Mourning Someone's Death Quotes

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Relationships take up energy; letting go of them, psychiatrists theorize, entails mental work. When you lose someone you were close to, you have to reassess your picture of the world and your place in it. The more your identity was wrapped up with the deceased, the more difficult the loss.
Meghan O'Rourke
Here is one of the worst things about having someone you love die: It happens again every single morning.
Anna Quindlen (Every Last One)
To whom could I put this question (with any hope of an answer)? Does being able to live without someone you loved mean you loved her less than you thought...?
Roland Barthes
What is it like when you lose someone you love?" Jane asked. "You die, too. And you wait around for your body to catch up.
John Scalzi (Old Man's War (Old Man's War, #1))
Death never pierces the heart so much as when it takes someone we love; cleaving the heart they held with their passing.
Brandon M. Herbert (Walking Wolf Road (The Wolf Road Chronicles, #1))
I think the purest of souls, those with the most fragile of hearts, must be meant for a short life. They can't be tethered or held in your palm. Just like a sparrow, they light on your porch. Their song might be brief, but how greedy would we be to ask for more? No, you cannot keep a sparrow. You can only hope that as they fly away, they take a little bit of you with them.
Emm Cole (The Short Life of Sparrows)
I discover that grief means living with someone who is no longer there.
Jeanette Winterson (Frankissstein: A Love Story)
The person who hurt you--who raped you or killed your family--is also here. If you are still angry at that person, if you haven't been able to forgive, you are chained to him. Everyone could feel the emotional truth of that: When someone offends you and you haven't let go, every time you see him, you grow breathless or your heart skips a beat. If the trauma was really severe, you dream of revenge. Above you, is the Mountain of Peace and Prosperity where we all want to go. But when you try to climb that hill, the person you haven't forgiven weighs you down. It's a personal choice whether or not to let go. No one can tell you how long to mourn a death or rage over a rape. But you can't move forward until you break that chain.
Leymah Gbowee (Mighty Be Our Powers: How Sisterhood, Prayer, and Sex Changed a Nation at War)
You mean to tell me you're mourning the loss of someone who never existed?
Taylor Nadeau (The Death of Edwin Hubble)
I was learning that when you're with someone who is dying, you may need to celebrate the past, live the present, and mourn the future all at the same time.
Will Schwalbe (The End of Your Life Book Club)
Loretta said that, a couple months ago, Cindy asked her what assassination meant. She told her the truth, of course—that an assassination is when someone kills you to make a point. Which was correct enough, Stella supposed, but only if you were an important man. Important men became martyrs, unimportant ones victims. The important men were given televised funerals, public days of mourning. Their deaths inspired the creation of art and the destruction of cities. But unimportant men were killed to make the point that they were unimportant—that they were not even men—and the world continued on.
Brit Bennett (The Vanishing Half)
The effects of loss are acute, and unique to each individual. Not everyone mourns in the same way, but everyone mourns.
Richelle E. Goodrich (Making Wishes: Quotes, Thoughts, & a Little Poetry for Every Day of the Year)
As soon as someone dies, frenzied construction of the future (shifting furniture, etc.): futuromania.
Roland Barthes (Mourning Diary: October 26, 1977–September 15, 1979)
The unsaid thing about funerals is that directly after the communal mourning for someone you love, after everyone is gone and the connected grief dispersed, comes a solitude beyond imagining. A great, gaping nothing where a whole person and life and future used to be. The other side of a funeral is abyss.
Tracy Deonn (Bloodmarked (The Legendborn Cycle, #2))
Isolation, for him, had become a basic sine qua non for existence and loneliness, his sole companion like a perfectly faithful twin. He was someone for whom even happiness would cry for, mourning the death of his sentiments and murdering the existence of his soul.
Faraaz Kazi
I don't know how to hang on to someone who doesn't exist in the same world as me.
Akemi Dawn Bowman (Summer Bird Blue)
From the day after we lose someone, how we lost them doesn't matter. All that matters now is that they're gone, and there's absolutely no more interacting with that person. There's just the memories. And those memories will come pelting at you at random for a while, before you realize it can be beautiful to let them run through you.
Chad Pelley (Every Little Thing)
People still mourn when people die. That’s self-sympathy. All human beings are selfish to a certain extent, and that’s why people get so sad when someone dies. They haven’t finished using him. The person who is dead ain’t crying. Sadness is for when a baby is born into this heavy world, and joy should be exhibited at someone’s death because they are going on to something more permanent and infinitely better.
Jimi Hendrix (Starting At Zero: His Own Story)
If you ever lose someone dear to you, never say the words they're gone. They'll come back.
Prince
Never say that you’re useless! I’ve seen more courage tonight from you than I have ever seen in someone in my entire life; you were ready to fight those Kins to certain death! Now get up!
Marie Montine (Mourning Grey: Part One: The Guardians Of The Temple Saga)
There, too, in that Home where lives were flickering out, the dusk came as a mournful solace. With death so near, Mother must have felt like someone on the brink of freedom, ready to start life all over again.
Albert Camus (The Stranger)
When a person you love dies, the calendar becomes a minefield. Anyone who has lost someone knows this. There is the loved one’s birthday. One’s own Birthday. Various national and religious holidays, if one is religious. All of these days are difficult in their own ways. But the anniversary is different. On the anniversary of the loved one’s death, you slip backward through time to this same day, one, five, ten years ago. You live it all over again, minute by minute.
Alexis Schaitkin (Saint X)
Someone dies, there oughta be something. It oughta shake the world! You're not supposed to walk away!
Lisa Henry (Sweetwater)
There is no shame in mourning someone you loved," Lara whispered, "even if the world wouldn't understand.
S.D. Simper (Among Gods and Monsters (Fallen Gods, #2))
If I’m being honest, there’s a lot of anger. I’m angry at this old Korean woman I don’t know, that she gets to live and my mother does not, like somehow this stranger’s survival is at all related to my loss. Why is she here slurping up spicy jjamppong noodles and my mom isn’t? Other people must feel this way. Life is unfair, and sometimes it helps to irrationally blame someone for it.
Michelle Zauner
A healthy young man can produce in a week or two enough spermatozoa to double the human population of the Earth. So is masturbation mass murder? How about nocturnal emissions or just plain sex? When the unfertilized egg is expelled each month, has someone died? Should we mourn all those spontaneous miscarriages?
Carl Sagan (Billions & Billions: Thoughts on Life and Death at the Brink of the Millennium)
That someone would mourn her death made her long to live in the fiercest way." Alancia's Dance, Hall of Heroes Anthology
H.L. Burke
I thought missing my Dad would be the hardest thing I’d ever do; but the worst thing, the hardest thing, had turned out to be angry with someone you couldn’t fight it out with.
Emily Henry
What is dying? I am standing on the seashore. A ship sails to the morning breeze and starts for the ocean. She is an object and I stand watching her Till at last she fades from the horizon, And someone at my side says, “She is gone!” Gone where? Gone from my sight, that is all; She is just as large in the masts, hull and spars as she was when I saw her, And just as able to bear her load of living freight to its destination. The diminished size and total loss of sight is in me, not in her; And just at the moment when someone at my side says, “She is gone”, There are others who are watching her coming, And other voices take up a glad shout, “There she comes” – and that is dying.
Charles Henry Brent (What Is Dying?)
