Mule Day Quotes

We've searched our database for all the quotes and captions related to Mule Day. Here they are! All 100 of them:

Where's Amy?" Ian put in. "Will you please get her to call that Evan character? He rings here twenty times a day. He's either the most mule-headed person who ever lived, or he really likes your sister. She has to have mercy on him–on all of us!
Gordon Korman (The Medusa Plot (39 Clues: Cahills vs. Vespers, #1))
He dreamt that night that he rode through the woods on a low ridge. Below him he could see deer in a meadow where the sun fell on the grass. The grass was still wet and the deer stood in it to their elbows. He could feel the spine of the mule rolling under him and he gripped the mule's barrel with his legs. Each leaf that brushed his face deepened his sadness and dread. Each leaf he passed, he'd never pass again. They rode over his face like veils, already some yellow, their veins slender like bones where the sun shone through them. He had resolved himself to ride on for he could not turn back and the world that day was as lovely as any day ever was and he was riding to his death.
Cormac McCarthy (Child of God)
Somehow, it was hotter then: a black dog suffered on a summer's day; bony mules hitched to Hoover carts flicked flies in the sweltering shade of the live oaks on the square. Men's stiff collars wilted by nine in the morning. Ladies bathed before noon, after their three o'clock naps, and by nightfall were like soft teacakes with frostings of sweat and sweet talcum.
Harper Lee (To Kill a Mockingbird)
Maycomb was an old town, but it was a tired old town when I first knew it. In rainy weather the streets turned to red slop; grass grew on the sidewalks, the courthouse sagged in the square. Somehow, it was hotter then: a black dog suffered on a summer’s day; bony mules hitched to Hoover carts flicked flied in the sweltering shade of the live oaks on the square. Men’s stiff collars wilted by nine in the morning. Ladies bathed before noon, after their three-o’clock naps, and by night fall were like soft teacakes with frostings of sweat and sweet talcum People moved slowly then. They ambled across the square, shuffled in and out of the stores around it, took their time about everything. A day was twenty-four hours long but seemed longer. There was no hurry, for there was nowhere to go, nothing to buy and no money to buy it with, noting to see outside the boundaries of Maycomb County. But it was a time of vague optimism for some of the people: Maycomb County had recently been told that it had nothing to fear but fear itself.
Harper Lee (To Kill a Mockingbird)
Stil snorted. “I am not in love with Angelique. I’m in love with you,” he said, scooting closer. Gemma pushed her chair away. “Well, that’s not proper.” “Why not?” Stil asked, butting his chair up against Gemma’s. “Because of the age difference.” “Age difference?” “Of course. Surely you can’t be a day younger than fifty or sixty,” Gemma said in surprise. Stil’s jaw dropped. “You think I’m an OLD MAN?!” Stil thundered. “Most magic users are not the age they physically appear to be,” Gemma said.“And it is well known that they age much more slowly.” “You think I’m an OLD MAN?!” he repeated, his voice even louder. “I’m not even twenty-five yet, you mean-spirited mule, and my clothes are fashionable among mages!” Stil said. “This whole time you’ve thought I am OLD?” “I get the impression that offends you.” “IT DOES.” Gemma only lifted her eyebrows. “Aren’t you going to apologize?” Stil asked. “For what?” “For thinking I’m OLD!” Gemma shrugged. “It seems you have only yourself to blame for that misunderstanding.” Stil glowered
K.M. Shea (Rumpelstiltskin (Timeless Fairy Tales, #4))
One day during the siege, Grant was observed walking the outer line when he encountered a mule-team driver beating and cursing one of the mules. He ordered the man to stop. The animal’s abuser, seeing a man with a blouse and no sign of rank, turned and began to swear at him. Grant had the man arrested and brought to his headquarters. Only then did the mule driver realize whom he had insulted. The man was ordered to be tied up by his thumbs. When released, the contrite soldier apologized for his language, telling Grant he did not know to whom he was speaking. Grant explained that he had punished the soldier not because of what he’d said to his commanding general: “I could defend myself, but the mule could not.
Ronald C. White Jr. (American Ulysses: A Life of Ulysses S. Grant)
As they were speaking, a dog that had been lying asleep raised his head and pricked up his ears. This was Argos, whom Odysseus had bred before setting out for Troy, but he had never had any enjoyment from him. In the old days he used to be taken out by the young men when they went hunting wild goats, or deer, or hares, but now that his master was gone he was lying neglected on the heaps of mule and cow dung that lay in front of the stable doors till the men should come and draw it away to manure the great close; and he was full of fleas. As soon as he saw Odysseus standing there, he dropped his ears and wagged his tail, but he could not get close up to his master. When Odysseus saw the dog on the other side of the yard, dashed a tear from his eyes without Eumaeus seeing it, and said: 'Eumaeus, what a noble hound that is over yonder on the manure heap: his build is splendid; is he as fine a fellow as he looks, or is he only one of those dogs that come begging about a table, and are kept merely for show?' 'This dog,' answered Eumaeus, 'belonged to him who has died in a far country. If he were what he was when Odysseus left for Troy, he would soon show you what he could do. There was not a wild beast in the forest that could get away from him when he was once on its tracks. But now he has fallen on evil times, for his master is dead and gone, and the women take no care of him. Servants never do their work when their master's hand is no longer over them, for Zeus takes half the goodness out of a man when he makes a slave of him.' So saying he entered the well-built mansion, and made straight for the riotous pretenders in the hall. But Argos passed into the darkness of death, now that he had fulfilled his destiny of faith and seen his master once more after twenty years…
Homer (The Odyssey)
After the brightness of the morning, the interior of the pavilion seemed cool and dim. Stannis seated himself on a plain wooden camp stool and waved Davos to another. “One day I may make you a lord, smuggler. If only to irk Celtigar and Florent. You will not thank me, though. It will mean you must suffer through these councils, and feign interest in the braying of mules.” “Why do you have them, if they serve no purpose?” “The mules love the sound of their own braying, why else? And I need them to haul my cart.
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
I AM ROWING (a hex poem) i have cursed your forehead, your belly, your life i have cursed the streets your steps plod through the things your hands touch i have cursed the inside of your dreams i have placed a puddle in your eye so that you cant see anymore an insect in your ear so that you cant hear anymore a sponge in your brain so that you cant understand anymore i have frozen you in the soul of your body iced you in the depths of your life the air you breathe suffocates you the air you breathe has the air of a cellar is an air that has already been exhaled been puffed out by hyenas the dung of this air is something no one can breathe your skin is damp all over your skin sweats out waters of great fear your armpits reak far and wide of the crypt animals drop dead as you pass dogs howl at night their heads raised toward your house you cant run away you cant muster the strength of an ant to the tip of your feet your fatigue makes a lead stump in your body your fatigue is a long caravan your fatigue stretches out to the country of nan your fatigue is inexpressible your mouth bites you your nails scratch you no longer yours, your wife no longer yours, your brother the sole of his foot bitten by an angry snake someone has slobbered on your descendents someone has drooled in the mouth of your laughing little girl someone has walked by slobbering all over the face of your domain the world moves away from you i am rowing i am rowing i am rowing against your life i am rowing i split into countless rowers to row more strongly against you you fall into blurriness you are out of breath you get tired before the slightest effort i row i row i row you go off drunk tied to the tail of a mule drunkenness like a huge umbrella that darkens the sky and assembles the flies dizzy drunkenness of the semicircular canals unnoticed beginnings of hemiplegia drunkeness no longer leaves you lays you out to the left lays you out to the right lays you out on the stony ground of the path i row i row i am rowing against your days you enter the house of suffering i row i row on a black blinfold your life is unfolding on the great white eye of a one eyed horse your future is unrolling I AM ROWING
Henri Michaux
She makes me crazy. She makes me happy. I think she's so beautiful that I want to just sit and look at her for hours. One minute I'm perfectly sane, and the next I'm totally losing it. She couldn’t give a shit less about the fact that I'm rich, and I think the woman is blind because I swear she doesn't even notice that I'm scarred. The way she looks at me sometimes makes me feel like I'm ten feet tall. And she's looking at me. Not the billionaire, not the wealthy executive. Just the man. She can be as stubborn as a damn mule, but I even like that because she's determined. Smart. Kind. And she puts up with my cranky ass, accepts me exactly as I am." Breathless from his tirade, Simon sucked in a trembling, uneven gulp of air. He slumped forward, his anger spent. "So, yeah. If these wild lunatic, possessive feelings for her that I have every fucking minute of every day are love...I'm screwed. I'm can't even imagine having to live my life without her.
J.S. Scott (Mine Forever (The Billionaire's Obsession, #1C))
I know, 0 Caesar, that thou art awaiting my arrival with impatience, that thy true heart of a friend is yearning day and night for me. I know that thou art ready to cover me with gifts, make me prefect of the pretorian guards, and command Tigellinus to be that which the gods made him, a mule-driver in those lands which thou didst inherit after poisoning Domitius. Pardon me, however, for I swear to thee by Hades, and by the shades of thy mother, thy wife, thy brother, and Seneca, that I cannot go to thee. Life is a great treasure. I have taken the most precious jewels from that treasure, but in life there are many things which I cannot endure any longer. Do not suppose, I pray, that I am offended because thou didst kill thy mother, thy wife, and thy brother; that thou didst burn Eome and send to Erebus all the honest men in thy dominions. No, grandson of Chronos. Death is the inheritance of man; from thee other deeds could not have been expected. But to destroy one's ear for whole years with thy poetry, to see thy belly of a Domitius on slim legs whirled about in a Pyrrhic dance; to hear thy music, thy declamation, thy doggerel verses, wretched poet of the suburbs, — is a thing surpassing my power, and it has roused in me the wish to die. Eome stuffs its ears when it hears thee; the world reviles thee. I can blush for thee no longer, and I have no wish to do so. The howls of Cerberus, though resembling thy music, will be less offensive to me, for I have never been the friend of Cerberus, and I need not be ashamed of his howling. Farewell, but make no music; commit murder, but write no verses; poison people, but dance not; be an incendiary, but play not on a cithara. This is the wish and the last friendly counsel sent thee by the — Arbiter Elegantiae.
Henryk Sienkiewicz (Quo Vadis)
They were all day among the dunes and in the evening coming down from the last low sandhills to the plain below among catclaw and crucifixion thorn they were a parched and haggard lot man and beast. Harpie eagles flew up screaming from a dead mule and wheeled off westward into the sun as they led the horses out onto the plain.
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
My Last Duchess That’s my last Duchess painted on the wall, Looking as if she were alive. I call That piece a wonder, now: Fra Pandolf’s hands Worked busily a day, and there she stands. Will’t please you sit and look at her? I said “Fra Pandolf” by design, for never read Strangers like you that pictured countenance, The depth and passion of its earnest glance, But to myself they turned (since none puts by The curtain I have drawn for you, but I) And seemed as they would ask me, if they durst, How such a glance came there; so, not the first Are you to turn and ask thus. Sir, ’twas not Her husband’s presence only, called that spot Of joy into the Duchess’ cheek: perhaps Fra Pandolf chanced to say “Her mantle laps Over my lady’s wrist too much,” or “Paint Must never hope to reproduce the faint Half-flush that dies along her throat”: such stuff Was courtesy, she thought, and cause enough For calling up that spot of joy. She had A heart—how shall I say?—too soon made glad, Too easily impressed; she liked whate’er She looked on, and her looks went everywhere. Sir, ’twas all one! My favour at her breast, The dropping of the daylight in the West, The bough of cherries some officious fool Broke in the orchard for her, the white mule She rode with round the terrace—all and each Would draw from her alike the approving speech, Or blush, at least. She thanked men,—good! but thanked Somehow—I know not how—as if she ranked My gift of a nine-hundred-years-old name With anybody’s gift. Who’d stoop to blame This sort of trifling? Even had you skill In speech—(which I have not)—to make your will Quite clear to such an one, and say, “Just this Or that in you disgusts me; here you miss, Or there exceed the mark”—and if she let Herself be lessoned so, nor plainly set Her wits to yours, forsooth, and made excuse, —E’en then would be some stooping; and I choose Never to stoop. Oh sir, she smiled, no doubt, Whene’er I passed her; but who passed without Much the same smile? This grew; I gave commands; Then all smiles stopped together. There she stands As if alive. Will’t please you rise? We’ll meet The company below, then. I repeat, The Count your master’s known munificence Is ample warrant that no just pretence Of mine for dowry will be disallowed; Though his fair daughter’s self, as I avowed At starting, is my object. Nay, we’ll go Together down, sir. Notice Neptune, though, Taming a sea-horse, thought a rarity, Which Claus of Innsbruck cast in bronze for me!
