Mr Sinister Quotes

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Are you really left-handed?” Mr. Marshall asked. “No. I’ve just been pretending to use my left hand my entire life because I enjoy never being able to work scissors properly.
Courtney Milan (The Suffragette Scandal (Brothers Sinister, #4))
What makes you think I'm coping?" "Well, for one thing, you're not lying on the floor in the fetal position. That's a good start.
Jeff Strand (The Sinister Mr. Corpse)
Now, tell me, Mr. Clark. Did you come here to allow me the chance to once again demonstrate my intellectual superiority, or did you have some actual business?” “You don’t need to demonstrate your superiority to me. I take it as a given on all fronts.
Courtney Milan (The Suffragette Scandal (Brothers Sinister #4))
Mr. Guppy suspects everybody....of entertaining... Sinister designs upon him....he in the most ingenious manner takes infinite pains to counterplot, where there is no plot; and plays the deepest games of chess without any adversary
Charles Dickens (Bleak House)
Mr. Clark,” she repeated, looking up at him. “You are very tall.” “And you,” he said in a low voice, “you, my most maddeningly beautiful, brilliant, Free. You are perfectly sized. If you Mr. Clark me once more, I shall be forced to do something dreadful, something like kiss you in public.” Even her wildest fantasies had not had him saying something like that on arrival. She squeezed his hands and then looked up into his dark eyes. “I’m sorry, Mr. Clark,” she said. “What did you say, Mr. Clark? Mr. Clark, I fear that I have become rather hard of hearing. The noise of the press is terribly distracting. What was that you said you’d do if I called you Mr. Clark?
Courtney Milan (The Suffragette Scandal (Brothers Sinister, #4))
Swelter's eyes meet those of his enemy, and never has there held between four globes of gristle so sinister a hell of hatred. Had the flesh, the fibres, and the bones of the chef and those of Mr Flay been conjured away and away down that dark corridor leaving only their four eyes suspended in mid-air outside the Earl's door, then, surely, they must have reddened to the hue of Mars, reddened and smouldered, and at last broken into flame, so intense was their hatred - broken into flame and circled about one another in ever-narrowing gyres and in swifter and yet swifter flight until, merged into one sizzling globe of ire they must surely have fled, the four in one, leaving a trail of blood behind them in the cold grey air of the corridor, until, screaming as they fly beneath innumerable arches and down the endless passageways of Gormenghast, they found their eyeless bodies once again, and reentrenched themselves in startled sockets.
Mervyn Peake (Titus Groan (Gormenghast, #1))
Sanity: You can go through your whole life telling yourself that life is logical, life is prosaic, life is sane. Above all, sane. And I think it is. I've had a lot of time to think about that... I think; therefore I am. There are hairs on my face; therefore I shave. My wife and child have been critically injured in a car crash; therefore I pray. It's all logical, it's all sane. ...there's a Mr. Hyde for every happy Jekyll face, a dark face on the other side of the mirror... You turn the mirror sideways and see your face reflected with a sinister left-hand twist, half mad and half sane. ...No one looks at that side unless they have to, and I can understand that. ...I'm the sane one.
Richard Bachman (Rage)
Mr. Clark.” Free almost wanted to laugh. “Do you suppose I had myself committed to a hospital for prostitutes afflicted with venereal disease by telling everyone the truth all the time? Sometimes, the truth needs a little assistance.
Courtney Milan (The Suffragette Scandal (Brothers Sinister #4))
Guy stared at the words. “Broken leg,” he repeated. His voice sounded odd. “I fear so, sir,” the servant said. “Sir Philip and Mr. Raven found Miss Frisby in a field, I understand.” “But—is she all right?” “No, sir. Her leg is broken.
K.J. Charles (Band Sinister)
Are you… uh… Mr… uh…” “Yes,” he replied, because he answered to Mr. Uh almost as often as he did to his own name.
Courtney Milan (The Heiress Effect (Brothers Sinister, #2))
No, Mr. Marshall. I will not be browbeaten, however nicely you do it. I am done with things happening to me. From here on out, I am going to happen to things.
Courtney Milan (The Governess Affair (Brothers Sinister, #0.5))
Nothing could quiet a happy crowd of kids like Mr. Holgren's unannounced appearance -- he loved superintending; he was made for it. So when he marched in that morning with a determined look on his face, we froze. Boys and girls recognize sinister as handily as dogs do. Here it was. My best guess now is he'd got it in his head to try "relating" to us -- but when he produced a paper pilgrim's hat from behind his back and put it on his own head, I think we all nearly bolted.
