The Man With Enormous Wings Quotes

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Large shapes — like wings — float up to her, opening and closing — gently at first — until they slowly fill the room and she has the impression that she is in the presence of apparitions which are not at all related to this world. None of her acquaintances has ever mentioned similar apparitions to her. These beings — she can not describe them in any other way, reveal that they have the clear and frightening intention of encircling her. They exude a feeling of dissipation, of annihilation, and her forgotten childhood fear of the horrible and inexplicable returns to her. Whenever these birdless, greyish-black wings fly up too close to her, she raises her hand in a sudden anxiety and fends them off. They retreat for a moment into the background of the dark room, then approach once again, and slowly she gets used to this strange presence until she notices that the wings are insubstantial and can fly straight through her upright body, as if she herself had become bodiless. This both entrances and appalls her. Looking at them carefully, these creatures have in fact nothing terrifying about them — they lack eyes and faces, and they radiate an enormous dignity, an uncanny seriousness, something very noble.
Unica Zürn (The Man of Jasmine & Other Texts)
Let us remark by the way, that to be blind and to be loved, is, in fact, one of the most strangely exquisite forms of happiness upon this earth, where nothing is complete. To have continually at one's side a woman, a daughter, a sister, a charming being, who is there because you need her and because she cannot do without you; to know that we are indispensable to a person who is necessary to us; to be able to incessantly measure one's affection by the amount of her presence which she bestows on us, and to say to ourselves, "Since she consecrates the whole of her time to me, it is because I possess the whole of her heart"; to behold her thought in lieu of her face; to be able to verify the fidelity of one being amid the eclipse of the world; to regard the rustle of a gown as the sound of wings; to hear her come and go, retire, speak, return, sing, and to think that one is the centre of these steps, of this speech; to manifest at each instant one's personal attraction; to feel one's self all the more powerful because of one's infirmity; to become in one's obscurity, and through one's obscurity, the star around which this angel gravitates,—few felicities equal this. The supreme happiness of life consists in the conviction that one is loved; loved for one's own sake—let us say rather, loved in spite of one's self; this conviction the blind man possesses. To be served in distress is to be caressed. Does he lack anything? No. One does not lose the sight when one has love. And what love! A love wholly constituted of virtue! There is no blindness where there is certainty. Soul seeks soul, gropingly, and finds it. And this soul, found and tested, is a woman. A hand sustains you; it is hers: a mouth lightly touches your brow; it is her mouth: you hear a breath very near you; it is hers. To have everything of her, from her worship to her pity, never to be left, to have that sweet weakness aiding you, to lean upon that immovable reed, to touch Providence with one's hands, and to be able to take it in one's arms,—God made tangible,—what bliss! The heart, that obscure, celestial flower, undergoes a mysterious blossoming. One would not exchange that shadow for all brightness! The angel soul is there, uninterruptedly there; if she departs, it is but to return again; she vanishes like a dream, and reappears like reality. One feels warmth approaching, and behold! she is there. One overflows with serenity, with gayety, with ecstasy; one is a radiance amid the night. And there are a thousand little cares. Nothings, which are enormous in that void. The most ineffable accents of the feminine voice employed to lull you, and supplying the vanished universe to you. One is caressed with the soul. One sees nothing, but one feels that one is adored. It is a paradise of shadows.
Victor Hugo (Les Misérables)
We must be quite a sight. A cloud of scorpion-tailed, man-sized locusts blotting out the sky. And in the middle of it all, a demon with enormous wings carrying a teenage girl. At least, Raffe must look like a demon to anyone who didn’t know he was an archangel flying on borrowed wings. They probably think he kidnapped the girl he’s holding. They couldn’t possibly guess that I feel safe in his arms. That I’m resting my head on the warm curve of his neck because I like the feel of his skin.
