Mouth Ulcer Quotes

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Then I’ll play the happy fool and get laugh lines on my face. I’d rather overload my liver with wine than starve my heart by denying myself fun. Why should any living man sit still like a statue? Why should he sleep when he’s awake? Why should he get ulcers from being crabby all the time? I love you, and I’m telling you this because I care about you, Antonio—there are men who always look serious. Their faces never move or show any expression, like stagnant ponds covered with scum. They’re silent and stern, and they think they’re wise and deep, important and respectable. When they talk, they think everybody else should keep quiet, and that even dogs should stop barking. I know a lot of men like that, Antonio. The only reason they’re considered wise is because they don’t say anything. I’m sure if they ever opened their mouths, everyone would see what fools they are. I’ll talk to you more about this some other time. In the meantime, cheer up. Don’t go around looking so glum. That’s my opinion, but what do I know? I’m a fool.
William Shakespeare (The Merchant of Venice)
…She wanders with her sad mouth And the grand mystery of amber eyes, Across the night, toward forgetfulness Like a star, fugitive and white. Like a dethroned exotic queen With comely gestures and rare utterings. Her undereyes are violated horizons And her irises–two stars of amber– Open wet and weary and sad Like ulcers of light that weep. She is a grief which thrives and does not hope, She is a gray aurora rising From the shadowy bed of night, Exhausted, without splendor, without anxiousness. And her songs are like dolorous fairies Jeweled in teardrops…
Delmira Agustini
As their white blood cell counts collapsed, infection crawled across the skin of the young operators and firemen: Thick black blisters of herpes simplex encrusted their lips and the inside of their mouths. Candida rendered their gums red and lacy, and the skin peeled back, leaving them the color of raw meat. Painful ulcers developed on their arms, legs, and torsos, where they had been burned by beta particles. Unlike thermal burns caused by heat alone, which heal slowly over time, radiation burns grow gradually worse—so their external beta burns expanded outward in waves from wherever radioactive material had touched them and ate into the tissue below. The men’s body hair and eyebrows fell out, and their skin darkened—first red, then purple, before finally it became a papery brown-black and curled away in sheets. Inside their bodies, the gamma radiation ate away the lining of their intestines and corroded their lungs. Anatoly Kurguz, who had fought to close the airlock door to the reactor hall in the moments after the explosion and was enveloped in steam and dust, had so much cesium inside his body that he became a dangerous source of radiation. He
Adam Higginbotham (Midnight in Chernobyl: The Untold Story of the World's Greatest Nuclear Disaster)
From the story he told me, I pictured him among those bands of vagrants that in the years that followed I saw more and more often roaming about Europe: false monks, charlatans, swindlers, cheats, tramps and tatterdemalions, lepers and cripples, jugglers, invalid mercenaries, wandering Jews escaped from the infidels with their spirit broken, lunatics, fugitives under banishment, malefactors with an ear cut off, sodomites, and along with them ambulant artisans, weavers, tinkers, chair-menders, knife-grinders, basket-weavers, masons, and also rogues of every stripe, forgers, scoundrels, cardsharps, rascals, bullies, reprobates, recreants, frauds, hooligans, simoniacal and embezzling canons and priests, people who lived on the credulity of others, counterfeiters of bulls and papal seals, peddlers of indulgences, false paralytics who lay at church doors, vagrants fleeing from convents, relic-sellers, pardoners, soothsayers and fortunetellers, necromancers, healers, bogus alms-seekers, fornicators of every sort, corruptors of nuns and maidens by deception and violence, simulators of dropsy, epilepsy, hemorrhoids, gout, and sores, as well as melancholy madness. There were those who put plasters on their bodies to imitate incurable ulcerations, others who filled their mouths with a blood-colored substance to feign accesses of consumption, rascals who pretended to be weak in one of their limbs, carrying unnecessary crutches and imitating the falling sickness, scabies, buboes, swellings, while applying bandages, tincture of saffron, carrying irons on their hands, their heads swathed, slipping into the churches stinking, and suddenly fainting in the squares, spitting saliva and popping their eyes, making the nostrils spurt blood concocted of blackberry juice and vermilion, to wrest food or money from the frightened people who recalled the church fathers’ exhortations to give alms: Share your bread with the hungry, take the homeless to your hearth, we visit Christ, we house Christ, we clothe Christ, because as water purges fire so charity purges our sins.