Robert Browning (My Last Duchess and Other Poems (Dover Thrift Editions: Poetry))
Now the golden eagle has flown and the finch is chased away. At last the day must come when the mule takes the reins . . .
Sofía Segovia (The Murmur of Bees)
I Have Walked Down Many Roads by Antonio Machado translated from the Spanish by Don Share I have walked down many roads and cleared many paths; I have navigated a hundred oceans and anchored off a hundred shores. All over, I have seen caravans of sadness, pompous and melancholy men drunk with black shadows, and defrocked pedants who stare, keep quiet, and think they know, because they don’t drink wine in the neighborhood bars. Bad people who go around polluting the earth . . . And all over, I have seen people who dance or play, when they can, and work their four handfuls of land. If they turn up someplace, they never ask where they are. When they travel, they ride on the backs of old mules, and don’t know how to hurry, not even on holidays. When there’s wine, they drink wine; when there’s no wine, they drink cool water. These are good people, who live, work, get by, and dream; and on a day like all the others they lie down under the earth.
Antonio Machado (Times Alone: Selected Poems)
There were no milestones in the Copper Country. Often a traveler could only measure the progress of a journey by the time it took to get from each spoiled or broken thing to the next: a half-day’s walk from a dry well to the muzzle of a cannon poking out of a sand-slope, two hours to reach the skeletons of a man and a mule. The land was losing its battle with time. Ancient and exhausted, it visited decrepitude on everything within its bounds, as though out of spleen.
K.J. Bishop (The Etched City)
(more than 150 years later, these crude breastworks are still in place). At dusk the men picked the meatiest of their stringy mules and slaughtered them for a thin gravy dinner. From that day on, this forlorn spot would be known as Mule Hill.
Hampton Sides (Blood and Thunder: The Epic Story of Kit Carson and the Conquest of the American West)
The day, like all good days, passed far too quickly.
S.A. Tawks (Mule)
The ceaseless rain is falling fast, And yonder gilded vane, Immovable for three days past, Points to the misty main, It drives me in upon myself And to the fireside gleams, To pleasant books that crowd my shelf, And still more pleasant dreams, I read whatever bards have sung Of lands beyond the sea, And the bright days when I was young Come thronging back to me. In fancy I can hear again The Alpine torrent's roar, The mule-bells on the hills of Spain, The sea at Elsinore. I see the convent's gleaming wall Rise from its groves of pine, And towers of old cathedrals tall, And castles by the Rhine. I journey on by park and spire, Beneath centennial trees, Through fields with poppies all on fire, And gleams of distant seas. I fear no more the dust and heat, No more I feel fatigue, While journeying with another's feet O'er many a lengthening league. Let others traverse sea and land, And toil through various climes, I turn the world round with my hand Reading these poets' rhymes. From them I learn whatever lies Beneath each changing zone, And see, when looking with their eyes, Better than with mine own.
Henry Wadsworth Longfellow (The Complete Poems of Henry Wadsworth Longfellow)
These westbound pioneers slogged through the morass on foot, or in wagons drawn by mules and oxen. Impossible for them to conceive that their mud march would one day become sport for modern Americans,
Tony Horwitz (Spying on the South: An Odyssey Across the American Divide)
You been forgetting Who's in charge and who ain't. So here's what I'm gone do: I'm gone send a storm so big it rips the roof off the shed where you keep that mule you so proud of. Then I'm gone send hail big as walnuts down on that mule, making it break its leg trying to bust out of there. Then, just so you know for sure it's Me you dealing with, the next morning after you put that mule down and buried it and you up on the ladder trying to nail the roof back onto the shed I'm gone to let that weak top rung, the one you ain't got around to fixing yet, I'm gone let it rot all the way through so you fall off and break your own leg, and I'm gone to send Florence and Lilly Mae to a birthing and the twins out to the far end of the field so you laying there half the day. That'll give you time to think real hard on what I been trying to tell you.
Hillary Jordan (Mudbound)
Abraham Lincoln was correct when he said that less than one-half day's cost of the Civil War could have purchased the freedom of all the slaves in Delaware. The Civil War cost the two sides a total of $6.6 billion in 1860s dollars, enough to buy the freedom of all the slaves at their 1860 market value, give each slave family 40 acres and a mule and make $3.5 billion in reparations to former slaves in lieu of 100 years of back wages.
Claudia Goldin
Then they had grown. Edging into life from the back door. Becoming. Everybody in the world was in a position to give them orders. White women said, "Do this." White children said, "Give me that." White men said. "Come here." Black men said, "Lay down." The only people they need not take orders from were black children and each other. But they took all of that and re-created it in their own image. They ran the houses of white people, and knew it. When white men beat their men, they cleaned up the book and went home to receive abuse from the victim. They beat their children with one hand and stole for them with the other. The hangs that felled trees also cut umbilical cords; the hands that wrung the necks of chickens and butchered hogs also nudged African violets into bloom; the arms that loaded sheaves, bales, and sacks rocked babies into sleep. They patted biscuits into flaky ovals of innocence--and shrouded the dead. They plowed all day and came home to nestle like plums under the limbs of their men, The legs that straddled a mule's back were the same ones that straddled their men's hips. And the difference was all the difference there was.
Toni Morrison (The Bluest Eye (A Play))
In two days they began to come upon bones and cast-off apparel. They saw halfburied skeletons of mules with the bones so white and polished they seemed incandescent even in that blazing heat and they saw panniers and packsaddles and the bones of men and they saw a mule entire, the dried and blackened carcass hard as iron. They rode on. The white noon saw them through the waste like a ghost army, so pale they were with dust, like shades of figures erased upon a board. The wolves loped paler yet and grouped and skittered and lifted their lean snouts on the air. At night the horses were fed by hand from sacks of meal and watered from buckets. There was no more sickness. The survivors lay quietly in that cratered void and watched the whitehot stars go rifling down the dark. Or slept with their alien hearts beating in the sand like pilgrims exhausted upon the face of the planet Anareta, clutched to a namelessness wheeling in the night. They moved on and the iron of the wagontires grew polished bright as chrome in the pumice. To the south the blue cordilleras stood footed in their paler image on the sand like reflections in a lake and there were no wolves now. They took to riding by night, silent jornadas save for the trundling of the wagons and the wheeze of the animals. Under the moonlight a strange party of elders with the white dust thick on their moustaches and their eyebrows. They moved on and the stars jostled and arced across the firmament and died beyond the inkblack mountains. They came to know the nightskies well. Western eyes that read more geometric constructions than those names given by the ancients. Tethered to the polestar they rode the Dipper round while Orion rose in the southwest like a great electric kite. The sand lay blue in the moonlight and the iron tires of the wagons rolled among the shapes of the riders in gleaming hoops that veered and wheeled woundedly and vaguely navigational like slender astrolabes and the polished shoes of the horses kept hasping up like a myriad of eyes winking across the desert floor. They watched storms out there so distant they could not be heard, the silent lightning flaring sheetwise and the thin black spine of the mountain chain fluttering and sucked away again in the dark. They saw wild horses racing on the plain, pounding their shadows down the night and leaving in the moonlight a vaporous dust like the palest stain of their passing.
Cormac McCarthy (Blood Meridian: Or the Evening Redness in the West)
Men are dogs ... they just are. They need constant praise and rewards. Women are pack mules—we work without praise for long days, recover quickly, and wake up the next day plodding right along again. No treats. No pats on the head. No belly rubs
Jewel E. Ann (Not What I Expected)
I spent my summers at my grandparents’ cabin in Estes Park, literally next door to Rocky Mountain National Park. We had a view of Longs Peak across the valley and the giant rock beaver who, my granddad told me, was forever climbing toward the summit of the mountain. We awoke to mule deer peering in the windows and hummingbirds buzzing around the red-trimmed feeders; spent the days chasing chipmunks across the boulders of Deer Mountain and the nights listening to coyotes howling in the dark.
Mary Taylor Young (The Guide to Colorado Mammals)
Though the mules plod in a steady and unflagging hypnosis, the vehicle does not seem to progress. It seems to hang suspended in the middle distance forever and forever, so infinitesimal is its progress, like a shabby bead upon the mild red string of road. So much so is this that in the watching of it the eye loses it as sight and sense drowsily merge and blend, like the road itself, with all the peaceful and monotonous changes between darkness and day, like already measured thread being rewound onto a spool. So that at last, as though out of some trivial and unimportant region beyond even distance, the sound of it seems to come slow and terrific and without meaning, as though it were a ghost traveling a half mile ahead of its own shape.
William Faulkner (Light in August)
When the sun was fully up, the gunslinger moved on west. He would find another horse eventually, or a mule, but for now he was content to walk. All that day he was haunted by a ringing, singing sound in his ears, a sound like bells. Several times he stopped and looked around, sure he would see a dark following shape flowing over the ground, chasing after as the shadows of our best and worst memories chase after, but no shape was ever there. He was alone in the low hill country west of Eluria. Quite alone.
Stephen King (Everything's Eventual: 14 Dark Tales)
One thing in particular struck many of us as amazing: all along the beach, there were no horses!   This was a surprise for you?   Yes, we found it astonishing. This huge army had brought with it not one single horse or pack-mule! All their transport was mechanised.
Holger Eckhertz (D DAY Through German Eyes - The Hidden Story of June 6th 1944)
two things will stop them—Christmas and tragedy. He dismounts his albino steed, the horse’s pinked nostrils flaring, dirty mane matted with ice. The single-rig saddle is snow-crusted as well, its leather and cloth components—the mochila and shabrack—frozen stiff. He rubs George’s neck, speaking in soft, low tones he knows will calm the animal, telling him he did a good day’s work and that a warm stable awaits with feed and fresh water. The mule skinner opens his wallet, collects the pint of bust-head he bought at a bodega in Silverton, and swallows the remaining mouthful, whiskey
Blake Crouch (Abandon)
Yet it wasn’t the Mississippi River that captured Jim Bridger’s imagination : it was the Missouri. A mere six likes from his ferry the two great rivers joined as one, the wild waters of the frontier pouring into the bromide current of the everyday. It was the confluence of old and new, known and unknown, civilization and wilderness. Bridger lived for the rare moments when the fur traders and voyageurs tied their sleek Mackinaws at the ferry landing, sometimes even camping for the night. He marveled at their tales of savage Indians, teeming game, forever plains, and soaring mountains. The frontier for Bridger became an aching presence that he could feel, but could not define, a magnetic force pulling him inexorably toward something that he had heard about, but never seen. A preacher on a swaybacked mule rode Bridger’s ferry one day. He asked Bridger if he knew God’s mission for him in life. Without pause Bridger answered, “Go to the Rockies”. The preacher was elated, urging the boy to consider missionary work with the savages. Bridger had no interest in bringing Jesus to the Indians, but the conversation stuck with him. The boy came to believe that going west was more than just a fancy for someplace new. He came to see it as a part of his soul, a missing piece that could only be made whole on some far-off mountain or plain.
Michael Punke (The Revenant)
Central Park It’s hard to describe how that day in the park was altered when I stopped to read an official sign I came across near the great carousel, my lips moving silently like the lips of Saint Ambrose. As the carousel turned in the background, all pinions and mirrors and the heads of horses rising to the steam-blown notes of a calliope, I was learning how the huge thing was first designed to be powered by a blind mule, as it turned out, strapped to the oar of a wheel in an earthen room directly below the merry turning of the carousel. The sky did not darken with this news nor did a general silence fall on the strollers or the ball players on the green fields. No one even paused to look my way, though I must have looked terrible as I stood there filling with sympathy not so much for the harnessed beast tediously making its rounds, but instead for the blind mule within me always circling in the dark— the mule who makes me turn when my name is called or causes me to nod with a wooden gaze or sit doing nothing on a bench in the shape of a swan. Somewhere, there must still be a door to that underground room, the lock rusted shut, the iron key misplaced, last year’s leaves piled up against the sill, and inside, a trace of straw on the floor, a whiff of manure, and maybe a forgotten bit or a bridle hanging from a hook in the dark. Poor blind beast, I sang softly as I left the park, poor blind me, poor blind earth turning blindly on its side.