Susan Ee (End of Days (Penryn & the End of Days, #3))
You, the woman; I, the man; this, the world: And each is the work of all. There is the muffled step in the snow; the stranger; The crippled wren; the nun; the dancer; the Jesus-wing Over the walkers in the village; and there are Many beautiful arms around us and the things we know. See how those stars tramp over the heavens on their sticks Of ancient light: with what simplicity that blue Takes eternity into the quiet cave of God, where Ceasar And Socrates, like primitive paintings on a wall, Look, with idiot eyes, on the world where we two are. You, the sought for; I, the seeker; this, the search: And each is the mission of all. For greatness is only the drayhorse that coaxes The built cart out; and where we go is reason. But genius is an enormous littleness, a trickling Of heart that covers alike the hare and the hunter. How smoothly, like the sleep of a flower, love, The grassy wind moves over night's tense meadow: See how the great wooden eyes of the forrest Stare upon the architecture of our innocence. You, the village; I, the stranger; this, the road: And each is the work of all. Then, not that man do more, or stop pity; but that he be Wider in living; that all his cities fly a clean flag... We have been alone too long, love; it is terribly late For the pierced feet on the water and we must not die now. Have you ever wondered why all the windows in heaven were broken? Have you seen the homeless in the open grave of God's hand? Do you want to aquaint the larks with the fatuous music of war? There is the muffled step in the snow; the stranger; The crippled wren; the nun; the dancer; the Jesus-wing Over the walkers in the village; and there are Many desperate arms about us and the things we know.
Kenneth Patchen
Nevertheless they come up with their own history of creation, the Dreaming. The first man was Ber-rook-boorn. He was made by Baiame, the uncreated, who was the beginning of everything, and who loved and took care of all living things. In other words, a good man, this Baiame. Friends called him the Great Fatherly Spirit. After Baiame established Ber-rook-boorn and his wife in a good place, he left his mark on a sacred tree—yarran—nearby, which was the home of a swarm of bees. “ ‘You can take food from anywhere you want, in the whole of this country that I have given you, but this is my tree,’ he warned the two people. ‘If you try to take food from there, much evil will befall you and those who come after you.’ Something like that. At any rate, one day Ber-rook-boorn’s wife was collecting wood and she came to the yarran tree. At first she was frightened at the sight of the holy tree towering above her, but there was so much wood lying around that she did not follow her first impulse—which was to run away as fast as her legs could carry her. Besides, Baiame had not said anything about wood. While she was gathering the wood around the tree she heard a low buzzing sound above her head, and she gazed up at the swarm of bees. She also saw the honey running down the trunk. She had only tasted honey once before, but here there was enough for several meals. The sun glistened on the sweet, shiny drops, and in the end Ber-rook-boorn’s wife could not resist the temptation and she climbed up the tree. “At that moment a cold wind came from above and a sinister figure with enormous black wings enveloped her. It was Narahdarn the bat, whom Baiame had entrusted with guarding the holy tree. The woman fell to the ground and ran back to her cave where she hid. But it was too late, she had released death into the world, symbolized by the bat Narahdarn, and all of the Ber-rook-boorn descendants would be exposed to its curse. The yarran tree cried bitter tears over the tragedy that had taken place. The tears ran down the trunk and thickened, and that is why you can find red rubber on the bark of the tree nowadays.” Andrew puffed happily on his cigar.
Jo Nesbø (The Bat (Harry Hole, #1))
Good. You’re awake.” Annwyl gulped and prayed the gods were just playing a cruel joke on her. She raised herself on her elbows when that deep, dark voice spoke again, “Careful. You don’t want to tear open those stitches.” With utter and almost heart-stopping dread, Annwyl looked over her shoulder and then couldn’t turn away. There he was. An enormous black dragon, his wings pressed tight against his body. The light emanating from the pit fire causing his shiny black scales to glisten. His huge horned head rested in the center of one of his claws. He looked so casual. If she didn’t know better, she’d swear he smirked at her, his black eyes searing her from across the gulf between them. A magnificent creature. But a creature nonetheless. A monster. “Dragons can speak, then?” Brilliant, Annwyl. But she really didn’t know what else to say. “Aye.” Scales brushed against stone and she bit the inside of her mouth to stop herself from cringing. “My name is Fearghus.” Annwyl frowned. “Fearghus?” She thought for a moment. Then dread settled over her bones, dragging her down to the pits of despair. “Fearghus . . . the Destroyer?” “That’s what they call me.” “But you haven’t been seen in years. I thought you were a myth.” Right now, she silently prayed he was a myth. “Do I look like a myth?” Annwyl stared at the enormous beast, marveling at the length and breadth of him. Black scales covered the entire length of his body, two black horns atop his mighty head. And a mane of silky black hair swept across his forehead, down his back, nearly touching the dirt floor. She cleared her throat. “No. You look real enough to my eyes.” “Good.” “I’ve heard stories about you. You smote whole villages.” “On occasion.” She turned away from that steady gaze as she wondered how the gods could be so cruel. Instead of letting her die in battle as a true warrior, they instead let her end up as dinner for a beast. “And you are Annwyl of Garbhán Isle. Annwyl of the Dark Plains. And, last I heard, Annwyl the Bloody.” Annwyl did cringe at that. She hated that particular title. “You take the heads of men and bathe in their blood.” “I do not!” She looked back at the dragon. “You take a man’s head, there’s blood. Spurting blood. But I do not bathe in anything but water.” “If you say so.
