Muscular Man Quotes

We've searched our database for all the quotes and captions related to Muscular Man. Here they are! All 100 of them:

Once there were brook trout in the streams in the mountains. You could see them standing in the amber current where the white edges of their fins wimpled softly in the flow. They smelled of moss in your hand. Polished and muscular and torsional. On their backs were vermiculate patterns that were maps of the world in its becoming. Maps and mazes. Of a thing which could not be put back. Not be made right again. In the deep glens where they lived all things were older than man and they hummed of mystery.
Cormac McCarthy (The Road)
You can buy a man's time, you can buy a man's physical presence at a certain place, you can even buy a measured number of skilled muscular motions per hour or day. But you cannot buy enthusiasm, you cannot buy initiative, you cannot buy loyalty; you cannot buy the devotion of hearts, minds, and souls. You have to earn these things.
Clarence Francis
With relationships, I always had a reason why some time in the future would be better for me than it was that day. When I was fat, I thought I'd feel pretty when I was thin, and when I was thin, I thought I'd be happier if I was more toned and muscular and had more money to look more coordinated. I wasn't comfortable in my own skin unless there was a man there to tell me just how radiant that skin looked. I was a victim of low self-esteem and had the Soon syndrome bad. I was running toward a brighter future, unaware of the mirages I'd created in the distance.
Stephanie Klein (Straight Up and Dirty)
This would go a lot easier if you'd stop screaming in pain,' Zoe told the muscular man lying beneath her.
Jaime Rush
Should a man, to preserve his life, pay everything that gives life colour, scent and excitement? Can one accept a life of digestion, respiration, muscular and brain activity - and nothing more? Become a walking blueprint? Is this not an exorbitant price? Is it not mockery?
Aleksandr Solzhenitsyn (Cancer Ward)
Somewhere in the last few months, it’s like someone has flicked a switch and he’s gone from “cute looking boy” to “muscular sexy man” just like that.", Celestra Caine in FADE by Kailin Gow
Kailin Gow
Mountains are to the rest of the body of the earth, what violent muscular action is to the body of man. The muscles and tendons of its anatomy are, in the mountain, brought out with force and convulsive energy, full of expression, passion, and strength.
John Ruskin
This is the legend of Cassius Clay, The most beautiful fighter in the world today. He talks a great deal, and brags indeed-y, of a muscular punch that's incredibly speed-y. The fistic world was dull and weary, But with a champ like Liston, things had to be dreary. Then someone with color and someone with dash, Brought fight fans are runnin' with Cash. This brash young boxer is something to see And the heavyweight championship is his des-tin-y. This kid fights great; he’s got speed and endurance, But if you sign to fight him, increase your insurance. This kid's got a left; this kid's got a right, If he hit you once, you're asleep for the night. And as you lie on the floor while the ref counts ten, You’ll pray that you won’t have to fight me again. For I am the man this poem’s about, The next champ of the world, there isn’t a doubt. This I predict and I know the score, I’ll be champ of the world in ’64. When I say three, they’ll go in the third, 10 months ago So don’t bet against me, I’m a man of my word. He is the greatest! Yes! I am the man this poem’s about, I’ll be champ of the world, there isn’t a doubt. Here I predict Mr. Liston’s dismemberment, I’ll hit him so hard; he’ll wonder where October and November went. When I say two, there’s never a third, Standin against me is completely absurd. When Cassius says a mouse can outrun a horse, Don’t ask how; put your money where your mouse is! I AM THE GREATEST!
Muhammad Ali
She thought she heard a faint growl. She listened harder. The warrior with all the gorgeous black hair was growling. Because she's said the other man was good-looking and muscular? Uh-huh. A clear case of caveman possessiveness...and it kind of got to her.
Caris Roane (Ascension (Guardians of Ascension, #1))
Leonardo became known in Milan not only for his talents but also for his good looks, muscular build, and gentle personal style. “He was a man of outstanding beauty and infinite grace,” Vasari said of him. “He was striking and handsome, and his great presence brought comfort to the most troubled soul.
Walter Isaacson (Leonardo da Vinci)
I'm bored stiff by ballet. i can't bear those muscular white legs like unbaked plaited loaves, and I get quite hysterical every time one of the women sticks out her leg at right angles, and the man suddenly grabs it and walks round in a circle as though he were opening a tin.
Jilly Cooper (Jolly Super Too)
Humans in Europe and western Asia evolved into Homo neanderthalensis (‘Man from the Neander Valley’), popularly referred to simply as ‘Neanderthals’. Neanderthals, bulkier and more muscular than us Sapiens, were well adapted to the cold climate of Ice Age western Eurasia. The more eastern regions of Asia were populated by Homo erectus, ‘Upright Man’, who survived there for close to 2 million years, making it the most durable human species ever. This record is unlikely to be broken even by our own species. It is doubtful whether Homo sapiens will still be around a thousand years from now, so 2 million years is really out of our league.
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
What is it that constitutes virtue, Mrs. Graham? Is it the circumstance of being able and willing to resist temptation; or that of having no temptations to resist? - Is he a strong man that overcomes great obstacles and performs surprising achievements, though by dint of great muscular exertion, and at the risk of some subsequent fatigue, or he that sits in his chair all day, with nothing to do more laborious than stirring the fire, and carrying his food to his mouth? If you would have your son to walk honourably through the world, you must not attempt to clear the stones from his path, but teach him to walk firmly over them - not insist upon leading him by the hand, but let him learn to go alone.' 'I will lead him by the hand, Mr. Markham, till he has strength to go alone; and I will clear as many stones from his path as I can, and teach him to avoid the rest - or walk firmly over them, as you say; - for when I have done my utmost, in the way of clearance, there will still be plenty left to exercise all the agility, steadiness, and circumspection he will ever have. - It is all very well to talk about noble resistance, and trials of virtue; but for fifty - or five hundred men that have yielded to temptation, show me one that has had virtue to resist. And why should I take it for granted that my son will be one in a thousand? - and not rather prepare for the worst, and suppose he will be like his - like the rest of mankind, unless I take care to prevent it?
Anne Brontë (The Tenant of Wildfell Hall)
...a portrait of a muscular grey-haired man with a grim, almost demented gaze and the sort of moustache that could beat you in an arm-wrestling contest.
Ned Beauman (The Teleportation Accident)
But a smell shivered him awake. It was a scent as old as the world. It was a hundred aromas of a thousand places. It was the tang of pine needles. It was the musk of sex. It was the muscular rot of mushrooms. It was the spice of oak. Meaty and redolent of soil and bark and herb. It was bats and husks and burrows and moss. It was solid and alive - so alive! And it was close. The vapors invaded Nicholas' nostrils and his hair rose to their roots. His eyes were as heavy as manhole covers, but he opened them. Through the dying calm inside him snaked a tremble of fear. The trees themselves seemed tense, waiting. The moonlight was a hard shell, sharp and ready to ready be struck and to ring like steel. A shadow moved. It poured like oil from between the tall trees and flowed across dark sandy dirt, lengthening into the middle of the ring. Trees seem to bend toward it, spellbound. A long, long shadow...
Stephen M. Irwin (The Dead Path)
THIS IS WHAT A MAN LOOKS LIKE. HE DOES NOT HAVE TO BE AESTHETICALLY PLEASING; HE DOES NOT HAVE TO BE MUSCULAR; HE DESERVES NOT TO BE PHOTOSHOPPED. HE IS HUMAN, AND HE HAS BLEMISHES. HERE HE STANDS, VISIBLE. HE SEES YOU ALL, COUNTLESS INVISIBLE OTHERS LIKE HIM. THIS BODY IS ACCEPTABLE — PUBESCENT, AWKWARD, MARRED. YOU DON’T HAVE TO BE INVISIBLE. WE ARE ALL GOOD ENOUGH. THERE IS NOTHING WRONG WITH OUR BODIES.
Agnostic Zetetic
He had the muscular definition of a man who had spent his life restraining elephants in heat.
Taona Dumisani Chiveneko (Sprout of Disruption (The Hangman's Replacement # 1))
He should always wear jeans because they make him look hotter than a nebula. Black suits him too. It hugs to his muscular vales and swells, turning temptation into sexy man therapy.
Poppet (Ryan (Neuri, #2))
He was six feet six inches of confusing male. Lord, the man was huge, muscular and smelled heavenly. She just wanted to run her nose all over him, inhaling that spicy, earthy scent that made her inner wolf want to jump up and strut around for him.
Katie Reus (Taste of Darkness (Darkness, #2))
A man going quietly about his business all day long expends far more muscular energy than an athlete who lifts a huge weight once a day. This has been proved physiologically, and so the social sum total of everybody's little everyday efforts, especially when added together, doubtless releases far more energy into the world than do rare heroic feats. This total even makes the single heroic feat look positively minuscule, like a grain of sand on a mountaintop with a megalomaniacal sense of its own importance.
Robert Musil (The Man Without Qualities: Volume I)
Should a man, to preserve his life, pay everything that gives life colour, scent and excitement? Can one accept a life of digestion, respiration, muscular and brain activity-and nothing more? 'Become a walking blueprint? Is this not an exorbitant price? Is it not a mockery? Should one pay? Seven years in the army and seven years in the camp,twice seven years twice that mythical or biblical term,then to be deprived of the ability to tell what is a man and what is a woman--is not a price extortionate?
Aleksandr Solzhenitsyn (Cancer Ward)
What is it that constitutes virtue, Mrs. Graham? Is it the circumstance of being able and willing to resist temptation; or that of having no temptation to resist? Is he a strong man that overcomes great obstacles and performs surprising achievements, though by dint of great muscular exertion, and at the risk of some subsequent fatigue, or he that sits in his chair all day, with nothing to do more laborious than stirring the fire, and carrying his food to his mouth? If you would have your son to walk honourably through the world, you must not attempt to clear the stones from his path, but teach him to walk firmly over them- not insist upon leading him by the hand, but let him learn to go alone.
Anne Brontë (The Tenant of Wildfell Hall)
He was built like a mountain. Tall, dark haired ,silver eyed , muscular and rugged. Nathaniel Hawkins was a man that most men wouldn’t want to tangle with and most women fantasized about.
Grace Willows (The Ultimate Prize)
He squinted up at the straining muscular backs of the stone men supporing the dome. "You'll have to take me to some museums," he said. He was being the young man on the road, following the sun because gray weather made him suicidal, writing his poetry in his mind in diners and gas station men's rooms across the country. "But I did see a show of Hopper once. And I like his light. It was kind of lonely or something. Or, "The world's a mess, it's in my kiss,' like John and Exene say," he mumbled. We were in a leather store on Market Street being punks on acid with skunk-striped hair and steel-toed boots.
