Muscle Flex Quotes

We've searched our database for all the quotes and captions related to Muscle Flex. Here they are! All 100 of them:

Have you kissed many boys before?" he asked quietly. His question brought my mind back into focus. I raised an eyebrow. "Boys? That's an assumption." Noah laughed, the sound low and husky. "Girls, then?" "No." "Not many girls? Or not many boys?" "Neither," I said. Let him make of that what he would. "How many?" "Why—" "I am taking away that word. You are no longer allowed to use it. How many?" My cheeks flushed, but my voice was steady as I answered. "One." At this, Noah leaned in impossibly closer, the slender muscles in his forearm flexing as he bent his elbow to bring himself nearer to me, almost touching. I was heady with the proximity of him and grew legitimately concerned that my heart might explode. Maybe Noah wasn't asking. Maybe I didn't mind. I closed my eyes and felt Noah's five o' clock graze my jaw, and the faintest whisper of his lips at my ear. "He was doing it wrong.
Michelle Hodkin (The Unbecoming of Mara Dyer (Mara Dyer, #1))
His muscles flexed under his clothes, holding me, leading me. Never letting me stray far.
Becca Fitzpatrick (Silence (Hush, Hush, #3))
My new employer made me get a drug test, so I ripped off my shirt, flexed my muscles, and said, “You suspect me of taking steroids, don’t you?
Jarod Kintz (This Book is Not for Sale)
To be strong does not mean to sprout muscles and flex. It means meeting one's own numinosity without fleeing, actively living with the wild nature in one's own way. It means to be able to learn, to be able to stand what we know. It means to stand and live.
Clarissa Pinkola Estés (Women Who Run With the Wolves)
Strength is not in the body, it’s in the mind. It doesn’t lie in flexing your muscles and crushing those who oppose you. It lies in being the last one standing. By any means. At any cost.
Leah Raeder (Black Iris)
Why is he still here?" she asked, pointing to Tristan. A muscle flexed in his scruffy jaw. Why did he always have sexy scruff. Did the man not own a razor?
Chelsea Fine (Avow (The Archers of Avalon, #3))
With so much effort being poured into church growth, so much press being given to the benefits of faith, and so much flexing of religious muscle in the public square, the poor in spirit have no one but Jesus to call them blessed anymore.
Barbara Brown Taylor (Leaving Church: A Memoir of Faith)
And as for romance? Well, I want that too. I want to fall asleep next to you, 100 times a night, so I can know you 100 times better before we hit the day light. And despite all of this, I also want amnesia so I can relive each kiss with a perfect newness that leaves me smashed in the arms of rapture. I want the sky to fracture under the impossible weight of an apology because I'm sorry. I'm sorry that I want so much. I'm sorry that I'm using "I'm sorry" as a crutch to lean on for so long but if you sing me that song of sweet logic again then I promise to make the effort to stand on my own. There is a reason that our hearts are more like a muscle and less like a bone. I've known so many people who've have grown up flexing in front of mirrors and falling for their own reflection as if that's adequate but that's bullshit. Because we only get now until the time we go and if they've only got time to love themselves then nobody is going to be around to hear the sound of their heartbeat echo. So lady, don't expect an apology when I tell you I'm only held together by a heart that pumps blue, it's the strongest muscle in my body and I'm flexing it for you
Shane L. Koyczan
Read poetry every day of your life. Poetry is good because it flexes muscles you don’t use often enough. Poetry expands the senses and keeps them in prime condition. It keeps you aware of your nose, your eye, your ear, your tongue, your hand. And, above all, poetry is compacted metaphor or simile. Such metaphors, like Japanese paper flowers, may expand outward into gigantic shapes. Ideas lie everywhere through the poetry books, yet how rarely have I heard short story teachers recommending them for browsing. What poetry? Any poetry that makes your hair stand up along your arms. Don’t force yourself too hard. Take it easy. Over the years you may catch up to, move even with, and pass T. S. Eliot on your way to other pastures. You say you don’t understand Dylan Thomas? Yes, but your ganglion does, and your secret wits, and all your unborn children. Read him, as you can read a horse with your eyes, set free and charging over an endless green meadow on a windy day.
Ray Bradbury (Zen in the Art of Writing: Releasing the Creative Genius Within You)
It may not feel too classy, begging just to eat But you know who does that? Lassie, and she always gets a treat So you wonder what your part is Because you're homeless and depressed But home is where the heart is So your real home's in your chest Everyone's a hero in their own way Everyone's got villains they must face They're not as cool as mine But folks you know it's fine to know your place Everyone's a hero in their own way In their own not-that-heroic way So I thank my girlfriend Penny Yeah, we totally had sex She showed me there's so many different muscles I can flex There's the deltoids of compassion, There's the abs of being kind It's not enough to bash in heads You've got to bash in minds Everyone's a hero in their own way Everyone's got something they can do Get up go out and fly Especially that guy, he smells like poo Everyone's a hero in their own way You and you and mostly me and you I'm poverty's new sheriff And I'm bashing in the slums A hero doesn't care if you're a bunch of scary alcoholic bums Everybody! Everyone's a hero in their own way Everyone can blaze a hero's trail Don't worry if it's hard If you're not a friggin 'tard you will prevail Everyone's a hero in their own way Everyone's a hero in their...
Joss Whedon (Dr. Horrible’s Sing-Along Blog: The Book)
He leaned in. I felt his breath against my neck, then the press of his mouth against my skin just above the collar, almost a sigh. “Don’t,” I said. I drew back, but he held me tighter. His hand went to the nape of my neck, long fingers twining in my hair, easing my head back. I closed my eyes. “Let me,” he murmured against my throat. His heel hooked around my leg, bringing me closer. I felt the heat of his tongue, the flex of hard muscle beneath bare skin as he guided my hands around his waist. “It isn’t real,” he said. “Let me.” I felt that rush of hunger, the steady, longing beat of desire that neither of us wanted, but that gripped us anyway. We were alone in the world, unique. We were bound together and always would be. And it didn’t matter. I couldn’t forget what he’d done, and I wouldn’t forgive what he was: a murderer. A monster. A man who had tortured my friends and slaughtered the people I’d tried to protect. I shoved away from him. “It’s real enough.
Leigh Bardugo (Ruin and Rising (The Shadow and Bone Trilogy, #3))
There is something about seeing someone from behind, something about the way people walk away, that I've always found unnervingly intimate. Maybe it's because the back of the body isn't on guard the way the front is - the slouch of the shoulders and the flex in the back muscles, that's the most honest you'll ever see a person.
Jessica Knoll (Luckiest Girl Alive)
Please,” I gasped out. He just brushed his lips against my jaw, my neck, my mouth. “Tamlin,” I begged. He palmed my breast, his thumb flicking over my nipple. I cried out, and he buried himself in me with a mighty stroke. For a moment, I was nothing, no one. Then we were fused, two hearts beating as one, and I promised myself it always would be that way as he pulled out a few inches, the muscles of his back flexing beneath my hands, and then slammed back into me. Again and again. I broke and broke against him as he moved, as he murmured my name and told me he loved me. And when that lightning once more filled my veins, my head, when I gasped out his name, his own release found him. I gripped him through each shuddering wave, savoring the weight of him, the feel of his skin, his strength. For a while, only the rasp of our breathing filled the room. I frowned as he withdrew at last—but he didn’t go far. He stretched out on his side, head propped on a fist, and traced idle circles on my stomach, along my breasts.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
Everyone wants a strong woman until she actually stands up, flexes her muscles, projects her voice Suddenly, she is too much. She has forgotten her place. You love those women as ideas, fantasies Not as breathing, living humans threatening to be even better than you could ever be.
Ari Eastman
His dark hair is perfectly recklessly up today, those tanned muscles flexing as he extends out his arms and does his little turn. And here I am, my breath caught between my lungs and my lips as he turns around and scans the crowd. As soon as he spots me, his eyes come alive, as alive as I feel when he smiles at me. He holds my gaze while those dimples flash, and I swear he stares at me in a way that makes me feel that I am the only woman here.
Katy Evans (Real (Real, #1))
Honor without power was a useless decoration and power without honor was the simple flexing of muscle
H.J. Brues (Yakuza Pride (The Way of the Yakuza #1))
The heart is a river. The act of writing is the moving water that holds the banks apart, keeps the muscle of words flexing so that the reader can be carried along by this movement. To be given space and the chance to leave one's earthly world. Is there any greater freedom than this?
Helen Humphreys (The Lost Garden)
But even as she told herself that, she remembered the way Cal had looked today with his shirt off while he’d stood on the ladder and scraped the side of Annie’s house. Watching those muscles bunch and flex every time he moved had made her crazy and she’d finally grabbed his shirt, thrown it at him, and delivered a stern lecture on the depletion of the ozone layer and skin cancer.
