Cyclone Love Quotes

If it's ka it'll come like a wind, and your plans will stand before it no more than a barn before a cyclone

What’s wrong with going with me?’ I ask. ‘No one wants to be stuck with love birds.’ Howler shakes his head. ‘Awkward,’ says Cyclone, already walking toward Thermo. ‘You think I’d do something to risk a fall?’ asks Raffe. ‘You can’t fall for anything you do here, Commander,’ says Thermo. ‘You’re already in the Pit, so technically, it’s equivalent to being in a Fallen state during the time you’re here.

Raffe arches his brow at me. ‘You should be with a nice human boy. One who takes your orders and puts up with your demands. Someone who dedicates his life to keeping you safe and well fed. Someone who can make you happy. Someone you can be proud of.’ He waves his hand at the Watchers. ‘There’s nobody like that in this lot.’ I glare at him. ‘I’ll be sure to pass him by you first before I’ – settle for – ‘choose him.’ ‘You do that. I’ll let him know what’s expected of him.’ ‘Assuming he survives your interrogation,’ says Howler. ‘Big assumption,’ says Cyclone. ‘I’d like to be there to watch,’ says Hawk. ‘Should be interesting.

Make love to me. Please. I’m dying for it, for you. And therein lay the other major problem. His body was a wreck along with his mind. His past addictions were spinning in desperation and it was taking everything he had to keep from flying apart. The hunger to hurt and be hurt had never been more volatile and each second he didn’t connect with Mercy, it grew worse. But how exactly was a monster cyclone supposed to connect with an angel and not rip her apart in ways that made him feel vile and dirty? Fuck, he never wanted to feel that with her.

Don’t think I don’t know what you did, love,” she grinned and didn’t say anything. “Feel free to manipulate me into bed any time. Cause after we sleep I’m waking you with my mouth in your panties.” As if to mark his place one of his hands slid down into the back of her underwear and stayed there while she tried to still the cyclone of need.

Money may not buy love, but it buys something like it. Not having any money makes love complicated.

Earthquakes can't shake us. Cyclones can't break us. Hurricanes can't take away our love...

Be the cyclone of love to extinguish the fire of hatred.

I could plot all day, but it didn’t matter if I didn’t fall into the story headfirst, if the story itself didn’t spin like a cyclone, pulling me wholly into itself. That was what I’d always loved about reading, what had driven me to write in the first place. That feeling that a new world was being spun like a spiderweb around you and you couldn’t move until the whole thing had revealed itself to you.

i wanted to take your hand and run with you together toward ourselves down the street to your street i wanted to laugh aloud and skip the notes past the marquee advertising “women in love” past the record shop with “The Spirit In The Dark” past the smoke shop past the park and no parking today signs past the people watching me in my blue velvet and i don’t remember what you wore but only that i didn’t want anything to be wearing you i wanted to give myself to the cyclone that is your arms and let you in the eye of my hurricane and know the calm before and some fall evening after the cocktails and the very expensive and very bad steak served with day-old baked potatoes after the second cup of coffee taken while listening to the rejected violin player maybe some fall evening when the taxis have passed you by and that light sort of rain that occasionally falls in new york begins you’ll take a thought and laugh aloud the notes carrying all the way over to me and we’ll run again together toward each other yes?

What’s wrong with going with me?” I ask. “No one wants to be stuck with love birds.” Howler shakes his head. “Awkward,” says Cyclone, already walking toward Thermo.

The cyclone had set the house down gently, very gently – for a cyclone—in the midst of a country of marvelous beauty. There were lovely patches of green sward all about, with stately trees bearing rich and luscious fruits. Banks of gorgeous flowers were on every hand, and birds with rare and brilliant plumage sang and fluttered in the trees and bushes. A little way off was a small brook, rushing and sparkling along between green banks, and murmuring in a voice very grateful to a little girl who had lived so long on the dry, gray prairies.

He was the wind and she water, and together they created a cyclone. One fueled by extremes. Love and hate, the rose and the thorn, the desert and the ocean, fire and water, light and dark.

