Muddy Car Quotes

And in a small house five miles away was a man who held my mud-encrusted charm bracelet out to his wife. Look what I found at the old industrial park," he said. "A construction guy said they were bulldozing the whole lot. They're afraid of sink holes like that one that swallowed the cars." His wife poured him some water from the sink as he fingered the tiny bike and the ballet shoe, the flower basket and the thimble. He held out the muddy bracelet as she set down his glass. This little girl's grown up by now," she said. Almost. Not quite. I wish you all a long and happy life.

Movie directors often shoot funerals in the rain. The mourners stand in their dark suits under large black umbrellas, the kind you never have handy in real life, while the rain falls symbolically all around them, on grass and tombstones and the roods of cars, generating atmostphere. What they don't show you is how the legs of your suit caked with grass clippings, cling soaked to your shins, how even under umbrellas the rain still manages to find your scalp, running down your skull and past your collar like wet slugs, so that while you're supposed to be meditating on the deceased, instead you're mentally tracking the trickle of water as it slides down your back. The movies don't convey how the soaked, muddy ground will swallow up the dress shoes of the pallbearers like quicksand, how the water, seeping into the pine coffin, will release the smell of death and decay, how the large mound of dirt meant to fill the grave will be transformed into an oozing pile of sludge that will splater with each stab of the shovel and land on the coffin with an audible splat. And instead of a slow and dignified farewell, everyone just wants to get the deceased into the ground and get the hell back into their cars.

Outside, overgrown grass lapped dew on Ronan’s boots, and mist curled around the tyres of the charcoal BMW. The sky over Monmouth Manufacturing was the colour of a muddy lake. It was cold, but Ronan’s gasoline heart was firing. He settled into the car, letting it become his skin. The night air was still coiled beneath the seats and lurking in the door pockets; he shivered as he tethered his raven to the seat belt fastener in the passenger seat. Not the fanciest setup, but effective for keeping a corvid from flapping around one’s sports car. Chainsaw bit him, but not as hard as the early morning cold.

When I think of this trip, I see David and me in the front seat of the car. It’s nighttime. It smells like chewing tobacco, soda, and smoke. (The smell of chewing tobacco is like a muddy lawn you’ve just fed a truckful of cough drops to.) The window is letting in a leak of cold air. R.E.M. is playing. The wheels are making their slightly sleepy sound of tape being stripped cleanly and endlessly off a long wall. On the other hand, we seem not to be moving at all, and the conversation is the best one I’ve ever had.

Yet complicated people were getting wet - not only the shepherds. For instance, the piano-tuner was sopping. So was the vicar's wife. So were the lieutenant and the peevish damsels in his Battlesden car. Gallantry, charity, and art pursued their various missions, perspiring and muddy, while out on the slopes beyond them stood the eternal man and the eternal dog, guarding eternal sheep until the world is vegetarian.

The arteries of the city gradually begin to be crossed by cars with drivers who are searching for something, half asleep. Their automatic gestures reveal the monotony in which they bath like in a warm muddy puddle, like a drop of water in the fractured asphalt, sometimes dreaming of being a drop of ocean.

If we are inclined to forget how much there is in the world besides that which we anticipate, then works of art are perhaps a little to blame, for in them we find at work the same process of simplification or selection as in the imagination. Artistic accounts include severe abbreviations of what reality will force upon us. A travel book may tell us, for example, that the narrator journeyed through the afternoon to reach the hill town of X and after a night in its medieval monastery awoke to a misty dawn. But we never simply 'journey through an afternoon'. We sit in a train. Lunch digests awkwardly within us. The seat cloth is grey. We look out the window at a field. We look back inside. A drum of anxieties resolves in our consciousness. We notice a luggage label affixed to a suitcase in a rack above the seats opposite. We tap a finger on the window ledge. A broken nail on an index finger catches a thread. It starts to rain. A drop wends a muddy path down the dust-coated window. We wonder where our ticket might be. We look back at the field. It continues to rain. At last, the train starts to move. It passes an iron bridge, after which it inexplicably stops. A fly lands on the window And still we may have reached the end only of the first minute of a comprehensive account of the events lurking within the deceptive sentence 'He journeyed through the afternoon'. A storyteller who provides us with such a profusion of details would rapidly grow maddening. Unfortunately, life itself often subscribes to this mode of storytelling, wearking us out with repetitions, misleading emphases[,] and inconsequential plot lines. It insists on showing us Burdak Electronics, the safety handle in the car, a stray dog, a Christmas card[,] and a fly that lands first on the rim and then the centre of a laden ashtray. Which explains the curious phenomenon whereby valuable elements may be easier to experience in art and in anticipation than in reality. The anticipatory and artistic imaginations omit and compress; they cut away the periods of boredom and direct our attention to critical moments, and thus, without either lying or embellishing, they lend to life a vividness and a coherence that it may lack in the distracting woolliness of the present.

