone anywhere with art to be visited—art being a relative term, in my definition. Your Monet may, in fact, be an unpolished gemstone or mineral element. Natural history museums are filled with beauties fairly begging to be adopted. Stay alert. Next time a tattered Egyptian mummy speaks to you across the ages, don’t walk away. Stay awhile. Spend some time with it. Give it a proper name: Yours. But don’t be hasty. You must be sure you are besotted. When it happens, you will know.

He had become aware of the eyes of the Daylight Folk on him. Hopeful, expectant, suspicious or dazed, they watched him from the parapet and from the crenellations of the Natural History Museum, their wings spread like banners against the sky. And now he could see the Midnight Folk, too, drawn by whatever mystery had been at work on these rooftops: Atlas, and Luna, and Diamondback, and Cinnabar. For a moment, Cinnabar stood aloof on the parapet. Then Brimstone held out his hand to her, and she went to join him. My people, Tom thought to himself, and put up his hand to cover a smile. It was ridiculous, of course, and yet it felt so natural. As natural as being in love. As natural as flying. Spider pulled at the silver thread again. Between his fingers, Tom now saw an intricate cat's cradle of light that seemed to extend in multiple directions. 'With this, you can go anywhere,' said Spider, lifting the cradle of light. 'You could stay here, in London Before. You could go back to the London you know. Or you could reclaim your Kingdom, and lead your people home. Your choice.' He passed the cat's cradle over Tom's head. As it touched him, the net of light settled over Tom's shoulders, becoming a kind of mantle: golden, soft as spider silk, light as woven thistledown. He made the same gesture over Charissa, and she too was draped in gossamer. And with the mantle came a scent of green woods and of summertime; of distant spices, unnamed blooms, and blackberries, and honeycomb.

My wife had been murdered by a criminal. The remainder of my life—short, I hoped—was to be spent in seeking that criminal. But the trap that I set to catch him would probably catch other criminals first; and since the available method of identification could not be applied to newly-acquired specimens while in the living state, it followed that each would have to be reduced to the condition in which identification would be possible. And if, on inspection, the specimen acquired proved to be not the one sought, I should have to add it to the collection and rebait the trap. That was evidently the only possible plan. "But before embarking on it I had to consider its ethical bearings. Of the legal position there was no question. It was quite illegal. But that signified nothing. There are recent human skeletons in the Natural History Museum; every art school in the country has one and so have many board schools. What is the legal position of the owners of those human remains? It will not bear investigation. As to the Hunterian Museum, it is a mere resurrectionist's legacy. That the skeleton of O'Brian was obtained by flagrant body-snatching is a well-known historical fact, but one at which the law, very properly, winks. Obviously the legal position was not worth considering. "But the ethical position? To me it looked quite satisfactory, though clearly at variance with accepted standards. For the attitude of society towards the criminal appears to be that of a community of stark lunatics. In effect, society addresses the professional criminal somewhat thus: "'You wish to practice crime as a profession, to gain a livelihood by appropriating—by violence or otherwise—the earnings of honest and industrious men. Very well, you may do so on certain conditions. If you are skilful and cautious you will not be molested. You may occasion danger, annoyance and great loss to honest men with very little danger to yourself unless you are clumsy and incautious; in which case you may be captured. If you are, we shall take possession of your person and detain you for so many months or years. During that time you will inhabit quarters better than you are accustomed to; your sleeping-room will be kept comfortably warm in all weathers; you will

I noticed many of the familiar red stamps. Some were, of course, the stamps of the artists—but there were others. One piece of calligraphy was covered in them. Lucie and Sherry explained: Ancient Chinese scholars and nobility, if they liked a work of art, would sometimes stamp it with their stamp too. One emperor in particular loved to do this, and would take beautiful sculptures or pieces of jade—centuries old—and have his stamp and perhaps some lines of his poetry carved into them. What a fascinating mind-set. Imagine being a king, deciding that you particularly liked Michelangelo’s David, and so having your signature carved across the chest. That’s essentially what this was. The concept was so striking, I began playing with a stamp magic in my head. Soulstamps, capable of rewriting the nature of an object’s existence. I didn’t want to stray too close to Soulcasting from the Stormlight world, and so instead I used the inspiration of the museum—of history—to devise a magic that allowed rewriting an object’s past.

Look at a current list of the most popular tourist attractions in London and you would probably come up with a Top Ten which would include the British Museum, the Tate Modern, the National Gallery, the Natural History Museum, the London Eye, the Science Museum, the V&A, Madame Tussaud’s Wax Works, the National Maritime Museum, and the Tower of London. Throw in St. Paul’s Cathedral and Westminster Abbey and you have a dozen of the most popular sites

Albert, friend to royalty,” Beatrix said later at the Rutledge Hotel, laughing as she sat on the floor of their suite and examined the new collar. “I hope you don’t get above yourself, and put on airs.” “Not around your family, he won’t,” Christopher said, stripping off his coat and waistcoat, and removing his cravat. He lowered himself to the settee, relishing the coolness of the room. Albert went to drink from his bowl of water, lapping noisily. Beatrix went to Christopher, stretched full length atop him, and braced her arms on his chest. “I was so proud of you today,” she said, smiling down at him. “And perhaps a tiny bit smug that with all the women swooning and sighing over you, I’m the one you went home with.” Arching a brow, Christopher asked, “Only a tiny bit smug?” “Oh, very well. Enormously smug.” She began to play with his hair. “Now that all this medal business is done with, I have something to discuss with you.” Closing his eyes, Christopher enjoyed the sensation of her fingers stroking his scalp. “What is it?” “What would you say to adding a new member to the family?” This was not an unusual question. Since they had established a household at Riverton, Beatrix had increased the size of her menagerie, and was constantly occupied with animal-related charities and concerns. She had also compiled a report for the newly established natural history society in London. For some reason it had not been at all difficult to convince the group of elderly entomologists, ornithologists, and other naturalists to include a pretty young woman in their midst. Especially when it became clear that Beatrix could talk for hours about migration patterns, plant cycles, and other matters relating to animal habitats and behavior. There was even discussion of Beatrix’s joining a board to form a new natural history museum, to provide a lady’s perspective on various aspects of the project. Keeping his eyes closed, Christopher smiled lazily. “Fur, feathers, or scales?” he asked in response to her earlier question. “None of those.” “God. Something exotic. Very well, where will this creature come from? Will we have to go to Australia to collect it? Iceland? Brazil?” A tremor of laughter went through her. “It’s already here, actually. But you won’t be able to view it for, say…eight more months.” Christopher’s eyes flew open. Beatrix was smiling down at him, looking shy and eager and more than a little pleased with herself. “Beatrix.” He turned carefully so that she was underneath him. His hand came to cradle the side of her face. “You’re sure?” She nodded. Overwhelmed, Christopher covered her mouth with his, kissing her fiercely. “My love…precious girl…” “It’s what you wanted, then?” she asked between kisses, already knowing the answer. Christopher looked down at her through a bright sheen of joy that made everything blurred and radiant. “More than I ever dreamed. And certainly more than I deserve.” Beatrix’s arms slid around his neck. “I’ll show you what you deserve,” she informed him, and pulled his head down to hers again.

That our age is thought to be less epic than those worlds on offer at natural history museums is only an illusion.

I think he’s into the nerdy schoolgirl thing. He talks about you like you’re something he found in a natural history museum.

we’d been uptown at the Museum of Natural History at the time, safe beneath the blue whale hanging by its dorsal fin, unarmed and pacific, silent as ever, a sentinel in the lurid tabloid nightmare this city’s been dreaming.