G.A. Aiken (Dragon Actually (Dragon Kin, #1))
The Mississippi is surrounded by a vast network of concealed plumbing that underlies the whole of the American Midwest. As for the great river at the heart of this maze, it is now for all intents and purposes a man-made artifact. Every inch of its course from its headwaters to its delta is regulated by synthetic means—by locks and dams and artificial lakes, revetments and spillways and control structures, chevrons and wing dams and bendway weirs. The resulting edifice can barely be called a river at all, in any traditional sense. The Mississippi has been dredged, and walled in, and reshaped, and fixed; it has been turned into a gigantic navigation canal, or the world’s largest industrial sewer. It hasn’t run wild as a river does in nature for more than a hundred years. Its waters are notoriously foul. In the nineteenth century, the Mississippi was well known for its murkiness and filth, but today it swirls with all the effluvia of the modern age. There’s the storm runoff, thick with the glistening sheen of automotive waste. The drainage from the enormous mechanized farms of the heartland, and from millions of suburban lawns, is rich with pesticides and fertilizers like atrazine, alachlor, cyanazine, and metolachlor. A ceaseless drizzle comes from the chemical plants along the riverbanks that manufacture neoprene, polychloroprene, and an assortment of other refrigerants and performance elastomers. And then there are the waste products of steel mills, of sulfuric acid regeneration facilities, and of the refineries that produce gasoline, fuel oil, asphalt, propane, propylene, isobutane, kerosene, and coke. The Mississippi is one of the busiest industrial corridors in the world.
Lee Sandlin (Wicked River: The Mississippi When It Last Ran Wild)
Her enormous eyes were staring straight into his silver ones. He couldn’t look away, couldn’t let go of her hand. He couldn’t have moved if his life depended on it. He was lost in those blue-violet eyes, somewhere in their mysterious, haunting, sexy depths. What was it he had decided? Decreed? He was not going to allow her anywhere near Peter’s funeral. Why was his resolve fading away to nothing? He had reasons, good reasons. He was certain of it. Yet now, drowning in her huge eyes, his thoughts on the length of her lashes, the curve of her cheek, the feel of her skin, he couldn’t think of denying her. After all, she hadn’t tried to defy him; she didn’t know he had made the decision to keep her away from Peter’s funeral. She was including him in the plans, as if they were a unit, a team. She was asking his advice. Would it be so terrible to please her over this? It was important to her. He blinked to keep from falling into her gaze and found himself staring at the perfection of her mouth. The way her lips parted so expectantly. The way the tip of her tongue darted out to moisten her full lower lip. Almost a caress. He groaned. An invitation. He braced himself to keep from leaning over and tracing the exact path with his own tongue. He was being tortured. Tormented. Her perfect lips formed a slight frown. He wanted to kiss it right off her mouth. “What is it, Gregori?” She reached up to touch his lips with her fingertip. His heart nearly jumped out of his chest. He caught her wrist and clamped it against his pumping heart. “Savannah,” he whispered. An ache. It came out that way. An ache. He knew it. She knew it. God, he wanted her with every cell in his body. Untamed. Wild. Crazy. He wanted to bury himself so deep inside her that she would never get him out. Her hand trembled in answer, a slight movement rather like the flutter of butterfly wings. He felt it all the way through his body. “It is all right, mon amour,” he said softly. “I am not asking for anything.” “I know you’re not. I’m not denying you anything. I know we need to have time to become friends, but I’m not going to deny what I feel already. When