Susan Elizabeth Phillips (Nobody's Baby But Mine (Chicago Stars, #3))
Damn girl. Is your daddy a thief?" "What?" I'd never actually met my dad. Maybe he was. All I knew was that he'd been mortal. Hopefully, he'd been nothing like these two ass-hats. Ren flexed his nonexistent muscles, smiling. "Well, then who stole those diamonds and put them in your eyes?" "Wow.
Jennifer L. Armentrout (Daimon (Covenant, #0.5))
Martinez and Johanssen floated down the hall toward Docking Port A. “So,” he said, “who would you have eaten first?” She glared at him. “’Cause I think I’d be tastiest,” he continued, flexing his arm. “Look at that. Good solid muscle there.” “You’re not funny.” “I’m free-range, you know. Corn-fed.” She shook her head and accelerated down the hall. “Come on! I thought you liked Mexican!” “Not listening,” she called back.
Andy Weir (The Martian)
Like this?" she whispers, sultriness underlying her voice. She goes slow, and it's pure torture. Though I suppose it's only fair play after what I put her through. I shut my eyes and flex every muscle. "Yes, luv. Bloody hell. Just like that." Heaven.
Wendy Higgins (Sweet Temptation (Sweet, #4))
Cold air rises from the ground as the sun goes down.  The eye-burning clarity of the light intensifies. The southern rim of the sky glows to a deeper blue, to pale violet, to purple, then thins to grey.  Slowly the wind falls, and the still air begins to freeze.  The solid eastern ridge is black; it has a bloom on it like the dust on the skin of a grape.  The west flares briefly.  The long, cold amber of the afterglow casts clear black lunar shadows.  There is an animal mystery in the light that sets upon the fields like a frozen muscle that will flex and wake at sunrise.
J.A. Baker (The Peregrine)
It was a needless precaution, I felt sure, but men always enjoy marching around with weapons and flexing their figurative muscles, and I saw no reason to deny them this harmless exercise.
Elizabeth Peters (The Snake, the Crocodile and the Dog (Amelia Peabody, #7))
I glanced at Carson, who had promised things would be alright. His gaze was on the floor, and a muscle in his jaw flexed rhythmically but unhelpfully. If he was trying to send me a message, I was out of luck, because I'd never learned Morse Code for Assholes.
Rosemary Clement-Moore (Spirit and Dust (Goodnight Family #2))
Oedipa sat on the earth, ass getting cold, wondering whether, as Driblette had suggested that night from the shower, some version of herself hadn’t vanished with him. Perhaps her mind would go on flexing psychic muscles that no longer existed; would be betrayed and mocked by a phantom self as the amputee is by a phantom limb. Someday she might replace whatever of her had gone away by some prosthetic device, a dress of a certain color, a phrase in a letter, another lover.
Thomas Pynchon (The Crying of Lot 49)
Self-compassion is like a muscle. The more we practice flexing it, especially when life doesn’t go exactly according to plan (a frequent scenario for most of us), the stronger and more resilient our compassion muscle becomes.
Sharon Salzberg (Real Love: The Art of Mindful Connection)
He got out of bed and pulled on his jeans, fully aware of her audience's appreciative gaze. He felt a little ridiculous about it, but maybe he did it slowly. Maybe he flexed his abs and biceps as he zipped his fly and buttoned his pants. Because really, putting on pants required a lot of muscle.
Helen Hoang (The Kiss Quotient (The Kiss Quotient, #1))
Broad shoulders fit snugly under his white shirt, and taut muscles flex in his arm as he grips a tray. He’s not a muscle-bound freak though, thank God. I don’t like that “I have boulders in my biceps” look that a lot of guys seem to favor these days.
Siobhan Davis (Saven Deception (Saven #1))
The exercise of deciding where to go next is difficult. Because next most likely means a new forever. It means thinking about where to settle. Where to start over. During the war, their options were fewer, the stakes higher, their mission singular. It was simple, in a way. Keep your chin down, your guard up. Stay one step ahead. Stay alive for one more day. Don't let the enemy win. To think about a long-term plan feels complicated, and burdensome, like flexing an atrophied muscle.
Georgia Hunter (We Were the Lucky Ones)
The frown again. So much contained there in the flex of a few muscles. All of history, it sometimes seemed to me. All of ours, at least.
Roland Merullo (Breakfast with Buddha)
No matter how shitty things are, you can always get a song out of it.
Grant Morrison (Flex Mentallo: Man of Muscle Mystery)
Flex that muscle in your heart. The important thing is that it becomes your compass...
Susie Buffett
I smelled the clean house and the wood-frame bed. It was all filler. The noise, the sound, they existed just to take up space. My muscles flexed into the emptiness I still called home.
Kevin Powers (The Yellow Birds)
I think we should begin with a little exercise to flex our writing muscles,’ Martha said, speaking very slowly as if she was on prescription drugs but I think it was just her way of trying to communicate with people less intelligent than she thought she was.
Kate Atkinson (Emotionally Weird)
Oh gosh, it's moving! It's so gross! Can't you just, like, flex your butt or something? Why, yes. Travis clenched his teeth. Why don't I just clench my butt muscles in hopes that it will shock the spider enough to crawl back into the hellhole it came out of?
Rachel Van Dyken (The Bet (The Bet, #1))
No one can ever use his heart to listen or touch or feel or see or smell. It's just a lump of muscle pumping mechanically inside your ribs. It has no will and no ability to do anything but go on pumping until it gives up and withers away or is choked by some disease. Your spinal cord, on the other hand, feels. The central nervous system pours out from the spinal cord, and with it one feels pain. Pain is the most trustworthy sensation a human being can know because it teaches us what hurts. With the spinal cord, one can hear what will hurt, smell the sting of suffering, taste it, feel it, and see the world with new eyes. I learned a long time ago not to follow my heart, the hunk of meat flexing in the chest. I trust the tube locked up in a column of bone, the tube that shows me what pain is.
Joshua S. Porter (The Spinal Cord Perception)
They don’t get to tell you who I am.” His voice is a rough growl, low and tight. “I do. I tell you and I show you, so you get the truth—not their fabrication of it.” A muscle in his jaw flexes. “Understand?
Lisa Renee Jones (Revealing Us (Inside Out, #3))
I realize again that he’s super naked. His muscled, bare shoulders flex, and I notice they’re covered with more small scars, and his skin has an almost iridescent glow to it. When our eyes meet, I see hunger there. Super naked. And I’m super naked. We’re super naked together.
Ruby Dixon (Fire in His Blood (Fireblood Dragon #1))
He smiled. I was unprepared for my reaction to the most potent weapon Haden had in his arsenal—a real smile, one that reached his eyes. One genuine emotion was enough to unravel my life from the security of everything I’d ever known. For seventeen years, I’d tried to live Father’s way. Each step measured, my words carefully chosen. In his fortress of fears, I grew up—but not strong. I yearned to replace the hole in his heart left by my mother, so my life never belonged to me. My own heart was my weakest muscle, never exercised, never even flexed. Suddenly, I understood that it still miraculously worked. And it was full. So full it felt like rays of sunshine were bursting through my chest, poking out of me in radiant splendor. Haden spellbound me and life changed to Technicolor. In his smile, I felt the bindings that tethered my spirit rip away.
Gwen Hayes (Falling Under (Falling Under, #1))
You’re so calm,” I said out loud. “It’s like you don’t need it.” Need me, I didn’t say. But I could tell by the way his delinquent smile softened that he knew what I meant. Noah moved forward, toward me, next to me then, the slender muscles in his arms flexing with the movement. “I’m not sure you can appreciate how much I want to lay you out before me and make you scream my name.
Michelle Hodkin (The Evolution of Mara Dyer (Mara Dyer, #2))
It must be sheer hell for you to be cursed with such a pretty boy's face," he drawled. "The agony of finding a different woman in your bed every night must wear you thin. I don't know where you get your stamina with this terrible burden you bear." The muscle in Ramsey's jaw flexed, which pleased Brodick considerably. "We know you've had as many women in your bed as I have," Ramsey snapped. "But I meant what I said. There are more important matters to discuss.
Julie Garwood (Ransom (Highlands' Lairds, #2))
Aidan turned the corner and slammed on the brakes when a family of ducks slowly waddled to cross the road to the neighborhood lake. He drummed his fingers on the steering wheel impatiently as his jaw muscle flexed repeatedly. "Show them your badge. Maybe that'll scare them to shake their asses a little faster.