Umberto Eco (The Name Of The Rose)
Auto-Zoomar. Talbert knelt in the a tergo posture, his palms touching the wing-like shoulder blades of the young woman. A conceptual flight. At ten-second intervals the Polaroid projected a photograph on to the screen beside the bed. He watched the auto-zoom close in on the union of their thighs and hips. Details of the face and body of the film actress appeared on the screen, mimetized elements of the planetarium they had visited that morning. Soon the parallax would close, establishing the equivalent geometry of the sexual act with the junctions of this wall and ceiling. ‘Not in the Literal Sense.’Conscious of Catherine Austin’s nervous hips as she stood beside him, Dr Nathan studied the photograph of the young woman. ‘Karen Novotny,’ he read off the caption. ‘Dr Austin, may I assure you that the prognosis is hardly favourable for Miss Novotny. As far as Talbert is concerned the young woman is a mere modulus in his union with the film actress.’ With kindly eyes he looked up at Catherine Austin. ‘Surely it’s self-evident - Talbert’s intention is to have intercourse with Miss Taylor, though needless to say not in the literal sense of that term.’ Action Sequence. Hiding among the traffic in the near-side lane, Koester followed the white Pontiac along the highway. When they turned into the studio entrance he left his car among the pines and climbed through the perimeter fence. In the shooting stage Talbert was staring through a series of colour transparencies. Karen Novotny waited passively beside him, her hands held like limp birds. As they grappled he could feel the exploding musculature of Talbert’s shoulders. A flurry of heavy blows beat him to the floor. Vomiting through his bloodied lips, he saw Talbert run after the young woman as she darted towards the car. The Sex Kit.‘In a sense,’ Dr Nathan explained to Koester, ‘one may regard this as a kit, which Talbert has devised, entitled “Karen Novotny” - it might even be feasible to market it commercially. It contains the following items: (1) Pad of pubic hair, (2) a latex face mask, (3) six detachable mouths, (4) a set of smiles, (5) a pair of breasts, left nipple marked by a small ulcer, (6) a set of non-chafe orifices, (7) photo cut-outs of a number of narrative situations - the girl doing this and that, (8) a list of dialogue samples, of inane chatter, (9) a set of noise levels, (10) descriptive techniques for a variety of sex acts, (11) a torn anal detrusor muscle, (12) a glossary of idioms and catch phrases, (13) an analysis of odour traces (from various vents), mostly purines, etc., (14) a chart of body temperatures (axillary, buccal, rectal), (15) slides of vaginal smears, chiefly Ortho-Gynol jelly, (16) a set of blood pressures, systolic 120, diastolic 70 rising to 200/150 at onset of orgasm . . . ’ Deferring to Koester, Dr Nathan put down the typescript. ‘There are one or two other bits and pieces, but together the inventory is an adequate picture of a woman, who could easily be reconstituted from it. In fact, such a list may well be more stimulating than the real thing. Now that sex is becoming more and more a conceptual act, an intellectualization divorced from affect and physiology alike, one has to bear in mind the positive merits of the sexual perversions. Talbert’s library of cheap photo-pornography is in fact a vital literature, a kindling of the few taste buds left in the jaded palates of our so-called sexuality.
J.G. Ballard (The Atrocity Exhibition)
Stomachs that were merely cauldrons of acid, bubbling, foaming, always shooting spears of sliver-thin pain into our chests. It was the pain of the terminal ulcer, terminal cancer, terminal paresis. It was unending pain … And we passed through the cavern of rats. And we passed through the path of boiling steam. And we passed through the country of the blind. And we passed through the slough of despond. And we passed through the vale of tears. And we came, finally, to the ice caverns.