Leif Enger (Peace Like a River)
Let’s go back to Mr. Hernandez’s film literature class, back to Jaws. Mr. Hernandez pointed out that we never actually saw the shark until about eighty minutes into the film. Instead we heard horror stories, glimpsed its sinister fin; primed to be scared, so that when the shark made its grand debut, we saw everything we’d been taught to see, the merciless, blood-seeking Jaws. Before the cop pulled Philando over, he’d reported the man resembled a robbery suspect, commenting on his wide-set nose. By the time the cop stepped up to the window, he didn’t see Philando, he saw everything he thought he knew about wide noses, blackness, guns, added it all up to threat in his head. The problem is not who we are, the problem is what you think we are. The realities you cast on us; that Philando would be violent, that I’d ask for sex behind a dumpster.
Chanel Miller (Know My Name: A Memoir)
Odd, what a strange thing trust was. A week or so ago, she’d never have trusted Mr. Clark, not for the slightest instant. In that time, little had changed. He was still a blackmailer, still a forger. He was likely even still a liar. But he’d saved her last night, and now they knew things of each other—things that seemed more important than such details as the name he’d been born with, or the nature of his revenge. He knew she had nightmares about the lock hospital; she knew he’d been in a fire brigade in Strasbourg.
Courtney Milan (The Suffragette Scandal (Brothers Sinister, #4))
now is rather a questionable one." And thus was solved the mystery of the sinister house with the copper beeches in front of the door. Mr. Rucastle survived,
Arthur Conan Doyle (Sherlock Holmes: The Complete Novels and Stories, [All 56 Stories & 4 Novels], (Best Seller Classics))
BEATRICE: Do you truly not know who he was? Mr. Dorian Gray, the lover of Mr. Oscar Wilde, who was sent to Reading Gaol for—well, for holding opinions that society does not approve of! For believing in beauty, and art, and love. What guilt and remorse he must feel, for causing the downfall of the greatest playwright of the age! It was Mr. Gray’s dissolute parties, the antics of his hedonistic friends, that exposed Mr. Wilde to scandal and opprobrium. No wonder he has fallen prey to the narcotic. MARY: Or he could just like opium. He didn’t seem particularly remorseful, Bea. JUSTINE: Mr. Gray is not what society deems him to be. He has been greatly misunderstood. He assures me that he had no intention of harming Mr. Wilde. MARY: He would say that. CATHERINE: Can we not discuss the Wilde scandal in the middle of my book? You’re going to get it banned in Boston, and such other puritanical places.
Theodora Goss (The Sinister Mystery of the Mesmerizing Girl (The Extraordinary Adventures of the Athena Club, #3))
On behalf of those you killed, imprisoned, tortured, you are not welcome, Erdogan! No, Erdogan, you’re not welcome in Algeria. We are a country which has already paid its price of blood and tears to those who wanted to impose their caliphate on us, those who put their ideas before our bodies, those who took our children hostage and who attempted to kill our hopes for a better future. The notorious family that claims to act in the name of the God and religion—you’re a member of it—you fund it, you support it, you desire to become its international leader. Islamism is your livelihood Islamism, which is your livelihood, is our misfortune. We will not forget about it, and you are a reminder of it today. You offer your shadow and your wings to those who work to make our country kneel down before your “Sublime Door.” You embody and represent what we loathe. You hate freedom, the free spirit. But you love parades. You use religion for business. You dream of a caliphate and hope to return to our lands. But you do it behind the closed doors, by supporting Islamist parties, by offering gifts through your companies, by infiltrating the life of the community, by controlling the mosques. These are the old methods of your “Muslim Brothers” in this country, who used to show us God’s Heaven with one hand while digging our graves with the other. No, Mr. Erdogan, you are not a man of help; you do not fight for freedom or principles; you do not defend the right of peoples to self-determination. You know only how to subject the Kurds to the fires of death; you know only how to subject your opponents to your dictatorship. You cry with the victims in the Middle East, yet sign contracts with their executioners. You do not dream of a dignified future for us, but of a caliphate for yourself. We are aware of your institutionalized persecution, your list of Turks to track down, your sinister prisons filled with the innocent, your dictatorial justice palaces, your insolence and boastful nature. You do not dream of a humanity that shares common values and principles, but are interested only in the remaking of the Ottoman Empire and its bloodthirsty warlords. Islam, for you, is a footstool; God is a business sign; modernity is an enemy; Palestine is a showcase; and local Islamists are your stunned courtesans. Humanity will not remember you with good deeds Humanity will remember you for your machinations, your secret coups d’état, and your manhunts. History will remember you for your bombings, your vengeful wars, and your inability to engage in constructive dialogue with others. The UN vote for Al-Quds is only an instrument in your service. Let us laugh at this with the Palestinians. We know that the Palestinian issue is your political capital, as it is for many others. You know well how to make a political fortune by exploiting others’ emotions. In Algeria, we suffered, and still suffer, from those who pretend to be God and act as takers and givers of life. They applaud your coming, but not us. You are the idol of Algerian Islamists and Populists, those who are unable to imagine a political structure beyond a caliphate for Muslim-majority societies. We aspire to become a country of freedom and dignity. This is not your ambition, nor your virtue. You are an illusion You have made beautiful Turkey an open prison and a bazaar for your business and loved ones. I hope that this beautiful nation rises above your ambitions. I hope that justice will be restored and flourish there once again, at least for those who have been imprisoned, tortured, bombed, and killed. You are an illusion, Erdogan—you know it and we know it. You play on the history of our humiliation, on our emotions, on our beliefs, and introduce yourself as a savior. However, you are a gravedigger, both for your own country and for your neighbors. Turkey is a political miracle, but it owes you nothing. The best thing you can do
Kamel Daoud
Whenever I saw her, she told me I was the apple of her son's eye, in those exact words. She had fastened on to this phrase, probably because it so lacked any sinister connotation. It would have been equally applicable to me if I had been Nathan's girlfriend or his daughter.