1212Forget what they told you. You are love child of a passionate affair between goddess and universe. You were born of a steamy forbidden heat and you were made for the cyclone of unadulterated wholeness. You are a daughter of delight. You are the unconstrained mother of all. A fierce warrior. A wicked priestess. Your roots twist into this earth. Your spirit rises in glorious asana. You let loose with the howl of the wilderness you’ve held tight all these years. You are the wild. Untethered. Gloriously free.

Love is never safe,” Tina repeats. “It’s weird. It’s magical. It’s the moment when you break through the dark shell that protects your heart and say, this, this person. I’m going to let this person in, let him come so close that he can hurt me more than I can possibly imagine. I’m going to let him hurt me.” She inhales. “Love is never safe.” “And yet,” I say, “we do it anyway.” “We do it anyway.” Her voice is a quiet echo of mine, but her hands close on mine.

Lying on my bed, my brain cyclones with thoughts of men and boys and boys and men. All making the wrong choices.

The Crucified is the One most traumatized. He has borne the World Trade Center. He has carried the Iraq war, the destruction in Syria, the Rwandan massacres, the AIDS crisis, the poverty of our inner cities, and the abused and trafficked children. He was wounded for the sins of those who perpetrated such horrors. He has carried the griefs and sorrows of the multitudes who have suffered the natural disasters of this world--the earthquakes, cyclones, and tsunamis. And he has borne our selfishness, our complacency, our love of success, and our pride. He has been in the darkness. He has known the loss of all things. He has been abandoned by his Father. He has been to hell. There is no part of any tragedy that he has not known or carried. He has done this so that none of us need face tragedy alone because he has been there before us and will go with us. and what he has done for us in Gethsemane and at Calvary he ask us to do as well. We are called to enter into relationships centered on suffering so that we might reveal in flesh and blood the nature of the Crucified One.

It is still three days,” she says, “and there is always the Hunt. The ritual hunt to provide meat for the feasts. Then normally there are daily blessings, and rites that the temple performs. But this year there won’t be much of that. Everyone will be preparing for the Disembarking the night after the Hunt, and the Quickening on the night after that.” “The Disembarking,” he says. “Where you are presented to the suitors.” “Where the suitors are presented to us,” she says, and punches him in the arm. “All right. Ow. And the Quickening. That’s when you demonstrate your gift. How are you going to manage that?” he asks, and braces for another hit. Arsinoe chuckles instead. “I thought I would learn to juggle three herring,” she says. “Katharine will eat poison, and Mirabella . . . Mirabella can fart cyclones for all it will matter. The island will love her best.” “Fart cyclones,” Billy says, smirking. “Yes, you would like that, would you?” He shakes his head. “And after Beltane is over, that’s when you are courted, officially,” he says. “And when . . .” “And when we can kill one another,” Arsinoe says. 

In fiction, the story ends when Prince Charming whisks Cinderella away to his castle. But there’s a reason why the poor girl who wins herself a prince is usually an orphan. Because if she wasn’t… “Darling,” Charming would say in the scene after the end, “you know I love you, doll. But we have to talk about your parents. I’m thinking I should buy them a cottage, maybe something high up in the mountains, yeah? Don’t worry. You can always call. You can even visit them when I’m busy with my affairs of state.” Even with Cinderella’s essentially family-less status, the story always ends before the painful, embarrassing scenes that come a few years in. “Darling, I never meant to fall in love with Snow White. I swear it. But she was raised in a castle as a princess, you know? She gets me in a way you never will.

The planet was filling up with good-looking young worldlings built entirely of opposites, canceling themselves out and- speaking as a bloke- leaving nothing you'd honestly want to go for a drink with. This new species of guys paired city shoes with backwoods beards. They played in bands but they worked in offices. They hated the rich but they bought lottery tickets, they laughed at comedies about the shittiness of lives that were based quite pointedly on their own, and worst of all they were so endlessly bloody gossipy. Every single thing they did, from unboxing a phone through to sleeping with his athlese, they had this compulsion to stick it online and see what everyone else thought. Their lives were a howling vacuum that sucked in attention. He didn't see how Zoe could ever find love with this new breed of men with cyclonic souls that sucked like Dysons and never needed their bag changed in order to keep on and on sucking.