Here's the other thing I think about. It makes little sense to try to control what happens to your remains when you are no longer around to reap the joys or benefits of that control. People who make elaborate requests concerning disposition of their bodies are probably people who have trouble with the concept of not existing. [...] I imagine it is a symptom of the fear, the dread, of being gone, of the refusal to accept that you no longer control, or even participate in, anything that happens on earth. I spoke about this with funeral director Kevin McCabe, who believes that decisions concerning the disposition of a body should be mad by the survivors, not the dead. "It's non of their business what happens to them whey the die," he said to me. While I wouldn't go that far, I do understand what he was getting at: that the survivors shouldn't have to do something they're uncomfortable with or ethically opposed to. Mourning and moving on are hard enough. Why add to the burden? If someone wants to arrange a balloon launch of the deceased's ashes into inner space, that's fine. But if it is burdensome or troubling for any reason, then perhaps they shouldn't have to.
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
Someone had told the General that when a dog died it had to be replaced without delay by another just like it, and with the same name, so you could go on believing it was the same animal. He did not agree. He always wanted them to be distinctive so he could remember them all with their own identities, their yearning eyes and eager spirits, and could mourn their deaths.
Gabriel García Márquez (The General in His Labyrinth)
I think it is in grief that we need some reminder of our humanity--and sometimes, someone to say it for us. Poetry steps in at those moments when ordinary words fail: poetry as ceremony, as closure to what cannot be closed.
Kevin Young (The Art of Losing: Poems of Grief and Healing)
When you love someone, they're a poignant daily part of your life. When you lose them, you are separated from that relationship. Moving forward doesn't mean you leave that person behind; it means weaving them into the narrative of your life.
Christina Zampitella
Recalling this now, I can tell only the husk of the story--a story known inwardly only by those who have experienced such a loss, which we'd wish for no one else to suffer. Those who have not often say, "I can't imagine how you felt, what that was like." I can hardly imagine it either, even having lived through it. Recently, when someone said that, I found myself answering, "Like being burned alive.
Elaine Pagels (Why Religion?: A Personal Story)
When someone is grieving, you don’t have to say anything. Just be present. Be nonjudgmental. Let them cry, scream, or sit in silence. You don't have to fix them.
Dana Arcuri (Sacred Wandering: Growing Your Faith In The Dark)
Mourning the death of strangers is a blunted butter knife experience, bearing no resemblance to the slicing, machete-like bereavement of losing someone you know.
Lionel Shriver (Property: Stories Between Two Novellas)
The death of someone we love dearly cracks us open. Big time. It’s supposed to.
Tom Zuba (Permission to Mourn: A New Way to Do Grief)
And that’s the worst of it, the part no one ever tells you about.” “What part?” he said, his voice still clenched with grief. “How it never stops. How the pain of missing people never stops. When you burn your finger in a fire, it hurts, but it only hurts one way because you know what caused the pain and why the pain is there, and you know that it will settle, in a bit. But heart pain has facets, Silas. A thousand different sides, sharp and hard; most of them you don’t even know exist, even when you’re looking straight at them. When someone leaves, or dies, or doesn’t love you in return, well, you may think you know why your heart hurts. But wrapped in there are a hundred kinds of fear all tangled in a knot you can’t untie. Nobody wants to be alone. We all fear being left alone, being left behind. I know such things exist. But you must learn to see death as something more than loss, more than absence, more than silence. You must learn to make mourning into memory. For once a person takes leave of his life, that life becomes so much more a part of ours. In death, they come to be in our keeping. The dead find their rest within us. Thus, in remembrance, we are never alone. But people forget the power of memory. So we fear death in the deepest place of our very being, because we don’t know that memories make us immortal. We focus instead on being gone and the awful mystery behind absence. Love and death—and those two are very closely bound together—scare us because we can’t control them. We fear what we can’t control. That fear is really part of what makes us human, but mostly, we’re just afraid of the ends of stories we can’t foresee.
Ari Berk (Death Watch (The Undertaken, #1))
They had to die. They were killing innocent people. (Wulf) They were surviving, Wulf. You never had to face the choice of being dead at twenty-seven. When most people’s lives are just beginning, we are looking at a death sentence. Have you any idea what it’s like to know you can never see your children grow up? Never see your own grandchildren? My mother used to say we were spring flowers who are only meant to bloom for one season. We bring our gifts to the world and then recede to dust so that others can come after us. When our loved ones die, we immortalize them like this. I have one for my mother and the other four are my sisters. No one will ever know the beauty of my sisters’ laughter. No one will remember the kindness of my mother’s smile. In eight months, my father won’t even have enough of me left to bury. I will become scattered dust. And for what? For something my great-great-great-whatever did? I’ve been alone the whole of my life because I dare not let anyone know me. I don’t want to love for fear of leaving someone like my father behind to mourn me. I will be a vague dream, and yet here you are, Wulf Tryggvason. Viking cur who once roamed the earth raiding villages. How many people did you kill in your human lifetime while you sought treasure and fame? Were you any better than the Daimons who kill so that they can live? What makes you better than us? (Cassandra) It’s not the same thing. (Wulf) Isn’t it? You know, I went to your Web site and saw the names listed there. Kyrian of Thrace, Julian of Macedon, Valerius Magnus, Jamie Gallagher, William Jess Brady. I’ve studied history all my life and know each of those names and the terror they wrought in their day. Why is it okay for the Dark-Hunters to have immortality even though most of you were killers as humans, while we are damned at birth for things we never did? Where is the justice in this? (Cassandra)
Sherrilyn Kenyon (Kiss of the Night (Dark-Hunter, #4))
Someone says we beign to die the minute we're born. Death is a part of life. Who knows why the Creator thins the herd. Another old saying says we must all be prepared to give up those we love or die first. Take time to mourn.
Jim Northup (Walking the Rez Road)
To lose someone close to you is to enter an experience no amount of forethought or hindsight can free you from. You must live through grief. You cannot outsmart it, nor think through the fact of someone's being gone, and forever. You must survive the sorrow.
Kevin Young (The Art of Losing: Poems of Grief and Healing)
I didn't choose to be the Angel of Death, blast it!" He practically spat the words. When she blinked, taken aback by his vehemence, he added, "That was some fool's idea of a joke" She kept staring at him, speechless. A joke? Her brother's death was a joke to someone? Seeing her reaction, he went on in a low, tortured voice, "After Roger's accident, I wore black to mourn him. Since Roger wasn't my family, Chetwin commented on it, saying that I dressed in black because Death was my constant companion. He pointed out that everyone I touched died--my parents, my best friend...everyone." He began to pace the clearing, pain etched in his features. "Chetwin was right, of course. Death was my constant companion. So it was no great surprise when other people started calling me the Angel of Death." His voice grew choked. "I fit the part, after all." -Gabriel to Virginia
Sabrina Jeffries (To Wed a Wild Lord (Hellions of Halstead Hall #4))
The five scientists from the Brazilian station always sat at their own table, isolated by their tragedy, which I understood. After my parents died, it took me months before I could carry on a conversation with someone who had not known them, who expected me to be young and sparkling and untouched by grief.
Laura van den Berg (The Isle of Youth: Stories)
,,The danger that arises to someone when a love object is “lost”—through death, or betrayal, or disappointment—is not primarily the loss of that particular person or institution or ideal; the danger is to the person’s sense of himself, which depends on his sense of an ongoing internal attachment to his loved object.
