Same Pinch Quotes

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If you have ever seen a dragon in a pinch, you will realize that this was only poetical exaggeration applied to any hobbit, even to Old Took's great-grand-uncle Bullroarer, who was so huge (for a hobbit) that he could ride a horse. He charged the ranks of the goblins of Mount Gram in the Battle of the Green Fields, and knocked their king Golfimbul's head clean off with a wooden club. It sailed a hundred yards through the air and went down a rabbit-hole, and in this way the battle was won and the game of Golf invented at the same moment.
J.R.R. Tolkien (The Hobbit (The Lord of the Rings, #0))
Though I knew I shouldn’t have cared, the words still hurt like pinches, and pinches can be very painful when done in the same place many times in a row.
Nnedi Okorafor (Zahrah the Windseeker)
I do not believe one can settle how much we ought to give. I am afraid the only safe rule is to give more than we can spare. In other words, if our expenditure on comforts, luxuries, amusements, etc, is up to the standard common among those with the same income as our own, we are probably giving away too little. If our charities do not at all pinch or hamper us, I should say they are too small. There ought to be things we should like to do and cannot do because our charitable expenditure excludes them.
C.S. Lewis (Mere Christianity)
Jaeden laughed under her breath. "Caia, it's called a crush. Believe me, Ryder makes me feel the same horrible mixture of happiness and despair. Add a pinch of lykan volatility and you've got yourself the teenage hormonal party from Hades.
Samantha Young (Lunarmorte)
He stood right in front of me and pinched my arm and said, Can I see your room? Such relief. Even the pinch was good. I understood completely about needing to hurt someone at the same time that you are giving them something.
Miranda July (The Boy from Lam Kien)
Tortolita, let me tell you a story,” Estevan said. “This is a South American, wild Indian story about heaven and hell.” Mrs. Parsons made a prudish face, and Estevan went on. “If you go visit hell, you will see a room like this kitchen. There is a pot of delicious stew on the table, with the most delicate aroma you can imagine. All around, people sit, like us. Only they are dying of starvation. They are jibbering and jabbering,” he looked extra hard at Mrs. Parsons, “but they cannot get a bit of this wonderful stew God has made for them. Now, why is that?” “Because they’re choking? For all eternity?” Lou Ann asked. Hell, for Lou Ann, would naturally be a place filled with sharp objects and small round foods. “No,” he said. “Good guess, but no. They are starving because they only have spoons with very long handles. As long as that.” He pointed to the mop, which I had forgotten to put away. “With these ridiculous, terrible spoons, the people in hell can reach into the pot but they cannot put the food in their mouths. Oh, how hungry they are! Oh, how they swear and curse each other!” he said, looking again at Virgie. He was enjoying this. “Now,” he went on, “you can go and visit heaven. What? You see a room just like the first one, the same table, the same pot of stew, the same spoons as long as a sponge mop. But these people are all happy and fat.” “Real fat, or do you mean just well-fed?” Lou Ann asked. “Just well-fed,” he said. “Perfectly, magnificently well-fed, and very happy. Why do you think?” He pinched up a chunk of pineapple in his chopsticks, neat as you please, and reached all the way across the table to offer it to Turtle. She took it like a newborn bird.
Barbara Kingsolver (The Bean Trees (Greer Family, #1))
She has the same pinched look as her mother did. She
Lauren Oliver (Delirium (Delirium, #1))
I'd make oatmeal cookies." "Cookies?" "I would. That's just what I would do." "Why?" He lifts one hand from the steering wheel and pinches his chin. "Because the world is changing so fast all the time. There's nothing you can do but just say, 'cool,' and roll with it. But some things can stay the same. Flour is still flour. Vanilla still smells like vanilla. Say a giant fireball is motoring toward us right now from Alha Centauri. Okay, universe. You expect us to run and scream and kill one another? Sorry, we're making oatmeal freaking cookies.
R.A. Nelson (Breathe My Name)
As much as the left fashions themselves as being progressive, they’re not. In reality, today’s leftist movement is made in much the same way as a sausage—it’s a blend of fascist, communist, and socialist ideologies from twentieth-century Europe, with a pinch of Nazism, all ground together, yet retaining the flavor of its various parts.
Michael Savage (Liberalism Is a Mental Disorder: Savage Solutions)
Were you ever going to tell me?” “About the Grail?” He returned to the couch and handed her a glass. “I wasn’t planning on it.” She knocked back the rum and swallowed, setting the empty glass on the table. Impressive. She met his eyes. “So even if we had slept together last night, you were going to keep telling me you were descended from a pirate, not an actual pirate.” He took a swig, his gaze locked on hers. “Would you have believed me?” “No.” She shrugged. “Just wondering how long you would have lied to me.” “I could ask you the same thing.” She rolled her eyes. “I played you. There’s a difference.” She shrugged. “Besides that, was before our no lies between us deal.” “I see this as more of an omission.” He finished off his drink and placed the glass beside hers. “In my defense, I’ve never told anyone who I really am. You’re the first.” She raised a brow. “Are you saying I should feel…special?” “Aye.” He cleared his throat. “I’ve never taken a bullet for anyone either, not even my crew.” “Thanks for that.” A reluctant smile curved her lips as she met his eyes. “Pretty heroic for a pirate.” He chuckled. “It’s less heroic when you’re certain you won’t die.” “But you knew it would hurt.” He nodded slowly. “True.” She pinched her fingertips close together in the air. “It might’ve been a tiny bit heroic.” Her dark eyes sparkled with the mischief he was growing much too fond of. “Not bad for a pirate.” He admitted.
Lisa Kessler (Pirate's Pleasure (Sentinels of Savannah, #3))
Then took the quilt out of its linen wrapper for the pleasure of the brilliant colors and the feel of the velvet. The needlework was very fine and regular. Adair hated needlework and she could not imagine sitting and stitching the fine crow’s-foot seams. Writing was the same, the pinching of thoughts into marks on paper and trying to keep your cursive legible, trying to think of the next thing to say and then behind you on several sheets of paper you find you have left permanent tracks, a trail, upon which anybody could follow you. Stalking you through your deep woods of private thought.
Paulette Jiles (Enemy Women)
Rising up, rising down! History shambles on! What are we left with? A few half-shattered Greek stelae; Trotsky's eyeglasses; Gandhi's native-spun cloth, Cortes' pieces of solid gold (extorted from their original owner, Montezuma); a little heap of orange peels left on the table by the late Robespierre; John Brown's lengthily underlined letters; Lenin's bottles of invisible ink; one of Di Giovanni's suitcases, with an iron cylinder of gelignite and two glass tubes of acid inside; the Constitution of the Ku Klux Klan; a bruised ear (Napoleon pinched it with loving condescension)... And dead bodies, of course. (They sing about John Brown's body.) Memoirs, manifestoes, civil codes, trial proceedings, photographs, statues, weapons now aestheticized by that selfsame history - the sword of Frederick the Great, and God knows what else. Then dust blows out of fresh graves, and the orange peels go grey, sink, wither, rot away. Sooner or later, every murder becomes quaint. Charlemagne hanged four and a half thousand "rebels" in a single day, but he has achieved a storybook benevolence. And that's only natural: historiography begins after the orange has been sucked,; the peeler believes in the "great and beautiful things," or wants to believe; easy for us to believe likewise, since dust reduced truth and counterfeit to the same greyness - caveat emptor. But ends remain fresh, and means remain inexplicable. Rising up and rising down! And whom shall I save, and who is my enemy, and who is my neighbor?
William T. Vollmann
She's my pride, my winning prize, always a surprise, to look into her eyes, see her free soul, as soap that slips from the grip of control; a stroll through the park on a dark night with stars to spark the sky, heaven with no price tag I realize, love is the same: endless, priceless, full bliss; to have this princess I pinch myself thinking this is a dream, but to my reprise, I can only say I am now, at last, alive.
Anthony Liccione
The only question that matters is where one's real sympathies will lie when the pinch comes. The intellectuals who are so fond of balancing democracy against totalitarianism and ‘proving’ that one is as bad as the other are simply frivolous people who have never been shoved up against realities. They show the same shallow misunderstanding of Fascism now, when they are beginning to flirt with it, as a year or two ago, when they were squealing against it. The question is not, ‘Can you make out a debating-society “case” in favour of Hitler?’ The question is, ‘Do you genuinely accept that case? Are you willing to submit to Hitler’s rule? Do you want to see England conquered, or don’t you?’ It would be better to be sure on that point before frivolously siding with the enemy. For there is no such thing as neutrality in war; in practice one must help one side or the other.
George Orwell (Why I Write)
Ow,” she said. It didn’t hurt so much as surprise her. “See this?” he said, lifting her arm up where he’d pinched it. “See this stuff here? This is the stuff of stars.
Katherine Paterson (The Same Stuff As Stars)
And in response Ardie just pinched her lips together and felt an uncharacteristic squeeze on her heart, because they would never see themselves the same as they saw each other and that was a gift.
Chandler Baker (Whisper Network)
Zain pinched my skin. I surprised myself when I instantly flipped up that same arm and gripped her wrist hard. I said, in a soft voice, “Don’t do that.” There was no smile on my face now. But that was when her facade broke, and she was suddenly grinning. I felt her body relax. My grip relaxed then, too, but I did not let go of her hand. I remained unsmiling, suddenly frightened, but not of her.
Shani Mootoo (Moving Forward Sideways Like a Crab)
The neurotic youth of to-day renews no ante-existent type. You will look in vain for a face like Amos's amongst the busts of the recovered past. The same weakness of outline you may point to - the sheep-like features falling to a blunt prow; the lax jaw and pinched temples - but not to that which expresses a consciousness that combative effort in a world of fruitless results is a lost desire. ("The Accursed Cordonnier")
Bernard Capes (Gaslit Nightmares: Stories by Robert W. Chambers, Charles Dickens, Richard Marsh, and Others)
But the first thing to know about whoring is that it’s work. You do it same way you’d empty a chamber pot, head down, nose pinched. Many an English wife must get herself through the same activity in the same fashion.
Sara Collins (The Confessions of Frannie Langton)
Introduce surprise and the need to move among the spectators of the orchestra, boxes, and balcony. Some random suggestions: spread a powerful glue on some of the seats, so that the male or female spectator will stay glued down and make everyone laugh (the damaged frock coat or toilette will naturally be paid for at the door) - sell the same ticket to ten people: traffic jam, bickering, and wrangling - offer free tickets to gentlemen or ladies who are notoriously unbalanced, irritable, or eccentric and likely to provoke uproars with obscene gestures, pinching women, or other freakishness. Sprinkle the seats with dust to make people itch and sneeze, .etc.
Filippo Tommaso Marinetti (Let's Murder the Moonshine: Selected Writings)
Today, it is the scent of honeysuckle that takes me back in time and lays me down near a barn. I pick a honeysuckle blossom, touch the trumpet to my nose and inhale. With sticky filthy fingers, I pinch the base of its delicate well then lick the drop of nectar. The sweet liquid makes me thirst for more, and I reach for another and another, the same hands that reach again and again for tobacco as I string. I separate honeysuckle blossoms and taste.
Brenda Sutton Rose
Of course she teased the girls, but it was not the same as having a grown man to work on—she had often felt like pinching Bob for being so stolid. July was no better—in fact, he and Bob were cut from the same mold, a strong but unimaginative mold.
Larry McMurtry (The Lonesome Dove Series)
I gather from what you have not said that he is an unmitigated scoundrel." R. smiled with his pale blue eyes. "I don't know that I'd go quite so far as that. He hasn't had the value of a public-school education. His ideas of playing the game aren't quite the same as yours and mine. I don't know that I would leave a gold cigarette-case about when he was in the neighbourhood, but if he had lost money to you at poker and he had pinched your cigarette-case, he would immediately pawn it to pay you.
W. Somerset Maugham (Ashenden)
In other words, if our expenditure on comforts, luxuries, amusements, etc., is up to the standard common among those with the same income as our own, we are probably giving away too little. If our charities do not at all pinch or hamper us, I should say they are too small.
C.S. Lewis (Mere Christianity)
The more south we were, the more deep a sky it seemed, till, in the Valley of Mexico, I thought it held back an element too strong for life, and that the flamy brilliance of blue stood off this menace and sometimes, like a sheath or silk membrane, shoed the weight it held in sags. So when later he would fly high over the old craters on the plain, coaly bubbles of the underworld, dangerous red everywhere from the sun, and then coats of snow on the peak of the cones—gliding like a Satan—well, it was here the old priests, before the Spaniards, waited for Aldebaran to come into the middle of heaven to tell them whether or not life would go on for another cycle, and when they received their astronomical sign built their new fire inside the split and emptied chest of a human sacrifice. And also, hereabouts, worshipers disguised as gods and as gods in the disguise of birds, jumped from platforms fixed on long poles, and glided as they spun by the ropes—feathered serpents, and eagles too, the voladores, or fliers. There still are such plummeters, in market places, as there seem to be remnants or conversions or equivalents of all the old things. Instead of racks or pyramids of skulls still in their hair and raining down scraps of flesh there are corpses of dogs, rats, horses, asses, by the roads; the bones dug out of the rented graves are thrown on a pile when the lease is up; and there are the coffins looking like such a rough joke on the female form, sold in the open shops, black, white, gray, and in all sizes, with their heavy death fringes daubed in Sapolio silver on the black. Beggars in dog voices on the church steps enact the last feebleness for you with ancient Church Spanish, and show their old flails of stump and their sores. The burden carriers with the long lines, hemp lines they wind over their foreheads to hold the loads on their backs, lie in the garbage at siesta and give themselves the same exhibited neglect the dead are shown. Which is all to emphasize how openly death is received everywhere, in the beauty of the place, and how it is acknowledged that anyone may be roughly handled—the proudest—pinched, slapped, and set down, thrown down; for death throws even worse in men’s faces and makes it horrible and absurd that one never touched should be roughly dumped under, dumped upon.