Billy Collins (Aimless Love: New and Selected Poems)
Across the South, someone was hanged or burned alive every four days from 1889 to 1929, according to the 1933 book The Tragedy of Lynching, for such alleged crimes as “stealing hogs, horse-stealing, poisoning mules, jumping labor contract, suspected of killing cattle, boastful remarks” or “trying to act like a white person.”18 Sixty-six were killed after being accused of “insult to a white person.”19 One was killed for stealing seventy-five cents.20 Like the cotton growing in the field, violence had become so much a part of the landscape that “perhaps most of the southern black population had witnessed a lynching in their own communities or knew people who had,” wrote the historian Herbert Shapiro.21 “All blacks lived with the reality that no black individual was completely safe from lynching.
Isabel Wilkerson (The Warmth of Other Suns: The Epic Story of America's Great Migration)
Fucked up is the universal condition of man. We were crossing to Oregon behind a cranky team of mules—the very definition, the apotheosis, the pinnacle, of fucked up. I woke in the morning to harness mules, fucked up, obsessed all day on making more miles, fucked up, and collapsed onto my squalid wagon matteess every night, fucked up. I was having a great time, enjoying the best summer of my life, fucked up. Fucked up is good.
Rinker Buck (The Oregon Trail: A New American Journey)
For the gods keep hidden from men the means of life. Else you would easily do work enough in a day to supply you for a full year even without working; soon would you put away your rudder over the smoke, and the fields worked by ox and sturdy mule would run to waste. But Zeus in the anger of his heart hid it, because Prometheus the crafty deceived him; therefore he planned sorrow and mischief against men. He hid fire; but that the noble son of Iapetus stole again for men from Zeus the counsellor in a hollow fennel-stalk, so that Zeus who delights in thunder did not see it. But afterwards Zeus who gathers the clouds said to him in anger: `Son of Iapetus, surpassing all in cunning, you are glad that you have outwitted me and stolen fire -- a great plague to you yourself and to men that shall be. But I will give men as the price for fire an evil thing in which they may all be glad of heart while they embrace their own destruction.
Hesiod (Work and Days)
Now come days of begging, days of theft. Days of riding where there rode no soul save he. He’s left behind the pinewood country and the evening sun declines before him beyond an endless swale and dark falls here like a thunderclap and a cold wind sets the weeds to gnashing. The night sky lies so sprent with stars that there is scarcely space of black at all and they fall all night in bitter arcs and it is so that their numbers are no less. He keeps from off the king’s road for fear of citizenry. The little prairie wolves cry all night and dawn finds him in a grassy draw where he’d gone to hide from the wind. The hobbled mule stands over him and watches the east for light. The sun that rises is the color of steel. His mounted shadow falls for miles before him. He wears on his head a hat he’s made from leaves and they have dried and cracked in the sun and he looks like a raggedyman wandered from some garden where he’d used to frighten birds.
Cormac McCarthy (Blood Meridian: Or the Evening Redness in the West)
The next day we pursued our journey upon mules; and as we ascended still higher, the valley assumed a more magnificent and astonishing character. Ruined castles hanging on the precipices of piny mountains; the impetuous Arve, the cottages every here and there peeping forth from among the trees, formed a scene of singular beauty. But it was augmented and rendered sublime by the mighty Alps, whose white and shining pyramids and domes towered above all, as belonging to another earth, the habitations of another race of beings.
Mary Wollstonecraft Shelley
Meanwhile, in Genoa, the noons were getting hotter, the converging outer roads getting deeper with white dust, the oleanders in the tubs along the wayside gardens looking more and more like fatigued holiday-makers, and the sweet evening changing her office - scattering abroad those whom the mid-day had sent under shelter, and sowing all paths with happy social sounds, little tinklings of mule-bells and whirrings of thrumbed strings, light footsteps and voices, if not leisurely, then with the hurry of pleasure in them; while the encircling heights, crowned with forts, skirted with fine dwellings and gardens, seemed also to come forth and gaze in fulness of beauty after their long siesta, till all strong colour melted in the stream of moonlight which made the streets a new spectacle with shadows, both still and moving, on cathedral steps and against the facades of massive palaces; and then slowly with the descending moon all sank in deep night and silence, and nothing shone but the port lights of the great Lanterna in the blackness below, and the glimmering stars in the blackness above.
George Eliot (Daniel Deronda)
Maycomb was an old town, but it was a tired old town when I first knew it. In rainy weather the streets turned to red slop; grass grew on the sidewalks, the courthouse sagged in the square. Somehow, it was hotter then: a black dog suffered on a summer’s day; bony mules hitched to Hoover carts flicked flies in the sweltering shade of the live oaks on the square. Men’s stiff collars wilted by nine in the morning. Ladies bathed before noon, after their three-o’clock naps, and by nightfall were like soft teacakes with frostings of sweat and sweet talcum.
Harper Lee (To Kill a Mockingbird)
For four months of my life, I traveled constantly with Nora, occasionally touching down in the States for a few days. We lived a life of relentless tension, yet it was also often crushingly boring. I had little to do, other than keep Nora company while she dealt with her “mules.” I would roam the streets of strange cities all alone. I felt disconnected from the world even as I was seeing it, a person without purpose or place. This was not the adventure I craved. I was lying to my family about every aspect of my life and growing sick and tired of my adopted drug “family.
Piper Kerman (Orange Is the New Black: My Year in a Women's Prison)
I landed on my side, my hip taking the brunt of the fall. It burned and stung from the hit, but I ignored it and struggled to sit up quickly. There really was no point in hurrying so no one would see. Everyone already saw A pair of jean-clad legs appeared before me, and my suitcase and all my other stuff was dropped nearby. "Whatcha doing down there?" Romeo drawled, his hands on his hips as he stared down at me with dancing blue eyes. "Making a snow angel," I quipped. I glanced down at my hands, which were covered with wet snow and bits of salt (to keep the pavement from getting icy). Clearly, ice wasn't required for me to fall. A small group of girls just "happened by", and by that I mean they'd been staring at Romeo with puppy dog eyes and giving me the stink eye. When I fell, they took it as an opportunity to descend like buzzards stalking the dead. Their leader was the girl who approached me the very first day I'd worn Romeo's hoodie around campus and told me he'd get bored. As they stalked closer, looking like clones from the movie Mean Girls, I caught the calculating look in her eyes. This wasn't going to be good. I pushed up off the ground so I wouldn't feel so vulnerable, but the new snow was slick and my hand slid right out from under me and I fell back again. Romeo was there immediately, the teasing light in his eyes gone as he slid his hand around my back and started to pull me up. "Careful, babe." he said gently. The girls were behind him so I knew he hadn't seen them approach. They stopped as one unit, and I braced myself for whatever their leader was about to say. She was wearing painted-on skinny jeans (I mean, really, how did she sit down and still breathe?) and some designer coat with a monogrammed scarf draped fashionably around her neck. Her boots were high-heeled, made of suede and laced up the back with contrasting ribbon. "Wow," she said, opening her perfectly painted pink lips. "I saw that from way over there. That sure looked like it hurt." She said it fairly amicably, but anyone who could see the twist to her mouth as she said it would know better. Romeo paused in lifting me to my feet. I felt his eyes on me. Then his lips thinned as he turned and looked over his shoulder. "Ladies," he said like he was greeting a group of welcomed friends. Annoyance prickled my stomach like tiny needles stabbing me. It's not that I wanted him to be rude, but did he have to sound so welcoming? "Romeo," Cruella DeBarbie (I don't know her real name, but this one fit) purred. "Haven't you grown bored of this clumsy mule yet?" Unable to stop myself, I gasped and jumped up to my feet. If she wanted to call me a mule, I'd show her just how much of an ass I could be. Romeo brought his arm out and stopped me from marching past. I collided into him, and if his fingers hadn't knowingly grabbed hold to steady me, I'd have fallen again. "Actually," Romeo said, his voice calm, "I am pretty bored." Three smirks were sent my way. What a bunch of idiots. "The view from where I'm standing sure leaves a lot to be desired." One by one, their eyes rounded when they realized the view he referenced was them. Without another word, he pivoted around and looked down at me, his gaze going soft. "No need to make snow angels, baby," he said loud enough for the slack-jawed buzzards to hear. "You already look like one standing here with all that snow in your hair." Before I could say a word, he picked me up and fastened his mouth to mine. My legs wound around his waist without thought, and I kissed him back as gentle snow fell against our faces.
Cambria Hebert (#Hater (Hashtag, #2))
sided with the Red because when a Southerner tells you what they’re fighting for—be it tradition, pride, or just mule-headed stubbornness—you can agree or disagree, but you can’t call it a lie. When a Northerner tells you what they’re fighting for, they’ll use words like democracy and freedom and equality and the whole time both you and they know that the meaning of those words changes by the day, changes like the weather. I’d had enough of all that. You pick up a gun and fight for something, you best never change your mind. Right or wrong, you own your cause and you never, ever change your mind.
Omar El Akkad (American War)
been a miser from his youth, and lived down in the sunken world of Arroyo Hondo in the barest poverty, though he was supposed to be very rich. He used to boast that his house was as poor as a burro’s stable. His bed, his crucifix, and his bean-pot were his furniture. He kept no live-stock but one poor mule, on which he rode over to Taos to quarrel with his friend Martinez, or to get a solid dinner when he was hungry. In his casa every day was Friday—unless one of his neighbour women cooked a chicken and brought it in to him out of pure compassion. For his people liked him. He was grasping, but not oppressive, and he wrung more
Willa Cather (Death Comes for the Archbishop: The Original 1927 Unabridged and Complete Edition (Willa Cather Classics))
Lobsang sighed. ‘But I think I need you too, Joshua. I often think back to our days together on the Mark Twain.’ ‘Watched any old movies recently?’ ‘That’s another thing about Agnes. She won’t let me show any movies that don’t have nuns in.’ ‘Wow. That’s brutal.’ ‘Something else that’s good for me, she says. Of course there aren’t that many movies that qualify, and we watch them over and over.’ He shuddered. ‘Don’t talk to me about Two Mules for Sister Sara. But the musicals are the worst. Although Agnes says that the freezer-raiding scene in Sister Act is an authentic detail from convent life.’ ‘Well, that’s a consolation. Musicals with nuns in, huh . . .’ A voice rang out across the park, a voice Joshua remembered only too well from his own past. ‘Lobsang? Time to come in now. Your little friend will keep until tomorrow . . .’ ‘She has loudhailers everywhere.’ Lobsang shouldered his rake and sighed as they trudged across the grass. ‘You see what I’m reduced to? To think I hired forty-nine hundred monks to chant for forty-nine days on forty-nine mountain tops in stepwise Tibets, for this.’ Joshua clapped him on the shoulder. ‘It’s tough, Lobsang. She’s treating you like you’re a kid. Like you’re sixteen, going on seventeen.’ Lobsang looked at him sharply. ‘You can pack that in for a start,’ he snapped. ‘But I’ve got confidence you can overcome these difficulties, Lobsang. Just face up to every obstacle. Climb every mountain—’ Lobsang stalked off sulkily. Joshua waved cheerfully. ‘So long! Farewell!
Terry Pratchett (The Long War (The Long Earth #2))
During the crisis, black people had often made more money in a month than they had seen in their whole lives. Black men did not leave their wives, driven away by an inability to provide for their families. They rode in public transport on a first-come/first-seated basis. And more times than not were called Mister/Missus at their jobs or by sales clerks. Two months after V-Day war plants began to shut down, to cut back, to lay off employees. Some workers were offered tickets back to their Southern homes. Back to the mules they had left tied to the tree on ole Mistah Doo hickup farm. No good. Their expanded understanding could never again be accordioned into these narrow confines. They were free or at least nearer to freedom than ever before and they would not go back.