She was not afraid of cyclones in the darkest bile-green-and-black skies during storms that cracked off the limbs of oaks and the tops of pines and made the tin roof of the house and gallery pop and groan and bend upward at the edges. Nor of the hail that pocked the tin like buckshot raining down. Nor of lightning that split trees their length and left smoldering charred skeletons rooted to the wet, scorched earth. She was not afraid of God, with his sly and untrustworthy balance of love and wrath, who was yet curious enough to make himself vulnerable and walk among humans just like herself in the beautiful, harrowing embodiment of Jesus.

They [mountains] are portions of the heart of the earth that have escaped from the dungeon down below, and rushed up and out. For the heart of the earth is a great wallowing mass, not of blood, as in the hearts of men and animals, but of glowing hot melted metals and stones. And as our hearts keep us alive, so that great lump of heat keeps the earth alive: it is a huge power of buried sunlight—that is what it is. Now think: out of that caldron, where all the bubbles would be as big as the Alps if it could get room for its boiling, certain bubbles have bubbled out and escaped—up and away, and there they stand in the cool, cold sky—mountains. Think of the change, and you will no more wonder that there should be something awful about the very look of a mountain: from the darkness—for where the light has nothing to shine upon, it is much the same as darkness—from the heat, from the endless tumult of boiling unrest—up, with a sudden heavenward shoot, into the wind, and the cold, and the starshine, and a cloak of snow that lies like ermine above the blue-green mail of the glaciers; and the great sun, their grandfather, up there in the sky; and their little old cold aunt, the moon, that comes wandering about the house at night; and everlasting stillness, except for the wind that turns the rocks and caverns into a roaring organ for the young archangels that are studying how to let out the pent-up praises of their hearts, and the molten music of the streams, rushing ever from the bosoms of the glaciers fresh-born. Think too of the change in their own substance—no longer molten and soft, heaving and glowing, but hard and shining and cold. Think of the creatures scampering over and burrowing in it, and the birds building their nests upon it, and the trees growing out of its sides, like hair to clothe it, and the lovely grass in the valleys, and the gracious flowers even at the very edge of its armour of ice, like the rich embroidery of the garment below, and the rivers galloping down the valleys in a tumult of white and green! And along with all these, think of the terrible precipices down which the traveller may fall and be lost, and the frightful gulfs of blue air cracked in the glaciers, and the dark profound lakes, covered like little arctic oceans with floating lumps of ice. All this outside the mountain! But the inside, who shall tell what lies there? Caverns of awfullest solitude, their walls miles thick, sparkling with ores of gold or silver, copper or iron, tin or mercury, studded perhaps with precious stones—perhaps a brook, with eyeless fish in it, running, running ceaseless, cold and babbling, through banks crusted with carbuncles and golden topazes, or over a gravel of which some of the stones are rubies and emeralds, perhaps diamonds and sapphires—who can tell?—and whoever can't tell is free to think—all waiting to flash, waiting for millions of ages—ever since the earth flew off from the sun, a great blot of fire, and began to cool. Then there are caverns full of water, numbing cold, fiercely hot—hotter than any boiling water. From some of these the water cannot get out, and from others it runs in channels as the blood in the body: little veins bring it down from the ice above into the great caverns of the mountain's heart, whence the arteries let it out again, gushing in pipes and clefts and ducts of all shapes and kinds, through and through its bulk, until it springs newborn to the light, and rushes down the mountain side in torrents, and down the valleys in rivers—down, down, rejoicing, to the mighty lungs of the world, that is the sea, where it is tossed in storms and cyclones, heaved up in billows, twisted in waterspouts, dashed to mist upon rocks, beaten by millions of tails, and breathed by millions of gills, whence at last, melted into vapour by the sun, it is lifted up pure into the air, and borne by the servant winds back to the mountain tops and the snow, the solid ice, and the molten stream.

Everyone knows the great energies running amok cast terrible shadows, that each of the so-called senseless acts has its thread looping back through the world and into a human heart. And meanwhile the gold-trimmed thunder wanders the sky; the river may be filling the cellars of the sleeping town. Cyclone, fire, and their merry cousins bring us to grief — but these are the hours with the old wooden-god faces; we lift them to our shoulders like so many black coffins, we continue walking into the future. I don't mean there are no bodies in the river, or bones broken by the wind. I mean everyone who has heard the lethal train-roar of the tornado swears there was no mention ever of any person, or reason — I mean the waters rise without any plot upon history, or even geography. Whatever power of the earth rampages, we turn to it dazed but anonymous eyes; whatever the name of the catastrophe, it is never the opposite of love.