Sally Rooney (Mr Salary)
I could see their menfolk patrolling nervously up and down toting sub-machine guns and draped in cartridge belts. They were wearing their trademark sunglasses, those gold rimmed feminine accessories which should look comic on a man but instead manage to look as sinister as the wedding dresses and blonde wigs worn by Liberia's drugged fighters. They are the modern equivalent of the wooden masks donned around night fires by warriors preparing to do battle, which turn their wearers into something utterly alien -- faceless instruments of violence capable of unspeakable acts.
Michela Wrong (In the Footsteps of Mr. Kurtz: Living on the Brink of Disaster in Mobutu's Congo)
But when a man has once broken through the paper walls of everyday circumstance, those unsubstantial walls that hold so many of us securely prisoned from the cradle to the grave, he has made a discovery. If the world does not please you, you can change it. Determine to alter it at any price, and you can change it altogether. You may change it to something sinister and angry, to something appalling, but it may be you will change it to something brighter, something more agreeable, and at the worst something much more interesting. There is only one sort of man who is absolutely to blame for his own misery, and that is the man who finds life dull and dreary. There are no circumstances in the world that determined action cannot alter, unless perhaps they are the walls of a prison cell, and even those will dissolve and change, I am told, into the infirmary compartment at any rate, for the man who can fast with resolution.
H.G. Wells (The History of Mr. Polly)
Did you ever get a whistling-type pain out the left lung, Mr. Redmond? Is it one of those sinister-type pains that you’ve never had before, Mr. Hearne? ’Tis, yeah. Give it time, it’ll be like an old pal to you. Maurice leans in to his friend, and he speaks with fear and very quietly now. I’m fifty-one years to fucken Jesus, Charlie.
Kevin Barry (Night Boat to Tangier)
MARY: My wrath! When do I ever get wrathful? CATHERINE: It’s your particular kind of wrath. You don’t shout—you just get precise and icy. MARY: That’s not wrath. I don’t think that counts as wrath. DIANA: It’s Mary wrath. Your particular kind, as Cat said. Not that I’m scared of it, mind you. But it’s worse than being shouted at. MARY: I have no idea what either of you are talking about. Alice, am I ever wrathful? ALICE: Well, yes, actually. If you don’t mind my saying so, miss. When you learned what the Order of the Golden Dawn had done to me and Mr. Holmes— CATHERINE: Oh no, you don’t! We have chapters to go before you can talk about that. Really, not one of you has any idea of narrative timing.
Theodora Goss (The Sinister Mystery of the Mesmerizing Girl (The Extraordinary Adventures of the Athena Club, #3))
For years, since the eighteenth century, and in each century since, we have said at home, in England, in Whitehall, that the day would come when our rule in India will end, not bloodily, but in peace, in—so we made it seem—a perfect gesture of equality and friendship and love. For years, for nearly a century, the books that Indians have read have been the books of our English radicals, our English liberals. There has been, you see, a seed. A seed planted in the Indian imagination and in the English imagination. Out of it was to come something sane and grave, full of dignity, full of thoughtfulness and kindness and peace and wisdom. For all these qualities are in us, in you, and in me, in old Joseph and Mr. Narayan and Mr. White and I suppose in Brigadier Reid. And they were there too, in Mr. Chaudhuri. For years we have been promising and for years finding means of putting the fulfilment of the promise off until the promise stopped looking like a promise and started looking only like a sinister prevarication, even to me, let alone to Indians who think and feel and know the same as me. And the tragedy is that between us there is this little matter of the colour of the skin, which gets in the way of our seeing through each other’s failings and seeing into each other’s hearts. Because if we saw through them, into them, then we should know. And what we should know is that the promise is a promise and will be fulfilled.” But
Paul Scott (The Jewel in the Crown (The Raj Quartet, #1))
It’s just that you’re trying to use my attraction to you to set me on edge.” She smiled at him. “It won’t work. I’ve been attracted to you since the moment I laid eyes on you, and it hasn’t made me stupid once.” “Did you expect me to deny it?” Free shrugged as complacently as she could. “You should read more of my newspaper. I published an excellent essay by Josephine Butler on this very subject. Men use sexuality as a tool to shut up women. We are not allowed to speak on matters that touch on sexual intercourse—even if they concern our own bodies and our own freedom—for fear of being labeled indelicate. Any time a man wishes to scare a woman into submission, he need only add the question of sexual attraction, leaving the virtuous woman with no choice but to blush and fall silent. You should know, Mr. Clark, that I don’t intend to fall silent. I have already been labeled indelicate; there is nothing you can add to that chorus.” "I've found that the best way to deal with the tactic is to speak of sexual attraction in terms of clear, unquestionable facts. The same men who try to make me feel uneasy by hinting at an attraction can never live up to their own innuendos.