Maya Angelou (Gather Together in My Name)
Sometimes, instructing children in the old days, he had been asked by some black lozenge-eyed Indian child, What is God like? and he would answer facilely with references to the father and the mother, or perhaps more ambitiously he would include brother and sister and try to give some idea of all loves and relationships combined in an immense and yet personal passion....But at the centre of his own faith there always stood the convincing mystery—that we were made in God's image. God was the parent, but He was also the policeman, the criminal, the priest, the maniac, and the judge. Something resembling God dangled from the gibbet or went into odd attitudes before bullets in a prison yard or contorted itself like a camel in the attitude of sex. He would sit in the confessional and hear the complicated dirty ingenuities which God's image had thought out, and God's image shook now, up and down on the mule's back, with the yellow teeth sticking out over the lower lip, and god's image did its despairing act of rebellion with Maria in the hut among the rats. He said, Do you feel better now? Not so cold, eh? Or so hot? and pressed his hand with a kind of driven tenderness upon the shoulders of God's image. Such a lot of beauty. Saints talk about the beauty of suffering. Well, we are not saints, you and I. Suffering to us is just ugly. Stench and crowding and pain. That is beautiful in that corner—to them. It needs a lot of learning to see things with a saint's eye: a saint gets a subtle taste for beauty and can look down on poor ignorant palates like theirs. But we can't afford to.
Graham Greene (The Power and the Glory)
Only a fool says in his heart There is no Creator, no King of kings, Only mules would dare to bray These lethal mutterings. Over darkened minds as these The Darkness bears full sway, Fruitless, yet, bearing fruit, In their fell, destructive way. Sterile, though proliferate, A filthy progeny sees the day, When Evil, Thought and Action mate: Breeding sin, rebels and decay. The blackest deeds and foul ideals, Multiply throughout the earth, Through deadened, lifeless, braying souls, The Darkness labours and gives birth. Taking the Lord’s abundant gifts And rotting them to the core, They dress their dish and serve it out Foul seeds to infect thousands more. ‘The Tree of Life is dead!’ they cry, ‘And that of Knowledge not enough, Let us glut on the ashen apples Of Sodom and Gomorrah.’ Have pity on Thy children, Lord, Left sorrowing on this earth, While fools and all their kindred Cast shadows with their murk, And to the dwindling wise, They toss their heads and wryly smirk. The world daily grinds to dust Virtue’s fair unicorns, Rather, it would now beget Vice’s mutant manticores. Wisdom crushed, our joy is gone, Buried under anxious fears For lost rights and freedoms, We shed many bitter tears. Death is life, Life is no more, Humanity buried in a tomb, In a fatal prenatal world Where tiny flowers Are ripped from the womb, Discarded, thrown away, Inconvenient lives That barely bloomed. Our elders fare no better, Their wisdom unwanted by and by, Boarded out to end their days, And forsaken are left to die. Only the youthful and the useful, In this capital age prosper and fly. Yet, they too are quickly strangled, Before their future plans are met, Professions legally pre-enslaved Held bound by mounting student debt. Our leaders all harangue for peace Yet perpetrate the horror, Of economic greed shored up Through manufactured war. Our armies now welter In foreign civilian gore. How many of our kin are slain For hollow martial honour? As if we could forget, ignore, The scourge of nuclear power, Alas, victors are rarely tried For their woeful crimes of war. Hope and pray we never see A repeat of Hiroshima. No more! Crimes are legion, The deeds of devil-spawn! What has happened to the souls Your Divine Image was minted on? They are now recast: Crooked coins of Caesar and The Whore of Babylon. How often mankind shuts its ears To Your music celestial, Mankind would rather march To the anthems of Hell. If humanity cannot be reclaimed By Your Mercy and great Love Deservedly we should be struck By Vengeance from above. Many dread the Final Day, And the Crack of Doom For others the Apocalypse Will never come too soon. ‘Lift up your heads, be glad’, Fools shall bray no more For at last the Master comes To thresh His threshing floor.
E.A. Bucchianeri (Vocation of a Gadfly (Gadfly Saga, #2))
Theodore Roosevelt once said, “There has never yet been a man who led a life of ease, whose name is worth remembering. Certainly when the Lord calls us to be His disciples, He does not call us to a life of ease. A missionary whose story has influenced my life greatly is a man mentioned earlier named Henry Martyn. After a long and difficult life of Christian service in India, he announced he was going to go to Persia (modern Iran), because God had laid it upon his heart to translate the New Testament and the Psalms into the Persian language. By then he was an old man. People told him that if he stayed in India, he would die from the heat, and that Persia was hotter than India. But he went nonetheless. There he studied the Persian language and then translated the entire New Testament and Psalms in nine months. Then he learned that he couldn’t print or circulate them until he received the Shah’s permission. He traveled six hundred miles to Tehran; there he was denied permission to see the Shah. He turned around and made a four-hundred-mile trip to find the British ambassador, who gave him the proper letters of introduction and sent him the four hundred miles back to Tehran. This was in 1812, and Martyn made the whole trip on the back of a mule, traveling at night and resting by day, protected from the sweltering desert sun by nothing but a strip of canvas. He finally arrived back in Tehran, was received by the Shah, and secured permission for the Scriptures to be printed and circulated in Persia. Ten days later he died. But shortly before his death, he had written this statement in his diary: “I sat in the orchard, and thought, with sweet comfort and peace, of my God; in solitude my Company, my Friend, and Comforter.” He certainly did not live a life of ease, but it was a life worth remembering. And he’s one of many God used to turn redemptive history.
John F. MacArthur Jr. (Hard to Believe: The High Cost and Infinite Value of Following Jesus)
He's like a little boy again now for the first time in years because he's like let out of school, no job, the bills paid, nothing to do but gratefully amuse me, his eyes are shining -- In fact ever since he's come out of San Quentin there's been something hauntedly boyish about him as tho prison walls had taken all the adult dark tenseness out of him -- In fact every evening after supper in the cell he shared with the quiet gunman he'd bent his serious head to a daily letter or at least every-other-day letter full of philosophical and religious musings to his mistress Billie... And when you're in bed in jail after lights out and you're not sleepy there's ample time to just remember the world and indeed savor its sweetness if any (altho it's always sweet to remember it in jail tho harder in prison, as Genet shows) with the result that he'd not only come to a chastisement of his bashing bitternesses (and of course it's always good to get away from alcohol and excessive smoking for two years) (and all that regular sleep) he was just like a kid again, but as I say that haunting kidlikeness I think all ex cons seem to have when they've just come out -- In seeking to severely penalize criminals society by putting the criminals away behind safe walls actually provide them with the means of greater strength for future atrocities glorious and otherwise -- "Well I'll be damned" he keeps saying as he sees those bluffs and cliffs and hanging vines and dead trees, "you mean to tell me you ben alone here for three weeks, why I wouldn't dare that... must be awful at night ... looka that old mule down there... man, dig the redwood country way back in... reminds me of old Colorady b'god when I used to steal a car every day and drive out to hills like this with a fresh little high school sumptin" -- "Yum Yum, " says Dave Wain emphatically turning that big goofy look to us from his driving wheel with his big mad feverish shining eyes full of yumyum and yabyum too --
Jack Kerouac (Big Sur)
Everybody in the world was in a position to give them orders. White women said, “Do this.” White children said, “Give me that.” White men said, “Come here.” Black men said, “Lay down.” The only people they need not take orders from were black children and each other. But they took all of that and re-created it in their own image. They ran the houses of white people, and knew it. When white men beat their men, they cleaned up the blood and went home to receive abuse from the victim. They beat their children with one hand and stole for them with the other. The hands that felled trees also cut umbilical cords; the hands that wrung the necks of chickens and butchered hogs also nudged African violets into bloom; the arms that loaded sheaves, bales, and sacks rocked babies into sleep. They patted biscuits into flaky ovals of innocence—and shrouded the dead. They plowed all day and came home to nestle like plums under the limbs of their men. The legs that straddled a mule’s back were the same ones that straddled their men’s hips. And the difference was all the difference there was. Then they were old.
Toni Morrison (The Bluest Eye)
It was summer. The room was dark in spite of the door and window open on the great outer light. Through these narrow openings, far apart, the light poured, lit up a little space, then died, undiffused. It had no steadfastness, no assurance of lasting as long as day lasted. But it entered at every moment, renewed from without, entered and died at every moment, devoured by the dark. And at the least abatement of the inflow the room grew darker and darker until nothing in it was visible anymore. For the dark had triumphed. And Sapo, his face turned towards an earth so resplendent that it hurt his eyes, felt at his back and all about him the unconquerable dark, and it licked the light on his face. Sometimes abruptly he turned to face it, letting it envelop and pervade him with a kind of relief. Then he heard more clearly the sounds of those at work, the daughter calling to her goats, the father cursing his mule. But silence was in the heart of the dark, the silence of dust and the things that would never stir, if left alone. And the ticking of the invisible alarm-clock was as the voice of that silence which, like the dark, would one day triumph too. And then all would be still and dark and all things at rest for ever at last.
Samuel Beckett (Malone Dies)
Have you talked about how many children you’d like to have?” “Yes, sir,” Marlboro Man said. “And?” Father Johnson prodded. “I’d like to have six or so,” Marlboro Man answered, a virile smile spreading across his face. “And what about Ree?” Father Johnson asked. “Well, she says she’d like to have one,” Marlboro Man said, looking at me and touching my knee. “But I’m workin’ on her.” Father Johnson wrinkled his brow. “How do you and Ree resolve conflict?” “Well…,” Marlboro Man replied. “To tell you the truth, we haven’t really had much conflict to speak of. We get along pretty darn well.” Father Johnson looked over his glasses. “I’m sure you can think of something.” He wanted some dirt. Marlboro Man tapped his boot on the sterile floor of Father Johnson’s study and looked His Excellence straight in the eye. “Well, she fell off her horse once when we went riding together,” he began. “And that upset her a little bit. And a while back, I dragged her to a fire with me and it got a little dicey…” Marlboro Man and I looked at each other. It was the largest “conflict” we’d had, and it had lasted fewer than twelve hours. Father Johnson looked at me. “How did you deal with that, Ree?” I froze. “Uh…uh…” I tapped my Donald Pliner mule on the floor. “I told him how I felt. And after that it was fine.” I hated every minute of this. I didn’t want to be examined. I didn’t want my relationship with Marlboro Man to be dissected with generic, one-size-fits-all questions. I just wanted to drive around in his pickup and look at pastures and curl up on the couch with him and watch movies. That had been going just fine for us--that was the nature of our relationship. But Father Johnson’s questioning was making me feel defensive, as if we were somehow neglecting our responsibility to each other if we weren’t spending every day in deep, contemplative thought about the minutiae of a future together. Didn’t a lot of that stuff just come naturally over time? Did it really serve a purpose to figure it out now? But Father Johnson’s interrogation continued: “What do you want for your children?” “Have you talked about budgetary matters?” “What role do your parents play in your life?” “Have you discussed your political preferences? Your stances on important issues? Your faith? Your religion?” And my personal favorite: “What are you both going to do, long term, to nurture each other’s creativity?” I didn’t have an answer for him there. But deep down, I knew that, somehow, gravy would come into play.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Sophie heard the sound of booted feet stomping in the hallway. Good heavens, Merriweather or Higgins would be coming to check on her. She rose, swiped at her cheeks, and set aside the baby’s spoon and rag. Then a thought hit her that had her sitting down hard on the bench again: her brothers. Oh, please God, not those three. Yes, she’d missed them terribly, but at that precise moment, she didn’t want to see anybody, not one soul except the very person she would never see again. Vim. He stood in the doorway, looking haggard, chilled to the bone, and so, so dear. Sophie flew across the kitchen to embrace him, the sob escaping her midflight. “I’m sorry,” he said, his arms going around her. “There were no coaches going to Kent, no horses to hire for a distance that great. No horses to buy, not even a mule. All day… I tried all day.” He sounded exhausted, and the cold came off him palpably. His cheeks were rosy with it, his voice a little hoarse, and against his ruddy complexion, his blue eyes gleamed brilliantly. “You must be famished.” Sophie did not let him go while she made that prosaic, female observation. Despite all she’d eaten, she was famished—for the sight of him, for the sound of his voice, and oh, for the feel of his tall body against her. “Hungry,
Grace Burrowes (Lady Sophie's Christmas Wish (The Duke's Daughters, #1; Windham, #4))
Antonia Valleau cast the first shovelful of dirt onto her husband’s fur-shrouded body, lying in the grave she’d dug in their garden plot, the only place where the soil wasn’t still rock hard. I won’t be breakin’ down. For the sake of my children, I must be strong. Pain squeezed her chest like a steel trap. She had to force herself to take a deep breath, inhaling the scent of loam and pine. I must be doing this. She drove the shovel into the soil heaped next to the grave, hefted the laden blade, and dumped the earth over Jean-Claude, trying to block out the thumping sound the soil made as it covered him. Even as Antonia scooped and tossed, her muscles aching from the effort, her heart stayed numb, and her mind kept playing out the last sight of her husband. The memory haunting her, she paused to catch her breath and wipe the sweat off her brow, her face hot from exertion in spite of the cool spring air. Antonia touched the tips of her dirty fingers to her lips. She could still feel the pressure of Jean-Claude’s mouth on hers as he’d kissed her before striding out the door for a day of hunting. She’d held up baby Jacques, and Jean-Claude had tapped his son’s nose. Jacques had let out a belly laugh that made his father respond in kind. Her heart had filled with so much love and pride in her family that she’d chuckled, too. Stepping outside, she’d watched Jean-Claude ruffle the dark hair of their six-year-old, Henri. Then he strode off, whistling, with his rifle carried over his shoulder. She’d thought it would be a good day—a normal day. She assumed her husband would return to their mountain home in the afternoon before dusk as he always did, unless he had a longer hunt planned. As Antonia filled the grave, she denied she was burying her husband. Jean-Claude be gone a checkin’ the trap line, she told herself, flipping the dirt onto his shroud. She moved through the nightmare with leaden limbs, a knotted stomach, burning dry eyes, and a throat that felt as though a log had lodged there. While Antonia shoveled, she kept glancing at her little house, where, inside, Henri watched over the sleeping baby. From the garden, she couldn’t see the doorway. She worried about her son—what the glimpse of his father’s bloody body had done to the boy. Mon Dieu, she couldn’t stop to comfort him. Not yet. Henri had promised to stay inside with the baby, but she didn’t know how long she had before Jacques woke up. Once she finished burying Jean-Claude, Antonia would have to put her sons on a mule and trek to where she’d found her husband’s body clutched in the great arms of the dead grizzly. She wasn’t about to let his last kill lie there for the animals and the elements to claim. Her family needed that meat and the fur. She heard a sleepy wail that meant Jacques had awakened. Just a few more shovelfuls. Antonia forced herself to hurry, despite how her arms, shoulders, and back screamed in pain. When she finished the last shovelful of earth, exhausted, Antonia sank to her knees, facing the cabin, her back to the grave, placing herself between her sons and where their father lay. She should go to them, but she was too depleted to move.