The Crucified is the One most traumatized. He has borne the World Trade Center. He has carried the Iraq war, the destruction in Syria, the Rwandan massacres, the AIDS crisis, the poverty of our inner cities, and the abused and trafficked children. He was wounded for the sins of those who perpetrated such horrors. He has carried the griefs and sorrows of the multitudes who have suffered the natural disasters of this world--the earthquakes, cyclones, and tsunamis. And he has borne our selfishness, our complacency, our love of success, and our pride. He has been in the darkness. He has known the loss of all things. He has been abandoned by his Father. He has been to hell. There is no part of any tragedy that he has not known or carried. He has done this so that none of us need face tragedy alone because he has been there before us and will go with u. and what he has done for us in Gethsemane and at Calvary he ask us to do as well. We are called to enter into relationships centered on suffering so that we might reveal in flesh and blood the nature of the Crucified One.

Almost Out Of The Sky" Almost out of the sky, half of the moon anchors between two mountains. Turning, wandering night, the digger of eyes. Let’s see how many stars are smashed in the pool. It makes a cross of mourning between my eyes, and runs away. Forge of blue metals, nights of stilled combats, my heart revolves like a crazy wheel. Girl who have come from so far, been brought from so far, sometimes your glance flashes out under the sky. Rumbling, storm, cyclone of fury, you cross above my heart without stopping. Wind from the tombs carries off, wrecks, scatters your sleepy root. The big trees on the other side of her, unprooted. But you, cloudless girl, question of smoke, corn tassel. You were what the wind was making with illuminated leaves. Behind the nocturnal mountains, white lily of conflagration, ah, I can say nothing! You were made of everything. Longing that sliced my breast into pieces, it is time to take another road, on which she does not smile. Storm that buries the bells, muddy swirl of torments, why touch her now, why make her sad. Oh to follow the road that leads away from everything, without anguish, death, winter waiting along it with their eyes open through the dew

build it had to be carried by wagon many miles. There were four walls, a floor and a roof, which made one room; and this room contained a rusty looking cookstove, a cupboard for the dishes, a table, three or four chairs, and the beds. Uncle Henry and Aunt Em had a big bed in one corner, and Dorothy a little bed in another corner. There was no garret at all, and no cellar--except a small hole dug in the ground, called a cyclone cellar, where the family could go in case one of those great whirlwinds arose, mighty enough to crush any building in its path. It was reached by a trap door in the middle of the floor, from which a ladder led down into the small, dark hole. When Dorothy stood in the doorway and looked around, she could see nothing but the great gray prairie on every side. Not a tree nor a house broke the broad sweep of flat country that reached to the edge of the sky in all directions. The sun had baked the plowed land into a gray mass, with little cracks running through it. Even the grass was not green, for the sun had burned the tops of the long blades until they were the same gray color to be seen everywhere. Once the house had been painted, but the sun blistered the paint and the rains washed it away, and now the house was as dull and gray as everything else. When Aunt Em came there to live she was a young, pretty wife. The sun and wind had changed her, too. They had taken the sparkle from her eyes and left them a sober gray; they had taken the red from her cheeks and lips, and they were gray also. She was thin and gaunt, and never smiled now. When Dorothy, who was an orphan, first came to her, Aunt Em had been so startled by the child's laughter that she would scream and press her hand upon her heart whenever Dorothy's merry voice reached her ears; and she still looked at the little girl with wonder that she could find anything to laugh at. Uncle Henry never laughed. He worked hard from morning till night and did not know what joy was. He was gray also, from his long beard to his rough boots, and he looked stern and solemn, and rarely spoke. It was Toto that made Dorothy laugh, and saved her from growing as gray as her other surroundings. Toto was not gray; he was a little black dog, with long silky hair and small black eyes that twinkled merrily on either side of his funny, wee nose. Toto played all day long, and Dorothy played with him, and loved him dearly. Today, however, they were not playing. Uncle Henry sat upon the doorstep and looked anxiously at the sky, which was even grayer than usual. Dorothy stood in the door with Toto in her arms, and looked at the sky too. Aunt Em was washing the