Francesca Lia Block (Echo)
Russkie, promise me a simple thing?" Out of the blue when they had finished, after a mouthful from the mug. Dan seemed relaxed, leaning on his side. Resting back, savoring the taste, Vadim turned his head to look at Dan. Oh, that body. The effect it had on him, all the time, even when Dan wasn't there. Twelve months. "Promise what?" Sometimes, that kind of thing was about letters. Tell my girl I love her. Tell my mother I didn't suffer. Almost painful. Letters. Words that would hurt worse than the killing bullet. "Simple." Dan nodded, "if I'm unlucky, and if you find my body, will you bury it? Some rocks would do, I can't stand the thought of carrion's. As if that mattered, eh? I'd be fucking dead." Dan shrugged, tossed a grin towards the other, made light of an entirely far too heavy situation. He took the bottle once more, washing down the taste of death and decay, chasing away unbidden images. Vadim felt a shudder race over his skin. The thought of death chilled him to the bone, like a premonition. For a moment he saw himself stagger through enemy territory, looking for something that had been Dan. Minefields, snipers, fucking Hind hellfire. He might be able to track him. He might be able to guess where he had gone, where he had fallen. He had found the occasional pilot. But he had had help. Finding a dead man in a country full of dead people was more of a challenge. "I'll send you home," he murmured. Stay alive, he thought. Stay alive like you are now. I don't want to carry your rotting body to fucking Kabul and hand myself in to whatever bastard is your superior or handler there, but it must be Kabul. I can't hand myself over. But I will. Fuck you. He felt his face twitch, and turned away, breathing. "No, I have no home anymore." Dan's hand stopped Vadim from turning over fully. Fingers digging into the muscular thigh. "Not my brother's family. Nowhere to send the body to. Forget it." Grip tightening while he moved closer. Ignored the heat, the damned fan and its monotonous creaking, pressed his body behind the other. "You're as close to a fucking home as I get.
Marquesate (Special Forces - Soldiers (Special Forces, #1))
When I woke, I was nestled on top of Ren’s chest. His arms were wrapped around me, and my legs were entwined with his. I was surprised I could breathe all night since my nose was smashed against his muscular torso. It had gotten cold, but my quilt covered both of us and his body, which maintained a warmer-than-average temperature, had kept me toasty all night. Ren was still asleep, so I took the rare opportunity to study him. His powerful frame was relaxed and his face was softened by sleep. His lips were full, smooth, and utterly kissable, and for the first time, I noticed how long his sooty lashes were. His glossy dark hair fell softly over his brow and was mussed in a way that made him look even more irresistible. So this is the real Ren. He doesn’t seem real. He looked like an archangel who fell to the earth. I’d been with Ren night and day for the past four weeks, but the time he was a man was such a small fraction of each day that he seemed almost like a dream guy, a real life Prince Charming. I traced a black eyebrow, following its arch with my finger, and lightly brushed the silky dark hair away from his face. Hoping not to disturb him, I sighed, shifted slowly, and tried to move away, but his arms tensed, restraining me. He sleepily mumbled, “Don’t even think about moving” and pulled me back to snuggle me close again. I rested my cheek against his chest, felt his heartbeat, and contented myself with listening to its rhythm. After a few minutes, he stretched and rolled to his side, pulling me with him. He kissed my forehead, blinked open his eyes, and smiled at me. It was like watching the sun come up. The handsome, sleeping man was potent enough, but when he turned his dazzling white smile on me and blinked open his cobalt blue eyes, I was dumbstruck. I bit my lip. Alarm bells started going off in my head. Ren’s eyes fluttered open, and he tucked some loose hair behind my ear. “Good morning, rajkumari. Sleep well?” I stammered, “I…you…I…slept just fine, thank you.” I closed my eyes, rolled away from him, and stood up. I could deal with him a lot better if I didn’t think about him much, or look at him, or talk to him, or hear him. He wrapped his arms around me from behind, and I felt his smile as he pressed his lips to the soft spot behind my ear. “Best night of sleep I’ve had in about three hundred and fifty years.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
David padded down the stairs seven hours later, wearing a towel wrapped around his waist. He’d slicked his wet hair back and his tattoos were displayed to perfection, defining his lean torso and muscular arms. There was a lot of skin on show. The man was a visual feast.
Kylie Scott (Lick (Stage Dive, #1))
My uncle's a big man, muscular. He's given to bulk in his shoulders.Yes, I suppose he could be a little frightening. So is his wife, Sara interjected with a smile. "I couldn't tell them apart." He pinched her backside for being insolent. "Dunnford has a mustache." "So does she.
Julie Garwood (The Gift (Crown's Spies, #3))
A famous cigarette billboard pictures a curly-headed, bronze-faced, muscular macho with a cigarette hanging out the side of his mouth. The sign reads 'Where a man belongs.' That is a lie. Where a man belongs is at the bedside of his children, leading in devotion and prayer. Where a man belongs is leading his family to the house of God. Where a man belongs is up early and alone with God seeking vision and direction for the family.
John Piper (Desiring God: Meditations of a Christian Hedonist)
Keep in mind, Bandler once cured a guy who thought he was Jesus by bringing in three muscular football players dressed as Roman Centurions and wood for a life-size cross into his hospital room.  Then, he proceeded to nail the cross together, pausing occasionally to measure the guy as the Centurions held him down.  By the time they were ready for the crucifixion, the man was convinced he wasn't Jesus.  Even after the drama had passed, the cure stuck.
Kamal Ravikant (Love Yourself Like Your Life Depends On It)
You are old, Father William,' the young man said, 'And your hair has become very white; And yet you incessantly stand on your head— Do you think, at your age, it is right?' 'In my youth,' Father William replied to his son, 'I feared it might injure the brain; But, now that I'm perfectly sure I have none, Why, I do it again and again.' 'You are old,' said the youth, 'as I mentioned before, And have grown most uncommonly fat; Yet you turned a back-somersault in at the door— Pray, what is the reason of that?' 'In my youth,' said the sage, as he shook his grey locks, 'I kept all my limbs very supple By the use of this ointment—one shilling the box— Allow me to sell you a couple?' 'You are old,' said the youth, 'and your jaws are too weak For anything tougher than suet; Yet you finished the goose, with the bones and the beak— Pray how did you manage to do it?' 'In my youth,' said his father, 'I took to the law, And argued each case with my wife; And the muscular strength, which it gave to my jaw, Has lasted the rest of my life.' 'You are old,' said the youth, 'one would hardly suppose That your eye was as steady as ever; Yet you balanced an eel on the end of your nose— What made you so awfully clever?' 'I have answered three questions, and that is enough,' Said his father; 'don't give yourself airs! Do you think I can listen all day to such stuff? Be off, or I'll kick you down stairs!
Lewis Carroll (Alice's Adventures in Wonderland)
Few people paid much attention to the importance of eyes when it came to seduction, he thought. It took a Bene Gesserit upbringing to make that point. Big breasts in a woman and hard loins in a man (that tightly muscular look to the buttocks) – these were naturally important in sexual matchings. But without the eyes, the rest of it could go for nothing. Eyes were essential. You could drown in the right kind of eyes, he had learned, sink right into them and be unaware of what was being done to you [...].
Frank Herbert
What is the use of beauty in woman? Provided a woman is physically well made and capable of bearing children, she will always be good enough in the opinion of economists. What is the use of music? -- of painting? Who would be fool enough nowadays to prefer Mozart to Carrel, Michael Angelo to the inventor of white mustard? There is nothing really beautiful save what is of no possible use. Everything useful is ugly, for it expresses a need, and man's needs are low and disgusting, like his own poor, wretched nature. The most useful place in a house is the water-closet. For my part, saving these gentry's presence, I am of those to whom superfluities are necessaries, and I am fond of things and people in inverse ratio to the service they render me. I prefer a Chinese vase with its mandarins and dragons, which is perfectly useless to me, to a utensil which I do use, and the particular talent of mine which I set most store by is that which enables me not to guess logogriphs and charades. I would very willingly renounce my rights as a Frenchman and a citizen for the sight of an undoubted painting by Raphael, or of a beautiful nude woman, -- Princess Borghese, for instance, when she posed for Canova, or Julia Grisi when she is entering her bath. I would most willingly consent to the return of that cannibal, Charles X., if he brought me, from his residence in Bohemia, a case of Tokai or Johannisberg; and the electoral laws would be quite liberal enough, to my mind, were some of our streets broader and some other things less broad. Though I am not a dilettante, I prefer the sound of a poor fiddle and tambourines to that of the Speaker's bell. I would sell my breeches for a ring, and my bread for jam. The occupation which best befits civilized man seems to me to be idleness or analytically smoking a pipe or cigar. I think highly of those who play skittles, and also of those who write verse. You may perceive that my principles are not utilitarian, and that I shall never be the editor of a virtuous paper, unless I am converted, which would be very comical. Instead of founding a Monthyon prize for the reward of virtue, I would rather bestow -- like Sardanapalus, that great, misunderstood philosopher -- a large reward to him who should invent a new pleasure; for to me enjoyment seems to be the end of life and the only useful thing on this earth. God willed it to be so, for he created women, perfumes, light, lovely flowers, good wine, spirited horses, lapdogs, and Angora cats; for He did not say to his angels, 'Be virtuous,' but, 'Love,' and gave us lips more sensitive than the rest of the skin that we might kiss women, eyes looking upward that we might behold the light, a subtile sense of smell that we might breathe in the soul of the flowers, muscular limbs that we might press the flanks of stallions and fly swift as thought without railway or steam-kettle, delicate hands that we might stroke the long heads of greyhounds, the velvety fur of cats, and the polished shoulder of not very virtuous creatures, and, finally, granted to us alone the triple and glorious privilege of drinking without being thirsty, striking fire, and making love in all seasons, whereby we are very much more distinguished from brutes than by the custom of reading newspapers and framing constitutions.
Théophile Gautier (Mademoiselle de Maupin)
Predatory. Dangerous. Confident. God, the man was her crack and her kryptonite wrapped up together in one muscular package.
Avery Flynn (Trouble on Tap (Sweet Salvation Brewery, #3))
I was striving to be the most muscular man, and it got me into the movies. It got me everything that I have.
Arnold Schwarzenegger
Twice the size of a full grown man, with four muscular arms, it was his worst nightmare on steroids. -The Hyperscape Project
Donald Swan
The horse’s muscular legs ended in flesh, the equally muscular torso of a man. I stared—at that impossible suture of horse and human, where smooth skin became a gleaming brown coat.
Madeline Miller (The Song of Achilles)
I lean up against the doorway and watch him. Ryat Alexander Archer is ripped. From his chiseled abs to his broad chest and muscular arms—the man is delicious. And I’ve been craving him.
Shantel Tessier (The Ritual (L.O.R.D.S., #1))
Thus angel embodies neatly the idea that "the muscular body functions as a powerful symbol of desire and lack." Angel is manly but not a man, and his display of masculinity points to the ambivalences that surround gender.
