Muscles And Monsters Quotes

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Pain. Everyone is always in pain. Whether it’s a loose hangnail, a sore joint, a cramped back muscle—something. No human is never not in at least a minute amount of pain.
Rebecca Schaeffer (Not Even Bones (Market of Monsters, #1))
He leaned in. I felt his breath against my neck, then the press of his mouth against my skin just above the collar, almost a sigh. “Don’t,” I said. I drew back, but he held me tighter. His hand went to the nape of my neck, long fingers twining in my hair, easing my head back. I closed my eyes. “Let me,” he murmured against my throat. His heel hooked around my leg, bringing me closer. I felt the heat of his tongue, the flex of hard muscle beneath bare skin as he guided my hands around his waist. “It isn’t real,” he said. “Let me.” I felt that rush of hunger, the steady, longing beat of desire that neither of us wanted, but that gripped us anyway. We were alone in the world, unique. We were bound together and always would be. And it didn’t matter. I couldn’t forget what he’d done, and I wouldn’t forgive what he was: a murderer. A monster. A man who had tortured my friends and slaughtered the people I’d tried to protect. I shoved away from him. “It’s real enough.
Leigh Bardugo (Ruin and Rising (The Shadow and Bone Trilogy, #3))
Glancing back I got my first clear look at the monster. He was seven feet tall, easy, his arms and legs like something from the cover of Muscle Man magazine-bulging biceps and triceps and a bunch of other 'ceps, all stuffed like baseballs under vein-webbed skin. He wore no clothes except underwear-I mean, bright white fruit of the Looms.
Rick Riordan (The Lightning Thief (Percy Jackson and the Olympians, #1))
Now there were plenty of words to describe the kind of rippling muscle perfection that greeted me. Jacked. Ripped. Built. Drool-worthy. Man candy. God damn! But the most appropriate seemed to be: holy fucking shit.
Jessica Gadziala (Monster (Savages, #1))
It was the way their skin stretched over their hand-designed muscles and bones. Like it could barely keep all the monster inside.
Nina Varela (Crier's War (Crier's War, #1))
It wasn’t a perfect body, not by conventional beauty standards, but I loved and appreciated it. Loved and appreciated all of the things that it allowed me to do.
Ashley Bennett (Muscles & Monsters (Leviathan Fitness, #1))
Yes, tell us, Ari. Tell us what you have seen." Athena. Dead flowers and flashing emerald beads threaded through her tangled, upswept hair. A hard swallow went down down my throat, followed by a tightening of every muscle I possessed. All the emotions of my vision boiled over, as fresh and furious as they'd been a few moments ago. "You should know, you petty piece of shit.
Kelly Keaton (Darkness Becomes Her (Gods & Monsters, #1))
Come to the jacaranda tree at seven o'clock and you will hear something to your advantage. Destroy this note.' No signature, no clue to the identity. Just what sort of heroine do you think I am? Phryne asked the air. Only a Gothic novel protagonist would receive that and say, 'Goodness, let me just slip into a low-cut white nightie and put on the highest heeled shoes I can find,' and, pausing only to burn the note, slip out of the hotel by a back exit and go forth to meet her doom in the den of the monster - to be rescued in the nick of time by the strong-jawed hero (he of the Byronic profile and the muscles rippling beneath the torn shirt). 'Oh, my dear,' Phryne spoke aloud as if to the letter-writer. 'You don't know a lot about me, do you?
Kerry Greenwood (Death Before Wicket (Phryne Fisher, #10))
When the monster struck a blow, Conor felt the sting of it in his own fist. When the monster held Harry's arm behind his back, Conor had felt Harry's muscles resisting. Resisting, but not winning. Because how could a boy beat a monster?
Patrick Ness
Because we are the same,” I burst out. “You are not the only one of us with bloodied hands and a death on your conscience,” I reminded him, not bothering to disguise my anger. “Why must you do this? Why must you test me?” The tight muscle in his jaw relaxed into slackness. “I did not think to test you.” “Yes, you did. You do it every time you find yourself in danger of relying too much upon me, or hadn’t you noticed? You are so afraid of depending upon another soul that you will burn down your own house rather than risk someone else doing it. You are so determined to believe that your wounds make you less than human that you think yourself a monster when others are merely men. And whatever this bond that is between us, whatever this thing is that makes us akin to one another, you do not trust it. Because you do not trust yourself. But I am tired of the games, Stoker. And I am tired of your little monstrosities when I have atrocities of my own to account for.
Deanna Raybourn (A Treacherous Curse (Veronica Speedwell, #3))
A moment of discomfort is nothing compared to a lifetime of unhappiness. Knowing that it led me to you, I’d make that choice again and again.
Ashley Bennett (Muscles & Monsters (Leviathan Fitness, #1))
The voice was low and smooth, almost hypnotizing, and a second later the shadow shifted and stepped forward, resolving into a man with broad shoulders and a wiry form, all lean muscle and long bone. The FTF fatigues fit him perfectly, and beneath his rolled sleeves, small black crosses circled both forearms. Above a chiseled jaw, fair hair swept down into eyes as black as pitch. The only imperfection was a small scar running through his left eyebrow—a relic from his first years—but despite the mark, Leo Flynn looked more god than monster.
Victoria E. Schwab (This Savage Song (Monsters of Verity, #1))
The tractors came over the roads and into the fields, great crawlers moving like insects, having the incredible strength of insects … Snub-nosed monsters, raising the dust and sticking their snouts into it, straight down the country, across the country, through fences, through dooryards, in and out of gullies in straight lines. They did not run on the ground, but on their own roadbeds. They ignored hills and gulches, water courses, fences, houses. That man sitting in the iron seat did not look like a man; gloved, goggled, rubber dust mask over nose and mouth, he was a part of the monster, a robot in the seat … The driver could not control it – straight across country it went, cutting through a dozen farms and straight back. A twitch at the controls could swerve the ‘cat, but the driver’s hands could not twitch because the monster that built the tractor, the monster that sent the tractor out, had somehow gotten into the driver’s hands, into his brain and muscle, had goggled him and muzzled him – goggled his mind, muzzled his speech, goggled his perception, muzzled his protest. He could not see the land as it was, he could not smell the land as it smelled; his feet did not stamp the clods or feel the warmth and power of the earth. He sat in an iron seat and stepped on iron pedals. He could not cheer or beat or curse or encourage the extension of his power, and because of this he could not cheer or whip or curse or encourage himself. He did not know or own or trust or beseech the land. If a seed dropped did not germinate, it was no skin off his ass. If the young thrusting plant withered in drought or drowned in a flood of rain, it was no more to the driver than to the tractor. He loved the land no more than the bank loved the land. He could admire the tractor – its machined surfaces, its surge of power, the roar of its detonating cylinders; but it was not his tractor. Behind the tractor rolled the shining disks, cutting the earth with blades – not plowing but surgery … The driver sat in his iron seat and he was proud of the straight lines he did not will, proud of the tractor he did not own or love, proud of the power he could not control. And when that crop grew, and was harvested, no man had crumbled a hot clod in his fingers and let the earth sift past his fingertips. No man had touched the seed, or lusted for the growth. Men ate what they had not raised, had no connection with the bread. The land bore under iron, and under iron gradually died; for it was not loved or hated, it had no prayers or curses.
John Steinbeck (The Grapes of Wrath)
Someone must not want to come that badly,” he growls, the idea of denial wringing my muscles tight. “I’m not even going to touch your clit, sweet girl. Just gonna shove right into this tight pussy and use her until I get off, like you’re a dirty little cock sleeve, tailored just for me.
Sav R. Miller (Souls and Sorrows (Monsters & Muses, #5))
I have begged and she hasn't answered. The whales are swimming deep inside me and she doesn't help. I need help. All the monsters in the world are inside me instead of outside me. I've been tricked and trapped and they are inside my walls not outside my walls inside with me and she won't help me. When I stop thinking about a muscle it shakes. When I stop thinking about a fear it leaps at me. I'm drowning but the lake keeps getting deeper and deeper and deeper and I don't know how to get out the walls go up forever and I can't climb over and I can't break through and she won't talk to me.
Orson Scott Card (Songmaster)
I've always been fascinated by how the body works. How a fist-sized muscle deep in your chest is responsible for keeping you alive every day. It steadily beats, every second of every hour, pushing blood through your arteries then back to it through your veins. And you do nothing to make it happen. It just does it, all on its own. Doesn't matter how you're feeling, what you're thinking, if your fucking heart is breaking... it keeps on beating, a hundred thousand times a day.
J.M. Darhower (Target on Our Backs (Monster in His Eyes, #3))
Small bruises lined Samkiel’s neck and shoulders, bite marks marring the heavy muscles of his chest. “You’re like her own personal chew toy,” I said with a laugh.
Amber V. Nicole (The Throne of Broken Gods (Gods and Monsters, #2))
The position must have been excruciating—it isn’t every day that you get crucified and hung up as dinner for a monster, and you can’t really train your muscles for it.