The car's on fire and there's no driver at the wheel and the sewers are all muddied with a thousand lonely suicides and a dark wind blows

He reached the foot of the embankment, and waved with one arm, shouting at the few cars moving along the westbound carriageway. None of the drivers could see him, let alone hear his dry-throated croak, and Maitland stopped, conserving his strength. lie tried to climb the embankment, but within a few steps collapsed in a heap on the muddy slope. Deliberately, he turned his back to the motorway and for the first time began to inspect the island. 'Maitland, poor man, you're marooned here like Crusoe - If you don't look out you'll be beached here for ever...' He had spoken no more than the truth. This patch of abandoned ground left over at the junction of three motorway routes was literally a deserted island. Angry with himself, Maitland lifted the crutch to strike this meaningless soil.

Cecilia appeared in our consciousness at odd moments, most often as we were just waking up, or staring out a car-pool window streaked with rain—she rose up in her wedding dress, muddy with the afterlife, but then a horn would honk, or our radio alarms would unleash a popular song, and we snapped back to reality.

Gracie leaned out the back, craning her neck as far as she could around the side, trying to catch the wind in her nose and flapping lips. She loved driving, and this car was much faster than the truck which hauled her cage. It was very green here, and the sun flashed and flickered behind the tall trees. There were a million smells along this road, both old and just born. She closed her eyes and huffed, pretending she was flying.

Stuck in traffic? A few wonderful minutes to relax and sit. Your car broke down after idling for so long? Ah, what a nice nudge to take a long walk the rest of the way. A swerving car driven by a distracted, cell-phone-wielding idiot nearly hit you as you were walking and soaked you head to toe with muddy water? What a reminder about how precarious our existence is and how silly it is to get upset about something as trivial as being late or having trouble with your commute!

The Black-Eye-of-the-Month Club I was born with water on the brain. Okay, so that’s not exactly true. I was actually born with too much cerebral spinal fluid inside my skull. But cerebral spinal fluid is just the doctors’ fancy way of saying brain grease. And brain grease works inside the lobes like car grease works inside an engine. It keeps things running smooth and fast. But weirdo me, I was born with too much grease inside my skull, and it got all thick and muddy and disgusting, and it only mucked up the works. My thinking and breathing and living engine slowed down and flooded. My brain was drowning in grease. But

The car is on fire, and there's no driver at the wheel And the sewers are all muddied with a thousand lonely suicides And a dark wind blows The government is corrupt And we're on so many drugs With the radio on and the curtains drawn We're trapped in the belly of this horrible machine And the machine is bleeding to death The sun has fallen down And the billboards are all leering And the flags are all dead at the top of their poles It went like this: The buildings tumbled in on themselves Mothers clutching babies Picked through the rubble And pulled out their hair The skyline was beautiful on fire All twisted metal stretching upwards Everything washed in a thin orange haze I said, "Kiss me, you're beautiful - These are truly the last days" You grabbed my hand And we fell into it Like a daydream Or a fever We woke up one morning and fell a little further down For sure it's the valley of death I open up my wallet And it's full of blood