Lorna Jowett (Sex and the Slayer: A Gender Studies Primer for the Buffy Fan)
He pulled me toward him so that I was resting on my side. I coughed up some more water. He took off his wet shirt and folded it. Then he gently lifted me and placed it under my sore head, which hurt too much to appreciate his…bronzed…sculpted…muscular…bare chest. Well I guess I must be okay if I can appreciate the view, I thought. Sheesh, I’d have to be dead not to appreciate it. I winced as Ren’s hand brushed against my head, shaking me from my reverie. “You’ve got a major bump here.” I reached up to feel the giant lump on the back of my skull. I gingerly touched it and recalled the source of my headache. I must have lost consciousness when the rock hit me. Ren saved my life. Again. I looked up at him. He was kneeling next to me with a look of desperation on his face, and his body was shaking. I realized that he must have changed to a man, dragged me out of the pool, and then remained by my side until I woke up. Who knows how long I’ve been laying here unconscious. “Ren, you’re in pain. You’ve been in this form too long today.” He shook his head in denial, but I saw him grit his teeth. I pressed my hand on his arm. “I’ll be okay. It’s just a bump on the head. Don’t worry about me. I’m sure Mr. Kadam has some aspirin tucked away in the backpack. I’ll just take that and lie down to rest for a while. I’ll be alright.” He trailed his finger slowly from my temple to my cheek and smiled softly. When he pulled back, his whole arm shook and tremors rippled under the surface of his skin. “Kells, I-“ His face tightened. He threw his head to the side, snarled angrily, and morphed to a tiger again. He softly growled, then quieted, and drew close beside me. He lay down next to me and watched me carefully with his alert blue eyes. I stroked his back, partly to reassure him and partly because it soothed me too.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
combination of fear, incomprehension and envy: his calm, severe, almost brutal expression intimidated her. He was a big, muscular man, with a ruddy complexion; beneath thick eyebrows, his pale eyes were sometimes unbearable to look at. His tanned, lined hands were the hands of a labourer and a soldier, thought Lucile: earth or blood, it was the same to him. Neither remorse nor sorrow troubled his sleep, of that she was sure; everything was simple to this man.
Irène Némirovsky (Suite Française)
The old man’s muscular arms rippled as he dug the oars into the tranquil waters of the Muskoka River. Presently he and his passengers were skimming along at a rapid rate. Behind the craft trailed a long copper wire which gleamed in the sunlight. “I’m trollin’ for my dinner tonight,” Salty explained. “There’s somethin’ yankin’ on my line right now, I do believe!” He rested the oars and pulled in the line. Finally a four-pound speckled bass flopped into the boat.
Carolyn Keene (The Clue in the Crumbling Wall (Nancy Drew, #22))
Have you ever looked for the root of production? Take a look at an electric generator and dare tell yourself that it was created by the muscular effort of unthinking brutes. Try to grow a seed of wheat without the knowledge left to you by men who had to discover it for the first time. Try to obtain your food by means of nothing but physical motions--and you'll learn that man's mind is the root of all the goods produced and of all the wealth that has ever existed on earth.
Ayn Rand (Atlas Shrugged)
By these days it was a demerit to be muscular. Each infant was examined at birth, and all who promised undue strength were destroyed. Humanitarians may protest, but it would have been no true kindness to let an athlete live; he would never have been happy in that state of life to which the Machine had called him; he would have yearned for trees to climb, rivers to bathe in, meadows and hills against which he might measure his body. Man must be adapted to his surroundings, must he not?
E.M. Forster (The Machine Stops)
Now, the last one was that the demon king can’t stand either in heaven or on the earth. Urga set the demon on his lap, which means I guess I’ll have to…sit on your back.” Awkward. Even though Ren was a big tiger and it would be like riding a small pony, I was still conscious that he was a man, and I didn’t feel right about turning him into a pack animal. I took off my backpack and set it down wondering what I could do to make this a bit less embarrassing. Mustering the courage to sit on his back, I’d just decided that it wouldn’t be too bad if I sat sidesaddle, when my feet flew out from under me. Ren had changed into a man and swept me up into his arms. I wiggled for a minute, protesting, but he just gave me a look-the don’t-even-bother-coming-up-with-an-argument look. I shut my mouth. He leaned over to pick up the backpack, let it dangle from his fingers, and then said, “What’s next?” “I don’t know. That’s all that Mr. Kadam told me.” He shifted me in his arms, walked over to stand in the doorway again, then peered up at the statue. He murmured, “I don’t see any changes.” He held me securely while looking at the statue and, I have to admit, I totally stopped caring about what we were doing. The scratches on my arm that had been throbbing a moment ago didn’t bother me at all. I let myself enjoy the feeling of being cuddled up close to his muscular chest. What girl didn’t want to be swept up in the arms of a drop-dead gorgeous man? I allowed my gaze to drift up to his beautiful face. The thought occurred to me that if I were to carve a stone god, I’d pick Ren as my subject. This Urga half-lion and half-man guy had nothing on Ren. Eventually, he realized I was watching him, and said, “Hello? Kells? Breaking a curse here, remember?” I just smiled back stupidly. He quirked an eyebrow at me. “What were you thinking about just now?” “Nothing important.” He grinned. “May I remind you that you are in prime tickling position, and there’s no escape. Tell me.” Gads. His smile was brilliant, even in the fog. I laughed nervously. “If you tickle me, I’ll protest and struggle violently, which will cause you to drop me and ruin everything that we are trying to accomplish.” He grunted, leaned close to my ear, and then whispered, “That sounds like an interesting challenge, rajkumari. Perhaps we shall experiment with it later. And just for the record, Kelsey, I wouldn’t drop you.” The way he said my name made goose bumps rise all over my arms. When I looked down to quickly rub them, I noticed the flashlight had been turned off. I switched it on, but the statue remained the same. Giving up, I suggested, “Nothing’s happening. Maybe we need to wait till dawn.” He laughed throatily while nuzzling my ear and declared softly, “I’d say that something is happening, but not the something that will open the doorway.” He trailed soft, slow kisses from my ear down my neck. I sighed faintly and arched my neck to give him better access. With a last kiss, he groaned and reluctantly raised his head. Disappointed that he’d stopped, I asked, “What does rajkumari mean?” He laughed quietly, carefully set me down, and said, “It means princess.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
He inquired next what Allan had seen in the stranger to take such a fancy to? Allan had seen in him—what he didn't see in people in general. He wasn't like all the other fellows in the neighborhood. All the other fellows were cut out on the same pattern. Every man of them was equally healthy, muscular, loud, hard-hearted, clean-skinned, and rough; every man of them drank the same draughts of beer, smoked the same short pipes all day long, rode the best horse, shot over the best dog, and put the best bottle of wine in England on his table at night; every man of them sponged himself every morning in the same sort of tub of cold water and bragged about it in frosty weather in the same sort of way; every man of them thought getting into debt a capital joke and betting on horse-races one of the most meritorious actions that a human being can perform. They were, no doubt, excellent fellows in their way; but the worst of them was, they were all exactly alike. It was a perfect godsend to meet with a man like Midwinter—a man who was not cut out on the regular local pattern, and whose way in the world had the one great merit (in those parts) of being a way of his own.
Wilkie Collins (Armadale)
The fact is, women aren’t having cosmetic surgery to stay beautiful. As Naomi Wolf wrote in The Beauty Myth more than twenty years ago, many women who undergo surgery are fighting to stay loved, relevant, employed, admired; they’re fighting against time running out. If they simply age naturally, don’t diet or dye their hair, we feel they’ve “let themselves go.” But if they continue to dress youthfully we feel they’re “trying too hard” or brand them as “slappers.” Poor Madonna, who has dared to be in her fifties. In order not to look like a woman in her sixth decade of life she exercises furiously, and is sniggered at by trashy magazines for having overly muscular arms and boytoy lovers. When Demi Moore’s marriage to Ashton Kutcher, fifteen years her junior, recently broke down, the media reaction was almost gleeful. Of course, it was what they had been waiting for all along: how long could a forty-eight-year-old woman expect to keep a thirty-three-year-old man? As allegations of his infidelity emerged, the Internet was flooded with images of Demi looking gaunt and unhappy—and extremely thin. Sometimes you want to say: just leave them alone. Then again, it’s mostly women who buy these magazines, and women who write the editorials and online comments and gossip columns, so you could say we’re our own worst enemies. There is already plenty of ageism and sexism out there—why do we add to the body hatred?
Emma Woolf (An Apple a Day: A Memoir of Love and Recovery from Anorexia)
Man shall not live on bread alone, it doesn’t have enough protein.
Paul Uponi (Muscular Christianity: A Case for Spiritual and Physical Fitness)
He’s still as attractive as I remember. Only he’s not a lanky fifteen-year-old anymore. He’s a grown man, filled out and muscular. Sheer power drips off him.
Elle Kennedy (The Graham Effect (Campus Diaries, #1))
Then, as she twisted to the right, she revealed her talking partner. I literally broke step, my body deciding before my brain that my presence would not be needed in their interaction. Carol was gorgeous. A tall, confident, amazon of a woman. The lines of her gold lamay dress skimming every curve of her body. She was clearly not wearing underwear. She looked like a glossy magazine perfume ad. And this man was her magazine equal. He was perfect. Tall. Substantial. He looked muscular without giving the impression that he worked out. Maybe he was a rower. Or it could be tennis. Maybe he chopped down trees. Yes, he'd be very good at chopping trees down. I remember feeling an unnaturally strong desire to watch him do that.
Catherine Steadman (Something in the Water)
He rolls his eyes and another man approaches us. He's tall and wider than Vivian, and he is easily more muscular than even I am. He has a stern look on his face, but he looks at Oli with interest. “An honest-to-God Soul Render. I never thought I'd see it.” “I go by she/her, not it, but lovely to meet you. I'm assuming you’re Unser. I've heard a lot about you,” Oli says,
J. Bree (Forced Bonds (The Bonds That Tie, #4))
Evan saw a man across the kitchen, butt leaning against the counter, muscular arms folded over his broad chest. His blond hair was cut very short, and his eyes were bright blue sparks. Evan’s gaze locked with Paul’s, and a sudden sense of vertigo swam through his head. The conversation in the other room, the back and forth between John and Alden, the startling brilliance of Bill’s teeth -- all of that faded away as Paul stared back at him. Evan found himself inside a strange bubble that blocked all outside stimuli. He had never experienced a connection this intense before, especially with an initial look, and even though it terrified him in a thrillingly sexual way, he didn’t dare pull his gaze away from Paul’s for fear of breaking the timeless moment between them.
Hank Edwards (Plus Ones)
Perplexed and unhappy she would seek out her father on all social occasions and would sit down beside him. Like a very small child this large muscular creature would sit down beside him because she felt lonely, and because youth most rightly resents isolation, and because she had not yet learnt her hard lesson—she had not yet learnt that the loneliest place in this world is the no-man's-land of sex.
Radclyffe Hall (The Well of Loneliness)
The man’s mouth fell open in shock and hurt. He slowly shook his head. “So the stories are true. You really are a brat! You smug bastard. You need someone to throw you over a knee --!” “How dare you!” Mycaela snarled. He lifted his hand to strike the man and couldn’t believe it when the juggler caught his wrist, holding it aloft. They glared at each other, and Mycaela felt small, like a twig caught in the branches of a tree. But now he was forced to really look at the juggler, whose brown muscular chest was in his face, and he grew distracted. The man was wearing nothing except a pair of very colorful, very tight leggings. They clung to his bulge and his buttocks, and he was built like a stallion, lean and taunt and powerful. Mycaela bit his lip, willing himself not to awaken and silently cursing himself for smoking a drug that was sometimes used as an aphrodisiac.