Saul Bellow (The Adventures of Augie March)
As a matter of fact, I fucked someone else last night." I physically flinched at his words, my body jerking back, my knees almost giving out, my eyes wide, and my mouth open in horror. And then the worst happened. I began to cry. Through my tears I saw Braden's lips pinch together and he took two steps towards me, his whole body bristling. "I fucking knew it," he hissed, still coming toward me. "Don't touch me?" I yelled, not able to bear the thought of him near me now. "Don't touch you?" He snarled, his eyes sparking violently. "I'm going to kill you!" ... "Babe," his voice rumbled, the tenderness back, although I could still see the annoyance in his eyes. "I was so pissed off last night when you broke up with me, so I just walked away. I went to Elodie's because I knew she'd be awake worrying about Ellie and I wanted to see if she was okay. She knew something was wrong with me as soon as she let me in. I told her what had happened and she told me what she said to you at the wedding, and she also told me that wen she said that to you, you looked like you'd been slapped. And after, when we were dancing, she realized she was wrong about you." He let go of my wrists to slide his hands into my hair, tilting my head back so I couldn't look away. "I spent last night govern over and over the last six months in my head and I know you're lying to me. I know you love me, Jocelyn, because there's no fucking way I can be this in love with you, and not have you feel the same way.
Samantha Young
Oh, you're right. I'm just a human with thick skin, purple eyes, and hard bones. Which means you can go home. Tell Galen I said hi." Toraf opens and shuts his mouth twice. Both times it seems like he wants to say something, but his expression tells me his brain isn't cooperating. When his mouth snaps shut a third time, I splash water in his face. "Are you going to say something, or are you trying to catch wind and sail? A grin the size of the horizon spreads across his face. "He likes that, you know. Your temper." Yeahfreakingright. Galen's a classic type A personality-and type A's hate smartass-ism. Just ask my mom. "No offense, but you're not exactly an expert at judging people's emotions." "I'm not sure what you mean by that." "Sure you do." "If you're talking about Rayna, then you're wrong. She loves me. She just won't admit it." I roll my eyes. "Right. She's playing hard to get, is that it? Bashing your head with a rock, splitting your lip, calling you squid breath all the time." "What does that mean? Hard to get?" "It means she's trying to make you think she doesn't like you, so that you end up liking her more. So you work harder to get her attention." He nods. "Exactly. That's exactly what she's doing." Pinching the bridge of my nose, I say, "I don't think so. As we speak, she's getting your mating seal dissolved. That's not playing hard to get. That's playing impossible to get." "Even if she does get it dissolved, it's not because she doesn't care about me. She just likes to play games." The pain in Toraf's voice guts me like the catch of the day. She might like playing games, but his feelings are real. And can't I relate to that? "There's only one way to find out," I say softly. "Find out?" "If all she wants is games." "How?" "You play hard to get. You know how they say. 'If you love someone, set them free. If they return to you, it was meant to be?'" "I've never heard that." "Right. No, you wouldn't have." I sigh. "Basically, what I'm trying to say is, you need to stop giving Rayna attention. Push her away. Treat her like she treats you." He shakes his head. "I don't think I can do that." "You'll get your answer that way," I say, shrugging. "But it sounds like you don't really want to know." "I do want to know. But what if the answer isn't good?" His face scrunches as if the words taste like lemon juice. "You've got to be ready to deal with it, no matter what." Toraf nods, his jaw tight. The choices he has to consider will make this night long enough for him. I decide not to intrude on his time anymore. "I'm pretty tired, so I'm heading back. I'll meet you at Galen's in the morning. Maybe I can break thirty minutes tomorrow, huh?" I nudge his shoulder with my fist, but a weak smile is all I get in return. I'm surprised when he grabs my hand and starts pulling me through the water. At least it's better than dragging me by the ankle. I can't but think how Galen could have done the same thing. Why does he wrap his arms around me instead?
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
Instead of answering, Judd—having built up the correct focus—bent the muzzle of the gun downward, rendering it ineffective. The rebel Arrow threw it aside, hitting Judd with a telepathic blow at the same time … but Judd had his psychic hands in the cells of the male’s heart. He shifted things enough to pinch a blood vessel.
Nalini Singh (Tangle of Need (Psy-Changeling, #11))
Feeling Faint Issue: I’m happy losing weight with a low carbohydrate diet, but I’m always tired, get light headed when I stand up, and if I exercise for more than 10 minutes I feel like I’m going to pass out. Response: Congratulations on your weight loss success, and with just a small adjustment to your diet, you can say goodbye to your weakness and fatigue. The solution is salt…a bit more salt to be specific. This may sound like we’re crazy when many experts argue that we should all eat less salt, however these are the same experts who tell us that eating lots of carbohydrates and sugar is OK. But what they don’t tell you is that your body functions very differently when you are keto-adapted. When you restrict carbs for a week or two, your kidneys switch from retaining salt to rapidly excreting it, along with a fair amount of stored water. This salt and water loss explains why many people experience rapid weight loss in the first couple of weeks on a low carbohydrate diet. Ridding your body of this excess salt and water is a good thing, but only up to a point. After that, if you don’t replace some of the ongoing sodium excretion, the associated water loss can compromise your circulation The end result is lightheadedness when you stand up quickly or fatigue if you exercise enough to get ‘warmed up’. Other common side effects of carbohydrate restriction that go away with a pinch of added salt include headache and constipation; and over the long term it also helps the body maintain its muscles. The best solution is to include 1 or 2 cups of bouillon or broth in your daily schedule. This adds only 1-2 grams of sodium to your daily intake, and your ketoadapted metabolism insures that you pass it right on through within a matter of hours (allaying any fears you might have of salt buildup in your system). This rapid clearance also means that on days that you exercise, take one dose of broth or bouillon within the hour before you start.
Jeff S. Volek (The Art and Science of Low Carbohydrate Living: An Expert Guide to Making the Life-Saving Benefits of Carbohydrate Restriction Sustainable and Enjoyable)
Josh and I started out so easy, so fun, and now we’re like strangers. I’ll never have that person back, who I knew better than anyone and who knew me so well.” I feel a pinch in my heart. When she says it that way, it’s so sad. “You could become friends again, after some time has passed.” But it wouldn’t be the same, I know that. You’d always be mourning
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
Perhaps the greatest maturity is our ability to conceive the whole universe as our container, our body as a microcosm of that universe, with no boundaries. That is more or less enlightenment. But most of us will need more finite containers for a while, even if we are beginning to learn to make do with intangible ones in a pinch. Indeed, as long as we are in bodies, enlightened or not, we need some bit of tangible safety, or at least a sense of sameness.
Elaine N. Aron (The Highly Sensitive Person: How to Thrive When the World Overwhelms You)
galette des rois. We have found through trial and error it is usually prudent to push the fève piece toward the youngest person in the room. If you can’t lay your hand on some fèves, a coin wrapped in greaseproof paper should have the same cheerful effect in warding off the post-chrimbo blues. 1 roll ready-made puff pastry, unless you are a fantastic pastry nut (I worship you) 1 egg, beaten 2 tbsp. jam 100g soft butter 100g caster sugar (superfine sugar) 100g ground almonds 1 tbsp. brandy Preheat the oven to 375ºF. Divide the ready-made puff pastry in half, and roll out each piece into two circles. Put one of the circles on a baking sheet and spread with the jam. Whisk the butter and sugar until fluffy. Beat in most of the egg. Stir in the almonds, brandy, and add the fève. Spread the mix on top of the jam, then cover with the second piece of pastry. Seal up with a pinch. You can decorate the top of the galette with a fork if you like. Bake for 25 minutes or until crisp and golden. Serve warm or cold.
Jenny Colgan (Christmas at Little Beach Street Bakery)
I do not believe one can settle how much we ought to give [to charity]. I am afraid the only safe rule is to give more than we can spare. In other words, if our expenditure on comforts, luxuries, amusements, etc., is up to the standard common among those with the same income as our own, we are probably giving away too little. If our charities do not at all pinch or hamper us, I should say they are too small. There ought to be things we should like to do and cannot do because our charities expenditure excludes them.
C.S. Lewis
I went to the window, opening the pierced shutters to look out over the sleeping city. The moon was waxing and hung half-full like some exotic silver jewel just over the horizon. From the courtyard below rose the scent of jasmine on the cool night air. A slender vine had wound its way up to the balcony, and I reached out, pinching off a single creamy white blossom. I lifted it to my nose, drinking in the thick sweetness of it as it filled my head, sending my senses reeling. There was something narcotic about that jasmine, something carnal and ethereal at the same time. I crushed the petals between my fingers, taking the scent onto my skin. It was not a fragrance to wear alone. It was too rich, too heady, too full of sensuality and promise. It was a fragrance for silken cushions and damp naked flesh and moonlit beds. I rubbed at my fingers, but the scent clung tightly, keeping me company as I sat in the window, listening to a song I had almost forgot and thinking of Gabriel Starke and the five years that stretched barrenly between us.
Deanna Raybourn (City of Jasmine)
He drew his fingers down over her collarbones drifting closer to her breasts. “The muscles here on our women are often as developed as ours.” Judging by the heated look in his eyes, he didn’t mind at all that she had breasts instead of muscular pecs. “And here.” Her pulse picked up as he cupped her breasts. “You’re rounder here. Softer. Fuller.” He squeezed them gently and drew his thumbs across the hard, sensitive peaks. Ava sucked in a breath as sensation shot through her. “Do that again.” He brushed his thumbs across the tight buds again., toyed with them and gave an experimental pinch. Ava jerked and arched against him. “You’re sensitive here,” he murmured. “Yes.” His lips captured hers once more, tasting and tempting as he explored her breasts and ratcheted up her need. She and Jak’ri had been nearly bare with each other countless times in their dreams as they swam and cavorted in Rounaka Sea, but they had been out in the open and the dreams had felt so real that she would never have thought of doing her lustful inclinations there for fear of being discovered. Now, however, they were alone. They were free and the cave enclosing them might has well have been a Honeymoon suite at a secluded resort. So there was no reason for her to hold back. She moaned. Jak’ri certainly wasn’t holding back. The women of Purvel might not have breasts like hers, but he sure as hell knew what to do with them, teasing and tweaking and squeezing until she squirmed against him. Her breath shortening. “Jak’ri,” she whispered, tunneling the fingers of one hand through his thick hair while she slid the other down his back and rocked against the thick, hard ridge concealed by his pants. “I want you.” Nodding he trailed heated kisses down her neck. “I want you too.” One of his big hands left her breast and cupped her ass, grinding her against him. “Are you ready to release your eggs?” Sensation shot through her. “Hmmm?” “Are you ready to release your eggs so I can fertilize them?” he murmured, clutching her closer. Her eyes flew open. “Wait, what?” She leaned back. “I assume your reproduce the same way Purveli’s do,” he said, dragging his eyes up from her breasts to meet hers. “You release your eggs, then I fertilize them.” She stared at him, stunned. Release her eggs? Did he mean like a…like a fish? Her gaze shot to the barely discernable scales that coated his broad chest and handsome face. Did Purveli’s not have sex the way humans and Lasaran’s did? His lips twitched as his eyes danced with mirth. Relief filled her. “Oh my gosh,” laughing Ava shoved one of his shoulders. “You are so bad.” He laughed. “Apologies, I couldn’t resist. My scales seemed to fascinate you.
Dianne Duvall (The Purveli (Aldebarian Alliance, #3))
He stood in the kitchen for a while, pinching the little tumoric blobs of pastry off their cooling racks to keep them from sticking, looking at the stack of plastic containers with their herbed shortbreads and cornmeal gingersnaps and feeling slightly sad – the same sadness he felt when he noticed that Jude had cleaned after all – because he knew they would be devoured mindlessly, swallowed whole with beer, and that they would begin the New Year finding crumbs of those beautiful cookies everywhere, trampled and stamped into the tiles.
Hanya Yanagihara (A Little Life)
When that happened, he was expansive, friendly, for there was a charming side to him. I concluded all the same from this first evening that his must be a vile nature, that he would not, at a pinch, shrink from any act of meanness, was incapable of gratitude. In which he resembled the majority of mankind. But inasmuch as I had inherited a strain of my grandmother’s nature, and enjoyed the diversity of other people without expecting anything of them or resenting anything that they did, I overlooked his baseness, rejoiced in his gaiety when it was in evidence,
Marcel Proust (In Search Of Lost Time (All 7 Volumes) (ShandonPress))
A Dauntless soldier with an arm in a sling approaches us, gun held ready, barrel fixed on Tobias. “Identify yourselves,” she says. She is young, but not young enough to know Tobias. The others gather behind her. Some of them eye us with suspicion, the rest with curiosity, but far stranger than both is the light I see in some of their eyes. Recognition. They might know Tobias, but how could they possibly recognize me? “Four,” he says. He nods toward me. “And this is Tris. Both Dauntless.” The Dauntless soldier’s eyes widen, but she does not lower her gun. “Some help here?” she asks. Some of the Dauntless step forward, but they do it cautiously, like we’re dangerous. “Is there a problem?” Tobias says. “Are you armed?” “Of course I’m armed. I’m Dauntless, aren’t I?” “Stand with your hands behind your head.” She says it wildly, like she expects us to refuse. I glance at Tobias. Why is everyone acting like we’re about to attack them? “We walked through the front door,” I say slowly. “You think we would have done that if we were here to hurt you?” Tobias doesn’t look back at me. He just touches his fingertips to the back of his head. After a moment, I do the same. Dauntless soldiers crowd around us. One of them pats down Tobias’s legs while the other takes the gun tucked under his waistband. Another one, a round-faced boy with pink cheeks, looks at me apologetically. “I have a knife in my back pocket,” I say. “Put your hands on me, and I will make you regret it.” He mumbles some kind of apology. His fingers pinch the knife handle, careful not to touch me. “What’s going on?” asks Tobias. The first soldier exchanges looks with some of the others. “I’m sorry,” she says. “But we were instructed to arrest you upon your arrival.