Thierry Bokanowski (On Freud's "Mourning and Melancholia")
I didn't want to wait on my knees In a room made quiet by waiting. A room where we'd listen for the rise Of breath, the burble in his throat. I didn't want the orchids or the trays Of food meant to fortify that silence, Or to pray for him to stay or to go then Finally toward that ecstatic light. I didn't want to believe What we believe in those rooms: That we are blessed, letting go, Letting someone, anyone, Drag open the drapes and heave us Back into our blinding, bright lives.
Tracy K. Smith (Life on Mars: Poems)
But someone I know is dying-- And though one might say glibly, "everyone is," The different pace makes the difference absolute.
Robert Pinsky
That someone would mourn her death made her want to live in the fiercest way.
H.L. Burke
You know, I still can't get my head around what happened to Ana. She was there last week. She lent me a pen in English class. How can someone go from lending a pen to being dead?
Lang Leav (Sad Girls)
To mourn someone who is still alive brings a particular, complicated pain. And often it brings guilt; to mourn someone who has not yet died is to consign them to a kind of death.
Nicci Gerrard
I’d driven past this old gas station all my life and had mourned as the vegetation took it over and began to pull it down over the past few years. I knew, though, that no one in our rural mountain county was going to buy the place, not after someone had been murdered there twenty years ago. A single gas pump on a country road wasn’t enough incentive to take on that bad mojo.
A.C.F. Bookens (Crossed by Death (Stitches In Crime, #1))
Someone says we begin to die the minute we're born. Death is a part of life. Who knows why the Creator thins the herd. Another old saying says we must all be prepared to give up those we love or die first. Take time to mourn.
Jim Northup (Walking the Rez Road)
Though I am satisfied at first by my actions, I'm suddenly jolted with a mournful dispair at how useless, how extraordinarily painless, it is to take a child's life. This thing before me, small and twisted and bloody, has no real history, no worthwhile past, nothing is really lost. It's so much worse (and more pleasurable) taking the life of someone who has hit his or her prime, who has the beginnings of a full history, a spouse, a network of friends, a career, whose death will upset far more people whose capacity for grief is limitless than a child's would, perhaps ruin many more lives than just the meaningless, puny death of this boy.
Bret Easton Ellis (American Psycho)
Sorrow for your loss: When someone has been a blessing to you in your life, you will miss them as much when they have passed. Take comfort in realizing that the more they were a blessing, a love, and a reward to you, the more their passing makes you mourn. So let every tear be met with a smile, a missing realized as a blessing.
H. Melvin James
All my anxiety is separation anxiety. I want to believe you are here with me, But the bed is bigger and the trash Overflows. Someone righteous should Take out my garbage. I am so many odd And enviable things. Righteous is not One of them. I’d rather a man to avoid Than a man to imagine in a realm Unseen, though even the doctor who Shut your eyes swears you’re somewhere As close as breath. Mine, not yours. You don’t have breath. You got Heaven. That’s supposed to be my Haven. I want you to tell me it sparkles There. I want you to tell me anything Again and again while I turn you over To quiet you or to wake and remind you I can’t be expected to clean up after a man.
Jericho Brown (The Tradition)
It was normal, then, that he should be missed, even mourned—for it’s a hard thing when someone dies at a school like Hampden, where we were all so isolated, and thrown so much together. But I was surprised at the wanton display of grief which spewed forth once his death became official. It seemed not only gratuitous, but rather shameful given the circumstances.
Donna Tartt (The Secret History)
There’s a misconception that grief is about “looking backward,” mourning someone whose life has been reduced to memories. But grief is also about “looking forward,” realizing and grieving all the future events that your loved one will never get to participate in. Grief is half about mourning the past that was and half about mourning the future that never will be. You’re not weird or crazy for jumping months, years, or decades ahead to envision a life without your loved one present. In fact, when loss happens, we often feel like we’re losing everything all at once—past, present, and future. Sometimes in these moments, it’s comforting to know that while your loved one can no longer follow you into the future, your memories and love for them can.
Shelby Forsythia (Your Grief, Your Way: A Year of Practical Guidance and Comfort After Loss)
If you had never lived, and my mind was full of you--a fantasy figure with whom I am having an intense personal relationship--they'd give me treatment. They'd lock me up for being delusional. As it is, yes, it's an embarrassment. The black-armband days were easier. It was a sign to say--I am a bit odd. Give me space. Give me time. Grief takes time. I am grieving. I discover that grieving means living with someone who is no longer there.
Jeanette Winterson (Night Side of the River)
Another site of Leftist struggle [other than Detroit] that has parallels to New Orleans: Palestine. From the central role of displacement to the ways in which culture and community serve as tools of resistance, there are illuminating comparisons to be made between these two otherwise very different places. In the New Orleans Black community, death is commemorated as a public ritual (it's often an occasion for a street party), and the deceased are often also memorialized on t-shirts featuring their photos embellished with designs that celebrate their lives. Worn by most of the deceased's friends and family, these t-shirts remind me of the martyr posters in Palestine, which also feature a photo and design to memorialize the person who has passed on. In Palestine, the poster's subjects are anyone who has been killed by the occupation, whether a sick child who died at a checkpoint or an armed fighter killed in combat. In New Orleans, anyone with family and friends can be memorialized on a t-shift. But a sad truth of life in poor communities is that too many of those celebrate on t-shirts lost their lives to violence. For both New Orleans and Palestine, outsiders often think that people have become so accustomed to death by violence that it has become trivialized by t-shirts and posters. While it's true that these traditions wouldn't manifest in these particular ways if either population had more opportunities for long lives and death from natural causes, it's also far from trivial to find ways to celebrate a life. Outsiders tend to demonize those killed--especially the young men--in both cultures as thugs, killers, or terrorists whose lives shouldn't be memorialized in this way, or at all. But the people carrying on these traditions emphasize that every person is a son or daughter of someone, and every death should be mourned, every life celebrated.
Jordan Flaherty (Floodlines: Community and Resistance from Katrina to the Jena Six)
Believe me," the badshah says, "today or tomorrow, every one of us will lose someone close to us, someone we love. The lucky ones are those who can grow old pretending they have some control over their lives, but even they will realize at some point that everything is uncertain, bound to disappear forever. We are just specks of dust in this world, glimmering for a moment in the sunlight, and then disappearing into nothing. You have to learn to make your peace with that.
Deepa Anappara (Djinn Patrol on the Purple Line)
Every night I want to be Heathcliff with Cathy tapping at the window. I want to be Hamlet on the windy battlements. I want the Flying Dutchman to dock. I want what everyone who has lost someone wants: a visitation. Every second, someone dying is promising to come back from the dead. Every hour, waiting for it to happen, someone living notches up another hour lost. For the Dead, time stops. For the living, time slows. I am in slow-motion now. It takes me twice as long to clean my teeth, half the morning to make coffee and wash the cup. When I go shopping, I don't remember what I need. That's because it's you I need. I stare at the bag of potatoes, the packet of bacon. Absurd. Go home.