you’re close to me, my body temperature jumps about a thousand degrees.” Her blue eyes were dark and beckoning, steady on his. He touched her mind very gently, almost tenderly, slipped past her guard and knew what courage it took for her to make the admission. She was nervous, even afraid, but willing to meet him halfway. The realization nearly brought him to his knees. A muscle jumped in his jaw, and the silver eyes heated to molten mercury, but his face was as impassive as ever. “I think you are a witch, Savannah, casting a spell over me.” His hand cupped her face, his thumb sliding over her delicate cheekbone. She moved closer, and he felt her need for comfort, for reassurance. Her arms slid tentatively around his waist. Her head rested on his sternum. Gregori held her tightly, simply held her, waiting for her trembling to cease. Waiting for the warmth of his body to seep into hers. Gregori’s hand came up to stroke the thick length of silken, ebony hair, taking pleasure in the simple act. It brought a measure of peace to both of them. He would never have believed what a small thing like holding a woman could do to a man. She was turning his heart inside out; unfamiliar emotions surged wildly through him and wreaked havoc with his well-ordered life. In his arms, next to his hard strength, she felt fragile, delicate, like an exotic flower that could be easily broken. “Do not worry about Peter, ma petite,” he whispered into the silken strands of her hair. “We will see to his resting place tomorrow.” “Thank you, Gregori,” Savannah said. “It matters a lot to me.” He lifted her easily into his arms. “I know. It would be simpler if I did not. Come to my bed, chérie, where you belong.
Christine Feehan (Dark Magic (Dark, #4))
Sea and sky were a single ash-gray thing and the sands of the beach, which on March nights glimmered like powdered light, had become a stew of mud and rotten shellfish.
Gabriel García Márquez (A Very Old Man with Enormous Wings (Marquez 2014) by Marquez, Gabriel Garcia (2014) Paperback)
And everywhere you looked there were throngs of book characters, dressed in clothes from every era imaginable: a man in a toga surrounded by a gaggle of girls in dresses with enormous crinolines and ruffs, soldiers marching past them with laser guns, magicians in colorful hats, businesswomen in court shoes and trouser suits, orcs with grotesque misshapen faces. Fairies with dragonfly wings buzzed in and out of the crowd. A goose with a tiny boy riding on its back pecked at the instant happy endings, and was shooed away loudly by the fat lady. Then I spotted a tomcat wearing a pair of riding boots and walking on its hind legs, and followed it through the crowd until it disappeared into a pub called the Inkpot. Not really fancying the "ink cocktail" being advertised on a board outside, I decided to keep walking.
Mechthild Gläser (The Book Jumper)
The world had been sad since Tuesday.
Gabriel García Márquez (A Very Old Man with Enormous Wings (Marquez 2014) by Marquez, Gabriel Garcia (2014) Paperback)
The air turned syrupy, slow, flecked with dust. The last few seconds before a battle. And with the last bow pulled free, he reached inside, and amidst a whirring, chaotic clatter of wings and feet and talons and a high-pitched twittering and it’s all happening at once, the man pulls an enormous, enormous hawk out of the box and in a strange coincidence of world and deed a great flood of sunlight drenches us and everything is brilliance and fury. The hawk’s wings, barred and beating, the sharp fingers of her dark-tipped primaries cutting the air, her feathers raised like the scattered quills of a fretful porpentine. Two enormous eyes. My heart jumps sideways. She is a conjuring trick. A reptile. A fallen angel. A griffon from the pages of an illuminated bestiary. Something bright and distant, like gold falling through water. A broken marionette of wings, legs and light-splashed feathers.