Jaime Reese (A Restored Man (The Men of Halfway House, #3))
No, give me a guy who’s in decent shape, who can hold an interesting conversation any day of the week. Give me a guy who can show me a good time without having to flex his muscles six times a minute, just to make sure they’re still there.
Jasinda Wilder (Alpha (Alpha, #1))
The newly created Darth Vader flexes his Force-muscle as the Emperor's enforcer to maintain order and obedience in a galaxy reeling from civil war and the destruction of the Jedi Order. To the galaxy at large, Jedi Knight Anakin Skywalker - the Chosen One - died on Coruscant during the siege of the Jedi Temple. And, to some extent, the was true - Anakin was dead. But from the site of Anakin Skywalker's last stand - on the molten surface of the planet Mustafa, where he sought to destroy his friend and former master, Obi-Wan Kanobi - a fearsome spectre in black has risen. Once the most powerful Knight ever known to the Jedi order he is not a disciple of the dark side, a lord of the dreaded Sith, and the avenging right hand of the galaxy's ruthless new Emperor. Seduced, deranged and destroyed by the machinations of the Dark Lord Sidious, Anakin Skywalker is dead ... and Darth Vader lives ...
James Luceno
Someone once said hell was other people. They were right. Specifically, hell was watching other people swan around an ice rink, drinking hot chocolate and making googly eyes at each other like they were in the middle of a goddamn Hallmark movie. It wasn’t even Christmas season, for fuck’s sake. It was worse. It was Valentine’s Day. A muscle flexed in my jaw as Bridget’s laughter floated over, joined by Steffan’s deeper laugh, and the urge to murder someone—someone male with blond hair and a name that began with S—intensified. What was so fucking hilarious, anyway? I couldn’t imagine anything being that funny, least of all something Steffan the Saint said.
Ana Huang (Twisted Games (Twisted, #2))
Denying what you are didn't keep people from knowing what you are." "And flaunting it isn't what saved you." Ykka takes a deep breath. The muscles in her jaw flex, relax. "And that would be why I asked you do this, Cutter. But let's move on." So it goes on.
N.K. Jemisin (The Obelisk Gate (The Broken Earth #2))
Link flexed his muscles. To be fair, he did nearly split his t-shirt in half.
Kami Garcia
Brains will always conquer brawn, in the end. The soldiers can flex their muscles all they want, but the well-thought-out tactics of the generals are what win the war.
Patrick Hall (Blades in the Dark: The Guardians of Siva (The Long Lost Tales of the Dragonlands #1.1))
In his books, Dr. Alexander Lowen put into words the anguish I could not describe. He explained how a repressed experience was converted into a physical symptom. Intense sexual energy that had not been resolved or discharged would be forced into muscles, causing chronic muscular tensions. Finally, someone understood my pain…at least that one. Chronic muscular tension may not sound like a big deal but I have lived in a body primed for lifting a car. The muscles never let go. Even when I awaken, they are flexed to the max. It’s called “muscular armoring.
Marilyn Van Derbur (Miss America by Day: Lessons Learned from Ultimate Betrayals and Unconditional Love)
Our ballet master reminded us that strength and flexibility are inseparable—for one muscle to flex, another must open; to achieve length and limberness, we have to hold our cores strong.
Edith Eger (The Choice: Embrace the Possible)
I'm not stronger than anybody. I mean, physically, I can do three pull-ups, so I'm stronger than some people, but emotionally, I'm the same as anyone else. This strength isn't superhuman. It's the most human thing of all, a muscle we're all born with but need to exercise rarely at best. And lucky for us, it's a tenacious little thing that bounces back from atrophy as soon as you need to flex it.
Nora McInerny Purmort (It's Okay to Laugh (Crying Is Cool Too))
Relationships are like muscle tissue. The more they're engaged, the stronger they become. The ability to build relationships and flex that emotional connection muscle is what makes social so valuable.
Ted Rubin
Black soil flew up in divots; the horses’ heads pounded up and down like pistons, and he felt a sensation of rushing speed no machine could quite match as the great muscles flexed and bunched between his legs. Havel
S.M. Stirling (Dies the Fire (Emberverse, #1))
Coming under others has a power to do what laws and bullets and bombs can never do—namely, bring about transformation in an enemy’s heart. This is the unique “Lamb power” of the kingdom of God, and indeed, this is the power of God Almighty. When God flexes his omnipotent muscle, it doesn’t look like Rambo or the Terminator—it looks like Calvary! And living in this Calvary-like love moment by moment, in all circumstances and in relation to all people, is the sole calling of those who are aligned with the kingdom that Jesus came to bring.
Gregory A. Boyd (The Myth of a Christian Nation: How the Quest for Political Power Is Destroying the Church)
When you're a sportswriter, you learn how to use your imagination and to flex your literary muscle, because it's the same game played over and over again. There's nothing unique or marvelous. It's not an earthquake, or a weird mass murder. It's just the same old game played over and over, and you have to bring out the personalities. You have to drag them kicking and screaming out into the light of day, or you're not a good sportswriter.
Rick Bragg
He was right to fear. Patrick stood in the shadows, possessed by a rage so intense that it took every ounce of his control not to kill the bastard. He'd kissed his woman. Touched her. Held her in his arms. Patrick's fists clenched at his sides. Rage seethed inside him, filling his veins. Building and building until his muscles flexed and burned with the pressure to contain it. He wanted to be discovered. Wanted the excuse to vent his rage. Damn the consequences. After what he'd just witnessed, he'd probably lost what chance he had with her anyway.
Monica McCarty (Highland Outlaw (Campbell Trilogy, #2))
We suffer the threat of breathing in water; we fight the nightmares that would drown us. And just as we feel the deceptive joy of floating, we flex our muscles and learn to kick, propelling ourselves into deeper waters where we can't see the bottom or touch the side. There, in the deep, we stroke. Then, surprising ourselves, saving ourselves, we swim.
Lynne Hugo (Swimming Lessons: A Novel)
The drenched fabric clung to every sculptured line of Ayden’s torso and revealed in detail how his muscles flexed to hold the weight. It was glorious. If you were into that sort of thing. And based how my breath caught at the sight, I was.
A. Kirk (Drop Dead Demons (Divinicus Nex Chronicles, #2))
The way we use our $3000 monthly salary today will reflect exactly how we will use the $300,000 and the $3 million that we are going to have in future. It’s better to start exercising and flexing those giving and charity muscles now than later when it is going to hurt most.
Dr. Lucas D. Shallua (Average to Abundant: How Ordinary People Build Sustainable Wealth and Enjoy the Process)
(...) the small of his back slick with sweat, the surprisingly soft hair brushing my body when he took control. And moved over me. "Stop it", Pritkin grated, his voice somehow cutting through the fog. But he didn't let go. I suppose he was afraid to, because a Pythia or one of her senior initiates could shift without him if there was no contact. But that left us stuck together, and that was becoming really, really- Awesome, my body piped up enthusiastically. "I told you, cut it out!" Pritkin said, sounding pissed. "You first," I snarled, snapping my eyes open to glare at him, because he wasn't exactly helping. Of course, neither did that. He must have been jogging, probably his usual early morning ten-mile warm-up before coming to torture me. At least, I assumed that was why the rock-hard abs were outlined by a damp khaki T-shirt, the thin old sweatpants were clinging in all the right places, and the sleeves of the hoodie had been pushed to his elbows, showing the flexing muscles in his forearms. And then there were those hands and those eyes and that mouth... I shivered again, a full-on shudder this time, and he cursed. But that didn't seem to matter. Because it had come out like a growl, and my body liked that, too. My hips shifted automatically, pressing us together, and I gave a little gasp because it felt so good. And then gasped again when I was abruptly released.
Karen Chance (Tempt the Stars (Cassandra Palmer, #6))
Hmm.” Ellie blatantly brushed her off, rolling her eyes and then skewering them into Braden. “Are you coming to dinner this afternoon?” I watched the muscle in his jaw flex. He definitely wasn’t amused by his sister’s attitude. “Of course.” His eyes travelled back to me. “I’ll see you both there.” “Joss can’t make it. She has stuff to do.” He frowned at me. “It’s just a few hours. Surely you can squeeze us in?” In response, Vicky pressed closer to Braden. “I’d love to have dinner, Braden.” Braden gave her a somewhat patronizing pat on the hand. “Sorry, sweetheart, it’s just family.” Three things happened at once. Ellie choked on her laughter, Vicky reared back like he’d slapped her, and I felt a panic attack coming on.