Jeanette Winterson (Night Side of the River)
Corrupting, there, forsaken, becoming, already, nothing. "And thy corpse shall be meat unto all fowls of the air, and unto the beasts of the earth, and no man shall frighten them away to think that this is one of God's most terrible curses. But consider it carefully. No sepulchre. No cremation. No obsequies. Becoming meat for someone else's teeth, said Lorimer with some of his past passion. "Can you imagine? Can you imagine what a relief? Will we ever dare to look at a body without the shroud of superstition, naked, like it truly is? Matter, and nothing more. Preoccupied with the perpetuity of our departed souls, we have forgotten that, on the contrary, it is our carcasses and our flesh that make us immortal. I am fairly confident they didn't bury him so that his transmigration into bird and beast would be swifter. Never mind memorials, relics, mausoleums, and other vain preservations from corruption and oblivion. What greater tribute than to be feasted upon by one's fellow creatures? What monument could be nobler than the breathing tomb of a coyote or the soaring urn of a vulture? What preservation more dependable? What resurrection more literal? This is true religion-knowing there is a bond among all living things. Having understood this, there is nothing to mourn, because even though nothing can ever be retained, nothing is ever lost. Can you imagine?" "Lorimer asked again. "The relief. The freedom.
Hernan Diaz (In the Distance)
FIRST MARTIN LUTHER KING JR. in Memphis, then Bobby Kennedy in downtown Los Angeles. Soon it felt like you couldn’t open a paper without seeing the bleeding body of an important man. Stella started switching off the news when her daughter came bounding into the kitchen for breakfast. Loretta said that, a couple months ago, Cindy asked her what assassination meant. She told her the truth, of course—that an assassination is when someone kills you to make a point. Which was correct enough, Stella supposed, but only if you were an important man. Important men became martyrs, unimportant ones victims. The important men were given televised funerals, public days of mourning. Their deaths inspired the creation of art and the destruction of cities. But unimportant men were killed to make the point that they were unimportant—that they were not even men—and the world continued on.
Brit Bennett (The Vanishing Half)
When Bill died, I was for the first time faced with the loss of a friend, and what I initially felt when I read the news of his death in the New York Times—he had died suddenly of a heart attack—was numbness and shock. I kept thinking I should have felt more pain or sadness or grief or something. I kept trying to figure out how to grieve properly. While I was trying to sort out my response to Bill’s death, I had a conversation over lunch with my ex-boyfriend Keith, who had remained a good friend after we’d split up. He’d always been a great sounding board and an uncommonly clearheaded source of wisdom and advice. “I don’t know what to do about all this,” I told him. “I don’t know how to process it.” “Well,” he said, leaning forward intensely, as he always did when he talked, his right hand chopping the air, his boyish face bobbing up and down, “the thing is, the thing is, when you have someone you know who’s died, you have to grieve, of course, but really, there are different things you have to grieve.” “What do you mean?” “Well, you know, you have to grieve the loss of the person, you know, the fact that the actual person won’t be there anymore to talk to, to laugh with, to share memories with, that sort of thing.” “Right.” “And then you have to, you have to mourn the loss of who that person held you to be. Because that dies with them. Their vision of you no longer exists. And a whole world of who you are is gone. So you have to mourn that, too.” I sat there and took that in, an electric current of recognition coursing through my body. “That…makes sense,” I said. Keith nodded vigorously. “Yeah, it does. It does.” I shook my head. “How do you know all this stuff?” It was a question I often asked Keith; he and I were the same age, but his insight into profound human matters often outshined my own. He laughed a high-pitched giggle. “I don’t know.” That was always his answer.
Anthony Rapp (Without You: A Memoir of Love, Loss and the Musical 'Rent')
Nobody knows your sorrows. It is best to keep it that way, as expressing sadness often invites pity. Sensitive women or young people often find pity consoling, and so they pervert their tearfulness into superficial melancholy in order to be further comforted. Some may become dependent on this superficial comfort, and will entangle themselves in darkness so that those around them will constantly try to “brighten” their spirits. Some call this “the depression.” Make it a regular habit to deny sadness when someone asks how you are coping. When you publicize your lament, the dead feel you’ve cheapened their absence, as though you’re taking advantage of their deaths to reap the attention you secretly wished for yourself while they were dying. When you mourn openly, the dead feel as though they’ve been murdered. If you must weep, do it in the bath, or in bed alone at night. Do not dedicate your sadness to anything but the dead. It is easy to confuse things, which is another reason to be discreet.
Ottessa Moshfegh (Death in Her Hands)
Almost for the first time in many months I thought of my mother. And now, it seemed to me, I understood why at her life’s end she had taken on a “fiancé”; why she’d played at making a fresh start. There, too, in that Home where lives were flickering out, the dusk came as a mournful solace. With death so near, Mother must have felt like someone on the brink of freedom, ready to start life all over again. No one, no one in the world had any right to weep for her. And I, too, felt ready to start life all over again. It was as if that great rush of anger had washed me clean, emptied me of hope, and, gazing up at the dark sky spangled with its signs and stars, for the first time, the first, I laid my heart open to the benign indifference of the universe. To feel it so like myself, indeed, so brotherly, made me realize that I’d been happy, and that I was happy still. For all to be accomplished, for me to feel less lonely, all that remained to hope was that on the day of my execution there should be a huge crowd of spectators and that they should greet me with howls of execration.
Albert Camus (L'Étranger (French Edition))
But I don't know anyone who has an easy life forever. Everyone I know gets their heart broken sometime, by something. The question is not, will my life be easy or will my heart break? But rather, when my heart breaks, will I choose to grow? Sometimes in the moments of the most searing pain, we think we don't have a choice. But we do. It's in those moments that we make the most important choice: grow or give up. It's easy to want to give up under the weight of what we're carrying. It seems sometimes like the only possible choice. But there's always, always, always another choice, and transformation is waiting for us just beyond that choice. This is what I know: God can make something beautiful out of anything, out of darkness and trash and broken bones. He can shine light into even the blackest night, and he leaves glimpses of hope all around us. An oyster, a sliver of moon, one new bud on a black branch, a perfect tender shoot of asparagus, fighting up through the dirt for the spring sun. New life and new beauty are all around us, waiting to be discovered, waiting to be seen. I'm coming to think there are at least two kinds of pain. There's the anxiety and fear I felt when we couldn't sell our house. And then there's the sadness I felt when I lost the baby or when my grandma passed away. Very different kinds of pain. The first kind, I think, is the king that invites us to grow. The second kind is the kind that invites us to mourn. God's not trying to teach me a lesson through my grandma's death. I wasn't supposed to love her less so the loss hurt less acutely, I'm not supposed to feel less strongly about the horror of death and dying. When we lose someone we love, when a dear friend moves away, when illness invades, it's right to mourn. It's right to feel deep, wrenching sadness. But then there's the other kind of pain, that first kind. My friend Brian says that the heart of all human conflict is the phrase "I'm not getting what I want." When you're totally honest about the pain, what's at the center? Could it be that you're not getting what you want? You're getting an invitation to grow, I think, as unwelcome as it may be. It's sloppy theology to think that all suffering is good for us, or that it's a result of sin. All suffering can be used for good, over time, after mourning and healing, by God's graciousness. But sometimes it's just plain loss, not because you needed to grow, not because life or God or anything is teaching you any kind of lesson. The trick is knowing the difference between the two.