Helen Macdonald (H is for Hawk)
Earth’s not so bad—” “How would you know?” Tan’elKoth said acidly. “It is only in these past few days that you have had contact with the actual realities of Earth. Are you having fun?” He waved toward the window, where Kollberg now had one hand openly kneading his groin while he leaned one cheek and the side of his open mouth against the glass. Avery flinched and looked away. She hugged herself more tightly. “I don’t understand. If you hate what they’re going to do, why are you helping them?” “I am not helping them!” Suddenly he was on his feet, towering over her, shaking an enormous fist. “I am helping you. I am helping Faith. I am . . .” The passion drained out of him as swiftly as it had arisen. He let his fist open and fall limp against his thigh. “I am trying to go home.” Outside the window, Kollberg panted like an overheated dog. “Well,” Avery said finally. “I’m afraid you’re out of luck.” “How do you mean?” She shook her head. “You’re such a man, Professional. That’s why you can’t find this link of yours.” “I do not understand.” “Of course you don’t. That’s what I mean: You’re a man. You think this link is with the river. It wasn’t. Faith spoke of it, in the car on our way back to Boston when I first picked her up. She was quite clear about it. Her link was never with the river. It was with her mother.” “Her mother—?” “Her dead mother, now.” Tan’elKoth’s eyes narrowed. “I have been a fool,” he said. He spun and seated himself once again at Faith’s side, bending over her with redoubled energy. “Power,” he murmured. “All that is required is a usable source of power—” “What are you doing? She’s dead, Tan’elKoth. There is no link.” “Dead, yes—but the pattern of her consciousness persists, even as your son’s does within me. It was trapped at the instant of her passing. It is powerless, yes—having no body to inform it with will. It is analogous to a computer program stored on disk, you might say: a structure of information that requires only a computer on which to run, and the necessary power to activate.” “What kind of power?” From the doorway behind her, the soulless rasp of Arturo Kollberg said, “My kind of power.” DURING HIS YEARS of walking the world, the crooked knight came to find himself bemazed within a dark and trackless wood. In this wood, all paths led equally to death. The crooked knight did not lose hope; he turned to various guides for help and direction. His first guide was Youthful Dream. Later, he turned to Friendship, then Duty, and finally Reason, but each left him more lost than had the one before. So the crooked knight gave himself up for dead, and simply sat. He would be sitting there still, but for a breeze that came upon him then: a breeze that smelled of wide-open spaces, of limitless skies and bright sun, of ice and high mountains. It was the wind from the dark angel’s wings.
Matthew Woodring Stover (Blade of Tyshalle (The Acts of Caine, #2))
Party time Part 1 After school, we go to Maddie’s. When we were little, like freshman year and even some of the sophomore year, we would sometimes stay in her room and put on x-out and pluck out eyebrows into that fine little line, and color our hair with highlights, and order pizza, cramming down as much as we could eat. Those days are going, we can’t get fat. Now Jenny hardly eats anything, and if she does, she can hardly keep it down. I think maybe that’s what I get so lightheaded, I only eat like once a day now. Jenny back then had a little extra around the middle, and now you can see her ribs, she even has that two-defined line on her tummy that goes into her underwear. I remember sneaking around late at night in her hose stealing a cookie from the jar on the top shelf in the old wood cabinet, that is also where her mom would hide her cigarettes that Jenny loved also, and the condoms were in a trinity box on top of the fridge, I sorry but I find that hilarious. At that time, we would stretch out on one of her, old enormous worn-out couches and watch, TV or movies until we fell asleep in our nightshirts’-the TV in Maddie’s living room is like 80 inches it’s like being in a movie theater our legs tangled together under an enormous fleece blanket. Maddie and liv are always entangled more passionately than Jenny and me on the loveseat! Maddie has an ancient TV in her room from the 1990s. It sucks and is small, it’s one of those with the big back on it, and the color is green, like looking into a fish tank. It’s funny her mom and dad don’t have money blinds on the windows, yet they have a big ass TV. You can sometimes see the people in the next condo overlooking us like we can see them get busy in their room! Yet nothing beats the hot guy taking a leak in room 302, he looks to be in his late twenties. He takes the boxes off at 10 pm and we get a free show. He knows we can see him because he makes it look inflexible and you are no more personable. Jenny and we girls love to press upon the glass, and just have fun and be a little crazy, like lifting our nighties and flashing the goods. Facebook stocking gets boring quickly anymore, so some nights the webcam comes out too. After her mom and dad are asleep… I like it’s more fun to be bad! Like we all have profiles and fake names because none of us are eighteen yet. Any- how’s mine is ‘Angel Pink Wings 01’ Maddie goes by: ‘Mad kitty 69’ Jenny goes by: ‘Ms. Little Lover 14’ Liv goes by: ‘Olivia O 123’ Yet everyone knows her by Liv so that name is okay- I guess. We make good money- ‘Double Clicking the Mouse.’ You would not believe all the pervs on this cam the site, just wanting to see us doing it. Like old guys like our PE teacher! Man- that I didn’t even think about how to turn on a computer. Just like him, I guess they need too to see more of us close up. We have our checks mailed to Jenny's college boyfriend’s PO Box. Me this is what I do and yes- I come for you all, I just put in fake blue hair dye in, and have fake long lashes, and put in my blue contacts, and you don’t even know me. And then pen in more eyebrows. Fake, fake, fake, fake FAKE! Boys don’t like it when you fake it or do, they look at me, that's why I am Bi.