Samantha Young (On Dublin Street (On Dublin Street, #1))
Whatever. If I don’t get off, then you don’t get off either. You’ll be suffering as much as I will.” He drops my shoe onto the floor and arches his brow at me. “Is that right?” “Yes,” I state with a clipped tone. My other shoe gets tossed over his shoulder, but I don’t care where because all my attention is drawn down to his hands as he works his cock free and begins stroking it. I gasp and reach out for it, my mouth watering at the sight. “Oh, my God. Let me do that.” “No.” He lets his khakis slide down to mid-thigh as he stares at my body, his hand working his glorious cock. I’ve never seen Reese jerk off before, and I’m kicking myself for never requesting that he do it in front of me. This is insanely hot, probably one of the hottest things to witness. His upper body is flexed completely, every muscle bulging out at me, screaming for my hands. And then there’s his cock.
J. Daniels (Sweet Possession (Sweet Addiction, #2))
Look at me,” I say, my voice husky. “Wolf scout.” His chest falls, muscles still flexed. My pulse thumps. I skim his striking but also tensed face, and my hand slides across his broad shoulder and rises slowly up his neck. I hold his jaw; I tighten his hand in my hand, and my lips veer to his ear. “Maximoff Hale, will you marry me?” He flinches, eyes widening and brows knotting with a thousand questions, and even more philosophical queries.
Krista Ritchie (Alphas Like Us (Like Us, #3))
Then his hands were around her waist as he lifted her up. The muscles in his arms flexed as he held her. Wow, didn’t realize the man was so strong, didn’t know— She licked his throat. Screw it. Lora wrapped her legs around his waist. His cock pushed against her, pressing right at the wet entrance to her sex. She arched toward him just as Kenton slammed deep. So deep. She bit her lip to hold back the scream. Skin to skin. Hot. Slick. So full.
Cynthia Eden (Deadly Heat (Deadly, #2))
No, Liam,' Xaden chokes out as he crouches in front of us, the muscles in his face working to control his expression, but there's no hiding the despair that pushes at our mental connection. 'Deigh,' Liam pleads in a strangled whisper, turning his head toward Xaden. 'I know, brother,' Xaden's jaw flexes and our gazes lock above Liam as tears overflow my eyes. 'I know.' He leans forward and lifts Liam into his arms, then stands, carrying him. 'I'll take you.
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
It’s a good pic,” I say absently. Drew smirks. And I glare. “What? It has artistic merit.” “It’s man candy,” Johnson says. “Look at you, all thoughtfully flexing your muscles. Did you flex your ass too?” “Nothing to flex. That’s just my natural form.” I give him a look. “Jealous?” Rolondo laughs. “Yeah, he is.
Kristen Callihan (The Game Plan (Game On, #3))
I poisoned my skin,” Genya said harshly, “my lips. So that every time he touched me—” She shuddered slightly and glanced at David. “Every time he kissed me, he took sickness into his body.” She clenched her fists. “He brought this on himself.” “But the poison would have affected you too,” Nikolai said. “I had to purge it from my skin, then heal the burns the lye would leave. Every single time.” Her fists clenched. “It was well worth it.” Nikolai rubbed a hand over his mouth. "Did he force you?" Genya nodded once. A muscle in Nikolai's jaw ticked.” -//- She held up her hands, warding us off. “I don’t want your pity,” she said ferociously. Her voice was raw, wild. We stood there helplessly. “You don’t understand.” She covered her face with her hands. “None of you do.” “Genya—” David tried. “Don’t you dare,” she said roughly, tears welling up again. “You never looked at me twice before I was like this, before I was broken. Now I’m just something for you to fix.” I was desperate for words to soothe her, but before I could find any, David bunched up his shoulders and said, “I know metal.” “What does that have to do with anything?” Genya cried. David furrowed his brow. “I … I don’t understand half of what goes on around me. I don’t get jokes or sunsets or poetry, but I know metal.” His fingers flexed unconsciously as if he were physically grasping for words. “Beauty was your armor. Fragile stuff, all show. But what’s inside you? That’s steel. It’s brave and unbreakable. And it doesn’t need fixing.
Leigh Bardugo (Ruin and Rising (The Shadow and Bone Trilogy, #3))
I'll tell you what's most important of all. It's this." He flexed those barrel-like biceps, drawing her body flush against a solid wall of muscle and heat. "Not women, not men, but what lies between two people who want each other more than air. You can argue with me all you want, but you can't fight this. I know you feel it." -Bram to Susanna
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
It happens so seldom; I must catch and keep this slender yearning, a rare beetle in a jam-jar trap. But mustering will is not the same as wanting. I lie in the garden and think about all the footsteps between my body on the grass and my pencil-case and notebook on the table in the sun room. All the muscles I have to flex and relax to get myself there.
Sara Baume (A Line Made By Walking)
As I stand at the edge of the pit, searching for his body amongst all the others, I am slightly frightened by the violent clashes. It seems almost savagery, the way they throw themselves into each other. As I continue to watch, unable to look away, drawn in by their angry and troubled release I see him. His body is sweating, his muscles are flexed and his face holds an expression of pain mixed with pleasure. In that moment I realize their is so much I don't know about the man I am falling in love with and my fear of him excites me.
Nicole T. Smith (Scarlett's Will (Magic in the Smoke #1))
…I thought I'd never seen such a miracle as the way the muscles of her thighs and buttocks flexed and relaxed in the grip of her jeans.
T. Coraghessan Boyle (T.C. Boyle Stories)
no other man smells of sex, sin, and sweetness like Sutton Ellis — red-blooded, clean, aroused man, and I’m light-headed from the aroma. He tastes of salt, sweat, soap, and scandal; a luscious mix for which I hunger. His neck, muscles bulging with tension, jawline, slight stubble abrading my tongue, hands, those big, capable hands, flexing in and out on my hips… he’s perfection.
S.E. Hall (Exclusive (Princess Presley Duet, #2; Full Circle, #3))
The exam results came out on the last day of term. Harry, Ron and Hermione had passed every subject. Harry was amazed that he had got through Potions. He had a shrewd suspicion that Dumbledore had stepped in to stop Snape failing him on purpose. Snape's behaviour towards Harry over the past week had been quite alarming. Harry wouldn't have thought it possible that Snape's dislike for him could increase, but it certainly had done. A muscle twitched unpleasantly at the corner of Snape's thin mouth every time he looked at Harry, and he was constantly flexing his fingers, as though itching to place them around Harry's throat.
J.K. Rowling (Harry Potter and the Prisoner of Azkaban (Harry Potter, #3))
News of the disaster at Little Bighorn reached the Eastern Seaboard shortly after July 4, and not just any ordinary July 4 but the grand celebration of the hundredth anniversary of the founding of the Republic. A country feeling its oats, flexing its muscles, vigorous and rich, cocksure and confident, has seen the impossible happen, the unthinkable become fact. Sitting Bull has spoiled their glorious Centennial, pissed on Custer's golden head, the head of a genuine Civil War hero, the head of someone who has recently been touted as a future President of the United States. Somehow a wedding and a funeral got booked for the same hour in the same church.
Guy Vanderhaeghe (A Good Man)
Almost everything people did throughout history was fuelled by solar energy that was captured by plants and converted into muscle power. Human history was consequently dominated by two main cycles: the growth cycles of plants and the changing cycles of solar energy (day and night, summer and winter). When sunlight was scarce and when wheat fields were still green, humans had little energy. Granaries were empty, tax collectors were idle, soldiers found it difficult to move and fight, and kings tended to keep the peace. When the sun shone brightly and the wheat ripened, peasants harvested the crops and filled the granaries. Tax collectors hurried to take their share. Soldiers flexed their muscles and sharpened their swords. Kings convened councils and planned their next campaigns. Everyone was fuelled by solar energy – captured and packaged in wheat, rice and potatoes.
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
He sang like an angel, he was faithful to God and he waited honorably for the wife he believed God chose for him. He made two daughters who shone like mirrors in the direct sun; he blazed his path with a scythe and his broad shoulders, and he was who he chose to be, which is the hardest and bravest thing a man can do. He looked at us, his parents, his sisters, his whole crooked family, and he flexed his jaw muscles, packed up his truck, and drove away.