Courtney Milan (The Suffragette Scandal (Brothers Sinister, #4))
Pointsman is the only one here maintaining his calm. He appears unruffled and strong. His lab coats have even begun lately to take on a Savile Row serenity, suppressed waist, flaring vents, finer material, rather rakishly notched lapels. In this parched and fallow time, he gushes affluence. After the baying has quieted down at last, he speaks, soothing: “There’s no danger.” “No danger?” screams Aaron Throwster, and the lot of them are off again muttering and growling. “Slothrop’s knocked out Dodson-Truck and the girl in one day!” “The whole thing’s falling apart, Pointsman!” “Since Sir Stephen came back, Fitzmaurice House has dropped out of our scheme, and there’ve been embarrassing inquires down from Duncan Sandys—“ “That’s the P.M.’s son-in-law, Pointsman, not good, not good!” “We’ve already begun to run into a deficit—“ “Funding,” IF you can keep your head, “is available, and will be coming in before long… certainly before we run into any serious trouble. Sir Stephen, far from being ‘knocked out,’ is quite happily at work at Fitzmaurice House, and is At Home there should any of you wish to confirm. Miss Borgesius is still active in the program, and Mr. Duncan Sandys is having all his questions answered. But best of all, we are budgeted well into fiscal ’46 before anything like a deficit begins to rear its head.” “Your Interested Parties again?” sez Rollo Groast. “Ah, I noticed Clive Mossmoon from Imperial Chemicals closeted with you day before yesterday,” Edwin Treacle mentions now. “Clive Mossmoon and I took an organic chemistry course or two together back at Manchester. Is ICI one of our, ah, sponsors, Pointsman?” “No,” smoothly, “Mossmoon, actually, is working out of Malet Street these days. I’m afraid we were up to nothing more sinister than a bit of routine coordination over the Schwarzkommando business.” “The hell you were. I happen to know Clive’s at ICI, managing some sort of polymer research.” They stare at each other. One is lying, or bluffing, or both are, or all of the above. But whatever it is Pointsman has a slight advantage. By facing squarely the extinction of his program, he has gained a great of bit of Wisdom: that if there is a life force operating in Nature, still there is nothing so analogous in a bureaucracy. Nothing so mystical. It all comes down, as it must, to the desires of men. Oh, and women too of course, bless their empty little heads. But survival depends on having strong enough desires—on knowing the System better than the other chap, and how to use it. It’s work, that’s all it is, and there’s no room for any extrahuman anxieties—they only weaken, effeminize the will: a man either indulges them, or fights to win, und so weiter. “I do wish ICI would finance part of this,” Pointsman smiles. “Lame, lame,” mutters the younger Dr. Groast. “What’s it matter?” cries Aaron Throwster. “If the old man gets moody at the wrong time this whole show can prang.” “Brigadier Pudding will not go back on any of his commitments,” Pointsman very steady, calm, “we have made arrangements with him. The details aren’t important.” They never are, in these meetings of his.
Thomas Pynchon (Gravity’s Rainbow)
She’s wearing a T-shirt that says I’m So Goth I Shit Tiny Vampires. “Hey,” Jeremy says. Talis nods. Talis isn’t so Goth, at least not as far as Jeremy or anyone else knows. Talis just has a lot of T-shirts. She’s an enigma wrapped in a mysterious T-shirt. A woman once said to Calvin Coolidge, “Mr. President, I bet my husband that I could get you to say more than two words.” Coolidge said, “You lose.” Jeremy can imagine Talis as Calvin Coolidge in a former life. Or maybe she was one of those dogs that don’t bark. A basenji. Or a rock. A dolmen. There was an episode of The Library, once, with some sinister dancing dolmens in it.
John Joseph Adams (Other Worlds Than These)
Guy stared at the words. “Broken leg,” he repeated. His voice sounded odd. “I fear so, sir,” the servant said. “Sir Philip and Mr. Raven found Miss Frisby in a field, I understand.” “But—is she all right?” “No, sir. Her leg is broken.
