“
Mountains are to the rest of the body of the earth, what violent muscular action is to the body of man. The muscles and tendons of its anatomy are, in the mountain, brought out with force and convulsive energy, full of expression, passion, and strength.
”
”
John Ruskin
“
THIS IS WHAT A MAN LOOKS LIKE. HE DOES NOT HAVE TO BE AESTHETICALLY PLEASING; HE DOES NOT HAVE TO BE MUSCULAR; HE DESERVES NOT TO BE PHOTOSHOPPED. HE IS HUMAN, AND HE HAS BLEMISHES. HERE HE STANDS, VISIBLE. HE SEES YOU ALL, COUNTLESS INVISIBLE OTHERS LIKE HIM. THIS BODY IS ACCEPTABLE — PUBESCENT, AWKWARD, MARRED. YOU DON’T HAVE TO BE INVISIBLE. WE ARE ALL GOOD ENOUGH. THERE IS NOTHING WRONG WITH OUR BODIES.
”
”
Agnostic Zetetic
“
The application of consistent, logical effort, over a prolonged period is the key to reaching your physical muscular potential.
”
”
Craig Cecil (Supermen: Building Maximum Muscle for a Lifetime)
“
More often than not, expecting to lose weight without first losing the diet that made the weight loss necessary is like expecting a pig to be spotless after hosing it down while it was still rolling in mud.
”
”
Mokokoma Mokhonoana
“
Since the experience is different for each individual, the tension will reflect that experience. In some persons the whole lower half of the body is relatively immobilized and held in a passive state; in others the muscular tensions are localized in the pelvic floor and around the genital apparatus. If the latter sort of tension is severe, it constitutes a functional castration; for, although the genitals operate normally, they are dissociated in feeling from the rest of the body. Any reduction of sexual feeling amounts to a psychological castration. Generally the person is unaware of these muscular tensions, but putting pressure upon the muscles in the attempt to release the tension is often experienced as very painful and frightening.
”
”
Alexander Lowen (Fear Of Life)
“
What is wrong with looking muscular? Muscles are beautiful. Strength is beautiful. Muscle tissue is beautiful. It is metabolically, medically, and philosophically beautiful. Muscles retreat when they're not used, but they will always come back if you give them good reason. No matter how old you get, your muscles never lose hope. Few cells of the body are as capable as muscle cells are of change and reformation, of achievement and transcendence.
”
”
Natalie Angier (Woman: An Intimate Geography)
“
She is a woman of muscle twisted around bone.
”
”
Veronica Roth (Allegiant (Divergent, #3))
“
In his books, Dr. Alexander Lowen put into words the anguish I could not describe. He explained how a repressed experience was converted into a physical symptom. Intense sexual energy that had not been resolved or discharged would be forced into muscles, causing chronic muscular tensions. Finally, someone understood my pain…at least that one. Chronic muscular tension may not sound like a big deal but I have lived in a body primed for lifting a car. The muscles never let go. Even when I awaken, they are flexed to the max. It’s called “muscular armoring.
”
”
Marilyn Van Derbur (Miss America By Day: Lessons Learned From Ultimate Betrayals And Unconditional Love)
“
You will remember that every psychological or inner state finds some outer representation via the moving centre—that is, it is represented in some particular muscular movements or contractions, etc. You may have noticed that a state of worry is often reflected by a contracted wrinkling of the forehead or a twisting of the hands. States of joy never have this representation. Negative states, states of worry, or fear, or anxiety, or depression, represent themselves in the muscles by contraction, flexion, being bowed down, etc. (and often, also, by weakness in the muscles), whereas opposite emotional states are reflected into the moving centre as expansion, as standing upright, as extension of the limbs, relaxing of tension, and usually by a feeling of strength. To stop worry, people who worry and thereby frown too much or pucker up and corrugate their foreheads, clench their fists, almost cease breathing, etc., should begin here—by relaxing the muscles expressing the emotional state, and freeing the breath. Relaxing in general has behind it, esoterically speaking, the idea of preventing negative states. Negative states are less able to come when a person is in a state of relaxation. That is why it is said so often that it is necessary to practise relaxing every day, by passing the attention over the body and deliberately relaxing all tense muscles.
”
”
Maurice Nicoll (Psychological Commentaries on the Teaching of Gurdjieff and Ouspensky 1)
“
Movement is the province of the muscular system: a child who needs to inhibit his or her natural feelings, whether for healthy or unhealthy reasons, also unconsciously either inhibits muscles that would express those feelings or activates muscles opposing those muscles of expression. In either case, the effect is the same: using the muscular body to keep the unacceptable emotions "under wrap." Touch can disrupt the patterns of muscular tension intended to inhibit emotions; thus, touch can have the effect of changing a person's emotional responses and promoting emotional healing.
”
”
Elliot Greene (The Psychology of the Body (Lww Massage Therapy & Bodywork Educational Series))
“
[T]he pressure to become muscular begins even earlier, as evidenced by the extreme bulking up of male action figures. These popular toys, including G.I.Joe and Star Wars characters, have increased in muscle size every decade since the 1960s; such subtleties can begin to exert size pressure on boys at a young age.
”
”
Susan Morris Shaffer (Why Boys Don't Talk - and Why it Matters)
“
Certainly not. I do muscular work, because I have muscles; and if I don’t use my muscles I shall become a bad-tempered sitting-addict.
”
”
Aldous Huxley (Island)
“
We become muscular at whatever we are repeatedly exposed to. Same is true for all the unconscious habits we develop.
”
”
Monjyoti Bhattacharyya (A Relentless Pursuit of the Truth - A philosophical guide to living a life of fulfillment and meaning)
“
The charisma of the crowd comes from looking strong and muscular; the charisma of the individual comes from his ability to think! The crowd represents the muscle, the individual represents the mind!
”
”
Mehmet Murat ildan
“
wee clusters of muscle coming up on my arms and shoulders. It would be cool to have that sleek, feline, Iggy Pop look; muscular and defined but still slim and lithe. Seeker shows me how to be systematic
”
”
Irvine Welsh (Skagboys (Mark Renton Series Book 1))
“
Willpower doesn’t change everything. We can’t be just anything we want to be. My mother couldn’t will herself to be like she was when she was thirty or forty. She couldn’t choose to be normal — her muscles were degenerating.
”
”
Darcy Leech (From My Mother)
“
Hyperarousal. This may take the form of physical symptoms—increase in heart rate, sweating, difficulty breathing (rapid, shallow, panting, etc.), cold sweats, tingling, and muscular tension. It can also manifest as a mental process in the form of increased repetitious thoughts, racing mind, and worry. If we allow ourselves to acknowledge these thoughts and sensations, in other words let them have their natural flow, they will peak, then begin to diminish and resolve. As this process occurs, we may experience trembling, shaking, vibration, waves of warmth, fullness of breath, slowed heart rate, warmth, relaxation of the muscles, and an overall feeling of relief, comfort, and safety.
”
”
Peter A. Levine (Healing Trauma: A Pioneering Program for Restoring the Wisdom of Your Body)
“
BLACK HAIR, BLUE EYES, GRACEFUL CHEEKBONES, THICK DARK LASHES, FULL MOUTH—HE WOULD HAVE BEEN PRETTY IF HE HAD NOT BEEN SO TALL AND SO MUSCULAR. SHE HAD RUN HER HANDS OVER THOSE ARMS. SHE KNEW WHAT THEY FELT LIKE—IRON, CORDED WITH HARD MUSCLES; HIS HANDS, WHEN THEY CUPPED THE BACK OF HER HEAD, SLIM AND FLEXIBLE BUT ROUGH WITH CALLUSES…
”
”
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
“
A sedentary lifestyle—too much time spent on couches or at desks and not enough movement—is the most common trigger for muscular atrophy. When we move our muscles as little as possible, with a sedentary lifestyle, we turn down our furnaces and literally cause our muscles to atrophy. When the cells atrophy, we feel even more tired because we have fewer mitochondria generating ATP. A vicious circle begins: less energy leading to less movement, which leads to less energy, which leads to less movement. Atrophy from a sedentary lifestyle leads to weight gain, loss of energy, and chronic aches and pains. But atrophy can be easily prevented, stopped, and even reversed with daily gentle full-body exercise.
”
”
Miranda Esmonde-White (Aging Backwards: Reverse the Aging Process and Look 10 Years Younger in 30 Minutes a Day)
“
Two hundred pounds of male muscle was on her bed, which she could honestly say was a first. The fact that he was large and muscular wasn’t really the big deal, but the fact that he was male, because at twenty-eight years old, she was very unhappily a virgin. It was something that she’d definitely never expected to happen to her and the one thing that she would give anything to change.
”
”
R.L. Mathewson (Christmas from Hell (Neighbor from Hell, #7))
“
This equation is very accurate for all but the extremely muscular and extremely obese, where it may overestimate caloric needs. Men: BMR = 66 + (13.7 × weight in kilograms) + (5 × height in centimeters) − (6.8 × age in years) Women: BMR = 655 + (9.6 × weight in kilograms) + (1.8 × height in centimeters) − (4.7 × age in years) Conversions: 1 inch = 2.54 centimeters 1 kilogram = 2.2 pounds
”
”
Tom Venuto (Burn the Fat, Feed the Muscle: Transform Your Body Forever Using the Secrets of the Leanest People in the World)
“
He undressed before her, dropping his shirt to reveal a tautly muscled torso and a chest covered with with black hair. His big-framed body was clearly built for power rather than elegance. Yet there was something innately graceful about the long lines of muscle and sinew, and the heavy breadth of his shoulders. He was a man who made a woman feel safe, and at the same time, deliciously overpowered.
”
”
Lisa Kleypas (Again the Magic (Wallflowers, #0))
“
I watched him, trying to decide if he was lying about how badly he was hurt, and suddenly like throwing open a pair of shutters, I saw the muscles of his back moving beneath his skin, the strength of his shoulders, the long-fingered grace of his hands. I had always known that Mildmay, despite being a good half foot shorter than I, was as muscular and agile as an acrobat, but now I saw that he was beautiful.
”
”
Sarah Monette (Mélusine (Doctrine of Labyrinths, #1))
“
Jesus must have had man hands. He was a carpenter, the Bible tells us. I know a few carpenters, and they have great hands, all muscled and worn, with nicks and callused pads from working wood together with hardware and sheer willpower. In my mind, Jesus isn't a slight man with fair hair and eyes who looks as if a strong breeze could knock him down, as he is sometimes depicted in art and film. I see him as sturdy, with a thick frame, powerful legs, and muscular arms. He has a shock of curly black hair and an untrimmed beard, his face tanned and lined from working in the sun. And his hands—hands that pounded nails, sawed lumber, drew in the dirt, and held the children he beckoned to him. Hands that washed his disciples' feet, broke bread for them, and poured their wine. Hands that hauled a heavy cross through the streets of Jerusalem and were later nailed to it. Those were some man hands.
”
”
Cathleen Falsani (Sin Boldly: A Field Guide for Grace)
“
Were men's knees supposed to be sexy? Their calves? One sight of Lucian's bony knee, delineated muscled thigh, and hard calf, lightly dusted with dark curling hair, made me want to reach out and stroke his leg, creep my hand under those shorts to cup what I knew would be firm and meaty and... damn.
Keeping my hands to myself and my mind out of his pants was going to be difficult. Which was weird; I loved men and sex, but I'd never been preoccupied by either. Until him.
”
”
Kristen Callihan (Make It Sweet)
“
He drew his fingers down over her collarbones drifting closer to her breasts. “The muscles here on our women are often as developed as ours.”