I’ll never forget one night Jep was coming home late and got his truck stuck in a muddy road close to where we live. It was in the late 1990s, so Jep had one of the early cell phones in a bag in his truck. It was after midnight, and he called home and Kay woke me up to get Jep out of the mud. I had a Jeep that I bought brand-new in 1974, but it was pretty old by then, and the lights didn’t work anymore. I usually only drove the Jeep to my duck hole and back. So I had Kay follow me in her car to provide lights for me to see. It was still raining pretty heavily when we got to the field where Jep’s truck was stuck. I jumped out of my Jeep to winch his truck out, but then Kay pulled up right next to me, not realizing she’d driven into the soft mud! Now Jep was stuck in front of me, and Kay was stuck behind me. “I am surrounded by idiots!” I screamed.

The girl was staring at the muddy river as if it were sweeping away her memories. Corso saw her smile, thoughtfully, absently. "I never knew an impartial god. Or devil." She turned to him suddenly - her earlier thoughts seemed to have washed downstream. "Do you believe in the Devil, Corso?" He looked at her intently, but the river had also swept away the images that had filled her eyes seconds before. All he could see there now was liquid green, and light. “I believe in stupidity and ignorance.” He smiled wearily at the girl. They had continued walking and were now on the wooden boards of the Pont des Arts. The girl stopped and leaned on the metal rail, by a street artist selling tiny water colours.” "I like this bridge," she said. "No cars. Only lovers, and old ladies in hats. People with nothing to do. This bridge has absolutely no common sense.

Dog Talk … I have seen Ben place his nose meticulously into the shallow dampness of a deer’s hoofprint and shut his eyes as if listening. But it is smell he is listening to. The wild, high music of smell, that we know so little about. Tonight Ben charges up the yard; Bear follows. They run into the field and are gone. A soft wind, like a belt of silk, wraps the house. I follow them to the end of the field where I hear the long-eared owl, at wood’s edge, in one of the tall pines. All night the owl will sit there inventing his catty racket, except when he opens pale wings and drifts moth-like over the grass. I have seen both dogs look up as the bird floats by, and I suppose the field mouse hears it too, in the pebble of his tiny heart. Though I hear nothing. Bear is small and white with a curly tail. He was meant to be idle and pretty but learned instead to love the world, and to romp roughly with the big dogs. The brotherliness of the two, Ben and Bear, increases with each year. They have their separate habits, their own favorite sleeping places, for example, yet each worries without letup if the other is missing. They both bark rapturously and in support of each other. They both sneeze to express plea- sure, and yawn in humorous admittance of embarrassment. In the car, when we are getting close to home and the smell of the ocean begins to surround them, they both sit bolt upright and hum. With what vigor and intention to please himself the little white dog flings himself into every puddle on the muddy road. Somethings are unchangeably wild, others are stolid tame. The tiger is wild, the coyote, and the owl. I am tame, you are tame. The wild things that have been altered, but only into a semblance of tameness, it is no real change. But the dog lives in both worlds. Ben is devoted, he hates the door between us, is afraid of separation. But he had, for a number of years, a dog friend to whom he was also loyal. Every day they and a few others gathered into a noisy gang, and some of their games were bloody. Dog is docile, and then forgets. Dog promises then forgets. Voices call him. Wolf faces appear in dreams. He finds himself running over incredible lush or barren stretches of land, nothing any of us has ever seen. Deep in the dream, his paws twitch, his lip lifts. The dreaming dog leaps through the underbrush, enters the earth through a narrow tunnel, and is home. The dog wakes and the disturbance in his eyes when you say his name is a recognizable cloud. How glad he is to see you, and he sneezes a little to tell you so. But ah! the falling-back, fading dream where he was almost there again, in the pure, rocky weather-ruled beginning. Where he was almost wild again, and knew nothing else but that life, no other possibility. A world of trees and dogs and the white moon, the nest, the breast, the heart-warming milk! The thick-mantled ferocity at the end of the tunnel, known as father, a warrior he himself would grow to be. …