K.J. Charles (Band Sinister)
A new dark age as Mr. Churchill called it, made more sinister and perhaps more protracted by the likes of perverted science. But when we have admitted the bestiality of his ambition, we must admit that he set himself to realize it with political genius. He detected and exploited all the cruel impulses, the irrational beliefs, the atavistic prejudices, the memories and fears of a frustrated people. He discovered a new technique of exploitation and he used it with skill and daring in the direction of his ultimate aims.
Hugh Trevor-Roper
scholarly-looking man admitted them. “I’m Mr. Clause,” he announced. “Mr. Scath said you wanted to see me.” The boys introduced themselves, then stated their business. They handed the botanist the photograph of Topnotch. “Hm! The shrubs are a bit out of focus,” Clause muttered, “but I’ll see what I can do.” “We realize you’re very busy,” Frank said. “However, we’re racing against time. We’d
Franklin W. Dixon (The Sinister Signpost (Hardy Boys, #15))
shoulder. “If your young man is innocent he’ll be all right. British justice is deservedly respected all the world over.” “But the p’lice, they’re something chronic; they’ll worm anything out of you,” blubbered Nellie. “Don’t get any wrong ideas about our excellent police force into your head,” Mr. Slocomb admonished her. “They are the friends of the innocent. Of course this is very unfortunate for your young man, but surely——” “There ’e is, my poor Bob, in a nasty cell! Oh, sir, d’you think they’ll let me see ’im?” “Well, really——” began Mr. Slocomb; but the conversation was interrupted by a strident call. “Nellie! Nellie! What are you about? Pull yourself together, girl! We have to dine even if...” Mrs. Bliss, the proprietress of the Frampton, flowingly clothed in black satin, paused in the doorway. “Dear me, Mr. Slocomb; you must be wondering what’s come to me, shouting all over the house like this! But really, my poor nerves are so jangled I hardly know where I am! To think of dear Miss Pongleton, always so particular, poor soul, lying there on the stairs—dear, dear, dear!” Nellie had slipped past Mrs. Bliss and scuttled back to the kitchen. Mr. Slocomb noticed that Mrs. Bliss’s black satin was unrelieved by the usual loops of gold chain and pearls, and concluded that this restraint was in token of respect to the deceased. “Yes, indeed, Mrs. Bliss, you must be distraught. Indeed a terrible affair! And this poor girl is in great distress about young Bob Thurlow, but I would advise you to keep her mind on her work, Mrs. Bliss; work is a wonderful balm for harassed nerves. A dreadful business! I only know, of course, the sparse details which I have just read in the evening Press.” “You’ve heard nothing more, Mr. Slocomb? Nellie’s Bob is a good-for-nothing, we all know”—Mrs. Bliss’s tone held sinister meaning—“but I’m sure none of us thought him capable of this!” “We must not think him so now, Mrs. Bliss, until—and unless—we are reluctantly compelled to do so,” Mr. Slocomb told her in his most pompous manner. “And Bob was always so good to poor Miss Pongleton’s Tuppy. The little creature is very restless; mark my words, he’s beginning to pine! Now I wonder, Mr. Slocomb, what I ought to do with him? What would you advise? Perhaps poor Miss Pongleton’s nephew, young Mr. Basil, would take him—though in lodgings, of course, I hardly know. There’s many a landlady would think a dog nothing but a nuisance, and little return for it, but of course what I have done for the poor dear lady I did gladly——” “Indeed, Mrs. Bliss, we have always counted you as one of Tuppy’s best friends. And as you say, Bob Thurlow was good to him, too; he took him for walks, I believe?” “He always seemed so fond of the poor little fellow; who could believe ... Well! well! And they say dogs know! What was that saying Mr. Blend was so fond of at one time—before your day, I daresay it would be: True humanity shows itself first in kindness to dumb animals. Out of one of his scrap-books. Well, the truest sayings sometimes go astray! But I must see after that girl; and cook’s not much better, she’s so flustered she’s making Nellie ten times worse. She can’t keep her tongue still a moment!” Mrs. Bliss bustled away, and Mr. Slocomb, apparently rather exasperated by her chatter, made his escape as soon as she had removed herself from the doorway. As Mrs. Bliss returned to the kitchen she thought: “Well, I’m glad he’s here; that’s some comfort; always so helpful—but goodness knows what the dinner will be like!” CHAPTER TWO THE FRUMPS DINNER at the Frampton that evening was eaten to the accompaniment of livelier conversation than usual, and now and again from one of the little tables an excited voice would rise to a pitch that dominated the surrounding talk until the owner of the voice, realizing her unseemly assertiveness on this solemn evening, would fall into lowered tones or awkward silence. The boarders discussed the murder callously. One’s
Mavis Doriel Hay (Murder Underground)
Every day's a sunshiny day when you don't have maggots and spiders eating your guts.
Jeff Strand (The Sinister Mr. Corpse)
Hi. I'm here to murder you. May I come in?