Harlan Ellison (I Have No Mouth and I Must Scream)
He remembered the feel of No Man's Land, the vast, unimaginable space. By day, seen through a periscope, this immensity shrank to a small, pock-marked stretch of ground, snarled with wire. You never got used to the discrepancy. Part of its power to compel the imagination lay precisely in that. It was the difference between seeing a mouth ulcer and probing it with your tongue.
Pat Barker (Regeneration (Regeneration, #1))
My anguish ulcerates mouths that speak it, my grief eats the hands that touch it, and my joy burns the eyes that meet it.
Lakshmi Bharadwaj
From the story he told me, I pictured him among those bands of vagrants that in the years that followed I saw more and more often roaming about Europe: false monks, charlatans, swindlers, cheats, tramps and tatterdemalions, lepers and cripples, jugglers, invalid mercenaries, wandering Jews escaped from the infidels with their spirit broken, lunatics, fugitives under banishment, malefactors with an ear cut off, sodomites, and along with them ambulant artisans, weavers, tinkers, chair-menders, knife-grinders, basket-weavers, masons, and also rogues of every stripe, forgers, scoundrels, cardsharps, rascals, bullies, reprobates, recreants, frauds, hooligans, simoniacal and embezzling canons and priests, people who lived on the credulity of others, counterfeiters of bulls and papal seals, peddlers of indulgences, false paralytics who lay at church doors, vagrants fleeing from convents, relic-sellers, soothsayers and fortunetellers, necromancers, healers, bogus alms-seekers, fornicators of every sort, corruptors of nuns and maidens by deception and violence, simulators of dropsy, epilepsy, hemorrhoids, gout, and sores, as well as melancholy madness. There were those who put plasters on their bodies to imitate incurable ulcerations, others who filled their mouths with a blood-colored substance to feign accesses of consumption, rascals who pretended to be weak in one of their limbs, carrying unnecessary crutches and imitating the falling sickness, scabies, buboes, swellings, while applying bandages, tincture of saffron, carrying irons on their hands, their heads swathed, slipping into the churches stinking, and suddenly fainting in the squares, spitting saliva and popping their eyes, making the nostrils spurt blood concocted of blackberry juice and vermilion, to wrest food or money from the frightened people who recalled the church fathers’ exhortations to give alms: Share your bread with the hungry, take the homeless to your hearth, we visit Christ, we house Christ, we clothe Christ, because as water purges fire so charity purges our sins.
Umberto Eco (The Name of the Rose)
Fifteen years ago, Israeli scientists published a study in which engineers observed patient care in ICUs for twenty-four-hour stretches. They found that the average patient required 178 individual actions per day, ranging from administering a drug to suctioning the lungs, and every one of them posed risks. Remarkably, the nurses and doctors were observed to make an error in just 1 percent of these actions—but that still amounted to an average of two errors a day with every patient. Intensive care succeeds only when we hold the odds of doing harm low enough for the odds of doing good to prevail. This is hard. There are dangers simply in lying unconscious in bed for a few days. Muscles atrophy. Bones lose mass. Pressure ulcers form. Veins begin to clot. You have to stretch and exercise patients’ flaccid limbs daily to avoid contractures; you have to give subcutaneous injections of blood thinners at least twice a day, turn patients in bed every few hours, bathe them and change their sheets without knocking out a tube or a line, brush their teeth twice a day to avoid pneumonia from bacterial buildup in their mouths. Add a ventilator, dialysis, and the care of open wounds, and the difficulties only accumulate.
Atul Gawande (The Checklist Manifesto: How to Get Things Right)
Some will have a scientific explanation, for example muscle spasms or migraines can be related to low magnesium levels, but some will have a unique meaning to us and it is down to us to decode them. I have a friend that has always said “By the time I get a mouth ulcer, I know that I have pushed myself too hard and my body is not getting enough nutrients to keep going.” I have taken note of that for myself. A cousin said that his stress always shows up as a feeling of toxins built up in knots in his shoulders. I recognize that one too!