Debra Holland (Healing Montana Sky (Montana Sky, #5))
As they spoke, 290 Argos, the dog that lay there, raised his head and ears. Odysseus had trained this dog but with no benefit—he left too soon to march on holy Troy. The master gone, boys took the puppy out to hunt wild goats and deer and hares. But now he lay neglected, without an owner, in a pile of dung from mules and cows—the slaves stored heaps of it outside the door, until they fertilized the large estate. So Argos lay there dirty,300 covered with fleas. And when he realized Odysseus was near, he wagged his tail, and both his ears dropped back. He was too weak to move towards his master. At a distance, Odysseus had noticed, and he wiped his tears away and hid them easily, and said, “Eumaeus, it is strange this dog is lying in the dung; he looks quite handsome, though it is hard to tell if he can run, or if he is a pet, a table dog,310 kept just for looks.” Eumaeus, you replied, “This dog belonged to someone who has died in foreign lands. If he were in good health, as when Odysseus abandoned him and went to Troy, you soon would see how quick and brave he used to be. He went to hunt in woodland, and he always caught his prey. His nose was marvelous. But now he is in bad condition, with his master gone, long dead. The women fail to care for him.320 Slaves do not want to do their proper work, when masters are not watching them. Zeus halves our value on the day that makes us slaves.” With that, the swineherd went inside the palace, to join the noble suitors. Twenty years had passed since Argos saw Odysseus, and now he saw him for the final time— then suddenly, black death took hold of him.
Homer (The Odyssey)
She was a new world - a place of endless mysteries and unexpected delights, an enchanting mixture of woman and child. She supervised the domestic routine with deceptive lack of fuss. With her there, suddenly his clothes were clean and had their full complement of buttons; the stew of boots and books and unwashed socks in his wagon vanished. There were fresh bread and fruit preserves on the table; Kandhla's eternal grilled steaks gave way to a variety of dishes. Each day she showed a new accomplishment. She could ride astride, though Sean had to turn his back when she mounted and dismounted. She cut Sean's hair and made as good a job of it as his barber in Johannesburg. She had a medicine chest in her wagon from which she produced remedies for every ailing man or beast in the company. She handled a rifle like a man and could strip and clean Sean's Mannlicher. She helped him load cartridges, measuring the charges with a practised eye. She could discuss birth and procreation with a clinical objectivity and a minute later blush when she looked at him that way. She was as stubborn as a mule, haughty when it suited her, serene and inscrutable at times and at others a little girl. She would push a handful of grass down the back of his shirt and run for him to chase her, giggle for minutes at a secret thought, play long imaginative games in which the dogs were her children and she talked to them and answered for them. Sometimes she was so naive that Sean thought she was joking until he remembered how young she was. She could drive him from happiness to spitting anger and back again within the space of an hour. But, once he had won her confidence and she knew that he would play to the rules, she responded to his caresses with a violence that startled them both. Sean was completely absorbed in her. She was the most wonderful thing he had ever found and, best of all, he could talk to her.
Wilbur Smith (When the Lion Feeds (Courtney publication, #1; Courtney chronological, #10))
The thing I really like about Jase is that he’s as obsessed with ducks as I am. I rarely took my boys hunting with me when they were very young. In fact, I never took them when I was still an outlaw. “Not this time, boys, we might be running from the game warden,” I’d tell them. But after I repented and came to Jesus Christ, I started taking my sons hunting with me, beginning with Alan. Before we moved to where we live now, it was a pretty long haul from town to the Ouachita River bottoms. Alan got carsick nearly every time I took him hunting, but he didn’t think I knew. We stopped at the same gas station every time, and he’d walk around back and lose his breakfast before he climbed back into the truck. I was proud of him for never complaining. I took Jase hunting for the first time when he was five. He was shooting Pa’s heavy Belgium-made Browning twelve-gauge shotgun, which he could barely even hold up. It kicked like a mule! The first time Jase shot the gun, it kicked him to the back of the blind and flipped him over a bench. “Did I get him?” Jase asked. I knew right then that I had another hunter in the family, and Jase is still the most skilled hunter of all my boys. I trained Jase to take over the company by teaching him the nuances of duck calls and fowl hunting, and he is still the person in charge of making sure every duck call sounds like a duck. Not only did Jase design the first gadwall drake call to hit the market, he also invented the first triple-reed duck caller. Jase and I live to hunt ducks. We track ducks during the season through a nationwide network of hunters, asking how many ducks are in their areas and what movements are expected. Then we check conditions of wind and weather fronts that might influence duck movement. We talk it all over during the day and again each morning, before the day’s hunt, as we prepare to leave for the blind. When Kay and I began to ponder becoming less active in the Duck Commander business, we offered its management to Jase, who had been most deeply involved in the company. But he had no desire to get into management. Jase likes building duck calls and doesn’t really enjoy the business aspects of the company, like making sales calls or dealing with clients and sponsors. Like me, Jase is most comfortable when he’s in a duck blind and doesn’t care for the details that come with running a company. Jase only wants to build duck calls, shoot ducks, and spend time with his family (he and his wife, Missy, have three kids).
Phil Robertson (Happy, Happy, Happy: My Life and Legacy as the Duck Commander)
Would you say that that man is at leisure who arranges with finical care his Corinthian bronzes, that the mania of a few makes costly, and spends the greater part of each day upon rusty bits of copper? Who sits in a public wrestling-place (for, to our shame I we labour with vices that are not even Roman) watching the wrangling of lads? Who sorts out the herds of his pack-mules into pairs of the same age and colour? Who feeds all the newest athletes? Tell me, would you say that those men are at leisure who pass many hours at the barber’s while they are being stripped of whatever grew out the night before? while a solemn debate is held over each separate hair? while either disarranged locks are restored to their place or thinning ones drawn from this side and that toward the forehead? How angry they get if the barber has been a bit too careless, just as if he were shearing a real man! How they flare up if any of their mane is lopped off, if any of it lies out of order, if it does not all fall into its proper ringlets! Who of these would not rather have the state disordered than his hair? Who is not more concerned to have his head trim rather than safe? Who would not rather be well barbered than upright? Would you say that these are at leisure who are occupied with the comb and the mirror? And what of those who are engaged in composing, hearing, and learning songs, while they twist the voice, whose best and simplest movement Nature designed to be straightforward, into the meanderings of some indolent tune, who are always snapping their fingers as they beat time to some song they have in their head, who are overheard humming a tune when they have been summoned to serious, often even melancholy, matters? These have not leisure, but idle occupation. And their banquets, Heaven knows! I cannot reckon among their unoccupied hours, since I see how anxiously they set out their silver plate, how diligently they tie up the tunics of their pretty slave-boys, how breathlessly they watch to see in what style the wild boar issues from the hands of the cook, with what speed at a given signal smooth-faced boys hurry to perform their duties, with what skill the birds are carved into portions all according to rule, how carefully unhappy little lads wipe up the spittle of drunkards. By such means they seek the reputation for elegance and good taste, and to such an extent do their evils follow them into all the privacies of life that they can neither eat nor drink without ostentation. And
Seneca (On The Shortness of Life)
That black horse we used for packin’ up here is the most cantankerous beast alive,” Jake grumbled, rubbing his arm. Ian lifted his gaze from the initials on the tabletop and turned to Jake, making no attempt to hide his amusement. “Bit you, did he?” “Damn right he bit me!” the older man said bitterly. “He’s been after a chuck of me since we left the coach at Hayborn and loaded those sacks on his back to bring up here.” “I warned you he bites anything he can reach. Keep your arm out of his way when you’re saddling him.” “It weren’t my arm he was after, it was my arse! Opened his mouth and went for it, only I saw him outter the corner of my eye and swung around, so he missed.” Jakes’s frown darkened when he saw the amusement in Ian’s expression. “Can’t see why you’ve bothered to feed him all these years. He doesn’t deserve to share a stable with your other horses-beauties they are, every one but him.” “Try slinging packs over the backs of one of those and you’ll see why I took him. He was suitable for using as a pack mule; none of my other cattle would have been,” ian said, frowning as he lifted his head and looked about at the months of accumulated dirt covering everything. “He’s slower’n a pack mule,” Jake replied. “Mean and stubborn and slow,” he concluded, but he, too, was frowning a little as he looked around at the thick layers of dust coating every surface. “Thought you said you’d arranged for some village wenches to come up here and clean and cook fer us. This place is a mess.” “I did. I dictated a message to Peters for the caretaker, asking him to stock the place with food and to have two women come up here to clean and cook. The food is here, and there are chickens out in the barn. He must be having difficulty finding two women to stay up here.” “Comely women, I hope,” Jake said. “Did you tell him to make the wenches comely?” Ian paused in his study of the spiderwebs strewn across the ceiling and cast him an amused look. “You wanted me to tell a seventy-year-old caretaker who’s half-blind to make certain the wenches were comely?” “Couldn’ta hurt ‘t mention it,” Jake grumbled, but he looked chastened. “The village is only twelve miles away. You can always stroll down there if you’ve urgent need of a woman while we’re here. Of course, the trip back up here may kill you,” he joked referring to the winding path up the cliff that seemed to be almost vertical. “Never mind women,” Jake said in an abrupt change of heart, his tanned, weathered face breaking into a broad grin. “I’m here for a fortnight of fishin’ and relaxin’, and that’s enough for any man. It’ll be like the old days, Ian-peace and quiet and naught else. No hoity-toity servants hearin’ every word what’s spoke, no carriages and barouches and matchmaking mamas arrivin’ at your house. I tell you, my boy, though I’ve not wanted to complain about the way you’ve been livin’ the past year, I don’t like these servents o’ yours above half. That’s why I didn’t come t’visit you very often. Yer butler at Montmayne holds his nose so far in t’air, it’s amazin’ he gets any oxhegen, and that French chef o’ yers practically threw me out of his kitchens. That what he called ‘em-his kitchens, and-“ The old seaman abruptly broke off, his expression going from irate to crestfallen, “Ian,” he said anxiously, “did you ever learn t’ cook while we was apart?” “No, did you?” “Hell and damnation, no!” Jake said, appalled at the prospect of having to eat anything he fixed himself.