Jeff Strand (The Sinister Mr. Corpse)
His mouth spewed out a gigantic waterfall of stupid comments on a regular basis, but he'd always said them on purpose. Being an accidental dullard was something new. Did sudden celebrity turn one into an idiot? It would certainly explain a lot...
Jeff Strand (The Sinister Mr. Corpse)
Mandy gave him the finger. "You can have the rest of the booze, if you want," Stanley offered. "Go to hell." "Yes, ma'am.
Jeff Strand (The Sinister Mr. Corpse)
Stanley awoke in his hotel room bed. Veronica, Martin, and Brant were there, as was Dr. Arnzin, who was currently hovering over him and prodding him with a small metal thingie. "Ow," said Stanley. "Oh, good, you're awake," said Dr. Arnzin. "How do you feel?" "Not delightful. What is that thing?" "This? I use it to prod people." Dr. Arnzin set the metal thingie aside.
Jeff Strand (The Sinister Mr. Corpse)
Do you want to embrace eternal life, or do you want to be like those whiny vampires?
Jeff Strand (The Sinister Mr. Corpse)
How are your dead bones doing today?" "They've been deader." "Good, good, good. That's good. Have a seat on that ice-cold stool and we'll look you over, okay?
Jeff Strand (The Sinister Mr. Corpse)
Let's start by checking your pulse," said Dr. Arnzin, wrapping the cuff of the blood pressure monitor around Stanley's arm and inflating it. He glanced at the readout and nodded. "No pulse. Good.
Jeff Strand (The Sinister Mr. Corpse)
I don't have any blood?" "Not a drop. It's being stored in jars in a freezer somewhere in the facility. Do you want to see it?
Jeff Strand (The Sinister Mr. Corpse)
Now, if you don't mind, we're going to get some hair samples, tissue samples, saliva samples, fingernail samples, urine samples, and stool samples." "Would you like a booger, too?" "Actually, yes, let's get a mucus sample while we're at it.
Jeff Strand (The Sinister Mr. Corpse)
Stanley and Martin sat in the interrogation room across from Veronica and a lawyer named Bloodsucking Bastard.
Jeff Strand (The Sinister Mr. Corpse)
Stanley flipped up the toilet lid and took a long piss, terrified that he might spring a leak and hit himself in the eye.
Jeff Strand (The Sinister Mr. Corpse)
Stanley felt at least thirty-five percent less sane as he walked out of his psychological examination, but he was pretty sure they'd stamp his file "Not a Whacko." 
Jeff Strand (The Sinister Mr. Corpse)
Maybe someday there will be a more gender-neutral orientation in our society, but as it stands today, almost every societal institution positively reinforces the heterosexual model while either ignoring altogether or actively condemning the homosexual one. Everyone from your mom and dad to your clergyman to your teacher to your friends work, either consciously or unconsciously, to protect and reinforce societal norms. There’s nothing sinister or overtly conspiratorial about it. It’s how societies function. Has anyone in your family married outside of his or her race or religion?” I said: “My cousin Arty wound up marrying a Puerto Rican woman from the Bronx who refused to convert.” “And what was your family’s reaction, Mr. Prager?” “My aunt and uncle sat shiva. They treated his marriage like a death in the family. He was dead to them.
Reed Farrel Coleman (Walking the Perfect Square (Moe Prager Book 1))
What could have possessed her to sleep with Matthew Swift?” “I doubt there was much sleeping involved,” Annabelle replied, her eyes twinkling. Lillian gave her a slitted glare. “If you have the bad taste to be amused by this, Annabelle—” “Daisy was never interested in Lord Llandrindon,” Evie volunteered hastily, trying to prevent a quarrel. “She was only using him to provoke Mr. Swift.” “How do you know?” the other two asked at the same time. “Well, I-I…” Evie made a helpless gesture with her hands. “Last week I m-more or less inadvertently suggested that she try to make him jealous. And it worked.” Lillian’s throat worked violently before she could manage to speak. “Of all the asinine, sheep-headed, moronic—” “Why, Evie?” Annabelle asked in a considerably kinder tone. “Daisy and I overheard Mr. Swift t-talking to Lord Llandrindon. He was trying to convince Llandrindon to court her, and it became obvious that Mr. Swift wanted her for himself.” “I’ll bet he planned it,” Lillian snapped. “He must have known somehow that you would overhear. It was a devious and sinister plot, and you fell for it!” “I don’t think so,” Evie replied. Staring at Lillian’s crimson face, she asked apprehensively, “Are you going to shout at me?” Lillian shook her head and dropped her face in her hands. “I’d shriek like a banshee,” she said through the screen of her fingers, “if I thought it would do any good. But since I’m fairly certain Daisy has been intimate with that reptile, there is probably nothing anyone can do to save her now.” “She may not want to be saved,” Evie pointed