The morning after / my death” The morning after my death we will sit in cafés but I will not be there I will not be * There was the great death of birds the moon was consumed with fire the stars were visible until noon. Green was the forest drenched with shadows the roads were serpentine A redwood tree stood alone with its lean and lit body unable to follow the cars that went by with frenzy a tree is always an immutable traveller. The moon darkened at dawn the mountain quivered with anticipation and the ocean was double-shaded: the blue of its surface with the blue of flowers mingled in horizontal water trails there was a breeze to witness the hour * The sun darkened at the fifth hour of the day the beach was covered with conversations pebbles started to pour into holes and waves came in like horses. * The moon darkened on Christmas eve angels ate lemons in illuminated churches there was a blue rug planted with stars above our heads lemonade and war news competed for our attention our breath was warmer than the hills. * There was a great slaughter of rocks of spring leaves of creeks the stars showed fully the last king of the Mountain gave battle and got killed. We lay on the grass covered dried blood with our bodies green blades swayed between our teeth. * We went out to sea a bank of whales was heading South a young man among us a hero tried to straddle one of the sea creatures his body emerged as a muddy pool as mud we waved goodbye to his remnants happy not to have to bury him in the early hours of the day We got drunk in a barroom the small town of Fairfax had just gone to bed cherry trees were bending under the weight of their flowers: they were involved in a ceremonial dance to which no one had ever been invited. * I know flowers to be funeral companions they make poisons and venoms and eat abandoned stone walls I know flowers shine stronger than the sun their eclipse means the end of times but I love flowers for their treachery their fragile bodies grace my imagination’s avenues without their presence my mind would be an unmarked grave. * We met a great storm at sea looked back at the rocking cliffs the sand was going under black birds were leaving the storm ate friends and foes alike water turned into salt for my wounds. * Flowers end in frozen patterns artificial gardens cover the floors we get up close to midnight search with powerful lights the tiniest shrubs on the meadows A stream desperately is running to the ocean The Spring Flowers Own & The Manifestations of the Voyage (The Post-Apollo Press, 1990)

He would have known or found out that the sewer-pipe running out of Cellblock 5 was the last one in Shawshank not hooked into the new waste-treatment plant, and he would have known it was do it by mid-1975 or do it never, because in August they were going to switch us over to the new waste-treatment plant, too. Five hundred yards. The length of five football fields. Just shy of half a mile. He crawled that distance, maybe with one of those small Penlites in his hand, maybe with nothing but a couple of books of matches. He crawled through foulness that I either can’t imagine or don’t want to imagine. Maybe the rats scattered in front of him, or maybe they went for him the way such animals sometimes will when they’ve had a chance to grow bold in the dark. He must have had just enough clearance at the shoulders to keep moving, and he probably had to shove himself through the places where the lengths of pipe were joined. If it had been me, the claustrophobia would have driven me mad a dozen times over. But he did it. At the far end of the pipe they found a set of muddy footprints leading out of the sluggish, polluted creek the pipe fed into. Two miles from there a search party found his prison uniform—that was a day later. The story broke big in the papers, as you might guess, but no one within a fifteen-mile radius of the prison stepped forward to report a stolen car, stolen clothes, or a naked man in the moonlight. There was not so much as a barking dog in a farmyard. He came out of the sewer-pipe and he disappeared like smoke. But I am betting he disappeared in the direction of Buxton.