Marcel Ray Duriez (Young Taboo (Nevaeh))
Party time Part 1 After school, we go to Maddie’s. When we were little, like freshman year and even some of the sophomore year, we would sometimes stay in her room and put on x-out and pluck out eyebrows into that fine little line, and color our hair with highlights, and order pizza, cramming down as much as we could eat. Those days are going, we can’t get fat. Now Jenny hardly eats anything, and if she does, she can hardly keep it down. I think maybe that’s what I get so lightheaded, I only eat like once a day now. Jenny back then had a little extra around the middle, and now you can see her ribs, she even has that two-defined line on her tummy that goes into her underwear. I remember sneaking around late at night in her hose stealing a cookie from the jar on the top shelf in the old wood cabinet, that is also where her mom would hide her cigarettes that Jenny loved also, and the condoms were in a trinity box on top of the fridge, I sorry but I find that hilarious. At that time, we would stretch out on one of her, old enormous worn-out couches and watch, TV or movies until we fell asleep in our nightshirts’-the TV in Maddie’s living room is like 80 inches it’s like being in a movie theater our legs tangled together under an enormous fleece blanket. Maddie and liv are always entangled more passionately than Jenny and me on the loveseat! Maddie has an ancient TV in her room from the 1990s. It sucks and is small, it’s one of those with the big back on it, and the color is green, like looking into a fish tank. It’s funny her mom and dad don’t have money blinds on the windows, yet they have a big ass TV. You can sometimes see the people in the next condo overlooking us like we can see them get busy in their room! Yet nothing beats the hot guy taking a leak in room 302, he looks to be in his late twenties. He takes the boxes off at 10 pm and we get a free show. He knows we can see him because he makes it look inflexible and you are no more personable. Jenny and we girls love to press upon the glass, and just have fun and be a little crazy, like lifting our nighties and flashing the goods. Facebook stocking gets boring quickly anymore, so some nights the webcam comes out too. After her mom and dad are asleep… I like it’s more fun to be bad! Like we all have profiles and fake names because none of us are eighteen yet. Any- how’s mine is ‘Angel Pink Wings 01’ Maddie goes by: ‘Mad kitty 69’ Jenny goes by: ‘Ms. Little Lover 14’ Liv goes by: ‘Olivia O 123’ Yet everyone knows her by Liv so that name is okay- I guess. We make good money- ‘Double Clicking the Mouse.’ You would not believe all the pervs on this cam. the site, just wanting to see us doing it. Like old guys like our PE teacher! Man- that I didn’t even think about how to turn on a computer. Just like him, I guess they need too to see more of us close up. We have our checks mailed to Jenny's college boyfriend’s PO Box. Me this is what I do and yes- I come for you all, I just put in fake blue hair dye in, and have fake long lashes, and put in my blue contacts, and you don’t even know me. And then pen in more eyebrows. Fake, fake, fake, fake FAKE! Boys don’t like it when you fake it or do, they look at me, that's why I am Bi.