Judging by the heated look in his eyes, he didn’t mind at all that she had breasts instead of muscular pecs. “And here.”
Her pulse picked up as he cupped her breasts. “You’re rounder here. Softer. Fuller.” He squeezed them gently and drew his thumbs across the hard, sensitive peaks. Ava sucked in a breath as sensation shot through her.
“Do that again.”
He brushed his thumbs across the tight buds again., toyed with them and gave an experimental pinch. Ava jerked and arched against him.
“You’re sensitive here,” he murmured.
“Yes.”
His lips captured hers once more, tasting and tempting as he explored her breasts and ratcheted up her need. She and Jak’ri had been nearly bare with each other countless times in their dreams as they swam and cavorted in Rounaka Sea, but they had been out in the open and the dreams had felt so real that she would never have thought of doing her lustful inclinations there for fear of being discovered. Now, however, they were alone. They were free and the cave enclosing them might has well have been a Honeymoon suite at a secluded resort. So there was no reason for her to hold back. She moaned. Jak’ri certainly wasn’t holding back. The women of Purvel might not have breasts like hers, but he sure as hell knew what to do with them, teasing and tweaking and squeezing until she squirmed against him. Her breath shortening.
“Jak’ri,” she whispered, tunneling the fingers of one hand through his thick hair while she slid the other down his back and rocked against the thick, hard ridge concealed by his pants. “I want you.”
Nodding he trailed heated kisses down her neck. “I want you too.” One of his big hands left her breast and cupped her ass, grinding her against him. “Are you ready to release your eggs?”
Sensation shot through her. “Hmmm?”
“Are you ready to release your eggs so I can fertilize them?” he murmured, clutching her closer.
Her eyes flew open. “Wait, what?” She leaned back.
“I assume your reproduce the same way Purveli’s do,” he said, dragging his eyes up from her breasts to meet hers. “You release your eggs, then I fertilize them.”
She stared at him, stunned. Release her eggs? Did he mean like a…like a fish? Her gaze shot to the barely discernable scales that coated his broad chest and handsome face. Did Purveli’s not have sex the way humans and Lasaran’s did?
His lips twitched as his eyes danced with mirth. Relief filled her.
“Oh my gosh,” laughing Ava shoved one of his shoulders. “You are so bad.”
He laughed. “Apologies, I couldn’t resist. My scales seemed to fascinate you.
”
”
Dianne Duvall (The Purveli (Aldebarian Alliance, #3))
“
Since his back was to her front Chloe had to practically plaster herself against his wide back in order to unbutton his crisp dress shirt, but somehow she didn’t mind. From his low, masculine groan that her action had elicited, she assumed Mark didn’t mind either. His spicy, dangerous scent filled her head as she spread the shirt to find a smooth, muscular chest leading down to powerfully sculpted abs. She wondered what line of work Mark was in. Whatever it was, he certainly kept himself in shape.
“Are you enjoying yourself, Mistress?” His smart-ass tone threw her, breaking her concentration on his muscled chest.
“I’ll ask the questions,” Chloe snapped, deciding abruptly that it was time to move on. She still felt a definite lack of control in this situation and it made her nervous, shattering the fragile self-confidence she’d managed to build. But she couldn’t stop searching him now or he’d be the winner of this little confrontation.
She let her hands slide lower, past the waistband of his pants to the bulging crotch. Oh my God, is he for real? She hadn’t been with very many men—okay, two. She’d only been with two other men. But Mark more than measured up to any other guy in her experience. In fact, she could barely believe what she was feeling was real. It was a damn good thing rule number two was “never have sex with the client”. She was pretty sure she wouldn’t have been able to handle what Mark was packing.
“Uh, Mistress, that’s all me, not a toy.” Mark’s deep voice still held a hint of amusement though it was sounding rather strained now. “And you might want to think of it less as a ‘toy’ than a loaded gun. One that’s going to go off if you’re not careful.
”
”
Evangeline Anderson (Masks)
“
If the body is no longer a site of otherness but of identification, then we have urgently to become reconciled with it, repair it, perfect it, turn it into an ideal object. Everyone treats their bodies the way men treat women in projective identification: they invest them as a fetish, making an autistic cult of them, subjecting them to a quasi-incestuous manipulation. And it is the body's resemblance to its model which becomes a source of eroticism and 'white' seduction -- in the sense that it effects a kind of white magic of identity, as opposed to the black magic of otherness.
This is how it is with body-building: you get into your body as you would into a suit of nerve and muscle. The body is not muscular, but muscled. It is the same with the brain and with social relations or exchanges: body-building, brainstorming, word-processing. Madonna is the ideal specimen of this, our muscled Immaculate Conception, our muscular angel who delivers us from the weaknesses of the body (pity the poor shade of Marilyn!).
The sheath of muscles is the equivalent of character armour. In the past, women merely wrapped themselves in their image and their finery -- Freud speaks of those people who live with a kind of inner mirror, in a fleshly, happy self-reference. That narcissistic ideal is past and gone; body-building has wiped it out and replaced it with a gymnastic Ego-Ideal -- cold, hard, stressed, artificial self-reference. The construction of a double, of a physical and mental identity shell. Thus, in `body simulation', where you can animate your body remotely at any moment, the phantasy of being present in more than one body becomes an operational reality. An extension of the human being. And not a metaphorical or poetic extension, as in Pessoa's heteronyms, but quite simply a technical one.
”
”
Jean Baudrillard (The Perfect Crime)
“
Have a look if you like," she heard him say casually. "Unlike you, I'm not shy."
Clutching the sheets higher against her neck, Helen risked a timid glance at him... and then she couldn't look away.
Rhys was a magnificent sight, dressed only in trousers with braces hanging loosely along his lean hips. The flesh of his torso looked remarkably solid, as if it had been stitched to his bones with steel thread. Seeming comfortable in his half-naked state, he sat on the edge of the bed and began to remove his shoes. His back was layered with muscle upon muscle, the contours so defined that sun-colored skin gleamed as if polished.
”
”
Lisa Kleypas (Marrying Winterborne (The Ravenels, #2))
“
Competitive rowing is an undertaking of extraordinary beauty preceded by brutal punishment. Unlike most sports, which draw primarily on particular muscle groups, rowing makes heavy and repeated use of virtually every muscle in the body, despite the fact that a rower, as Al Ulbrickson liked to put it, “scrimmages on his posterior annex.” And rowing makes these muscular demands not at odd intervals but in rapid sequence, over a protracted period of time, repeatedly and without respite. On one occasion, after watching the Washington freshmen practice, the Seattle Post-Intelligencer’s Royal Brougham marveled at the relentlessness of the
”
”
Daniel James Brown (The Boys in the Boat: Nine Americans and Their Epic Quest for Gold at the 1936 Berlin Olympics)
“
...She froze in the doorway of her kitchen.
And nearly swallowed her tongue.
Ivan leaned against the counter, wearing nothing but dark jogging pants and holding a cup of coffee. His blond hair was spiked adorably, as if he hadn't combed it yet. the sculpted muscles of his chest and shoulders stood out as he raised the cup to his mouth, a bright tattoo of intricate artwork wrapping around one shoulder and over one pec.
What she'd imagined he might look like was nothing compared to the reality of the Viking god in her kitchen. Her gaze trained on that ridiculously muscular chest and it was like she'd lost the ability to speak. Or breathe. Or, you know, think.
”
”
Katie Reus (Under His Protection (Red Stone Security, #9))
“
reduction. Professor J. P. Paul, of the University of Strathclyde, tells me that his researches seem to indicate that a more important cause of fracture in old people is the progressive loss of nervous control over the tensions in the muscles. A sudden alarm may cause a muscular contraction which is enough to break off the neck of the femur, for instance, without the patient having experienced any external blow. When this happens the patient naturally falls to the ground -perhaps on top of some obstacle-so that the fracture is blamed, wrongly, on the fall rather than on the muscular spasm. It is said that similar fracture can occur in the hind leg of certain African deer when they are startled by a lion.
”
”
J.E. Gordon (Structures: Or Why Things Don't Fall Down)
“
Alexis and I got dressed in changing rooms next to each other and were chatting through the openings at the top of the dividers. “Wait till you see my new suit!” she said. “It’s so cute!” “Me too! My mom brought it home as a surprise!” We came out and took one look at each other and started laughing our heads off. We had on the exact same bathing suit! They were tankinis, navy blue with white piping and a cool yellow lightning bolt down either side. Alexis is kind of muscular from soccer, and I’m kind of thin (I play the flute, and that doesn’t exactly build muscles!) so the suit fit us way differently. We couldn’t stop giggling though. We looked like total dork twins! I knew right then this summer was going to be silly, superfun, and totally awesome.
”
”
Coco Simon (Mia's Baker's Dozen (Cupcake Diaries Book 6))
“
Developing Inner Strength Through the Quan (Kata) Eliminate external distractions and concentrate only upon intention. Coordinate breathing and synchronize it with the muscular activity. When you extend your arm, exhale and strike but conserve 50% of your air. Be sure never to expel all of your air at one time. When you inhale, your body becomes light. When you exhale, your body becomes rooted. Listen to your breathing and become aware of every part of your body. There must be a constant but pliable muscular contraction in the deltoid, trapezius, latissimus dorsi, serratus, and pectoral muscle groups. To encourage perfect diaphragm breathing, the spine must be parallel to the stomach. Techniques are executed forward and back from where the elbows meet the waist.
”
”
Patrick McCarthy (Bubishi: The Classic Manual of Combat)
“
Endocannabinoids appear to be profoundly connected with the concept of homeostasis (maintaining physiological stability), helping redress specific imbalances presented by disease or by injury. Endocannabinoids’ role in pain signaling has led to the hypothesis that endocannabinoid levels may be responsible for the baseline of pain throughout the body, which is why cannabinoid-based medicines may be useful in treating conditions such as fibromyalgia (a condition marked by muscular pain and stiffness). This could also mean that the constant release of the body’s own endocannabinoids could have a “tonic” effect on muscle tightness (spasticity) in multiple sclerosis, neuropathic pain, inflammation, and even baseline appetite. The value of proper “endocannabinoid tone” throughout the body could be very significant to general well-being.
”
”
Michael Backes (Cannabis Pharmacy: The Practical Guide to Medical Marijuana)
“
Is kissing me so bad, then, lass?”
“It’s not the kissing that’s bad …” Her words were lost in a soft moan as she tipped her head back for more kisses.
“What’s bad, my heart?” Hawk nipped her neck, gently.
“Oooh! … you!”
“Me? I’m bad?” He wouldn’t let her answer for a long moment while he nibbled at her lower lip, teased it, sucked it into his mouth, then slowly released it.
Adrienne drew a shaky breath. “Well … I mean … you are a man …”
“Yes,” he encouraged.
“And very beautiful at that….”
“Mmm … yes?”
“And I hate beautiful men….” Her hands moved over his shoulders, his broad muscled back, and tapered down over his tight waist to his muscular buttocks. She was shocked at her own daring, thrilled by the groan of pleasure she coaxed from him.
“I can tell. Hate me just like that, lass. Hate me like that again. Hate me all you need to hate me.