Veronica Roth (Insurgent (Divergent, #2))
A long-time associate, Beth, who likes to refer to herself as the 'Grill Bitch', excelled at putting loudmouths and fools into their proper place. She refused to behave any differently than her male co-workers: she'd change in the same locker area, dropping her pants right alongside them. She was as sexually aggressive, and as vocal about it, as her fellow cooks, but unlikely to suffer behavior she found demeaning. One sorry Moroccan cook who pinched her ass found himself suddenly bent over a cutting board with Beth dry-humping him from behind, saying, 'How do you like it, bitch?' The guy almost died of shame — and never repeated that mistake again. Another female line cook I had the pleasure of working with arrived at work one morning to find that an Ecuadorian pasta cook had decorated her station with some particularly ugly hard-core pornography of pimply-assed women getting penetrated in every orifice by pot-bellied guys with prison tattoos and back hair. She didn't react at all, but a little later, while passing through the pasta man's station, casually remarked. 'Jose, I see you brought in some photos of the family. Mom looks good for her age.
Anthony Bourdain (Kitchen Confidential: Adventures in the Culinary Underbelly)
The best available apples-to-apples comparison of inflation-adjusted earnings shows what the typical fully employed man earned back in the 1970s and what that same fully employed man earns today. The picture isn’t pretty. As the GDP has doubled and almost doubled again, as corporations have piled up record profits, as the country has gotten wealthier, and as the number of billionaires has exploded, the average man working full-time today earns about what the average man earned back in 1970. Nearly half a century has gone by, and the guy right in the middle of the pack is making about what his granddad did. The second punch that’s landed on families is expenses. If costs had stayed the same over the past few decades, families would be okay—or, at least, they would be in about the same position as they were thirty-five years ago. Not advancing but not falling behind, either. But that didn’t happen. Total costs are up, way up. True, families have cut back on some kinds of expenses. Today, the average family spends less on food (including eating out), less on clothing, less on appliances, and less on furniture than a comparable family did back in 1971. In other words, families have been pretty careful about their day-to-day spending, but it hasn’t saved them. The problem is that the other expenses—the big, fixed expenses—have shot through the roof and blown apart the family budget. Adjusted for inflation, families today spend more on transportation, more on housing, and more on health insurance. And for all those families with small children and no one at home during the day, the cost of childcare has doubled, doubled again, and doubled once more. Families have pinched pennies on groceries and clothing, but these big, recurring expenses have blown them right over a financial cliff.
Elizabeth Warren (This Fight Is Our Fight: The Battle to Save America's Middle Class)
Excitable little fellow,” said Gandalf, as they sat down again. “Gets funny queer fits, but he is one of the best, one of the best—as fierce as a dragon in a pinch.” If you have ever seen a dragon in a pinch, you will realize that this was only poetical exaggeration applied to any hobbit, even to Old Took’s great-grand-uncle Bullroarer, who was so huge (for a hobbit) that he could ride a horse. He charged the ranks of the goblins of Mount Gram in the Battle of the Green Fields, and knocked their king Golfimbul’s head clean off with a wooden club. It sailed a hundred yards through the air and went down a rabbit-hole, and in this way the battle was won and the game of Golf invented at the same moment.
Anonymous
A flash of lightning ghosts into the room, and when it leaves again, my eyes follow it back out to sea. In the window's reflection, I glimpse a figure standing behind me. I don't need to turn around to see who creates such a big outline-or who makes my whole body turn into a goose-bump farm. "How do you feel?" he says. "Better," I say to his reflection. He hops over the back of the couch and grabs my chin, turning my head side to side, up and down, all around, watching for my reaction. "I just did that," I tell him. "Nothing." He nods and unhands me. "Rach-Uh, my mom called your mom and told her what happened. I guess your mom called your doctor, and he said it's pretty common, but that you should rest a few more days. My mom insisted you stay the night since no one needs to be driving in this weather." "And my mother agreed to that?" Even in the dark, I don't miss his little grin. "My mom can be pretty persuasive," he says. "By the end of the conversation, your mom even suggested we both stay home from school tomorrow and hang out here so you can relax-since my mom will be home supervising, of course. Your mom said you wouldn't stay home if I went to school." A flash from the storm illuminates my blush. "Because we told her we're dating." He nods. "She said you should have stayed home today, but you threw a fit to go anyway. Honestly, I didn't realize you were so obsessed-ouch!" I try to pinch him again, but he catches my wrist and pulls me over his lap like a child getting a spanking. "I was going to say, 'with history.'" He laughs. "No you weren't. Let me up." "I will." He laughs. "Galen, you let me up right now-" "Sorry, not ready yet." I gasp. "Oh, no! The room is spinning again." I hold still, tense up. Then the room does spin when he snatches me up and grabs my chin again. The look of concern etched on his face makes me feel a little guilty, but not guilty enough to keep my mouth shut. "Works every time," I tell him, giving my best ha-ha-you're-a-sucker smirk. A snicker from the entryway cuts off what I can tell is about to be a good scolding. I've never heard Galen curse, but his glower just looks like a four-letter word waiting to come out. We both turn to see Toraf watching us with crossed arms. He is also wearing a ha-ha-you're-a-sucker smirk. "Dinner's ready, children," he says. Yep, I definitely like Toraf. Galen rolls his eyes and extracts me from his lap. He hops up and leaves me there, and in the reflection, I see him ram his fist into Toraf's gut as he passes. Toraf grunts, but the smirk never leaves his face. He nods his head for me to follow them. As we pass through the rooms, I try to remember the rich, sophisticated atmosphere, the marble floors, the hideous paintings, but my stomach makes sounds better suited to a dog kennel at feeding time. "I think your stomach is making mating calls," Toraf whispers to me as we enter the kitchen. My blush debuts the same time we enter the kitchen, and it's enough to make Toraf laugh out loud.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
If you go to visit hell, you will see a room like this kitchen. There is a pot of delicious stew on the table, with the most delicate aroma you can imagine. All around, people sit, like us. Only they are dying of starvation. They are jibbering and jabbering,” he looked extra hard at Mrs. Parsons, “but they cannot get a bite of this wonderful stew God has made for them. Now, why is that?” “Because they’re choking? For all eternity?” Lou Ann asked. Hell, for Lou Ann, would naturally be a place filled with sharp objects and small round foods. “No,” he said. “Good guess, but no. They are starving because they only have spoons with very long handles. As long as that.” He pointed to the mop, which I had forgotten to put away. “With these ridiculous, terrible spoons, the people in hell can reach into the pot but they cannot put the food in their mouths. Oh, how hungry they are! Oh, how they swear and curse each other!” he said, looking again at Virgie. He was enjoying this. “Now,” he went on, “you can go and visit heaven. What? You see a room just like the first one, the same table, the same pot of stew, the same spoons as long as a sponge mop. But these people are all happy and fat.” “Real fat, or do you mean just well-fed?” Lou Ann asked. “Just well-fed,” he said. “Perfectly, magnificently well-fed, and very happy. Why do you think?” He pinched up a chunk of pineapple in his chopsticks, neat as you please, and reached all the way across the table to offer it to Turtle. She took it like a newborn bird.
Barbara Kingsolver (The Bean Trees)
In every age a general misdirection of what may be called sexual "taste"... [is] produce[d by the devil and his angels]. This they do bu working through the small circle of artists, dressmakers, actresses, and advertisers who determine the fashionable type. The aim is to guide each sex away from those members of the other with whom spiritually helpful, happy, and fertile marriages are most likely. Thus [they] have now for many centuries triumphed over nature to the extent of making certain secondary characteristics of the male (such as the beard) disagreeable to nearly all the females-and there is more in that than you might suppose. As regards the male taste [they] have varied a good deal. At one time [they] have directed it to the statuesque and aristocratic type of beauty, mixing men's vanity with their desires and encouraging the race to breed chiefly from the most arrogant and prodigal women. At another, [they] have selected an exaggeratedly feminine type, faint and languishing, so that folly and cowardice, and all the general falseness and littleness of mind which go with them, shall be at a premium. At present [they] are on the opposite tack. The age of jazz has succeeded the age of the waltz, and [they] now teach men to like women whose bodies are scarcely distinguishable from those of boys. Since this is a kind of beauty even more transitory than most, [they] thus aggravate the female's chronic horror of growing old (with many [successful] results) and render her less willing and less able to bear children. And that is not all. [They] have engineered a great increase in the license which society allows to the representation of the apparent nude (not the real nude) in art, and its exhibition on the stage or the bathing beach. It is all a fake, or course; the figures in the popular art are falsely drawn; the real women in bathing suits or tights are actually pinched in and propped up to make them to appear firmer and more slender and more boyish than nature allows a full-grown woman to be. Yet at the same time, the modern world is taught to believe that it is being "frank" and "healthy" and getting back to nature. As a result [they] are more and more directing the desires of men to something which does not exist-making the role of the eye in sexuality more and more important and at the same time making its demands more and more impossible.
C.S. Lewis (The Screwtape Letters)
Even if these two didn't share the same short dark hair, the same violet eyes, and the same flawless olive skin, I'd know they were related because of their most dominant feature-their habit of staring. "I'm Chloe. This is my friend Emma, who apparently just head-butted your boyfriend Galen. We were in the middle of apologizing." I pinch the bridge of my nose and count to ten-Mississippi, but fifty-Mississippi seems more appropriate. Fifty allows more time to fantasize about ripping one of Chloe's new waves out. "Emma, what's wrong? Your nose isn't bleeding, is it?" She chirps, enjoying herself. Tingles gather at my chin as Galen lifts it with the crook of his finger. "Is your nose bleeding? Let me see," he says. He tilts my head side to side, leans closer to get a good look. And I meet my threshold for embarrassment. Tripping is bad enough. Tripping into someone is much worse. But if that someone has a body that could make sculpted statues jealous-and thinks you've broken your nose on one of his pecs-well, that's when tripping runs a distant second to humane euthanasia. He is clearly surprised when I swat his hand and step away. His girlfriend/relative seems taken aback that I mimic his stance-crossed arms and deep frown. I doubt she has ever met her threshold for embarrassment. "I said I was fine. No blood, no foul." "This is my sister Rayna," he says, as if the conversation steered naturally in that direction. She smiles at me as if forced at knifepoint, the kind of smile that comes purely from manners, like the smile you give your grandmother when she gives you the rotten-cabbage-colored sweater she's been knitting. I think of that sweater now as I return her smile.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
However people sincerely call on me, I come to them and fulfill their hearts’ desires. They use many paths to reach me. It might sound philosophical, but we can make it a little clearer by saying that God, the Supreme One, the Incarnation, is not a person. Then what is God? Simplest to understand is that God is the peace in us. We are born with joy. We are peace and joy personified. We are purity personified. Unfortunately we seem to be ignoring that. We’re ignorant of our own true nature. So we run after things to make us happy and to find peace. Behind all our efforts, our basic motive is to find happiness and thus to find peace. All our actions are for that good. They need not be religious. We’re all working toward that happiness. Even all these wars, fights and competition are ways people look for happiness. Even when people steal things, they think they’re going to be happy by stealing. So the ultimate motive behind all our actions is to find that joy and peace. That’s what Krishna means when he says, “Whatever people do, ultimately their interest is in me.” When he says “me,” it means that peace: “I am that joy. I am eternal. Unfortunately many don’t realize that I, as peace, am already there in them.” Sometimes you put on your earrings and then forget them. Then you spend hours pulling out all the drawers until somebody comes, pinches your ears and says, “Here they are.” It’s the same way spiritually. Peace, or your true Self, is something subjective. You look about for it outside of you as some object, something different from you. That’s why you miss it. If occasionally you seem to be enjoying some happiness or peace, that’s nothing but a reflection of your own peace within.
Satchidananda (The Living Gita: The Complete Bhagavad Gita: a Commentary for Modern Readers)
They went off, and I got aboard the raft, feeling bad and low, because I knowed very well I had done wrong, and I see it warn’t no use for me to try to learn to do right; a body that don’t get started right when he’s little, ain’t got no show—when the pinch comes there ain’t nothing to back him up and keep him to his work, and so he gets beat. Then I thought a minute, and says to myself, hold on,—s‘pose you’d a done right and give Jim up; would you felt better than what you do now? No, says I, I’d feel bad—I’d feel just the same way I do now. Well, then, says I, what’s the use you learning to do right, when it’s troublesome to do right and ain’t no trouble to do wrong, and the wages is just the same? I was stuck. I couldn’t answer that. So I reckoned I wouldn’t bother no more about it, but after this always do whichever come handiest at the time.
Mark Twain (The Adventures of Huckleberry Finn)
THE CLOWN AND THE COUNTRYMAN A Nobleman announced his intention of giving a public entertainment in the theatre, and offered splendid prizes to all who had any novelty to exhibit at the performance. The announcement attracted a crowd of conjurers, jugglers, and acrobats, and among the rest a Clown, very popular with the crowd, who let it be known that he was going to give an entirely new turn. When the day of the performance came, the theatre was filled from top to bottom some time before the entertainment began. Several performers exhibited their tricks, and then the popular favourite came on empty-handed and alone. At once there was a hush of expectation: and he, letting his head fall upon his breast, imitated the squeak of a pig to such perfection that the audience insisted on his producing the animal, which, they said, he must have somewhere concealed about his person. He, however, convinced them that there was no pig there, and then the applause was deafening. Among the spectators was a Countryman, who disparaged the Clown's performance and announced that he would give a much superior exhibition of the same trick on the following day. Again the theatre was filled to overflowing, and again the Clown gave his imitation amidst the cheers of the crowd. The Countryman, meanwhile, before going on the stage, had secreted a young porker under his smock; and when the spectators derisively bade him do better if he could, he gave it a pinch in the ear and made it squeal loudly. But they all with one voice shouted out that the Clown's imitation was much more true to life. Thereupon he produced the pig from under his smock and said sarcastically, "There, that shows what sort of judges you are!