out. “That’s because she’s gone stark raving mad,” came Lillian’s muffled growl. Annabelle nodded. “Obviously. Daisy has slept with a handsome, young, wealthy, intelligent man who is apparently in love with her. What in God’s name can she be thinking?” She smiled compassionately as she heard Lillian’s profane reply, and settled a gentle hand between her friend’s shoulders. “Dearest,” she murmured, “as you know, there was a time when it didn’t matter to me whether I married a man I loved or not…it seemed enough just to get my family out of the desperate situation we were in. But when I thought about what it would be like to share a bed with my husband…to spend the rest of my life with him…I knew Simon was the only choice.” She paused, and sudden tears glittered her eyes. Beautiful, self-possessed Annabelle, who hardly ever cried. “When I’m ill,” she continued in a husky voice, “when I’m afraid, when I need something, I know he will move heaven and earth to make everything all right. I trust him with every fiber of my being. And when I see the child we created, the two of us mingled forever in her…my God, how grateful I am that I married Simon. We’ve all been able to choose our own husbands, Lillian. You have to allow Daisy the same freedom.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
Ego autem sum quasi vas inane,’ he began awkwardly, stuttering along the lines of meaningless prose like a small child. ‘Ego donavit corpus meum ad dominum meum in exercitu magno Cardinalis Balthazar De La Senza,’ he continued, quickly becoming surprisingly fluent despite his vaguely cockney tone. ‘Tempore domini Inquisitoris magni voluntatis esse, aequo animo et scissa animam meam a fundamentis et suspensi in abyssum quasi stercora, nihil prorsus in aeternum damnatus egisse,’ he went on, oblivious to something stirring in the small box behind him. Wisps of purple drifted from it like steam from a cooling kettle. ‘Ego Christophorus Baxtere accipe usitata res est, uti et magnis La Senza caput meum corium et nervorum et magnifici primum genus dentium,’ Baxter continued, strangely enjoying himself. Far away in another place, the bound and trapped Cardinal La Senza had begun to whisper the words in unison beneath the folds of his hooded cloak. Oblivious, Baxter was flying now, quite unaware of the sinister coaching he was receiving. ‘O magnum La Senza, cum venerit, et ad hoc bonum esse propter tempus, quia ego miser!’ Baxter read on. A coiling snake-like tendril of purple had fingered its way through the lock of the cabinet and was creeping menacingly towards its target. It advanced up Baxter’s legs, body and neck until finally, it crept imperceptibly into his ears. ‘Ego Christophorus Baxtere immolare volens alumnam cerebrum meum et animam, ut vos mos postulo ut enable uariat possessione tua ...’ Pleased beyond measure by what he had fondled and explored, La Senza went still. Content for now, he drew back his sensing vines and they fell away from Baxter, unnoticed. His jailors had seen nothing. La Senza now had the chance he’d been craving for centuries, so many lifetimes of plotting and scheming. He knew nothing of the young man he had inspected so intimately – frankly, he didn’t care. It was the body, oh his body, so young and fit; teeth clean like white mice, no trace of Popery, no hint of Lutheran, Baptist, Jew, Muslim or Buddhist within his empty soul, nothing to restrain or inhibit the Inquisitor’s foul purposes. La Senza knew that his escape was mere days away. Immobile, he marshalled dark reserves for the events to come. ‘Nunc me vacua est anima mea praeparata et redditur supersunt, La Senza venit, et possident me! Sincere vestrum, Christopher Baxter,’ finished Chris, with a flourish. ‘Bravo Mr Baxter,’ said Ascot McCauley, standing as he clapped enthusiastically. ‘Bravo!
T.J. Brown (The Unhappy Medium (The Unhappy Medium, #1))
What a jerk. How dare he tell Stanley that he was wasting the gift? Famous for being famous. Yeah, right. He was the first human being ever brought back to life by scientific means. Famous for being famous. Jesus Christ.
Jeff Strand (The Sinister Mr. Corpse)
Let’s go back to Mr. Hernandez’s film literature class, back to Jaws. Mr. Hernandez pointed out that we never actually saw the shark until about eighty minutes into the film. Instead we heard horror stories, glimpsed its sinister fin; primed to be scared, so that when the shark made its grand debut, we saw everything we’d been taught to see, the merciless, blood-seeking Jaws. Before the cop pulled Philando over, he’d reported the man resembled a robbery suspect, commenting on his wide-set nose. By the time the cop stepped up to the window, he didn’t see Philando, he saw everything he thought he knew about wide noses, blackness, guns, added it all up to threat in his head. The problem is not who we are, the problem is what you think we are.
