Mud Sticks Quotes

Everyone has prejudices, but some can correct them, others stick in the mud and remain diehard.

That’s what sisters and girlfriends are all about. Sticking together even in the mud, ’specially in mud.

You believe in a person’s permanence because humans have a tendency to stick to you when life is good. I call them honey summers. I’ve had enough honey summers in life to know that people leave you when winter comes.

Love sticks, and it stays and it braves the bullshit.

A hand in her hair, wrenching back her head. "What's my name?" She scratched trails down his back. He didn't even wince. "My name, kitty. Say my name." "Mr. Mud Stick, Muddie for short," she said, even as she rubbed herself against the hard thrust of his denim-covered erection, the roughness of the fabric an exquisite sensation. She would've liked naked skin even more, but he wasn't budging. "Say it, or no cock for you today." Her mouth fell open. "Fuck you." "You'll be doing that shortly.

You all listen now, this is a real lesson in life. Yes, we got stuck, but what’d we girls do? We made it fun, we laughed. That’s what sisters and girlfriends are all about. Sticking together even in the mud, ’specially in mud.

I swear, Oliver, when did you become such a stick-in-the-mud?” “I’ve always been a stick-in-the-mud.” Her brother cast her a thin smile. “I just hid it beneath all the debauchery.” She sniffed. “I wish you’d hide it again. It’s quite annoying.

Mom and Dad liked to make a big point about never surrendering to fear or to prejudice or to the narrow-minded conformist sticks-in-the-mud who tried to tell everyone else what was proper.

Puppy, I am getting so tired of listening to you whine about this,” he snarled at Zeke. “This isn’t rocket science. If you don’t want to be a monster, don’t be a bloody monster! Be an uptight stick in the mud like Kanin. Be a self-righteous bleeding heart like Allison. Or you can stop agonizing about it and be a fucking monster.

LONDON. Michaelmas Term lately over, and the Lord Chancellor sitting in Lincoln’s Inn Hall. Implacable November weather. As much mud in the streets as if the waters had but newly retired from the face of the earth, and it would not be wonderful to meet a Megalosaurus, forty feet long or so, waddling like an elephantine lizard up Holborn Hill. Smoke lowering down from chimney-pots, making a soft black drizzle, with flakes of soot in it as big as full-grown snow-flakes — gone into mourning, one might imagine, for the death of the sun. Dogs, undistinguishable in mire. Horses, scarcely better; splashed to their very blinkers. Foot passengers, jostling one another’s umbrellas in a general infection of ill-temper, and losing their foot-hold at street-corners, where tens of thousands of other foot passengers have been slipping and sliding since the day broke (if the day ever broke), adding new deposits to the crust upon crust of mud, sticking at those points tenaciously to the pavement, and accumulating at compound interest. Fog everywhere. Fog up the river, where it flows among green aits and meadows; fog down the river, where it rolls defiled among the tiers of shipping and the waterside pollutions of a great (and dirty) city. Fog on the Essex marshes, fog on the Kentish heights. Fog creeping into the cabooses of collier-brigs; fog lying out on the yards, and hovering in the rigging of great ships; fog drooping on the gunwales of barges and small boats. Fog in the eyes and throats of ancient Greenwich pensioners, wheezing by the firesides of their wards; fog in the stem and bowl of the afternoon pipe of the wrathful skipper, down in his close cabin; fog cruelly pinching the toes and fingers of his shivering little ’prentice boy on deck. Chance people on the bridges peeping over the parapets into a nether sky of fog, with fog all round them, as if they were up in a balloon, and hanging in the misty clouds. Gas looming through the fog in divers places in the streets, much as the sun may, from the spongey fields, be seen to loom by husbandman and ploughboy. Most of the shops lighted two hours before their time — as the gas seems to know, for it has a haggard and unwilling look. The raw afternoon is rawest, and the dense fog is densest, and the muddy streets are muddiest near that leaden-headed old obstruction, appropriate ornament for the threshold of a leaden-headed old corporation, Temple Bar. And hard by Temple Bar, in Lincoln’s Inn Hall, at the very heart of the fog, sits the Lord High Chancellor in his High Court of Chancery.

We’ll be like the MudWings,” Clay said proudly. “We stick together. No matter what happens. We’re a team, and we look after one another. Which means the first thing we have to do is find Starflight. The NightWings can’t just take him away. He’s one of us, and we’ll search the whole world until we find him. It’s time for us to get our friend ba —” He stopped as a heavy thump shook the ground and wings flapped to a stop behind him. The others were staring over his shoulder. “That better not be who I think it is,” said Clay. “Found him!” Glory said gleefully. Clay turned around. Starflight stood, blinking, in the waving grass just outside the trees.

At this point I reveal myself in my true colours, as a stick-in-the-mud. I hold a number of beliefs that have been repudiated by the liveliest intellects of our time. I believe that order is better than chaos, creation better than destruction. I prefer gentleness to violence, forgiveness to vendetta. On the whole I think that knowledge is preferable to ignorance, and I am sure that human sympathy is more valuable than ideology. I believe that in spite of the recent triumphs of science, men haven't changed much in the last two thousand years; and in consequence we must still try to learn from history. History is ourselves. I also hold one or two beliefs that are more difficult to put shortly. For example, I believe in courtesy, the ritual by which we avoid hurting other people's feelings by satisfying our own egos. And I think we should remember that we are part of a great whole. All living things are our brothers and sisters. Above all, I believe in the God-given genius of certain individuals, and I value a society that makes their existence possible.

In fact, “talent” is as common as mud; what’s rare is the motivation to sit down and actually do something with one’s talent, the discipline to do it regularly, and the persistence to stick with it until it’s finished.

You all listen now, this is a real lesson in life. Yes, we got stuck, but what'd we girls do? We made it fun, we laughed. That's what sisters and girlfriends are all about. Sticking together even in the mud, 'specially in mud.

The mysteries of a universe made of drops of fire and clods of mud do not concern us in the least. The fate of humanity condemned ultimately to perish from cold is not worth troubling about. If you take it to heart it becomes an unendurable tragedy. If you believe in improvement you must weep, for the attained perfection must end in cold, darkness and silence. In a dispassionate view the ardour for reform, improvement for virtue, and knowledge, and even for beauty is only a vain sticking up for appearances as though one were anxious about the cut of one’s clothes in a community of blind men.

The train bore me away, through the monstrous scenery of slag-heaps, chimneys, piled scrap-iron, foul canals, paths of cindery mud criss-crossed by the prints of clogs. This was March, but the weather had been horribly cold and everywhere there were mounds of blackened snow. As we moved slowly through the outskirts of the town we passed row after row of little grey slum houses running at right angles to the embankment. At the back of one of the houses a young woman was kneeling on the stones, poking a stick up the leaden waste-pipe which ran from the sink inside and which I suppose was blocked. I had time to see everything about her—her sacking apron, her clumsy clogs, her arms reddened by the cold. She looked up as the train passed, and I was almost near enough to catch her eye. She had a round pale face, the usual exhausted face of the slum girl who is twenty-five and looks forty, thanks to miscarriages and drudgery; and it wore, for the second in which I saw it, the most desolate, hopeless expression I have ever-seen. It struck me then that we are mistaken when we say that ‘It isn’t the same for them as it would be for us,’ and that people bred in the slums can imagine nothing but the slums. For what I saw in her face was not the ignorant suffering of an animal. She knew well enough what was happening to her—understood as well as I did how dreadful a destiny it was to be kneeling there in the bitter cold, on the slimy stones of a slum backyard, poking a stick up a foul drain-pipe.