Aesop (Aesop's Fables)
Hey, that's weird," Chloe says. "You both have the same color eyes as Emma. I've never seen that before. I always thought it was because she's freakishly pasty. Ow! That's gonna leave a mark, Emma," she says, rubbing her freshly pinched biceps. "Good, I hope it does," I snap. I want to ask them about their eyes-the color seems prettier set against the olive tone of Galen's skin-but Chloe has bludgeoned my chances of recovering from embarrassment. I'll have to be satisfied that my dad-and Google-were wrong all this time; my eye color just can't be that rare. Sure, my dad practiced medicine until the day he died two years ago. And sure, Google never let me down before. But who am I to argue with living, breathing proof that this eye color actually does exist? Nobody, that's who. Which is convenient, since I don't want to talk anymore. Don't want to force Galen into any more awkward conversations. Don't want to give Chloe any more opportunities to deepen the heat of my burning cheeks. I just want this moment of my life to be over. I push past Chloe and snatch up the surfboard. To her good credit, she presses herself against the rail as I pass her again. I stop in front of Galen and his sister. "It was nice to meet you both. Sorry I ran into you. Let's go, Chloe." Galen looks like he wants to say something, but I turn away. He's been a good sport, but I'm not interested in discussing swimmer safety-or being introduced to any more of his hostile relatives. Nothing he can say will change the fact that DNA from my cheek is smeared on his chest. Trying not to actually march, I thrust past them and make my way down the stairs leading to the pristine white sand. I hear Chloe closing the distance behind me, giggling. And I decide on sunflowers for her funeral.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
Joscha: For me a very interesting discovery in the last year was the word spirit—because I realized that what “spirit” actually means: It’s an operating system for an autonomous robot. And when the word was invented, people needed this word, but they didn’t have robots that built themselves yet; the only autonomous robots that were known were people, animals, plants, ecosystems, cities and so on. And they all had spirits. And it makes sense to say that a plant is an operating system, right? If you pinch the plant in one area, then it’s going to have repercussions throughout the plant. Everything in the plant is in some sense connected into some global aesthetics, like in other organisms. An organism is not a collection of cells; it’s a function that tells cells how to behave. And this function is not implemented as some kind of supernatural thing, like some morphogenetic field, it is an emergent result of the interactions of each cell with each other cell. Lex: Oh my god, so what you’re saying is the organism is a function that tells the cells what to do? And the function emerges from the interaction of the cells. Joscha: Yes. So it’s basically a description of what the plant is doing in terms of macro-states. And the macro-states, the physical implementation are too many of them to describe them, so the software that we use to describe what a plant is doing—this spirit of the plant—is the software, the operating system of the plant, right? This is a way in which we, the observers, make sense of the plant. The same is true for people, so people have spirits, which is their operating system in a way, right, and there’s aspects of that operating system that relate to how your body functions, and others how you socially interact, how you interact with yourself and so on. And we make models of that spirit and we think it’s a loaded term because it’s from a pre-scientific age, but it took the scientific age a long time to rediscover a term that is pretty much the same thing and I suspect that the differences that we still see between the old word and the new word are translation errors that over the centuries.
Joscha Bach
Demanding yet denying the human condition makes for an explosive contradiction. And explode it does, as you and I know. And we live in an age of conflagration: it only needs the rising birth rate to worsen the food shortage, it only needs the newly born to fear living a little more than dying, and for the torrent of violence to sweep away all the barriers. In Algeria and Angola, Europeans are massacred on sight. This is the age of the boomerang, the third stage of violence: it flies right back at us, it strikes us and, once again, we have no idea what hit us. The "liberals" remain stunned: they admit we had not been polite enough to the "natives," that it would have been wiser and fairer to grant them certain rights, wherever possible; they would have been only too happy to admit them in batches without a sponsor to that exclusive club -- the human species; and now this barbaric explosion of madness is putting them in the same boat as the wretched colonists. The metropolitan Left is in a quandary: it is well aware of the true fate of the "natives," the pitiless oppression they are subjected to, and does not condemn their revolt, knowing that we did everything to provoke it. But even so, it thinks, there are limits: these guerrillas should make every effort to show some chivalry; this would be the best way of proving they are men. Sometimes the Left berates them: "You're going too far; we cannot support you any longer." They don't care a shit for its support; it can shove it up its ass for what it's worth. As soon as the war began, they realized the harsh truth: we are all equally as good as each other. We have all taken advantage of them, they have nothing to prove, they won't give anyone preferential treatment. A single duty, a single objective: drive out colonialism by every means. And the most liberal among us would be prepared to accept this, at a pinch, but they cannot help seeing in this trial of strength a perfectly inhuman method used by subhumans to claim for themselves a charter for humanity: let them acquire it as quickly as possible, but in order to merit it, let them use nonviolent methods. Our noble souls are racist.
Jean-Paul Sartre
What do you think? he asked. Go slowly, so that you do not bite your tail by accident. He agreed with her, then, feeling impish, asked, And have you ever done that? Bitten your tail, I mean? She remained silently aloof, but he caught a brief flash of sensations: a medley of images--trees, grass, sunshine, the mountains of the Spine--as well as the cloying scent of red orchids and a sudden painful, pinching sensation, as if a door had slammed shut on her tail. Eragon chuckled quietly to himself, then concentrated on composing the spells he thought he would need to heal the girl. It took quite a while, almost a half hour. He and Saphira spent most of that time going over the arcane sentences again and again, examining and debating every word and phrase--and even his pronunciation--in an attempt to ensure that the spells would do what he intended and nothing more. In the midst of their silent conversation, Gertrude shifted in her seat and said, “She looks the same as ever. The work goes badly, doesn’t it? There is no need to hide the truth from me, Eragon; I have dealt with far worse in my day.” Eragon raised his eyebrows and, in a mild voice, said, “The work has not yet begun.” And Gertrude sank back, subdued.
Christopher Paolini (Inheritance (The Inheritance Cycle, #4))
When he’d ordered the Aphrodite converted to accommodate passengers, the builder had given him an option. Did he want four gentlemen’s cabins, similar to the ladies’? Or would he prefer to squeeze six smaller berths into the same space? Gray’s answer? Six, of course. No question about it. Two extra beds meant two extra fares. He hadn’t dreamed he’d one day occupy one of these cramped berths. Six feet of angry man, lashed into a five-foot bunk, in the midst of a howling gale-it wasn’t a recipe for a good night’s sleep. Gray craved the space and comfort of his former quarters aboard the Aphrodite-the captain’s cabin. But as his brother had so officiously pointed out, Gray wasn’t the captain of this ship anymore. Throw his arse in the brig, had Joss threatened? Gray tossed indignantly, his chest straining against the ropes hat held him in the child-sized bed. The ship’s brig didn’t sound so bad right now. He’d put up with a few iron bars, the rancid bilgewater and rats, if it meant he could stretch his legs properly. Hell, this room was so damned small, he couldn’t even get his blasted boots off. He kicked the wall of his berth, no doubt scuffing the shine on his new Hessians. He hated the cursed things anyway. They pinched his feet. Why the devil he’d thought it a brilliant notion to get all dandified for this voyage, Gray couldn’t remember. Just who was he trying to impress? Stubb?
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
Once a little boy went to school. One morning, when the little boy had been in school a while, his teacher said: “Today we are going to make a picture.” “Good!” thought the little boy. He liked to make pictures. He could make all kinds. Lions and tigers, Chickens and cows, trains and boats, and he took out his box of crayons and began to draw. But the teacher said: “Wait! It is not time to begin!” And she waited until everyone looked ready. “Now,” said the teacher, “We are going to make flowers.” “Good!” thought the little boy, he liked to make flowers, and he began to make beautiful ones with his pink and orange and blue crayons. But the teacher said “Wait! And I will show you how.” And it was red with a green stem. “There,” said the teacher, “Now you may begin.” The little boy looked at the teacher’s. Then he looked at this own flower. He liked his flower better than the teacher’s. But he did not say this. He just turned his paper over. And made a flower like the teacher’s. It was red with a green stem. On another day, when the little boy had opened the door from the outside all by himself, the teacher said: “Today we are going to make something with clay.” “Good!” thought the little boy. Snakes and snowmen, elephants and mice, cars, and trucks, and he began to pull and pinch his ball of clay. But the teacher said: “Wait!” It is not time to begin!” And she waited until everyone looked ready. “Now,” said the teacher, “We are going to make a dish.” He liked to make dishes. And he began to make some that were all shapes and sizes. But the teacher said, “Wait! And I will show you how.” And she showed everyone how to make a deep dish. “There,” said the teacher. “Now you may begin.” The little boy looked at the teacher’s dish, then he looked at his own. He liked his dish better than the teacher’s. But he did not say this. He just rolled his clay into a big ball again. And made a dish like the teacher’s. It was a deep dish. And pretty soon the little boy learned to wait, and to watch and to make things just like the teacher. And pretty soon he didn’t make things of his own anymore. Then it happened that the little boy and his family moved to another house, in another city, and the little boy had to go to another school. And the very first day he was there the teacher said: “Today we are going to make a picture.” “Good!” Thought the little boy and he waited for the teacher to tell him what to do. But the teacher didn’t say anything. She just walked around the room. When she came to the little boy she said, “Don’t you want to make a picture?” “Yes,” said the little boy. “What are we going to make?” “I don’t know until you make it,” said the teacher. “How shall I make it?” asked the little boy. “Why, any way you like,” said the teacher. “Any color?” asked the little boy. “Any color,” said the teacher. “If everyone made the same picture, and the used the same colors, how would I know who made what?” “I don’t know,” said the little boy. And he began to make a red flower with a green stem.
Helen E. Buckley
And sometimes it is possible to rouse them from a seemingly meaningless life with a really good story,' Jane said, 'one that will reach their hearts and wake them up.' 'Can you give me an example?' 'One of my very favorites is fictitious but seems so appropriate now. It is Lord of the Rings.' 'What makes it such an appropriate story for the hopeless?' I asked. 'Because the might the heroes were up against seemed utterly invincible-the might of Mordor, the orcs, and the Black Riders on horses and then on those huge flying beasts. And Samwise and Frodo, two little hobbits, traveling into the heart of danger on their own..... I think it provides us with a blueprint of how we survive and turn around climate change and loos of biodiversity, poverty, racism, discrimination, greed, and corruption. The Dark Lord of Mordor and the Black Riders symbolize all the wickedness we have to fight. The fellowship of the Ring includes all those who are fighting the good fight-we have to work so hard to grow the fellowship around the world.' Jane pointed out that the land of Middle-earth was polluted by the destructive industry of that world in the same way that our environment is devastated today. And she reminded me that Lady Galadriel had given Sam a little box of earth from her orchard. 'Do you remember how he used that gift when he surveyed the devastated landscape after the Dark Lord was finally defeated? He started sprinkling little pinches of the earth all around the country-and everywhere nature sprang back to life. Well, that earth represents all the projects people are doing to restore habitats on planet Earth.
Jane Goodall (The Book of Hope: A Survival Guide for Trying Times)
Perhaps the elements of memory in plants are superficially treated," he writes, "but at least there they are in black and white! Yet no one calls his friends or neighbors, no one shouts in a drunken voice over the telephone: Have you heard the news? Plants can feel! They can feel pain! They cry out! Plants remember everything!" When Soloukhin began to telephone his own friends in excitement he learned from one of them that a prominent member of the Soviet Academy of Sciences, working in Akademgorodok, the new town inhab­ ited almost exclusively by research scientists on the outskirts of Siberia's largest industrial center, Novosibirsk, had stated: Don't be amazed! We too are carrying out many experiments of this kind and they all point to one thing: plants have memory. They are able to gather impressions and retain them over long periods. We had a man molest, even torture, a geranium for several days in a row. He pinched it, tore it, pricked its leaves with a needle, dripped acid on its living tissues, burned it with a lighted match, and cut its roots. Another man took tender care of the same geranium, watered it, worked its soil, sprayed it with fresh water, supported its heavy branches, and treated its burns and wounds. When we electroded our instruments to the plant, what do you think? No sooner did the torturer come near the plant than the recorder of the instrument began to go wild. The plant didn't just get "nervous"; it was afraid, it was horrified. If it could have, it would have either thrown itself out the window or attacked its torturer. Hardly had this inquisitor left and the good man taken his place near the plant than the geranium was appeased, its impulses died down, the recorder traced out smooth­ one might almost say tender-lines on the graph.
Peter Tompkins (The Secret Life of Plants: A Fascinating Account of the Physical, Emotional and Spiritual Relations Between Plants and Man)
For a brief moment she considered the unfairness of it all. How short was the time for fun, for pretty clothes, for dancing, for coquetting! Only a few, too few years! Then you married and wore dull-colored dresses and had babies that ruined your waist line and sat in corners at dances with other sober matrons and only emerged to dance with your husband or with old gentlemen who stepped on your feet. If you didn't do these things, the other matrons talked about you and then your reputation was ruined and your family disgraced. It seemed such a terrible waste to spend all your little girlhood learning how to be attractive and how to catch men and then only use the knowledge for a year or two. When she considered her training at the hands of Ellen and Mammy, se knew it had been thorough and good because it had always reaped results. There were set rules to be followed, and if you followed them success crowned your efforts. With old ladies you were sweet and guileless and appeared as simple minded as possible, for old ladies were sharp and they watched girls as jealously as cats, ready to pounce on any indiscretion of tongue or eye. With old gentlemen, a girl was pert and saucy and almost, but not quite, flirtatious, so that the old fools' vanities would be tickled. It made them feel devilish and young and they pinched your cheek and declared you were a minx. And, of course, you always blushed on such occasions, otherwise they would pinch you with more pleasure than was proper and then tell their sons that you were fast. With young girls and young married women, you slopped over with sugar and kissed them every time you met them, even if it was ten times a day. And you put your arms about their waists and suffered them to do the same to you, no matter how much you disliked it. You admired their frocks or their babies indiscriminately and teased about beaux and complimented husbands and giggled modestly and denied you had any charms at all compared with theirs. And, above all, you never said what you really thought about anything, any more than they said what they really thought. Other women's husbands you let severely alone, even if they were your own discarded beaux, and no matter how temptingly attractive they were. If you were too nice to young husbands, their wives said you were fast and you got a bad reputation and never caught any beaux of your own. But with young bachelors-ah, that was a different matter! You could laugh softly at them and when they came flying to see why you laughed, you could refuse to tell them and laugh harder and keep them around indefinitely trying to find out. You could promise, with your eyes, any number of exciting things that would make a man maneuver to get you alone. And, having gotten you alone, you could be very, very hurt or very, very angry when he tried to kiss you. You could make him apologize for being a cur and forgive him so sweetly that he would hang around trying to kiss you a second time. Sometimes, but not often, you did let them kiss you. (Ellen and Mammy had not taught her that but she learned it was effective). Then you cried and declared you didn't know what had come over you and that he couldn't ever respect you again. Then he had to dry your eyes and usually he proposed, to show just how much he did respect you. And there were-Oh, there were so many things to do to bachelors and she knew them all, the nuance of the sidelong glance, the half-smile behind the fan, the swaying of hips so that skirts swung like a bell, the tears, the laughter, the flattery, the sweet sympathy. Oh, all the tricks that never failed to work-except with Ashley.