Ash Gray (Tales of Talithia)
Remembering his creative exposition on the subject of purple-spotted dingy-dippers, Lillian gave a little huff of amusement. She had always considered Westcliff an utterly humorless man…and in that, she had misjudged him. “I thought you never lied,” she said. His lips twitched. “Given the options of seeing you become ill at the dinner table, or lying to get you out of there quickly, I chose the lesser of two evils. Do you feel better now?” “Better…yes.” Lillian realized that she was resting in the crook of his arm, her skirts draped partially over one of his thighs. His body was solid and warm, perfectly matched to hers. Glancing downward, she saw that the fabric of his trousers had molded firmly around his muscular thighs. Unladylike curiosity awakened inside her, and she clenched her fingers against the urge to slide her palm over his leg. “The part about the dingy-dipper was clever,” she said, dragging her gaze up to his face. “But inventing a Latin name for it was positively inspired.” Westcliff grinned. “I always hoped my Latin would be good for something.” Shifting her a little, he reached into the pocket of his waistcoat and glanced at his watch. “We’ll return to the dining hall in approximately a quarter hour. By that time the calves’ heads should be removed.” Lillian made a face. “I hate English food,” she exclaimed. “All those jellies and blobs, and wiggly puddings, and the game that is aged until by the time it’s served, it is older than I am, and—” She felt a tremor of amusement run through him, and she turned in the half circle of his arm. “What is so amusing?” “You’re making me afraid to go back to my own dinner table.” “You should be!” she replied emphatically, and he could no longer restrain a deep laugh.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
Jesus must have had man hands. He was a carpenter, the Bible tells us. I know a few carpenters, and they have great hands, all muscled and worn, with nicks and callused pads from working wood together with hardware and sheer willpower. In my mind, Jesus isn't a slight man with fair hair and eyes who looks as if a strong breeze could knock him down, as he is sometimes depicted in art and film. I see him as sturdy, with a thick frame, powerful legs, and muscular arms. He has a shock of curly black hair and an untrimmed beard, his face tanned and lined from working in the sun. And his hands—hands that pounded nails, sawed lumber, drew in the dirt, and held the children he beckoned to him. Hands that washed his disciples' feet, broke bread for them, and poured their wine. Hands that hauled a heavy cross through the streets of Jerusalem and were later nailed to it. Those were some man hands.
Cathleen Falsani (Sin Boldly: A Field Guide for Grace)
Did they always pass out after shifting back to human? It didn't seem very efficient. Or had he been hurt? Leaning to the side, she inspected the bronzed perfection spread over the quilt. her mouth went dry as she tried to concentrate on searching him for injuries. She'd never seen a man so magnificently...proportioned. A broad, chiseled chest. Powerful shoulders. Washboard abs. Long, muscular legs. And a huge... Yeah. Magnificently proportioned.
Alexandra Ivy (Raphael/Parish (Bayou Heat, #1-2))
Which one are you sleeping with, the baron or his sister?” Percy looked amused. “Both, on occasion.” “Together?” The smile widened. His teeth were still good, Grey saw, though somewhat stained by wine. “Occasionally. Though Cecile—my wife—really prefers the attentions of her cousin Lucianne, and I myself prefer the attentions of the sub-gardener. Lovely man named Emile; he reminds me of you … in your younger years. Slender, blond, muscular, and brutal.
Diana Gabaldon (An Echo in the Bone (Outlander, #7))
I was worried I’d scared you off,” I said as I slid into the passenger seat. “Being too gay and all.” “No—I, er…” He hesitated, and I looked at him sharply. Well, slightly less bluntly, anyway. My head still hurt. “I don’t have a problem with you being gay, Jude. I’m…well, I’m into blokes myself.” “You are?” I may have squeaked a bit. “But you’re so…” Butch, I should have said. And manly, and muscular, and gorgeous, and I bet you’re hairy too in all the right places. What came out was, “Straight.
J.L. Merrow (Slam!)
He stalked into the room, leaned his long rifle against the mantelpiece and spread out his hands to the fire. He was clad from head to foot in fringed and beaded buckskin, which showed evidence of a long and arduous tramp. It was torn and wet and covered with mud. He was a magnificently made man, six feet in height, and stood straight as an arrow. His wide shoulders, and his muscular, though not heavy, limbs denoted wonderful strength and activity. His long hair, black as a raven's wing, hung far down his shoulders. Presently he turned and the light shone on a remarkable face. So calm and cold and stern it was that it seemed chiselled out of marble. The most striking features were its unusual pallor, and the eyes, which were coal black, and piercing as the dagger's point.
Zane Grey (Maude and Miriam: Or, the Fair Crusader)
From the outset of the program to solve the Jewish question there had arisen certain psychological problems for the executioners. Once the classic method of the firing squad had been dismissed as inappropriate, it had been replaced by a single bullet in the back of the neck. The victim would kneel before a ditch that he himself had dug, the pistol would be fired, and he would fall into his grave. Simple and quick. This had been tried for a few months in some marshy fields outside Warsaw, but the SS soldiers who did the job began to complain of lack of sleep. “They had bad dreams,” Vogl said. “They truly suffered.” It was the necks. The muscular necks of the men—the slender white necks of the young women. The wrinkled necks of the old that reminded a man of his parents… the frail necks of children, even the fleshy little necks of babies. The memory of the necks began to haunt the executioners. The soldiers began to miss the targets at point-blank range. A bullet would plow into a shoulder, or slice off an ear, or even strike the earth. “Then
Clifford Irving (The Angel of Zin)
Time and time again I am astounded by the regularity and repetition of form in this valley and elsewhere in wild nature: basic patterns, sculpted by time and the land, appearing everywhere I look. The twisted branches in the forest that look so much like the forked antlers of the deer and elk. The way the glacier-polished hillside boulders look like the muscular, rounded bodies of the animals- deer, bear- that pass among these boulders like loving ghosts. The way the swirling deer hair is the exact shape and size of the larch and pine needles the deer hair lies upon one it is torn loose and comes to rest on the forest floor. As if everything up here is leaning in the same direction, shaped by the same hands, or the same mind; not always agreeing or in harmony, but attentive always to the same rules of logic and in the playing-out, again and again, of the infinite variations of specificity arising from that one shaping system of logic an incredible sense of community develops… Felt at night when you stand beneath the stars and see the shapes and designs of bears and hunters in the sky; felt deep in the cathedral of an old forest, when you stare up at the tops of the swaying giants; felt when you take off your boots and socks and wade across the river, sensing each polished, mossy stone with your bare feet. Felt when you stand at the edge of the marsh and listen to the choral uproar of the frogs, and surrender to their shouting, and allow yourself, too, like those pine needles and that deer hair, like those branches and those antlers, to be remade, refashioned into the shape and the pattern and the rhythm of the land. Surrounded, and then embraced, by a logic so much more powerful and overarching than anything that a man or woman could create or even imagine that all you can do is marvel and laugh at it, and feel compelled to give, in one form or another, thanks and celebration for it, without even really knowing why…
Rick Bass
Guinevere’s lips started to tingle in expectation, and her heart beat at a dizzying, knee-weakening rate. She had to set her hands to his muscular shoulders so as not to drop into an embarrassing puddle of desire. “Is that an invitation?” he asked, sounding every bit as devilish as he looked. If ever a man could lead a woman to be improper, it was him. She couldn’t speak, her thoughts spun so quickly, but her fingers curled in silent entreaty, and the sensation in her lips moved slowly down to the pit of her stomach. She was going to expire if he didn’t kiss her.
Julie Johnstone (Lady Guinevere and the Rogue with a Brogue (Scottish Scoundrels: Ensnared Hearts, #1))
Once there was and once there was not a devout, God-fearing man who lived his entire life according to stoic principles. He died on his fortieth birthday and woke up floating in nothing. Now, mind you, floating in nothing was comforting, light-less, airless, like a mother’s womb. This man was grateful. But then he decided he would love to have sturdy ground beneath his feet, so he would feel more solid himself. Lo and behold, he was standing on earth. He knew it to be earth, for he knew the feel of it. Yet he wanted to see. I desire light, he thought, and light appeared. I want sunlight, not any light, and at night it shall be moonlight. His desires were granted. Let there be grass. I love the feel of grass beneath my feet. And so it was. I no longer wish to be naked. Only robes of the finest silk must touch my skin. And shelter, I need a grand palace whose entrance has double-sided stairs, and the floors must be marble and the carpets Persian. And food, the finest of food. His breakfast was English; his midmorning snack French. His lunch was Chinese. His afternoon tea was Indian. His supper was Italian, and his late-night snack was Lebanese. Libation? He had the best of wines, of course, and champagne. And company, the finest of company. He demanded poets and writers, thinkers and philosophers, hakawatis and musicians, fools and clowns. And then he desired sex. He asked for light-skinned women and dark-skinned, blondes and brunettes, Chinese, South Asian, African, Scandinavian. He asked for them singly and two at a time, and in the evenings he had orgies. He asked for younger girls, after which he asked for older women, just to try. The he tried men, muscular men, skinny men. Then boys. Then boys and girls together. Then he got bored. He tried sex with food. Boys with Chinese, girls with Indian. Redheads with ice cream. Then he tried sex with company. He fucked the poet. Everybody fucked the poet. But again he got bored. The days were endless. Coming up with new ideas became tiring and tiresome. Every desire he could ever think of was satisfied. He had had enough. He walked out of his house, looked up at the glorious sky, and said, “Dear God. I thank You for Your abundance, but I cannot stand it here anymore. I would rather be anywhere else. I would rather be in hell.” And the booming voice from above replied, “And where do you think you are?
Rabih Alameddine
LONG, LONG AGO IN the Incubation Period of Man—long before booking agents, five-a-days, theatrical boarding houses, subway circuits, and Variety—when Megatherium roamed the trees, when Broadway was going through its First Glacial Period, and when the first vaudeville show was planned by the first lop-eared, low-browed, hairy impresario, it was decreed: “The acrobat shall be first.” Why the acrobat should be first no one ever explained; but that this was a dubious honor every one on the bill—including the acrobat—realized only too well. For it was recognized even then, in the infancy of Show Business, that the first shall be last in the applause of the audience. And all through the ages, in courts and courtyards and feeble theatres, it was the acrobat—whether he was called buffoon, farceur, merry-andrew, tumbler, mountebank, Harlequin, or punchinello—who was thrown, first among his fellow-mimes, to the lions of entertainment to whet their appetites for the more luscious feasts to come. So that to this day their muscular miracles are performed hard on the overture’s last wall shaking blare, performed with a simple resignation that speaks well for the mildness and resilience of the whole acrobatic tribe.
Ellery Queen (The Adventures of Ellery Queen)
This lad is an elite European coach. One of a select group of about half a dozen managers working in the world game today. The other five only take jobs with clubs that guarantee squads and trophies that will further enhance their already muscular CVs. Klopp doesn’t seem to need that in his life. He is truly a throwback. A contradiction in many senses – for instance he seems to have no problem being a shameless shill in doing adverts for some heavy weight corporations (Puma, Opel and others) and yet it is hard to escape the conclusion that here is a man on a mission that represents something more honest.