The confirmed stick-in-the-mud will always fall victim to the interventions of other people acting on impulse, because if habit is his religion, then his Satan is change, and in the end, we are all prey to temptation.

There is nothing wrong with technology. It's a gift! I don't think we should keep our kids away from the modern conveniences of our time, but I do believe it's time to regain some balance. Children can benefit from technology, but they need nature. Let them have their video games and Internet, but make sure they are getting equal amounts of mud, dirt, sticks, puddles, free play and imagination.

the phrase “stay-at-home mom” is patronizing and faintly derogatory, like “stick-in-the-mud mom” or “sit-in-the-corner mom.” Do we talk about a “chained-to-the-desk mom” or a “stuck-in-traffic mom” or a “languishing-in-meetings mom”?

Ha-ha!' the fox laughed. '*Just* stories, you say, as if stories mean nothing? Stories are the stuff that sticks the world together. Stories are the mud from which we're all made. The power to imagine stories is the power to remake the world as we dream it.

Must love decorating for holidays, mischief, kissing in cars, and wind chimes. No specific height, weight, hair color, or political affiliation required but would prefer a warm spirited non racist. Cynics, critics, pessimists, and “stick in the muds” need not apply. Voluptuous figures a plus. Any similarity in look, mind set, or fashion sense to Mary Poppins, Claire Huxtable, Snow White, or Elvira wholeheartedly welcomed. I am dubious of actresses, fellons and lesbians but dont want to rule them out entirely. Must be tolerant of whistling, tickle torture, James Taylor, and sleeping late. I have a slight limp, eerily soft hands, and a preternatural love of autumn. I once misinterpreted being called a coal-eyed dandy as a compliment when it was intended as an insult. I wiggle my feet in my sleep, am scared of the dark, and think the Muppets Christmas Carol is one of the greatest films of all time. All I want is butterfly kisses in the morning, peanut butter sandwiches shaped like a heart, and to make you smile until it hurts.

You all listen now, this is a real lesson in life. Yes, we got stuck, but what'd we girls do? We made it fun, we laughed. That's what sisters and girlfriends are all about. Sticking together even in the mud, especially in mud.

You'd never get Burle to behave decently. When a man sank as low as that, the only thing to do was to throw a spadeful of mud over him and get rid of him like the rotting carcass of some poisonous beast. And even if you shoved his nose in his own shit, he'd only start again the next day and end up stealing a few sous to buy sticks of barley sugar for lice-ridden little beggar-girls.

...this is a real lesson in life. Yes, we got stuck, but what’d we girls do? We made it fun, we laughed. That’s what sisters and girlfriends are all about. Sticking together even in the mud, ‘specially in mud.

Crossing the Swamp" Here is the endless wet thick cosmos, the center of everything—the nugget of dense sap, branching vines, the dark burred faintly belching bogs. Here is swamp, here is struggle, closure— pathless, seamless, peerless mud. My bones knock together at the pale joints, trying for foothold, fingerhold, mindhold over such slick crossings, deep hipholes, hummocks that sink silently into the black, slack earthsoup. I feel not wet so much as painted and glittered with the fat grassy mires, the rich and succulent marrows of earth—a poor dry stick given one more chance by the whims of swamp water—a bough that still, after all these years, could take root, sprout, branch out, bud— make of its life a breathing palace of leaves.

... Implacable November weather. As much mud in the streets, as if the waters had but newly retired from the face of the earth, and it would not be wonderful to meet a Megalosaurus, forty feet long or so, waddling like an elephantine lizard up Holborn Hill. Smoke lowering down from chimney-pots, making a soft black drizzle, with flakes of soot in it as big as full-grown snow-flakes — gone into mourning, one might imagine, for the death of the sun. Dogs, undistinguishable in mire. Horses, scarcely better; splashed to their very blinkers. Foot passengers, jostling one another’s umbrellas, in a general infection of ill-temper, and losing their foot-hold at street-corners, where tens of thousands of other foot passengers have been slipping and sliding since the day broke (if the day ever broke), adding new deposits to the crust upon crust of mud, sticking at those points tenaciously to the pavement, and accumulating at compound interest.

If there comes a little thaw, Still the air is chill and raw, Here and there a patch of snow, Dirtier than the ground below, Dribbles down a marshy flood; Ankle-deep you stick in mud In the meadows while you sing, "This is Spring.

Lying there Ma said, “You all listen now, this is a real lesson in life. Yes, we got stuck, but what’d we girls do? We made it fun, we laughed. That’s what sisters and girlfriends are all about. Sticking together even in the mud, ’specially in mud.

Cosmic Ordering success sticks to you like mud to a blanket.

I wore high heels for the first time and they kept sticking in the mud.

We made it fun, we laughed. That’s what sisters and girlfriends are all about. Sticking together even in the mud, ’specially in mud.

Jacqueline ran like she had been saving all her running for this moment, for this place where no one could see her, or scold her, or tell her that ladies didn't behave that way, sit down, slow down, you'll rip your dress, you'll stain your tights, be good. She was getting grass stains on her knees and mud under her fingernails, and she knew she'd regret both those things later, but in the moment, she didn't care. She was finally running. She was finally free. Jillian ran more slowly, careful not to trample the flowers, slowing down whenever she felt like it to look around herself in wide-eyed wonder. No one was telling her to go faster, to run harder, to keep her eyes on the ball; no one wanted this to be a competition. For the first time in years, she was running solely for the joy of running, and when she tripped and fell into the flowers, she went down laughing.

Dear Jim." The writing grew suddenly blurred and misty. And she had lost him again--had lost him again! At the sight of the familiar childish nickname all the hopelessness of her bereavement came over her afresh, and she put out her hands in blind desperation, as though the weight of the earth-clods that lay above him were pressing on her heart. Presently she took up the paper again and went on reading: "I am to be shot at sunrise to-morrow. So if I am to keep at all my promise to tell you everything, I must keep it now. But, after all, there is not much need of explanations between you and me. We always understood each other without many words, even when we were little things. "And so, you see, my dear, you had no need to break your heart over that old story of the blow. It was a hard hit, of course; but I have had plenty of others as hard, and yet I have managed to get over them,--even to pay back a few of them,--and here I am still, like the mackerel in our nursery-book (I forget its name), 'Alive and kicking, oh!' This is my last kick, though; and then, tomorrow morning, and--'Finita la Commedia!' You and I will translate that: 'The variety show is over'; and will give thanks to the gods that they have had, at least, so much mercy on us. It is not much, but it is something; and for this and all other blessings may we be truly thankful! "About that same tomorrow morning, I want both you and Martini to understand clearly that I am quite happy and satisfied, and could ask no better thing of Fate. Tell that to Martini as a message from me; he is a good fellow and a good comrade, and he will understand. You see, dear, I know that the stick-in-the-mud people are doing us a good turn and themselves a bad one by going back to secret trials and executions so soon, and I know that if you who are left stand together steadily and hit hard, you will see great things. As for me, I shall go out into the courtyard with as light a heart as any child starting home for the holidays. I have done my share of the work, and this death-sentence is the proof that I have done it thoroughly. They kill me because they are afraid of me; and what more can any man's heart desire? "It desires just one thing more, though. A man who is going to die has a right to a personal fancy, and mine is that you should see why I have always been such a sulky brute to you, and so slow to forget old scores. Of course, though, you understand why, and I tell you only for the pleasure of writing the words. I loved you, Gemma, when you were an ugly little girl in a gingham frock, with a scratchy tucker and your hair in a pig-tail down your back; and I love you still. Do you remember that day when I kissed your hand, and when you so piteously begged me 'never to do that again'? It was a scoundrelly trick to play, I know; but you must forgive that; and now I kiss the paper where I have written your name. So I have kissed you twice, and both times without your consent. "That is all. Good-bye, my dear" Then am I A happy fly, If I live Or if I die

If you’re a good man, and you try to think about what the right thing is every day of your life, and you build things to be proud of so bastards can come and burn them in a moment, and you make sure and say thank you kindly each time they kick the guts out of you, do you think when you die, and they stick you in the mud, you turn into gold?’ ‘What?’ ‘Or do you turn to fucking shit like the rest of us?