Shauna Niequist
For those who live in Kashmir, the expectations of justice, rarely fulfilled in the Indian subcontinent, are more than optimistic; they belong to fantasy. It makes it all the more difficult for the victims to bear their human losses. At Dalal's house, the once carefully tended plants and hedges were already running wild just a few weeks after his murder, the fish in the pond were mostly dead, and few men sat slumped on the floor in a bare hall under the Islamic calendar of mourning. His mother, persuaded by her male relatives to emerge from the dark room where she had taken to since her son's death, broke down as soon as she noticed the photos of Dalal I had been studying. The pictures showed a young man in dark glasses and trendy clothes, a happy, contented man, someone who had managed to find, amid the relentless violence of the insurgency, a new style and identity for himself, and when Dalal's mother, still crying, while her mother, Dalal's grandmother, sat beside her, quietly wiping her tears with the frayed end of her headscarf, asked what was the point of talking to the press, of speaking about her son to me- he was gone and wouldn't come back; the people who had killed him were too powerful- it was hard not to feel pierced by the truth of what she was saying, hard not to be moved by her grief, and the pain, amid the great human waste of Kashmir, of her helplessness.
Pankaj Mishra (Temptations of the West: How to Be Modern in India, Pakistan, Tibet, and Beyond)
It was normal, then, that he should be missed, even mourned—for it’s a hard thing when someone dies at a school like Hampden, where we were all so isolated, and thrown so much together. But I was surprised at the wanton display of grief which spewed forth once his death became official. It seemed not only gratuitous, but rather shameful given the circumstances. No one had seemed very torn up by his disappearance, even in those grim final days when it seemed that the news when it came must certainly be bad; nor, in the public eye, had the search seemed much besides a massive inconvenience. But now, at news of his death, people were strangely frantic. Everyone, suddenly, had known him; everyone was deranged with grief; everyone was just going to have to try and get on as well as they could without him. “He would have wanted it that way.” That was a phrase I heard many times that week on the lips of people who had absolutely no idea what Bunny wanted; college officials, anonymous weepers, strangers who clutched and sobbed outside the dining halls; from the Board of Trustees, who, in a defensive and carefully worded statement, said that “in harmony with the unique spirit of Bunny Corcoran, as well as the humane and progressive ideals of Hampden College,” a large gift was being made in his name to the American Civil Liberties Union—an organization Bunny would certainly have abhorred, had he been aware of its existence.
Donna Tartt (The Secret History)
My Death If I’m lucky, I’ll be wired every whichway in a hospital bed. Tubes running into my nose. But try not to be scared of me, friends! I’m telling you right now that this is okay. It’s little enough to ask for at the end. Someone, I hope, will have phoned everyone to say, “Come quick, he’s failing!” And they will come. And there will be time for me to bid goodbye to each of my loved ones. If I’m lucky, they’ll step forward and I’ll be able to see them one last time and take that memory with me. Sure, they might lay eyes on me and want to run away and howl. But instead, since they love me, they’ll lift my hand and say “Courage” or “It’s going to be all right.” And they’re right. It is all right. It’s just fine. If you only knew how happy you’ve made me! I just hope my luck holds, and I can make some sign of recognition. Open and close my eyes as if to say, “Yes, I hear you. I understand you.” I may even manage something like this: “I love you too. Be happy.” I hope so! But I don’t want to ask for too much. If I’m unlucky, as I deserve, well, I’ll just drop over, like that, without any chance for farewell, or to press anyone’s hand. Or say how much I cared for you and enjoyed your company all these years. In any case, try not to mourn for me too much. I want you to know I was happy when I was here. And remember I told you this a while ago—April 1984. But be glad for me if I can die in the presence of friends and family. If this happens, believe me, I came out ahead. I didn’t lose this one.
Raymond Carver (All of Us: The Collected Poems)
Noah had grown tired of being a prophet of doom, forever announcing a catastrophe that never came and that no one took seriously. One day, he clothed himself in sackcloth and covered his head with ashes. Only a man who was mourning [the death of] a beloved child or his wife was allowed to do this. Clothed in the garb of truth, bearer of sorrow, he went back to the city, resolved to turn the curiosity, spitefulness, and superstition of its inhabitants to his advantage. Soon a small crowd of curious people had gathered around him. They asked him questions. They asked if someone had died, and who the dead person was. Noah replied to them that many had died, and then, to the great amusement of his listeners, said that they themselves were the dead of whom he spoke. When he was asked when this catastrophe had taken place, he replied to them: “Tomorrow.” Profiting from their attention and confusion, Noah drew himself up to his full height and said these words: “The day after tomorrow, the flood will be something that will have been. And when the flood will have been, everything that is will never have existed. When the flood will have carried off everything that is, everything that will have been, it will be too late to remember, for there will no longer be anyone alive. And so there will no longer be any difference between the dead and those who mourn them. If I have come before you, it is in order to reverse time, to mourn tomorrow’s dead today. The day after tomorrow it will be too late.” With this he went back whence he had come, took off the sackcloth [that he wore], cleaned his face of the ashes that covered it, and went to his workshop. That evening a carpenter knocked on his door and said to him: “Let me help you build the ark, so that it may become false.” Later a roofer joined them, saying: “It is raining over the mountains, let me help you, so that it may become false.”14
Jean-Pierre Dupuy (The Mark of the Sacred (Cultural Memory in the Present))
I think I’m drowning. But not into her blue eyes like I happily would. No, I’m sinking into the floor, letting it swallow me whole. I can hardly breathe under the crushing weight of Kitt’s words. My ears ring. My heart pounds. The command echoes in my skull, though I have no idea why he would want this. Why he would want her. Not now. Not after everything. I’m surrounded by the entire court and the only thing I can focus on is not falling to my knees beside her. Marriage. Marriage to someone who isn’t me. Marriage to someone I will spend the rest of my life serving. I’ll lose her forever while being forced to watch. I can’t even look at her. I’m a coward, morphing back into the monster I was when she found me. My vision is blurry, eyes fixed on the dais above. This is how I lose her. Not by death but by something just as binding. The command rings in my head. And to think I wasted so much time trying to hate her. To think I won’t have enough time to love her. My heart aches because every beat belongs to her. And I may never get to tell her that. Is this how she will remember me? Escorting her to this fate? Bound by duty alone? I could laugh. I could cry. I could burn this palace to the ground like I did her house, just for a chance to confess my love before the flames consumed me. Because I am bound to her very being. Hers until the day she realizes I don’t deserve to be. The king’s eyes are on me while mine are somewhere far away. Somewhere with her. A place where I am nothing and no one and happy being powerless, so long as she is beside me. My gaze falls from the fantasy, finding its way to her. This is not how I will remember us. Not as enemies or traitors or monsters, but as two people dancing in the dark, swaying beneath the stars. Her feet atop mine, her head on the heart that beats only for her. Just Pae and Kai. I step away from her kneeling form, masking every emotion with a blank stare. I’m leaving her to face him. Her future husband. I melt into the crowd, standing at a safe enough distance to prevent myself from stealing her away. This will be the rest of my life. Forced to love her from a distance. Mourn the loss of her each day. But I will. I will smother every emotion but the one that belongs to her. I will love her until I am incapable of the feeling. She is the torture I may not survive. Eagerly, she is my undoing. Her gaze lifts, meeting eyes that are not my own. Eyes of the man who gets to have her—if she allows it. She was supposed to be my forever. Now I’ll watch her become someone else’s. Because the beast doesn’t get the beauty.