Haven Kimmel (She Got Up Off the Couch: And Other Heroic Acts from Mooreland, Indiana)
Joe and Carter and Kelly were coming out of the woods, finishing up their run as I came back from the garden. They were laughing and shoving each other the way brothers do. I loved all three of them. Except. Except. Joe wore a pair of low-slung shorts. Just the smallest things. And that was it. He was almost as big as I was now. We were eye level, or so close that it didn’t matter, which put him a couple of inches over six feet. There was a sheen of sweat over his torso. A spattering of wet blond hairs curling on his chest that looked to be cut out of granite. The soft definition of muscles on his stomach. A line of sweat that hit his happy trail and soaked into the waistband of his shorts. He turned, saying something back to Carter, and I saw the dimples above his ass. The way his legs flexed and shifted as he hopped from one foot to the other. He pointed wildly at something back in the woods and there was a blue vein that stuck out along his bicep and I wanted to trace with my fingers because when had that happened? And those hands. Those big fucking hands and I— Joe had grown up. And somehow, I hadn’t really seen it until it was on full display. Right in front of me. He
T.J. Klune (Wolfsong (Green Creek, #1))
That the desert was, in its own way, very much alive: a gargantuan sentient being whose shifting colours – one minute soft yellow, the next livid red, here blinding white, there sombre black – were curiously suggestive of changing moods and thought patterns. Its varied shapes and textures – dunes slumping into gravel flats, salt pans rearing into rock hills – likewise gave the unnerving impression that the landscape was moving, bunching and stretching itself, flexing its muscles
Paul Sussman (The Hidden Oasis)
Self-awareness is a muscle, and in order to start creating, we must start flexing it. Because the more aware we are of ourselves, the more comfortable we’ll be in expressing our points of view. What we like and don’t like. What we want to embrace. What we want to shred to pieces with our vengeance!! (Oops.) We need to know and embrace who we are if we want to overcome resistance, criticism, and all the other hurdles that will pop up as we incorporate more creativity into our lives.
Felicia Day (Embrace Your Weird: Face Your Fears and Unleash Creativity)
All great shows, she told me when I was little (and still learning to flex the tiny muscles in my esophagus), depend on the most ordinary objects. We can be a weary, cynical lot—we grow old and see only what suits us, and what is marvelous can often pass us by. A kitchen knife. A bulb of glass. A human body. That something so common should be so surprising—why, we forget it. We take it for granted. We assume that our sight is reliable, that our deeds are straightforward, that our words have one meaning. But life is uncommon and strange; it is full of intricacies and odd, confounding turns. So onstage we remind them just how extraordinary the ordinary can be. This, she said, is the tiger in the grass. It’s the wonder that hides in plain sight, the secret life that flourishes just beyond the screen. For you are not showing them a hoax or a trick, just a new way of seeing what’s already in front of them. This, she told me, is your mark on the world. This is the story that you tell.
Leslie Parry (Church of Marvels)
Was it possible that he she'd entered his dream now? If so, she couldn't help but wonder what they were doing in there. His fingers flexed, squeezing her backside backside "Clio," he groaned. Something good it would seem. With a low moan, he snaked his arm around her waist, and a small contraction of his muscles drew her close. "Clio." "Yes, Rafe?" Green eyes snapped open. "Clio?" In a heartbeat, he was on the far side of the bed--as close as he could get to the edge of the mattress without falling off.
Tessa Dare (Say Yes to the Marquess (Castles Ever After, #2))
Xaden's head snaps in my direction. 'Violence?' I take a step and then another, holding my frame upright with muscle memory I didn't have last year, and begin to cross. Xaden swings his legs up and then fucking jumps to his feet. 'Turn around right now!' he shouts. 'Come with me,' I call over the wind, bracing myself as gust whips my skirt against my legs. 'Should have gone with the pants,' I mutter and keep walking. He's already coming my way, his strides just as long and confident as if he was on solid ground, eating up the distance between us as I move forward slowly until we meet. 'What the fuck are you doing out here?' he asks, locking his hands on my waist. He's in riding leathers, not a dress uniform, and he's never looked better. What am I doing out here? I'm risking everything to reach him. And if he rejects me... No. There's no room for fear on the parapet. 'I could ask you the same thing.' His eyes widen. 'You could have fallen and died!' 'I could say the same thing.' I smile, but it's shaky. The look in his eyes is wild, like he's been driven past the point where he can contain himself in the neat, apathetic façade he usually wears in public. It doesn't scare me. I like him better when he's real with me, anyway. 'And did you stop to think that if you fall and die, then I can die?' He leans in and my pulse jumps. 'Again,' I say softly, resting my hands on his firm chest, right above his heartbeat, 'I could say the same thing.' Even if Xaden's death wouldn't kill Sgaeyl, I'm not sure I could survive it.' Shadows rise, darker than the night that surrounds us. 'You're forgetting that I wield shadows, Violence. I'm just as safe out here as I am in the courtyard. Are you going to wield lightning to break your fall?' Fine. That's a good point. 'I... perhaps did not think that part through as thoroughly as you,' I admit. I wanted to be close to him, so I got close, parapet be damned.' 'You're seriously going to be the death of me.' His fingers flex at my waist. 'Go back.' It's not a rejection, not with the way he's looking at me. We've been sparring emotionally for the past month, hell, even longer than that, and one of us has to expose our jugular. I finally trust him enough to know he won't go for the kill. 'Only if you do. I want to be whereever you are.' And I mean it. Everyone else- everything else in the world can fall away and I won't care as long as I'm with him.
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
The most common occurrence in this world of ours, in these days of stumbling blindly forward, is to come across men and women mature in years and ripe in prosperity, who, at eighteen, were not just beaming beacons of style, but also, and perhaps above all, bold revolutionaries determined to bring down the system supported by their parents and to replace it, at last, with a fraternal paradise, but who are now equally firmly attached to convictions and practices which, having warmed up and flexed their muscles on any of the many available versions of moderate conservatism, become, in time, pure egotism of the most obscene and reactionary kind. Put less respectfully, these men and these women, standing before the mirror of their life, spit every day in the face of what they were with the sputum of what they are.
José Saramago
I had a dream, and I needed to go back and find out for sure if something—someone—was there.” When she glanced up, Violet saw the muscles in his jaw flex. “So?” he asked though clenched teeth. “Did you? Find something, I mean?” Violet’s cheek was getting sore from where her teeth were ripping it apart. “N-no,” she stammered. “I mean, kind of.” “Well, shit, Violet, what’s that’s supposed to mean?” “It means there’s someone locked inside one of those gigantic shipping containers down on the docks. But I couldn’t get inside, so I still don’t know for sure. I mean, not in any way I can prove.” Jay jumped up from his chair. It was more than he could take. “Are you telling me you went down to the shipyards before it was even light out? In the middle of the night? All by yourself?” Violet smiled then. She didn’t mean to, but she couldn’t help herself; she felt the corners of her mouth twitching upward before she could stop them. She was never going to get used to this, his worrying about her. “Yeah,” she challenged, taking a step toward him. “Something like that.” She walked to where he was standing, barely containing his frustration. She didn’t try to hide her grin. She put her palms against his chest and could feel his heart beating wildly. “You think you’re gonna be okay? Do you need to sit down? Do you want me to get you a cup of tea or something?” “Hell, Violet, it’s not funny.
Kimberly Derting (Desires of the Dead (The Body Finder, #2))
my fingers penetrated your bushy hair, pulled it up in tufts, squeezed the tension out of your head, to your quiet, grateful groans. I untied the Gordian knots in your shoulders with juniper oil, pummelled your back with my fists, knuckle each vertebrae down to your coccyx, knead your hard buttocks, rub oil into your legs, bathe your tired feet, squeeze them until your tingles shoot up my arm, I chew each toe in turn until it is softened, bite into your soles like a joint of pork, you cannot help but giggle, sir, I turn you over, with my palms, rotate your temples, trace the curves on your face, touching yet not, three fingers inside your mouth, let you suckle, baby, from belly to breast, I massage your chest in concentric circles, pinch your nipples, nibble gently, set my belly-dancer tongue on to them, take your hands, my love, tie them above your head, with your belt, I sit astride my steed, take the reins, my flexible muscles holding you in, flexing like strong fists, tighten and release, teasing you, taming you, your eyes are shut, you have died and gone to Olympus, smiling, I slap it off, so hard my hand hurts, your eyes shoot open like a dead man dying, I slap you again, you feign amusement, your eyes suggest so this is slap and tickle? I take your riding crop, fold it, lash your chest. ‘Take that!’ I hiss. ‘How dare you humour me. Who’s the boss now?
Bernardine Evaristo (The Emperor's Babe)
We were sitting side by side, with our legs swinging on the wall of the tower, and the Clouds™ were all turning pink in front of us. We could see all these miles of filet mignon from where we were sitting, and some places where the genetic coding had gone wrong and there, in the middle of the beef, the tissue had formed a horn or an eye or a heart blinking up at the sunset, which was this brag red, and which hit on all these miles of muscle and made it flex and quiver, with all these shudders running across the top of it, and birds were flying over, crying kind of sad, maybe looking for garbage, and the whole thing, with the beef and the birds and the sky, it glowed like there was a light inside it, which it was time to show us now.