We’ll be like the MudWings,” Clay said proudly. “We stick together. No matter what happens. We’re a team, and we look after one another. Which means the first thing we have to do is find Starflight. The NightWings can’t just take him away. He’s one of us, and we’ll search the whole world until we find him. It’s time for us to get our friend ba —” He stopped as a heavy thump shook the ground and wings flapped to a stop behind him. The others were staring over his shoulder. “That better not be who I think it is,” said Clay. “Found him!” Glory said gleefully.

Sometimes, we strike into the skirting mud, to avoid the stones that clatter us and shake us; sometimes, we stick in ruts and sloughs there. The agony of our impatience is then so great, that in our wild alarm and hurry we are for getting out and running—hiding—doing anything but stopping.

The other day she’d suggested they make mud pies and Mad frowned, then wrote 3.1415 with a stick in the dirt. “Done,” she’d said.

Yes, we got stuck, but what’d we girls do? We made it fun, we laughed. That’s what sisters and girlfriends are all about. Sticking together even in the mud, ’specially in mud.

Montessori is about a kid with a stick, digging a hole in the mud—hands dirty, engaged, fascinated, uninterrupted.

We are naked, lance-constable!’ ‘Only technically. This mud really sticks.’ ‘I mean underneath the mud!’ said Angua. ‘Yes, but if we had clothes on we’d be naked underneath them, too!’ Sally pointed out.

You all listen no, this is a real lesson in life. Yes, we got stuck, but what'd we girls do? We made it fun, we laughed. That's what sisters and girlfriends are all about. Sticking together even in the mud, 'specially in mud

If I'd been free to pick any name in the world, I would have one for something diaphanous and fanciful, like Coralie or Delphine, the kind of name a grand dame gives a petit chien. Because no one - no one - daydreams about pretty names more than girls called Jane. And with good reason, you know? I mean, even our most illustrious Janes are world-class stick-in-the-mud. Austen, Eyre, Doe? Spintser, sucker, corpse. It's a wonder I managed as well as I did.

Lying there Ma said, 'You all listen now, this is a real lesson in life. Yes, we got stuck, but what'd we girls do? We made it fun, we laughed. That's what sisters and girlfriends are all about. Sticking together even in the mud, 'specially in mud.

He had studied philosophy as a young man, but clay really spoke to him. I like mud, he explained. And then he went on to explain the Earth's magnetism, and why clay does stick together and it's about ions and stuff. And there are specific muds, or clays. For instance, this: red. Deep deep beautiful red. Albany slip. I stand there in awe, slipping around in worlds of specialization. The endless details, but the Earth is a big wad of it, mud. And that would be a huge start, to know that you liked it. There it is.

EAMES: Word is, you're not welcome in these parts. COBB: Yeah? EAMES: There's a price on your head from Cobol Engineering. Pretty big one, actually. COBB: You wouldn't sell me out. Eames looks at Cobb, offended. EAMES: 'Course I would. COBB: (smiles) Not when you hear what I'm selling. A ramshackle balcony overlooking a busy street. Eames pours. COBB: Inception. Eames' glass stops halfway to his mouth. COBB: Don't bother telling me it's impossible. EAMES: It's perfectly possible. Just bloody difficult. COBB: That's what I keep saying to Arthur. EAMES: Arthur? You're still working with that stick-in-the-mud? COBB: He's a good point man. EAMES: The best. But he has no imagination. If you're going to perform inception, you need imagination. COBB: You've done it before? EAMES: Yes and no. We tried it. Got the idea in place, but it didn't take. COBB: You didn't plant it deep enough? EAMES: It's not just about depth. You need the simplest version of the idea-the one that will grow naturally in the subject's mind. Subtle art.

With the ferrule of his walking-stick Denis began to scratch the boar's long bristly back. The animal moved a little so as to bring himself within easier range of the instrument that evoked in him such delicious sensations; then he stood stock still, softly grunting his contentment. The mud of years flaked off his sides in a grey powdery scurf. "What a pleasure it is," said Denis, "to do somebody a kindness. I believe I enjoy scratching this pig quite as much as he enjoys being scratched. If only one could always be kind with so little expense or trouble...

Look, Pa, look!” Laura said. “A wolf!” Pa did not seem to move quickly, but he did. In an instant he took his gun out of the wagon and was ready to fire at those green eyes. The eyes stopped coming. They were still in the dark, looking at him. “It can’t be a wolf. Unless it’s a mad wolf,” Pa said. Ma lifted Mary into the wagon. “And it’s not that,” said Pa. “Listen to the horses.” Pet and Patty were still biting off bits of grass. “A lynx?” said Ma. “Or a coyote?” Pa picked up a stick of wood; he shouted, and threw it. The green eyes went close to the ground, as if the animal crouched to spring. Pa held the gun ready. The creature did not move. “Don’t, Charles,” Ma said. But Pa slowly walked toward those eyes. And slowly along the ground the eyes crawled toward him. Laura could see the animal in the edge of the dark. It was a tawny animal and brindled. Then Pa shouted and Laura screamed. The next thing she knew she was trying to hug a jumping, panting, wriggling Jack, who lapped her face and hands with his warm wet tongue. She couldn’t hold him. He leaped and wriggled from her to Pa to Ma and back to her again. “Well, I’m beat!” Pa said. “So am I,” said Ma. “But did you have to wake the baby?” She rocked Carrie in her arms, hushing her. Jack was perfectly well. But soon he lay down close to Laura and sighed a long sigh. His eyes were red with tiredness, and all the under part of him was caked with mud. Ma gave him a cornmeal cake and he licked it and wagged politely, but he could not eat. He was too tired. “No telling how long he kept swimming,” Pa said. “Nor how far he was carried downstream before he landed.” And when at last he reached them, Laura called him a wolf, and Pa threatened to shoot him. But Jack knew they didn’t mean it. Laura asked him, “You knew we didn’t mean it, didn’t you, Jack?” Jack wagged his stump of a tail; he knew.

I found myself wishing that Jeeves wasn't always so dashed tactful. I mean, it's all very well to remove yourself like an eel sliding into mud when the employer has a visitor, but there are moments — and it looked to me as if this was going to be one of them — when the truer tact is to stick round and stand ready to lend a hand in the free-for-all.