But here’s the tricky part about compassion and connecting: We can’t call just anyone. It’s not that simple. I have a lot of good friends, but there are only a handful of people whom I can count on to practice compassion when I’m in the dark shame place. If we share our shame story with the wrong person, they can easily become one more piece of flying debris in an already dangerous storm. We want solid connection in a situation like this—something akin to a sturdy tree firmly planted in the ground. We definitely want to avoid the following: The friend who hears the story and actually feels shame for you. She gasps and confirms how horrified you should be. Then there is awkward silence. Then you have to make her feel better. The friend who responds with sympathy (I feel so sorry for you) rather than empathy (I get it, I feel with you, and I’ve been there). If you want to see a shame cyclone turn deadly, throw one of these at it: “Oh, you poor thing.” Or, the incredibly passive-aggressive southern version of sympathy: “Bless your heart.” The friend who needs you to be the pillar of worthiness and authenticity. She can’t help because she’s too disappointed in your imperfections. You’ve let her down. The friend who is so uncomfortable with vulnerability that she scolds you: “How did you let this happen? What were you thinking?” Or she looks for someone to blame: “Who was that guy? We’ll kick his ass.” The friend who is all about making it better and, out of her own discomfort, refuses to acknowledge that you can actually be crazy and make terrible choices: “You’re exaggerating. It wasn’t that bad. You rock. You’re perfect. Everyone loves you.” The friend who confuses “connection” with the opportunity to one-up you: “That’s nothing. Listen to what happened to me one time!

The thundering heart!! Let the heart that is like a cyclone shower fire, if you are not like my shadow. I’m nowhere.. The thundering heart does not let me stable; the chasing heart does not even let me blink. I searched like a sky and am left as breath for you. My world has long become yours and loneliness waits for you. When the remembrances are poking the tender heart.. a new life gave a pleasure of touching you. You are ready for war and I am the weapon inside you. You are the concentration and destination, I have no doubts. Come on nice, in a pace of the cyclone... move on!!! It’s just the clanking sounds of victory in this way. Hey running age, reach the shore of my love becoming the breathe. Shout aloud this story of like world hears!

Sex, alone, is a mighty urge to action, but its forces are like a cyclone—they are often uncontrollable. When the emotion of love begins to mix itself with the emotion of sex, the result is calmness of purpose, poise, accuracy of judgment, and balance. What

After Steve’s death I received letters of condolence from people all over the world. I would like to thank everyone who sent such thoughtful sympathy. Your kind words and support gave me the strength to write this book and so much more. Carolyn Male is one of those dear people who expressed her thoughts and feelings after we lost Steve. It was incredibly touching and special, and I wanted to express my appreciation and gratitude. I’m happy to share it with you. It is with a still-heavy heart that I rise this evening to speak about the life and death of one of the greatest conservationists of our time: Steve Irwin. Many people describe Steve Irwin as a larrikin, inspirational, spontaneous. For me, the best way I can describe Steve Irwin is formidable. He would stand and fight, and was not to be defeated when it came to looking after our environment. When he wanted to get things done--whether that meant his expansion plans for the zoo, providing aid for animals affected by the tsunami and the cyclones, organizing scientific research, or buying land to conserve its environmental and habitat values--he just did it, and woe betide anyone who stood in his way. I am not sure I have ever met anyone else who was so determined to get the conservation message out across the globe, and I believe he achieved his aim. What I admired most about him was that he lived the conservation message every day of his life. Steve’s parents, Bob and Lyn, passed on their love of the Australian bush and their passion for rescuing and rehabilitating wildlife. Steve took their passion and turned it into a worldwide crusade. The founding of Wildlife Warriors Worldwide in 2002 provided Steve and Terri with another vehicle to raise awareness of conservation by allowing individuals to become personally involved in protecting injured, threatened, or endangered wildlife. It also has generated a working fund that helps with the wildlife hospital on the zoo premises and supports work with endangered species in Asia and Africa. Research was always high on Steve’s agenda, and his work has enabled a far greater understanding of crocodile behavior, population, and movement patterns. Working with the Queensland Parks and Wildlife Service and the University of Queensland, Steve was an integral part of the world’s first Crocs in Space research program. His work will live on and inform us for many, many years to come. Our hearts go out to his family and the Australia Zoo family. It must be difficult to work at the zoo every day with his larger-than-life persona still very much evident. Everyone must still be waiting for him to walk through the gate. His presence is everywhere, and I hope it lives on in the hearts and minds of generations of wildlife warriors to come. We have lost a great man in Steve Irwin. It is a great loss to the conservation movement. My heart and the hearts of everyone here goes out to his family. Carolyn Male, Member for Glass House, Queensland, Australia October 11, 2006

The cyclone ends. The sun returns; the lofty coconut trees lift up their plumes again; man does likewise. The great anguish is over; joy has returned; the sea smiles like a child.