”
”
Karen Marie Moning (Beyond the Highland Mist (Highlander, #1))
“
So much strain and muscular labor involved in absorbing food. I’m exhausted just watching it. But above all there is speech, incessant speaking, where the inflated edges of the tube are stretched and contracted, knotted and unknotted, ripped open or pressed shut, flued and drummed, hammered and gnawed. Licked. That tube has two ends. To the far end goes all ignominy, and to the fore end all the glory, hymns of praise. Her lips were lovely. The swollen ring at one end of the tube, fastened to rings and riggings of muscle. All these sounds. It’s exhausting. I notice the upper jaw doesn’t move at all, only the lower. You see the skull so clearly I wonder people don’t think of death whenever they witness speech, or speak themselves, feeling that hinge flap up and down, and even back and forth a bit—how can it go back and forth? Is the socket that loose, or is it something else, like a leather hinge, like a book binding?
”
”
Michael Cisco (The Narrator)
“
Most often attention is confused with a kind of muscular effort. If one says to one’s pupils: “Now you must pay attention,” one sees them contracting their brows, holding their breath, stiffening their muscles. If after two minutes they are asked what they have been paying attention to, they cannot reply. They have not been paying attention. They have been contracting their muscles...
Attention is an effort, the greatest of all efforts perhaps, but it is a negative effort. Of
itself, it does not involve tiredness. When we become tired, attention is scarcely possible any more, unless we have already had a good deal of practice. It is better to stop working altogether, to seek some relaxation, and then a little later to return to the task; we have to press on and loosen up alternately, just as we breathe in and out.
Twenty minutes of concentrated, untired attention is infinitely better than three hours of the kind of frowning application which leads us to say with a sense of duty done: “I have worked well!”
But, in spite of all appearances, it is also far more difficult. There is something in our soul which has a far more violent repugnance for true attention than the flesh has for bodily fatigue...
Attention consists of suspending our thought, leaving it detached, empty and ready to be penetrated by the object. It means holding in our minds, within reach of this thought, but on a lower level and not in contact with it, the diverse knowledge we have acquired which we are forced to make use of. Our thought should be in relation to all particular and already formulated thoughts as a man on a mountain who, as he looks forward, sees also below him, without actually looking at them, a great many forests and plains. Above all our thought should be empty, waiting, not seeking anything, but ready to receive in its naked truth the object which is to penetrate it.
”
”
Simone Weil (Waiting for God)
“
Mag Rogan and I stood on the edge of a cliff. Below us, the ground plunged so far down that it was as if the planet itself had ended at our feet. The wind tugged at my hair. He was wearing those dark pants again and nothing else. The hard muscle corded his torso, fueled by an overpowering, almost savage strength. Not the mindless brutality of a common thug or the cruel power of an animal, but an intelligent, stubborn, human strength. It was everywhere: in the set of his broad shoulders, in the turn of his head on a muscular neck, in the tilt of his square jaw. He turned to me and his whole body tightened, the muscles flexing and hardening, his hands ready to grip and crush, his eyes alert, missing nothing, and blazing with the brilliant electric blue of magic. I could picture him getting his sword and walking alone onto the drawbridge to defend his castle against a horde of invaders with that exact look on his face.
He was terrifying, and I wanted to run my hands down that chest and feel the hard ridges of his abs. I was some special kind of idiot.
Magic roiled about him, ferocious and alive, a pet monster with vicious teeth. He moved toward me, bringing it with him. “Tell me about Adam Pierce.”
I reached over and put my hand on his chest. His skin was burning hot. The muscle tensed under my fingers. An eager electric shiver ran through me. I wanted to lean against that chest and kiss the underside of that jaw, tasting his sweat on my tongue. I wanted him to like it.
“What happened to the boy?” I asked. “The one who destroyed a city in Mexico? Is he still inside?”
“Nevada!” My mother’s voice cut through my dreams like a knife.
I sat straight up in my bed.
Okay. I was either way more messed up inside, or Mad Rogan was a strong projector and could shoot images straight into my mind. Either way was bad. What happened to the boy . . . I needed to have my head examined.
”
”
Ilona Andrews (Burn for Me (Hidden Legacy, #1))
“
They’re just as muscular here, just as tramplingly extraverted, as they are with you. So why don’t they turn into Stalins or Dipas, or at the least into domestic tyrants? First of all, our social arrangements offer them very few opportunities for bullying their families, and our political arrangements make it practically impossible for them to domineer on any larger scale. Second, we train the Muscle Men to be aware and sensitive, we teach them to enjoy the commonplaces of everyday existence. This means that they always have an alternative—innumerable alternatives—to the pleasure of being the boss. And finally we work directly on the love of power and domination that goes with this kind of physique in almost all its variations. We canalize this love of power and we deflect it—turn it away from people and on to things. We give them all kinds of difficult tasks to perform—strenuous and violent tasks that exercise their muscles and satisfy their craving for domination—but satisfy it at nobody’s expense and in ways that are either harmless or positively useful.
”
”
Aldous Huxley (Island)
“
Hence the term “voluntary muscle” is in many ways a figure of speech. I can consciously command a movement, but I cannot consciously command the recruitment of every muscle fiber which must be used, nor the precise order of their contractions and lengthenings which actually produce the desired effect. This is to say that every consciously willed movement is always conditioned by two things: genetically established organization and habitual usage. Our genetic organization is quite plastic, open-ended, filled with potential variations in behavior; on the other hand, habitual usage can become just as limiting as it is convenient, and can become a tyrant to exactly the degree that it becomes practiced, automatic, unconscious. We are free to train ourselves to act differently, but it is very difficult to suddenly act differently than we have been trained. The tendencies in our motor behavior created by genetically determined patterns and by habitual usage do not lie within the muscle cells, nor even in the motor neurons that unite them into motor units. The search for the organizational factors of purposeful muscular control—whether it be action or relaxation—takes us deeper and deeper into the central nervous system, where we find that every muscular response is built up, selected, and colored by the totality of our neural activity, both conscious and unconscious.
”
”
Deane Juhan (Job's Body: A Handbook for Bodywork)
“
His face softened and he leaned down and covered her mouth with his. Dark and dirty, hot and horny, sweet and utterly seductive. Damn, the man could kiss.
"I want you inside me." She swallowed hard. "I want...you."
"You have me---all of me." He pushed deep, filling her, stretching her, making her feel every inch of him. His smoldering eyes watched her intently, sending a current of need arrowing straight to her core. When she moaned, he moved his hips in just the right way to hit her most sensitive spot. Pleasure licked through her body and she surged toward the peak.
"Don't stop."
"No chance of that." His gaze didn't leave hers as he pulled out and thrust again, his hips moving hard and fast, arms braced on either side of her. The world fell away until there was only Jay, his scent, his heat, his muscles tightening and releasing, and his eyes locked on her like she truly was the most beautiful woman in the world. Heart-squeezing tenderness and wild heat.
She came in a roll of pleasure, a soul-deep release as she let herself go. Jay followed her with a quiet shudder that ripped the tension out of his muscular body with a groan.
"Fuck." He fell forward, his body covering hers, taking his weight on his elbows beside her. Small kisses to her lips made her feel seen and not forgotten.
"We just did." She looked up to her hands and he released them with one tug.
"Touch me, sweetheart. I want to feel your hands on me."
She held him close for what seemed like forever, breathing in his scent of sex and sweat and the lingering hint of his cologne.
”
”
Sara Desai (The Singles Table (Marriage Game, #3))
“
I believe reincarnation is fundamentally true, even though most of these religions taught it in a metaphorical and popular form called metempsychosis. This is the belief that the soul, the supposed (but false) unity of will and intellect, is fully reborn. This is false. The intellect is a merely physical quality like muscular strength and can’t be “reborn” any more than your muscles are literally reborn. You are not at bottom your intellect, this is impossible, although this is the assumption of almost all modern people even when they claim otherwise. They pay lip service to “supremacy of the desires,” or to biological determinism, but they still believe they are their intellects, just imprisoned by flesh and matter and genes and a biological “programming.” This is wrong! And it’s not the intellect that is reborn, I will tell you what is. Take a fruitfly, or a worker ant. This type of being is very close to plant-life in some ways. It has very primitive intellect, very primitive nervous system. There are inborn ways of behaving, of reacting to certain stimuli, inborn desires and orientations “in the blood,” and when you kill one ant, the next one over will be identical in this regard. Its rebirth is “instantaneous” because the ant has a will that is shared uniformly across its type in the hive, and is therefore persistent and enduring. Once the queen dies, the next queen is indistinguishable from it in that thing that Schopenhauer calls the will, what he says is inborn way of wanting, and is in a very literal sense a “reincarnation” of this same thing.
”
”
Bronze Age Pervert (Bronze Age Mindset)
“
finally there was only one corpse left. A large man, weighing well over two hundred pounds, lay tightly wedged between two boulders deeply imbedded in the earth. His shirtless torso had a sickly greenish sheen. The only way to dislodge the man was to wrap arms around him in a bear hug and pull him from the rocks—not a pleasant prospect. We huddled in a silent group and looked at the dead man, building our resolve. Finally, SSgt. Ken Bollinger spoke, “I’ll do it.” The rest of us sighed in relief. Ken had a body builder’s muscular physique. He would need his great strength to free the wedged corpse. Sergeant Bolliger positioned a vinyl body bag next to the man-in-the-rocks. Then he lay on top of the corpse and worked his arms under and around the dead man’s chest. He intertwined his fingers, locked his grip and squirmed to his knees, struggling for leverage. As Ken heaved upwards we watched in awe as his muscles bunched and his face reddened with herculean exertion. And suddenly, the man-in-the-rocks came apart in the middle, his entrails spilling onto the ground. Some of us groaned and turned away, but Sergeant Bollinger was unfazed. He methodically filled the body bag with the largest parts of the corpse, then scooped the remaining organs and pieces into the bag. When he was finished not a speck of the person remained on the ground. We gave him kudos as he slowly stood. His uniform was slick with gore and stank of death, but he appeared totally unfazed. We all praised him, “That was hardcore Ken.” he looked at us quizzically, genuinely taken aback. “No big deal.” he said.
”
”
William F. Sine (Guardian Angel: Life and Death Adventures with Pararescue, the World's Most Powerful Commando Rescue Force)
“
What is the meaning of the antithetical concepts Apollonian and Dionysian which I have introduced into the vocabulary of Aesthetic, as representing two distinct modes of ecstasy? — Apollonian ecstasy acts above all as a force stimulating the eye, so that it acquires the power of vision. The painter, the sculptor, the epic poet are essentially visionaries.
In the Dionysian state, on the other hand, the whole system of passions is stimulated and intensified, so that it discharges itself by all the means of expression at once, and vents all its power of representation, of imitation, of transfiguration, of transformation, together with every kind of mimicry and histrionic display at the same time.
The essential feature remains the facility in transforming, the inability to refrain from reaction (—a similar state to that of certain hysterical patients, who at the slightest hint assume any role). It is impossible for the Dionysian artist not to understand any suggestion; no outward sign of emotion escapes him, he possesses the instinct of comprehension and of divination in the highest degree, just as he is capable of the most perfect art of communication. He enters into every skin, into every passion: he is continually changing himself.
Music as we understand it today is likewise a general excitation and discharge of the emotions; but, notwithstanding this, it is only the remnant of a much richer world of emotional expression, a mere residuum of Dionysian histrionism. For music to be made possible as a special art, quite a number of senses, and particularly the muscular sense, had to be paralysed (at least relatively: for all rhythm still appeals to our muscles to a certain extent): and thus man no longer imitates and represents physically everything he feels, as soon as he feels it. Nevertheless that is the normal Dionysian state, and in any case its primitive state. Music is the slowly attained specialisation of this state at the cost of kindred capacities.