The next morning, very early, you and I went to the old pine-tree. Your little legs were going along so fast that it made me quite dizzy to look at them. Long before we came to the place I had to carry you - you had such a terrible stitch! At last we caught sight of him. His branches were all waving and his head was high in the air. When he saw us he bowed most graciously, but very proudly. I stole along ever so quietly with you in my arms, and, sure enough, there were the sparrows sitting in the branches. They did not seem at all shy, and how glad we both were. The old pine-tree looked just like you do when you have had a cold bath and Mummy has put you in a clean starched frock, and a petticoat that sticks out all round. You look as though you never made mud pies in your life and would rather die than tread in the puddles.

The Wishy-Washy Wimp is passive-aggressive, weak, quiet, brown-nosing, uncommunicative, dependent, indirect, intimidated, ass-kissing, fearful, insecure, untrustworthy, secretive, scared, sheepish, guilt-ridden, tentative, threatened, conservative, disloyal, indecisive, desperate, lifeless, mousy, spineless, submissive, socially inept, nerdy, indecisive, cowardly, a stick-in-the-mud, a loser, and a yes-man. Wishy-Washy

Dusk settled over our shoulders like a damp purple blanket. The river- the churn and clank of boat traffic, the shush of water, and the tangy smell of catfish and mud- was slowly beaten back by honeysuckle and cicadas and some bird that cooed the same three syllables in a lilting circle. It was all so familiar and so foreign. I pictured a young girl in a blue cotton dress running down this same road on cinnamon-stick legs. Then I pictured another girl, white and square-jawed, running before her. Adelaide. Mother. I would've missed it if I hadn't been looking: a narrow dirt drive crowded on either side by briars and untrimmed boughs. Even once I'd followed the track to its end I was uncertain- who would live in such a huddled, bent-back cabin, half-eaten by ivy and some sort of feral climbing rose? The wooden-shake shingles were green with moss; the barn had collapsed entirely.

By his account, Faquarl’s first summoning was in Jericho, 3015 BC, approximately five years before my initial appearance in Ur. This “made him, allegedly, the ‘senior’ djinni in our partnership. However, since Faquarl also swore blind he’d invented hieroglyphs by ‘doodling with a stick in the Nile river-mud’ and claimed to have devised the abacus by impaling two dozen imps along the branches of an Asiatic cedar, I regarded all his stories with a certain scepticism.

..and you will have many opportunities to take in human civilization at its highest levels of achievement. ..approach this experience as a small child might approach a mud puddle. You can lean over and look at yourself in the reflection, maybe stick a finger in it, an cause a little ripple. Or you can dive in, thrash around, and find out what it feels like, what it tastes like... I urge you to jump in. And I look forward to seeing you, back here, at the end of this experience, covered in mud.

You believe in a person’s permanence because humans have a tendency to stick to you when life is good. I call them honey summers. I’ve had enough honey summers in life to know that people leave you when winter comes. When life frosts you over and you’re shivering and layering on as much protection as you can just to survive. You don’t even notice it at first. The cold makes you too numb to see clearly. Then all of a sudden you look up and the snow is starting to melt, and you realize you spent the winter alone.

It starts with a craving to fill the long evening downslant. There will be whole wide days of watching winter drag her skirts cross the mud-yard from east to west, going nowhere. You will want to nail down all these wadded handfuls of time, to stick-pin them to the blocking board, frame them on a 24-stitch gauge. Ten to the inch, ten rows to the hour, straggling trellises of days held fast in the acreage of a shawl. Time by this means will be domesticated and cannot run away. (In Knitting Yarns: Writers on Knitting)

It was a subject of regret and absurd as well on the face of it and no small blame to our vaunted society that the man in the street, when the system really needed toning up, for the matter of a couple of paltry pounds was debarred from seeing more of the world they lived in instead of being always and ever cooped up since my old stick-in-the-mud took me for a wife. After all, hang it, they had their eleven and more humdrum months of it and merited a radical change of venue after the grind of city life in the summertime for choice when dame Nature is at her spectacular best constituting nothing short of a new lease of life.

We come to the page with too many expectations. Each poor little story is like a trembling donkey upon which we heap tons of weight. We don't just want a good book, we want a bestseller. If it isn't perfect, we hate it. If it isn't 100% right, it's 1000% wrong. Problem: we care too damn much. It's all or nothing with us and that's the kind of dichotomy that shanks our happiness right in the kidneys. So: care less. Ease off the stress stick. Have more fun with what you're doing. When your kids and dogs play in the mud, you can either freak out that they're too dirty, or you can laugh and jump in the mud, too. So, fuck it: jump in the damn mud already.

On this bald hill the new year hones its edge. Faceless and pale as china The round sky goes on minding its business. Your absence is inconspicuous; Nobody can tell what I lack. Gulls have threaded the river’s mud bed back To this crest of grass. Inland, they argue, Settling and stirring like blown paper Or the hands of an invalid. The wan Sun manages to strike such tin glints From the linked ponds that my eyes wince And brim; the city melts like sugar. A crocodile of small girls Knotting and stopping, ill-assorted, in blue uniforms, Opens to swallow me. I’m a stone, a stick, One child drops a carrette of pink plastic; None of them seem to notice. Their shrill, gravelly gossip’s funneled off. Now silence after silence offers itself. The wind stops my breath like a bandage. Southward, over Kentish Town, an ashen smudge Swaddles roof and tree. It could be a snowfield or a cloudbank. I suppose it’s pointless to think of you at all. Already your doll grip lets go. The tumulus, even at noon, guargs its black shadow: You know me less constant, Ghost of a leaf, ghost of a bird. I circle the writhen trees. I am too happy. These faithful dark-boughed cypresses Brood, rooted in their heaped losses. Your cry fades like the cry of a gnat. I lose sight of you on your blind journey, While the heath grass glitters and the spindling rivulets Unpool and spend themselves. My mind runs with them, Pooling in heel-prints, fumbling pebble and stem. The day empties its images Like a cup of a room. The moon’s crook whitens, Thin as the skin seaming a scar. Now, on the nursery wall, The blue night plants, the little pale blue hill In your sister’s birthday picture start to glow. The orange pompons, the Egyptian papyrus Light up. Each rabbit-eared Blue shrub behind the glass Exhales an indigo nimbus, A sort of cellophane balloon. The old dregs, the old difficulties take me to wife. Gulls stiffen to their chill vigil in the drafty half-light; I enter the lit house.

He wondered why on earth he had asked these people, and what one really expected to get from bunching human beings up together. "Cows," he reflected, "draw together in a field; ships in a calm; and we're just the same when we've nothing else to do. But why do we do it?—is it to prevent ourselves from seeing to the bottom of things" (he stopped by a stream and began stirring it with his walking-stick and clouding the water with mud), "making cities and mountains and whole universes out of nothing, or do we really love each other, or do we, on the other hand, live in a state of perpetual uncertainty, knowing nothing, leaping from moment to moment as from world to world?—which is, on the whole, the view I incline to.