The speaker standing on an upturned barrel at the intersection of 135th Street and Seventh Avenue was shouting monotonously: “BLACK POWER! BLACK POWER! Is you is? Or is you ain’t? We gonna march this night! March! March! March! Oh, when the saints — yeah, baby! We gonna march this night!” Spit flew from his looselipped mouth. His flabby jowls flopped up and down. His rough brown skin was greasy with sweat. His dull red eyes looked tired. “Mistah Charley been scared of BLACK POWER since the day one. That’s why Noah shuffled us off to Africa the time of the flood. And all this time we been laughing to keep from whaling.” He mopped his sweating face with a red bandanna handkerchief. He belched and swallowed. His eyes looked vacant. His mouth hung open as though searching for words. “Can’t keep this up,” he said under his breath. No one heard him. No one noticed his behavior. No one cared. He swallowed loudly and screamed. “TONIGHT’S THE NIGHT! We launch our whale boats. Iss the night of the great white whale. You dig me, baby?” He was a big man and flabby all over like his jowls. Night had fallen but the black night air was as hot as the bright day air, only there was less of it. His white short-sleeved shirt was sopping wet. A ring of sweat had formed about the waist of his black alpaca pants as though the top of his potbelly had begun to melt. “You want a good house? You got to whale! You want a good car? You got to whale! You want a good job? You got to whale! You dig me?” His conked hair was dripping sweat. For a big flabby middle-aged man who would have looked more at home in a stud poker game, he was unbelievably hysterical. He waved his arms like an erratic windmill. He cut a dance step. He shuffled like a prizefighter. He shadowed with clenched fists. He shouted. Spit flew. “Whale! Whale! WHALE, WHITEY! WE GOT THE POWER! WE IS BLACK! WE IS PURE!” A crowd of Harlem citizens dressed in holiday garb had assembled to listen. They crowded across the sidewalks, into the street, blocking traffic. They were clad in the chaotic colors of a South American jungle. They could have been flowers growing on the banks of the Amazon, wild orchids of all colors. Except for their voices. “What’s he talking ’bout?” a high-yellow chick with bright red hair wearing a bright green dress that came down just below her buttocks asked the tall slim black man with smooth carved features and etched hair. “Hush yo’ mouth an’ lissen,” he replied harshly, giving her a furious look from the corners of muddy, almond-shaped eyes. “He tellin’ us what black power mean!

Sometimes it seems like he just wants to punish someone, anyone, for a long list of grievances that he has never made clear, which you can never ask about because he keeps his emotions so guarded that any question would be interpreted as assault. I wonder if dragging us to this village and the nearby town wear he spent his childhood is a way of sinking us all into his own personal hell so that we can see how this strange combination of poverty and opportunity, these broken and muddy roads, these crumbling houses, these overburdened men and women walking slowly in these streets singing praise songs to keep themselves going, created the strange combination of love and anger and pride and fear that is my father. He always sat in the passenger seat while we drove around the village so he could fully view what he sometimes called a world of wasted opportunity. With OJ or my mother in the car, he pointed out all the things he would make right if only he had the power. With me now, he says nothing. Occasionally he turns to look at me with the same expression that occupies his face when he has to solve a problem at the office. I sink down in my seat and wish that my mother had come.

Getting out, they closed the car doors as quietly as possible, then crept across the muddy yard, Kennedy’s torch showing up the maze of puddles.

McGee made a gagging sound deep in his throat and scrubbed the bloody hand against his wet raincoat. His eyes were muddy, his bony angular face tight and shiny from the rain and the tension of taut nerves and muscles. Rain drummed steadily on the car’s metal roof and the windshield wipers squeaked monotonously, louder and more nerve-wracking than the endless sucking whine of the tires on the wet pavement. But louder than all these sounds was the mournful, sobbing wail of squad cars ripping through the night, converging on the neighborhood McGee was desperately fleeing.

Prayer for the Dads Enduring the Epic Winter Rains Along the Muddy Sidelines at Pee Wee Soccer Games Brothers, I have stood where you stand, in ankle-deep mud, trying not to call instructions and warnings to my child, trying to restrict myself to supportive remarks and not roars of fury at the gangly mute teenage referee who totally missed an assault upon my beloved progeny; and I have also shuffled from leg to leg for an entire hour in an effort to stay warm; and I have also realized I was supposed to bring snacks at halftime five minutes before halftime, and dashed to the store for disgusting liquids in colors unlike any natural color issued from the Creator; and I too have pretended not to care about the score, or about my child’s athletic performance, but said cheery nonsense about how I did not care; and I too have resisted the urge to bring whiskey to the game in a thermos, and so battle the incredible slicing wet winds; and I too have resisted the urge to bring the newspaper or a magazine and at least get some reading done during the long periods of languor as small knots of children surround the ball like wolves around a deer and happily kick each other in the shins; and I too have carefully not said a word when my child and six mud-soaked teammates cram into my car and bang out their cleats on my pristine car floor and leave streaks of mud and disgusting plastic juice on the windows; and I too know that this cold wet hour is a great hour, for you are with your child, and your child is happy, and the Coach of all things gave you that child, and soon enough you will be like me, the father of teenagers who no longer stands along the sidelines laughing with the other dads in the rain. Be there now, brothers, and know how great the gift; for everything has its season, and the world spins ever faster. And so: amen.