Jim Butcher (Fool Moon (The Dresden Files, #2))
If we are pack, then conquest is our sustenance, sister. He plunged his hand into the coywolv’s frame. With a wet tearing, the heart came out, glistening and full of blood, veins and arteries torn. The muscle of life. Tool held it out to her. “Our enemies give us strength.” Blood ran from his fist. Mahlia saw the challenge in the half-man’s eye. She limped over to the battle-scarred monster and held out her hand. The heart was surprisingly heavy as Tool poured it into her palm. She lifted the muscle to her lips and bit deep. Blood ran down her chin.
Paolo Bacigalupi (The Drowned Cities (Ship Breaker, #2))
Victor of course never failed to fire a monster joint on these underground missions. And there he would sit reading. He liked how those books made him feel, the books and the weed, his brain humming with knowledge, an odd and lovely sort of expansion feeling these threads of words that stretched across continents and decades, a sort of feeling that he, too, was stretched and flattened, his brain spread like a map across the world.
Sunil Yapa (Your Heart Is a Muscle the Size of a Fist)
Around the age of two, children realize that they’re separate from their mothers. In order to try out their muscles as individuals, they begin to disagree with those around them by saying no (hence the “terrible twos”). Toddlers who successfully detach from their mothers are able to say, in effect, “No, I will not eat what you want, put my boots on, or do what you say. I am a separate person.” This stage helps children learn the concept of “mine,” but it’s also part of learning to assert themselves.
Catherine Gildiner (Good Morning, Monster: A Therapist Shares Five Heroic Stories of Emotional Recovery)
He’d have to be six foot seven or more of solid but not bulky muscle, which unfortunately led to my gaze dropping lower, wondering if he was big everywhere. It was like visiting Loch Ness. You had to look into the depths just to see if the monster was lurking there.
Sam Hall (The Wolf at My Door (Pack Heat, #1))
Anxiety doesn’t have a memory, remember? So believing she was going to learn from that mistake was just me falling into the trap of avoidance as well. She regretfully stayed home, and the safety she felt was stronger than her regret. The Worry Monster just flexed his muscle that much more.
Sissy Goff (Raising Worry-Free Girls: Helping Your Daughter Feel Braver, Stronger, and Smarter in an Anxious World)
Just who am I?" the rough baritone asked in the infuriatingly amused tone one might use with a temperamental child. You're a monster, she wanted to say. A giant—huge and thickly muscled and terrifying. But she flung back her answer like her papa's own daughter. "You're the rebel bastard Glen Lyon.
Kimberly Cates (Gather the Stars (Culloden's Fire, #1))
I let the monster take over. My lips moved and I spoke the words I’d heard before, words that would unlock the ultimate power—words that Alex spoke once before. I didn’t understand how this worked. I also didn’t care. “Θάρρος.” Courage. A shock rippled across my body, followed by a wealth of warmth. Determination poured into my chest. “Δύναµη,” I said. Strength. Another jolt of power hit me, charging me up. The warmth turned to heat, invading my muscles, breaking them down and rebuilding them rapidly. Someone shouted, a high-pitched scream. There was a yell, a rougher and heavier gasp. I kept going as I stepped forward, through the shades circling Atlas. “Απόλυτη εξουσία.” Absolute power. Amber light radiated through the room. Screams pitched higher as every cell in my body hummed with power. Glyphs appeared on my skin, swirling fast. The shades flew backward, revealing a transfixed Atlas. I finished it. “Αήττητο.
Jennifer L. Armentrout (The Power (Titan, #2))
A slippery beast, grief slid under my skin and ran down my cheeks, stole the air from my lungs, burned the blood in my veins, and made my muscles ache, sucked the life out of me with each beat of my heart. This was a creature I had no way to fight, no weapon that would slay it. Some say faith was the weapon to fight grief, or maybe love . . . but I wasn’t sure there was anything truly strong enough to hold the monster off me.
Shannon Mayer (Jinn's Dominion (Desert Cursed, #3))
Curran lunged through the window He was huge, neither a man, nor a lion. Curran’s usual warrior form stood upright. This creature moved on all fours. Enormous, bulging with muscle under a gray pelt striped with whip marks of darker gray, six hundred pounds at least. His head was lion, his eyes were human, and his fangs were monster. So that’s what the Beast Lord with no brakes looked like. He landed on the floor of my living room. Muscles twisted and crawled, stretching and snapping. The gray fur melted, fading into human skin, and Curran stood on my carpet, nude and pissed off, his eyes glowing gold. His voice was a deep snarl. “I know he’s here. I can smell him.” I felt an irresistible urge to brain him with something heavy. “Did you lose your sense of smell? Saiman’s scent is two hours old.” Golden eyes burned me. “Where is he?” “Under my bed.” The bed went airborne. It flew across the living room and slammed into the wall with a thud. That was just about enough of that. “What the hell do you think you’re doing?” “Saving you from whatever mess you got yourself into this time.” Why me? “There is no mess! It’s a professional arrangement.” “He’s paying you?” Curran snarled. “No. I’m paying him.” He roared. His mouth was human, but the blast of sound that shot out of it was like thunder. “Ran out of words, Your Majesty?” “Why him?” he growled. “Of all the men you could have, why would you hire him for that?” “Because he has the best equipment in the city and he knows how to use it!” As soon as I said it, I realized how he would take it. The beginnings of another thundering roar died in Curran’s throat. He stared at me, mute. Oh, this was too good. I threw my hands up. “The lab! I’m talking about his lab, not his dick, you idiot.
Ilona Andrews (Magic Bleeds (Kate Daniels, #4))
I see poisoners—so calculating, so cold-blooded—as most like the villains of our horror stories. They’re closer to that lurking monster in the closet than some drug-impaired crazy with a gun. I don’t mean to dismiss the latter—both can achieve the same awful results. But the scarier killer is the one who thoughtfully plans his murder ahead, tricks a friend, wife, lover into swallowing something that will dissolve tissue, blister skin, twist the muscles with convulsions, knows all that will happen and does it anyway.
Deborah Blum (The Poisoner's Handbook: Murder and the Birth of Forensic Medicine in Jazz Age New York)
Fred had first come to Fire Island Pines when he was thirty. He wasn’t ready for such beauty, such potential, such unlimited choice. The place scared him half to death. It was a warm and sunny weekend and there were one thousand bathing-suited handsomenesses on The Botel deck at Tea Dance. They all seemed to know each other and to touch and greet and smile at each other. And there he was, alone. Though he had acquired his 150-pound body for the first time (of his so-far three: the first for himself, the second for Feffer, number three, with muscles, for Dinky), he still felt like Mrs. Shelley’s monster, pale, and with a touch of leprosy thrown in. Not only had he no one to talk to, not only did the overwhelmingness of being confronted by so much Grade A male flesh, most of which seemed superior to his, which would make it difficult to talk to, even if he could utter, which he could not, floor him, but everyone else seemed so secure, not only with their bodies (all thin and no doubt well-defined since birth), tans, personalities, their smiles and chat, but also with that ability to use their eyes, much like early prospectors must have looked for gold, darting them hither and yon, seeking out the sparkling flecks, separating the valued from the less so, meaning, he automatically assumed, him. Their glances his way seemed like disposable bottles, no deposit, no return. He felt like Mr. Not Wanted On The Voyage, even though it was, so be it, his birthday. Many years would pass before he would discover that everybody else felt exactly the same, but came out every weekend so to feel, thus over the years developing more flexible feelings in so feeling.
Larry Kramer (Faggots)
God saw Hansen tighten his chokehold on Day and he could see his lover fighting to breathe. Day’s ears and neck were bright red. His lips were turning a darker color as his body was deprived of oxygen. Hansen pressed the barrel in deeper and yelled. “Two minutes and fifteen seconds before I get to zero and I provide the great state of Georgia the luxury of one less narc.” God’s mind exploded at the thought of not having Day in a world he lived in. He looked into his partner’s glistening eyes and saw he was turning blue and possibly getting ready to faint. Day was still looking at him, looking into God’s green eyes. No, no, no! He’s saying good-bye. God closed his eyes and released a loud, gut-wrenching growl cutting off the SWAT leader’s negotiations. “Godfrey, get yourself under control,” his captain said while grabbing for him. God jerked himself away from the hold and stepped forward, his angry eyes boring into Hansen’s dark ones. Hansen stared at him as if God was crazy. Little did he know God was at that moment. “Godfrey, get back here and stand down. That’s an order, Detective!” his captain barked. God’s large hands clenched at his sides fighting not to pull out his weapons. He ground his teeth together so hard his jaw ached. “Do you have any idea of the shit storm you’re about to bring down on your life,” God spoke with a menacing snarl while his large frame shook with fury. “In your arms you hold the only thing in this world that means anything to me. The man that you are pointing a gun at is my only purpose for living. You are threating to kill the only person in this world that gives a fuck about me.” God took two more steps forward and was vaguely aware of the complete silence surrounding him. Hansen’s finger hovered shakily over the trigger as he took two large steps back with Day still tight against his chest. God growled again and he saw a shade of fear ghost over Hansen’s sweaty face. “If you kill that man, I swear on everything that is holy, I will track you to the ends of the earth, killing and destroying any and everything you hold dear. I will take everything from you and leave you alive to suffer through it. I will bestow upon you the same misery that you have given to me.” Hansen shook his head and inched closer to the door behind him. “Stay back,” he yelled again but this time the demand lacked the courage and venom he exhibited before. “You kill that man, and you’ll have no idea of the monster you will create. Have you ever met a man with no heart…no conscience…no soul…no purpose?” God rumbled, his voice at least twelve octaves lower than the already deep baritone. God yanked his Desert Eagle from his holster in a flash and cocked the hammer back chambering the first round. Hansen stumbled back again, his eyes gone wide with fear. God’s entire body instinctually flexed every muscle in his body and it felt like the large vein in his neck might rupture. His body burned like he had a sweltering fever and he knew his wrath had him a brilliant shade of red. “I’m asking you a goddamn question, Hansen! No soul! No conscience! I’m asking you have you ever met the devil!” God’s thunderous voice practically rattled the glass in the hanger. “If you kill the man I love, you better make your peace with God, because I’m gonna meet your soul in hell.” His voice boomed.