Lauren Roberts, Reckless
I’d like to start a worldwide movement to implement practices of culturally appropriate Life Honoring Celebrations. Not to replace funerals but to augment them. Personally, I think it’s impractical at best and pointless at worst to sing somebody’s praises when they’re dead. Perhaps saying lovely things about them at funerals helps us mourn. Saying the same things to them while alive may give us a jumpstart on that mourning. But why not use their dying as an opportunity to grow ourselves, to bring us into closer proximity with the reality of death, to face our fears and step willfully into our deepest hearts to speak the truth of what someone means to us? Why not tell them when they’re alive? Why not let them see some of the difference they made in the world around them? Even the most troubled and maligned person usually has positively impacted somebody. No matter how difficult anyone’s life has been they usually create some ripples of positive change. And I believe that every person longs to know that. We long to see it. To know that our existence does not all come to naught in the end. That efforts large and small have impacts seen and unseen. It serves each of us to have tangible proof of this before we pass. Life Honoring Celebrations should be every human’s birthright. Thank goodness Tracy got to receive hers. Just in time.
Frederick Marx (At Death Do Us Part: A Grieving Widower Heals After Losing his Wife to Breast Cancer)
I saw her tonight. I didn’t mean to and I wasn’t prepared for it. I came across her sweet smiling face and I had no choice but to be confronted with all the emotions and memories I associated with her. It brought me back to this past summer when she passed from this world into the next and how I watched the minutes in the day pass and felt the sorrow of the approaching sunset knowing that darkness would soon follow. There is something profound about the first night after someone you love dies. Seeing her again and mourning the loss of her anew reminded me that we keep too much to ourselves and we let people go without them ever knowing how much they touched us, intrigued us, taught us, or moved us. I’m a firm believer in actions doing the telling, but people need to hear it as well.
Donna Lynn Hope
Rescue dogs are trained to perform such responses on command, often in repulsive situations, such as fires, that they would normally avoid unless the entrapped individuals are familiar. Training is accomplished with the usual carrot-and stick method. One might think, therefore, that the dogs perform like Skinnerian rats, doing what has been reinforced in the past, partly out of instinct, partly out of a desire for tidbits. If they save human lives, one could argue, they do so for purely selfish reasons. The image of the rescue dog as a well-behaved robot is hard to maintain, however, in the face of their attitude under trying circumstances with few survivors, such as in the aftermath of the bombing of the Murrah Federal Building in Oklahoma City. When rescue dogs encounter too many dead people, they lose interest in their job regardless of how much praise and goodies they get. This was discovered by Caroline Hebard, the U.S. pioneer of canine search and rescue, during the Mexico City earthquake of 1985. Hebard recounts how her German shepherd, Aly, reacted to finding corpse after corpse and few survivors. Aly would be all excited and joyful if he detected human life in the rubble, but became depressed by all the death. In Hebard's words, Aly regarded humans as his friends, and he could not stand to be surrounded by so many dead friends: "Aly fervently wanted his stick reward, and equally wanted to please Caroline, but as long as he was uncertain about whether he had found someone alive, he would not even reward himself. Here in this gray area, rules of logic no longer applied." The logic referred to is that a reward is just a reward: there is no reason for a trained dog to care about the victim's condition. Yet, all dogs on the team became depressed. They required longer and longer resting periods, and their eagerness for the job dropped off dramatically. After a couple of days, Aly clearly had had enough. His big brown eyes were mournful, and he hid behind the bed when Hehard wanted to take him out again. He also refused to eat. All other dogs on the team had lost their appetites as well. The solution to this motivational problem says a lot about what the dogs wanted. A Mexican veterinarian was invited to act as stand-in survivor. The rescuers hid the volunteer somewhere in a wreckage and let the dogs find him. One after another the dogs were sent in, picked up the man's scent, and happily alerted, thus "saving" his life. Refreshed by this exercise, the dogs were ready to work again. What this means is that trained dogs rescue people only partly for approval and food rewards. Instead of performing a cheap circus trick, they are emotionally invested. They relish the opportunity to find and save a live person. Doing so also constitutes some sort of reward, but one more in line with what Adam Smith, the Scottish philosopher and father of economics, thought to underlie human sympathy: all that we derive from sympathy, he said, is the pleasure of seeing someone else's fortune. Perhaps this doesn't seem like much, but it means a lot to many people, and apparently also to some bighearted canines.
Frans de Waal (The Ape and the Sushi Master: Reflections of a Primatologist)
Miscarriage is perhaps the only death you mourn in which you have no past with the loved one you lost. You have only an imaginary future. You grieve someone whose face exists only in your mind and whose name exists only as a hope.
Amanda Held Opelt (A Hole in the World: Finding Hope in Rituals of Grief and Healing)
In my senior year of high school, a friend’s father died suddenly of heart failure. I sat at the funeral and sobbed. I sobbed for her loss, of course, but I also sobbed for the deeply shameful pang of envy I felt for a brief moment. At least with death, you can mourn. It feels much hollower when someone simply disappears. Perhaps it was the loss of so much that made me want so little. The less I had, the less I’d have to inevitably part with. When I lay there inside that old rusted van on those exquisitely manicured Salt Lake City streets, it felt as though I knew something all those people didn’t.
Brianna Madia (Nowhere for Very Long: The Unexpected Road to an Unconventional Life)
Since there was not a calendar we could not tell what day of the month or the week it was. Even though we knew the exact date of our birth, we could not really celebrate it. How could we celebrate someone’s birthday when there were more chances of death instead of life? People passed away and we did not even have time to mourn; we had to move on and try to survive to see another day.
Nanette Blitz Konig (Holocaust Memoirs of a Bergen-Belsen Survivor : Classmate of Anne Frank (Holocaust Survivor Memoirs World War II))
It's hard to understand how we can harbor negative feelings toward someone we love when the two appear to sit at such competing ends of the spectrum. But negative emotion does, which is why even daughters of abusive mothers need to mourn the loss.
Hope Edelman (Motherless Daughters: The Legacy of Loss)
We all grieve in different ways, you know?' she adds. 'Losing someone is universal, but I think that's about it, really. The rest is our own thing.
Jessica George (Maame)
Where there is no grave, we are condemned to go on mourning. Or we become like animals and don't mourn at all. (I know that even some animals mourn). By a grave I don't necessarily mean a place in a cemetery, but surely clear knowledge about the death of someone you have known. For my mother, there was never a day on which she could be sure that the two, her husband and the boy, had not escaped. Hope was like a limited quantity of liquid which gradually evaporates.
Ruth Kluger (Still Alive: A Holocaust Girlhood Remembered)
depressed because you have lost someone. You need to know Jesus said He came to comfort all those who mourn in Zion. He came with the oil of gladness. Understand this: there is nothing wrong with legitimate mourning. If you have had a death in your family, you are not demon possessed or demonized just because you are sad about your loss. It is human to feel sadness when somebody dies. Too often some well-meaning person tries to comfort those who have lost a mate or loved one, and he or she says, "Well, Jesus knows what's going on. You're really blessed to know they are in heaven.
Ron Phillips (Everyone's Guide to Demons & Spiritual Warfare: Simple, Powerful Tools for Outmaneuvering Satan in Your Daily Life)
If I died, I’d expect my guy to mourn me forever, and if he tried to hook up with someone else, I’d haunt him till he ended up in a crazy house. Then I’d haunt the girl.