Margaret Mitchell (Gone with the Wind)
A woman decides to have a facelift for her 50th birthday. She spends $15,000 and feels pretty good about the results. On her way home, she stops at a news stand to buy a newspaper. Before leaving, she says to the clerk, "I hope you don’t mind my asking, but how old do you think I am?" "About 32," is the reply. "Nope! I’m exactly 50," the woman says happily. A little while later she goes into McDonald’s and asks the counter girl the very same question. The girl replies, "I’d guess about 29." The woman replies with a big smile, "Nope, I’m 50." Now she’s feeling really good about herself. She stops in a drug store on her way down the street. She goes up to the counter to get some mints and asks the clerk this burning question. The clerk responds, "Oh, I’d say 30." Again she proudly responds, "I’m 50, but thank you!" While waiting for the bus to go home, she asks an old man waiting next to her the same question. He replies, "I’m 78 and my eyesight is going. Although, when I was young, there was a sure-fire way to tell how old a woman was. If you permit me to put my hands under your bra, then, and only then can I tell you EXACTLY how old you are." They wait in silence on the empty street until her curiosity gets the best of her. She finally blurts out, "What the hell, go ahead." He slips both of his hands under her blouse and begins to feel around very slowly and carefully. He bounces and weighs each breast and he gently pinches each nipple. He pushes her breasts together and rubs them against each other. After a couple of minutes of this, she says, "Okay, okay...How old am I?" He completes one last squeeze of her breasts, removes his hands, and says, " Ma dam, you are 50." Stunned and amazed, the woman says, "That was incredible, how could you tell?" The old man says, "Promise you won’t get mad?" "I promise I won’t," she says. "I was behind you in McDonald’s.
Adam Smith (Funny Jokes: Ultimate LoL Edition (Jokes, Dirty Jokes, Funny Anecdotes, Best jokes, Jokes for Adults) (Comedy Central Book 1))
Thick and creamy egg, fragrant roast quail... and the rice! It all makes such a hearty, satisfying combination! Wait, something just crunched? "See, there are five parts to a good chicken-and-egg rice bowl. Chicken... eggs... rice... onions... and warishita. *Warishita is a sauce made from a combination of broth, soy sauce and sugar.* "I seared the quail in oil before putting it in the oven to roast. That made the skin nice and crispy... while leaving the meat inside tender and juicy. For the eggs, I seasoned them with salt and a generous pinch of black pepper to give them some bite and then added cream to make them thick and creamy! It's the creaminess of the soft-boiled egg that makes or breaks a good chicken-and-egg bowl, y'know. Some milk made the risotto extra creamy. I then mixed in onions as well as ground chicken that was browned in butter. I used the Suer technique on the onions. That should have given some body to their natural sweetness. For the sauce, I sweetened some Madeira wine with sugar and honey and then added a dash of soy sauce. Like warishita in a regular chicken-and-egg rice bowl, this sauce ties all the parts of the dish together. Try it with the poached egg. It's seriously delicious! Basically I took the idea of a Japanese chicken-and-egg rice bowl... ... and rebuilt it using only French techniques!" "Yukihira! I wanna try it too!" "Oh, uh, sorry. I only made that one." "Awww! You've gotta make one for me someday!" "There is one thing I still don't understand. When you stuff a bird, out of necessity the filling has to remain firm to stay in place. Something soft and creamy like risotto should have fallen right back out! "How did you make this filling work?!" "I know! The crunch!" "Yep! It's cabbage! I quickly blanched a cabbage leaf, wrapped the risotto in it... ... and then stuffed it inside the quail!" "Aha! Just like during the Camp Shokugeph!" It's the same idea behind the Chou Farci Shinomiya made! The cabbage leaf is blanched perfectly too. He brought out just enough sweetness while still retaining its crispy texture. And it's that very sweetness that softly ties the fragrant quail meat together with the creamy richness of the risotto filling!
Yūto Tsukuda (食戟のソーマ 14 [Shokugeki no Souma 14] (Food Wars: Shokugeki no Soma, #14))
He took a breath. He could feel his anxiety fade; he could feel himself returning to who he was. 'But would you sing with me?' Every morning for the past two months, they had been singing with each other in preparation for Duets. In the film, his character and the character's wife led an annual Christmas pageant, and both he and the actress playing his wife would be performing their own vocals. The director had sent him a list of songs to work on, and Jude had been practicing with him: Jude took the melody, and he took the harmony. 'Sure,' Jude said. 'Our usual?' For the past week, they'd been working on 'Adeste Fideles,' which he would have to sing a cappella, and for the past week, he'd been pitching sharp at the exact same point, at 'Venite adoremus,' right in the first stanza. He'd wince every time he did it, hearing the error, and Jude would shake his head at him and keep going, and he'd follow him until the end. 'You're overthinking it,' Jude would say. 'When you go sharp, its because you're concentrating too hard on staying on key; just don't think about it, Willem, and you'll get it.' That morning, though, he felt certain he'd get it right. He gave Jude the bunch of herbs, which he was still holding, and Jude thanked him, pinching its little purple flowers between his fingers to release its perfume. 'I think it's a kind of perilla,' he said, and held his fingers up for Willem to smell. 'Nice,' he said, and they smiled at each other. And so Jude began, and he followed, and he made it through without going sharp. And at the end of the song, just after the last note, Jude immediately began singing the next song on the list, 'For Unto Us a Child Is Born,' and after that, 'Good King Wenceslas,' and again and again, Willem followed. His voice wasn't as full as Jude's, but he could tell in those moments that it was good enough, that it was maybe better than good enough: he could tell it sounded better with Jude's, and he closed his eyes and let himself appreciate it. They were still singing when the doorbell chimed with their breakfast, but as he was standing, Jude put his hand on his wrist, and they remained there, Jude sitting, he standing, until they had sung the last words of the song, and only after they had finished did he go to answer the door. Around him, the room was redolent of the unknown herb he'd found, green and fresh and yet somehow familiar, like something he hadn't known he had liked until it had appeared, suddenly and unexpectedly, in his life.
Hanya Yanagihara (A Little Life)
Kristen- So you know I ran… and he got me. He had his belt in hand ready to whip me, and he did repeatedly until I fell to the ground, with him straddling me, his hand touching me, he started pinching me, and that is when he pierced my nipple with an old rusty nail. ‘Honey hush,’ he said as I screamed, even more, the second time; because I knew the pain was picking and nearing. He laughed- ‘Saying now everything matches!’ I recall him saying this- as he pulled me up dragging me by the hair. ‘Good now your bare ass can rub up on the bark of the tree, and then I can smack it later on tonight. You would like that? Wouldn’t you? My little bitch!’ Kristen- I had to say- ‘Yes, Yes- I would!’ I screamed louder than I have ever had in my entire life! For the reason that I knew what was coming! I could see him coming with the cruel tools in hand! I was thinking to myself. ‘Please God don’t let him have a screwdriver.’’ Because knew what he would do with it, and where it would be shoved in! Just for the hell of it, he drew a target on my tummy with my lipstick and started throwing tools like wrenches, trying to hit the same spot. I thought for sure something of his was going to go deep inside me. He looked at me, flashing scissors, and said in a sick way. ‘Look, baby, these are the same scissors your momma used to slit her wrist. He slapped them in my hand, and said it is your choice; you can do the same thing she had the choice of... What do you say? You know these are the very same scissors, that gave your mother the episiotomy that brought you into this world. Now they can be the same scissors to take you out.’ Gasping for breath in being so appalled, I remember saying- ‘What did I do to you?’ He said- ‘It is not what you did to me, it is what they want, and what I was asked to do, and what they will do to me if I don’t!’ I said- ‘Who are they?’ He whispered in my ear, as well as he bit it- my earlobe with his teeth afterward saying. - ‘You are that stupid? I knew it! Will If I tell you, I will have to kill you.’ He said- (In a very paranoid, yet almost cocky tone of voice.) So, I yelled back- ‘Just do it- you- vain shit-face!’ That is when he did it, one by one. Yes, one toe by toe, all the nails went in and through my fingernails and flesh. This happened to my hand, palm, and wrists one nail at a time. (Bang! Bang! Bang!) Until the point that I was able to suspend from them alone on the tree. The same tree that he carved our names into, saying forever and ever. I have to say at that point I did not want to live, saying get me down! Then he yelled- ‘Not yet- my baby!
Marcel Ray Duriez (Nevaeh Struggle with Affections)
These Claudines, then…they want to know because they believe they already do know, the way one who loves fruit knows, when offered a mango from the moon, what to expect; and they expect the loyal tender teasing affection of the schoolgirl crush to continue: the close and confiding companionship, the pleasure of the undemanding caress, the cuddle which consummates only closeness; yet in addition they want motherly putting right, fatherly forgiveness and almost papal indulgence; they expect that the sights and sounds, the glorious affairs of the world which their husbands will now bring before them gleaming like bolts of silk, will belong to the same happy activities as catching toads, peeling back tree bark, or powdering the cheeks with dandelions and oranging the nose; that music will ravish the ear the way the trill of the blackbird does; that literature will hold the mind in sweet suspense the way fairy tales once did; that paintings will crowd the eye with the delights of a colorful garden, and the city streets will be filled with the same cool dew-moist country morning air they fed on as children. But they shall not receive what they expect; the tongue will be about other business; one will hear in masterpieces only pride and bitter contention; buildings will have grandeur but no flowerpots or chickens; and these Claudines will exchange the flushed cheek for the swollen vein, and instead of companionship, they will get sex and absurd games composed of pinch, leer, and giggle—that’s what will happen to “let’s pretend.” 'The great male will disappear into the jungle like the back of an elusive ape, and Claudine shall see little of his strength again, his intelligence or industry, his heroics on the Bourse like Horatio at the bridge (didn’t Colette see Henri de Jouvenel, editor and diplomat and duelist and hero of the war, away to work each day, and didn’t he often bring his mistress home with him, as Willy had when he was husband number one?); the great affairs of the world will turn into tawdry liaisons, important meetings into assignations, deals into vulgar dealings, and the en famille hero will be weary and whining and weak, reminding her of all those dumb boys she knew as a child, selfish, full of fat and vanity like patrons waiting to be served and humored, admired and not observed. 'Is the occasional orgasm sufficient compensation? Is it the prize of pure surrender, what’s gained from all that giving up? There’ll be silk stockings and velvet sofas maybe, the customary caviar, tasting at first of frog water but later of money and the secretions of sex, then divine champagne, the supreme soda, and rubber-tired rides through the Bois de Boulogne; perhaps there’ll be rich ugly friends, ritzy at homes, a few young men with whom one may flirt, a homosexual confidant with long fingers, soft skin, and a beautiful cravat, perfumes and powders of an unimaginable subtlety with which to dust and wet the body, many deep baths, bonbons filled with sweet liqueurs, a procession of mildly salacious and sentimental books by Paul de Kock and company—good heavens, what’s the problem?—new uses for the limbs, a tantalizing glimpse of the abyss, the latest sins, envy certainly, a little spite, jealousy like a vaginal itch, and perfect boredom. 'And the mirror, like justice, is your aid but never your friend.' -- From "Three Photos of Colette," The World Within the Word, reprinted from NYRB April 1977
William H. Gass (The World Within the Word)
My little undomesticated pornstar pushed me so hard between her legs, my oxygen levels plummeted. She clenched around my fingers through her panties as an orgasm rolled through her in waves. The gush of warmth soaked the cotton. I kissed her through the fabric, again and again, knowing tomorrow everything would return to its proper position—my boundaries, my limits, my hang-ups, my demons. “Can I return the favor?” Dallas sat half up. “But not through your briefs. Men’s briefs always smell like old cheese that’s been sitting in a crockpot for days. I know because whenever my housekeeper went on vacation, we all took turns doing the laundry. And, well, I really shouldn’t say, but Dadd—” Not wanting the moment to be ruined with a conversation about her father’s underwear, I pulled forward, shutting her smart mouth with a kiss that tasted like her sweet pussy. At first, she pinched her lips and made a face, unsure what she thought about her own taste. But when I dragged the tip of my hard cock along her slit through our clothes, she went wild and kissed me back, shoving her tongue so deep down my throat I thought she would fish out my dinner. “Yes.” She wiggled against me. “Please, sir, may I have some more?” She’d quoted Oliver Twist while getting fucked. Truly, the woman was one of a kind. Knowing it was idiotic, and dangerous, and deranged, I pushed my tip through her slit. She was tight—tighter, still, through the tattered, stretched cotton of her ruined panties—but wet and sleek, ready for what was coming. The sensation, how warm and taut she felt, completely undid me. I thrust harder and deeper, entering her through our underwear, fucking her slowly with only flimsy fabric between us. I tore my mouth from hers, eyes glued to my cock each time it sank into her. I could barely fit inside, she was so tight. This was, by far, the best fuck I’d ever had. She panted. “Is this what people call dry-humping?” No. Nothing about this was dry. I was basically fucking her through our underwear. Only, explaining to her that this was full-blown sex with a side order of my issues was not in my plans for tonight. Or ever. “Sure.” Each push brought me closer to a climax. From slow, controlled, teasing thrusts designed to drive her mad with desire, I quickly derailed to jerky, manic, need-to-be-inside-this-woman plunges. Of a man so hungry for human connection, for affection, for carnal needs to be met and satisfied. My head grew dizzy. I’d taken into consideration the possibility that Dallas couldn’t come through penetration. It merely placed her in the same majority as most females on Planet Earth. But she shook, clawed, and reached for me, looking ready to climax. Her tits bounced and jiggled each time I slammed into her. Her mouth opened in awe, probably because this orgasm felt different from the first two. Deeper and more violent. She clutched the lapels of my shirt, shoving her face in mine. “Lose the underwear.” She met my thrust, groaning when my crown peeked past the slot in my boxer briefs. “I want you to come inside me. I want to feel you.” I was about two seconds from fulfilling her demand. Luckily, my logic grabbed the steering wheel, which my cock had seized sometime this evening, and derailed the situation from full-blown calamity. I managed to wait until she came, just barely, before pulling out, flipping her onto her stomach, and jerking off. I aimed for her bare ass but somehow came on her hair. No matter. She had plenty of time to wash it. Her agenda wasn’t exactly full. Dallas fell back onto the pillows, a lopsided grin on her face. (Chapter 31)
Parker S. Huntington (My Dark Romeo (Dark Prince Road, #1))
Don’t leave your room again until I get there.” Holly’s heart leaped; then her eyes filled with tears. “You’re coming here?” “My plane leaves Missoula at six o’clock tomorrow morning. I’ll be in St. Louis around 2:00 p.m. if there are no delays.” “Thank you, Bud, thank you so much.” “I don’t need thanks.” Holly shivered. The gruff, raspy tone in his voice rattled her. Even as she asked the question, she knew what he was going to say. “What do you need?” “Just you, baby.” “That scares me, too,” she whispered. Bud pinched the bridge of his nose to quell a surge of panic. Was this where she told him that she didn’t feel the same way he did? He had to make it right. He couldn’t bear it if she suddenly became afraid or uneasy around him. “It’s okay. I shouldn’t have ever said anything to—” “No, you misunderstand me,” Holly said softly. “I’m not scared of you. I’ve loved you for years.” Bud could have wept with relief. “Then it’s all good,” he said softly. “I just want you to stay safe until I can get to you. Can you promise to do that for me?” “I didn’t leave the room all day,” Holly said. “I won’t budge until you get here, I promise.” “Thank you, honey,” he said. “It’s going to be okay. We’ll get through this thing you’re dealing with, but we’ll do it together, so you won’t be in any danger, okay?” “Okay.” “I love you, Holly.” The breath caught in Holly’s throat. “I love you, too.” “Thank you, God,” Bud said, and hung up.