Tara Swart (The Source: A Transformative Guide to Unlocking Your Mind, Harnessing Neuroplasticity, and Manifesting Success Through the Power of the Law of Attraction)
A Sharing Shearing by Stewart Stafford A sartorial accoutrement, The hijacking blister overruns, Morphs into a restless jockey A green-eyed stallion mounted. Sense deep neck bite wounds, In the snarling invisible attacks, The naysayers whisper to you: "Burglars ransack the home." A blade tip runs down the spine, Walk a plank of splintered avarice, Seize the weapon from the intruder, Cut out the mouth ulcer in exorcism. © Stewart Stafford, 2023. All rights reserved.
Stewart Stafford
I don't want to be happy. There is no happy. I am content to wallow in this cesspit for all eternity because it is like poking at a mouth ulcer with the tip of your tongue--inadvisable, painful, but addictive. What I choose to say to my little brother instead: 'Someday. Maybe.
Onyi Nwabineli (Someday, Maybe)
I can’t explain what I don’t understand. It’s never happened with any other Skill-healing I’ve witnessed. Only between you and me. Whatever injury I take from you appears on me.” He stood, his arms crossed on his chest. He wore his own face, and Amber’s painted lips and rouged cheeks looked peculiar now. His eyes seemed to bore into me. “No. Explain why you hid this from me! Why you couldn’t trust me with the simple truth. What did you imagine? That I would demand you blind yourself that I might see?” “I…no!” I braces my elbows on the table and rested my head in my hands. I could not recall when I had felt more drained. A steady pulse of pounding pain in my temples kept pace with my heartbeat. I felt a desperate need to recover my strength, but even sitting still was demanding more than I had to give. I wanted to topple over onto the floor and surrender to sleep. I tried to order my thoughts. “You were so desperate to regain your sight. I didn’t want to take that hope from you. My plan was that once you were strong enough the coterie could try to heal you, if you would let them. My fear was that if I told you I couldn’t heal you without losing my sight, you’d lose all hope.” The last piece of the truth was angular and sharp-edged in my mouth. “And I feared you would think me selfish that I did not heal you.” I let my head lower onto my folded arms. The Fool said something. “I didn’t hear that.” “You weren’t meant to,” he replied in a low voice. Then he admitted, “I called you a clodpoll.” “Oh.” I could barely keep my eyes open. He asked a cautious question. “After you’d taken on my hurts, did they heal?” “Yes. Mostly. But very slowly.” My back still bore the pinkish dimples in echo of the ulcers that had been on his back. “Or so it seemed to me. You know hun body has been since that runaway healing the coterie did on me years ago. I scarcely age and injuries heal overnight, leaving me exhausted. But they healed, Fool. Once I knew what was happening, I was more careful. When I worked on the bones around your eyes, I kept strict control.” I halted. It was a terrifying offer to make. But in our sort of friendship, it had to be made. “I could try to heal your eyes. Give you sight, lose mine, and see if my body could restore mine. It would take time. And I’m not sure this is the best place for us to make such an attempt. Perhaps in Bingtown, after we’ve sent the others home, we could take rooms somewhere and make the attempt.” “No. Don’t be stupid.” His tone forbade any response. In his long silence, sleep crept up on me, seeping into every part of my body. It was an engulfing demand the body makes, one that knows no refusal. “Fitz. Fitz? Look at me. What do you see?” I prised my eyelids open and looked at him. I thought I knew what he needed to hear. “I see my friend. My oldest, dearest friend. No matter what guise you wear.” “And you see me clearly?” Something in his voice made me lift up my head. I blinked blearily and stared at him. After a time, he swam into focus. “Yes.” He let out his pent up breath. “Good. Because when I touched you, I felt something happen, something more than I expected. I reached for you, to call you back, for I feared you were vanishing into the Skill-current. But when I touched you, it wasn’t as if I touched someone else. It was like folding my hands together. As if your blood suddenly ran through my veins. Fitz, I can see the shape of you, there in your chair. I fear I may have taken something from you.” “Oh. Good. I’m glad.” I closed my eyes, too weary for surprise. Too exhausted for fear. I thought of that day, long ago, when I had drawn him back from death and pushed him into his own body again. In that moment, as I had left the body I had repaired for him, as we had passed each other before resuming our own flesh again, I’d felt the same. A sense of oneness. Of completion. I recalled it but was too weary to put it into words. I put my head down on the table and slept.