Gena Showalter (The Harder You Fall (The Original Heartbreakers, #3))
Death and loss Perhaps you are depressed because you have lost someone. You need to know Jesus said He came to comfort all those who mourn in Zion. He came with the oil of gladness. Understand this: there is nothing wrong with legitimate mourning. If you have had a death in your family, you are not demon possessed or
Ron Phillips (Everyone's Guide to Demons & Spiritual Warfare: Simple, Powerful Tools for Outmaneuvering Satan in Your Daily Life)
Japanese tragedy illustrates this aspect of the Trinity better than Greek tragedy, Kitamori taught, because it is based on the feeling expressed by the word tsurasa. This is the peculiar pain felt when someone dies in behalf of another. yet the term implies neither bitterness nor sadness. Nor is tsurasa burdened with the dialectical tension in the struggle with fate that is emphasized in Greek drama, since dialectic is a concept foreign to Japan. Tsurasa is pain with resignation and acceptance. Kitamori called our attention to a Kabuki play, The Village School. The feudal lord of a retainer named Matsuo is defeated in battle and forced into exile. Matsuo feigns allegiance to the victor but remains loyal to his vanquished lord. When he learns that his lord's son and heir, Kan Shusai, has been traced to a village school and marked for execution, Matsuo resolves to save the boy's life. The only way to do this, he realizes, is to substitute a look-alike who can pass for Kan Shusai and be mistakenly killed in his place. Only one substitute will likely pass: Matsuo's own son. So when the enemy lord orders the schoolmaster to produce the head of Kan Shusai, Matsuo's son consents to be beheaded instead. The plot succeeds: the enemy is convinced that the proffered head is that of Kan Shusai. Afterwards, in a deeply emotional scene, the schoolmaster tells Matsuo and his wife that their son died like a true samurai to save the life of the other boy. The parents burst into tears of tsurasa. 'Rejoice my dear,' Matsuo says consolingly to his wife. 'Our son has been of service to our lord.' Tsurasa is also expressed in a Noh drama, The Valley Rite. A fatherless boy named Matsuwaka is befriended by the leader of a band of ascetics, who invites him to accompany the band on a pilgrimage up a sacred mountain. On the way, tragically, Matsuwaka falls ill. According to an ancient and inflexible rule of the ascetics, anyone who falls ill on a pilgrimage must be put to death. The band's leader is stricken with sorrow; he cannot bear to sacrifice the boy he has come to love as his own son. He wishes that 'he could die and the boy live.' But the ascetics follow the rule. They hurl the boy into a ravine, then fling stones and clods of dirt to bury him. The distressed leader then asks to be thrown into the ravine after the boy. His plea so moves the ascetics that they pray for Matsuwaka to be restored to life. Their prayer is answered, and mourning turns to celebration. So it was with God's sacrifice of his Son. The Son's obedience to the Father, the Father's pain in the suffering and death of the Son, the Father's joy in the resurrection - these expressions of a deep personal relationship enrich our understanding of the triune God. Indeed, the God of dynamic relationships within himself is also involved with us his creatures. No impassive God, he interacts with the society of persons he has made in his own image. He expresses his love to us. He shares in our joys and sorrows. This is true of the Holy Spirit as well as the Father and Son... Unity, mystery, relationship - these are the principles of Noh that inform our understanding of the on God as Father, Son, and Spirit; or as Parent, Child, and Spirit; or as Creator, Redeemer, Sanctifier...this amazing doctrine inspires warm adoration, not cold analysis. It calls for doxology, not definition.
F. Calvin Parker
A demigod who reaches his apotheosis never mourns for himself. It is the business of his many adulators to mourn for him. He cannot feel sadness to be so great, leaving all the rest of us to champion in trembling misery. I, surprisingly, have very few words to offer, only because this year has taken so many sensational performers from us. There comes a time when the agony of loss is too great, when we feel it too much-- there is nothing left but painful astonishment. My grievances lie more with the Gods for taking him away from us than they do with his parting. I suppose I shall reach the stage of unconscionable sorrow at some point; now I am half confusion and half indignation. It should be impossible for people to be so deeply affected by someone whom we have never formally met, but this is existence: it is a bold measure we take, this stake in sufferance; we must all go through everything together, another proof of the mask of division. We all feel the same things, and Prince's passing is felt no less by anybody. Between him and Bowie, there is now a musical chasm in the world, a place where Gods once dwelt that is now abandoned, and in the Age of Pseudolotry, where what is nonsensical reigns over what is intelligent, we are likely never to see one of his kind again. Goodnight, sweet Prince. We shall go on trundling through this 'thing called life' with hearts defrauded of our greatest love. --On the death of Prince
Michelle Franklin
Every time someone dies, it reminds those watching that God’s work is not yet complete. Because of sin, death entered the world. Only when sin is completely defeated will death cease to be part of the equation. Paul says about Christ’s present ministry: “For he must reign until he has put all his enemies under his feet. The last enemy to be destroyed is death” (1 Corinthians 15:25–26). Christ died so that we would no longer have to die. He rose again so that death would be put to death. Every time someone dies, it reminds us that death still lives. But every death also points us to the promise that Christ brings a resurrection once and forever. Through Christ, death has been defeated. One day, life will no longer give way to death. Children will not mourn their parents. Parents will not mourn their children. There will be no widows or grieving friends. Yes, death is an enemy, but this enemy will die. Christ’s present reign guarantees this. One day, life will give way to life in eternity. As you weep, know this: the One who weeps with you is not content for things to stay as they are. His death was a cry and his resurrection a promise. The living Christ will continue to exert his power and you will grieve no more. Paul David Tripp
CCEF (Heart of the Matter: Daily Reflections for Changing Hearts and Lives)
You can only understand how someone else needs to handle death in the given, specific moment. There are few hard and fast rules. I understand both my father and my friend. Or rather, I understand neither and so allow both the dispensation the ignorant should grant the wise.
Kate Sweeney (American Afterlife: Encounters in the Customs of Mourning)
Tom thought back to the imposing, empty house: to the silence that deadened every room with a subtly different pitch; to the kitchen smelling of carbolic, kept spotless by a long line of housekeepers. He remembered that dreaded smell of Lux flakes, and his distress as he saw the handkerchief, washed and starched by Mrs Someone-or-other, who had discovered it in the pocket of his shorts and laundered it as a matter of course, obliterating his mother’s smell. He had searched the house for some corner, some cupboard which could bring back that blurry sweetness of her. But even in what had been her bedroom, there was only polish, and mothballs, as though her ghost had finally been exorcised.
M.L. Stedman (The Light Between Oceans)
The death of someone who has committed a great crime may be for the best, but any dead child is some parent’s vanquished hope. This mournful book is Sue’s act of vicarious repentance. Hatred does not obliterate love. Indeed, the two are in constant fellowship.