M.T. Anderson (Feed)
When I’m given a role, the first thing I do is read the play over and over again. I scour the script and write down everything the character says about himself and everything that everyone else says about him. I immerse myself in my character and imagine what it might be like to be that person. When I played Cassio in Othello I imagined what it would be like to be a lieutenant in the Venetian navy in 1604. I sat down with Ewan McGregor and Chiwetel Ejiofor and together we decided that Othello, Iago and Cassio had soldiery in their bones. I took from the script that Cassio was talented and ambitious, with no emotional or physical guard - and that’s how I played the part. For me, acting is about recreating the circumstances that would make me feel how my character is feeling. In the dressing room, I practise recreating those circumstances in my head and I try to not get in the way of myself. For example, in act two of Othello, when Cassio is manipulated to fight Roderigo and loses his rank, some nights I would burst into tears; other nights I wouldn’t but I would still feel the same emotion, night after night. Just as in life, the way we respond to catastrophe or death will be different every time because the process is unconscious. By comparison, in Chekhov’s Ivanov I played the young doctor, Lvov. Lvov was described as “a prig and a bigot … uprightness in boots … tiresome … completely sincere”. His emotions were locked away. I worked around the key phrase: “Forgive me, I’m going to tell you plainly.” I practised speaking gravely and sincerely without emotion and I actually noticed how that carried over into my personal life: when I played the open-hearted Cassio, I felt really free; when I played the pent-up Lvov, I felt a real need to release myself from the shackles of that character. It’s exhilarating to act out the emotions of a character - it’s a bit like being a child again. You flex the same muscles that you did when you pretended to be a cowboy or a policeman: acting is a grown-up version of that with more subtlety and detail. You’re responding with real emotions to imaginary situations. When I’m in a production I never have a day when I haven’t laughed, cried or screamed. There are times when I wake up stiff from emotional exhaustion. Film is a much more intimate and thoughtful medium than theatre because of the proximity of the camera. The camera can read your thoughts. On stage, if you have a moment of vulnerability you can hide it from the other actors; on film, the camera will see you feel that emotion and try to suppress it. Similarly, if you’re pretending to feel something that isn’t there, it won’t be believable.
Tom Hiddleston
I’d never seen a guy in a kilt before but I had to admit I really liked it. My gaze traveled up his bare calves and over his back. His muscles flexed as he bent to arrange the twigs and limbs for the fire. The kilt covered his legs at one moment, then revealed them anew as he stood up…I suddenly remembered the saying that Scots don’t wear anything under their kilts and pushed back a crazy impulse to see for myself.
Cyndi Tefft (Between (Between, #1))
The basic process of climbing a mountain was therapeutic, almost cathartic. There was the simple act of walking into the woods and away from the world. Then there was the climb itself, where the body worked: muscles flexed and released, lungs rose and fell, the heart beat. It was as if the complications in my life were breaking down and the only thing I cared about was the next place I'd put my foot or finding something to hold to pull myself up. After all that work to get to the summit came that views from the top. The failed Catholic in me saw it as a spiritual journey, much like the ones any holy man had made in leaving behind society. Christ, Buddha, Muhammad - they all did it, and they came back with clarity. For me the climb was my confession, working out the troubles of my past. Sitting on top was communion. On each hike I allowed myself to be pulled apart and then put back together again.
Tom Ryan
I slid my thigh between her warm ones. Damp heat ground into my muscle as she clamped down and rolled her hips with a small helpless groan. "That feel good, honey?" She was mostly shadows, and I itched to turn on a lamp so I could see her properly. But that would mean stopping, and I wasn't willing to let her go. I relied on touch, running my fingers along her arm, up to her neck, where sweat dewed on her skin. "You like riding my thigh?" "Yes. Yes." That word again. Best word ever. Her lips tickled mine as she panted, her sweet sex working in a little circle. I cupped her cheek and ate at her mouth as she took her pleasure. I'd been wanting to give it to her for so long. So fucking long. Her hands found my chest and slid down, mapping their way along my torso. It was nothing in the scheme of things, but that simple exploration, the way she whimpered and gasped into my mouth, sent licks of heat over my skin. When her slim hand reached my cock and squeezed me through the barrier of my boxers, a groan tore from me. I shuddered, so close to coming from a furtive grope in the dark it would almost be funny if I weren't so worked up. "Take it out," I rasped, flexing my thigh, knowing she'd feel it. I needed her hand on my bare skin. "Please." Deftly she stole beneath the waistband and wrapped her fingers around my needy dick, giving it a firm tug. Then I was the one whimpering and gasping, fucking into the clasp of her hand because it felt so good. Sweet relief, hot pleasure.
Kristen Callihan (Make It Sweet)
Daniel's wings were concealed, but he must have sensed her eyeing the place where they unfurled from his shoulders. "When everything is in order, we'll fly wherever we have to go to stop Lucifer. Until then it's better to stay low to the ground." "Okay," Luce said. "Race you to the other side?" Her breath frosted the air. "You know I'd beat you." "True." He slipped an arm around her waist, warming her. "Maybe we'd better take the boat, then. Protect my famous pride." She watched him unmoor a small metal rowboat from a boat slip. The soft light on the water made her think back to the day they'd raced across the secret lake at Sword & Cross. His skin had glistened as they had pulled themselves up to the flat rock in the center to catch their breath, then had lain on the sun-warmed stone, letting the day's heat dry their bodies. She'd barely known Daniel then-she hadn't known he was an angel-and already she'd been dangerously in love with him. "We used to swim together in my lifetime in Tahiti, didn't we?" she asked, surprised to remember another time she'd seen Daniel's hair glisten with water. Daniel stared at her and she knew how much it meant to him finally to be able to share some of his memories of their past. He looked so moved that Luce thought he might cry. Instead he kissed her forehead tenderly and said, "You beat me all those times, too, Lulu." They didn't talk much as Daniel rowed. It was enough for Luce to watch the way his muscles strained and flexed each time he dragged back, hearing the oars dip into and out of the cold water, breathing in the brine of the ocean.
Lauren Kate (Rapture (Fallen, #4))
We lunged for each other at the same time and collided, crazy with need and starving for a taste. Warnings and alarms wailed in my mind, but I shut them down. Screw it. I wanted him. He found my mouth. The thrust of his tongue against mine made my head spin. He tasted like heaven. I kissed him back, nipping, licking, melting against him. It felt so good . . . His lips traced a fiery line from my mouth to the corner of my jaw and down my neck. My whole body sang in warm liquid triumph. His voice was a ragged whisper in my ear. “Only if you want to . . . Say no, and I’ll stop.” “No,” I whispered to see if he would do it. Curran pulled back. His eyes were pure need, raw and barely under control. He swallowed. “Okay.” It was the most erotic thing I had ever seen. I reached for him and slid my hand up his chest, feeling the taut muscle. He caught my hand and kissed my palm gently. Heated, tightly controlled want shone in his eyes. I pulled my fingers free, pushed from the wall, and kissed his throat just under the jaw. This was bliss. There was no hope for me. He growled, closing his eyes. “What are you doing?” “Pulling on Death’s whiskers,” I murmured, letting my tongue play over his skin, rough with stubble. He smelled divine, clean and male. My hands slid up his biceps. His muscles tensed under the light pressure of my fingers. He was trying very, very hard to stand still and I almost laughed. All those times when he’d called me “baby” . . . Revenge was sweet. “Is that a yes or a no?” he asked. I slid against him and nipped his bottom lip. “I’ll take it as a yes.” The steel muscles of his arms flexed under my hands. He grabbed me, hoisted me up onto him, and kissed me, thrusting into my mouth with his tongue in a hot, slick rhythm, greedy and eager. I threw my arms around his neck. His right hand grasped my hair, his left cupped my butt and pushed me closer against him, his erection a hard, hot length across my lap. Finally— “Let me in,” Derek growled at the door. Go away. The guard said something. Curran’s hand found my breast and caressed the nipple, sending an electric shock through my skin, threatening to melt me . . . “Yes,” Derek snarled. “I’m a member of the damn team. Ask them.” “Curran,” I whispered. “Curran!” He snarled and kept going. The door swung open. I hit him on the back of the neck. He submerged. Help. I’ve drowned the Beast Lord.