”
”
Friedrich Nietzsche (Twilight of the Idols)
“
Another day, sheltering beneath trees in a rain-shower, I uncovered a doorway long obliterated by undergrowth. After pulling shrubbery aside, I stepped inside a long deserted summerhouse, fronted by cracked marble columns and ironwork, the rear extending deep into the hillside. Though still filthy, even after I cleared away the tenacious vines, the windowpanes gave sufficient greenish light for me to sketch indoors. In a cobwebbed corner stood a gardener's burner that must once have coaxed oranges or other delicate shrubs to life. With that alight, I found a chair and sat with my shawl muffled around me as I sketched.
The marble statues that lined the walls were fine copies of the Greek masters, with muscular limbs and serene faces, though sadly disfigured with a blueish-green patina. As an exercise, I copied a figure of a handsome boy, admiring the sculptor's rendering of tensed muscle, the body frozen just an instant before extending in action. My mind drifted to Michael, the uncertainty hanging over us, my urges to please him, my need to move beyond this stupid impasse. As I sketched the statue's blind eyes I half-heartedly followed his line of sight.
I stood and looked more closely at the statue. "What are you looking at?" I said out loud. A green stain blotted the boy's cheek, ugly but also strangely beautiful, for the color was a peacock's viridian. For the first time I noticed the description, "HARPOCRATES- SILENCE", engraved on the pediment, and had a vague recollection of a Roman boy-god who personified that virtue. He held one index finger raised coyly to his lips, while his other hand pointed towards a low arch in the wall. I paced over to the spot at which he pointed. The niche was filled with gardener's trellis that I removed with rising excitement. Behind stood an oak doorway set low in the wall. As I lifted the latch, it opened onto a blast of chilly darkness. Lighting the stub of a candle at the stove, I propped the door open and ventured inside.
At once I knew this was no gardeners' store, but another tunnel burrowing into the hillside. Setting forth with the excitement of new discovery, my footsteps rang out and my breath fogged before me in clouds. The place had a mossy, mineral smell, and save for the dripping of water, was silent. Though at first the tunnel ran straight, it soon descended an incline, and my feet splashed into muddy puddles. Who, I wondered, had last passed through that door?
”
”
Martine Bailey (A Taste for Nightshade)
“
In Hiding - coming summer of 2020
WAYNE ANTHONY SEEKS REDEMPTION FROM A BAD DAY -
Although warned about getting the stitches wet, he believed a hot shower was the only road to his redemption. Experienced taught him the best way to relieve the tightness in his lower back was by standing beneath the near-scalding water. Dropping the rest of his clothing, he turned the shower on full blast. The hot water rushed from the showerhead filling the tiny room with steam, instantly the small mirror on the medicine cabinet fogged up. The man quietly pulled the shower curtain back and entered the shower stall without a sound. Years of acting as another’s shadow had trained him to live soundlessly. The hot water cascaded over his body as the echo from the pounding water deadened slightly. Grabbing the sample sized soap, he pulled the paper off and tossed the wrapper over the curtain rail. Wayne rubbed the clean smelling block until his large hands disappeared beneath the lather.
He ignored the folded washcloth, opting to use his hands across his body. Gently he cleaned the injury allowing the slime of bacterial soap to remove the residual of the rust-colored betadine. All that remained when he finished was the pale orange smear from the antiseptic. This scar was not the only mar to his body. The water cascaded down hard muscles making rivulets throughout the thatches of dark hair. He raised his arms gingerly as he washed beneath them; the tight muscles of his abdomen glistened beneath the torrent of water. Opening a bottle of shampoo-slash-conditioner, he applied a dab then ran his hands across his scalp. Finally, the tension in his square jaw had eased, making his handsome face more inviting. The cords of his neck stood out as he rinsed the shampoo from his hair. It coursed down his chest leading down to his groin where the scented wash caught in his pelvic hair.
Wayne's body was one of perfection for any woman; if that was, she could ignore the mutilations. Knife injuries left their mark with jagged white lines. Most of these, he had doctored himself; his lack of skill resulted in crude scars. The deepest one, undulated along the left side of his abdomen, that one had required the art of a surgeon. Dropping his arms, he surrenders himself to the pelting deluge from the shower. The steamy water cascaded down his body, pulling the soap toward the drain. Across his back, it slid down several small indiscernible pockmarks left by gunshot wounds, the true extent of their damage far beneath his skin. Slowly the suds left his body, snaking down his muscular legs. It slithered down the scars on his left knee, the result of replacement surgery after a thug took a bat to it. Wayne stood until the hot water cooled, and ran translucent over his body. Finally, he washes the impact of the long day from his mind and spirit.
”
”
Caroline Walken
“
M.E. is a neuromuscular disease with distinctive muscular symptoms, including prolonged muscle weakness after exertion, and neurological signs implicating cerebral dysfunction, including cognitive impairment and sensory symptoms.
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”
Frank Twisk
“
Activities to Develop the Proprioceptive System Lifting and Carrying Heavy Loads—Have the child pick up and carry soft-drink bottles to the picnic; laundry baskets upstairs; or grocery bags, filled with nonbreakables, into the house. He can also lug a box of books, a bucket of blocks, or a pail of water from one spot to another. Pushing and Pulling—Have the child push or drag grocery bags from door to kitchen. Let him push the stroller, vacuum, rake, shove heavy boxes, tow a friend on a sled, or pull a loaded wagon. Hard muscular work jazzes up the muscles. Hanging by the Arms—Mount a chinning bar in a doorway, or take your child to the park to hang from the monkey bars. When she suspends her weight from her hands, her stretching muscles send sensory messages to her brain. When she shifts from hand to hand as she travels underneath the monkey bars, she is developing upper-body strength. Hermit Crab—Place a large bag of rice or beans on the child’s back and let her move around with a heavy “shell” on her back. Joint Squeeze—Put one hand on the child’s forearm and the other on his upper arm; slowly press toward and away from his elbow. Repeat at his knee and shoulder. Press down on his head. Straighten and bend his fingers, wrists, elbows, knees, ankles, and toes. These extension and flexion techniques provide traction and compression to his joints and are effective when he’s stuck in tight spaces, such as church pews, movie theaters, cars, trains, and especially airplanes where the air pressure changes. Body Squeeze—Sit on the floor behind your child, straddling him with your legs. Put your arms around his knees, draw them toward his chest, and squeeze hard. Holding tight, rock him forward and back.
”
”
Carol Stock Kranowitz (The Out-of-Sync Child: Recognizing and Coping with Sensory Processing Disorder)
“
Because the efferent pathways lead directly to muscle cells, it is tempting to regard their activities as the cause of our motor behavior. But they are nothing of the kind until they are themselves stimulated by their numerous connections with the spinal cord and the brain (remember that an estimated fifteen thousand axons can converge upon a single terminal motor neuron). And these deeper, more central activities are in turn initiated and directed to a large degree by afferent, sensory stimulation. In bodywork, it is often problematical aberrations of motor response that we want to change, but sensory affects are our only means of doing so. We know we are doing our job when our hands feel jumpy reflexes smoothing out, high levels of tone decreasing, pliability returning to stiffened areas, range of motion increasing. These are all quantitative and qualitative shifts in motor activity. But we also must know that it is only our skilled manipulation of sensory stimulation which can accomplish these things, because it is primarily sensory associations which have conditioned the muscular patterns in the first place. Until the body feels something different, it cannot act differently. Only when contact with the world is perceived as something other than jabs and buffets can the organism respond with something other than aggression and defense.
”
”
Deane Juhan (Job's Body: A Handbook for Bodywork)
“
Cass couldn’t move. She stood there, transfixed, speechless, letting her eyes wander over his whole body. The moonlight outlined his broad shoulders and the dark brown hair that had grown even longer since she’d last seen him, the ends of it brushing against his cheekbones and dangling below his square jaw. He broke away from his friends with a wave and began to cross the piazza toward her, the collar of his shirt flopping open to expose a triangle of muscular chest. Warmth bloomed in Cass’s cheeks. Her hands had been all over those muscles just a few weeks earlier.
Falco’s jaw dropped slightly as he approached, his lips curving into the lopsided smile she had missed so much.
“Starling,” he said. “I cannot believe it. Are you the product of too much wine or too many wishes?” He reached out, taking one of her hands in his own. “You feel real enough.”
“Hello, Falco,” she managed to say. She felt as if she might explode. Only now did she let herself realize how she had missed every tiny detail of him. More than anything, she wanted to pull him into her arms, to press her lips to the tiny scar beneath his right eye, to bury her face in the warmth of his hair.
Falco lifted her hand to his mouth, brushing his lips gently across her soft skin. It was an innocent gesture, but Cass could sense the urgency beneath it. He felt exactly the same way she did. She knew it.
Pulling her close and cradling her face in his hands, he said, “I have visited Florence’s breathtaking cathedrals and reviewed the works of the masters, but you are the most beautiful thing I’ve seen since I left Venice.”
Heat coursed from his fingers into her skin and the blood and bones beneath it. Falco’s hands smelled faintly of paint. Cass smiled. She couldn’t help herself. For a second the two of them were back on San Domenico, kissing on a bench in her aunt’s garden. For a second, desire budded and bloomed inside of her, as scarlet and fragrant as Agnese’s roses. Intoxicating.
”
”
Fiona Paul (Belladonna (Secrets of the Eternal Rose, #2))
“
Bears. We come in all shapes and varieties. Besides your “typical” bear (a hairy, stocky to heavyset man), there are chubs (heavyset men who aren’t necessarily hairy), cubs (young bears or bears who are very young at heart), daddy bears (older guys, sometimes looking for a “daddy/son” relationship with a younger guy or cub—definitely not talking pederasty here), leather bears (bears who like to wear leather), muscle bears (can be very muscular, but they tend not to worry about abs in favor of some nice padding), polar bears (bears whose hair has gone gray/white), panda bears (bears of Asian descent), black bears (bears of African descent), pocket bears (short bears), Ewoks (very short bears), ginger bears (redheaded bears), and grizzly bears (usually much shaggier and taller and sometimes dominant). And then there are otters (hairy guys who are slim)!
”
”
Dreamspinner Press
“
The sensory roles of the anulospiral receptor and the tendon organ are absolutely central in this process of exerting and adjusting muscle tone. These devices establish the “feel” for length and tension, and it is this feeling which is maintained by the gamma motor system, the reflex arcs, and the alpha skeletal muscles. All of my muscle cells—both alpha and gamma—are continually felt by the mind as they work, whether most of these “feelings” ever reach my conscious awareness or not. And it is primarily these muscular feelings which supply my central nervous system with the constant information necessary to successfully combine the demands of free motion with those of basic structural stability. The sophistication required for this maintenance of structure and flexibility can be appreciated if we remember that almost any simple motion—such as raising the arm out to the side—changes either the length or the tension values in most of the body’s muscle cells. If one is to avoid tipping towards the extended arm, then the feet, the legs, the hips, the back, the neck, and the opposite arm all must participate in a new distribution of balance created by the “isolated” movement of raising the arm. The difficulties experienced by every child learning to sit, to stand erect, and to walk with an even gait attest to the complexity of the demands which these shifts in balance and tone make upon us. The entire musculature must learn to participate in the motion of any of its parts. And to do this, the entire musculature must feel its own activity, fully and in rich detail. Competent posture and movement are among the chief points of sensory self-awareness. The purpose of bodywork is to heighten and focus this awareness. It is the child’s task during this early motor training to experiment by trial and error, and to set the precise lengths and tensions—and changes in length and tension—in all his muscle fibers for these basic skills of standing and walking. This is the education of the basal ganglia and the gamma motor system, as learned reflex responses are added to our inherited ones. The lengths and rates of change of the spindle fibers are set at values which experience has confirmed to be appropriate for the movement desired, and then the sensorimotor reflex arcs of the spindles and the Golgis command the alpha motor nerves, and hence the skeletal muscles, to respond exactly to those specifications that have been established in the gamma system by previous trial and error. And this chain of events holds true not only for the actual limb being moved, but for all other parts of the musculature that must brace, or shift, or compensate in any way. In this complicated process, the child is guided primarily by sensory cues which become more consistent and more predictable with every repetition of his efforts.