Woburn … same old coat … he goes on … stops … not a soul … not yet … night too bright … say what you like … he goes on … hugging the bank … same old stick … he goes down … falls … on purpose or not … can’t see … he’s down … that’s what counts … face in the mud … arms spread … that’s the idea … already … there already … no not yet … he gets up … knees first … hands flat … in the mud … head sunk … then up … on his feet … huge bulk … come on … he goes on … he goes down … come on … in his head … what’s in his head … a hole … a shelter … a hollow … in the dunes … a cave … vague memory … in his head … of a cave … he goes down … no more trees … no more bank … he’s changed … not enough … night too bright … soon the dunes … no more cover … not a soul … not–

had taught him to sharpen his senses—to trust the instincts that had been guiding him south. His homing radar was tingling like crazy now. The end of his journey was close—almost right under his feet. But how could that be? There was nothing on the hilltop. The wind changed. Percy caught the sour scent of reptile. A hundred yards down the slope, something rustled through the woods—snapping branches, crunching leaves, hissing. Gorgons. For the millionth time, Percy wished their noses weren’t so good. They had always said they could smell him because he was a demigod—the half-blood son of some old Roman god. Percy had tried rolling in mud, splashing through creeks, even keeping air-freshener sticks in his pockets so he’d have that new car smell; but apparently demigod stink was hard to mask. He scrambled to the west

Mr. Sturgess ran the classes with iron, ex-military discipline. We each had spots on the floor, denoting where we should stand rigidly to attention, awaiting our next task. And he pushed us hard. It felt like Mr. Sturgess had forgotten that we were only age six--but as kids, we loved it. It made us feel special. We would line up in rows beneath a metal bar, some seven feet off the ground, then one by one we would say: “Up, please, Mr. Sturgess,” and he would lift us up and leave us hanging, as he continued down the line. The rules were simple: you were not allowed to ask permission to drop off until the whole row was up and hanging, like dead pheasants in a game larder. And even then you had to request: “Down, please, Mr. Sturgess.” If you buckled and dropped off prematurely, you were sent back in shame to your spot. I found I loved these sessions and took great pride in determining to be the last man hanging. Mum would say that she couldn’t bear to watch as my little skinny body hung there, my face purple and contorted in blind determination to stick it out until the bitter end. One by one the other boys would drop off the bar, and I would be left hanging there, battling to endure until the point where even Mr. Sturgess would decide it was time to call it. I would then scuttle back to my mark, grinning from ear to ear. “Down, please, Mr. Sturgess,” became a family phrase for us, as an example of hard physical exercise, strict discipline, and foolhardy determination. All of which would serve me well in later military days. So my training was pretty well rounded. Climbing. Hanging. Escaping. I loved them all. Mum, still to this day, says that growing up I seemed destined to be a mix of Robin Hood, Harry Houdini, John the Baptist, and an assassin. I took it as a great compliment.

Parishioners will welcome the assurance, if news of changes and experiments has come their way, that no such changes are contemplated in this parish church; they will not be used as guinea pigs for liturgical experiments. The form used at weddings and at the baptism of their children will be exactly the same as it has been for centuries. There have been changes in the world around – especially perhaps in the Victorian era, which we are pleased to think of as solid – but human needs are very constant and those who study it will find that the Book of Common Prayer, compiled from ancient sources in the sixteenth and seventeenth centuries meets those needs in a manner more realistic than more contemporary efforts in this direction. It is difficult for instance to discover any need in 1966 which is not fittingly brought to God in the 400 year old words of the Litany. So the motto for our public transactions with Almighty God in the churches of our parish will be ‘Business as usual’. If any declare that we stick in the mud, we retort that by loyalty to the Prayer Book we stand on a rock.

Once when I was a tree, African sun woke me up green at dawn. African wind combed the branches of my hair. African rain washed my limbs. Once when I was a tree, flesh came and worshipped my roots. Flesh came to preserve my voice. Flesh came honoring my limbs. Now flesh comes with metal teeth, with chomping sticks and fire launchers. And flesh cuts me down and enslaves my limbs to make forts, ships, pews for other gods. Now flesh laughs at my charred and beaten frame, discarding me in the mud, burning me up in the flames. Flesh has grown pale and lazy. Flesh has sinned against the fathers. Now flesh listens no more to the voice of spirits talking through my limbs. If flesh would listen, I would warn him that the spirits are displeased and are planning what to do with him. But flesh thinks I am dead, charred and gone. Flesh thinks that by fire he can kill, thinks that with metal teeth, I will die. Thinks that all the voices linked from root to limb are silenced. Flesh does not know that he does not give me life, nor can he take it away. That Is What the spirits are singing now. It is time that flesh bow down on his knee again.

What a shocking bad hat!' was the phrase that was next in vogue. No sooner had it become universal, than thousands of idle but sharp eyes were on the watch for the passenger whose hat shewed any signs, however slight, of ancient service. Immediately the cry arose, and, like the war-whoop of the Indians, was repeated by a hundred discordant throats. He was a wise man who, finding himself under these circumstances 'the observed of all observers,' bore his honours meekly. He who shewed symptoms of ill-feeling at the imputations cast upon his hat, only brought upon himself redoubled notice. The mob soon perceive whether a man is irritable, and, if of their own class, they love to make sport of him. When such a man, and with such a hat, passed in those days through a crowded neighbourhood, he might think himself fortunate if his annoyances were confined to the shouts and cries of the populace. The obnoxious hat was often snatched from his head and thrown into the gutter by some practical joker, and then raised, covered with mud, upon the end of a stick, for the admiration of the spectators, who held their sides with laughter, and exclaimed, in the pauses of their mirth, 'Oh, what a shocking bad hat!' 'What a shocking bad hat!' Many a nervous poor man, whose purse could but ill spare the outlay, doubtless purchased a new hat before the time, in order to avoid exposure in this manner.

Lara Jean, just remember, the girl must always be the one to control how far things go. Boys think with their you-know-whats. It’s up to you to keep your head and protect what’s yours.” “I don’t know, Stormy. Isn’t that kind of sexist?” “Life is sexist. If you were to get pregnant, you’re the one whose life changes. Nothing of significance changes for the boy. You’re the one people whisper about. I’ve seen that show, Teen Moms. All those boys are worthless. Garbage!” “Are you saying I shouldn’t have sex?” This whole time, Stormy has been telling me to stop being such a stick-in-the-mud, to live life, to love boys. And now this? “I’m saying you should be careful. As careful as life and death, because that’s what it is.” She gives me a meaningful look. “And never trust the boy to bring the condom. A lady always brings her own.” I cough. “Your body is yours to protect and to enjoy.” She raises both eyebrows at me meaningfully. “Whoever you should choose to partake in that enjoyment, that is your choice, and choose wisely. Every man that ever got to touch me was afforded an honor. A privilege.” Stormy waves her hand over me. “All this? It’s a privilege to worship at this temple, do you understand my meaning? Not just any young fool can approach the throne. Remember my words, Lara Jean. You decide who, how far, and how often, if ever.” “I had no idea you were such a feminist,” I say. “Feminist?” Stormy makes a disgusted sound in her throat. “I’m no feminist. Really, Lara Jean!” “Stormy, don’t get worked up about it. All it means is that you believe men and women are equal, and should have equal rights.” “I don’t think any man is my equal. Women are far superior, and don’t you forget it. Don’t forget any of the things I just told you. In fact you should probably be writing it down for my memoirs.” She starts to hum “Stormy Weather.