Ilona Andrews (Magic Strikes (Kate Daniels, #3))
God saw Hansen tighten his chokehold on Day and he could see his lover fighting to breathe. Day’s ears and neck were bright red. His lips were turning a darker color as his body was deprived of oxygen. Hansen pressed the barrel in deeper and yelled. “Two minutes and fifteen seconds before I get to zero and I provide the great state of Georgia the luxury of one less narc.” God’s mind exploded at the thought of not having Day in a world he lived in. He looked into his partner’s glistening eyes and saw he was turning blue and possibly getting ready to faint. Day was still looking at him, looking into God’s green eyes. No, no, no! He’s saying good-bye. God closed his eyes and released a loud, gut-wrenching growl cutting off the SWAT leader’s negotiations. “Godfrey, get yourself under control,” his captain said while grabbing for him. God jerked himself away from the hold and stepped forward, his angry eyes boring into Hansen’s dark ones. Hansen stared at him as if God was crazy. Little did he know God was at that moment. “Godfrey, get back here and stand down. That’s an order, Detective!” his captain barked. God’s large hands clenched at his sides fighting not to pull out his weapons. He ground his teeth together so hard his jaw ached. “Do you have any idea of the shit storm you’re about to bring down on your life,” God spoke with a menacing snarl while his large frame shook with fury. “In your arms you hold the only thing in this world that means anything to me. The man that you are pointing a gun at is my only purpose for living. You are threating to kill the only person in this world that gives a fuck about me.” God took two more steps forward and was vaguely aware of the complete silence surrounding him. Hansen’s finger hovered shakily over the trigger as he took two large steps back with Day still tight against his chest. God growled again and he saw a shade of fear ghost over Hansen’s sweaty face. “If you kill that man, I swear on everything that is holy, I will track you to the ends of the earth, killing and destroying any and everything you hold dear. I will take everything from you and leave you alive to suffer through it. I will bestow upon you the same misery that you have given to me.” Hansen shook his head and inched closer to the door behind him. “Stay back,” he yelled again but this time the demand lacked the courage and venom he exhibited before. “You kill that man, and you’ll have no idea of the monster you will create. Have you ever met a man with no heart…no conscience…no soul…no purpose?” God rumbled, his voice at least twelve octaves lower than the already deep baritone. God yanked his Desert Eagle from his holster in a flash and cocked the hammer back chambering the first round. Hansen stumbled back again, his eyes gone wide with fear. God’s entire body instinctually flexed every muscle in his body and it felt like the large vein in his neck might rupture. His body burned like he had a sweltering fever and he knew his wrath had him a brilliant shade of red. “I’m asking you a goddamn question, Hansen! No soul! No conscience! I’m asking you have you ever met the devil!” God’s thunderous voice practically rattled the glass in the hanger. “If you kill the man I love, you better make your peace with God, because I’m gonna meet your soul in hell.” His voice boomed.
A.E. Via
Scott still stares at Sid, then turns to Alice and hands her the Scotch. “We’re going to go see Joanie today,” he says. Alice grins. “And Chachi?” she asks. Sid bursts out laughing and Scott turns back to him, then places a hand on his shoulder, which makes me fear for his life. “You be quiet, son,” Scott says. “I could kill you with this hand. This hand has been places.” I shake my head and look at both Sid and Alex. Scott lifts his hand off Sid’s shoulder and turns again to his wife. “No, Alice. Our Joanie. Our daughter. We’re going to give her anything she wants.” He glares at me. “Think about what she would want, Alice. We’re going to get it for her and bring it to her. Bring it right to her bed.” “Joanie and Chachi,” Alice chants. “Joanie and Chachi!” “Shut up, Alice!” Scott yells. Alice looks at Scott as though he just said “Cheese.” She clasps her hands together and smiles, staying in the pose for a few seconds. He looks at her face and squints. “Sorry, old gal,” he says. “You go ahead and say whatever you want.” “It was funny,” Sid says. “All I was doing was laughing. She has a good sense of humor. That’s all. Maybe she knows she’s being funny. I think she does.” “I’m going to hit you,” Scott says. His arms hang alongside him, the muscles flexed, veins big like milk-shake straws. I know he’s going to hit Sid because that’s what he does. I’ve seen him hit Barry. I, too, have been hit by Scott after I beat him and his buddies at a game of poker. His hands are in fists, and I can see his knobby old-man knuckles, the many liver spots almost joining to become one big discoloration, like a burn. Then he pops his fist up toward Sid, a movement like a snake rearing its head and lunging forth. I see Sid start to bring his arm up to block his face, but then he brings it down and clutches his thigh. It’s almost as if he decided not to protect himself. The end result is a punch in his right eye, a screaming older daughter, a frightened younger daughter, a father trying to calm many people at once, and a mother-in-law cheering wildly as though we have all done something truly amazing.
Kaui Hart Hemmings (The Descendants)
I know what the problem is.” Curran pulled his shoulders back and flexed, warming up a little. I stole a glance. He had decided to fight in jeans and an old black T-shirt, from which he’d torn the sleeves. Probably his workout shirt. His biceps were carved, the muscle defined and built by countless exertions, neither too bulky nor too lean. Perfect. Kissing him might make me guilty of catastrophically bad judgment, but at least nobody could fault my taste. The trick was not to kiss him again. Once could be an accident; twice was trouble. “You said something?” I arched an eyebrow at him. Nonchalance—best camouflage for drooling. Both the werebison and the swordsman looked ready to charge: the muscles of their legs tense, leaning forward slightly on their toes. They seemed to be terribly sure that we would stay in one place and wait for them. Curran was looking at their legs, too. They must be expecting a distraction from the lamia. She sat cocooned in magic, holding on with both hands as it strained on its leash. “I said, I know why you’re afraid to fight with me.” “And why is that?” If he flexed again, I’d have to implement emergency measures. Maybe I could kick some sand at him or something. Hard to look hot brushing sand out of your eyes. “You want me.” Oh boy. “You can’t resist my subtle charm, so you’re afraid you’re going to make a spectacle out of yourself.” “You know what? Don’t talk to me.
Ilona Andrews (Magic Strikes (Kate Daniels, #3))
Mag Rogan and I stood on the edge of a cliff. Below us, the ground plunged so far down that it was as if the planet itself had ended at our feet. The wind tugged at my hair. He was wearing those dark pants again and nothing else. The hard muscle corded his torso, fueled by an overpowering, almost savage strength. Not the mindless brutality of a common thug or the cruel power of an animal, but an intelligent, stubborn, human strength. It was everywhere: in the set of his broad shoulders, in the turn of his head on a muscular neck, in the tilt of his square jaw. He turned to me and his whole body tightened, the muscles flexing and hardening, his hands ready to grip and crush, his eyes alert, missing nothing, and blazing with the brilliant electric blue of magic. I could picture him getting his sword and walking alone onto the drawbridge to defend his castle against a horde of invaders with that exact look on his face. He was terrifying, and I wanted to run my hands down that chest and feel the hard ridges of his abs. I was some special kind of idiot. Magic roiled about him, ferocious and alive, a pet monster with vicious teeth. He moved toward me, bringing it with him. “Tell me about Adam Pierce.” I reached over and put my hand on his chest. His skin was burning hot. The muscle tensed under my fingers. An eager electric shiver ran through me. I wanted to lean against that chest and kiss the underside of that jaw, tasting his sweat on my tongue. I wanted him to like it. “What happened to the boy?” I asked. “The one who destroyed a city in Mexico? Is he still inside?” “Nevada!” My mother’s voice cut through my dreams like a knife. I sat straight up in my bed. Okay. I was either way more messed up inside, or Mad Rogan was a strong projector and could shoot images straight into my mind. Either way was bad. What happened to the boy . . . I needed to have my head examined.
Ilona Andrews (Burn for Me (Hidden Legacy, #1))
Did you ever notice how very fickle males are?” she asked the horse. “And how very foolish females are about them?” she added, aware of how inexplicably deflated she felt. She realized as well that she was being completely irrational-she had not intended to come here, had not wanted him to be waiting, and now she felt almost like crying because he wasn’t! Giving the ribbons of her bonnet an impatient jerk, she untied them. Pulling the bonnet off, she pushed the back door of the cottage open, stepped inside-and froze in shock! Standing at the opposite side of the small room, his back to her, was Ian Thornton. His dark head was slightly bent as he gazed at the cheery little fire crackling in the fireplace, his hands shoved into the back waistband of his gray riding breeches, his booted foot upon the grate. He’d taken off his jacket, and beneath his soft lawn shirt his muscles flexed as he withdrew his right hand and shoved it through the side of his hair. Elizabeth’s gaze took in the sheer male beauty of his wide, masculine shoulders, his broad back and narrow waist. Something in the somber way he was standing-added to the fact that he’d waited more than two hours for her-made her doubt her earlier conviction that he hadn’t truly cared whether she came or not. And that was before she glanced sideways and saw the table. Her heart turned over when she saw the trouble he’d taken: A cream linen tablecloth covered with crude china, obviously borrowed from Charise’s house. In the center of the table a candle was lit, and a half-empty bottle of wine stood beside a platter of cold meat and cheese. In all her life Elizabeth had never known that a man could actually arrange a luncheon and set a table. Women did that. Women and servants. Not men who were so handsome they made one’s pulse race. It seemed she’d been standing there for several minutes, not mere seconds, when he stiffened suddenly, as if sensing her presence. He turned, and his harsh face softened with a wry smile: “You aren’t very punctual.” “I didn’t intend to come,” Elizabeth admitted, fighting to recover her balance and ignore the tug of his eyes and voice. “I got caught in the rain on my way to the village.” “You’re wet.” “I know.” “Come over by the fire.” When she continued to watch him warily, he took his foot off the grate and walked over to her. Elizabeth stood rooted to the floor, while all of Lucinda’s dark warnings about being alone with a man rushed through her mind. “What do you want?” she asked him breathlessly, feeling dwarfed by his towering height. “Your jacket.” “No-I think I’d like to keep it on.” “Off,” he insisted quietly. “It’s wet.” “Now see here!” she burst out backing toward the open door, clutching the edges of her jacket. “Elizabeth,” he said with reassuring calm, “I gave you my word you’d be safe if you came today.” Elizabeth briefly closed her eyes and nodded, “I know. I also know I shouldn’t be here. I really ought to leave. I should, shouldn’t I?” Opening her eyes again, she looked beseechingly into his-the seduced asking the seducer for advice. “Under the circumstances, I don’t think I’m the one you ought to ask.