”
”
Deane Juhan (Job's Body: A Handbook for Bodywork)
“
I can bring a glass of water smoothly to my lips because practice has taught me just how much contractile effort and speed is necessary to lift it and carry it through the air without either dropping it or throwing the water towards the ceiling. This familiar feel for the resistance of the glass of water, and for the appropriate muscular effort to both overcome that resistance and remain in constant control, are functions of the variable settings of the inhibitory response of the Golgi tendon organs. And I use this reflex mechanism every time I use a screwdriver or a wrench, row a boat, push a car, do a push-up or a deep knee bend, pick up an object—in short, every time I need a specific amount of effort delivered in order to accomplish a specific task—any time “too much” is just as mistaken as “too little.” This includes, of course, almost all the controlled uses to which I put my muscles. Now in order to be helpful in all situations, this variable setting of the tension values which trigger the reflex must be capable of both a wide range of adjustment and rapid shifts. Objects that we need to manipulate with carefully controlled efforts may be small or large, light or heavy. Building a rock wall can require just as much finesse and balance as building a house of playing cards, but the levels of tension which require equally sensitive monitoring are very different in each case. Since these relative tension values can be altered rapidly at will, and are refined with practice, it seems evident that they can be controlled by higher brain centers. This is presumably done through descending neural pathways which can generate impulses that either facilitate or inhibit the action of the Golgi/motor neuron synapses. In this way, control signals from higher nervous centers could automatically set the level of tension at which the muscle would be maintained. If the required tension is high, then the muscle tension would be set by the servo-feedback mechanism to this high level of tension. On the other hand, if the desired tension level is low, the muscle tension would be set this level.9
”
”
Deane Juhan (Job's Body: A Handbook for Bodywork)
“
These two primary reflex arcs—the spindle and the Golgi—are the principal sensory devices which the nervous system uses for the enormously complicated task of maintaining and adjusting the appropriate levels of muscle tone throughout the body. The normal tone of a muscle is dependent upon the simple stretch reflex, through which the the sensory endings in a muscle, stimulated by even the slightest stretching of the muscle, initiate a segmental reflex increasing muscle tone.11 The muscle spindle, whose associated reflex arc tends to excite alpha motor neurons and their motor units, is complimented by the Golgi tendon organ, whose reflex arc tends to inhibit the same alpha neurons and motor units. Between the two of them, they produce a summation of excitation and inhibition on the alpha neurons which keeps the active muscle fibers within a narrow range of tensional forces—just the right amount to stand, to lift a book, to hold a glass. Now the problem of maintaining this precision is such a complex one not only because there are so many muscle cells in the body to monitor, but also because proper muscle tone must accomplish so many different things. It must be able to shift its various tensional values in the various parts of the musculature back and forth so rapidly in order to do all of my muscular tasks competently.
”
”
Deane Juhan (Job's Body: A Handbook for Bodywork)
“
The second route that motor commands from the cortex can take out towards the muscles is called the multineuronal pathway. The initial cell bodies of the pathway are also in the motor cortex, but they immediately synapse to long chains of internuncial neurons descending from the motor cortex to other cortical areas, to the lower brain, and on down the cord. The final links in these chains end not directly upon the neurons of the motor units, but rather upon the spinal internuncial circuits which organize the patterns of stereotyped spinal reflexes. Thus instead of bypassing the intermediate net, this pathway channels motor commands all the way through it. Impulses take longer to travel from the cortex to the motor unit, since they pass through many more synapses and are influenced by input from many other sources along their way. This arrangement makes possible the second kind of motor control—the setting into motion of the stereotyped reflex units of movement that are organized in the subconscious levels of the lower brain and spinal cord. For instance, the individual circuits and the overall sequential arrangements which control walking or swallowing are in the cord; the multineuronal pathway has only to stimulate these sequences into activity, and then steer their general course without the cortex having to pay attention to the details involved in each separate step. All coordinated movements require the interaction of both of these pathways. The conscious mind is not competent to direct every single muscular adjustment involved in general movements, and the reflexes are powerless to arrange themselves into new, finely controlled sequences. Successfully integrated, the two of these paths together provide the best aspects of millions of years of repetitive practice and of moment to moment changes in intent or shifts in the surrounding environment. One is basic vocabulary, the other is variable sentence structure; the language of coordinated movement cannot go forward without both working together.
”
”
Deane Juhan (Job's Body: A Handbook for Bodywork)
“
The simplest kind of control that is afforded by this feedback loop is the so-called stretch reflex, which is illustrated by the knee-jerk test which most of us have experienced in the doctor’s office. The common tendon of the quadriceps is tapped with a rubber mallet just below the knee-cap, and this tap has the effect of a sharp tug on the muscle fibers of the thigh. This sudden change in length of the thigh muscles is registered by the anulospiral receptors, which in turn stimulate in the spinal cord the motor neurons which power the thigh, causing a brief contraction of the thigh muscles which makes the foot jerk forward in a healthy reflex. This automatic contraction has the effect of keeping the thigh muscles at a constant length regardless of outside forces acting upon it, and makes it possible to maintain erect posture in spite of external disturbances. The components of this arc are like a miniature or primitive nervous system, a microcosm of our nervous system as a whole, a system which “in its simplest form is merely a mechanism by which a muscular movement can be initiated by some change in peri-ipheral sensation.” My spindles and their reflex arcs are tiny neural units that monitor and influence motor events that are so continuous and so numerous that they would totally overwhelm my conscious mind. Even if I could keep track of the changing lengths of every one of my millions of muscle cells, I certainly would have no room left to think about anything else.
”
”
Deane Juhan (Job's Body: A Handbook for Bodywork)
“
MUSCLE-BUILDING SUPPLEMENTS 1. Whey protein The numerous benefits of whey protein include increase in muscular strength and size, decrease in body fat and a faster recovery time.
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Brian Keane (The Fitness Mindset: Eat for energy, Train for tension, Manage your mindset, Reap the results)
“
3 Proven Method for Rapid Weight Gain
Looking for a healthy and balanced technique of quick weight gain for the following stage of your physical fitness strategy ? Fast weight gain is feasible via just all-natural techniques. Also if you believe you are consuming sufficient to get weight, you might not also be making up for the additional calories shed by your exercise. A weight loss (or gain, in this instance) calculator will certainly take your dimensions, physical task degree, and also preferred weight to provide you a needed calorie consumption each day. Lots of individuals believe they require to exercise extra in order to attain fast weight gain. However, that breaks down the muscle mass without providing the body a possibility to restore itself.
Looking for a healthy and balanced approach to fast weight gain for the following stage of your physical fitness strategy? There are rather a couple of weight gainer tablets out there, however exactly how do you understand which ones are healthy and balanced? Fast weight gain is feasible via just all-natural techniques.
A weight loss (or gain, in this situation) calculator will certainly take your dimensions, physical task degree, as well as preferred weight to offer you a needed calorie consumption each day. Integrating this with your online tracking website allows you rapidly as well as quickly see if you are fulfilling your calorie objectives for the day.
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There are changes you could make while you are in the fitness centre to speed up your weight gain. Considerably overwhelming a details muscle mass team with enhancing quantities of weight will certainly optimize your gains in dimension from one exercise to the following. Numerous individuals believe they require to exercise extra in order to attain fast weight gain, however that just breaks down the muscular tissues without providing the body a possibility to reconstruct itself.
Usage of the internet calorie checking devices and also weight loss calculators to establish objectives as well as track your development. You had to look up every food in a calorie publication and also compose down your computations in a notepad. Currently, you could conveniently input the food you simply consumed right into an online calorie counting website as well as it will certainly look up the calories for you.
This might appear like an apparent pointer, yet problem obtaining weight typically suggests you are not consuming anywhere near sufficient food. Also if you assume you are consuming sufficient to acquire weight, you might not also be making up for the added calories shed by your exercise. Many individuals undervalue the large quantity of calories required to acquire also one extra pound.
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”
Roslyn
“
When I reached the sidewalk a tall, muscular black guy appeared beside my car. As he reached the car a heavy white guy in his early fifties climbed out of a blue sedan parked across the street and started toward me. The black guy was in impeccably pressed designer jeans and a tight knit shirt that showed his muscles, and the white guy was in a rumpled light gray winter-weight suit. A million degrees, and he’s wearing winter weight. Cops. A woman’s voice said, “Excuse me, sir. May I have a word with you?” Polite, and kind of cheery.
”
”
Robert Crais (Sunset Express (Elvis Cole and Joe Pike, #6))
“
Devlin was as sleek and muscular as the black-and-gold tiger she had seen on exhibition at the park menagerie. Divested of his clothes, he seemed even larger, his broad shoulders and long torso looming before her. The texture of his flesh was heavy and tough, covered with skin that seemed hard but silken at the same time. His midriff was scored with rows of muscle. She had seen statues and illustrations of the male body, but nothing had ever conveyed this sense of warm, living strength, this potent virility.
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Lisa Kleypas (Suddenly You)
“
ME, a neurological disease[20,21], has been described in the medical literature since 1934 under various names[22], e.g., epidemic neuromyasthenia and atypical poliomyelitis, often on account of outbreaks[23-25]. Characteristic symptoms of ME, classified as a disease of the nervous system by the WHO since 1969[26], are: muscle weakness, neurological dysfunction, especially of cognitive, autonomic and neurosensory functions; variable involvement of the cardiac and other systems; a prolonged relapsing course; but above all general or local muscular fatigue after minimal exertion with prolonged recovery times (post-exertional “malaise”)[20].
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Frank Twisk
“
Frozen or weak structures have problems feeling inner motility or support; their loss of bone integrity leads to feelings of inner fragmentation. Parents who do not hold their children or give enough early containment may force them to rigidify their muscles in order to gain a sense of support. If, as adults, these people try to relax their muscular contractions they will experience anxiety because they lack feelings of inner support from their bones and joints.
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Stanley Keleman (Emotional Anatomy: The Structure of Experience)
“
Lily paused on a ragged breath, admiring the sight of his bared chest and rippled abdomen. He was so strong, so tightly contained. Muscle and bone formed a rigid structure- a beautiful design of masculinity. It was hard to imagine the pain and vulnerability that had resided beneath such strength for so long.
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Amy Sandas (The Untouchable Earl (Fallen Ladies, #2))
“
Our specialized stem cell experienced doctors are known for different types of muscular dystrophy disease and can deliver the best possible treatment. That’s the reason that makes us the best muscular dystrophy treatment in South Africa. As per our expert doctors, this disease has risen due to many symptoms such as enlarged calf muscles, breathing problems, heart problems, trouble swallowing, etc.
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”
PT
“
I stammer as I gawk at his sculpted chest. And his shoulders. And his arms. And his abs. My lizard brain counts the muscles.
One, two, three, four, five, six, s---holy shit, you can have eight ab muscles? What the hell, I never knew...