Far, far better to die. One by one the rest of the Zavaedis came to cast their stones for either exoneration, exile, or death. Some spoke to the assembly of their reasons why, others simply placed the stone according to their choice. Unfortunately, his mother’s plea moved many people to pity him. When all the rocks had piled up, the orange mat held the most stones. Exile. Kavio swallowed hard to conceal his reaction. You have murdered me all the same. Father pounded the rain stick. “Kavio, you have been found guilty of the most heinous of crimes—hexcraft. Though you remain a member of the secret societies that initiated you and are therefore spared death, nonetheless you are forbidden to enter the Labyrinth, to take with you anything from the Labyrinth, or to study with any dancing society of the Labyrinth. Do you understand and acknowledge your punishment?” “I understand it all too well,” Kavio said through gritted teeth. “But I will never acknowledge it as just.” “So be it,” Father said tonelessly. “Bring the pot of ashes.” Two warriors hefted a ceramic pot from where it had rested in the shadow of the tall platform. They forced Kavio to lean back while still on his knees. They smeared him with a paste and rubbed in the gray-black powder. His bare chest and clean shaven face disappeared under a scum of grey crud. Humiliation itched, but like poison ivy, he knew it would be worse if he scratched it. He forced himself still as stone while the warriors slapped on more mud. “You must wear mud and ash for the rest of your days,” the Maze Zavaedi concluded. His voice broke. “I am ashamed to call you my son.” Kavio struggled to his feet. The warriors escorting him surrounded him with a hedge of spears. Did they fear him, even now? “You never could just trust me, could you, Father?” Kavio asked. Father’s jaw jutted forward. A muscle moved in his neck. Otherwise, he might have been rock. “Escort my son out of the Labyrinth.

You're a taffy-puller." "I'm a what?" "A taffy-puller. They hypnotize me. Didn't you ever see one? " I don't think so," she breathed. " But - " " You see them on the boardwalk. Beautifully machined little rigs, all chrome-plated eccentrics and cams. There are two cranks set near each other so that the 'handle' of each passes the axle of the other. They stick a big mass of taffy on one `handle' and start the machine. Before that sticky, homogeneous mass has a chance to droop and drip off, the other crank has swung up and taken most of it. As the crank handles move away from each other the taffy is pulled out, and then as they move together again it loops and sags; and at the last possible moment the loop is shoved together. The taffy welds itself and is pulled apart again." Robin's eyes were shining and his voice was rapt. "Underneath the taffy is a stainless steel tray. There isn't a speck of taffy on it, not a drop, not a smidgen. You stand there, and you look at it, and you wait for that lump of guff to slap itself all over those roller bearings and burnished cam rods, but it never does. You wait for it to get tired of thar fantastic juggling, and it never does. Sometimes gooey little bubbles get in the taffy and get carried around and squashed flat, and when they break they do it slowly, leaving little soft craters that take a long time to fill up; and they're being mauled around the way the bubbles were." He sighed. "There's almost too much contrast - that competent, beautiful machinist's dream handling - what? Taffy - no definition, no boundaries, no predictable tensile strength. I feel somehow as if there ought to be an intermediate stage somewhere. I'd feel better if the machine handled one of Dali's limp watches, and the watch handled the mud. But that doesn't matter. How I feel, I mean. The taffy gets pulled. You're a taffy-puller. You've never done a wasteful or incompetent thing in your life, no matter what you were working with.

Edgerton/Assassins of Dreamsongs 169 The thick, frosty rain had long since subsided. A thin, fur clad figure peered through the thick, rain soaked foliage, just outside the army's encampment. The old Wizard's raspy whisper suddenly broke the silence. He shivered against the cold and swore to himself, as no eyes peered back at him from the forest. "Damnable rabbits!" He shook both stiff, old legs from the bitter cold of the forest night and from the puddle he had been standing in. The half-asleep guard paid no attention or tribute to the thin, fur clad bearer of wood, as he trudged through the camp's outer perimeter with a load of firewood in his arms. Slumber played a barbaric tune to the rhythms of the wind through the trees, while the army slept. Arkin readjusted the stack of wood held precariously in his arms, as he walked through the center of camp. His steady, silent pace took him around large mud puddles and before a roaring fire built beneath a rocky shelf. The large bonfire spit colorful sparks into the blackness and the cold of the night. His thin arms let fall the wood he had gathered, while he surveyed the camp. A long, walking stick suddenly appeared in his hand, as if by magic, while his senses took in all around him. The small, white haired Wizard leaned lazily on his heavy staff for a thoughtful moment, while his calculating eye took in the figures huddled on the ground around the small campfires. Edgerton/Assassins of Dreamsongs 170 In the forest, two sets of eyes suddenly blinked their timidity at Arkin and then disappeared. "Dull witted rabbits to save a future King," he grumbled. "Will wonders never cease." From an ancient leather pouch, old weathered hands drew a sparkling dust that seemed to be alive in its’ every glimmer. The old man watched its’ mesmerizing glow for a moment. Then, as if youth possessed his body once again, Arkin began dancing like a misguided wood nymph through the camp, sprinkling the powder on the slumbering figures. The old Wizard's ritualistic dance took him the complete circumference of the camp. An old Wizard smiled broadly, as he danced by the giant, blond Nobleman chained helplessly to a tree. Their eyes met in an exchanged mischievous greeting. Garish beamed his roguish smile at him, hope renewed once more. The blond, captive Nobleman had to fight back the mounting laughter in his throat, from the comforting sight of his mentor and the queer fairy dance he was performing. His gaze followed the little man's every step with pure delight. The little Grand Master Wizard slowed his mischievous fairy dance only long enough to retrieve the glimmering Sword of Damen from the pile of weapons in the center of the camp. Edgerton/Assassins of Dreamsongs 171 The Old Man carefully concealed the sword under his cloak and continued his fairy dance, while sprinkling the sparkling powder over the sleeping figures. Stooping low, he picked up a shield and flung it over his shoulder. Once again the old, fur clad Wizard’s movements brought him to where he had first entered the camp, through the forest. The half-asleep guard awakened faintly, to watch the little man in his queer dance, as he moved towards him. He made no effort to detain the Old One but merely stared in disbelief, as Arkin vanished into the forest once again. The guard stood dazed in disbelief at the sight and then rubbed away the sleep from his eyes, uncertain if he had been daydreaming.

Jesus did not call them—or you and me—to ditch their smiles and to wear sackcloth. His mission was not to turn people into “stick-in-the-muds.” Jesus Himself was not very conventional! The disciples caught His infectious spirit, one that would challenge the stuffy establishment. He showed them new things, especially faith and love, by which, they would conquer the world.

You are such a stick-in-the-mud sometimes, you know that?" My annoyance faded. Elliott, poor man, truly believe what he was saying. He thought life was better when it was organized and structured until all the fun had been squeezed out of it. "Look, one of the things I've learned from life is that you have to grab what you can take, because you never know if it'll be there later. I'm here right now. So are you. And I just bet you if I stick my hands down your pants, you'll be ready for a little fun in no time." His nostrils flared, and his voice took on that haughty lord-of-the-manor tone that made me want to giggle. "I assure you, madam, that I am in full control of my libido. If I did not wish to become aroused by you, I wouldn't." I put my hand on his fly. Just that, no caressing, no stroking, just my palm on his zipper. I could feel him getting hard within seconds. I cocked an eyebrow at him. "As it happens, I want to be aroused," he said with an attempt at dignity. "I have decided that I will, just this once, bend my inviolable rule about not stopping until I am done with my daily quota of writing.