Rob Gutmann
Te Rau Tauwhare was not quite thirty years of age. He was handsomely muscular, and carried himself with assurance and the tightly wound energy of youth; though not openly prideful, he never showed that he was impressed or intimidated by any other man. He possessed a deeply private arrogance, a bedrock of self-certainty that needed neither proof nor explication—for although he had a warrior’s reputation, and an honorable standing within his tribe, his self-conception had not been shaped by his achievements. He simply knew that his beauty and his strength were without compare; he simply knew that he was better than most other men.
Eleanor Catton (The Luminaries)
But as she looked over toward the doors, her breath caught. Her eyes locked on the deep blue ones of a man just entering. He was tall and muscular, his hair blonde and well cut. And he was dressed impeccably in a dark grey suit and a deep blue tie. But it was his eyes that drew her focus and made her heart beat faster.
M. Tyler (Bound)
You are familiar, no doubt, with Sebastiano del Piombo's huge painting "The Raising of Lazarus", which hangs in the National Gallery in London, having been purchased in the last century from the Angerstein collection. Against a background of water, arched bridges, and a hot blue sky, a crowd of people -- presumably the neighbours -- cluster about the risen man. Lazarus has turned rather yellow in death, but he is a muscular, well-set-up type. Hid grave-clothes are draped like a towel over his head, and people lean towards him solicitously, and seem to confer; what he most resembles is a boxer in his corner. The expressions of those around are puzzled, mildly censorious. Here -- in the very act of extricating his right leg from a knot of the shroud --one feels his troubles are about to begin again. A woman -- Mary, or maybe Martha -- is whispering behind her hand. Christ points to the revenant, and holds up his other hand, fingers outstretched: so many round down, five to go.
Hilary Mantel (Fludd)
It was a strange figure—like a child: yet not so like a child as like an old man, viewed through some supernatural medium, which gave him the appearance of having receded from the view, and being diminished to a child’s proportions. Its hair, which hung about its neck and down its back, was white as if with age; and yet the face had not a wrinkle in it, and the tenderest bloom was on the skin. The arms were very long and muscular; the hands the same, as if its hold were of uncommon strength. Its legs and feet, most delicately formed, were, like those upper members, bare. It wore a tunic of the purest white; and round its waist was bound a lustrous belt, the sheen of which was beautiful.
Charles Dickens (A Christmas Carol)
Possessing an undeniable charisma and powerful oratorical abilities, Sojourner Truth tore down the claims that female weakness was incompatible with suffrage—and she did this with irrefutable logic. The leader of the provocateurs had argued that it was ridiculous for women to desire the vote, since they could not even walk over a puddle or get into a carriage without the help of a man. Sojourner Truth pointed out with compelling simplicity that she herself had never been helped over mud puddles or into carriages. “And ain’t I a woman?” With a voice like “rolling thunder,”44 she said, “Look at me! Look at my arm,” and rolled up her sleeve to reveal the “tremendous muscular power” of her arm.45
Angela Y. Davis (Women, Race, & Class)
What is it that constitutes virtue, Mrs. Graham Is it the circumstance of being able and willing to resist temptation; or that of having no temptations to resist? - Is he a strong man that overcomes great obstacles and performs surprising achievements, though by dint of great muscular exertion, and at the risk of some subsequent fatigue, or he that sits in his chair all day, with nothing to do more laborious than stirring the fire, and carrying his food to his mouth? If you would have your son walk honorably through the world, you must not attempt to clear the stones from his path, but teach him to walk firmly over them - not insist upon leading him by the hand, but let him learn to go alone.
Anne Brontë (The Tenant of Wildfell Hall)
A little of him leaned to the muscularity of the homosexual. He would never practice, of course. The physical buttock act repelled him. Though sometimes he experienced a jolting warmth when Tom, one of his friends, bear-hugged him. Or gave him a bristled kiss on a bristled cheek. Certainly there was masculine voltage there. But it was safe. It was the rose border to the act. And like a voyeur, he could peer into the tropical garden from the safety of the rose border. He could experience male pillage of his sex mentally. Yes, it was safe. He would never step from the rose to the man-eating orchid. English rain and misty sun, yes. The hints, yes. But he would never take his machete into the jungle.
David Pinner (Ritual)
Mott glanced back to nod a hello at me. He and Cregan couldn’t have been designed to look more different from each other. Mott was tall, dark-skinned, and nearly bald. What little hair he did have was black and shaved to his scalp. He was the one by the tavern who’d tripped me when I was trying to escape the butcher. In contrast, Cregan was short — not much taller than I was, and shorter than the tanned boy near me. He was surprisingly pale for a man who likely spent much of his day outdoors, and he had a thick crop of blond hair that he tied back at the nape of his neck. Mott was lean and muscular while Cregan looked softer than I knew him to be, judging by the way he’d clubbed me at the orphanage.
Jennifer A. Nielsen (The False Prince (The Ascendance Trilogy, #1))
She sorted through the clothes. “Do you mind wearing Emilio’s underwear?” She turned back to him with the two different styles that she’d found. “You’re about the same size. And they’re clean. They were wrapped in a paper package, like from a laundry service.” Max gave her a look, because along with the very nice, very expensive pair of black silk boxers she’d pilfered from Emilio, she’d also borrowed one of his thongs. “What?” Gina said. It was definitely a man-thong. It had all that extra room for various non-female body parts. “Don’t be ridiculous.” “I’m not,” she said, trying to play it as serious. “One, it’s been a while, maybe your tastes have changed. And two, these might actually be more comfortable, considering the placement of your bandage and—” He took the boxers from her. “Apparently I was wrong.” She turned away and started sorting through the pairs of pants and Bermuda shorts she’d grabbed, trying not to be too obvious about the fact that she was watching him out of the corner of her eye. To make sure he didn’t fall over. Right. After he got the boxers on, he took off the bathrobe and . . . Okay, he definitely wasn’t as skinny as he’d been after his lengthy stint in the hospital. Emilio’s pants probably weren’t going to fit him, after all. Although, there was one pair that looked like they’d be nice and loose . . . There they were. The Kelly green Bermuda shorts. Max gave her another one of those you’ve-got-to-be-kidding glances as he put the bathrobe over the back of another chair. “Do I really look as if I’ve ever worn shorts that color in my entire life?” She tried not to smile. “I honestly don’t think you have much choice.” She let herself look at him. “You know, you could just go with the boxers. At least until your pants dry. You know what would really work with that, though? A bowtie.” She turned, as if to go back to the closet. “I’m sure Emilio has a tux. Judging from his other clothes, it’s probably polyester and chartreuse, but maybe the bowtie is—” “Gina.” Max stopped her before she reached the door. He motioned for her to come back. She held out the green shorts, but instead of taking them, he took her arm, pulled her close. “I love you,” Max said, as if he were dispatching some terrible, dire news that somehow still managed to amuse him at least a little. Gina had been hoping that he’d say it, praying even, but the fact that he’d managed to smile, even just a bit while he did, was a miracle. And then, before her heart even had a chance to start beating again, he kissed her. And oh, she was also beyond ready for that particular marvel, for the sweet softness of his mouth, for the solidness of his arms around her. There was more of him to hold her since he’d regained his fighting weight—and that was amazing, too. She skimmed her hands across the muscular smoothness of his back, his shoulders, as his kiss changed from tender to heated. And, God. That was a miracle, too. Except she couldn’t help but wonder about those words, wrenched from him, as if it cost him his soul to speak them aloud. Why tell her this right now? Yes, she’d been waiting for years for him to say that he loved her, but . . . Max laughed his surprise. “No. Why do you . . .?” He figured it out himself. “No, no, Gina, just . . . I should’ve said it before. I should have said it years ago, but I really should have said it, you know, instead of hi.” He laughed again, clearly disgusted with himself. “God, I’m an idiot. I mean, hi? I should have walked in and said, ‘Gina, I need you. I love you, don’t ever leave me again.’” She stared at him. It was probably a good thing that he hadn’t said that at the time, because she might’ve fainted. It was obvious that he wanted her to say something, but she was completely speechless.
Suzanne Brockmann (Breaking Point (Troubleshooters, #9))
sandy-haired, friendly, smiling, small-town attorney of Pennington, had been born in 1950 in a roach-infested Newark slum. His father had been a construction worker fully employed through World War II and Korea creating new factories, dockyards and government offices along the Jersey Shore. But with the ending of the Korean War, work had dried up. Cal was five when his mother walked out of the loveless union and left the boy to be raised by his father. The latter was a hard man, quick with his fists, the only law on many blue-collar jobs. But he was not a bad man and tried to live by the straight and narrow, and to raise his toddler son to love Old Glory, the Constitution and Joe DiMaggio. Within two years, Dexter Senior had acquired a trailer home so that he could move where the work was available. And that was how the boy was raised, moving from construction site to site, attending whichever school would take him, and then moving on. It was the age of Elvis Presley, Del Shannon, Roy Orbison and the Beatles, over from a country Cal had never heard of. It was also the age of Kennedy, the Cold War and Vietnam. His formal education was fractured to the point of near nonexistence, but he became wise in other ways: streetwise, fight-wise. Like his departed mother, he did not grow tall, topping out at five feet eight inches. Nor was he heavy and muscular like his father, but his lean frame packed fearsome stamina and his fists a killer punch. By seventeen, it looked as if his life would follow that of his father, shoveling dirt or driving a dump truck on building sites. Unless . . . In January 1968 he turned eighteen, and the Vietcong launched the Têt Offensive. He was watching TV in a bar in Camden. There was a documentary telling him about recruitment. It mentioned that if you shaped up, the Army would give you an education. The next day, he walked into the U.S. Army office in Camden and signed on. The master sergeant was bored. He spent his life listening to youths doing everything in their power to get out of going to Vietnam. “I want to volunteer,” said the youth in front of him. The master sergeant drew a form toward him, keeping eye contact like a ferret that does not want the rabbit to get away. Trying to be kindly, he suggested
Frederick Forsyth (The Cobra)
I learned that my new lover was hard, but always good. She did not tease. If you pursued her, she would reveal her sweetest secrets and uncover her hidden places. Yes, she would grant those who came to her by car a measured beauty. There were wonderful things to be seen from the road. Her lesser suitors would jump out of their autos, snapping pictures, trying to save memories before having them, and hurry on. But what can be seen from a road is more enticing than revealing – like a shapely woman whose fleshly mystery cannot be hidden by modest garments but is made more alluring. From the roadside her eyes would invite and challenge: “Will you pursue me?” I did. And though my pursuit cost me a lot – pain, humiliation, hunger and sleepless nights – she was good.
Martin McCorkle (Walk With Me: The Story Of One Man's Life With Muscular Degeneration and His 1,700-Mile Walk Through California)
The second project is in the field of metaphysics: with the aim of showing that, in the words of Professor H. M. Tooten, “evolution is a hoax”, Olivier Gratiolet has undertaken an exhaustive inventory of all the imperfections and inadequacies to which the human organism is heir: vertical posture, for example, gives man only a precarious balance: muscular tension alone keeps him upright, thus causing constant fatigue and discomfort in the spinal column, which, although sixteen times stronger than it would have been were it straight, does not allow man to carry a meaningful weight on his back; feet ought to be broader, more spread out, more specifically suited to locomotion, whereas what he has are only atrophied hands deprived of prehensile ability; legs are not sturdy enough to bear the body’s weight, which makes them bend, and moreover they are a strain on the heart, which has to pump blood about three feet up, whence come swollen feet, varicose veins, etc.; hip joints are fragile and constantly prone to arthrosis or serious fractures; arms are atrophied and too slender; hands are frail, especially the little finger, which has no use, the stomach has no protection whatsoever, no more than the genitals do; the neck is rigid and limits rotation of the head, the teeth do not allow food to be grasped from the sides, the sense of smell is virtually nil, night vision is less than mediocre, hearing is very inadequate; man’s hairless and unfurred body affords no protection against cold, and, in sum, of all the animals of creation, man, who is generally considered the ultimate fruit of evolution, is the most naked of all.