Judith McNaught (Almost Heaven (Sequels, #3))
People who have been hunting all their lives with no compunction to consider the exchange they make and the gravity of the trade, I don't know where to put them. I just remind myself there are too many mule deer for the earth to handle, and before my inner dialogue says we took their space, not the other way around, I try to change the channel.
Liz Stephens (The Days Are Gods (American Lives))
It was a chicken. He had flown through the hole in the ceiling, and was flapping down. But he didn’t stop at my floor. He went straight through the hole where the blue block had been. He kept on falling and flapping, all the way down into the treasure room. It looked like my test dummy had found me. He landed gently on the gray square.     Nothing happened. I exhaled with relief.   And then…KABOOM!  Yep, I guess I was right after all. It WAS a booby trap. I thanked my lucky stars that I hadn’t tried it out myself. But then I felt kind of bad for the chicken. That brave (and bird-brained) chicken had saved my life! I will forever remember that chicken as Buster, my crash-test dummy. (I think “dummy” may be an especially accurate description in this case.)   Sadly, the chests didn’t make it. There was only a giant crater where they used to be. So long riches and possibly cookies. That’s the way the cookie crumbles. *sigh*   Monday   Good News: I have five emeralds. Bad News: I think another librarian doesn’t like me.   Whew! My pack mule days are finally done. Over the past couple of days, I gathered the last ten blocks of wool I needed to trade for a saddle, and dragged them back to the village. Then, one-by-one I grabbed the blocks of wool from the library, and gave them to the farmer. I don’t think the librarian was too pleased with me. She strung together about nine “Hurrrs” while I removed my blocks of wool. I’ve never heard villagers speak so much. In my experience, that’s usually not a good thing. (Think: Mr. Rimoldi.)   Anyway, it was totally worth it. My wooly trade with the farmer went down without a hitch. Tomorrow I get a saddle!
Minecrafty Family Books (Wimpy Steve Book 2: Horsing Around! (An Unofficial Minecraft Diary Book) (Minecraft Diary: Wimpy Steve))
If My People Pray If my people, who are called by my name, will humble themselves and pray and seek my face and turn from their wicked ways, then will I hear from heaven and will forgive their sin and will heal their land. —2 CHRONICLES 7:14     Among the many myths associated with Alexander the Great is the tale of a poor Macedonian soldier who was leading before Alexander the Great a mule laden with gold for the king’s use. The mule became so tired that he could no longer carry the load, so the mule driver took it off and carried it himself, with great difficulty, for a considerable distance. Finally Alexander saw him sinking under the burden and about to throw it to the ground, so he cried out, “Friend, do not be weary yet; try to carry it to your tent, for it is now all yours.” This blessing is much better than the lottery. Who says good guys finish last? Humility certainly has its blessings. Ezra, the writer of 1 and 2 Chronicles, certainly knew the importance of humility, because he directed this passage to his people, people whom God called by name. He states that in order for God’s people to receive His blessings, there are four basic requirements: • humility • prayer • devotion • repentance This is an appropriate prayer for all of us. We shake our heads in disbelief at the depravity of mankind. Each day the headlines in the media scream out stabbings, shootings, murder, rape, and betrayal. Where have we gone wrong as a nation? Are our families breaking apart along with the moral fiber of this country? How can we get back on track to recapture the blessings of God? Ezra says we are to humble ourselves, pray, seek God’s face, and repent of our sins. Then God will • answer our prayers, • forgive our sins, and • heal our land. As you guide your family spiritually, may you recognize the truths of this passage and come to God with all humility, committing your lives again to the righteousness of God. Make a vow that in your
Emilie Barnes (Walk with Me Today, Lord: Inspiring Devotions for Women)
The Lord is good to all: and his tender mercies are over all his works. —Psalm 145:9 (KJV) The gray clouds hung below the mountain peaks, smothering the sun. A cold breeze brushed across my cheeks as I tossed hay in the feeder for the horses and mules. I glanced at the brown grass in the pasture rimmed by the skeletal trees. Not a sprig of life showed anywhere. The gloomies seeped into my soul. How I longed for signs of life! Lord, I need You to brighten my day. I heard a low bellow from the neighbors’ pasture a few hundred yards away. Uh-oh, it sounds like a cow’s having problems giving birth. The neighbors lived miles away and wouldn’t be back to check on the cows for a couple more hours. “C’mon, Sunrise,” I called to my golden retriever, “let’s go check it out.” As we neared the pasture, I noticed a lone black cow standing with her head down. Keeping my distance, I stood on tiptoes, craning my neck. A brand-new wet calf lay on the ground. “Isn’t this exciting? What a cute baby!” Sunrise’s nose wiggled as she caught the scent of the baby. For the next hour I sat in the pasture, watching the newborn struggle to stand on its stiltlike legs. I giggled as the calf sucked on its mom’s knees and elbows before it found the udder and slurped. Lord, when my days are glum, remind me to ask You to brighten them. —Rebecca Ondov Digging Deeper: Pss 8, 84:11
Guideposts (Daily Guideposts 2014)
You know I won’t be staying there, either. I have things I want to see before I can’t. Like the Grand Canyon. And the Pacific Ocean. A buddy of mine from the war is going with me.” “But can’t—” His fingers squeezed mine. “I want you to remember me like this, Rebekah. And I want to remember you in this place. Don’t worry. You’ll get what you want one of these days. Just be patient.” I drew in a sharp breath. How did he know what I wanted? And how did he know I’d get it? Did God give the dying special messages? “How do you know?” The words blurted out on the breath I’d been holding. “Because I’ve watched you. I can see in your every action that you were made for this.” “This?” I huffed. “It suits you. A house. A farm. Children. The husband who will give it all to you.” I rocked back on my heels and stood. “That’s not what I want, Will.” I backed away from his startled look, my hands fidgeting with each other. “I’m going to the city. I don’t know how or when, but I won’t be tied to the seasons and the sun. Don’t get me wrong: I want a husband and a child or two of my own. But this . . . ?” I nodded toward the yard beyond the house, to the hog now in its pen, the chickens, the cow and the mules, even the fields farther beyond. “This is not what I want. I want adventure. I want . . .” His eyes glazed over a bit. I looked away. The children’s joyful shrieks carried on the cool breeze. I wondered if memories of childhood days invaded Will’s head as they did mine. Such simple days. Days I’d once wished away, wanting to be grown up, wanting my life to begin. Now that I’d crossed that line, I wished I could go back. Will cleared his throat, pushed to his feet, and faced me. “I’m sorry, Rebekah,” he said. “I hope you get what you want. I really do. But be careful. If France taught me anything, it’s that new experiences aren’t always what we imagine them to be.
Anne Mateer (Wings of a Dream)
Before she realized what he meant to do, Cade was on his horse, towing the mule while riding at right angles away from the road and the army on the move. The rain had let up and the air was warm, and Cade wore only the white full-sleeved shirt and tight trousers he had worn every day since they had left. The shirt was open halfway down his copper chest and accented by a bright-red sash at his waist that held his knife. Lily thought he looked a pirate or worse, but the soldiers striking out after him weren't reaching for their weapons. "He looks like a damned Spaniard," Travis whispered at Lily's side. "How does he do that?" With years of practice and an Indian talent for deception—but Lily didn't say that out loud. She was gradually learning that Cade was like a chameleon, able to blend in with his surroundings for safety. She didn't like to think of the child he must have been to grow up that way, but it certainly helped to survive in this chaos that was Texas. Lily
Patricia Rice (Texas Lily (Too Hard to Handle, #1))
Listening to a man brag about unloading the dishwasher or the incessant need to announce every single thing he did in a day. That stuff is worth something. Give him a bone! Men are dogs ... they just are. They need constant praise and rewards. Women are pack mules—we work without praise for long days, recover quickly, and wake up the next day plodding right along again. No treats. No pats on the head. No belly rubs.
Jewel E. Ann (Not What I Expected)
Across the South, someone was hanged or burned alive every four days from 1889 to 1929, according to the 1933 book The Tragedy of Lynching, for such alleged crimes as “stealing hogs, horse-stealing, poisoning mules, jumping labor contract, suspected of killing cattle, boastful remarks” or “trying to act like a white person.” Sixty-six were killed after being accused of “insult to a white person.” One was killed for stealing seventy-five cents. Like the cotton growing in the field, violence had become so much a part of the landscape that “perhaps most of the southern black population had witnessed a lynching in their own communities or knew people who had,” wrote the historian Herbert Shapiro. “All blacks lived with the reality that no black individual was completely safe from lynching.
Isabel Wilkerson (The Warmth of Other Suns: The Epic Story of America's Great Migration)
The fact that Moore stayed put within easy reach of angry white men was proof to some that perhaps the papers and whoever gave them the story were not entirely on the right track. Or it’s just as likely that he had protection, perhaps called protective custody, during this brief span. Such were the tangled loyalties of the place where he’d lived all his life. For a black man, especially a mixed-race man like Moore in those days, the line between protection and prosecution was a fine one. Shivering inside his wool pea jacket, Hadley laid both whip and epithets upon the back of his mule Jake as he wrestled the buggy through the sucking mud a short distance to the forlorn shack of thirty-eight-year-old Loduska (“Dusky”) Crutchfield, who with her husband, Jim, was, like
Karen Branan (The Family Tree: A Lynching in Georgia, a Legacy of Secrets, and My Search for the Truth)
On the eighth day of Hunter’s absence, along toward dusk, Loretta heard a distant yodeling sound and glanced up from Maiden’s cooking fire to see men riding in. It wasn’t difficult to spot Hunter, several horse lengths ahead of the others, leading what looked like a mule carrying a priest. Loretta rose on her tiptoe, frowning. Surely she couldn’t be seeing what she thought she was seeing. What priest in his right mind would visit a Comanche village? Glancing around at Maiden’s neighbors, Loretta saw her bewilderment mirrored on every face. Then she looked at Warrior, who had been reclining nearby, guarding her. He had leaped to his feet upon hearing the men ride in. He slid a wary glance toward her and cocked an eyebrow. “My brother brings a Black Robe?” It was a priest. Loretta craned her neck to see. Hunter rode directly to the central fire, which had already been lit in preparation for nightfall, and dragged the priest off the mule. After barking a command at the poor man, he spun on his heel and came directly toward Maiden’s lodge, his stride purposeful, his jaw clenched in determination. Loretta drew a deep breath. Suddenly, incredulously, she knew why Hunter had brought a priest into the village. His footsteps slowed as he drew close, the muscles in his thighs bunching and drawing the leather of his pants taut. Loretta stiffened at the challenge his eyes issued. Lifting her chin, she waited for him to reach her, riveting her gaze on his broad shoulders, resisting the urge to run. Those long, powerful legs of his would easily outdistance her. “I have brought you a Black Robe,” he said tersely, and nodded toward the waiting priest. “He will pray your God words over us, yes?” With that, Hunter grasped her firmly by the arm and drew her toward the central fire, never breaking stride despite Loretta’s attempts to slow him down. “I won’t marry you!” she cried frantically. He threw her a look charged with martial arrogance. “You will be my wife, little one. My way or yours, in the end, it will be so.
Catherine Anderson (Comanche Moon (Comanche, #1))
The guardsmen dragged him to the Detour; the mules they had ridden were there. The corpse was buried near here or the buzzards ate it. The authorities were laughing as they left. One could see the laughter in their eyes, the only place where they are allowed to laugh. Because the authorities cannot laugh. It is prohibited; at least they never laugh with their mouths. They're made to denounce, interrogate and capture. Laughing is a weakness. They themselves say, 'Laughter abounds among fools.' An official must not show any weakness before a civilian, otherwise he'll thereby lose precisely his authority. The authorities are short on words; they don't want to lose their strength by speaking to civilians. They act. That's the only way they can defend property, which is sacred. That's why many of them are paid by landowners. How big a bonus they get depends on how well they behave.