THE EYE OF THE STORM Fear not that the whirlwind will carry you hence, Nor wait for its onslaught in breathless suspense, Nor shrink from the blight of the terrible hail, But pass through the edge to the heart of the tale, For there is a shelter, sunlighted and warm, And Faith sees her God through the eye of the storm. The passionate tempest with rush and wild roar And threatenings of evil may beat on the shore, The waves may be mountains, the fields battle plains, And the earth be immersed in a deluge of rains, Yet, the soul, stayed on God, may sing bravely its psalm, For the heart of the storm is the center of calm. Let hope be not quenched in the blackness of night, Though the cyclone awhile may have blotted the light, For behind the great darkness the stars ever shine, And the light of God’s heavens, His love will make thine, Let no gloom dim your eyes, but uplift them on high To the face of your God and the blue of His sky. The storm is your shelter from danger and sin, And God Himself takes you for safety within; The tempest with Him passes into deep calm, And the roar of the winds is the sound of a psalm. Be glad and serene when the tempest clouds form; God smiles on His child in the eye of the storm.

They grew some of their own vegetables, but Semple was never in eighteen years allowed out into the truck gardens. Instead, he watched out the north window of the violent ward through the thick cyclone mesh and felt himself out there, going down the rows of corn, cutting suckers or tugging up the dark-leafed weeds, feeling the strain low in his back and hearing the dry rustle of stalks in the July wind; the sun reddening his neck and rills of sweat cutting lines through the dust on his cheeks; bent over, his hands green stained and sore, blistered and cut from the weeds and the sharp-edged corn plant leaves; feet hot and swollen in state-issue shoes cracked and dirty; but smelling it, the corn, the dirt, the hand-mashed weeds, the sticky white milk gumming and clotting his fingers; the smell on cloudy days when everything was heavy with the expectancy of rain and sullen with the summer heat, the smell denser then, making him straighten up, his nose high, waiting for it, for something, a man in silhouette against the background of corn, like all the other men in cornfields and gardens and on farms, even the men in cities between the buildings on crowded streets lifting their noses to the heavy clouds and feeling the expectancy of the rain, waiting for the first thick drops to sound against the corn, to strike his face. And then the gallop home through sheets of rain, ducking into doorways, newspapers over heads, laughter coming up out of the heart at this common happening, and men together, in doorways, cafeterias, kitchens, barns, tractor sheds, or even in the lee of haystacks, looking at each other happily with wet red faces because it was raining hard. Loving it and feeling joy from such a thing. He stood at the window and made it happen, even under a blue sky. And would, early in his eighteen years, turn front eh window expressing how he felt in snapping wild-eyed growls and grunts, his hands jerking out of control and his legs falling out from under him, thrashing between the beds, bumping along the floors, his contorted face frightening the other madmen into shrieks and fits and dribbles; happy, so happy inside that it all burst in one white hot uncontrollable surge; the two white-coated attendants coming with their stockings full of powdered soap rolled into fists to club him without marking him, knocking him into enough submission that they could drag him twitching still across the open floor and out to the restraining sheets.