A.E. Via
I saw him assess the field ahead- and transform. The talons came first. Replacing fingers and feet. Then dark scales or perhaps feathers, I couldn't get a look at them, covered his legs, his arms, his chest. His body contorted, bones and muscles growing and shifting. The beast form Rhys had kept hidden. Never liked to unleash. Unless it was dire enough to do so. Before the Cauldron swept me away, I beheld what happened to his head, his face. It was a thing of nightmares. Nothing human or Fae in it. It was a creature that lived in black pits and only emerged at night to hunt and feast. That face... it was those creatures that had been carved into the rock of the Court of Nightmares. That made up his throne. The throne not only a representation of his power... but of what lurked within. And with the wings... Hybern soldiers began fleeing. Helion beheld what happened and ran, too- but towards Rhys. Shifting as well. If Rhys was a flying terror crafted from shadows and cold moonlight, Helion was his daytime equivalent. Gold feathers and shredding claws and feathered wings- Together, my mate and the High Lord of Day unleashed themselves upon Hybern.
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
After the punches, I went over how to kick. The deer women were at an extreme advantage when it came to kicking. Not only were their legs super powerful and full of muscles from all the climbing and running they did, but they were way longer than any dragon woman’s or orc’s legs could ever hope to be. One well placed kick from the deer women could stop an orc in his tracks, and he’d never even get close to her. “Always remember, aim for the balls,” I instructed while I walked amongst the group. “It’ll hurt like hell and almost definitely send your attacker to his knees. Then, you can come in with a spear, or bow and arrow, whatever you want.
Logan Jacobs (Monster Girl Islands 4 (Monster Girl Islands, #4))
There is an inherent, humbling cruelty to learning how to run white water. In most other so-called "adrenaline" sports—skiing, surfing and rock climbing come to mind—one attains mastery, or the illusion of it, only after long apprenticeship, after enduring falls and tumbles, the fatigue of training previously unused muscles, the discipline of developing a new and initially awkward set of skills. Running white water is fundamentally different. With a little luck one is immediately able to travel long distances, often at great speeds, with only a rudimentary command of the sport's essential skills and about as much physical stamina as it takes to ride a bicycle downhill. At the beginning, at least, white-water adrenaline comes cheap. It's the river doing the work, of course, but like a teenager with a hot car, one forgets what the true power source is. Arrogance reigns. The river seems all smoke and mirrors, lots of bark (you hear it chortling away beneath you, crunching boulders), but not much bite. You think: Let's get on with it! Let's run this damn river! And then maybe the raft hits a drop in the river— say, a short, hidden waterfall. Or maybe a wave reaches up and flicks the boat on its side as easily as a horse swatting flies with its tail. Maybe you're thrown suddenly into the center of the raft, and the floor bounces back and punts you overboard. Maybe you just fall right off the side of the raft so fast you don't realize what's happening. It doesn't matter. The results are the same. The world goes dark. The river— the word hardly does justice to the churning mess enveloping you— the river tumbles you like so much laundry. It punches the air from your lungs. You're helpless. Swimming is a joke. You know for a fact that you are drowning. For the first time you understand the strength of the insouciant monster that has swallowed you. Maybe you travel a hundred feet before you surface (the current is moving that fast). And another hundred feet—just short of a truly fearsome plunge, one that will surely kill you— before you see the rescue lines. You're hauled to shore wearing a sheepish grin and a look in your eye that is equal parts confusion, respect, and raw fear. That is River Lesson Number One. Everyone suffers it. And every time you get the least bit cocky, every time you think you have finally figured out what the river is all about, you suffer it all over again.
Joe Kane (Running the Amazon)
Mag Rogan and I stood on the edge of a cliff. Below us, the ground plunged so far down that it was as if the planet itself had ended at our feet. The wind tugged at my hair. He was wearing those dark pants again and nothing else. The hard muscle corded his torso, fueled by an overpowering, almost savage strength. Not the mindless brutality of a common thug or the cruel power of an animal, but an intelligent, stubborn, human strength. It was everywhere: in the set of his broad shoulders, in the turn of his head on a muscular neck, in the tilt of his square jaw. He turned to me and his whole body tightened, the muscles flexing and hardening, his hands ready to grip and crush, his eyes alert, missing nothing, and blazing with the brilliant electric blue of magic. I could picture him getting his sword and walking alone onto the drawbridge to defend his castle against a horde of invaders with that exact look on his face. He was terrifying, and I wanted to run my hands down that chest and feel the hard ridges of his abs. I was some special kind of idiot. Magic roiled about him, ferocious and alive, a pet monster with vicious teeth. He moved toward me, bringing it with him. “Tell me about Adam Pierce.” I reached over and put my hand on his chest. His skin was burning hot. The muscle tensed under my fingers. An eager electric shiver ran through me. I wanted to lean against that chest and kiss the underside of that jaw, tasting his sweat on my tongue. I wanted him to like it. “What happened to the boy?” I asked. “The one who destroyed a city in Mexico? Is he still inside?” “Nevada!” My mother’s voice cut through my dreams like a knife. I sat straight up in my bed. Okay. I was either way more messed up inside, or Mad Rogan was a strong projector and could shoot images straight into my mind. Either way was bad. What happened to the boy . . . I needed to have my head examined.
Ilona Andrews (Burn for Me (Hidden Legacy, #1))
A twitch at the controls could swerve the cat’, but the driver’s hands could not twitch because the monster that built the tractor, the monster that sent the tractor out, had somehow got into the driver’s hands, into his brain and muscle, had goggled him and muzzled him— goggled his mind, muzzled his speech, goggled his perception, muzzled his protest. He could not see the land as it was, he could not smell the land as it smelled; his feet did not stamp the clods or feel the warmth and power of the earth. He sat in an iron seat and stepped on iron pedals. He could not cheer or beat or curse or encourage the extension of his power, and because of this he could not cheer or whip or curse or encourage himself. He did not know or own or trust or beseech the land. If a seed dropped did not germinate, it was nothing. If the young thrusting plant withered in drought or drowned in a flood of rain, it was no more to the driver than to the tractor. He
John Steinbeck (The Grapes of Wrath)
What’s more, if the Varden lose, Eragon and I can be together as brothers ought to be. But if they win, it’ll mean the death of Thorn and me. It’ll have to.” “Oh? And what of me?” she asked. “If Galbatorix wins, shall I become his slave, to order about as he wills?” Murtagh refused to answer, but she saw the tendons on the back of his hands tighten. “You can’t give up, Murtagh.” “What other choice do I have!” he shouted, filling the room with echoes. She stood and stared down at him. “You can fight! Look at me…Look at me!” He reluctantly lifted his gaze. “You can find ways to work against him. That’s what you can do! Even if your oaths will allow only the smallest of rebellions, the smallest of rebellions might still prove to be his undoing.” She restated his question for effect. “What other choice do you have? You can go around feeling helpless and miserable for the rest of your life. You can let Galbatorix turn you into a monster. Or you can fight!” She spread her arms so that he could see all of the burn marks on her. “Do you enjoy hurting me?” “No!” he exclaimed. “Then fight, blast you! You have to fight or you will lose everything you are. As will Thorn.” She held her ground as he sprang to his feet, lithe as a cat, and moved toward her until he was only a few inches away. The muscles in his jaw bunched and knotted while he glowered at her, breathing heavily through his nostrils. She recognized his expression, for it was one she had seen many times before. His was the look of a man whose pride had been offended and who wanted to lash out at the person who had insulted him. It was dangerous to keep pushing him, but she knew she had to, for she might never get the chance again. “If I can keep fighting,” she said, “then so can you.” “Back to the stone,” he said in a harsh voice. “I know you’re not a coward, Murtagh. Better to die than to live as a slave to one such as Galbatorix. At least then you might accomplish some good, and your name might be remembered with a measure of kindness after you’re gone.