Robin Hobb (Assassin's Fate (The Fitz and the Fool, #3))
I can’t explain what I don’t understand. It’s never happened with any other Skill-healing I’ve witnessed. Only between you and me. Whatever injury I take from you appears on me.” He stood, his arms crossed on his chest. He wore his own face, and Amber’s painted lips and rouged cheeks looked peculiar now. His eyes seemed to bore into me. “No. Explain why you hid this from me! Why you couldn’t trust me with the simple truth. What did you imagine? That I would demand you blind yourself that I might see?” “I…no!” I braces my elbows on the table and rested my head in my hands. I could not recall when I had felt more drained. A steady pulse of pounding pain in my temples kept pace with my heartbeat. I felt a desperate need to recover my strength, but even sitting still was demanding more than I had to give. I wanted to topple over onto the floor and surrender to sleep. I tried to order my thoughts. “You were so desperate to regain your sight. I didn’t want to take that hope from you. My plan was that once you were strong enough the coterie could try to heal you, if you would let them. My fear was that if I told you I couldn’t heal you without losing my sight, you’d lose all hope.” The last piece of the truth was angular and sharp-edged in my mouth. “And I feared you would think me selfish that I did not heal you.” I let my head lower onto my folded arms. The Fool said something. “I didn’t hear that.” “You weren’t meant to,” he replied in a low voice. Then he admitted, “I called you a clodpoll.” “Oh.” I could barely keep my eyes open. He asked a cautious question. “After you’d taken on my hurts, did they heal?” “Yes. Mostly. But very slowly.” My back still bore the pinkish dimples in echo of the ulcers that had been on his back. “Or so it seemed to me. You know how my body has been since that runaway healing the coterie did on me years ago. I scarcely age and injuries heal overnight, leaving me exhausted. But they healed, Fool. Once I knew what was happening, I was more careful. When I worked on the bones around your eyes, I kept strict control.” I halted. It was a terrifying offer to make. But in our sort of friendship, it had to be made. “I could try to heal your eyes. Give you sight, lose mine, and see if my body could restore mine. It would take time. And I’m not sure this is the best place for us to make such an attempt. Perhaps in Bingtown, after we’ve sent the others home, we could take rooms somewhere and make the attempt.” “No. Don’t be stupid.” His tone forbade any response. In his long silence, sleep crept up on me, seeping into every part of my body. It was an engulfing demand the body makes, one that knows no refusal. “Fitz. Fitz? Look at me. What do you see?” I prised my eyelids open and looked at him. I thought I knew what he needed to hear. “I see my friend. My oldest, dearest friend. No matter what guise you wear.” “And you see me clearly?” Something in his voice made me lift up my head. I blinked blearily and stared at him. After a time, he swam into focus. “Yes.” He let out his pent up breath. “Good. Because when I touched you, I felt something happen, something more than I expected. I reached for you, to call you back, for I feared you were vanishing into the Skill-current. But when I touched you, it wasn’t as if I touched someone else. It was like folding my hands together. As if your blood suddenly ran through my veins. Fitz, I can see the shape of you, there in your chair. I fear I may have taken something from you.” “Oh. Good. I’m glad.” I closed my eyes, too weary for surprise. Too exhausted for fear. I thought of that day, long ago, when I had drawn him back from death and pushed him into his own body again. In that moment, as I had left the body I had repaired for him, as we had passed each other before resuming our own flesh again, I’d felt the same. A sense of oneness. Of completion. I recalled it but was too weary to put it into words. I put my head down on the table and slept.
Robin Hobb (Assassin's Fate (The Fitz and the Fool, #3))