Manlio Argueta (One Day of Life)
Thanks again to Alan Butler's work, this time I was able to inspect the work of Hesiod in connection with the Phaistos Disc for being calendrical, and now I view it through the lens of ancient Egypt by projecting it directly onto the circular zodiac of Dendera. Hesiod has used three different references to the days in his work: (the first ..); (the middle ..); and (.. of the month). With this system which he had used, I linked the "first" references to the zodiac's portals on the East; the "middle" references to the Fullmoon days of the month which are located on the zodiac's western portals; and the "of the month" references to the zodiac's days which are located right after passing by and finishing the rotation beyond the eastern portals. Therefore, Hesiod has recognized Egypt's month's count of days (And tell your slaves the thirtieth is the month's best-suited day). He has also explicitly identified the beginning of the Equinox and Solstice portals on the zodiac based on the zodiac's anticlockwise orientation while emphasizing the more prominent role of the Summer Solstice in the calendar system (The first and fourth and seventh days are holy days to men, the eighth and ninth as well). Hesiod has also issued a warning against, Apophis, the snake demon (But shun the fifth day, fifth days are both difficult and dread). Hesiod has recognized Egypt's royal-cosmic copulation event that takes place at the culmination of the Summer Solstice (The first ninth, though, for human beings, is harmless, quite benign for planting and for being born; indeed, it's very fine For men and women both; this day is never bad all through) Hesiod has identified the exact position of the newly born infant boy on the zodiac (For planting vines the middle sixth is uncongenial but good for the birth of males) and also established the Minoan bull's head rhyton connection with Egypt (The middle fourth, which is a day to soothe and gently tame the sheep and curved-horned), (Open a jar on the middle fourth),(And on the fourth the long and narrow boats can be begun). Hesiod gave Osiris' role in the ancient Egyptian agrarian Theology to men (two Days of the waxing month stand out for tasks men have to do, the eleventh and the twelfth) and pointed out the right location of the boar on the zodiac (Geld your boar on the eighth of the month) and counted on top of these days the days of the mule which comes afterward (on the twelfth day of the month [geld] the long-laboring mule) - since the reference to the mule in the historical text comes right after that of the boar's and both are grouped together conceptually with the act of gelding. He has also identified the role of Isis for resurrecting Osiris after the Summer Solstice event (On the fourth day of the month bring back a wife to your abode) and even referred to the two female figures on the zodiac and identified them as, Demeter and Persephone, the two mythical Greek queens (Upon the middle seventh throw Demeter's holy grain) where we see them along with the reference to Poseidon (i.e. fishes and water) right next to them as the account exists in the Greek mythology. Even more, Hesiod knows when the sequence of the boats' appearances begins on the zodiac (And on the fourth the long and narrow boats can be begun). Astonishingly enough, he mentions the solar eclipse when the Moon fully blocks the Sun (the third ninth's best of all, though this is known by few) and also glorifies sunrise and warns from sunset on that same day (Again, few know the after-twentieth day of the month is best ..) and identifies the event's dangerous location on the west (.. at dawn and that it worsens when the sun sinks in the west).
Ibrahim Ibrahim (The Mill of Egypt: The Complete Series Fused)
The architects must only have thought of women when they designed retirement homes, and assumed they liked to sit and stare solemnly at gardens all day.
Sarah Ladipo Manyika (Like A Mule Bringing Ice Cream To The Sun)
I dream of being held. Of being touched. Of being desired again. Of being recognized. Of not having to worry about what other people might one day think of this, might already be thinking.
Sarah Ladipo Manyika (Like A Mule Bringing Ice Cream To The Sun)
Oh, dey put me under arrest one day for vacancy in Bartow. When de judge found out Ah had a job of work. He took and searched me and when he found out Ah had a deck of cards on me, he charged me wid totin' concealed cards, and attempt to gamble, and gimme three months. Then dey made out another charge 'ginst me. 'Cused me of highway shufflin', and attempt to gamble. You know dese white folks sho hates tuh turn a n****r loose, if every dey git dey hands on 'im.
Zora Neale Hurston (Mules and Men)
There is such a thing as lovesickness for good horses and mules, and for this there is no cure. People who operate machines know nothing like it. This creaturely love can keep one interested all day long in every motion of a good team or a good saddle horse. And not only all day long, but all year round and all life long.
Wendell Berry (Andy Catlett: Early Travels (Port William))
Black men said, “Lay down.” The only people they need not take orders from were black children and each other. But they took all of that and re-created it in their own image. They ran the houses of white people, and knew it. When white men beat their men, they cleaned up the blood and went home to receive abuse from the victim. They beat their children with one hand and stole for them with the other. The hands that felled trees also cut umbilical cords; the hands that wrung the necks of chickens and butchered hogs also nudged African violets into bloom; the arms that loaded sheaves, bales, and sacks rocked babies into sleep. They patted biscuits into flaky ovals of innocence—and shrouded the dead. They plowed all day and came home to nestle like plums under the limbs of their men. The legs that straddled a mule’s back were the same ones that straddled their men’s hips. And the difference was all the difference there was.
Toni Morrison (The Bluest Eye)
The next day the sorcerer, tied to the tail of a savage mule loaded with nuts, was broken into as many pieces as there were nuts upon the mule’s back.[1]
Andrew Lang (The Blue Fairy Book)
These days, Anna Claire had a much better idea of what this business entailed. He wasn’t just moving money, he was moving drugs. A whole shit ton of them. Managing a web of mules spread out over three states, trading pills for cash that they left for her to collect at the Starlux.
Kimberly Belle (The Personal Assistant)
She hadn’t lived since her childhood either. Why had she not contracted the mark back then and died with her mother? If this was to be the end, it should have come sooner. It might have spared her years of misery and loneliness. And she was so very alone. As she lay staring at the raftered ceiling, she knew more keenly than ever how alone she was. The rest of the staff, tucked safely away inside the inn or the stable loft, slept peacefully oblivious to her midnight turmoil. No one would come looking for her. No one would care when she died. In an instant, her panting breaths twisted into feeble laughter. She was alone, just as she always had been, and fighting against things she had no power to overcome. Everything had changed, but nothing had changed at all. The laughter grew in strength until she gasped, on the verge of hysterics. It didn’t matter whether she was alone or surrounded by scores of friends and loved ones. She would die either way. That naked truth infused her with a blissful, ludicrous peace. Death was the one constant of the deathmark, the one thing she could count on. For Nell, who had lived her whole life trying to protect herself, who had never been able to count on anyone or anything, that realization was most liberating. She would die. But she wasn’t dead yet. The events of her life fluttered through her mind—her distant, naïve childhood, the bleak orphanage, the years at Baker’s Inn. She had wasted time catering to fear. She had been timid, docile, no better than a mule. She had done everything in her power to protect herself from ridicule and punishment, but where had that caution brought her? Sentenced to death, with a million regrets piled on her shoulders. “No more.” She forced those words through her lips, determination etched between her brows. “I will fear no more.” Spoken aloud, the oath seemed binding. Death would come—she had no power to stop it—but until the day it collected her, she would live as she saw fit.
Kate Stradling (Deathmark)
Thou comest from Paris then, said Pantagruel; and how do you spend your time there, you my masters the students of Paris? The scholar answered, We transfretate the Sequan at the dilucul and crepuscul; we deambulate by the compites and quadrives of the urb; we despumate the Latial verbocination; and, like verisimilary amorabons, we captat the benevolence of the omnijugal, omniform and omnigenal feminine sex. Upon certain diecules we invisat the lupanares, and in a venerian ecstasy inculcate our veretres into the penitissime recesses of the pudends of these amicabilissim meretricules. Then do we cauponisate in the meritory taberns of the Pineapple, the Castle, the Magdalene, and the Mule, goodly vervecine spatules perforaminated with petrocile. And if by fortune there be rarity or penury of pecune in our marsupies, and that they be exhausted of ferruginean metal, for the shot we dimit our codices and oppignerat our vestments, whilst we prestolate the coming of the tabellaries from the Penates and patriotic Lares. To which Pantagruel answered, What devilish language is this? By the Lord, I think thou art some kind of heretick. My lord, no, said the scholar; for libentissimally, as soon as it illucesceth any minutule slice of the day, I demigrate into one of these so well architected minsters, and there, irrorating myself with fair lustral water, I mumble off little parcels of some missic precation of our sacrificuls, and, submurmurating my horary precules, I elevate and absterge my anime from its nocturnal inquinations. I revere the Olympicols. I latrially venere the supernal Astripotent. I dilige and redame my proxims. I observe the decalogical precepts, and, according to the facultatule of my vires, I do not discede from them one late unguicule. Nevertheless, it is veriform, that because Mammona doth not supergurgitate anything in my loculs, that I am somewhat rare and lent to supererogate the elemosynes to those egents that hostially queritate their stipe.
Thomas Urquhart
Grand Tourists and their retinues typically crossed the choppy English Channel at the Port of Dover, stepping onto French soil in Calais. From there, the parties would set off on a three-day trek to Paris. Once fitted for new clothes, many proceeded to decamp for a season or longer for their first taste of Continental culture. (...) Not everyone took the same route. The more adventurous traveled from Paris to Lyon then farther south to Marseille, journeying by sea from Marseille to Livorno, in the Tuscany region, or Genoa, although the Italians’ lack of necessary sailing skills at that time made passage risky. Meanwhile, the wary typically trekked from Paris to Lyon then over the Alps. For the latter, Geneva was a subsequent stop, by default rather than preference. Despite the breathtaking beauty of the Alps, coaches—the mode of transport used at the time—simply could not traverse the treacherous Mont Cenis pass, ascending 6,827 feet. Invariably, the harrowing peaks and rocky precipices forced willing travelers to navigate by mule or sled. Regardless of the hassles, those who pressed on reaped extravagant rewards. (...) All roads, however, ultimately led to Rome, befitting its vaunted history as the intellectual, scientific and artistic center of the Renaissance and Baroque culture.
Betty Lou Phillips (The Allure of French & Italian Decor)
It was funny, he thought, how the ruins of the past shaped everything that came after. It seemed to work on all levels; one of the truths of the universe. Back in the ancient days, when humanity still lived entirely down a well, the paths laid down by Roman legions had become asphalt and later ferroconcrete without ever changing a curve or a turn. On Ceres, Eros, Tycho, the bore of the standard corridor had been determined by mining tools built to accommodate the trucks and lifts of Earth, which had in turn been designed to go down tracks wide enough for a mule cart’s axle.
James S.A. Corey (Leviathan Wakes (The Expanse, #1))
Will told his rival that "if you ever do that again, I'll hurt you." The next day Will had a third playhouse almost two-thirds constructed when Steve once again pushed it over. The fight that followed found Will once again on his back, pinned down by Steve Gobel. This time he resorted to a small pocket knife he carried and slashed Steve on the thigh. It was not a serious wound by any means, but it did draw blood, as well as Steve's anguished cry that he had been "killed." The other pupils and the teacher came running, and Will decided he'd better make himself scarce. He fled to a wagon train led by John R. Willis, for whom he had herded cattle. When he told Willis what had happened, the wagon master hid the boy in one of his wagons. Soon Steve, his father, an elder brother, and the local constable came to arrest Will Cody. Willis, a Philadelphia lawyer at heart, demanded to see a warrant. When the constable admitted he didn't have one, Willis told him that he thought it was overdoing it to arrest a boy for what was only play. Will was safe-for the moment-but he was afraid to return to school. Willis suggested that young Cody accompany him on the wagon train, which was headed for Fort Kearny, a trip of some forty days, by which time the excitement ought to have cooled down. Will's mother consented to the trip, not without some foreboding; she feared that her son might be attacked by Indians. Cody wrote of this first trip across the plains that "it proved a most enjoyable one for me, although no incidents worthy of note occurred along the way." John Willis disagreed with Cody about the lack of incidents. Forty years later Buffalo Bill's Wild West played Memphis on October 4, 1897, and Willis, now a judge in Harrisburg, Arkansas, wanted to see it. Unfortunately, he missed the show, but he wrote Cody the following letter: "Dear Old Friend it has been a long time since I have herd from you.... I would like very much to shake your hand, Billy, and talk over the old grand hours you rode at my heels on the little gray mule while I was killing Buffalo. oh them were happy days. of course you recollect the time the Buffalo ran through the train and stampeded the teams and you stoped the stampede.