Shelby was within ten miles of her Uncle Walt’s ranch when she had to pull over to the side of highway 36, the busiest stretch between Virgin River and Fortuna, behind an old pickup truck that looked vaguely familiar. Although 36 was the highway that ran across the mountains from Red Bluff to Fortuna, it was mostly two lane. She put her cherry-red Jeep SUV in Park and stepped out of the vehicle. The rain had finally stopped, giving way to a bright summer sun, but the road was wet and splattered with muddy puddles. She peered way up the road to see a man wearing a bright orange vest holding a stop sign toward a long string of cars, closing both lanes. The turnoff to her Uncle Walt’s would be on the other side of the next hill.

It is possible to share a dial-up Internet connection by using software tools, but it’s also possible to push a stalled car up a muddy hill.

Hey, let’s pull over here.” “Could be dangerous.” “No, come on, listen to that shit!” And there’d be a band, a trio playing, big black fuckers and some bitches dancing around with dollar bills in their thongs. And then you’d walk in and for a moment there’s almost a chill, because you’re the first white people they’ve seen in there, and they know that the energy’s too great for a few white blokes to really make that much difference. Especially as we don’t look like locals. And they get very intrigued and we get really into being there. But then we got to get back on the road. Oh shit, I could’ve stayed here for days. You’ve got to pull out again, lovely black ladies squeezing you between their huge tits. You walk out and there’s sweat all over you and perfume, and we all get in the car, smelling good, and the music drifts off in the background. I think some of us had died and gone to heaven, because a year before we were plugging London clubs, and we’re doing all right, but actually in the next year, we’re somewhere we thought we’d never be. We were in Mississippi. We’d been playing this music, and it had all been very respectful, but then we were actually there sniffing it. You want to be a blues player, the next minute you fucking well are and you’re stuck right amongst them, and there’s Muddy Waters standing next to you. It happens so fast that you really can’t register all of the impressions that are coming at you. It comes later on, the flashbacks, because it’s all so much. It’s one thing to play a Muddy Waters song. It’s another thing to play with him.

Their destiny – hers, his, that of every descendant from the Cave – would be the same as the thistle the image of which obsessed Tolstoy, the same stubborn thistle he sought out in the Caucasian mountains. He was travelling in a scrap metal car along the muddy track to Shatoi and caught a glimpse, beneath them, of tanks and vehicles incinerated in an ambush similar to the one set for the Tsar’s soldiers a century and a half earlier. He witnessed once more history’s stupid repetitions, its obtuse cruelty.

Motorists coming west on 125th Street from the Triborough Bridge saw a speaker standing in the tonneau of an old muddy battered US Army command car, parked in the amber night light at the corner of Second Avenue, in front of a sign which read: CHICKEN AUTO INSURANCE, Seymour Rosenblum. None had the time or interest to investigate further. The white motorists thought that the Negro speaker was selling “chicken auto insurance” for Seymour Rosenblum. They could well believe it. “Chicken” had to do with the expression, “Don’t be chicken!” and that was the way people drove in Harlem. But actually the “chicken” sign was left over from a restaurant that had gone bankrupt and closed months previously, and the sign advertising auto insurance had been placed across the front of the closed shop afterwards.