Georges Perec (Life A User's Manual)
If we read the Bible aright, we read a book which teaches us to go forth and do the work of the Lord; to do the work of the Lord in the world as we find it; to try to make things better in this world, even if only a little better, because we have lived in it. That kind of work can be done only by the man who is neither a weakling nor a coward; by the man who in the fullest sense of the word is a true Christian.5
Paul Uponi (Muscular Christianity: A Case for Spiritual and Physical Fitness)
Is kissing me so bad, then, lass?” “It’s not the kissing that’s bad …” Her words were lost in a soft moan as she tipped her head back for more kisses. “What’s bad, my heart?” Hawk nipped her neck, gently. “Oooh! … you!” “Me? I’m bad?” He wouldn’t let her answer for a long moment while he nibbled at her lower lip, teased it, sucked it into his mouth, then slowly released it. Adrienne drew a shaky breath. “Well … I mean … you are a man …” “Yes,” he encouraged. “And very beautiful at that….” “Mmm … yes?” “And I hate beautiful men….” Her hands moved over his shoulders, his broad muscled back, and tapered down over his tight waist to his muscular buttocks. She was shocked at her own daring, thrilled by the groan of pleasure she coaxed from him. “I can tell. Hate me just like that, lass. Hate me like that again. Hate me all you need to hate me.
Karen Marie Moning (Beyond the Highland Mist (Highlander, #1))
He was a big, rather clumsy man, with a substantial bay window that started in the middle of the chest. I should guess that he was less muscular than at first sight he looked. He had large staring blue eyes and a damp and pendulous lower lip. He didn't look in the least like an intellectual. Creative people of his abundant kind never do, of course, but all the talk of Rutherford looking like a farmer was unperceptive nonsense. His was really the kind of face and physique that often goes with great weight of character and gifts. It could easily have been the soma of a great writer. As he talked to his companions in the streets, his voice was three times as loud as any of theirs, and his accent was bizarre…. It was part of his nature that, stupendous as his work was, he should consider it 10 per cent more so. It was also part of his nature that, quite without acting, he should behave constantly as though he were 10 per cent larger than life. Worldly success? He loved every minute of it: flattery, titles, the company of the high official world...But there was that mysterious diffidence behind it all. He hated the faintest suspicion of being patronized, even when he was a world figure. Archbishop Lang was once tactless enough to suggest that he supposed a famous scientist had no time for reading. Rutherford immediately felt that he was being regarded as an ignorant roughneck. He produced a formidable list of his last month’s reading. Then, half innocently, half malevolently: "And what do you manage to read, your Grice?" I am afraid", said the Archbishop, somewhat out of his depth, "that a man in my position doesn't really have the leisure..." Ah yes, your Grice," said Rutherford in triumph, "it must be a dog's life! It must be a dog's life!
C.P. Snow
I don't want you to see me naked," I say, my bottom lip trembling. "Not now, not like this." "Keep your undergarments on," he says, lifting my dress over my head. "Whoa. God, you're gorgeous." He picks me up and gingerly places me in the bathtub. Instantly, my teeth start chattering. "I'm getting in with you," he says, and I jolt. "I'll keep my boxers on. It'll be like we're in bathing suits. On a holiday at a beach." He whips his socks and his jeans off, and then his T-shirt, his body sheer and cut perfection. Those abs---an eight-pack, or, as they say in France, le bar du chocolat. Those legs. The tattoo of two tigers anchored on his hairless and sculpted chest. And I'm too sick, too delirious, to explore every delicious detail. Charles lifts my back and slides behind me. He wraps his arms around my waist and I sink into his embrace, snuggling into the warmth of his body.
Samantha Verant (The Spice Master at Bistro Exotique)
Beneath a necessity thus almighty, what is artificial in man's life seems insignificant. He seems to take his task so minutely from intimations of Nature, that his works become as it were hers, and he is no longer free. But if we work within this limit, she yields us all her strength. All powerful action is performed by bringing the forces of nature to bear upon our objects. We do not grind corn or lift the loom by our own strength, but we build a mill in such position as to set the north wind to play upon our instrument, or the elastic force of steam, or the ebb and flow of the sea. So in our handiwork, we do few things by muscular force, but we place ourselves in such attitudes as to bring the force of gravity, that is, the weight of the planet, to bear upon the spade or the axe we wield. In short, in all our operations we seek not to use our own, but to bring a quite infinite force to bear.
Ralph Waldo Emerson (Society and Solitude)
I have often wondered before, and now particularly I wonder: What, after all, is the highest price one should pay for life? How much should one pay, how much is too much? As they teach in schools nowadays: "The dearest thing a man has is life, he lives but once." That means cling to life at any cost. The camps helped many of us to reach the conclusion that betrayal, the ruin of good and helpless people, is too high a price. Life isn't worth it. But as for the fawning, the flattery, the lies, people in the camp differed. Some said these were an acceptable price, and perhaps they were right. But what about this price - to save one's life at the cost of surrendering everything that gives it color, flavor, and sparkle? To get a life of digestion, breathing, muscular and mental activity, and nothing more? To become a walking husk of a man - isn't that an exuberant price? It would be a mockery. Should I pay it? (chapter 22)
Aleksandr Solzhenitsyn (Cancer Ward)
Leaders are not leaders because they’re smarter, more talented, or more organized than those around them. Nor because they’re tall or wealthy or more muscular. Leaders are the ones who take courage. Regardless of what is going on around them, they repeatedly exercise the courage to step up and use their influence to move others in the right direction. People will follow a leader even if he doesn’t have it all together. But they won’t follow a man without courage, because a man without courage won’t lead.
Stephen Kendrick (The Resolution for Men)
In the absence of any precise idea as to what railways were, public opinion in Frick was against them; for the human mind in that grassy corner had not the proverbial tendency to admire the unknown, holding rather that it was likely to be against the poor man, and that suspicion was the only wise attitude with regard to it. Even the rumor of Reform had not yet excited any millennial expectations in Frick, there being no definite promise in it, as of gratuitous grains to fatten Hiram Ford’s pig, or of a publican at the “Weights and Scales” who would brew beer for nothing, or of an offer on the part of the three neighboring farmers to raise wages during winter. And without distinct good of this kind in its promises, Reform seemed on a footing with the bragging of peddlers, which was a hint for distrust to every knowing person. The men of Frick were not ill-fed, and were less given to fanaticism than to a strong muscular suspicion; less inclined to believe that they were peculiarly cared for by heaven, than to regard heaven itself as rather disposed to take them in—a disposition observable in the weather.
George Eliot (Middlemarch)
My answer to Ona's question 'do boys of thirteen and fourteen pose a threat to the girls and women of Molotschna colony?' was yes. Possibly. Every one of us, male or female, poses a potential threat. Thirteen and fourteen-year-old boys are capable of causing great damage to girls and women and to each other. It is a brash age; these boys are possessed of wreckless urges, physical exuberance, an intense curiosity that often results in injury, unbridled emotion including deep tenderness and empathy and not quite enough experience or brain development to fully understand or appreciate the consequences of their actions or words. They are similar to the yearlings, young, awkward, gleeful, and powerful. They are tall, muscular, sexually inquisitive creatures with little to no impulse control. They are children. They are children and they can be taught. I'm a two-bit schoolteacher, a failed farmer, a "shinda", an effeminate man and above all a believer. I believe that with direction, firm love and patience these boys aged thirteen and fourteen are capable of relearning their roles as males in the Molotschna colony
Miriam Toews (Women Talking)
Ian saw only that the beautiful girl who had daringly come to his defense in a roomful of men, who had kissed him with tender passion, now seemed to be passionately attached not to any man, but to a pile of stones instead. Two years ago he’d been furious when he discovered she was a countess, a shallow little debutante already betrothed-to some bloodless fop, no doubt-and merely looking about for someone more exciting to warm her bed. Now, however, he felt oddly uneasy that she hadn’t married her fop. It was on the tip of his tongue to bluntly ask her why she had never married when she spoke again. “Scotland is different than I imagined it would be.” “In what way?” “More wild, more primitive. I know gentlemen keep hunting boxes here, but I rather thought they’d have the usual conveniences and servants. What was your hoe like?” “Wild and primitive,” Ian replied. While Elizabeth looked on in surprised confusion, he gathered up the remains of their snack and rolled to his feet with lithe agility. “You’re in it,” he added in a mocking voice. “In what?” Elizabeth automatically stood up, too. “My home.” Hot, embarrassed color stained Elizabeth’s smooth cheeks as they faced each other. He stood there with his dark hair blowing in the breeze, his sternly handsome face stamped with nobility and pride, his muscular body emanating raw power, and she thought he seemed as rugged and invulnerable as the cliffs of his homeland. She opened her mouth, intending to apologize; instead, she inadvertently spoke her private thoughts: “It suits you,” she said softly. Beneath his impassive gaze Elizabeth stood perfectly still, refusing to blush or look away, her delicately beautiful face framed by a halo of golden hair tossing in the restless breeze-a dainty image of fragility standing before a man who dwarfed her. Light and darkness, fragility and strength, stubborn pride and iron resolve-two opposites in almost every way. Once their differences had drawn them together; now they separated them. They were both older, wiser-and convinced they were strong enough to withstand and ignore the slow heat building between them on that grassy ledge. “It doesn’t suit you, however,” he remarked mildly. His words pulled Elizabeth from the strange spell that had seemed to enclose them. “No,” she agreed without rancor, knowing what a hothouse flower she must seem with her impractical gown and fragile slippers.