Christopher Paolini (Inheritance (The Inheritance Cycle, #4))
I wanted to say something back to him, and I knew deep down that he was right, though I didn't have the words yet. Until that disease chose me, I had lived a charmed life of grace and ease, while Matsu had always to work hard for what he desired. He has always known where beauty comes from. Later on, when the disease spread over the left side of my face, I tried to accept the burden placed on me, to tell myself that real beauty comes from deep within. But I'm afraid sometimes I reverted back to my spoiled ways. But, Stephen-san, can you imagine what it was like to watch your own face slowly transformed into a monster? Have you ever awakened in the morning from a series of nightmares, fearing what you might have turned into during the night? I will not lie to you and tell you that it was easy. There were times when I thought I could actually feel my skin shrinking, pulling against my bones and muscles, slowly suffocating me. Matsu comforted me as much as he could by having me work on the house, or in the garden, but no matter how much pleasure I found in them, they were still cold and inanimate. I longed for my past life. Matsu always knew that the peace of mine I needed could only be found within myself.
Gail Tsukiyama (The Samurai's Garden)
The man sitting in the iron seat did not look like a man; gloved, goggled, rubber dust mask over nose and mouth, he was part of the monster, a robot in the seat. The thunder of the cylinders sounded through the country, became one with the air and the earth, so that earth and air muttered in sympathetic vibration. The driver could not control it–straight across country it went, cutting through a dozen farms and straight back. A twitch at the controls could swerve the cat’, but the driver’s hands could not twitch because the monster that built the tractor, the monster that sent that tractor out, had somehow got into the driver’s hands, into his brain and muscle, had goggled him and muzzled him–goggled his mind, muzzled his speech, goggled his perception, muzzled his protest. He could not see the land as it was, he could not smell the power of the earth. He sat in an iron seat and stepped on iron pedals. He could not cheer or beat or curse or encourage the extension of his power, and because of this he could not cheer or whip or curse or encourage himself. He did now know or own or trust or beseech the land. If a seed dropped did not germinate, it was no skin off his ass. If the young thrusting plant withered in drought or drowned in a flood of rain, it was no more to the driver than to the tractor. He loved the land no more than the bank loved the land. He could admire the tractor–its machined surfaces, its surge of power, the roar of its detonating cylinders; but it was not his tractor. Behind the tractor rolled the shining disks, cutting the earth with its blades–not plowing but surgery, pushing the cut earth to the right where the second row of disks cut it and pushed it to the left; slicing blades shining, polished by the cut earth. And behind the disks, the harrows combing with iron teeth so that the little clods broke up and the earth lay smooth. Behind the harrows, the long seeders–twelve curved iron penes erected in the foundry, orgasms set by gear, raping methodically, raping without passion. The driver sat in his iron seat and he was proud of the straight lines he did not will, proud of the tractor he did not own or love, proud of the power he could not control. And when that crop grew, and was harvested, no man had crumbled a hot clod in his fingers and let the earth sift past his fingertips. No man had touched the seed, or lusted for the growth. Men ate what they had not raised, and had no connection to the bread. The land bore under iron, and under iron gradually died; for it was not love or hated, it had no prayers or curses.
John Steinbeck (Grapes of Wrath, The)
His eyes are so beautiful and dark and they do look like that dog’s—I mean, that wolf’s. They are kind and strong and a little bit something else and I like them. I like them a lot. No, I like them way too much. Something inside me gets a little warmer, edges closer to him. The fire crackles and I jump again, jittery, nervous, but I don’t jump away from Nick. I jump toward him. Nick in the firelight with just a blanket on is a little hard to resist, no matter how crazy he might be. His skin, deep with heat, seems to glisten. His muscles are defined and good but not all steroid bulky. He is so perfect. And beautiful. In a boy way. Not a monster way. Not a wolf way. “Are you going to kiss me?” My words tremble into the air. He smiles but doesn’t answer. “I’ve never kissed a werewolf before. Are were kisses like pixie kisses? Do they do something to you? Is that why you never kissed anybody?” He gives a little smile. “No. It’s just I never kissed anyone because I never thought I could be honest about who I am, you know? And I didn’t want anyone to get attached to me because . . .” “Because you’re a werewolf.” “Because I’m a werewolf,” he repeats softly. Watching his lips move makes me shiver; not in a scared way, in more of an oh-he-is-too-beautiful way. I put my hand against his skin. It is warm. It’s always been warm. He smells so good, like woods and safety. I swallow my fear and move forward, and my lips meet his, angel-light, a tiny promise. His lips move beneath mine. His hands move to my shoulders and my mouth feels like it will burst with happiness. My whole body shakes with it. “Wow,” I say. “Yeah,” he says. “Wow.” Our mouths meet again. It’s like my lips belong there . . . right there. One tiny part of me has finally found a place to fit.
Carrie Jones (Need (Need, #1))
The children crowded about the women in the houses. What we going to do Ma? Where we going to go? The women said, We don’t know, yet. Go out and play. But don’t go near your father. He might whale you if you go near him. And the women went on with the work, but all the time they watched the men squatting in the dust–perplexed and figuring. The tractors came over the roads and into the fields, great crawlers moving like insects, having the incredible strength of insects. They crawled over the ground, laying the track and rolling on it and picking it up. Diesel tractors, puttering while they stood idle; they thundered when they moved, and then settled down to a droning roar. Snub-nosed monsters, raising the dust and sticking their snouts into it, straight down the country, across the country, through fences, through dooryards, in and out of gullies in straight lines. They did not run on the ground, but on their own roadbeds. They ignored hills and gulches, water courses, fences, houses. The man sitting in the iron seat did not look like a man; gloved, goggled, rubber dust mask over nose and mouth, he was part of the monster, a robot in the seat. The thunder of the cylinders sounded through the country, became one with the air and the earth, so that earth and air muttered in sympathetic vibration. The driver could not control it–straight across country it went, cutting through a dozen farms and straight back. A twitch at the controls could swerve the cat’, but the driver’s hands could not twitch because the monster that built the tractor, the monster that sent that tractor out, had somehow got into the driver’s hands, into his brain and muscle, had goggled him and muzzled him–goggled his mind, muzzled his speech, goggled his perception, muzzled his protest. He could not see the land as it was, he could not smell the power of the earth. He sat in an iron seat and stepped on iron pedals. He could not cheer or beat or curse or encourage the extension of his power, and because of this he could not cheer or whip or curse or encourage himself. He did now know or own or trust or beseech the land. If a seed dropped did not germinate, it was no skin off his ass. If the young thrusting plant withered in drought or drowned in a flood of rain, it was no more to the driver than to the tractor. He loved the land no more than the bank loved the land. He could admire the tractor–its machined surfaces, its surge of power, the roar of its detonating cylinders; but it was not his tractor. Behind the tractor rolled the shining disks, cutting the earth with its blades–not plowing but surgery, pushing the cut earth to the right where the second row of disks cut it and pushed it to the left; slicing blades shining, polished by the cut earth. And behind the disks, the harrows combing with iron teeth so that the little clods broke up and the earth lay smooth. Behind the harrows, the long seeders–twelve curved iron penes erected in the foundry, orgasms set by gear, raping methodically, raping without passion. The driver sat in his iron seat and he was proud of the straight lines he did not will, proud of the tractor he did not own or love, proud of the power he could not control. And when that crop grew, and was harvested, no man had crumbled a hot clod in his fingers and let the earth sift past his fingertips. No man had touched the seed, or lusted for the growth. Men ate what they had not raised, and had no connection to the bread. The land bore under iron, and under iron gradually died; for it was not love or hated, it had no prayers or curses.
John Steinbeck (The Grapes of Wrath)
When an ovulating woman offers herself to you, she's the choicest morsel on the planet. Her nipples are already sharp, her labia already swollen, her spine already undulating. Her skin is damp and she pants. If you touch the center of her forehead with your thumb she isn't thinking about her head—she isn't thinking at all, she's imagining, believing, willing your hand to lift and turn and curve, cup the back of her head. She's living in a reality where the hand will have no choice but to slide down that soft, flexing muscle valley of the spine to the flare of strong hips, where the other hand joins the first to hold both hip bones, immobilize them against the side of the counter, so that you can touch the base of her throat gently with your lips and she will whimper and writhe and let the muscles in her legs go, but she won't fall, because you have her. She'll be feeling this as though it's already happening, knowing absolutely that it will, because every cell is alive and crying out, Fill me, love me, cherish me, be tender, but, oh God, be sure. She wants you to want her. And when her pupils expand like that, as though you have dropped black ink into a saucer of cool blue water, and her head tips just a little, as though she's gone blind or has had a terrible shock or maybe just too much to drink, to her she is crying in a great voice, Fuck me, right here, right now against the kitchen counter, because I want you wrist-deep inside me. I hunger, I burn, I need. It doesn't matter if you are tired, or unsure, if your stomach is hard with dread at not being forgiven. If you allow yourself one moment's distraction—a microsecond's break in eye contact, a slight shift in weight—she knows, and that knowledge is a punch in the gut. She will back up a step and search your face, and she'll feel embarrassed—a fool or a whore—at offering so blatantly what you're not interested in, and her fine sense of being queen of the world will shiver and break like a glass shield hit by a mace, and fall around her in dust. Oh, it will still sparkle, because sex is magic, but she will be standing there naked, and you will be a monster, and the next time she feels her womb quiver and clench she'll hesitate, which will confuse you, even on a day when there is no dread, no uncertainty, and that singing sureness between you will dissolve and very slowly begin to sicken and die. The body knows. I listened to the deep message—but carefully, because at some point the deep message also must be a conscious message. Active, not just passive, agreement. I took her hand and guided the wok back down to the gas burner. Yes, her body still said, yes. I turned off the gas, but slowly, and now she reached for me.