Marcel Ray Duriez (Young Taboo (Nevaeh))
homosexuality a curable perversion. She professed to disdain men and insisted women had been “enslaved by the institution of marriage.” Yet she loved many men and married twice: she treated her first husband abominably, and was physically and emotionally abused by her second. She considered sex degrading, but was an enthusiastic advocate, and energetic exponent, of free love. “Out here I’ve had chances to sleep with all colours and shapes,” she wrote to a friend, shortly before meeting Ursula. “One French gunrunner, short and round and bumpy; one fifty-year-old monarchist German who believes in the dominating role of the penis in influencing women; one high Chinese official whose actions I’m ashamed to describe, one round left-wing Kuomintang man who was soft and slobbery.” She was a communist who never joined the party; a violent revolutionary and romantic dreamer; a feminist in thrall to a succession of men; a woman who inspired intense loyalty, yet inflicted enormous damage on many of her friends; she supported communism without considering what communist rule involved in reality. She was passionate, prejudiced, charismatic, narcissistic, reckless, volatile, lovable, hypercritical, emotionally fragile, and uncompromising. “I may not be innocent, but I’m right,” she declared. Ursula was entranced. Agnes Smedley seemed to embody political passion and energy, the very antithesis of the smug complacency she found in the bourgeois boudoirs of Shanghai. “Your very existence is not worth anything at all if you live passively in the midst of injustice,” Smedley insisted. Agnes was everything Ursula admired: feminist, anti-fascist, an enemy of imperialism and defender of the oppressed against the forces of capitalism, and a natural revolutionary. She was also a spy.
Ben Macintyre (Agent Sonya: Moscow's Most Daring Wartime Spy)
The infernal machine gradually advances… A man seated upon high, in front of the chassis, blows the horn (mail coach style), while the crowd’s emotion is at its peak… Its enthusiasm as well… Some velocipedes circle the monster…the cyclists fire their pistols into the air, in a farandole around the monster… Make some noise!… Now all of this enormous utensil which is advancing thunderously and magisterially can be observed… The rumbling monster is celebrated…it elicits enthusiasm… At the very top of the chimney is the American flag… The engine came from America… Some American tourists heading off towards Paris… The “Fulmicoach” begins its disappearance from the stage… The crowd cannot help but to follow the “Fulmicoach”…fascinated…an extraordinary vehicle…the crowd moves off into the wing…behind the “Fulmicoach”… Only Paul remains, beside Virginia…but not for long… Some young girls, all of them overstimulated, unbridled, bounding, retracing their steps…reproach, entreat Paul, to make him understand that he is wasting his time! …that life is short! …that it’s necessary to find amusement further on…always further on…that it’s necessary to climb into the “Fulmicoach”…that it’s necessary to drink and to forget… They pick him up, oblige him to pick himself back up…and to drink still more from the accursed bottle…forgetful Paul!…
Louis Ferdinand Celine
The infernal machine gradually advances… A man seated upon high, in front of the chassis, blows the horn (mail coach style), while the crowd’s emotion is at its peak… Its enthusiasm as well… Some velocipedes circle the monster…the cyclists fire their pistols into the air, in a farandole around the monster… Make some noise!… Now all of this enormous utensil which is advancing thunderously and magisterially can be observed… The rumbling monster is celebrated…it elicits enthusiasm… At the very top of the chimney is the American flag… The engine came from America… Some American tourists heading off towards Paris… The “Fulmicoach” begins its disappearance from the stage… The crowd cannot help but to follow the “Fulmicoach”…fascinated…an extraordinary vehicle…the crowd moves off into the wing…behind the “Fulmicoach”… Only Paul remains, beside Virginia…but not for long… Some young girls, all of them overstimulated, unbridled, bounding, retracing their steps…reproach, entreat Paul, to make him understand that he is wasting his time! …that life is short! …that it’s necessary to find amusement further on…always further on…that it’s necessary to climb into the “Fulmicoach”…that it’s necessary to drink and to forget… They pick him up, oblige him to pick himself back up…and to drink still more from the accursed bottle…forgetful Paul!…
Louis Ferdinand Celine
Because then he was no longer an annoyance in her life but an imaginary dot on the horizon of the sea.
Gabriel García Márquez (A Very Old Man with Enormous Wings (Marquez 2014) by Marquez, Gabriel Garcia (2014) Paperback)