Sharon Sala (Blood Trails (The Searchers, #3))
Nowadays, people often ask me what it’s like hunting with my dad. We’ve actually had offers of tens of thousands of dollars from people who want to spend a day in Phil’s blind. It always amazes us because when we were growing up, duck hunting was our everyday life. When we were kids, we were always in the blind with Dad. I don’t remember my first hunt or the first duck I killed, like other young hunters. It was a different time and Phil wasn’t exactly a traditional dad. He didn’t take pictures of our first duck. It wasn’t sentimental; it was just life. We hunted and fished because we wouldn’t eat if we didn’t. Phil’s number one concern was always safety. If you were careless with a loaded gun, you would not come back to the blind. You’d be stuck at home with Mom the next time. Also, you had to be prepared because Phil wasn’t gonna baby you out there. If you didn’t wear the proper clothes, you were gonna freeze your butt off. And I did many times! You had to get your stuff together as well: shells, guns, and whatever you needed. I will never forget a time when I was about ten and we were all going on a dove hunt. It was opening day, and we were all excited. I was shooting a .410 shotgun, but I could only find one shell. Since we were leaving early in the morning, Phil let me know we wouldn’t be able to stop at a store because none of them would be open that early in the morning. “You better make that shot count,” Phil told me. So I shadowed Phil during the entire hunt, watching him drop ‘em. I rant to fetch the birds for Phil, and if any were still alive, he would pinch their heads. With one flick of Phil’s wrist, the dove’s head separated from its body. I was fascinated and yet a little freaked out. You can’t be sensitive when you’re hunting with Phil. I kept throwing my shotgun up to shoot, but I knew I had only one shot. Finally, about eleven o’clock in the morning, I saw my opportunity. I told Phil I was gonna take my shot. He was supportive and told me to make it count. Boom! Wouldn’t you know I smoked the dove? I couldn’t believe it. I went one-for-one with only one shell. As I turned to look at my dad with the biggest smile ever, I noticed he was putting his gun down. He’d shot at the exact same time. He wanted to make sure my shot counted. “Good shot, Willie boy, put your safety back on,” Phil told me. I didn’t know why the safety mattered since I only had one shell, but he wanted to instill the practice in my brain. We’ll never know who hit that bird, but believe me, I told Jase that I got it for sure.
Willie Robertson (The Duck Commander Family)
remarked: [I]f our expenditure on comforts, luxuries, amusements , etc., is up to the standard common among those with the same income as our own, we are probably giving away too little. If our charities do not at all pinch or hamper us, I should say they are too small. There ought to be things we should like to do and cannot do because our charitable expenditure excludes them.4
R. Kent Hughes (Disciplines of a Godly Man)
Spanda Karikas II.1 says: Tadakramya balam mantrah sarvajnabalashalinah Pravartante ’dhikaraya karananiva dehinam Baba Muktananda’s colourful and informal translation of this aphorism was, ‘The mantra is the power of everything and everyone. The mantra is all-knowing and can do anything’. Jaideva Singh’s translation is, ‘Mantras derive their power from the spanda principle and finally dissolve in it’. For Baba, mantra was a method for tapping the deep source of inner energy and bringing its life to the surface of things. He considered the repetition of a mantra received from an awakened teacher to be a streamlined, easy and almost effortless path. There is tremendous emotional power in language. In fact, thought and feeling are two sides of the same coin. Thought or language is a container of feeling: words and ideas shape emotion and create upliftment or contraction. The wrong kind of language (or thought) pinches feeling and creates emotional pain, while the right kind of language is a fitting vehicle of feeling, and given such a vehicle, feeling becomes free to expand and soar. Language has the binding power of ignorance (Shiva Sutras I.2: Jnanam bandhah: Knowledge is bondage) and also the mysterious freeing power of the master of matrika. Mantra is a key method for liberating the practitioner from illusion. Do not underestimate it.
Shankarananda (Consciousness Is Everything: The Yoga of Kashmir Shaivism)
Yeah, pinched. It was one of his little quirks as a collector. He couldn’t help himself. Call it an obsessive tic. I knew he made deals with a fair number of his colleagues who did the same thing. Because, theoretically, those films never left the building. But Dad didn’t want those reels to rot in some soulless corridor. He was the type who’d pet film cans the way you’d pet an old cat.
Franck Thilliez (Syndrome E)
Writing was the same, the pinching of thoughts into marks on paper and trying to keep your cursive legible, trying to think of the next thing to say and then behind you on several sheets of paper you find you have left permanent tracks, a trail, upon which anybody could follow you. Stalking you through your deep woods of private thought. Adair
Paulette Jiles (Enemy Women)
He returned to Pinch, waiting for the mine whistle to break the day into pieces. When it did, the miners surfaced with empty lunch buckets, leaving the portal, walking the narrow main drag with its bank, post office, and commissary. They found their own company shacks in straggling rows three deep, each one identical, with the same stovepipe, same curl of smoke, same yellow dog lazing in a bare yard. its tail beginning to wag.
Matthew Neill Null (Allegheny Front (Mary McCarthy Prize in Short Fiction))
There was no police to call, no one to whom we could turn for help, except the Lord. I understood that we were engaged in a spiritual battle as well as a physical one. I began to pray in heavenly language in the Spirit. Avoiding eye contact, trying to walk forward, Iman flinched when the same boy pinched her, then grabbed her. She flailed at him, but I saw his face harden with lust. Under my breath I rebuked the demonic influence that had its hold on him. The other two men ringed us in, herding us together. They were trying to back us into an alley. Suddenly the same fire I experienced that night after the tae kwon do competition came over me again. Once more I felt supernatural strength. As the men closed in and started to attack us, I attacked them back. My legs swirled in perfectly executed kicks. My hands started fighting back all of them. My feet and hands were flying in all directions. A crowd of onlookers, who would not have lifted a finger to save us, gathered around to watch.
Samaa Habib (Face to Face with Jesus: A Former Muslim's Extraordinary Journey to Heaven and Encounter with the God of Love)
A biologist from Leningrad, Boris Tokin, described them like this back in 1956: if you add a pinch of crushed spruce or pine needles to a drop of water that contains protozoa, in less than a second, the protozoa are dead. In the same paper, Tokin writes that the air in young pine forests is almost germfree, thanks to the phytoncides released by the needles. In essence, then, trees disinfect their surroundings.
Peter Wohlleben (The Hidden Life of Trees: What They Feel, How They Communicate: Discoveries from a Secret World)
I had never been able to look at that picture without feeling the weight of everything I had lost. I knew there was no path back to the time when I believed in God with the innocence of a child. We weren't the same family anymore, and I wasn't the same girl who plunged herself into the blue-tinged chlorinated water of that baptismal font, pinching her nose and holding her breath, praying to be touched by the Spirit.
Jessica Wilbanks (When I Spoke in Tongues: A Story of Faith and Its Loss)
What's that, mister?" "That's the green for the gentleman's coat. No--don't pinch it, or you'll get it all over you. Yes, you can put the cap on. Yes, that's to keep it from drying up. Yes, put it back in the box.... That's yellow. No, I know there isn't any yellow in the picture, but I want it to mix with the green to make it brighter. You'll see. Don't forget the cap. What? Oh, anywhere in the box. White--yes, it's a big tube, isn't it? You see, you have to put a little white into most of the colours--why? Well, they wouldn't come right without it. You'll see when I do the sky. What's that? You want the dog made white all over? No, I can't make it a picture of Scruggs. Why not? Well, Scruggs isn't the right sort of dog to take out shooting. Well, he's not, that's why. This has got to be a retriever. All right, well, I'll put in a liver-and-white spaniel. Oh, well, it's rather a pretty dog with long ears. Yes, I daresay it is like Colonel Amery's. No, I don't know Colonel Amery. Did you put the cap on that white paint? Dash it! if you go losing things like that I'll send you back to Mother and she'll spank you. What? Well, the gentleman has a green coat because he's a gamekeeper. Possibly Colonel Amery's gamekeeper doesn't, but this one does. No, I don't know why gamekeepers wear green coats--to keep them warm, I expect. No, I haven't got any brown paint same as that tree-trunk. I get that by mixing other colours. No, I've got all the colours I want now. You can put 'em away and shut the box. Yes, I can tell pretty well how much I want before I start. That's called a palette knife. No, it isn't meant to be sharp. It's meant for cleaning your palette and so on. Some people use a knife to paint with. Yes, it's nice and wiggly, but it won't stand too much of that kind of treatment, my lad. Yes, of course you can paint with a knife if you want to. You can paint with your fingers if it comes to that. No, I shouldn't advise you to try. Yes, well, it makes a rougher kind of surface, all blobs and chunks of paint. All right, I'll show you presently. Yes, I'm going to begin with the sky. Why? Well, why do you think? Yes, because it's at the top. Yes, of course that blue's too dark, but I'm going to put some white in it. Yes, and some green. You didn't know there was any green in the sky? Well, there is. And sometimes there's purple and pink too. No, I'm not going to paint a purple and pink sky. The gentleman and the dogs have only just started out. It's morning in this picture. Yes, I know, on the other side they're coming home with a lot of birds and things. I'll put a pink and purple sunset into that if you're good and don't ask too many questions. No, be a good girl and don't joggle my arm. Oh, Lord!
Dorothy L. Sayers (The Five Red Herrings (Lord Peter Wimsey, #7))
THE GREAT DISAPPEARANCE IS NOT, then, simply that of the virtual transmutation of things, of the mise en abyme of reality, but that of the diversion of the subject to infinity, of a serial pulverization of consciousness into all the interstices of reality. We might say, at a pinch, that consciousness (the will, freedom) is everywhere; it merges with the course of things and, as a result, becomes superfluous. This is the analysis Cardinal Ratzinger (the Pope) himself made of religion: a religion which accommodates to the world, which attunes itself to the (politcal, social) world, becomes superfluous. It is for the same reason — because it became increasingly merged with objective banality — that art, ceasing to be different from life, has become superfluous.
Jean Baudrillard (Why Hasn't Everything Already Disappeared? (The French List))
Life Recipe Take one heaping portion of common sense, two wishful scoops of dreams (okay to add an extra scoop when needed), and a manageable portion of drive. Mix in equal pinches of self-respect, dignity, integrity, faith, and compassion. Recipe Tip:  If for some reason this doesn’t turn out properly, simply start recipe over, being mindful to not make the same mistake twice.
T.I. Lowe (Orange Blossom Cafe (Runaway Bride #1))
She smiled at him, that same look of shared understanding, then reached in again to touch his hand, pinching his palm between her thumb and index finger. 'You OK?' 'I could be on fire, but seeing you would make it all OK,' he replied, his voice as brittle as a three-pack-a-day smoker.