Nicola Griffith (Always (Aud Torvingen #3))
The children crowded about the women in the houses. What we going to do Ma? Where we going to go? The women said, We don’t know, yet. Go out and play. But don’t go near your father. He might whale you if you go near him. And the women went on with the work, but all the time they watched the men squatting in the dust–perplexed and figuring. ... The tractors came over the roads and into the fields, great crawlers moving like insects, having the incredible strength of insects. They crawled over the ground, laying the track and rolling on it and picking it up. Diesel tractors, puttering while they stood idle; they thundered when they moved, and then settled down to a droning roar. Snub-nosed monsters, raising the dust and sticking their snouts into it, straight down the country, across the country, through fences, through dooryards, in and out of gullies in straight lines. They did not run on the ground, but on their own roadbeds. They ignored hills and gulches, water courses, fences, houses. The man sitting in the iron seat did not look like a man; gloved, goggled, rubber dust mask over nose and mouth, he was part of the monster, a robot in the seat. The thunder of the cylinders sounded through the country, became one with the air and the earth, so that earth and air muttered in sympathetic vibration. The driver could not control it–straight across country it went, cutting through a dozen farms and straight back. A twitch at the controls could swerve the cat’, but the driver’s hands could not twitch because the monster that built the tractor, the monster that sent that tractor out, had somehow got into the driver’s hands, into his brain and muscle, had goggled him and muzzled him–goggled his mind, muzzled his speech, goggled his perception, muzzled his protest. He could not see the land as it was, he could not smell the power of the earth. He sat in an iron seat and stepped on iron pedals. He could not cheer or beat or curse or encourage the extension of his power, and because of this he could not cheer or whip or curse or encourage himself. He did now know or own or trust or beseech the land. If a seed dropped did not germinate, it was no skin off his ass. If the young thrusting plant withered in drought or drowned in a flood of rain, it was no more to the driver than to the tractor. He loved the land no more than the bank loved the land. He could admire the tractor–its machined surfaces, its surge of power, the roar of its detonating cylinders; but it was not his tractor. Behind the tractor rolled the shining disks, cutting the earth with its blades–not plowing but surgery, pushing the cut earth to the right where the second row of disks cut it and pushed it to the left; slicing blades shining, polished by the cut earth. And behind the disks, the harrows combing with iron teeth so that the little clods broke up and the earth lay smooth. Behind the harrows, the long seeders–twelve curved iron penes erected in the foundry, orgasms set by gear, raping methodically, raping without passion. The driver sat in his iron seat and he was proud of the straight lines he did not will, proud of the tractor he did not own or love, proud of the power he could not control. And when that crop grew, and was harvested, no man had crumbled a hot clod in his fingers and let the earth sift past his fingertips. No man had touched the seed, or lusted for the growth. Men ate what they had not raised, and had no connection to the bread. The land bore under iron, and under iron gradually died; for it was not love or hated, it had no prayers or curses.
John Steinbeck (The Grapes of Wrath)
Time is a ring, and in the House of Belphegor that ring contracts like a muscle.
Ellen Datlow (Lovecraft's Monsters)
The monster that sent the tractor out, had somehow got into the driver's hands, into his brain and muscle, had goggled him and muzzled him--goggled his mind, muzzled his speech, goggled his perception, muzzled his protest. He could not see the land as it was, he could not smell the land as it smelled; his feet did not stamp the clods or feel the warmth and power of the earth.
John Steinbeck (The Grapes of Wrath)
As Regina McGowan pulled her silver Volvo SUV into the driveway in front of the huge, farmhouse-style home, all Megan could see was boys. Boys everywhere. All seven of them plus their dad, running and laughing and shoving each other around on the front lawn, engaged in what appeared to be a full-contact, tackle version of ultimate Frisbee. They were playing shirts and skins. Shirts and mighty-fine-lookin’ skins. Megan’s pulse pounded in her ears. Forget evil, laughing little monsters. These guys had been touched by the Abercrombie gods. They were a blur of toned, suntanned perfection. For a few seconds, Megan had trouble focusing on any one of them, but then one of the skins scored a goal and jumped up, arms thrust in the air, whooping in triumph as he clutched the Frisbee in one hand. His six-pack abs were dotted with sweat and a couple of stray pieces of torn grass. His smile sent shivers right through Megan’s core. He had shaggy blond hair, a square chin, and the most perfect shoulder muscles Megan had ever seen. One of his brothers slapped him on the back and pointed toward the Volvo. He turned around and looked right at Megan. The rest of the world ceased to exist. “Well, here we are,” Regina said, killing the engine. “Megan?” He smiled slowly--a perfect, open, happy smile. “Megan?” Something touched Megan’s arm. “Oh! Uh…yeah?” Megan whipped her eyes away from Mr. Perfection and blushed. Regina’s brown eyes twinkled with amusement and sympathy. “You can live in the car if you want to, but they’ll find a way to get to you anyway.” “Oh…uh…” God, did she just catch me drooling all over one of her kids? Gross! “Don’t worry. They promised me they would be on their best behavior,” Regina said, unbuckling her seat belt. She swung her long dark hair over her shoulder as she got out of the car and leaned down to look at Megan. “My advice? Just be yourself. I’m sure you’ll be fine.” Megan managed to smile and Regina slammed the car door. Be myself. Yeah. Right. Because that’s gotten me so far in the past.
Kate Brian (Megan Meade's Guide to the McGowan Boys)
Hades snapped at Munroe; his gaze fixed on the back of the fuck’s head, not caring to look at the guard at the door. “I want a joint and a goddamn STD test, the whole works. Who the fuck knows what shit I picked up in here.” “Anything else, Your Royal Highness?” Munroe bit back while the guard opened the door for them. “Yeah, I want a fuckin’ ice cream…no, wait make that ice cream dripping off some sweet motherfuckin’ little’s mouth while he licks it from my cock...or better yet...” A tremor rushed through Hades’ muscles, the magma searing his blood. “I wanna watch ice cream spew out of Scar’s asshole while I pound the fucker into the dirt, into a fuckin’ pulp…” Hades grasped Munroe by the back of the neck, leaning close to whisper in the man’s ear. “And I want Allan Knight, stuffed, on a platter with garnish and shit, and an apple in his mouth, roasted alive, Deputy Chief.” Munroe met Hades’ gaze as he turned. “That, my old friend, I will help you do with my own two hands. Gladly.
Wulf Francú Godgluck (Hades (Of Gods and Monsters, #2))
To take control of this materialized energy, to draw the reins over this monster with its steel muscles and fiery heart—there is something in the idea which appeals to an almost universal sense, the love of power.
A.J. Baime (Go Like Hell: Ford, Ferrari, and Their Battle for Speed and Glory at Le Mans)
My fucking tail just kept thwapping against everything. It couldn’t seem to control itself when she was around.
Ashley Bennett (Muscles & Monsters (Leviathan Fitness, #1))
That’s right. You like this monster cock, don’t you, sweet thing? Yeah, just like that.
Ashley Bennett (Muscles & Monsters (Leviathan Fitness, #1))
Those things you dote on are no more human than the Neverborn in my flasks. They are golems of meat and muscle, no better than the Interex or the Laer. For all your talk, you have only made monsters. That is why the gods exalt you so... You are a fecund womb for outrages and that pleases them greatly.
Josh Reynolds (Fabius Bile: The Omnibus (Warhammer 40,000))
And then she stomped on Charles’s neck, feeling the muscles and tendons split apart under the blade with a wet crunch, driven by the force of her thirteen-year-old rage and fueled by years of abuse and helplessness and shame. Joey couldn’t slay all the monsters, but she could slay this one.
Jennifer Hillier (Things We Do in the Dark)
the monster that sent the tractor out, had somehow got into the driver’s hands, into his brain and muscle, had goggled him and muzzled him—goggled his mind, muzzled his speech, goggled his perception, muzzled his protest.