Judith McNaught (Almost Heaven (Sequels, #3))
There was also a package wrapped in pale blue paper and tied with a matching ribbon. Picking up a small folded note that had been tucked under the ribbon, Beatrix read: A gift for your wedding night, darling Bea. This gown was made by the most fashionable modiste in London. It is rather different from the ones you usually wear, but it will be very pleasing to a bridegroom. Trust me about this. -Poppy Holding the nightgown up, Beatrix saw that it was made of black gossamer and fastened with tiny jet buttons. Since the only nightgowns she had ever worn had been of modest white cambric or muslin, this was rather shocking. However, if it was what husbands liked... After removing her corset and her other underpinnings, Beatrix drew the gown over her head and let a slither over her body in a cool, silky drift. The thin fabric draped closely over her shoulders and torso and buttoned at the waist before flowing to the ground in transparent panels. A side slit went up to her hip, exposing her leg when she moved. And her back was shockingly exposed, the gown dipping low against her spine. Pulling the pins and combs from her hair, she dropped them into the muslin bag in the trunk. Tentatively she emerged from behind the screen. Christopher had just finished pouring two glasses of champagne. He turned toward her and froze, except for his gaze, which traveled over her in a burning sweep. "My God," he muttered, and drained his champagne. Setting the empty glass aside, he gripped the other as if he were afraid it might slip through his fingers. "Do you like my nightgown?" Beatrix asked. Christopher nodded, not taking his gaze from her. "Where's the rest of it?" "This was all I could find." Unable to resist teasing him, Beatrix twisted and tried to see the back view. "I wonder if I put it on backward..." "Let me see." As she turned to reveal the naked line of her back, Christopher drew in a harsh breath. Although Beatrix heard him mumble a curse, she didn't take offense, deducing that Poppy had been right about the nightgown. And when he drained the second glass of champagne, forgetting that it was hers, Beatrix sternly repressed a grin. She went to the bed and climbed onto the mattress, relishing the billowy softness of its quilts and linens. Reclining on her side, she made no attempt to cover her exposed leg as the gossamer fabric fell open to her hip. Christopher came to her, stripping off his shirt along the way. The sight of him, all that flexing muscle and sun-glazed skin, was breathtaking. He was a beautiful man, a scarred Apollo, a dream lover. And he was hers.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
Closing the door, she turned back to him, taking in the long, muscled length of him on the bed, staring at her. Waiting for her. Perfection. He was perfect, and she was bare before him, bathed in candlelight. She was instantly embarrassed- somehow more embarrassed than she had been that night in his office, when she'd touched herself under his careful guidance. At least then she'd been wearing a corset. Stockings. Tonight, she wore nothing. She was all flaws, each one highlighted by his perfection. He watched her for a long moment before extending one muscled arm, palm up, an irresistible invitation. She went to him without hesitation, and he rolled to his back, pulling her over his lovely, lean chest, staring up at her intently. She covered her breasts in a wave of nerves and trepidation. "When you look at me like that... it's too much." He did not look away. "How do I look at you?" "I don't know what it is... but I feel as though you can see into me. As though, if you could, you would consume me." "It's want, love. Desire like nothing I've never experienced. I'm fairly shaking with it. Come here." The demand was impossible to resist, carrying with it the promise of pleasure beyond her dreams. She went. When she was close enough to touch, he lifted one hand, stroking his fingers along hers where they hid her breasts from view. "I tremble with need for you, Pippa. Please, love, let me see you." The request was raw and wretched, and she couldn't deny him, slowly moving her hands to settle them on his chest, fingers splayed wide across the crisp auburn hair that dusted his skin. She was distracted by that hair, the play of it over muscle- the way it narrowed to a lovely dark line across his flat stomach. He lay still as she touched him, his muscles firm and perfect. "You're so beautiful," she whispered, fingers stroking down his arms to his wrists. His gaze narrowed on her. "I am happy you approve, my lady." She smiled. "Oh I do, my lord. You are a remarkable specimen." White teeth flashed again as she gained her courage, retracing her touch, over his forearms, marveling in the feel of him, reciting from memory, "flexor digitorium superficialis, flexor capri radialis..." along his upper arms, "biceps brachii, tricipitis brachii..." over his shoulders, loving the way his muscles tensed and flexed beneath her touch, "deltoideus..." and down his chest, "subscapularis... pectoralis major..." She stilled, brushing her fingers over the curve of that muscle, the landscape of him... the valleys of his body. He sucked in a breath as her fingers ran over the flat discs of his nipples, arching up to her touch, and she stilled, reveling in her power. He enjoyed her touch. He wanted it. She repeated the stroke, this time with her thumbs. He hissed his pleasure, one wide hand falling to the inside of her knee, sending a river of heat through her. "Don't stop now, love. This is the most effective seduction I've ever experienced.
Sarah MacLean (One Good Earl Deserves a Lover (The Rules of Scoundrels, #2))
Oedipa spent the next several days in and out of libraries and earnest discussions with Emory Bortz and Genghis Cohen. She feared a little for their security in view of what was happening to everyone else she knew. The day after reading Blobb's Peregrinations she, with Bortz, Grace, and the graduate students, attended Randolph Driblette's burial, listened to a younger brother's helpless, stricken eulogy, watched the mother, spectral in afternoon smog, cry, and came back at night to sit on the grave and drink Napa Valley muscatel, which Driblette in his time had put away barrels of. There was no moon, smog covered the stars, all black as a Tristero rider. Oedipa sat on the earth, ass getting cold, wondering whether, as Driblette had suggested that night from the shower, some version of herself hadn't vanished with him. Perhaps her mind would go on flexing psychic muscles that no longer existed; would be betrayed and mocked by a phantom self as the amputee is by a phantom limb. Someday she might replace whatever of her had gone away by some prosthetic device, a dress of a certain color, a phrase in a ' letter, another lover. She tried to reach out, to whatever coded tenacity of protein might improbably have held on six feet below, still resisting decay-any stubborn quiescence perhaps gathering itself for some last burst, some last scramble up through earth, just-glimmering, holding together with its final strength a transient, winged shape, needing to settle at once in the warm host, or dissipate forever into the dark. If you come to me, prayed Oedipa, bring your memories of the last night. Or if you have to keep down your payload, the last five minutes-that may be enough. But so I'll know if your walk into the sea had anything to do with Tristero. If they got rid of you for the reason they got rid of Hilarius and Mucho and Metzger-maybe because they thought I no longer needed you. They were wrong. I needed you. Only bring me that memory, and you can live with me for whatever time I've got. She remembered his head, floating in the shower, saying, you could fall in love with me. But could she have saved him? She looked over at the girl who'd given her the news of his death. Had they been in love? Did she know why Driblette had put in those two extra lines that night? Had he even known why? No one could begin to trace it. A hundred hangups, permuted, combined-sex, money, illness, despair with the history of his time and place, who knew. Changing the script had no clearer motive than his suicide. There was the same whimsy to both. Perhaps-she felt briefly penetrated, as if the bright winged thing had actually made it to the sanctuary of her heart-perhaps, springing from the same slick labyrinth, adding those two lines had even, in a way never to be explained, served him as a rehearsal for his night's walk away into that vast sink of the primal blood the Pacific. She waited for the winged brightness to announce its safe arrival. But there was silence. Driblette, she called. The signal echoing down twisted miles of brain circuitry. Driblette! But as with Maxwell's Demon, so now. Either she could not communicate, or he did not exist.
Thomas Pynchon (The Crying of Lot 49)