The human brain evolved to work within a strict cultural framework. Our brains and cultural/religious mechanisms co-evolved to work together. Operating our brains in a cultural/religious vacuum is like trying to run a machine without any grease—it will start fritzing and fall to pieces at a much faster rate. When individuals cast off their ancestral cultural/religious frameworks or make up new ones out of whole cloth without carefully investigating the instrumental roles cultural practices play, is it any surprise that they find themselves barely holding it together mentally by their mid-30s while desperately searching for community and purpose? Instead of taking the winding road to their destination, they decided to just beeline their car (brain) straight through muddy fields and, in the process, damage their car.

Entering the city of Monrovia on Tubman Boulevard, the road suddenly became paved and a little smoother. Most of the other streets were made of sand and coated with used crankcase oil, making them extremely slick. I couldn’t believe the huge water-filled potholes everywhere; couldn’t they fill them in? A major problem was that there was no way of knowing how deep the holes were since they were full of water…. Jimmy had his hands full bouncing along in a car that didn’t seem to have shocks, and from the looks of the tires I don’t believe the front wheels had ever been aligned. Some of the streets went from being a rutted, muddy mess, to being exposed bed-rock with shale stone filling in the worst holes. Somehow Jimmy skillfully navigated these streets, at what I considered at the time, as being reckless speeds. We passed simple dwellings pieced together from flotsam, debris, and recycled planks or pieces of plywood, including what appeared to be random soft drink signs and the likes. It reminded me of some of the Mexican border towns I had been to. There were mangy dogs picking through the piles of garbage, without much hope of finding anything edible. The raw garbage, scattered on the streets, had obviously been picked through already by people or other feral beasts trying to live off the land. If the dogs and cats left anything behind, I could only imagine the rats getting it!

Other Kinds of Fun LARGE MOTOR SKILLS ♦  Take a walk on a balance beam, along the curb, or even down a line on the sidewalk. ♦  Play catch (start with a large, slightly deflated ball). ♦  Jump over things (anything more than a few inches, though, will be too high for most kids this age). ♦  Throw, kick, roll, and toss balls of all sizes. ♦  Ride a tricycle. ♦  Spin around till you drop. ♦  Pound, push, pull, and kick. ♦  Make music using drums, xylophones, flutes, and anything else you have handy. ♦  Play Twister. SMALL MOTOR SKILLS ♦  Puzzles (fewer than twenty pieces is probably best). You might even want to cut up a simple picture from a magazine and see whether your toddler can put it back together. ♦  Draw on paper or with chalk on the sidewalk. ♦  Sculpt with clay or other molding substance. ♦  Finger paint. ♦  Play with string and large beads. ♦  Pour water or sand or seeds from one container to another. ♦  Get a big box (from a dishwasher or refrigerator), then build, paint and decorate a house together. THE BRAIN ♦  Matching games. ♦  Alphabet and number games (put colorful magnetic letters and numbers on the fridge and leave them low enough for the child to reach). ♦  Lots of dress-up clothes. ♦  Dolls of all kinds (including action figures). ♦  Pretending games with “real” things (phones, computer keyboards). ♦  Imaginary driving trips where you talk about all the things you see on the road. Be sure to let your toddler drive part of the way. ♦  Sorting games (put all the pennies, or all the triangles, or all the cups together). ♦  Arranging games (big, bigger, biggest). ♦  Smelling games. Blindfold your toddler and have him identify things by their scent. ♦  Pattern games (small-big/small-big). ♦  Counting games (How many pencils are there?). A FEW FUN THINGS FOR RAINY DAYS (OR ANYTIME) ♦  Have pillow fights. ♦  Make a really, really messy art project. ♦  Cook something—kneading bread or pizza dough is especially good, as is roasting marshmallows on the stove (see pages 214–20 for more). ♦  Go baby bowling (gently toss your toddler onto your bed). ♦  Try other gymnastics (airplane rides: you’re on your back, feet up in the air, baby’s tummy on your feet, you and baby holding hands). ♦  Dance and/or sing. ♦  Play hide-and-seek. ♦  Stage a puppet show. ♦  If it’s not too cold, go outside, strip down to your underwear, and paint each other top-to-bottom with nontoxic, water-based paints. Otherwise, get bundled up and go for a long, wet, sloppy, muddy stomp in the rain. If you don’t feel like getting wet, get in the car and drive through puddles.