And oh damn, those V-lines along the sides of his stomach that I'm sure have a name, but I can't think of it right now. Because my brain is too busy taking in the flawless visual.
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Sarah Echavarre Smith (The Boy With the Bookstore)
“
From where she stood, she could see the white of his shirt, the gray of his waistcoat, the black slash of his brows. She could measure the width of his shoulders and the muscles of his arms as he wrote. His wrists were thick and solid. His hands looked bigger than her head.
She wondered if she might disgrace herself by swooning.
Good God. The man was twice a normal human’s size. He was wider than Mr. Duff and much, much more muscular. His forearms, dusted liberally with hair the same black as the close-shorn strands upon his head, bulged and flexed and rippled in fascinating fashion.
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Elisa Braden (Anything but a Gentleman (Rescued from Ruin, #7))
“
I caught his mouth with mine and shifted my hands to start unhooking his shirt buttons.
I could feel him grinning as he kissed me harder, driving me back against the bookshelf and shoving his knee between my thighs.
I pushed his shirt off of his broad shoulders and looked at the perfection of his muscular torso for a moment, running my hands down his chest.
He drove me back against the shelf more firmly, kissing me again. I devoured the taste of him, his hands sliding over my breasts through the thin material of my dress and making my nipples harden in response.
I placed my palms on his chest and pushed him back, propelling him around so that he was pressed against the shelf instead of me and a dark laugh left him.
“Do you wanna be in charge, sweetheart?”
“Well, I am more powerful than you,” I teased.
His eyes lit with the challenge in my tone as I took a few steps back and pulled on the knot at the back of my neck. My dress fell from my body like a spill of oil and pooled at my feet, leaving me in nothing but my black panties.
“Holy shit, Tory.” He gazed at me hungrily and I stepped back again biting on my bottom lip as I looked at him.
“Take your pants off,” I commanded.
Caleb’s smile deepened and he held my eye as he kicked his shoes off and unhooked his belt. I twisted my fingers through my hair as I watched him, my pulse rising as he revealed more of his muscular body to me.
When he was down to his navy boxers, he advanced on me again.
I smiled, backing up as he stalked towards me until the backs on my thighs met with the games table.
He was upon me in a heartbeat, his hands gripping my thighs as he lifted me up and sat me on the table. His mouth pressed to my throat, stubble grazing across my skin in the most delicious way.
His kisses moved lower, passing over my collar bone before making it to the swell of my breast. His mouth landed on my nipple, his tongue flicking against it and making me moan in pleasure. His hand found my other breast while he spread his other palm across my lower back to hold me in place.
I locked my ankles around him, pulling him closer so that I could feel the full length of his arousal grinding against me through the lacy fabric of my panties.
His mouth found mine again and I pushed my fingers into his golden curls as my breasts skimmed against the firm lines of his muscular chest.
My muscles were tightening, my heart pounding and my body aching for more of him.
I grazed my fingertips down his chest, feeling every ridge of his abdomen before reaching the waistband of his boxers.
I pushed my hand beneath the soft material and wrapped my fingers around the hard length of him.
Caleb groaned against my lips as I began to move my hand up and down, a tingle running along my spine as I felt just how much my touch affected him.
His hands made it to the sides of my panties and he peeled them down as his heavy breathing broke our kiss. I lifted my ass to let him remove them and he stepped back, forcing my hand off of him as he tossed my underwear aside.
I watched as he pushed his boxers off revealing every inch of him and my mouth dried up with desire.
He shot forward with his Vampire speed, scooping me up and moving me backwards as he lay me beneath him on the games table. Poker chips and cards scattered all around us and a surprised laugh left my lips.
He grinned as he kissed me again, hard enough to bruise my lips but still not enough to tame my desire.
My hands explored the curve of his shoulders and I arched my back off of the table so that my nipples skimmed his flesh.
Caleb shifted, moving between my legs, our kiss breaking for the briefest moment as he looked into my eyes and pushed himself inside me.
A moan of pleasure escaped me as he filled me and I tipped my head back, my eyes falling closed as I absorbed the feeling of his body merging with mine.
“Fuck,” Caleb breathed as he started to move, slowly at first but building in speed as I urged him on.
(tory)
”
”
Caroline Peckham (Ruthless Fae (Zodiac Academy, #2))
“
She stared after him, her eyes widening when his plaid suddenly dropped to pool around his feet. He then tugged his shirt off over his head, bent to grab up the heavy plaid and strode into the water carrying both.
Claray knew she should turn away, but couldn't seem to manage that as her eyes slid over his wide, muscular back and then down to the round curves of his derriere. They stopped there briefly before moving on to his strong thighs, and shapely calves. Claray had never thought she would call a man beautiful, but Conall was, and she found herself fascinated by the play of muscles in his back, buttocks and legs as he moved.
”
”
Lynsay Sands (Highland Wolf (Highland Brides, #10))
“
The heart is essentially a muscular pump connected to an elaborate network of branching tubes. Although there are several kinds of cardiovascular disease, almost all arise from something going wrong in either the tubes or the pump. Most problems start with the tubes, primarily the arteries that carry blood from the heart to every nook and cranny of the body. Like the pipes in a building, arteries are vulnerable to getting clogged with unwanted deposits. This hardening of the arteries, termed atherosclerosis, starts with the buildup of plaque—a gloppy mixture of fat, cholesterol, and calcium—within the walls of arteries. Plaques, however, don’t simply accumulate in arteries like crud settling in a pipe. Instead, they are dynamic, changing, growing, shifting, and sometimes breaking. They develop when white blood cells in arteries trigger inflammation by reacting to damage usually caused by a combination of high blood pressure and so-called bad cholesterol that irritates the walls of the artery. In an effort to repair the damage, white blood cells produce a foamy mixture that incorporates cholesterol and other stuff and then hardens. As plaque accumulates, arteries stiffen and narrow, sometimes preventing enough blood from flowing to the tissues and organs that need it and further driving up blood pressure. One potentially lethal scenario is when plaques block an artery completely or detach and obstruct a smaller artery elsewhere. When this happens, tissues are starved of blood (also called ischemia) and die. Plaques can also cause the artery wall to dilate, weaken, and bulge (an aneurysm) or to tear apart (a rupture), which can lead to massive bleeding (a hemorrhage). Blocked and ruptured arteries create trouble anywhere in the body, but the most vulnerable locations are the narrow coronary arteries that supply the heart muscle itself. Heart attacks, caused by blocked coronary arteries, may damage the heart’s muscle, leading to less effective pumping of blood or triggering an electrical disturbance that can stop the heart altogether. Other highly vulnerable arteries are in the brain, which cause strokes when blocked by blood clots or when they rupture and bleed. To this list of more susceptible locations we should also add the retinas, kidneys, stomach, and intestines. The most extreme consequence of coronary artery disease is a heart attack, which, if one survives, leaves behind a weakened heart unable to pump blood as effectively as before, leading to heart failure.
”
”
Daniel E. Lieberman (Exercised: Why Something We Never Evolved to Do Is Healthy and Rewarding)
“
Aside from evidence for proactive violence among contemporary hunter-gatherers, two thorny facts don’t entirely square with the view that we stopped fighting ever since we became hunter-gatherers. The first fact is muscle. The average adult man today is 12 to 15 percent heavier than the average adult woman, but women have much higher percentages of body fat masking underlying differences in muscle mass. Whole-body scans show that males average 61 percent more muscle mass then females, with most of that difference in the upper body.30 Men’s extra brawn, moreover, is added during puberty, when testosterone levels shoot up, accelerating muscle growth in the arms, shoulders, and neck.31 In this regard, human men resemble male kangaroos, whose upper bodies also enlarge during adolescence to help them fight.32 Enhanced upper-body muscularity in male humans might also have been selected for hunting, but we cannot rule out aggression. The second fact is literally staring us in the face. Consider the faces of assorted males in the genus Homo lined up for you in figure 16. Note that until about 100,000 years ago, even in some of the earliest Homo sapiens, males tend to have massive, heavily built faces and menacingly large browridges. The earliest H. sapiens males have smaller, less robust faces than Neanderthals and other non-modern humans, but truly lightly built, “feminized” faces don’t appear until less than 100,000 years ago.33 It is intriguing to hypothesize that these big faces reflect higher levels of testosterone during adolescence. In males today, elevated testosterone contributes to not only higher libidos, more impulsivity, and more reactive aggression but also bigger browridges and larger faces.34 Another molecule that possibly affects facial masculinization is the neurotransmitter serotonin, which reduces aggression; less masculinized faces are associated with higher levels of serotonin.35
”
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Daniel E. Lieberman (Exercised: Why Something We Never Evolved to Do Is Healthy and Rewarding)
“
To be sure, the muscular effort isn’t great: squatting and standing use about the same degree of muscle activity.14 But over long periods of time those muscles require and develop endurance. My colleagues Eric Castillo, Robert Ojiambo, and Paul Okutoyi and I found that rural teenagers in Kenya who rarely sit in chairs with backrests have 21 to 41 percent stronger backs than teenagers from the city who regularly sit in the sorts of chairs you and I usually use.15
”
”
Daniel E. Lieberman (Exercised: Why Something We Never Evolved to Do Is Healthy and Rewarding)
“
He was shirtless, with only the baldric across his muscled chest. The pommel of his sword glinted golden in the dying sunlight, and the feathered tops of arrows were stained red as they poked across his broad shoulder. I stared at him, and he watched me back. The warrior incarnate.
”
”
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
“
POWER: The amount of force you can exert in a specific amount of time. Power = Work/Time. If Tarzan and Jane are both able to perform only one Pull Up with their maximal efforts, but Jane is able to perform that one Pull Up faster, then she has more power even though they have the same strength. MUSCULAR ENDURANCE: How long you can exert a specific force. Jane and Tarzan could compare their muscular endurance by seeing who can hold the peak position of the Pull Up the longest. CARDIOVASCULAR ENDURANCE: Your body’s ability to supply working muscles with oxygen during prolonged activity. Jane and Tarzan challenge and improve their cardiovascular endurance by performing 200 non-stop Squats together. SPEED: Your ability to rapidly and repeatedly execute a movement or series of movements. If Jane can do 45 lunges in 30 seconds and Tarzan can do only 25, then Jane has greater speed. COORDINATION: Your ability to combine more than one movement to create a single, distinct movement. For example, performing a simple jump requires that you coordinate several movements. The bend at the waist, knees, and ankles and then the correct extension of those joints must all be combined into a single movement. Your ability to combine these movements, with the proper timing, into one movement determines your coordination, and in turn, how well you can do the exercise. BALANCE: Your ability to maintain control of your body’s center of gravity. FLEXIBILITY: Your range of motion. If Jane, while doing a squat and using good form, can go down until her butt touches her heels, and Tarzan can only go until his thighs are parallel to the ground, then Jane has greater flexibility. Simply put, fitness is the degree to which a person possesses these seven qualities.
”
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Mark Lauren (You Are Your Own Gym: The Bible of Bodyweight Exercises)
“
More bad news for aerobic activity: Whether it’s running, cycling, or a step class, the main reason it gets easier the more you do it, is not because of improved cardiovascular conditioning, but because of improved economy of motion. For the most part, it doesn’t get easier because of muscular endurance, but because your body is becoming more efficient at that particular movement. You require less strength and oxygen than you did before, because your body’s nervous system is adapting. Wasted movements are eliminated, necessary movements are refined, and muscles that don’t need to be tensed are relaxed and eventually atrophied. This is why marathon runners will huff and puff if they cycle for the first time in years.