Sean Black
I was just about to tell you when she came bounding in the front door. Rosie doesn’t walk anywhere.” “You were just about to tell me? A few years after the fact?” “I told you I needed a commitment, that I wanted a child…children. You were adamant—you were not interested in the same things I was.” “You might’ve left out a couple of things—like you were pregnant. That red hair and those green eyes—they’ve been in my family for generations.” “Did you really think I would tell you? After the way you acted about the whole idea?” “I didn’t have the facts,” he said, anger seeping into his tone. “Do you even remember how it was? Do you remember that I cried and said it was the most important thing to me and you said I’d have to come up with other important things because you weren’t getting into all that? Do you remember telling me not to let the door hit me in the ass? Do you remember saying, ‘Fat chance! Not in this lifetime’?” “And do you remember telling me I was a child, an irresponsible fuck-around who would never grow up? That if I couldn’t settle down and have a wife and children, you weren’t interested in wasting any more time on me? Remember, Franci? But you didn’t tell me you were pregnant!” “I couldn’t! I was afraid to!” “Aw, Jesus, Mary and Joseph—afraid? You’ve never had any reason to be afraid of me!” “I was afraid you’d marry me!” “That was what you wanted!” “I didn’t want you to marry me because I was pregnant! I wanted you to marry me because you loved me!” “I did love you! I just didn’t want to be married!” “Or have children!” she shouted back. She pinched her eyes closed and took a steadying breath. She spoke quietly. “I didn’t want you to be stuck with us. More to the point, I didn’t want us to be stuck with you, regretting our accident every day of our marriage. I wanted my child. I wanted to raise her knowing she was wanted. Loved. You will never understand this, Sean, and I don’t expect you to—but when my period was five minutes late, I started to love her. Passionately. And it grew by the day. If I couldn’t be a hundred percent sure that you’d love her just as much, I wasn’t willing to take a chance on you.” “Were you never going to tell me?” he asked. “If I hadn’t bumped into you, were you—” “Yes, I was going to tell you. I was going to have to—Rosie has just started asking questions. I was dreading it, but I was going to tell you.” “Dreading it? Because you knew how pissed I’d be?” She gave a huff of laughter. Sometimes he was so dense. “No, Sean,” she said patiently. “I don’t care if you get mad at me. I was afraid you’d hurt Rosie. Reject her. Ignore her. Break her heart.” Sean
Robyn Carr (Angel's Peak (Virgin River #10))
Talk to me, Anna,” he said, wrapping his second hand around the back of hers. “You’ve become inscrutable, and I have enough sisters to know this is not a good thing.” “You would leave me no privacy.” But when the earl stretched out his legs, his thigh casually resting against hers, she did not move away. “You have more privacy than anyone else in my household,” the earl chided. “You answer only to me, have the run of the property, and have the only private sitting room on four floors besides my own. And”—he kissed her knuckles—“you are stalling.” She laid her head on his shoulder, closed her eyes, and felt him nuzzling at her temple. “Sweetheart,” he murmured, “tell me what’s troubling you. Dev says you’ve shadows in your eyes, and I have to agree.” “Him.” Anna’s head came off his shoulder. “Has he offended? Pinched Nanny Fran one too many times? Offended Cook?” “He has offended me,” Anna said on a sigh. “Or he would, if I could stay mad at him, but he’s just protective of you.” “The duke used that same excuse to nearly unravel my niece’s entire family. He was protecting me when he bribed Elise, and he was protecting someone every time he crossed the lines his duchess would not approve of.” “I pointed out the parallel to St. Just when he warned me not to trifle with you.” “And here I’ve been pleasuring myself nigh cross-eyed because you won’t trifle with me,” the earl said. Anna smiled at his rejoinder despite herself. When she glanced over, he obligingly crossed his eyes. “What else did St. Just have to say?” the earl prompted when the moment of levity had passed. “If you value me, he will, as well. I don’t know what that meant, Westhaven. He is a difficult man to read.” “He was welcoming you to the family, and all without a word to me.
Grace Burrowes (The Heir (Duke's Obsession, #1; Windham, #1))
Maggie.” He’d warned her this time a moment before he slid his arms around her. After a minute pause to discard the dictates of good sense, she turned to hide her face against his chest. For a long moment, she let him hold her, until words rose up in her aching throat. “I want to cry.” Stupid words. Maybe he hadn’t heard them. “I think it’s worse,” he said, his hand stroking across her back, “when you want to and you can’t. It’s an indignity to cry, a worse indignity when you can’t even cry.” She nodded against his chest. Why did he know such a thing? Was it because his sisters had been through an ordeal? Because he knew half of the beau monde’s sins and mistakes? “Stop thinking, Maggie Windham. Everybody is occasionally blue-deviled.” His voice was very quiet, right near her ear. She liked the sound and feel of it, but he was wrong. Years and years of looking over her shoulder, dreading each day’s mail, pinching pennies and carrying secrets was not simply a case of the blue devils. And the worst, hardest, most difficult part was she could see the rest of her life falling into the same dismal pattern, with only death promising her any relief. Hazlit’s hand went from tracing patterns on her back to cradling her jaw. He shifted his hold subtly, turning Maggie’s face up to his. When his lips settled on hers, it was so softly Maggie wanted to groan with the pleasure of it. He tasted of the almond icing on the tea cake, his mouth sweet and warm against hers. She leaned into him, knowing he had the physical strength to support them both. There was no hurry in his kiss, no fumbling or force. It dawned on her that it was a kiss of invitation, an offer for her to explore him intimately. A gesture of trust. She
Grace Burrowes (Lady Maggie's Secret Scandal (The Duke's Daughters, #2; Windham, #5))
jerked so hard the move almost made them lose their connection. “Fuck!” Green felt the large muscles of Ruxs’ back grow ridged and tighten like he was on his one hundredth pull-up. God he fucking loved this man. Ruxs inhaled hard, took what was given him. Green kept the same intensity in his thrust, but he slowed the fucking down, made it precious. Ruxs made a sound like he was in pain. Large hands came up and grabbed a fist full of Green’s hair. Ruxs tightened his hold on him, now it was Green’s turn to make a painful sound. When Ruxs’ ass clamped down on his cock, Green dropped his head back to the pillow. He pinched harder and Ruxs’ body went still and then hard as stone. His come burst from him. Long streams of white lava erupted over Ruxs’ rippled stomach. He heard him, felt Ruxs growl and jolt with each release. Green barked a startled cry as his orgasm dug its claws in and roared through his core, to settle in his balls, consuming them with heat. He freed Ruxs’ tortured nipples and pulled the tight ass down on his cock, pressing it firmly into his pelvis just in time for his cock to thicken and shoot deep inside that throbbing channel. Deep enough for Ruxs to feel it in his soul. And he knew he did because the affectionately whispered, “Chris” that left his lover’s lips told him their bonding was sealed.
A.E. Via (Here Comes Trouble (Nothing Special #3))
What about after? Getting back through the lobby, I mean. Assuming you’ll need to leave at some point. For the bachelorette party, if nothing else.” “That’s not until the weekend.” He grinned. “Your point being?” “You know,” she said, tipping up on her toes and kissing his cheek, “I like it when you do the thinking.” “Well, I was going to mention that, but--” She pinched his butt, making him laugh. “Careful or I’ll swing you up and carry you up to my room over my shoulder.” Kerry spluttered a laugh, then said, “You know, it’s almost worth doing, just to blow everyone’s minds.” He pulled her closer. “Don’t tempt me.” She batted her lashes again. “But I thought you liked it when I tempted you.” Now he slid his hand behind her and gave her a little pinch, making her skip a little step but laugh at the same time. “I guess I had that coming.” “There’s a lot I’d like to do that has coming in the description.” “Okay, okay, so assuming I will have to leave your pirate’s lair at some point, then yes, how to do that without being the front-page story of the gossip gazette.” She looked up at him, her expression serious. “I could always come down the ramp carrying a box of tiddledywinks. Then no one would suspect for sure.” “A real funny one, you are,” he said dryly. “I was revisiting the whole black spandex cat burglar idea. Maybe you could sneak out under cover of darkness, shimmy down a rope from my window.” “Okay, you’ve given that particular scenario way too much thought.” They were still laughing when they reached the end of the pier.
Donna Kauffman (Starfish Moon (Brides of Blueberry Cove, #3))
When she'd come down to the kitchen after her shower, she'd deliberately left the lights off. She liked the way the cake looked in the bright light of the full moon that was streaming in through the windows. On the kitchen table a wooden spoon sat in a small saucepot, which held crushed hazelnuts that had been soaked and heated in Frangelico, next to the bowl of thick, velvety pastry cream she had prepared earlier. She released one of the layers from its baking pan and settled it onto the cake plate. She had sprinkled them while they were still warm with the same infused brandy, so they were now redolent with a harmonious perfume of filberts and chocolate. She deftly spread some of the pastry cream on the first layer and sprinkled a tablespoon of the crushed nuts on top of it. She added the second layer of cake, more buttery cream, and a dusting of nuts. Angelina always aimed for an extra shading of flavor when she created a recipe, something to complement and embrace the most prominent flavor in a dish, something that tickled the palate and the imagination. Here, she had chosen aromatic, earthy hazelnuts to add an extra dimension of texture and taste. She'd heard someplace that some musical composers said that it was the spaces between the notes that made all the difference; when you were cooking, it was the little details, too. Each layer of the dense cake covered the one beneath it as she laid them on, like dark disks of chocolate eclipsing moons made of creme anglaise instead of green cheese. In short order, the sixth and final layer had efficiently been fixed into place. She took a half step back to check for symmetry and balance, then moved on to the frosting. She poured the mixture of butter, milk, and chocolate that had been resting on the stove top into a mixing bowl, added a pinch of salt, a dash of real vanilla extract, and began whisking it all together with powdered sugar, which she shifted in stages to make sure that it combined thoroughly.
Brian O'Reilly (Angelina's Bachelors)
So far this appears to be much the same self-help woo woo you can find in pretty much any other self-help woo woo book. However, this really struck me as relevant to our current world situation: “When we trust that we live in an abundant universe and allow ourselves to give freely, we raise our frequency, strengthen our faith, and feel awesome, thereby putting ourselves in flow and the position to receive abundant amounts in return. When we’re in fear, we hold on to what we’ve got because we don’t trust that there’s more. We pinch off the energy, we’re scared to share, and we focus on, and create more of, the very thing we’re hoping to avoid, which is lack.
Jen Sincero (You Are a Badass: How to Stop Doubting Your Greatness and Start Living an Awesome Life)
Think of a problem, any problem, as a pinch of salt. If you put that pinch of salt in a spoonful of water, the water will taste very salty. Now, if you put the same pinch of salt into a cup of water, the water will be a little less salty. Now, if you put the same pinch of salt into a cup of water, the water will be a little less salty. Now, if you put the same pinch of salt in a lake full of water, the salt will almost vanish. When the conscious energy that you are expands to become like a vast lake of water, your problems will most certainly go away. You will have the greater ability to cope with your problems. This human ability, called awareness, is able to see the resort beyond the barriers.
Debashis Chatterjee (Invincible Arjuna)
With tinny drumbeats, the rain pounds the roof My teary eyes compete They can't keep up Breathe Let it go Breathe The vice on my chest tightens its razoring grip I gasp No relief If only tears could soothe the pain Then, I would look upon the tidal waves against these walls without fear Crush and roll me, I'd plead, Mold my body anew But with these tears come no healing, Just death, slow and determined This old girl, this old woman, this old soul lives here inside A tortoise outgrowing this hare's body This youthful skin encasing a crumbling frame I smooth the matted web of curls off my sweaty neck And roll my eyes at the clock How slowly the time squeaks by here in this room, In this comfortless bed I abandon the warmth from under my blanket tower and shiver The draft rattles my spine One by one, striking my vertebrae Like a spoon chiming empty wine glasses, Hitting the same fragile note till my neck shakes the chill away I swipe along the naked floor with a toe for the slippers beneath the bed Plush fabric caresses my feet Stand! Get up With both hands, Gravity jerks me back down Ugh! This cursed bed! No more, I want no more of it I try again My legs quiver in search of my former strength Come on, old girl, Come on, old woman, Come on, old soul, Don't quit now The floor shakes beneath me, Hoping I trip and fall To the living room window, I trudge My joints grind like gravel under tires More pain no amount of tears can soothe away Pinching the embroidered curtain between my knuckles, I find solace in the gloom The wind humming against the window, Makes the house creak and groan Years ago, the cold numbed my pain But can it numb me again, This wretched body and fractured soul? Outside I venture with chants fluttering my lips, Desperate solemn pleas For comfort, For mercy For ease, For health I open the plush throw spiraled around my shoulders And tiptoe around the porch's rain-soaked boards The chilly air moves through me like Death on a mission, My body, an empty gorge with no barriers to stop him, No flesh or bone My highest and lowest extremities grow numb But my feeble knees and crippling bones turn half-stone, half-bone Half-alive, half-dead No better, just worse The merciless wind freezes my tears My chin tumbles in despair I cover myself and sniffle Earth’s scent funnels up my nose: Decay with traces of life in its perfume The treetops and their slender branches sway, Defying the bitter gusts As I turn to seek shelter, the last browned leaf breaks away It drifts, it floats At the weary tree’s feet, it makes its bed alongside the others Like a pile of corpses, they lie Furled and crinkled with age No one mourns their death Or hurries to honor the fallen with thoughtful burials No rage-filled cries echo their protests at the paws trampling their fragile bodies, Or at the desecration by the animals seeking morning relief And new boundaries to mark Soon, the stark canopy stretching over the pitiful sight Will replace them with vibrant buds and leaves Until the wasting season again returns For now, more misery will barricade my bones as winter creeps in Unless Death meets me first to end it
Jalynn Gray-Wells (Broken Hearts of Queens (Lost in Love Book 1))
When Is It Emotional Abuse?” defined emotional abuse as: …an attempt to control, in just the same way that physical abuse is an attempt to control another person. The only difference is that the emotional abuser does not use physical hitting, kicking, pinching, grabbing, pushing or other physical forms of harm. Rather the perpetrator of emotional abuse uses emotion as his/her weapon of choice. Emotional abuse in our culture is pervasive and damaging, and it’s as relevant a topic as physical and sexual abuse. Emotional abuse undercuts a person’s foundational self-confidence and love of self and replaces them with confusion about self-worth, value, justice, mercy, and love.
Debbie Mirza (The Covert Passive Aggressive Narcissist: Recognizing the Traits and Finding Healing After Hidden Emotional and Psychological Abuse (The Narcissism Series Book 1))
When soaking beans, keep in mind that 1 cup of dried beans will triple in size when cooked, yielding about 6 servings. Add a palmful of salt, and a generous pinch of baking soda, which will tip the pH of the pot toward alkalinity and help coax even more tenderness from the beans. Soak beans in the same vessel in which you plan to cook them, to save yourself a dish, and either refrigerate or keep in a cool spot on the counter overnight (or over 2 nights, for chickpeas or big, creamy beans such as gigantes).