Judith McNaught (Almost Heaven (Sequels, #3))
I suggest you stand slowly and walk out with my men,” Zrakovi said, tapping a napkin against his lying, two-faced mouth and putting a twenty on the table to cover the drinks. “If you make a scene, innocent humans will be injured. I have a Blue Congress cleanup team in place, however, so if you want to fight in public and damage a few humans, knock yourself out. It will only add to your list of crimes.” I stood slowly, gritting my teeth when Squirrel Chin patted me down while feeling me up and making it look like a romantic moment. He’d been so busy feeling the naughty bits that he missed both Charlie, sitting in my bag next to my foot, and the dagger attached to my inner forearm. Idiot. Alex would never have been so sloppy. If Alex had patted me down, he’d have found not only the weapons but also the portable magic kit. From the corner of my eye, I saw a tourist taking mobile phone shots of us. He’d no doubt email them to all his friends back home with stories of those crazy New Orleanians and their public displays of affection. I considered pretending to faint, but I was too badly outnumbered for it to work. Like my friend Jean Lafitte, whose help I could use about now, I didn’t want to try something unless it had a reasonable chance at succeeding. I also didn’t want to pull Charlie out and risk humans getting hurt. “Walk out the door onto Chartres and turn straight toward the cathedral.” Zrakovi pulled his jacket aside enough for me to see a shoulder holster. I hadn’t even known the man could hold a gun, although for all I knew about guns it could be a water pistol. The walk to the cathedral transport was three very long city blocks. My best escape opportunity would be near Jackson Square. When the muscular goons tried to turn me left toward the cathedral, I’d try to break and run right toward the river, where I could get lost among the wharves and docks long enough to draw and power a transport. Of course in order to run, I’d have to get away from the clinch of Dreadlocks and Squirrel Chin. Charlie could take care of that. I slipped the messenger bag over my head slowly, and not even Zrakovi noticed the stick of wood protruding from the top by a couple of inches. Not to be redundant, but . . . idiots. None of us spoke as we proceeded down Chartres Street, where, to our south, the clouds continued to build. The wind had grown stronger and drier. The hurricane was sucking all the humidity out of the air, all the better to gain intensity. I hoped Zrakovi, a Bostonian, would enjoy his first storm. I hoped a live oak landed on his head.
Suzanne Johnson (Belle Chasse (Sentinels of New Orleans #5))
By these days it was a demerit to be muscular. Each infant was examined at birth, and all who promised undue strength were destroyed. Humanitarians may protest, but it would have been no true kindness to let an athlete live; he would never have been happy in that state of life to which the Machine had called him; he would have yearned for trees to climb, rivers to bathe in, meadows and hills against which he might measure his body. Man must be adapted to his surroundings, must he not? In the dawn of the world our weakly must be exposed on Mount Taygetus, in its twilight our strong will suffer euthanasia, that the Machine may progress, that the Machine may progress, that the Machine may progress eternally.
E.M. Forster (The Machine Stops)
His face softened and he leaned down and covered her mouth with his. Dark and dirty, hot and horny, sweet and utterly seductive. Damn, the man could kiss. "I want you inside me." She swallowed hard. "I want...you." "You have me---all of me." He pushed deep, filling her, stretching her, making her feel every inch of him. His smoldering eyes watched her intently, sending a current of need arrowing straight to her core. When she moaned, he moved his hips in just the right way to hit her most sensitive spot. Pleasure licked through her body and she surged toward the peak. "Don't stop." "No chance of that." His gaze didn't leave hers as he pulled out and thrust again, his hips moving hard and fast, arms braced on either side of her. The world fell away until there was only Jay, his scent, his heat, his muscles tightening and releasing, and his eyes locked on her like she truly was the most beautiful woman in the world. Heart-squeezing tenderness and wild heat. She came in a roll of pleasure, a soul-deep release as she let herself go. Jay followed her with a quiet shudder that ripped the tension out of his muscular body with a groan. "Fuck." He fell forward, his body covering hers, taking his weight on his elbows beside her. Small kisses to her lips made her feel seen and not forgotten. "We just did." She looked up to her hands and he released them with one tug. "Touch me, sweetheart. I want to feel your hands on me." She held him close for what seemed like forever, breathing in his scent of sex and sweat and the lingering hint of his cologne.
Sara Desai (The Singles Table (Marriage Game, #3))
finally there was only one corpse left. A large man, weighing well over two hundred pounds, lay tightly wedged between two boulders deeply imbedded in the earth. His shirtless torso had a sickly greenish sheen. The only way to dislodge the man was to wrap arms around him in a bear hug and pull him from the rocks—not a pleasant prospect. We huddled in a silent group and looked at the dead man, building our resolve. Finally, SSgt. Ken Bollinger spoke, “I’ll do it.” The rest of us sighed in relief. Ken had a body builder’s muscular physique. He would need his great strength to free the wedged corpse. Sergeant Bolliger positioned a vinyl body bag next to the man-in-the-rocks. Then he lay on top of the corpse and worked his arms under and around the dead man’s chest. He intertwined his fingers, locked his grip and squirmed to his knees, struggling for leverage. As Ken heaved upwards we watched in awe as his muscles bunched and his face reddened with herculean exertion. And suddenly, the man-in-the-rocks came apart in the middle, his entrails spilling onto the ground. Some of us groaned and turned away, but Sergeant Bollinger was unfazed. He methodically filled the body bag with the largest parts of the corpse, then scooped the remaining organs and pieces into the bag. When he was finished not a speck of the person remained on the ground. We gave him kudos as he slowly stood. His uniform was slick with gore and stank of death, but he appeared totally unfazed. We all praised him, “That was hardcore Ken.” he looked at us quizzically, genuinely taken aback. “No big deal.” he said.
William F. Sine (Guardian Angel: Life and Death Adventures with Pararescue, the World's Most Powerful Commando Rescue Force)
Ye told me ye had no’ seen the man in the clearing yesterday.” “I did not,” Annabel assured him, swiveling to look at him with a bit of excitement as she was recalled to the day’s events. “But I saw his plaid and the man today was wearing the same color plaid. He was big too. And, he was the same man as the one who startled me in England on our journey here, so I am beginning to think it was the same man all three times.” “Ye’re sure it was the same man as in England?” he asked, not happy at the thought. “Aye. I only caught a glimpse that first time, but he is hard to mistake,” she assured him. “He is very large and has a pretty face.” That brought a scowl to Ross’s lips. He didn’t at all like her finding someone else attractive, which was silly, he supposed. It wasn’t like she was going to run off with her attacker. According to Giorsal, she’d stabbed him. Besides, he himself wouldn’t have been flattered to be called pretty. “Ye mean handsome, do ye no’?” he suggested. “Nay. You are handsome, husband. He is pretty,” she said in a tone of voice that suggested that should clear the matter up. It didn’t. “Is there a difference?” Ross asked cautiously. “Aye,” Annabel said as if that should be obvious. “Handsome is rugged and manly and . . . well . . . handsome,” she finished helplessly, and then added, “Pretty is big eyes, sculpted jaw and hair that flops across the eyes.” She paused briefly before continuing with some consideration, “He would make a lovely girl were he not so muscular across the shoulders and chest.” “Ah,” Ross said, unable to repress a grin. Whether she realized it or not, his wife was saying she thought he was a sexy beast, while the pretty boy was . . . pretty, but not in a way she found especially attractive. He liked that. His
Lynsay Sands (An English Bride In Scotland (Highland Brides, #1))
What is the meaning of the antithetical concepts Apollonian and Dionysian which I have introduced into the vocabulary of Aesthetic, as representing two distinct modes of ecstasy? — Apollonian ecstasy acts above all as a force stimulating the eye, so that it acquires the power of vision. The painter, the sculptor, the epic poet are essentially visionaries. In the Dionysian state, on the other hand, the whole system of passions is stimulated and intensified, so that it discharges itself by all the means of expression at once, and vents all its power of representation, of imitation, of transfiguration, of transformation, together with every kind of mimicry and histrionic display at the same time. The essential feature remains the facility in transforming, the inability to refrain from reaction (—a similar state to that of certain hysterical patients, who at the slightest hint assume any role). It is impossible for the Dionysian artist not to understand any suggestion; no outward sign of emotion escapes him, he possesses the instinct of comprehension and of divination in the highest degree, just as he is capable of the most perfect art of communication. He enters into every skin, into every passion: he is continually changing himself. Music as we understand it today is likewise a general excitation and discharge of the emotions; but, notwithstanding this, it is only the remnant of a much richer world of emotional expression, a mere residuum of Dionysian histrionism. For music to be made possible as a special art, quite a number of senses, and particularly the muscular sense, had to be paralysed (at least relatively: for all rhythm still appeals to our muscles to a certain extent): and thus man no longer imitates and represents physically everything he feels, as soon as he feels it. Nevertheless that is the normal Dionysian state, and in any case its primitive state. Music is the slowly attained specialisation of this state at the cost of kindred capacities.
Friedrich Nietzsche (Twilight of the Idols)
But before you do that, inform your master that we have arrived.” “His master,” said a biting voice from a rear doorway, “is aware of that.” Elizabeth swung around at the scathing tone of Ian’s voice, and her fantasy of seeing him fall to his knees in remorse the moment he set eyes on her collapsed the instant she saw his face; it was as hard and forbidding as a granite sculpture. He did not bother to come forward but instead remained where he was, his shoulder propped negligently against the door frame, his arms folded across his chest, watching her through narrowed eyes. Until then Elizabeth had thought she remembered exactly what he looked like, but she hadn’t. Not really. His suede jacket clung to wide shoulders that were broader and more muscular than she’d remembered, and his thick hair was almost black. His face was one of leashed sensuality and arrogant handsomeness with its sculpted mouth and striking eyes, but now she noticed the cynicism in those golden eyes and the ruthless set of his jaw-things she’d obviously been too young and naïve to see before. Everything about him exuded brute strength, and that in turn made her feel even more helpless as she searched his features for some sign that this aloof, forbidding man had actually held and kissed her with seductive tenderness. “Have you had an edifying look at me, Countess?” he snapped, and before she could recover from the shock of that rude greeting his next words rendered her nearly speechless. “You are a remarkable young woman, Lady Cameron-you must possess the instincts of a bloodhound to track me here. Now that you’ve succeeded, there is the door. Use it.” Elizabeth’s momentary shock gave way to a sudden, almost uncontrollable burst of wrath. “I beg your pardon?” she said tightly. “You heard me.” “I was invited here.” “Of course you were,” Ian mocked, realizing in a flash of surprise that the letter he’d had from her uncle must not have been a prank, and that Julius Cameron had obviously decided to regard Ian’s lack of reply as willingness, which was nothing less than absurd and obnoxious. In the last months, since news of his wealth and his possible connection to the Duke of Stanhope had been made public, he’d become accustomed to being pursued by the same socialites who had once cut him. Normally he found it annoying; from Elizabeth Cameron he found it revolting.
Judith McNaught (Almost Heaven (Sequels, #3))
Thirteen- and fourteen-year-old boys are capable of causing great damage to girls and women, and to each other. It is a brash age. These boys are possessed of reckless urges, physical exuberance, intense curiosity that often results in injury, unbridled emotion, including deep tenderness and empathy, and not quite enough experience or brain development to fully understand or appreciate the consequences of their actions or words. They are similar to the yearlings: young, awkward, gleeful, powerful. They are tall, muscular, sexually inquisitive creatures with little impulse control, but they are children. They are children and they can be taught. I’m a two-bit schoolteacher, a failed farmer, a schinda, an effeminate man, and, above all, a believer. I believe that with direction, firm love and patience these boys, aged thirteen and fourteen, are capable of relearning their roles as males in the Molotschna Colony. I believe in what the great poet Samuel Taylor Coleridge thought were the cardinal rules of early education: “To work by love and so generate love. To habituate the mind to intellectual accuracy and truth. To excite imaginative power.” In his Lecture on Education, Coleridge concluded with the words: “Little is taught by contest or dispute, everything by sympathy and love.