Even at a distance, he recognized Emma sprawled headlong in the street, and he broke into a run. The road was empty, so was the boardwalk. He knelt beside her and helped her sit up. “Emma . . . honey, are you okay?” Tears streaked her dusty cheeks. “I-I lost my Aunt Kenny, and”—she hiccupped a sob—“m-my mommy’s gone.” Her face crumpled. “Oh, little one . . . come here.” He gathered her to him, and she came without hesitation. He stood and wiped her tears, and checked for injuries. No broken bones. Nothing but a skinned knee that a little soapy water—and maybe a sugar stick—would fix right up. “Shh . . . it’s okay.” He smoothed the hair on the back of her head, and her little arms came around his neck. A lump rose in his throat. “I won’t let anything happen to you.” Her sobs came harder. “Clara fell down too, Mr. Wyatt.” She drew back and held up the doll. “She’s all dirty. And she stinks.” Wyatt tried his best not to smile. Clara was indeed filthy. And wet. Apparently she’d gone for a swim in the same mud puddle Emma had fallen in. Only it wasn’t just mud, judging from the smell. “Here . . .” He gently chucked her beneath the chin. “Let’s see if we can find your Aunt Kenny. You want to?” The little girl nodded with a hint of uncertainty. “But I got my dress all dirty. She’s gonna be mad.” Knowing there might be some truth to that, he also knew Miss Ashford would be worried sick. “Do you remember where you were with Aunt Kenny before you got lost?” Emma shook her head. “I was talkin’ to my friend, and I looked up . . .” She sniffed and wiped her nose with the back of her hand. “And Aunt Kenny was gone.” Wyatt knew better than to think it was McKenna Ashford who had wandered away. “We’ll find her, don’t you worry.” “Clara’s dress is dirty like mine, huh?” She held the doll right in front of his face. Wyatt paused, unable to see it clearly. Easily supporting Emma’s weight, he took Clara and did his best to wipe the dirt and mud from the doll’s dress and its once-yellow strands of hair. His efforts only made a bigger mess, but Emma’s smile said she was grateful. “She likes you.” Emma put a hand to his cheek, then frowned. “Your face is itchy.” Knowing what she meant, he laughed and rubbed his stubbled jaw. He’d bathed and shaved last night in preparation for church this morning, half hoping he might see McKenna and Emma there. But they hadn’t attended. “My face is itchy, huh?” She squeezed his cheek in response, and he made a chomping noise, pretending he was trying to bite her. She pulled her hand back, giggling. Instinctively, he hugged her close and she laid her head on his shoulder. Something deep inside gave way. This is what it would have been like if his precious little Bethany had lived. He rubbed Emma’s back, taking on fresh pain as he glimpsed a fragment of what he’d been denied by the deaths of his wife and infant daughter so many years ago. “Here, you can carry her.” Emma tried to stuff Clara into his outer vest pocket, but the doll wouldn’t fit. Wyatt tucked her inside his vest instead and positioned its scraggly yarn head to poke out over the edge, hoping it would draw a smile. Which it did.

We don’t have no say, ‘cause we was an afterthought. He yanked us up out o’ man’s ribs, but He made man out the Earth. He made him out the dirt and the mud and made him out the world, so man is the world. Women…women just a part o’ men.” Elaine snubbed the cigarette out, tapped the dark leather case on the edge of the table and I watched as another slim, white stick slid free.

When the auto arrives it’s hard to believe there’s a functional vehicle underneath all the mud and moss and sprays of gravel, which stick to the sides like barnacles on a ship.

Lying there Ma said, "You all listen now, this is a real lesson in life. Yes, we got stuck, but what'd we girls do? We made it fun, we laughed. That's what sisters and girlfriends are all about. Sticking together even in the mud, 'specially in the mud.

Shift said, ‘And what if the hillsides your houses are on slip into the valleys, and everything is buried in mud? What if the wind flattens your houses, or floods wash them off their foundations? What if you’re all like too many mound-building birds in the same forest—you get so tired of stealing each other’s twigs and sticks that no nests are finished, and no chicks hatch? You can’t keep doing everything over, so you sit down in the ruins and starve. What if that? What if the floods sweep the soil into the sea, and the sea seeps up through the land and turns it sour? What if the conditions for civilisation are gone?’ Taryn

Learning still, Old Wife, learning still.” “But ain’t learned to quit casting a voluptuous eye on the young mens, I notice,” chirping her teeth. “When you gonna learn, you ole stick in the mud, that ‘good’ ain’t got nothing to do with it? They packed me off to seminary thinking helping and healing and nosing around was about being good. It was only that I was … available.

Near You" Man I miss the way you laugh Setting my head straight again Our walks haven't changed, the barn's still there The gate still sticks Guess I just didn't know what to expect I'm glad you finally got your car out of the mud Now we can make plans for the bar Man I missed getting you to dance Getting you drunk enough to dance I'm not asking for the moon, or even the whole truth I don't need to know everything about you I don't need the purest spring, You can have eyes for anyone in the room I just want, just want to be near you Your cigarette was lit inside You were ready to go, ready for anything Ready for all those lonely nights I was ready to rip the ticket up Throw it in the street, so I didn't have to leave Drive your damn car back in the mud I'm not asking for the moon, or even the whole truth I don't need to know everything about you I don't need the purest spring, You can have eyes for anyone in the room I just want, just want to be near you Courtney Marie Andrews, Leuven Letters (2014)

I will always remember the eyes. When one of the gator hunters flashed his light around the canal, there they were, hundreds and hundreds of glowing orange reptilian eyes. The boat suddenly seemed very small. Then, for the next several hours, we proceeded to piss them off. We took two boats, gliding slowly down the canal as one man stood on the bow of the lead boat, hefting a harpoon. Time after time after time, he gouged, pierced, perforated and otherwise wounded gator after gator, but never got the “barbed harpoon in deep enough to stick. The light was the problem, he said. They needed an extra hand in their boat to help, and I volunteered. They pulled the two boats together so that I could easily jump from one to another, but either I pushed them farther apart when I made my leap or a ripple in the water did it for me, because I dropped like a sack of mud straight down into the black water of the eighteen-foot canal.

And you wouldn't believe what he said then, Tom Berry whispered to his enraptured audience. He said, he and his family saw no value whatsoever in all that gold. He said real treasure was a fresh water spring. He said that the real jewels of the earth were gooseberries that grow on trees. He said a good dig in his world is when you stick a fist down a bubble in the mud and find a long-necked turtle to grab hold of. He said true wealth isn't having your pockets filled with coin but your belly filled with white turtle flesh cooked in its juices, shelled down on a bed of coals. He said that the only use for gold was to glitter, and he said glitter of gold was like the glittering smiles of us white men he'd seen in town, dressed in expensive clothes. He said that gold can't be trusted. He said we've all got the gold disease and it rots our hearts. It poisons us. He said it changes who we are, how we behave. [...] He said the long-neck turtle didn't do that, Tom Berry said. He said that the turtle was a gift from the earth that kept on giving. He said he'd rubbed turtle fat on the chests of sick infants to make them strong again. He said the oil and meat from a single turtle can keep a dying elder alive to see an extra month of sunrises. And then he asked me if I thought a month of sunrises was worth more or less than the box of gold that rested in the hole below us. I said, "It depended on how you spent the gold and how you spent the month of sunrises." And Longcoat Bob smiled at that. And he pointed again at Tom Berry's chest and said, "Good heart, Tom Berry. You speak of good things that can come from gold.

Avoiding bother was Taro's governing principle. It wasn't that he was a stick-in-the-mud. It was just that, rather than putting himself out in order to get the more pleasing or interesting things he stood to gain, he always opted for the least bothersome option. Bother still seemed to find its way into his life, however.