Chanel Miller (Know My Name: A Memoir)
Swelter’s eyes meet those of his enemy, and never was there held between four globes of gristle so sinister a hell of hatred. Had the flesh, the fibres, and the bones of the chef and those of Mr Flay been conjured away and away down that dark corridor leaving only their four eyes suspended in mid-air outside the Earl’s door, then, surely, they must have reddened to the hue of Mars, reddened and smouldered, and at last broken into flame, so intense was their hatred – broken into flame and circled about one another in ever-narrowing gyres and in swifter and yet swifter flight until, merged into one sizzling globe of ire they must surely have fled, the four in one, leaving a trail of blood behind them in the cold grey air of the corridor, until, screaming as they fly beneath innumerable arches and down the endless passageways of Gormenghast, they found their eyeless bodies once again, and re-entrenched themselves in startled sockets.
Mervyn Peake (The Illustrated Gormenghast Trilogy)
Mr. Hernandez pointed out that we never actually saw the shark until about eighty minutes into the film. Instead we heard horror stories, glimpsed its sinister fin; primed to be scared, so that when the shark made its grand debut, we saw everything we’d been taught to see, the merciless, blood-seeking Jaws. Before the cop pulled Philando over, he’d reported the man resembled a robbery suspect, commenting on his wide-set nose. By the time the cop stepped up to the window, he didn’t see Philando, he saw everything he thought he knew about wide noses, blackness, guns, added it all up to threat in his head. The problem is not who we are, the problem is what you think we are.
Chanel Miller (Know My Name: A Memoir)
What I've got...to say, Missus, be for Mr. Robinson's ear alone. Please allow me, Missus, for all that us poor folks have got left"—he stopped and threw a very sinister leer at Red—"be what be put in our minds by they as be book-larned and glib of tongue, like this clever Mister here, who is foreman of his Worship's. Us poor dogs hasn't got anything left in the world, us hasn't, except they nice, little thoughties, they pretty thoughties, what clever ones, like Mister here, do put into we.
John Cowper Powys (A Glastonbury Romance)
Hapford blew out his breath. “When my father recommended a relationship with you men to me on his deathbed, I did not think he intended to attach me to a group of small-minded power-mongers, intent on hurting women. He recommended you as a group honestly interested in the best interests of England.” “Yes,” Ellisford finally said, pointedly turning away from Bradenton. “You have the right of it. That’s what I thought we were, too.” “Then maybe we can listen to Mr. Marshall without having him pay so high a price.
Courtney Milan (The Heiress Effect (Brothers Sinister, #2))
him?” “Not me. Not Calvin. I just have to wait. Maybe he’ll come over or something.” She sighed. “I wish life didn’t have to be so complicated. Do you suppose I’ll ever be a double Ph.D. like you, Mother?” Mrs. Murry looked up from slicing peppers, and laughed. “It’s really not the answer to all problems. There are other solutions. At this point I’m more interested in knowing whether or not I’ve put too many red peppers in the spaghetti sauce; I’ve lost count.” They had just sat down to dinner when Mr. Murry phoned to tell them that he was going directly from Washington to Brookhaven for a week. Such trips were not unusual for either of their parents, but right now anything that took either her father or mother away struck Meg as sinister. Without much conviction she said, “I hope he has fun. He likes lots of the people there.” But she felt a panicky dependence on having both her parents home at night. It wasn’t only because of her fears for Charles Wallace; it was that suddenly the whole world was unsafe and uncertain. Several houses nearby had been broken into that autumn, and while nothing of great value had been taken, drawers had been emptied with casual maliciousness, food dumped on living-room floors, upholstery slashed. Even their safe little village was revealing itself to be unpredictable and irrational and precarious, and while Meg had already begun to understand this with her mind, she had never before felt it with the whole of herself. Now a cold awareness of the uncertainty of all life, no matter how careful the planning, hollowed
Madeleine L'Engle (A Wind in the Door (Time Quintet, #2))
Men use sexuality as a tool to shut up women. We are not allowed to speak on matters that touch on sexual intercourse—even if they concern our own bodies and our own freedom—for fear of being labeled indelicate. Any time a man wishes to scare a woman into submission, he need only add the question of sexual attraction, leaving the virtuous woman with no choice but to blush and fall silent. You should know, Mr. Clark, that I don’t intend to fall silent. I have already been labeled indelicate; there is nothing you can add to that chorus.
Courtney Milan (The Suffragette Scandal (Brothers Sinister #4))
Land be without it and its dwellers? The sinister Mr. Zonk and his
Starrie Sky (Adventures in Cutie Patootie Land and The Dreamy Berry Cookie Contest (the hilarious adventure for children ages 7-12)
Psychologists have stated that the human brain is incapable of holding two troubles at the same time and giving an equal amount of attention to each. The greater worry will invariably overcome the lesser,
Gerald Verner (Mr. Budd Novelettes Stories of Crime and Detection Volume One (contains Sinister House and M r K): Vintage Crime Library)
Felix had understood why his mother had sold her body to get her next high. Every day had revolved around getting a fix of Jude.
Aimee Nicole Walker (Mr. Perfect (Sinister in Savannah, #2))