Miriam Toews (Women Talking)
In Hiding - coming summer of 2020 WAYNE ANTHONY SEEKS REDEMPTION FROM A BAD DAY - Although warned about getting the stitches wet, he believed a hot shower was the only road to his redemption. Experienced taught him the best way to relieve the tightness in his lower back was by standing beneath the near-scalding water. Dropping the rest of his clothing, he turned the shower on full blast. The hot water rushed from the showerhead filling the tiny room with steam, instantly the small mirror on the medicine cabinet fogged up. The man quietly pulled the shower curtain back and entered the shower stall without a sound. Years of acting as another’s shadow had trained him to live soundlessly. The hot water cascaded over his body as the echo from the pounding water deadened slightly. Grabbing the sample sized soap, he pulled the paper off and tossed the wrapper over the curtain rail. Wayne rubbed the clean smelling block until his large hands disappeared beneath the lather. He ignored the folded washcloth, opting to use his hands across his body. Gently he cleaned the injury allowing the slime of bacterial soap to remove the residual of the rust-colored betadine. All that remained when he finished was the pale orange smear from the antiseptic. This scar was not the only mar to his body. The water cascaded down hard muscles making rivulets throughout the thatches of dark hair. He raised his arms gingerly as he washed beneath them; the tight muscles of his abdomen glistened beneath the torrent of water. Opening a bottle of shampoo-slash-conditioner, he applied a dab then ran his hands across his scalp. Finally, the tension in his square jaw had eased, making his handsome face more inviting. The cords of his neck stood out as he rinsed the shampoo from his hair. It coursed down his chest leading down to his groin where the scented wash caught in his pelvic hair. Wayne's body was one of perfection for any woman; if that was, she could ignore the mutilations. Knife injuries left their mark with jagged white lines. Most of these, he had doctored himself; his lack of skill resulted in crude scars. The deepest one, undulated along the left side of his abdomen, that one had required the art of a surgeon. Dropping his arms, he surrenders himself to the pelting deluge from the shower. The steamy water cascaded down his body, pulling the soap toward the drain. Across his back, it slid down several small indiscernible pockmarks left by gunshot wounds, the true extent of their damage far beneath his skin. Slowly the suds left his body, snaking down his muscular legs. It slithered down the scars on his left knee, the result of replacement surgery after a thug took a bat to it. Wayne stood until the hot water cooled, and ran translucent over his body. Finally, he washes the impact of the long day from his mind and spirit.
Caroline Walken
His voice was cool and steady. “You’ve proved my point, Lillian. If a man you don’t even like can bring you to this state, then how much easier would it be for St. Vincent?” She started as if he had slapped her, and her eyes widened. The transition from warm desire to a feeling of utter foolishness was not a pleasant one. The devastating intimacy between them had been nothing but a lesson to demonstrate her inexperience. He had used it as an opportunity to put her in her place. Apparently she wasn’t good enough to wed or to bed. Lillian wanted to die. Humiliated, she scrambled upward, clutching at her unfastened garments, and shot him a glare of hatred. “That remains to be seen,” she choked out. “I’ll just have to compare the two of you. And then if you ask nicely, perhaps I’ll tell you if he—” Westcliff pounced on her with startling swiftness, shoving her back to the lawn and bracketing her tossing head between his muscular forearms. “Stay away from him,” he snapped. “He can’t have you.” “Why not?” she demanded, struggling as he settled more heavily between her flailing legs. “Am I not good enough for him either? Inferior breed that I am—” “You’re too good for him. And he would be the first to admit it.” “I like him all the better for not suiting your high standards!” “Lillian— hold still, damn it— Lillian, look at me!” Westcliff waited until she had stilled beneath him. “I don’t want to see you hurt.” “Has it ever occurred to you, you arrogant idiot, that the person most likely to hurt me might be you?” Now it was his turn to recoil as if struck. He stared at her blankly, though she could practically hear the whirring of his agile brain as he sorted through the potential implications of her rash statement. “Get off me,” Lillian said sullenly. He moved upward, straddling her slender hips, his fingers grasping the inner edges of her corset. “Let me fasten you. You can’t run back to the manor half dressed.” “By all means,” she replied with helpless scorn, “let’s observe the proprieties.” Closing her eyes, she felt him tugging her clothes into place, tying her chemise and re-hooking her corset efficiently. When he finally released her, she sprang from the ground like a startled doe and rushed to the entrance of the hidden garden. To her eternal humiliation, she couldn’t find the door, which was concealed by the lavish spills of ivy coming over the wall. Blindly she thrust her hands into the trailing greenery, breaking two nails as she scrabbled for the doorjamb. Coming up behind her, Westcliff settled his hands at her waist, easily dodging her attempts to throw him off. He pulled her hips back firmly against his and spoke against her ear. “Are you angry because I started making love to you, or because I didn’t finish?” Lillian licked her dry lips. “I’m angry, you bloody big hypocrite, because you can’t make up your mind about what to do with me.” She punctuated the comment with the hard jab of one elbow back against his ribs.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
I don’t…believe you,” she lied, her blood running wild through her veins. His gleaming gaze impaled her. “Then believe this.” And suddenly his mouth was on hers. This was not what she’d set out to get from him. But oh, the joy of it. The heat of it. His mouth covered hers, seeking, coaxing. Without breaking the kiss, he pushed her back against the wall, and she grabbed for his shoulders, his surprisingly broad and muscular shoulders. As he sent her plummeting into unfamiliar territory, she held on for dear life. Time rewound to when they were in her uncle’s garden, sneaking a moment alone. But this time there was no hesitation, no fear of being caught. Glorying in that, she slid her hands about his neck to bring him closer. He groaned, and his kiss turned intimate. He used lips and tongue, delving inside her mouth in a tender exploration that stunned her. Enchanted her. Confused her. Something both sweet and alien pooled in her belly, a kind of yearning she’d never felt with Edwin. With any man but Dom. As if he sensed it, he pulled back to look at her, his eyes searching hers, full of surprise. “My God, Jane,” he said hoarsely, turning her name into a prayer. Or a curse? She had no time to figure out which before he clasped her head to hold her for another darkly ravishing kiss. Only this one was greedier, needier. His mouth consumed hers with all the boldness of Viking raiders of yore. His tongue drove repeatedly inside in a rhythm that made her feel all trembly and hot, and his thumbs caressed her throat, rousing the pulse there. Thank heaven there was a wall to hold her up, or she was quite sure she would dissolve into a puddle at his feet. Because after all these years apart, he was riding roughshod over her life again. And she was letting him. How could she not? His scent of leather and bergamot engulfed her, made her dizzy with the pleasure of it. He roused urges she’d never known she had, sparked fires in places she’d thought were frozen. Then his hands swept down her possessively as if to memorize her body…or mark it as belonging to him. Belonging to him. Oh, Lord! She shoved him away. How could she have fallen for his kisses after what he’d done? How could she have let him slip that far under her guard? Never again, curse him! Never! For a moment, he looked as stunned by what had flared between them as she. Then he reached for her, and she slipped from between him and the wall, panic rising in her chest. “You do not have the right to kiss me anymore,” she hissed. “I’m engaged, for pity’s sake!” As soon as her words registered, his eyes went cold. “It certainly took you long enough to remember it.” She gaped at him. “You have the audacity to…to…” She stabbed his shoulder with one finger. “You have no business criticizing me! You threw me away years ago, and now you want to just…just take me up again, as if nothing ever happened between us?” A shadow crossed his face. “I did not throw you away. You jilted me, remember?” That was the last straw. “Right. I jilted you.” Turning on her heel, she stalked back toward the road. “Just keep telling yourself that, since you’re obviously determined to believe your own fiction.” “Fiction?” He hurried after her. “What are you talking about?” “Oh, why can’t you just admit what you really did and be done with it?” Grabbing her by the arm, he forced her to stop just short of the street. He stared into her face, and she could see when awareness dawned in his eyes. “Good God. You know the truth. You know what really happened in the library that night.” “That you manufactured that dalliance between you and Nancy to force me into jilting you?” She snatched her arm free. “Yes, I know.” Then she strode out of the alley, leaving him to stew in his own juices.
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
If you’d convinced Nancy to marry you, you might not have had to go off to be a Bow Street runner. You could have had an easier life, a better life in high society than you could have had with me if you’d married me. Without being able to access my fortune, I could only have dragged you down.” “You don’t really believe that I wanted to marry her for her money,” he gritted out. “It’s either that or assume that you fell madly in love with her in the few weeks we were apart.” They were nearly to the inn now, so she added a plaintive note to her voice. “Or perhaps it was her you wanted all along. You knew my uncle would never accept a second son as a husband for his rich heiress of a daughter, so you courted me to get close to her. Nancy was always so beautiful, so--” “Enough!” Without warning, he dragged her into one of the many alleyways that crisscrossed York. This one was deeply shadowed, the houses leaning into each other overhead, and as he pulled her around to face him, the brilliance of his eyes shone starkly in the dim light. “I never cared one whit about Nancy.” She tamped down her triumph--he hadn’t admitted the whole truth yet. “It certainly didn’t look that way to me. It looked like you had already forgotten me, forgotten what we meant to each--” “The hell I had.” He shoved his face close to hers. “I never forgot you for one day, one hour, one moment. It was you--always you. Everything I did was for you, damn it. No one else.” The passionate profession threw her off course. Dom had never been the sort to say such sweet things. But the fervent look in his eyes roused memories of how he used to look at her. And his hands gripping her arms, his body angling in closer, were so painfully familiar... “I don’t…believe you,” she lied, her blood running wild through her veins. His gleaming gaze impaled her. “Then believe this.” And suddenly his mouth was on hers. This was not what she’d set out to get from him. But oh, the joy of it. The heat of it. His mouth covered hers, seeking, coaxing. Without breaking the kiss, he pushed her back against the wall, and she grabbed for his shoulders, his surprisingly broad and muscular shoulders. As he sent her plummeting into unfamiliar territory, she held on for dear life. Time rewound to when they were in her uncle’s garden, sneaking a moment alone. But this time there was no hesitation, no fear of being caught. Glorying in that, she slid her hands about his neck to bring him closer. He groaned, and his kiss turned intimate. He used lips and tongue, delving inside her mouth in a tender exploration that stunned her. Enchanted her. Confused her. Something both sweet and alien pooled in her belly, a kind of yearning she’d never felt with Edwin. With any man but Dom. As if he sensed it, he pulled back to look at her, his eyes searching hers, full of surprise. “My God, Jane,” he said hoarsely, turning her name into a prayer. Or a curse? She had no time to figure out which before he clasped her head to hold her for another darkly ravishing kiss. Only this one was greedier, needier. His mouth consumed hers with all the boldness of Viking raiders of yore. His tongue drove repeatedly inside in a rhythm that made her feel all trembly and hot, and his thumbs caressed her throat, rousing the pulse there. Thank heaven there was a wall to hold her up, or she was quite sure she would dissolve into a puddle at his feet. Because after all these years apart, he was riding roughshod over her life again. And she was letting him. How could she not? His scent of leather and bergamot engulfed her, made her dizzy with the pleasure of it. He roused urges she’d never known she had, sparked fires in places she’d thought were frozen. Then his hands swept down her possessively as if to memorize her body…or mark it as belonging to him. Belonging to him.
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))