John Steinbeck (Grapes of Wrath)
My thoughts circled back to what he looked like as he cleaned the icing off of his fingers with that wide, pink tongue. I bet he ate pussy like a champ.
Ashley Bennett (Muscles & Monsters (Leviathan Fitness, #1))
I, uh, I realized I never got your name the other day,” he said bashfully, his ears drooping slightly on either side of his head. Fucking adorable.
Ashley Bennett (Muscles & Monsters (Leviathan Fitness, #1))
One hundred percent. If you have goals, we’ll get you there.” What if my goal was to have him on top of me? Could we get there, Atlas?
Ashley Bennett (Muscles & Monsters (Leviathan Fitness, #1))
She was soft and sweet. Baby was just so fitting.
Ashley Bennett (Muscles & Monsters (Leviathan Fitness, #1))
I pulled off my leggings and tank top before struggling to free my tits from the constraints of my sports bra. These things were a form of torture, but without it I’d probably get a black eye from my lady lumps.
Ashley Bennett (Muscles & Monsters (Leviathan Fitness, #1))
I was known to be a little dramatic from time to time.
Ashley Bennett (Muscles & Monsters (Leviathan Fitness, #1))
What you want, you’ll get.
Ashley Bennett (Muscles & Monsters (Leviathan Fitness, #1))
You’re mine, baby.
Ashley Bennett (Muscles & Monsters (Leviathan Fitness, #1))
She has a point,” Caleb’s voice came from the shadows behind the massive Dragon who was taking all of my attention and I turned my head to find him, Seth and Max all watching this exchange with interest. That would explain the stars not smiting us or whatever other bullshit they might want to do. Though I was guessing I should really stop touching him…not that I did. “You did this to…help him?” Darius asked like he couldn’t understand why the fuck I’d do that and I narrowed my eyes at him. “I’m only an asshole like, ninety percent of the time,” I said, rolling my eyes at him. “The other ten percent I’m a fucking saint. So yes, I did it to help him. Turns out I only hold two members of your family in low regard.” “You pushed my brother out of a fucking window,” he growled. “I would have caught him with my air magic if I had to. Besides, this way Daddy Acrux can’t try and claim he was in on it. It’s a genius plan and you know it. Plus, your mom told me to post it so I don’t have to explain myself to you.” “Mother?” Darius scoffed. “She hardly notices anything beyond appearances. The last thing she’d encourage is a scandal like this. She-” “That’s not true, she loves you, she just…” I trailed off as the deal I’d made with Catalina stayed my tongue. I’d sworn not to tell a soul about the way I’d freed herfrom Lionel’s Dark Coercion and I wasn’t going to take even more punishment from the stars by breaking my word. “Just what?” Darius demanded. Phoenix fire burned hot beneath my skin and my palms twitched against his chest as a thought occurred to me. One I really should have considered before now if I hadn’t been so caught up with studying, the shadows, cheer practice and just plain old pining away for this monster before me to think of it. “Do you trust me?” I asked, my fingers shifting on his skin just enough to draw his attention. “Why?” “I want to try something. Something I did for your mother. But you’ll have to stay still while I do it.” Darius looked at me for a long moment and a faint tremor in the ground beneath my feet let me know that the stars had realised just how close we were to one another. Even with company they didn’t like us to touch each other, though it seemed to take them a lot longer to notice if we were. Darius exhaled angrily but his eyes shifted back as he managed to rein in some of his temper, their deep brown colour ringed with black once again. “I trust you,” he growled and the other Heirs muttered something behind him, but I didn’t care to hear it because there had been a sincerity in his words which reached out and touched my soul. He meant it. For whatever reason, despite everything we’d been through, he was still able to put his trust in me. I offered him the hint of a smile as my Phoenix fire reared up to the surface of my skin before I guided it into his flesh where I touched him. His muscles tightened beneath my hands, his eyes widening as he looked at me but he didn’t pull back, waiting as the liquid fire tore beneath his skin and sought out any signs of Lionel placing restrictions on his soul. ... “You…” Darius lifted me into his arms, staring at me with wide eyes like he didn’t even have words to explain what I’d just done for him. ,,, “She…I think she…but I don’t understand how-” “Phoenix fire burns through bullshit,” I supplied. “I just released him from every Dark Coercion spell Lionel has ever placed on him.” The Heirs all turned to stare at me like I’d just told them an alien named Clive lived up my butt and I sighed as I leaned my head back against Caleb’s shoulder. I felt like I’d just gone ten rounds in the ring against a Dragon with toothache. My eyes were hooded already and I was pretty sure that if we stood here much longer I’d fall asleep. “Thank you, Roxy,” Darius breathed and the look he was giving me made my heart do a weird squeezing kind of thing as I bit down on my bottom lip. (Tory POV)
Caroline Peckham (Cursed Fates (Zodiac Academy, #5))
What? I had nice quads, okay? I wanted to show those babies off.
Ashley Bennett (Muscles & Monsters (Leviathan Fitness, #1))
He wanted me but didn’t want to hurt me.
Ashley Bennett (Muscles & Monsters (Leviathan Fitness, #1))
And then I met you and my stupid fucking tail hasn’t stopped wagging since.
Ashley Bennett (Muscles & Monsters (Leviathan Fitness, #1))
I can think of worse fates than spending my entire life mated to you, Atlas Oberon.
Ashley Bennett (Muscles & Monsters (Leviathan Fitness, #1))
His bulk is surpassed only by his height, which is surpassed only by the gut punch of that V thing leading from his washboard abs downward, like a pair of muscle arrows pointing to the goodies in his crotch.
J.T. Geissinger (Savage Hearts (Queens & Monsters, #3))
How could a gigantic monster be so fucking darling?
Ashley Bennett (Muscles & Monsters (Leviathan Fitness, #1))
His gym shorts clung to his ass and I swear, you could bounce a quarter off of that thing. He probably did squats. Lots and lots of squats.
Ashley Bennett (Muscles & Monsters (Leviathan Fitness, #1))
She was right. Moms were always right.
Ashley Bennett (Muscles & Monsters (Leviathan Fitness, #1))
His body swayed back and forth slightly over my response and it was then I realized that he had a tail. He was wagging his tail at me.
Ashley Bennett (Muscles & Monsters (Leviathan Fitness, #1))
Sure thing, baby,” he said with a lazy smile. I didn’t think I’d ever get tired of hearing him call me that.
Ashley Bennett (Muscles & Monsters (Leviathan Fitness, #1))
Atlas: Hiii baby. Miss you *heart eye emoji* *kiss face emoji* *princess emoji* *two hearts emoji* *wolf emoji*
Ashley Bennett (Muscles & Monsters (Leviathan Fitness, #1))
Atlas was going to be foaming at the mouth over the sight of me in this dress. I looked like an absolute snack.
Ashley Bennett (Muscles & Monsters (Leviathan Fitness, #1))
You ready, sweet thing? Gonna fuck you with this monster cock now.
Ashley Bennett (Muscles & Monsters (Leviathan Fitness, #1))
Then he pulled me down into bed beside him and instantly fell into a deep sleep. He hasn’t moved a muscle in hours. I wonder when he last slept. I also wonder how this tragedy we’re brewing will come to a head. It’s inevitable. I know deep in my soul that we’re a rudderless ship with torn sails in high seas, headed straight for a treacherous reef filled with flesh-eating sharks and razor-sharp rocks.
J.T. Geissinger (Ruthless Creatures (Queens & Monsters, #1))
Marrok was the best looking man in the Four Kingdoms, Good or Bad.  If he hadn’t been born evil, he would have been a perfect knight.  Even his body was custom-made for charging around on horseback, slaying monsters.  Tall and broad-chested, with muscles that didn’t come from a gym.  His looks were so… gallant.  So heroic.  Such a shame that a dashing, valiant exterior was wasted on a complete asshole.
Cassandra Gannon (Wicked Ugly Bad (A Kinda Fairytale, #1))
We share a cloister of sorrow and reprieve, the two of us alone in a universe of monsters, clutching, damp skin slipping against damp skin, muscle to muscle, strength and desperation, clutching.
Wendy Rathbone (The Moonling Prince (The Moonling Prince, #1))
comparison. I’m a monster with muscles bulging and a vein sticking out on my temple. I’ve never felt so ashamed. Anna’s pale, her
Kristen Callihan (The Hook Up (Game On, #1))
Tissue gas was an embalmer’s worst nightmare - a highly infectious form of bacteria that thrived on dead tissue and released a noxious gas inside the body. Smell was usually the easiest way to detect it, but sometimes, as with this body, the smell was buried under other chemicals, and the only way to identify it was the ‘skin-slip’ Mom had found on the back, where interior gas bubbles separated the skin from the muscle. The gas itself was bad enough, because the stink would soon become so foul it would be all but impossible to cover up; that didn’t reflect well on us when people showed up for the viewing. Even worse than the gas though, were the bacteria that made it. Once they got into your workspace, you might never get them out again. If we didn’t put a stop to this right now, every body we embalmed would catch the same bacteria from our tools and table. It could destroy the entire business.