Robert A. Carter (Buffalo Bill Cody: The Man Behind the Legend)
The newer tactic of scattering bodies on city streets, as happened when Joaquín Guzmán’s goons pushed thirty-five bloody corpses (twelve of them women) off two trucks on Manuel Ávila Camacho Boulevard, near a shopping mall in the prettier part of the port city of Veracruz one day in September 2011, to terrorize their adversaries... Guzmán, known as El Chapo (Shorty) for his small stature, ran the largest airborne opera- tion in Mexico; he owned more aircraft than Aeromexico, the national air- line. Between 2006 and 2015, Mexican authorities seized 599 aircraft — 586 planes and 13 helicopters—from the Sinaloa cartel; by comparison, Aeromexico had a piddling fleet of 127 planes.... One Zeta atrocity I knew nothing about took place in 2010, in the small town of San Fernando, south of Reynosa. A roaming band of Zetas stopped two buses of migrants—men, women, and children from Central and South America, who were fleeing the violence in their countries. The Zetas demanded money. The migrants had no money. The Zetas demanded that the migrants work for them, as assassins or operatives or drug mules. The migrants refused. So they were taken to a building in the village of El Huizachal, blindfolded, their hands and legs bound, and each one was shot in the head. Seventy-two of them died. One man (from Ecuador) played dead, escaped, and raised the alarm... The gory details of this massacre became known when one of the perpetrators was arrested, Édgar Huerta Montiel, an army deserter known as El Wache, or Fat Ass. He admitted killing eleven of the migrants person- ally, in the belief (so he said) that they were working for a gang hostile to his own. A year later, near the same town, police found 47 mass graves containing 193 corpses — mostly migrants or passengers in buses hijacked and robbed while passing through this area of Tamaulipas state, about eighty miles south of the US border... But in the early 2000s headless bodies began to appear, tossed by the roadside, while human heads were displayed in public, at intersections, and randomly on the roofs of cars. This butchery was believed to be inspired by a tactic of the Guatemalan military’s elite commandos, known as Kaibiles. A man I was to meet in Matamoros, on my traverse of the border, explained how the Kaibiles were toughened by their officers. The officers encouraged recruits to raise a dog from a puppy, then, at a certain point in their training, the recruit was ordered to kill the dog and eat it.... When the Kaibiles became mercenaries in the Mexican cartels, the first beheadings occurred, the earliest known taking place in 2006: a gang in Michoacán kicked open the doors of a bar and tossed five human heads on the dance floor. Decapitations are now, according to one authority on the business, “a staple in the lexicon of violence” for Mexican cartels....
Paul Theroux
But I was here then, and I don’t see it now, and that’s why I did it. I did it for them back there under them trees. I did it ’cause that tractor is getting closer and closer to that graveyard, and I was scared if I didn’t do it, one day that tractor was go’n come in there and plow up them graves, getting rid of all proof that we ever was. Like now they trying to get rid of all proof that black people ever farmed this land with plows and mules—like if they had nothing from the starten but motor machines. Sure, one day they will get rid of the proof that we ever was, but they ain’t go’n do it while I’m still here. Mama and Papa worked too hard in these fields. They mama and they papa worked too hard in these same fields. They mama and they papa people worked too hard, too hard to have that tractor just come in that graveyard and destroy all proof that they ever was. I’m the last one left. I had to see that the graves stayed for a little while longer. But I just didn’t do it for my own people. I did it for every last one back there under them trees. And I did it for every four-o’clock, every rosebush, every palm-of-Christian ever growed on this place.
Ernest J. Gaines (A Gathering of Old Men)
Don't you ever say that again about your fathers, because they are not cowards! You think I am brave because I carry a gun? Well, your fathers are much braver because they carry responsibility, for you, your brothers, your sisters, and your mothers. And this responsibility is like a big rock that weighs a ton. It bends and it twists them until finally it buries them under the ground. And there's nobody says they have to do this. They do it because they love you, and because they want to. I have never had this kind of courage. Running a farm, working like a mule every day with no guarantee anything will ever come of it. This is bravery. That's why I never even started anything like that... that's why I never will.
Charles Bronson
Freud put it one way. Ralph Helstein puts it another. He is president emeritus of the United Packinghouse Workers of America. “Learning is work. Caring for children is work. Community action is work. Once we accept the concept of work as something meaningful—not just as the source of a buck— you don’t have to worry about finding enough jobs. There’s no excuse for mules any more. Society does not need them. There’s no question about our ability to feed and clothe and house everybody. The problem is going to come in finding enough ways for man to keep occupied, so he’s in touch with reality.” Our imaginations have obviously not yet been challenged.
Studs Terkel (Working: People Talk About What They Do All Day and How They Feel About What They Do)
I wonder if I should explain that it’s not that I don’t want to make love, only that after a long day of attending to others I’m craving space.
Sarah Ladipo Manyika (Like A Mule Bringing Ice Cream To The Sun)
Across the South, someone was hanged or burned alive every four days from 1889 to 1929, according to the 1933 book The Tragedy of Lynching, for such alleged crimes as “stealing hogs, horse-stealing, poisoning mules, jumping labor contract, suspected of killing cattle, boastful remarks” or “trying to act like a white person.” Sixty-six were killed after being accused of “insult to a white person.” One was killed for stealing seventy-five cents.
Isabel Wilkerson (The Warmth of Other Suns: The Epic Story of America's Great Migration)
In medieval Europe (and even colonial America) thousands of animals were summoned to court and put on trial for a variety of offenses, ranging from trespassing, thievery and vandalism to rape, assault and murder. The defendants included cats, dogs, cows, sheep, goats, slugs, swallows, oxen, horses, mules, donkeys, pigs, wolves, bears, bees, weevils, and termites. These tribunals were not show trials or strange festivals like Fools Day. The tribunals were taken seriously by both the courts and the community.
Jason Hribal (Fear of the Animal Planet: The Hidden History of Animal Resistance (Counterpunch))
For two months, nearly every single human he encountered would be armed. These were men who lived their lives solely for the reward in the fall of their one-week or two-week hunt. They wanted to drink hard, eat like soldiers after a year-long march, hunt a pronghorn antelope, mule deer, elk, or moose, and burn out all of the primal energy and desire that they’d stored up during the previous year of humiliation and frustration. Sometimes, he encountered men in the field who didn’t want to meet a game warden that day. That’s when things got interesting.
C.J. Box (Out Of Range (Joe Pickett, #5))
Reassuring thoughts have a funny way of getting stuck on repeat. Then you wake up one day and you can't remember where you put the last thirty years of your life.
S.A. Tawks (Mule)
Staying out all night and sleeping most of the day is quite a drain on the wallet.
S.A. Tawks (Mule)
you can go just about anywhere these days and see kids that pay very little attention to their parents.
Allen Russell (MULE: True Life Tall Tales About The Life And times Of A Country Boy From Smith County, Tennessee)
I figured this guy was a fair dinkum Australian. The type of guy that worked the land all day, cracked open a beer or two at night and called girls 'sheilas'.
S.A. Tawks (Mule)
When the Queen of Sheba thought to honor Solomon, she loaded forty mules with gold bricks, but when her caravan reached the wide plain leading to Solomon's palace, they noticed that the top layer of the plateau was pure gold! For forty days they journeyed on gold. What foolishness to take gold bars to Solomon when the very dirt there is gold! You that think to offer your intelligence to God, reconsider. Intelligence on the way is less than road dust. The embarrassing commonness of what they bring slows them down. They argue. They discuss turning back, but they continue, carrying out the orders of their queen. Solomon laughs when he sees them unloading. "When have I asked you for a sop for my soup? I do not want gifts from you. I want you ready for the gifts I give. You worship a planet that creates gold. Worship instead the one who creates universes. You worship the sun, which is only a cook. Think of a solar eclipse. What if you get attacked at midnight? Who will help you then?
Rumi (Jalal ad-Din Muhammad ar-Rumi) (The Soul of Rumi: A New Collection of Ecstatic Poems)
Day an' night they set in a room with a checker-board on th' end iv a flour bar'l, an' study problems iv th' navy. At night Mack dhrops in. 'Well, boys,' says he, 'how goes th' battle?' he says. 'Gloryous,' says th' Sthrateejy Board. 'Two more moves, an' we'll be in th' king row.' 'Ah,' says Mack, 'this is too good to be thrue,' he says. 'In but a few brief minyits th' dhrinks'll be on Spain,' he says. 'Have ye anny plans f'r Sampson's fleet?' he says. 'Where is it?' says th' Sthrateejy Board. 'I dinnaw,' says Mack. 'Good,' says th' Sthrateejy Board. 'Where's th' Spanish fleet?' says they. 'Bombardin' Boston, at Cadiz, in San June de Matzoon, sighted near th' gas-house be our special correspondint, copyright, 1898, be Mike O'Toole.' 'A sthrong position,' says th' Sthrateejy Board. 'Undoubtedly, th' fleet is headed south to attack and seize Armour's glue facthory. Ordher Sampson to sail north as fast as he can, an' lay in a supply iv ice. Th' summer's comin' on. Insthruct Schley to put on all steam, an' thin put it off again, an' call us up be telephone. R-rush eighty-three millyon throops an' four mules to Tampa, to Mobile, to Chickenmaha, to Coney Island, to Ireland, to th' divvle, an' r-rush thim back again. Don't r-rush thim. Ordher Sampson to pick up th' cable at Lincoln Par-rk, an' run into th' bar-rn. Is th' balloon corpse r-ready? It is? Thin don't sind it up. Sind it up. Have th' Mulligan Gyards co-op'rate with Gomez, an' tell him to cut away his whiskers. They've got tangled in th' riggin'. We need yellow-fever throops. Have ye anny yellow fever in th' house? Give it to twinty thousand three hundherd men, an' sind thim afther Gov'nor Tanner. Teddy Rosenfelt's r-rough r-riders ar-re downstairs, havin' their uniforms pressed. Ordher thim to th' goluf links at wanst. They must be no indecision. Where's Richard Harding Davis? On th' bridge iv the New York? Tur-rn th' bridge. Seize Gin'ral Miles' uniform. We must strengthen th' gold resarve. Where's th' Gussie? Runnin' off to Cuba with wan hundherd men an' ar-rms, iv coorse. Oh, war is a dhreadful thing. It's ye'er move, Claude,' says th' Sthrateejy Board. "An
Finley Peter Dunne (Mr. Dooley in Peace and in War)
. . . and so we arrived at a ford that of course we couldn’t cross. To crown it all, it was raining. Captains Denegre and Tucker went off in the gathering darkness through mud ankle-deep, reappearing with news of a house somewhere into which we might be taken. Whatever failed us in those days, it was not Virginian hospitality! The good people whose home we invaded seemed more than pleased to receive us, and next morning betimes started us again “On to Richmond.” By that time all Christmas cheer had gone out of us. To reach a ferry, where there was only a tiny makeshift of a skiff, we and the mules wearily took up the burden of life again, plodding five miles through sloughs and hopeless mud, up perpendicular hills and down again, till every bone ached and philosophy ceased to be a virtue. Once more on the shores of classic Pamunkey, liquid mud flowing everywhere, in prospect a crossing, two by two, in a miserable egg-shell made of slimy planks, the bottom quite under water! The crowning feat of our expedition was, on reaching the other shore, all vehicles failing, to take heart of grace and walk six miles, in a downpour, to the nearest station of the railway. If it is asked what were our notions of perfection, I would answer that in those days we were sustained by what Cervantes styled “the bounding of the soul, the bursting of laughter, and the quicksilver of the five senses.” From Recollections Grave and Gay by Mrs. Burton Harrison. Scribners, New York, 1911.
Philip van Doren Stern (The Civil War Christmas Album)
These islands form a backdrop for a culture that transcends time. Life follows its own rhythm on these gems of the sea that spread east from the Greek mainland. For eons, the artisans of the region have crafted beautiful objects of marble, bronze, and wood. For centuries, mules have transported people and goods from bustling port towns to the traditional villages that dot the hillsides. Ancient windmills--perched above glistening harbors like stalwart sentries--have harnessed the power of the air to process grain for as long as anyone can remember. Every day for thousands of years, fishermen have launched their boats in search of those fruits of the sea so lavishly displayed in seaside markets. Islanders have flocked to natural hot springs to bask in their healing waters since before the time of Aristotle. And since long before that, shrines to the gods have lured pilgrims and worshipers from near and far.
Laura Brooks (Greek Isles (Timeless Places))
For it is God’s love that warms me in the sun and God’s love that sends the cold rain. It is God’s love that feeds me in the bread I eat and God that feeds me also by hunger and fasting. It is the love of God that sends the winter days when I am cold and sick, and the hot summer when I labor and my clothes are full of sweat: but it is God Who breathes on me with light winds off the river and in the breezes out of the wood. His love spreads the shade of the sycamore over my head and sends the water-boy along the edge of the wheat field with a bucket from the spring, while the laborers are resting and the mules stand under the tree. It
Thomas Merton (New Seeds of Contemplation)