Sue Klebold (A Mother's Reckoning: Living in the Aftermath of Tragedy)
Parker’s eyebrows dip, but his gaze slides back up to mine. “To love someone that much.” My heart seizes, my eyes stinging with fresh tears. I’m forced to look away as I pull my lips between my teeth, holding back another mournful cry. “Sorry. You should go dance now.” Swallowing, I glance back up at Parker, who has returned his attention to the lake. He teeters on the balls of his feet, his jaw clenching. I’m startled by his words as the chilly water laps at my toes—he’s never apologized for anything before, but he apologizes for this. For his brush with vulnerability, his tender curiosity. That’s nothing to be sorry for. “It felt like completion,” I tell him, explaining it the only way that makes sense. “It felt like a pinnacle. Like everything in your life has come full circle, and this person is the culmination of every dream, every plea, every dandelion wish. “And when your dreams dissolve, and the wishes scatter, it’s hard to find joy in anything else. How can you ever obtain completion again when you’re missing the biggest piece?” A ragged sigh escapes me, and I watch the emotions play across his face, a melancholy reflection pulling at his features. “I have to believe there’s still joy in the journey—this new journey —and that life isn’t all about the finished puzzle. There’s just as much fulfillment in putting it together.
Jennifer Hartmann (The Wrong Heart)
Nobody talks about what grief feels like when the person you’re mourning is someone you had, for years, been preparing to lose in a different way. That a relationship after someone is dead is no less complicated than a relationship with someone who is living. It’s okay to miss and mourn someone but also to feel relief that the suffering is over. In all aspects.
Rebecca Woolf (All of This: A Memoir of Death and Desire)
As a relatively young widow, I discovered that there was little help to be had from people of my own age, most of whom have little or no knowledge of the realms of grief. We live in a society that regards death as a defeat for medical science rather than a part of life. In a culture that allows little place for death in the public arena, grief becomes a private affair, viewed as a luxury we cannot afford. We are all amateurs at grief, although sooner or later every one of us will lose someone close to us. I was determined to permit myself the luxury of grieving.
Long Litt Woon (The Way Through the Woods: On Mushrooms and Mourning)
The way we grieve is informed by whether we know love. Since loving lets us let go of so much fear, it also guides our grief. When we lose someone we love, we can grieve without shame. Given that commitment is an important aspect of love, we who love know we must sustain ties in life and death. Our mourning, our letting ourselves grieve over the loss of loved ones is an expression of our commitment, a form of communication and communion. Knowing
bell hooks (All About Love: New Visions)
A leaf and you! A leaf from tree, in Autumn fell, It had a story to tell, As it swayed in the lap of air, Nobody noticed the act unfair, For it alone fell, The rest clung to the branches and didn’t experience hell, Which they all would someday, Few early, few later, few did yesterday and the leaf that just fell, experienced it today, It did not shout, it did not scream or yell, As it thought of moments, few lived in agony and few lived so well, Finally it rested on the surface of the bare ground, And every natural force leapt on it like a famished hound, To consume it in their own ways, For death has a game that it with all plays, So time kissed it, life forsook it, gravity constricted it; and finally it was lost, there was nothing left of it, Just a memory of a falling leaf that everyone consumed bit by bit, bit by bit, Surprising that time sometimes moans its departure, Because it had reared it in its lap with love and composure, Alas time the greatest force of all, is the most cursed of all, For in the end it loses everything to its own existential virtues, and kills us all, Then it lies there moaning the loss, Whenever a beautiful corner of life that it loved it does happen to pass, Just like the leaf that fell and was forever lost, There on the branch a moment of time hangs still seeking the past, For it loved the leaf, but it had duty to perform as well, So it mournfully stood there as the leaf fell, It buried it too, And then it hurried too, For it had new leaves to tend, A new leaf to break and bend, To keep gravity happy, who blames time for all crimes, But it is someone else who in shadows creates these moments of depraved times, And lays the blame on time, the eternal subject of everyone's hate, But time has a companion who shares this blame, we all know it as fate, However, the real force lies in the shadows always plotting to bend and break a leaf, And blame it all on time, the eternal and infamous thief, Who actually steals nothing, because it is always losing a part of it, Whenever present becomes past, it loses its own precious bit, It always has been so, and maybe it will always be so, until time has nothing to spare any more, Then the Universe shall fall apart because then it shall not be needed anymore, And a new order shall rise, a new leaf shall emerge and grow, Then time shall rule every place high and low, Then my darling Irma, I will love you again, and again, Because then my love, a moment of love, shall be a lifelong gain, Where every kiss shall be remembered and felt again and again, And you shall not hurt me, and I shall not have the power to cause you any pain, Because now time will be judging us all in the present, A gift that indeed is the precious moment in the present, So my love Irma, love me now, but love me true, Before another leaf falls and as long as the sky is still happy and blue!
Javid Ahmad Tak (They Loved in 2075!)
Ruth Bowers laid her hand, as she spoke, on Frances's arm and the physical contact was like a burn, distracting her totally. Two days after Steven's death she had lain in bed and thought, I shall never again feel someone else's arms round me, another person's body close up against mine, not sex, not nakedness, just physical closeness, often, casually, with another human being. And now the touch of others--Zoe's quick hugs, Tabitha's dutiful brushing of the cheek--had this disproportionate effect. To be touched was both a sacrilege and a joy.
Penelope Lively (Perfect Happiness)
Andrei rested on a bench directly in front of a grave that belonged to: 'A father, hard worker, and beloved friend.' He leaned back, resting in the cemetery, and with each second, his desire to know more about this man 'Yeah, he’s a father, hard worker, and beloved friend. Weren’t we all at some point? What’s his kink? The worst thing he’s done to a person? The greatest thing he’s good at?' he thought. That’s what Andrei wanted to know. Not titles the man himself would disapprove of. What good was a proper impression in a cemetery filled with thousands of proper impressions? One must be indecent. So Andrei closed his eyes and imagined the father who worked hard and was a beloved friend. Maybe his kink was that he needed to do it in public—in the restroom after a date or at church during mass. Maybe the worst thing he had ever done was work so hard for his family that he never once saw them. Maybe the best thing he was good at was giving gifts to his friends. Yes, that’s it. He never gave money or handed them gift cards, but instead gave his brothers exactly what filled them the most. One year, he gave a notebook to his buddy John with the same line written over and over in painful cursive. The line said: 'Happy Birthday, you get thirteen hours of my life' and repeated until you could see the traces of hand cramps squiggling for life on the forty-second page. 'What a good man,' imagined Andrei. 'Hell of a mate.
Kristian Ventura (A Happy Ghost)
Over my many years with animals I have been part of a lot of death and each time I feel honored to be able to be allowed to participate in such a momentous event as the departure of a soul from his earthly lifetime. The books I have read on human death and dying celebrate the approach and moment of death as one of the most sacred moments we experience. What a privilege to share such a time with someone you care about. Animals show us their wisdom in this way. As their bodies become weaker the creatures seem more and more peaceful; I have always felt the spirit was more present though the body was used up.
Kathleen Knight (Sanctuary - Exploring the Magical World of Birds)
Losing someone you love to death. Is like losing a piece of a puzzle. your world feel incomplete and there is no piece that can feel in for missing piece. There will always be that space of missing puzzle , even if the puzzle is complete.
De_philosopher_DJKyos
We had to process death with emotions, and expecting death, and mourning the loss of someone you loved, was not only inevitable for all of us, it was something that transformed us into a stronger version of ourselves.
Caesy L Bond
Coping with the demise of my relationship was unlike anything else I’d ever felt before. Someone in my family told me that it was like coping with a death: you grieve in the same way; you’re mourning the loss of a person. I suppose that’s just how I felt: empty and lost, like a piece of me had broken off and crumbled, never to return.
Will Darbyshire (This Modern Love)