Dan Wells (Mr. Monster (John Cleaver, #2))
A complete and utter shambles. A disaster. It stretches the limits of comprehension that such a thorough display of incompetence could have been managed without willful bloody intent. Such a f—” Shaw trips over the curse word, swallows it back down. “Such a damned disaster.” She is white-lipped, wide-eyed. Every muscle in her face seems tensed. Two red spots stand out on her cheeks like a clown’s make-up. To my right, Clyde and Tabitha shuffle their feet. To my left, Kayla stares intently at one corner of the room, as rigid as the moment the monster hit her.
Jonathan Wood (No Hero (Arthur Wallace, #1))
Distracted from my unformed plan involving knives and such, I allowed my gaze to drop of its own accord over his brawny arms and spectacularly muscled calves. I hadn’t known that kilts could look so stunning on a man, so overwhelmingly … I couldn’t think of the word. Maybe there wasn’t just one. Sexual. Seductive. Attractive. Raw. Potent. Why weren’t kilts in fashion anymore?
Carmen Caine (Monster (Cassidy Edwards, #1))
Rigor mortis was caused by a natural build-up of calcium in the muscles; living bodies used that calcium for various things, but in dead bodies it just built up and built up until the muscles grew rigid. In a day or so she'd be loose again from decay, but for now we had to knead the calcium out by hand, stroking and pressing and rubbing the flesh until it was soft and pliable.
Dan Wells (Mr. Monster (John Cleaver, #2))
1. The End of Summer The moon rose high in the sky. Rylie’s veins pulsed with its power. It pressed against her bones, strained against her muscles, and fought to erupt from her flesh. A wolf’s howl broke the silence of the night. It called to her, telling her to change. “No,” she whimpered, digging fingernails into her shins hard enough to draw blood. “No.” Rylie burned. The fire was going to consume her. The moon called her name, but it would be the end of her humanity if she obeyed it. She would never see her family again. She would never see her friends or graduate high school. Rylie might not die, but her life would be over. Yet if she didn’t change, the boy she loved would die at the jaws of the one who changed her. Rylie had to lose him or lose her entire life. But was love worth becoming a monster?
S.M. Reine (Seasons of the Moon Boxed Set (Seasons of the Moon, #1-4))
this creature moved on all fours. Long, pointed ears lay flat against the monster's head. The long, tapered snout was wrinkled into a snarl, lips pulled back to reveal two rows of razor-sharp fangs. Muscles moved like liquid beneath the layers of coarse, black fur. Terrible clawed feet, each toe ending with a black, curved talon that wrapped around the stairs, splintering the wood.
Graeme Reynolds (High Moor)
THE MORNING OF her final day of riding Fire woke to an aching back, aching breasts, knotted muscles in her neck and shoulders. There was never any predicting how the time before her monthly bleeding would manifest itself. Sometimes it passed with hardly a symptom. Other times she was an unhappy captive in her own body. And at least she’d be under Nash’s roofs by the time the bleeding began; she wouldn’t have to embarrass herself with an explanation for the increase in monster attacks.
Kristin Cashore (Fire)
Everyone is always in pain. Whether it’s a loose hangnail, a sore joint, a cramped back muscle—something. No human is never not in at least a minute amount of pain.
Rebecca Schaeffer (Not Even Bones (Market of Monsters, #1))
In 2018 I went back to the mountains to become a wildland firefighter again. I hadn’t been in the field for three years, and since then I’d gotten used to training in nice gyms and living in comfort. Some might call it luxury. I was in a plush hotel room in Vegas when the 416 fire sparked and I got the call. What started as a 2,000-acre grass fire in the San Juan Range of Colorado’s Rocky Mountains was growing into a record breaking, 55,000-acre monster. I hung up and caught a prop plane to Grand Junction, loaded up in a U.S. Forest Service truck, and drove three hours to the outskirts of Durango, Colorado, where I suited up in my green Nomex pants and yellow, long-sleeved button down, my hard hat, field glasses, and gloves, and grabbed my super Pulaski—a wildland fire fighter’s most trusted weapon. I can dig for hours with that thing, and that’s what we do. We don’t spray water. We specialize in containment, and that means digging lines and clearing brush so there’s no fuel in the path of an inferno. We dig and run, run and dig, until every muscle is spent. Then we do it all over again.
David Goggins (Can't Hurt Me: Master Your Mind and Defy the Odds)
Charles Beckendorf, senior counselor for the Hephaestus cabin, would make most monsters cry for their mommies. He was this huge African American guy with ripped muscles from working in the forges every summer.
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
Biting her lip, she eyed the nervous expression on his face before deciding she knew what to do. “I’ve been waiting a long time for this,” she whispered, planting her hands against his chest and giving him a little shove. He didn’t fight her. Imber rolled onto his back, allowing her to straddle him and to gently move their connection to her right. She wanted that cord within sight, but she also didn’t want to think about it. Distractions had no place here. Then she forgot about the dangers of being underwater and instead focused on the handsome creature splayed out underneath her. She skated her fingers over his chest, letting her fingers dip into the hollows where muscles created shadows. He was warmer than she expected. Normally, he was a rather chilly creature to touch. But every time she pressed down on a new muscle, or moved farther down his body, he seemed to radiate even more heat. As she watched, the gills on the side of his neck flared out, shaking just a bit with nerves or perhaps with want. “Alys,” he murmured, licking his lips as his eyes went even darker. “I don’t know that you’ll like what you find.” “Hm?” She leaned down and flicked one of his rib gills with her tongue. “I don’t know why or how you’re still thinking.
Juliette Cross (The Lovely Dark: A Monster Romance Anthology)
Her gaze returned to my wings, and then her brow pursed. “You’re bleeding,” she said on a gulp and pointed over my left shoulder. When I looked, I could just see a trickle of blue from the cut the guard’s sword had made. Rising, I went to my satchel again and removed a vial of antiseptic that our healers in Gadlizel made. I poured some on a clean cloth and stretched out my left wing. I could barely reach the cut, but I could see that the guard’s blade hadn’t gone to the bone. Still, it was wide enough to cause infection. “Damn,” I muttered, reaching back to try and wipe the blue blood still streaming lightly from the wound. “Let me.” I actually startled, finding Murgha standing right next to me. Without a word, I handed her the cloth. “You’ll need to sit down. I can’t reach.” She was quite small, even for a light fae. I sat on the pallet and spread my wing. She stood eye level with the top of my wing. Then she dabbed at the cut, the sting of the medicine sharp, but I didn’t move a muscle. “This needs to be stitched,” she said softly. I looked up at her. “I don’t suppose you know how to stitch wounds.” She swallowed nervously. “I do, actually. I sew all my own clothes, and Papa has needed cuts treated in the past. My sister was always too squeamish to do it.
Juliette Cross (The Lovely Dark: A Monster Romance Anthology)
Beta?” she asked, turning to rummage through one of the storage containers. “Do you know where I put the welder?” “Miss Alys, I don’t think we’re alone anymore.” “Very funny. Did Dad send someone to find me, after all?” She yanked out what felt like a welder, but ended up being the broken end of a screwdriver. “Damn it.” “Alys!” Beta’s voice was a little harsher this time. “Turn around.” Sighing, she had a whole rant on the tip of her tongue to scold the droid for trying to scare her, but then all the words disappeared the moment the droid turned on the lights outside of the pod. A man floated outside of her sub. No, not a man. Something else entirely. His long, dark hair hovered around his head, graceful and delicate in comparison to the hard swath of muscles that tapered down from his broad shoulders to a very narrow waist. But that was all that looked human. She could see the delicate webs between his fingers that ended in deadly black claws. The gills that fluttered on the side of his neck and the bright green scales that created a tiger stripe pattern all down his body. It was... What was he?
Juliette Cross (The Lovely Dark: A Monster Romance Anthology)
didn’t realize your mouth could do that.” He pressed a little harder against her lips, forcing her to open her mouth. “I don’t think I’ll look at it the same way again.” She licked the tip of his finger. “Well, I had to return the favor.” Those eyes darkened, and he sat up. Pulling her with him, he wedged her in his lap and she felt how hard he still was. Impossibly. She hadn’t thought... With a gasp, she froze as he lifted her just enough to put the head of his bottom cock against her entrance. “Wait,” she whispered. “You can still...” “Alys, I have two of them for a reason.” Those dark eyes met hers with an intent stare. “As long as you still wish to...” “Yes!” she blurted a little too quickly. “It’s just, normally, there’s a refractory period.” “A what?” “Men don’t stay hard where I come from.” She reached down and touched the top cock that was still half hard. “There’s some benefit to having you around, I see.” The crooked grin on his face was enough to send a rush of heat between her legs. “Oh, Alys, you have no idea how much you’re going to like having me as your mate.” She should have argued that he wasn’t her mate. That the term was a little too barbaric for her, but she didn’t. Instead, she reveled in the thrill the words sent shooting through her body as his tail suddenly undulated behind her. He looped it around her waist, locking her in place even as the rest of it created a comfortable brace for her back. Then he flexed all those muscles in his tail and the head of him slid inside her. She felt her mouth drop open as she made a little sound of surprise. Even the head of him, and she’d had that in her mouth, was so big. His face contorted with pleasure, those fangs bared as he wedged himself a little deeper, drawing back only to push in a little farther the next time. He eased himself inside her, slowly working over and over again with so much patience that it made her heart race. Throughout it all, he whispered encouragement. “Alys, yes. Breathe, you beautiful woman. Breathe for me, love. Look how well you take me.