Lying there Ma said, 'You all listen now, this is a real lesson in life. Yes, we got stuck, but what'd we girls do? We made it fun, we laughed. That's what sisters and girlfriends are all about. Sticking together even in the mud, 'specially in the mud.

The tall man drew a curved blade from beneath his leather coat. A sword, like from a storybook. Dad was trying to pull the axe free from the doorframe when the man plunged the sword into Dad’s stomach, pushing it upward. There was a sound, like sticks snapping, and an animal cry. Dad fell to the vestibule carpet, the one Mom always yelled about when they tracked mud on it. The rug that was turning red. Mom screamed. Jude screamed. Taryn and Vivi screamed. Everyone seemed to be screaming, except the tall man. “Come here,” he said, looking directly at Vivi. “Y-you monster,” their mother shouted, moving toward the kitchen. “He’s dead!

We lived hand in hand with the sand, the wind and the sun. When the wind blew strong, the sand from the sea whirled up and violently battered the Mud Whale. The grains would get inside the keep and stick to people's skin. When the sun shone, the mud walls, the drifts of sand, and the grains on people's skin all sparkled.

Ya need some girlfriends, 'cause they're furever. Without a vow. That's what sisters and girlfriends are all about. Sticking together even in the mud. 'Specially in the mud.

but what’d we girls do? We made it fun, we laughed. That’s what sisters and girlfriends are all about. Sticking together even in the mud, ’specially in mud.

He continued to ponder the scientific fact that he was a sentient stick in the mud pickled by concentrated sourness

Ego is like a wall. It is impossible to keep it shining with colours of positivity. The mud and mess of negativity will also stick and spread on it.

Orthodoxy is the departure lounge for irrelevance.

On July 29, 1828, the nineteen-year-old Charles Darwin wrote a letter to his close friend and second cousin, William Darwin Fox. He started with a complaint and then rued his lack of mathematical prowess: “What excuse have you to offer for not having answered my letter long before this? I hope it is nothing worse than idleness; or what would be still better, I hope it arises from your being ten fathoms deep in the Mathematics, and if you are God help you, for so am I, only with this difference I stick fast in the mud at the bottom and there I shall remain in status quo.

The men practiced harder than ever —mostly the low, short torpedo runs that had to be mastered. The torpedoes themselves continued to misbehave in shallow water, diving to the bottom and sticking in the mud. Commander Fuchida wondered whether they would ever work. But Genda only grew more excited — once perfected, they would be the supreme weapon. And by early November he had succeeded. Simple wooden stabilizers were fitted on the fins, which would keep the torpedoes from hitting even the shallow 45-foot bottom of Pearl Harbor.

the spire, then stopped. Up close, there was nothing interesting about it—it was just a tall rock formation sticking up out of the mud. “Look!” Skeleton Steve said, pointing to the north with a bony finger. I glanced toward the mountain

You can say whatever you want about me, but none of it's true. You just can't stand the fact that your career is stagnant and you don't have enough talent to climb your way up on your own. If calling me names and threatening me makes you feel like more of a man, fine. Knock yourself out." Eden yanks her hand away and jabs her forefinger against his chest hard enough that it makes him wince. "You have a problem with me? You tell me. I'll cook circles around you, you snake. You think you can get away with it because I look like an easy target? I've got news for you, asshole, I've got a lot more fight in me than you think. But don't for a second think you can get away with dragging Alexander's name through the mud. He's twice the man you will ever hope to be. You're nothing but a little boy throwing a tantrum. So go ahead, do your fucking worst. Just don't be surprised when karma comes around to bite you in the ass.

Cobweb told me that Terzian and he had made me, which was an intriguing idea. Had I been formed from mud and sticks in the garden, perfected by one of Cobweb’s secret charms? I preferred to think that Terzian had climbed the highest tree and found me inside an egg in a bird’s nest.

At this point I reveal myself in my true colors, as a stick-in-the-mud. I hold a number of beliefs that have been repudiated by the liveliest intellects of our time. I believe that order is better than chaos, creation better than destruction. I prefer gentleness to violence, forgiveness to vendetta. On the whole I think that knowledge is preferable to ignorance, and I am sure that human sympathy is more valuable than ideology. I believe that in spite of the recent triumphs of science, men haven’t changed much in the last two thousand years; and in consequence we must still try to learn from history. History is ourselves. I also hold one or two beliefs that are more difficult to put shortly. For example, I believe in courtesy, the ritual by which we avoid hurting other people’s feelings by satisfying our own egos. And I think we should remember that we are part of a great whole, which for convenience we call nature. All living things are our brothers and sisters. Above all, I believe in the God-given genius of certain individuals, and I value a society that makes their existence possible.

Fantastic. My little brother's ambition is to be a stick-in-the-mud moron with no personality.

It was why Akki had never needed a warlord, why the prominent families made their names simply by sticking their nose to the dirt and plodding along. If Akki had banners, they would be decorated with plough oxen; her colours would be mud brown, and her talismans sweat and grime.

You go through a warm summer where everything is beautiful and there are no clouds—just warmth, warmth, warmth. You believe in a person’s permanence because humans have a tendency to stick to you when life is good. I call them honey summers. I’ve had enough honey summers in life to know that people leave you when winter comes.

She nodded without conviction, wishing she could be so carefree, and not the sort of person for whom an unanswered letter gnawed away at the back of her mind. Nobody liked a stick-in-the-mud...but they liked all the things sticks-in-the-mud did for them, didn't they? They liked not having to worry because someone else, someone who couldn't sleep when she had left a duty unperformed, would make sure that nothing too terrible happened.

This Girl I Knew Glasses, bad bangs, patched blue jeans, creek-stained tennis shoes caked in mud, a father who sells vacuum cleaners, a mother skinny as a nun, a little brother with straw-colored hair and a scowling, confused look in the pews at church: this girl I knew. House at the edge of town, crumbling white stucco. Dog on a chain. Weeds. Wildcat Creek trickling brown and frothy over rocks out back, past an abandoned train trestle and the wreck of an old school bus left to rot. This girl I knew, in whatever room is hers, in that house with its dust-fogged attic windows, its after-dinner hours like onions soft in a pan. Her father sometimes comes for her, runs a hand through her hair. Her mother washes every last stick of silverware, every dish. The night sky presses down on their roof, a long black yawn spiked with stars, bleating crickets. The dog barks once, twice. Outside town, a motorcycle revs its engine: someone bearing down. Then nothing. Sleep. This girl I knew dreams whatever this girl I knew dreams. In the morning it’s back to school, desks, workbooks, an awkwardly held pencil in the cramped claw of a hand. The cigarette and rosewater scent of Ms. Thompson at the blackboard. The flat of Ms. Thompson’s chest, sunburned and freckled, where her sweater makes a V. You should be nice to her, my mother says about this girl I knew. I don’t want to be nice to her, I say to my mother. At recess this girl I knew walks around the playground, alone, talking to herself: elaborate conversations, hand gestures, hysterical laughing. On a dare from the other girls this girl I knew picks a dandelion, pops its head with her thumbnail, sucks the milky stem. I don’t want to be nice to her. Scabbed where she’s scratched them, mosquito bites on her ankles break and bleed. Fuzzy as a peach, the brown splotch of a birthmark on her arm. The way her glasses keep slipping down her nose. The way she pushes them up.