”
”
Mark Lauren (You Are Your Own Gym: The Bible of Bodyweight Exercises)
“
For if Government is, so to speak, the outward SKIN of the Body Politic, holding the whole together and protecting it; and all your Craft-Guilds, and Associations for Industry, of hand or of head, are the Fleshly Clothes, the muscular and osseous Tissues (lying under such SKIN), whereby Society stands and works;—then is Religion the inmost Pericardial and Nervous Tissue, which ministers Life and warm Circulation to the whole. Without which Pericardial Tissue the Bones and Muscles (of Industry) were inert, or animated only by a Galvanic vitality; the SKIN would become a shrivelled pelt, or fast-rotting rawhide; and Society itself a dead carcass,—deserving to be buried.
”
”
Thomas Carlyle
“
The frame of the white man, judging by such parts as were not concealed by his clothes, was like that of one who had known hardships and exertion from his earliest youth. His person, though muscular, was rather attenuated than full; but every nerve and muscle appeared strung and indurated by unremitted exposure and toil.
”
”
Book House (100 Books You Must Read Before You Die - volume 1 [newly updated] [Pride and Prejudice; Jane Eyre; Wuthering Heights; Tarzan of the Apes; The Count of ... (The Greatest Writers of All Time))
“
Each muscle gives rise to a special sensation capable of augmenting or of diminishing, so that the totality of our muscular sensations will depend upon as many variables as we have muscles. From this point of view, motor space would have as many dimensions as we have muscles.
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Henri Poincaré (The Foundations of Science: Science and Hypothesis, The Value of Science, Science and Method)
“
Dina slipped out of the bathroom and nearly walked directly into Scott. Well, fuck. He was shirtless. She definitely hadn't been wrong about his body. His wasn't the chest of a man who spent endless hours in the gym or kept to a strict diet. Scott's muscles were heavy, densely packed. His shoulders were broad and rounded with thick cords of muscle. He looked like some kind of Scottish war hero or Greek god.
Dina was definitely staring and she didn't give a fuck. She had been right about the hair too. A mass of dark brown--- almost black--- hair peppered his chest and trailed down his stomach to the V-shape of his hips.
”
”
Nadia El-Fassi (Best Hex Ever)
“
Henry smirks as he leans against the doorway to the walk-in closet, showing me every goddamn muscle in his abdomen. Drops of water drip down his body and catch on his towel, which hides anything else I might be interested in.
His body’s perfect, and the asshole knows it. He isn’t tanned, but it doesn’t matter. His bright blue eyes still dazzle and his blond hair matches mine. He’s strong, muscular and lean. Fucking perfect—and a complete wanker.
”
”
C.J. Holmes (A Debt of Darkness (Dark and Devilish, #1))
“
Charlotte burned holes in his shirt with her stare, watching the muscles in his wide, muscular back ripple as he adjusted his cuffs. Images of digging her nails into that bag, of gripping it tight and pulling him toward her rushed through Charlotte. She bit her lip and shook her head back and forth. “Hell no,” she mouthed barely loud enough for herself to hear. This was
”
”
Amy Silva (Torn Part 1)
“
In order to make a muscle hypertrophy (grow) we also know that time under tension (TUT) is important. Many muscle magazines will talk about TUT and how it helps muscles grow but what they don’t realize is that TUT works differently in a steroid-using lifter and a normal lifter. Lots of light weight and tension (high rep sets that last long) work well for a steroid user but not for a normal lifter. In order for a normal lifter to benefit from TUT they must first increase strength so that they can lift more (which will increase force) and therefore grow. Natural lifters can also increase TUT by spending more time in the eccentric part of the lift.
”
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Alexx Leyva (Weight Training: Muscle by Science: Your Simple Guide to Building a Muscular and Powerful Body (Build Muscle, Get Stronger, Workout, Gain Mass, Build Size, Gym, Weight Lifting, Exercise, Fitness))
“
Duchenne muscular dystrophy is a severe muscle wasting disease caused by mutations in the X-linked DYSTROPHIN gene. This is a large gene that encodes a big protein which acts as an essential shock absorber in muscle fibres. Boys carrying certain mutations in DYSTROPHIN suffer major muscle loss that usually results in death in the teenage years. Females with the same mutation are usually symptom-free. The reason for this is that muscle has a very unusual structure. It is called a syncytial tissue, which means that lots of individual cells fuse and operate almost like one giant cell, but with lots of discrete nuclei. This is why most females with a DYSTROPHIN mutation are symptom-free. There is enough normal DYSTROPHIN protein encoded by the nuclei that switched off the mutated DYSTROPHIN gene to keep this syncytial tissue functioning healthily
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”
Nessa Carey (The Epigenetics Revolution: How Modern Biology is Rewriting our Understanding of Genetics, Disease and Inheritance)
“
We need greater amounts of force in order to convince our bodies to recruit the big, powerful, type 2 muscle fibers. In order to increase force we can manipulate two factors, either mass (the amount of weight you are lifting) or acceleration (how fast you are lifting that weight). We also know that the bigger muscle groups can produce more force by working together than in isolation.
”
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Alexx Leyva (Weight Training: Muscle by Science: Your Simple Guide to Building a Muscular and Powerful Body (Build Muscle, Get Stronger, Workout, Gain Mass, Build Size, Gym, Weight Lifting, Exercise, Fitness))
“
Naomi stretched as she woke with an exaggerated yawn in her own bed.
How the hell did I get here?
Recollection of the dirty trick the two men played on her the previous night made her sit up abruptly.
The sheet fell away and she noticed her clothing of the previous eve gone, replaced with a t-shirt and shorts.
“Those dirty, rotten pigs,” she cursed as she swung her legs out of bed and sat on the edge.
“You called?” A head topped with tousled hair poked out from around the door frame of the bathroom.
Number sixty-nine’s dark eyes twinkled and his lips curled in a sensual smile.
Despite her irritation, her body flooded with warmth.
“You!” She pointed at him and shot him a dark glare.
He grinned wider. “What about me, darling?”
“I’m going to kick your balls so hard you’re going to choke on them. How dare you drug me and then do despicable things to my body while I was unconscious?”
Stepping forward from the bathroom, he raised his arms in surrender and her eyes couldn’t help drinking in the sight of him.
No one should look that delicious, especially in the morning, was her disgruntled thought. Shirtless, Javier’s tight and toned muscles beckoned. Encased in smooth, tanned skin, his muscular torso tapered down to lean hips where his jeans hung, partially unbuttoned and displayed a bulge that grew as she watched. Unbidden heat flooded her cleft and her nipples shriveled so tight she could have drilled holes with them.
She forced herself to swallow and look away before she did something stupid— say, like, licking her way down from his flat nipples to the dark vee of hair that disappeared into his pants.
“It would take a braver man than me to disobey your mother’s orders. Besides, you needed the sleep,” he added in a placating tone.
Scowling, Naomi mentally planned a loud diatribe for her mother.
“Let me ask you, how does your head feel now?” His question derailed her for a second, and she paused to realize she actually felt pretty damned good— but now I’m horny and it’s all his friggin’ fault.
She dove off the bed and stalked toward him, five foot four feet of annoyed woman craving coffee, a Danish, and him— naked inside her body.
The first two she’d handle shortly, the third, she’d make him pay for.
He stood his ground as she approached, the idiot.
“What did you do to me while I was out?” she growled as she patted her neck looking for a mating mark.
“Nothing. Contrary to your belief, snoring women with black and blue faces just don’t do it for me.”
His jibe hurt, but not as much as her foot when it connected with his undefended man parts.
He ended up bent over, wheezing while Naomi smirked in satisfaction.
“That’s for knocking me out. But, if I find out you did anything to me other than dress me, like cop a feel or take nudie pictures, I’m going hurt you a lot worse.”
“Has anyone ever told you you’re hot when you’re mad?” said the man with an obvious death wish.
Only his speed saved him from her swinging fist as she screeched at him. “Go away. Can’t you tell I’m not interested?”
“Liar.” He threw that comment at her from the other side of her bed. “I can smell your arousal, sweetheart. And might I say, I can’t wait to taste it.
”
”
Eve Langlais (Delicate Freakn' Flower (Freakn' Shifters, #1))
“
Weekly Layout Monday- Legs (Quad Dominant) and Calves A.1- Squat 6 sets total 7,5,3,7,5,3 B.1- Leg press 3-4 sets of 10 C.1- Leg Extension 3-4 sets of 10-15 C.2- Standing Calf Raise 3-4 sets of 15-20 Tuesday- Chest/Shoulder A.1- Dumbbell Bench Press 6 sets total 7,5,3,7,5,3 A.2- Leaning Lateral Raise 4 sets of 10-12 B.1- Incline Bench Press 6 sets total 7,5,3,7,5,3 B.2- Upright Rows 3 sets of 15-20 C.1- Machine Flies 3 sets of 8-10 Thursday- Back/Hamstrings A.1- Deadlift 6 sets total 7,5,3,7,5,3 A.2- Bent Over Row 3 sets of 8-10 B.1- Wide grip Pull-ups 3 sets of 10+ B.2- Cable Row 3 sets of 10-12 C.1- Leg Curl 3 sets of 6-8 Friday or Saturday- Arms A.1- Dips with weight 6 sets total 7,5,3,7,5,3 A.2- EZ- Bar Curl 6 sets total 7,5,3,7,5,3 B.1- Hammer Curl 3 Sets of 6-8 B.2- Reverse Curl 3 Sets of 6-8 C.1- Close Grip Bench Press 3 Sets of 10-12 C.2- Skull Crushers 3 Sets of 10-12 CONCLUSION
”
”
Alexx Leyva (Weight Training: Muscle by Science: Your Simple Guide to Building a Muscular and Powerful Body (Build Muscle, Get Stronger, Workout, Gain Mass, Build Size, Gym, Weight Lifting, Exercise, Fitness))
“
There is also the less-well-known double standard of testing for steroids and other strength-enhancing drugs. “Because they think women can’t get hard and muscular without drugs—which is wrong, some women can—” Bev said, “they started by testing all the contestants at every Olympia. Then they substituted random testing, which means you can be tested at any time during the year, without warning. But it’s only for the women. The men, they don’t test. They did it one year, and everyone looked so crappy they stopped it.
”
”
Gloria Steinem (Moving Beyond Words: Essays on Age, Rage, Sex, Power, Money, Muscles: Breaking the Boundaries of Gender)
“
After six months of building muscle mass I can now confirm that muscle mass creates increased tolerance to biologically harmful radiation sources.
”
”
Steven Magee (Health Forensics)
“
We must understand that God has given us all the necessary amount of faith that we need to believe and trust His Word. Then what is the issue? Why are there so many Christians who find it difficult to believe God? Why does the supernatural seem elusive to so many? It is very simple; they have not exercised their faith, and therefore it is weak. Faith is the muscular system of the spiritual realm. Like our physical muscles, it increases with use. You didn’t do anything to earn your muscles, but you still need to use them. Muscles are developed! If you never exercise your physical muscles they will atrophy. Many believers are weak in faith, and as a result they are building their house on sand. They are unable to weather the storms of life. The Word of God says: And Jesus said unto them, Because of your unbelief: for verily I say unto you, If ye have faith as a grain of mustard seed, ye shall say unto this mountain, Remove hence to yonder place; and it shall remove; and nothing shall be impossible unto you (Matthew 17:20 KJV).