Diamond Hill—what a glorious name for a place. No one outside of Hong Kong would have guessed it was the moniker of a squatter village in Kowloon East. In the fifties and sixties, it was a ghetto with its share of grime and crime, and sleaze oozing from brothels, opium dens, and underground gambling houses. There and then, you found no diamonds but plenty of poor people residing on its muddy slopes. Most refugees from mainland China settled in dumps like this because the rent was dirt cheap. Hong Kong began prospering in the seventies and eighties, and its population exploded, partly due to the continued influx of refugees. Large-scale urbanization and infrastructure development moved at breakneck speed. There was no longer any room for squatter villages or shantytowns. By the late eighties, Diamond Hill was chopped into pieces and demolished bit by bit with the construction of the six-lane Lung Cheung Road in its north, the Tate’s Cairn Tunnel in its northwest, and its namesake subway station in its south. Only its southern tip had survived. More than two hundred families and businesses crammed together in this remnant of Diamond Hill, where the old village’s flavor lingered. Its buildings remained a mishmash of shoddy low-rise brick houses and bungalows, shanties, tin huts, and illegal shelters made of planks and tar paper occupying every nook and cranny. There was not a single thoroughfare wide enough for cars. The only access was by foot using narrow lanes flanked by gutters. The lanes branched out and merged, twisted and turned, and dead-ended at tall fences built to separate the village from the outside world. The village was like a maze. The last of Diamond Hill’s residents were on borrowed time and borrowed land. They had already received eviction notices from the Hong Kong government, and all had made plans for the future. The government promised to compensate longtime residents for vacating the land, but not the new arrivals.

pocket and threw the money on the table. “I hope you lose.” “Your report card came, brain boy!” he shouted after me. “I wouldn’t act so snooty!” I slammed the door to my room, which really wasn’t my room. During school months, it was Gabe’s “study.” He didn’t study anything in there except old car magazines, but he loved shoving my stuff in the closet, leaving his muddy boots on my windowsill, and doing his best to make

I read his rather prosaic-sounding name for the first time in that moment, but some years ago I vowed to stop using it. This is no symbolic abstinence on my part- his name has been said enough and ours forgotten, yada yada. I mean, sure, fine, that can be part of it, but who I want you to remember, every time I say The Defendant, not him but the twenty-two-year-old court reporter dressed for success in a pussy-bow blouse. She was the one who recorded him in the official transcripts not by his government name, like the licensed attorney on the case, but by the two most honest letter combinations her sensitive ear and flying fingers could produce: The Defendant. What people forget, or rather what the media decided muddied the narrative, is that although The Defendant would go on to represent himself at is murder trial, he was never a lawyer. Any Joe off the stree can fly pro se, litigate their own case, without graduating from law school or passing the bar. But it made for a more salable story if he was portrayed as someone who did not have to kill to get his kicks, who had prospects in his romantic life and his career. To this day, I revere that scrubbed-face court reporter, younger than me by only a year, because she is one of the sacred few who did her job without so much as a sliver of an agenda. The truth of what happened lies in those transcripts, where he is The Defendant and he is full of bullshit. On the Wanted poster I held in my hands that ding afternoon in Tina’s rental car, The Defendant peered back at me with black vacant eyes. They are scary eyes, don’t get me wrong, but what frightens me, what infuriates me, is that there isn’t anything exceptionally clever going on behind them. A series of national ineptitudes and a parsimonious attitude toward crimes against women created a kind of secret tunnel through which a college dropout with severe emotional disturbances moved with impunity for the better part of the seventies. Law enforcement would rather we remember a dull man as brilliant than take a good hard look at the role they played in this absolute sideshow, and I am sick to death of watching them in their pressed shirts, and cowboy boots, in their comfortable leather interview chairs, in hugely successful and critically acclaimed crime documentaries, talking about the intelligence and charm and wiliness of an ordinary misogynist. This story is not that. The story is not that.