Juliette Cross (The Lovely Dark: A Monster Romance Anthology)
Stalling the submarine in the same spot where she had been leaving it for days on end, she waited while holding her breath. Her eyes locked on the kelp in front of her, every muscle in her body seized as she waited. “This is getting ridiculous,” her droid muttered inside the wall. “Eventually you’re going to have to do something other than stare at him.” “I’m not staring at him,” she replied. “I’m waiting for him.” “Sure looks like staring to me.” They couldn’t even speak with each other, but that didn’t matter to Alys. They talked in other ways. Hand gestures, heart felt looks. She knew without a doubt that he found her as interesting as she found him. And together, they were discovering so much about each other’s species.
Juliette Cross (The Lovely Dark: A Monster Romance Anthology)
Her body ached, all of her muscles feeling tired in a way that they’d never felt before. She was so thirsty and had a headache blooming behind her eyes that had only happened once before when she’d gone too long without water. But this time it was so much more intense right between her eyes, like her brain was warning her about... something. Her stomach clenched in hunger, but she didn’t know how long it had been since she’d eaten anything. She didn’t even realize that her body was listing to the side until Imber gently propped her up. He pulled her pale, wrinkled hands out of her eyesight. “What is happening to you?” “I think the water...” Alys lifted her shaking hands again, just so she could see the damage. So it wasn’t entirely made up in her own head. “I can’t stay in the water this long. How long has it been?” His concerned gaze focused on her hands before he cleared his throat. “I don’t... I don’t know.” “How many sunrises?” “Three.” “How deep are we?” He shook his head. “I don’t know what that means. There is no measurement for me to give you.” She looked up at the surface, her mind ticking through all the possibilities. She didn’t think she was deep enough to get the bends. It wasn’t likely, anyway. What if all of this made her sick? What if going to the surface made her blood boil and her body just gave up? “Slowly,” she finally whispered. “I need to go to the surface very slowly. Just in case.” “Just in case what?” With a wide-eyed stare, she hoped she conveyed how terrified she was. And to his credit, Imber didn’t question her any more. He just gathered her in his arms and started their ascent.
Juliette Cross (The Lovely Dark: A Monster Romance Anthology)
Tegan had sent me a heart eyes emoji.
Ashley Bennett (Muscles & Monsters (Leviathan Fitness, #1))
It looked like he was trying to smuggle a can of Pringles into the competition. I was drooling.
Ashley Bennett (Muscles & Monsters (Leviathan Fitness, #1))
Gonna fucking rut this pussy during the full moon. You’re mine, baby.
Ashley Bennett (Muscles & Monsters (Leviathan Fitness, #1))
The sharp tips of my teeth trailed across her pulse point and Tegan moaned. “You like it when I talk dirty, don’t you? Just like you enjoy a little bit of pain.” “Uh-huh,” Tegan mumbled as I thrust my hips to meet hers. “Such a good little slut for your big bad wolf.
Ashley Bennett (Muscles & Monsters (Leviathan Fitness, #1))
on a seagull poo–like texture when mixed into cold water. Amelia saved my palate and joints by introducing me to the Great Lakes hydrolyzed version (green label), which blends easily and smoothly. Add a tablespoon of beet root powder like BeetElite to stave off any cow-hoof flavor, and it’s a whole new game. Amelia uses BeetElite pre-race and pre-training for its endurance benefits, but I’m much harder-core: I use it to make tart, low-carb gummy bears when fat Tim has carb cravings. RumbleRoller: Think foam roller meets monster-truck tire. Foam rollers have historically done very little for me, but this torture device had an immediate positive impact on my recovery. (It also helps you sleep if used before bed.) Warning: Start slow. I tried to copy Amelia and did 20-plus minutes my first session. The next day, I felt like I’d been put in a sleeping bag and swung against a tree for a few hours. Rolling your foot on top of a golf ball on the floor to increase “hamstring” flexibility. This is infinitely more helpful than a lacrosse ball. Put a towel on the floor underneath the golf ball, lest you shoot your dog’s eye out. Concept2 SkiErg for training when your lower body is injured. After knee surgery, Amelia used this low-impact machine to maintain cardiovascular endurance and prepare for the 2014 World’s Toughest Mudder, which she won 8 weeks post-op. Kelly Starrett (page 122) is also a big fan of this device. Dry needling: I’d never heard of this before meeting Amelia. “[In acupuncture] the goal is not to feel the needle. In dry-needling, you are sticking the needle in the muscle belly and trying to get it to twitch, and the twitch is the release.” It’s used for super-tight, over-contracted muscles, and the needles are not left in. Unless you’re a masochist, don’t have this done on your calves. Sauna for endurance: Amelia has found using a sauna improves her endurance, a concept that has since been confirmed by several other athletes, including cyclist David Zabriskie, seven-time U.S. National Time Trial Championship winner. He considers sauna training a more practical replacement for high-altitude simulation tents. In the 2005 Tour de France, Dave won the Stage 1 time trial, making him the first American to win stages in all three Grand Tours. Zabriskie beat Lance Armstrong by seconds, clocking an average speed of 54.676 kilometers per hour (!). I now use a sauna at least four times per week. To figure out the best protocols, I asked
Timothy Ferriss (Tools of Titans: The Tactics, Routines, and Habits of Billionaires, Icons, and World-Class Performers)
On one of those nights in January 2014, we sat next to each other in Maria Vostra, happy and content, smoking nice greens, with one of my favorite movies playing on the large flat-screen TVs: Once Upon a Time in America. I took a picture of James Woods and Robert De Niro on the TV screen in Maria Vostra's cozy corner, which I loved to share with Martina. They were both wearing hats and suits, standing next to each other. Robert de Niro looked a bit like me and his character, Noodles, (who was a goy kid in the beginning of the movie, growing up with Jewish kids) on the picture, was as naive as I was. I just realized that James Woods—who plays an evil Jewish guy in the movie, acting like Noodles' friend all along, yet taking his money, his woman, taking away his life, and trying to kill him at one point—until the point that Noodles has to escape to save his life and his beloved ones—looks almost exactly like Adam would look like if he was a bit older. “All the world's a stage, and all the men and women merely players. They have their exits and their entrances; And one man in his time plays many parts.” – William Shakespeare That sounds like an ancient spell or rather directions, instructions to me, the director instructing his actors, being one of the actors himself as well, an ancient spell, that William Shakespeare must have read it from a secret book or must have heard it somewhere. Casting characters for certain roles to act like this or like that as if they were the director’s custom made monsters. The extensions of his own will, desires and actions. The Reconquista was a centuries-long series of battles by Christian states to expel the Muslims (Moors), who had ruled most of the Iberian Peninsula since the 8th century. The Reconquista ended on January 2, 1492. The same year Columbus, whose statue stands atop a Corinthian custom-made column down the Port at the bottom of the Rambla, pointing with his finger toward the West, had discovered America on October 12, 1492. William Shakespeare was born in April 1564. He had access to knowledge that had been unavailable to white people for thousands of years. He must have formed a close relationship with someone of royal lineage, or used trick, who then permitted him to enter the secret library of the Anglican Church. “A character has to be ignorant of the future, unsure about the past, and not at all sure what he/she’s supposed to be doing.” – Anthony Burgess Martina proudly shared with me her admiration for the Argentine author Julio Cortazar, who was renowned across South America. She quoted one of his famous lines, saying: “Vida es como una cebolla, hay que pelarla llorando,” which translates to “Life is like an onion, you have to peel it crying.” Martina shared with me her observation that the sky in Europe felt lower compared to America. She mentioned that the clouds appeared larger in America, giving a sense of a higher and more expansive sky, while in Europe, it felt like the sky had a lower and more limiting ceiling. “The skies are much higher in Argentina, Tomas, in all America. Here in Europe the sky is so low. In Argentina there are huge clouds and the sky is huge, Tomas.” – Martina Blaterare “It was curious to think that the sky was the same for everybody, in Eurasia or Eastasia as well as here. And the people under the sky were also very much the same--everywhere, all over the world, hundreds or thousands of millions of people just like this, people ignorant of one another’s existence, held apart by walls of hatred and lies, and yet almost exactly the same--people who had never learned to think but were storing up in their hearts and bellies and muscles the power that would one day overturn the world.” – George Orwell, 1984
Tomas Adam Nyapi (BARCELONA MARIJUANA MAFIA)