”
”
Kynan Bridges (The Power of Unlimited Faith: Living in the Miraculous Everyday)
“
When Jon finally, impatiently, took his place between Tom’s legs, he felt like a wanton beast. His hands closed exactly over the tattoos that curled over Tom’s hips, like they were guides. He groaned and slid his whole length smoothly in one motion inside Tom. Under him, Tom moaned and shuddered, pushing back on Jon. Unlike the last time he shared a lover with Baltsaros, this body was the right one beneath him. When he turned to look at the captain, Jon saw that the man’s eyes were half-lidded with lust, his top lip curled on one side in a wicked sneer of desire as he stroked himself while watching Jon and Tom. Bolstered by the captain’s reaction, Jon started thrusting hard into Tom, his breath heaving and groaning out of him from the glorious sensation of the man’s slick muscles enveloping and sliding over his cock. Tom met every plunge with a low moan, one hand frantically twisting the coverlet in his fist while the other worked his own hard shaft beneath him. The sound of Jon’s pelvis slamming hard against Tom’s muscular ass competed with the bestial sounds coming from the two men’s throats.
”
”
Bey Deckard (Caged: Love and Treachery on the High Seas (Baal's Heart, #1))
“
Do you need me to take your temperature?” “What?” What the hell was he talking about? “What are you—” The words died on his lips, and his jaw dropped when Dex stepped into the doorway. “I said, do you need me to check your temperature, Mr. Brodie?” “Sweet Jesus.” It took some effort for Sloane to close his mouth, but eventually he managed it. Dex strutted into the room dressed in nurse’s scrubs made of white latex so tight it was all but painted on his body. The V-neck top exposed his collarbone and emphasized the curve of every muscle, from his lean sculpted torso, to his muscular legs, and the prominent outline of his hard dick. The white was a stark contrast against his tanned skin. Holy hell, his partner looked like something out of a porn magazine. Wait.
”
”
Charlie Cochet (Rise & Fall (THIRDS, #4))
“
She marched up to the door, banged it open with a satisfying crash, brandished her scythe, and announced herself to any and all therein. “Get your heathen, trespassing backsides out of this carriage house immediately, lest I inform your papas of your criminal conduct—and your mamas.” “Good lord,” a cultured and ominously adult male voice said softly from Ellen’s right, “we’re about to be taken prisoner. Prepare to defend your borders, my friend. Sleeping Beauty has awakened in a state.” Ellen’s gaze flew to the shadows, where a tall, dark-haired man was regarding her with patient humor. The calm amusement in his eyes suggested he posed no threat to her, while his dress confirmed he was a person of some means. Ellen had no time to further inventory that stranger, because the sound of a pair of boots slowly descending the steps drew her gaze across the room. Whoever was coming down those stairs was in no hurry and was certainly no boy. Long, long legs became visible, then muscles that looked as if they’d been made lean and elegant from hours in the saddle showed off custom riding boots and excellent tailoring. A trim, flat torso came next, then a wide muscular chest and impressive shoulders. Good lord, he was taller than the fellow in the corner, and that one was a good half a foot taller than she. Ellen swallowed nervously and tightened her grip on the scythe. “Careful,” the man in the shadows said softly, “she’s armed and ready to engage the enemy.” Those dusty boots descended the last two steps, and Ellen forced herself to meet the second man’s face. She’d been prepared for the kind of teasing censorship coming from the one in the corner, a polite hauteur, or outright anger, but not a slow, gentle smile that melted her from the inside out. “Mrs. FitzEngle.” Valentine Windham bowed very correctly from the waist. “It has been too long, and you must forgive us for startling you. Lindsey, I’ve had the pleasure, so dredge up your manners.” “Mr. Windham?” Ellen lowered her scythe, feeling foolish and ambushed, and worst of all—happy. So
”
”
Grace Burrowes (The Virtuoso (Duke's Obsession, #3; Windham, #3))
“
Tall, muscular, and broad-shouldered, he’d been an obvious hire for the railroad company, but the recruiter had looked at his young wife’s protruding belly and had wanted to hire only him. Disgusted to have to play such games, she batted her eyelashes and, a convincing smile lighting up her pretty face, flexed the muscles of her right arm for show: “I promise, I am a good worker.” She signed the paperwork along with her husband. And cried herself to sleep that night. Something tragic was waiting for them. There had been signs. Only hours after she’d been hired, she had seen warning in the pueblo curandera’s eyes. “Will you please bless my babies?” she had asked when she arrived at the curandera’s home with her toddler daughter in tow. “Of course,” the curandera had said, and invited them in. “Sit, please.” She motioned to her one chair and then to the clean-swept dirt floor beside it for the girl. The curandera kneeled in front my father’s mother. One hand on her pregnant round stomach, the other hand on the little girl’s head, the old woman closed her eyes and breathed slowly, the deep wrinkles of her face smoothing as she concentrated. This quiet stillness continued for minutes. And then: “No!” The curandera yanked her hands away as if she’d felt fire. “The baby?” my father’s mother asked nervously, her hands moving in an instinctive, protective gesture to her middle. “It is a boy,” the curandera said. And then she stared at the little girl and refused to say more. The next morning, the curandera visited my father’s mother. “This is for the girl,” she said, and handed over three slices of candied sweet yam. “Give her some each night before she sleeps.
”
”
Felicia Luna Lemus (Like Son: A Novel)
“
we have a palpable sense that Tolstoy as a novelist tests his characters’ muscles and trains his reader to track their spasms so that by the time we come to the meeting between Kitty and Levin we are able to share the latter’s understanding that what was inexpressible in words was given meaning in ‘every movement of her lips, her eyes, and her hands’. So Kitty’s nervousness at the outcome of her meeting with Levin is expressed in and heightened by the failure of her fork to spear a slippery pickled mushroom on her plate. A slight muscular reflex, such as Kitty’s hand in
”
”
Leo Tolstoy (Anna Karenina)
“
When I rounded a corner I ran right into a broad muscular chest and almost fell on my butt before he caught me. “I’m so sorry, I –.” I shut my mouth when I looked up and saw those deep blue eyes again. He smiled and I momentarily got distracted by his perfectly straight, white teeth and full lips. Cocking his head to the side, I saw the recognition flash across his face that was soon replaced by a sexy smirk. By the way my heart started pounding, I was sure he’d perfected that look years ago. “Now who are you?” I blinked and tore my gaze from his mouth and tried to move around him but his hands were still holding me in place. “What, you’re too good to tell me?” I thought about the two girls I’d seen him with, and for the first time since running into him, realized there was a new blonde with her arm wrapped around his waist. Wow three girls within half an hour. I raised an eyebrow at him, “Apparently.” He and the tall blonde both scoffed. After releasing my arms he crossed his in front of his chest exposing even more muscles and a good bit of half sleeve tattoos on both arms. His stance may have looked intimidating if his face didn’t appear so shocked and amused. “Excuse me Princess?” Narrowing my eyes I started to shoulder my way past him, “You’re right, excuse me.” He
”
”
Molly McAdams (Taking Chances (Taking Chances, #1))
“
Not that he considered himself a toad. He’d been told on more than one occasion that his looks were pleasing. More than one young lady had commented approvingly on his blue eyes, and he did have a good head of brown, wavy hair. But as for the rest of him, he was merely of average height and tended to be lean rather than muscular. No matter how much he trained at Jackson’s Saloon, he only got leaner and tougher rather than imposing and muscled. Of course, his fencing skills were second to none, but unless he and Amelia happened upon privateers or highwaymen, Nigel was unlikely to have the opportunity to display that sort of prowess. Once
”
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Anna Campbell (A Grosvenor Square Christmas)
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He sat down on Tom’s left and peered curiously at the black lines that curled and swooped along his thickly muscled side. Tom watched curiously as Jon traced his fingers along the path they took over the bigger man’s ribs. “Ye like it?” asked Tom. Jon’s fingers tapped a spot right under Tom’s pectoral. There… That looked like something he recognized. “Jon?” As he looked up into Tom’s eyes, he smiled. “Sorry… Yes, they are extremely fucking sexy if you must know,” he said, scarcely believing the words coming out of his mouth. It was simply the truth; somehow the markings enhanced the muscular young man’s beauty in a way that made Jon feel hot inside. “But…
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”
Bey Deckard (Caged: Love and Treachery on the High Seas (Baal's Heart, #1))
“
For the moment, Baltsaros’s last suggestion was ricocheting through his mind. As if reading his thoughts, the captain released Jon and went to Tom. “Up,” he said, and Tom lurched to his feet. Baltsaros’s hands stroked down the sculpted muscles of Tom’s chest, lingering at the small silver ring in his nipple. The captain’s brows went up as he tugged at it lightly, obviously pleased with the addition. Sliding his fingers over Tom’s taut stomach, he eased his fingers under the waistband of the first mate’s green pants and tugged forward. Baltsaros kissed Tom roughly as he undid the front of his pants and pushed them down when they were loose enough. Jon watched as Baltsaros grabbed Tom hard by the throat and pushed his gracefully curved lips against the big man’s jaw, just beside his ear. “On your stomach on the bed,” hissed Baltsaros loud enough that Jon could hear. Tom’s cock bobbed in response to the words; its thick length was already a hard curve pointing up toward his stomach. Jon watched in fascination as the muscular young man obediently lay down on his chest on the bed and closed his eyes. Baltsaros knelt beside him and slid two pillows under Tom’s hips and then spat into his hand. Roughly pushing Tom’s legs apart, he smeared the saliva over his puckered opening; Jon watched in a hot daze as Baltsaros slid two fingers inside Tom, readying him, and he realized he was breathing hard from the sight.
”
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Bey Deckard (Caged: Love and Treachery on the High Seas (Baal's Heart, #1))
“
t
o improve the physical capacity of the horse, a trainer must learn to value its
qualities and to compensate for its flaws. Physical training of an athlete,
particularly a human athlete, requires a deep understanding of the sporting discipline
in question. It is in this same spirit that the chapters in this book describing the
biomechanics and physical training of the horse as an athlete have been developed.
The presentation of these concepts begins with a series of simplified and educational
reminders on the biomechanics of the muscles underlying overall movement. The
primary body system involved in active physical exercise is the muscular system and
the first three chapters focus on the muscular groups and actions of the forelimb,
the hindlimb and the neck and trunk, and this leads to a chapter discussing the
biomechanics of lowering of the neck. To evaluate the usefulness of an exercise and
to understand its mode of action, including its advantages and disadvantages, it is
essential to have a basic understanding of musculotendinous functional anatomy. An
understanding of these fundamental ideas is directly applicable to the later chapters,
which focus on training and the core exercises for a horse.
Training a horse for every discipline brings together two specific but complementary
areas, which are often worked on at the same time: conditioning and strengthening.
The aim of conditioning is to develop respiratory capacity and to improve cardiovascular function. This results in a greater ability to perform with prolonged effort, while
also improving the recovery time after this effort.
Strengthening of the horse has two main goals: (1) to improve the flexibility of joints
secondary to the action of ligaments and muscles (these structures have an intrinsic role
in the control and stability of joints) and (2) to develop effective muscular contraction
and coordination, making movements more fluid, lighter and confident (1, 2).
”
”
Jean-Marie Denoix (Biomechanics and Physical Training of the Horse)
“
Among the leanest, most muscular people in the world, 1 gram per pound of body weight per day has been a rule of thumb for years. The science suggests they’re right.
”
”
Tom Venuto (Burn the Fat, Feed the Muscle: Transform Your Body Forever Using the Secrets of the Leanest People in the World)