Samin Nosrat (Salt, Fat, Acid, Heat: Mastering the Elements of Good Cooking)
YOUR LONGEVITY HEALTH, FITNESS & LONGEVITY WEEKLY CHECKLIST 1. Hydrate. Drink half your body weight in ounces of water per day. Add some fresh lemon and a pinch of Celtic sea salt to optimize your hydration and electrolyte balance. 2. Eat foods closest to their natural source. Avoid processed carbs, and low quality processed meats. 3. Decrease Disease Risk. Consume at least one serving of cruciferous vegetables per day including broccoli sprouts, cauliflower, broccoli, brussels sprouts, or kale. 4. Commit to a structured eating window. Consume meals in an 8 to 12 hours and fast for 12-16 hour window each day. 5. Stay consistent with sleep. Go to sleep and wake up at about the same times each day. 6. Get strong. Perform three resistance training sessions per week. 7. Strengthen your heart, lungs, and build endurance with 3 cardiovascular exercise sessions of 20 to 30 minutes each session. 8. Consider the power of using heat and cold to use positive stressors to lower your blood pressure, reduce inflammation, reduce your risk of Alzheimer’s, and cut your risk of cardiovascular disease by up to 50%.
Tony Robbins (Life Force: How New Breakthroughs in Precision Medicine Can Transform the Quality of Your Life & Those You Love)
What I feel about Henry now is this: he had ten years of comfort, laziness, self-indulgence, effortlessness, and aside from writing, he gave himself the easiest, softest life, without ever collaborating to make my burden lighter, or at least sharing it in part, or seeking to give me the same share of ease and softness. He never denied himself, drove himself, sacrificed, pinched, or renounced a single whim, pleasure, and therefore I have done well by him, gave him what very few artists have ever been given, ten years of peace and ease, and now he is well known, he is launched, he can easily obtain this from the world. And I do not feel it is wrong for me to put an end to my continuous sacrifices for him. I gave to the limit, of my body and soul. It has to end now. Lately he has not even thought it necessary to compensate these efforts with his presence, has taken without returning even in love or companionship and has made me merely the provider.
Anaïs Nin
The waking dream can be mastered. Just as we can alter the course of our nighttime dreaming we can remind ourselves before falling asleep to wake up in the middle of a recurring nightmare. We can leave clues to pinch ourselves or to challenge threatening characters in a sleeping dream. Same is true of our waking life. It's simple enough to remind ourselves that we're dreaming all the time, even as we go through an ordinary day.
Miguel Ruiz (The three questions)
She mixed up the simple batter for those—one cup flour, two eggs, one and a half cups milk, a pinch of salt, and a quarter cup of sugar—and let it set. She used that same batter to make oven pancakes in muffin tins—another good breakfast option for her guests, she thought. She hunted for some
Wendy Webb (The Stroke of Winter)
If you have ever seen a dragon in a pinch, you will realize that this was only poetical exaggeration applied to any hobbit, even to Old Took’s great-grand-uncle Bullroarer, who was so huge (for a hobbit) that he could ride a horse. He charged the ranks of the goblins of Mount Gram in the Battle of the Green Fields, and knocked their king Golfimbul’s head clean off with a wooden club. It sailed a hundred yards through the air and went down a rabbit-hole, and in this way the battle was won and the game of Golf invented at the same moment.
J.R.R. Tolkien (The Hobbit (The Lord of the Rings, #0))
So you'll let Lucien take you on hunts and-' 'Lucien,' I interrupted quietly but not softly, 'doesn't pretend to be anything what he is.' 'What's that supposed to mean?' he growled, but his claws stayed retracted, even as he clenched his hands into fists at his sides. I was definitely walking a dangerous line, but I didn't care. Even if he'd offered me sanctuary. I didn't have to fall at his feet. 'It means,' I said with that same cold quiet, 'That I don't know you. I don't know who you are, or what you really are, or what you want.' 'It means you don't trust me.' 'How can I trust a faerie? Don't you delight in killing and tricking us?' His snarl set the flames of the candles guttering. 'You aren't what I had in mind for a human- believe me.' I could almost feel the wound deep in my chest as it ripped open and all those awful, silent words came pouring out. Illiterate, ignorant, unremarkable, proud, cold- all spoken from Nesta's mouth, all echoing in my head with her sneering voice. I pinched my lips together. He winced and lifted a hand slightly, as if about to reach for me. 'Feyre,' he began- softly enough that I just shook my head and left the room. He didn't stop me. But that afternoon, when I went to retrieve my crumpled list from the wastebasket, it was gone. And my pile of books had been disturbed- the titles out of order.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
Third, in our addiction to the rational consciousness and its countless props we believe the myth that we are really powerless to do anything about it. Addicts typically feel disempowered. The object to which they are addicted seems to them bigger and more powerful than their will. Similarly, stuck as we are in the lopsided worldview spawned by the rational consciousness, which tends to discredit other forms and states of consciousness, we do not believe that there is anything we can do about our situation. As addicts of the rational consciousness we do not believe in a universe that is inherently benign. We refuse to consider that the world we live in is actually comprised of the kinds of dimensions of reality that religions and spiritual traditions talk about. We disallow ourselves the possibility of inner or spiritual growth, because our view of human potential is limited to the capacities of the rational mind, which is viewed as the finest product of evolution. Fourth, like the typical addict, we tend to weave all kinds of explanatory tales to justify our present condition to ourselves and to each other. In this category belongs the “everybody thinks so” attitude, which is modeled not on the few exceptional men and women who can see farther than the rest, but on the lowest common denominator of understanding and living: a flagrant perversion of the democratic ideal. In other words, through word magic we engage in an act of massive repression by which we deny ourselves the opportunity to grow; we deny ourselves access to those forms and states of consciousness that our rational consciousness forces us to deny and belittle. Thus our experiential repertoire remains limited, even truncated. Fifth, addicts tend to be inflexible, dogmatic, and arrogant about defending their position, and we addicts of the rational consciousness are subject to the same mood. Because we have entrenched ourselves in an untenable position, in which the rational ego rules supreme, we meet any challenge to our unviable approach to life with haughty intransigence. We need to be right, because our entire worldview and life-style are at stake. And yet, sixth, like true addicts, those of us who are transfixed in the rational consciousness are deeply suffering our mood of separation, self-centeredness, and self-fragmentation. All life, observed Gautama the Buddha, is suffering. But there is suffering and then there is suffering. It appears that whenever we take the presumed independence of the human personality too seriously, cutting ourselves off from other beings and regarding the world as an enemy to be conquered, we become our own source of suffering. This suffering is superimposed on any adversity and pain we may experience as part of our human adventure on this planet. It is a psychological malaise from which we can recover only when we stop pinching ourselves. Our addiction to the “normal” rational consciousness is so potent that we cannot easily shake this habit even when we have realized that our habit of egoic self-encapsulation is artificial and self-inflicted and resting on a denial of the essential interconnectedness and interdependence of everything.
Georg Feuerstein (The Deeper Dimension of Yoga: Theory and Practice)
Find her a good home, someone to take care of her. She’s a little girl, Melrose. She shouldn’t be spending her days at Heathrow, scanning for villains. She should be safe.” The other members who were awake turned wide-eyed stares at Melrose, who was laughing so hard he was doubled up in his chair. “Just what the hell is so funny?” “Take care of her. This is Patty Haigh you’re talking about. The same Patty Haigh who got through Heathrow security on a pinched boarding pass; who wangled her way into B.B.’s good graces and flew to Dubai; who outwitted police in London, Dubai and Nairobi; who carries in her backpack a full selection of costumes and wigs to meet any eventuality; who requisitioned strangers to be her aunts, uncles, parents; who roamed around that godless slum, Kibera, on her own; who got into the Hemingways Hotel without paying a penny; who crossed the dark veldt between Kibera and Mbosi Camp protected only by her wits. This is the person we should keep safe!
Martha Grimes (The Knowledge (Richard Jury #24))
King was convicted of trespassing in his own hotel and sentenced to hard labor for a week. In local and national papers, King explained to reporters that the long of days chopping wood and cutting grass, supervised by guards riding horseback on the roadside, caused him no despair; on the contrary, he had been “morally strengthened” by his attack on the “idol of segregation.” He told an Alabama reporter, “I consider myself in approximately the same situation as early Christian martyrs who were put to death for refusing to put incense on the statue of the emperor. We refused to put a pinch of incense on the idol of segregation.
Charles Marsh (God's Long Summer: Stories of Faith and Civil Rights)
This is grown-up mac and cheese that you could easily serve to company. Of course, it’s wonderful that butternut squash is packed with beta-carotene, but it’s also a pretty amazing substitute for lots of cream and cheese when making mac and cheese. I personally love a little bit of Gorgonzola Dolce (a mild, slightly sweet Italian blue cheese) here, but a sharp cheddar or smoked Gouda would also be great. 5 ounces frozen diced butternut squash ¼ cup low-sodium vegetable stock Pinch salt Pinch nutmeg Pinch cayenne pepper Pinch freshly ground black pepper 8 ounces prepared, packaged gnocchi 1 tablespoon olive oil 1 garlic clove, minced 2 fresh sage leaves 1 ounce Gorgonzola Dolce or other mild blue cheese 1 tablespoon heavy cream (optional) 1.In a saucepan, bring the butternut squash and vegetable stock to a boil. Cover, and reduce the heat to medium-low. Simmer for 10 minutes, or until the squash is very tender. 2.Transfer the squash and vegetable stock to a blender. Add the salt, nutmeg, cayenne, and black pepper, and blend on low speed until it’s completely smooth. (Make sure your blender is no more than half full or the hot liquid may erupt through the lid.) 3.Taste and add additional salt if needed. Set the squash aside. 4.Using the same saucepan, cook the
Anne Danahy (Mediterranean Diet Cookbook for Two: 100 Perfectly Portioned Recipes for Healthy Eating)
Asa’s brows knitted together. “I tell you I love you all the time.” “Yeah, but you tell me you love Swiss Cake Rolls with the same level of fervor,” Zane reminded him. “Duh, because I do. A man can love more than one thing. It doesn’t negate the other.” Zane leveled a flat stare at him. “Okay, like, if I had to choose between you and a box of Little Debbie’s, I’d definitely choose you. But you both hit just right,” he said with a grin, giving Zane a deep kiss. Zane slapped his shoulder. “Come on, Asa. Be serious. I know psychopaths can’t love. Is what we have enough to keep you happy forever?” Asa sighed. “Are you asking if I feel that weird goopy feeling when I look at you that people talk about in romance novels? If so, the answer is no. I don’t have the ability to feel that. But whenever you walk into a room, I feel grateful you’re mine. I feel calmer knowing you’re there, where I can see you, protect you…” He kissed Zane’s lips softly. “Do dirty, dirty things to you whenever I want.” Zane opened his mouth to speak, but Asa pinched his lips shut. “I know people who’d give anything to have what we have. I’ve killed for you. I would die for you. I will put your wants and needs above mine forever because I want you to be happy. Is that love? Because when you’re not around, I feel like there’s…a splinter under my ribcage, and it only goes away when I see your face. That’s enough for me. Is it enough for you?” Zane swallowed hard, tears rolling down his cheeks. “That’s enough.
Onley James (Headcase (Necessary Evils, #4))
A tray of dirty tea things sat forgotten about on the floor. There were more chairs than normal, all evidence of yesterday’s meeting. One teacup, I noticed, had lipstick on its rim, the same glossy red colour that Miss Carter wore. Ephraim had mentioned ‘the others’: it didn’t take much guessing to work out who they were. When it came to welcoming strangers to Budmouth Point, Miss Carter and Mrs. Henderson had experience. First evacuees, now refugees. That was it, wasn’t it? There were people in Europe, fleeing for their lives, who were escaping here, to Budmouth Point. These were the visitors Ephraim was expecting. The realisation made me dizzy. It connected to Sukie didn’t it, because she’d cried trying to tell me how ‘heartbreaking’ it was not being able to help – yet in writing to Ephraim, maybe she’d found a way to. Perhaps their letters were actually full of plans of how they might get people away from the Nazis. It would certainly explain why Sukie wrote so much and so often. Bit by bit I could feel it coming together in my head. That map with the foreign place names I’d found in her drawer at home – was this where the boat was coming from? ‘Are you all right?’ Queenie asked suddenly. Looking concerned, she offered me a chair. ‘I’m fine.’ I stayed standing. ‘No you’re not.’ Queenie pinched the bridge of her nose like she had a headache. ‘You’re a smart girl, Olive. I’d a feeling you’d guess what was going on. I didn’t think Ephraim could keep it from you for long.’ ‘He told me about writing to Sukie, that’s all.’ I said, though it wasn’t strictly true. But I was unsure how much to say. ‘You’re learning that some things need to be secret.’ Queenie gave me a wry smile. ‘I trust you can keep this one?’ I hesitated. She hadn’t actually told me what the secret was, but I’d already petty much guessed. You’re expecting some people, from place that’s occupied by the Germans?’ ‘Yes… from France.’ She sat back in her chair, raking her fingers through her hair. ‘We’re bringing them here for a few days, giving them false papers, then helping them on their way again.’ ‘Where will they go?’ ‘To countries that aren’t as strict as ours about Jewish refugees: America, Canada, Australia maybe.’ I thought for a moment. ‘Is what you’re doing against the law?’ ‘Probably. If we keep a low profile, we might just get away with it.’ She sighed heavily. ‘They’ve got to get here first, though. It’s such a risky mission. They were smuggled out of Austria all the way to the French coast, and quite frankly they’ve been lucky to make it that far. We were expecting the boat ten days ago…’ I nodded, my mind whizzing. Day 9. The only part of Sukie’s notes I understood. ‘Do you know why Ephraim and my sister wrote to each other?’ I asked suddenly. ‘What? Oh, Gloria mentioned Sukie was looking for a penpal – it was a new “thing” apparently.’ She rolled her eyes rather dismissively. ‘Ephraim was so lonely, we both thought it might cheer him up. It certainly worked – he’s quite taken with your Sukie.’ ‘There’s more to it than that,’ I ventured. ‘My sister’s involved in this mission, isn’t she?’ Queenie frowned. ‘Your sister? Why would she be?’ ‘You don’t know what she’s like,’ I replied, for it was very clear now that Queenie’d never written to Sukie, nor probably ever met her. If she had she’d realise how much my sister hated the Nazis, how upset the news coming out of Europe made her, how headstrong and brave she was. Doing something to try and help people threatened by Hitler was exactly the sort of thing my sister would want to be part of. I couldn’t understand why Queenie was so certain she wasn’t.
Emma Carroll (Letters from the Lighthouse)