They grew some of their own vegetables, but Semple was never in eighteen years allowed out into the truck gardens. Instead, he watched out the north window of the violent ward through the thick cyclone mesh and felt himself out there, going down the rows of corn, cutting suckers or tugging up the dark-leafed weeds, feeling the strain low in his back and hearing the dry rustle of stalks in the July wind; the sun reddening his neck and rills of sweat cutting lines through the dust on his cheeks; bent over, his hands green stained and sore, blistered and cut from the weeds and the sharp-edged corn plant leaves; feet hot and swollen in state-issue shoes cracked and dirty; but smelling it, the corn, the dirt, the hand-mashed weeds, the sticky white milk gumming and clotting his fingers; the smell on cloudy days when everything was heavy with the expectancy of rain and sullen with the summer heat, the smell denser then, making him straighten up, his nose high, waiting for it, for something, a man in silhouette against the background of corn, like all the other men in cornfields and gardens and on farms, even the men in cities between the buildings on crowded streets lifting their noses to the heavy clouds and feeling the expectancy of the rain, waiting for the first thick drops to sound against the corn, to strike his face. And then the gallop home through sheets of rain, ducking into doorways, newspapers over heads, laughter coming up out of the heart at this common happening, and men together, in doorways, cafeterias, kitchens, barns, tractor sheds, or even in the lee of haystacks, looking at each other happily with wet red faces because it was raining hard. Loving it and feeling joy from such a thing. He stood at the window and made it happen, even under a blue sky. And would, early in his eighteen years, turn from the window expressing how he felt in snapping wild-eyed growls and grunts, his hands jerking out of control and his legs falling out from under him, thrashing between the beds, bumping along the floors, his contorted face frightening the other madmen into shrieks and fits and dribbles; happy, so happy inside that it all burst in one white hot uncontrollable surge; the two white-coated attendants coming with their stockings full of powdered soap rolled into fists to club him without marking him, knocking him into enough submission that they could drag him twitching still across the open floor and out to the restraining sheets.

amount to a fart in a cyclone. His parents and their parson had tried to sell him the same message, binding him to a hardscrabble farm and a church built on strict “thou shalt nots.” Ridgway had kicked over the traces, gone out on his own and proved them wrong. In spades. Once he was rich as Croesus—no, scratch that; richer than Croesus or the Lord Himself—small minds kept after him in other ways. They told him that he should concentrate on oil and gas, stick with the things he knew, where he had proven his ability. Don’t branch out into other fields and least of all space exploration. What did any Texas oil man with a sixth-grade education know about the friggin’ moon and stars beyond it? Next to nothing, granted. But he had money to burn, enough to buy the brains that did know all about the universe and rockets, astrophysics, interplanetary travel—name your poison. And he knew some other things, as well. Ridgway knew that his country had been losing ground for decades—hell, for generations. Ever since the last world war, when Roosevelt and Truman let Joe Stalin gobble up half of the world without a fight. The great U.S. of A. had been declining ever since, with racial integration and affirmative action, gay rights and abortion, losing wars all over Asia and the Middle East. He’d done his best to save America, bankrolling groups that stood against the long slide into socialism’s Sodom and Gomorrah, but he’d finally admitted to himself that they were beaten. His United States, the one he loved, was circling the drain. And it was time to start from scratch. He’d be goddamned if some inept redneck would spoil it now. You want a job done right, a small voice in his head reminded him, do it yourself. San Antonio CONGRESS HAD CREATED the National Nuclear Security Administration in 2000, following the scandal that had enveloped Dr. Wen Ho Lee and the Los Alamos National Laboratory. Lee had been accused of passing secrets about America’s nuclear arsenal to the People’s Republic of China, pleading guilty on one of fifty-nine charges, then turned around

Look at our previous example of the girl. Her life continued to get smaller and smaller as she allowed herself to believe the fear and choose a decreasing of choice, Light, and life. This was brought through the continual choice of agreement to fear. All of this is in choice. She never lost her choice. And no matter how far or small she got to experience herself, it was through continual choice. And a part of that choice was her agreeing to believe that she did not have choice. This is a beauty of the cycle or cyclone which the energy of fear is. When one believes that it must hand over its energy to fear, this energy is then used to reinforce and pull more energy into the experience itself until it can be blinding. But once again, at any moment, one may free oneself through the simple choice of Love and recognition of their Oneness.

Just as thoughts of love and endearment float like fireflies beneath the surface of my skin, they drop from my being entirely when I see a black figure pass the window adjacent to him. Before I can even alert him to the sight, I see his head turn ever so slightly, somehow hearing the footsteps outside the window. He turns to face me, shirtless, wearing only his black jeans as his direct eye contact demands mine. He stares with a wild, protective nature while holding a single finger to his lips, silencing me. My pulse pounds in my neck, a cyclone of terror hitting me in the gut, and yet he looks entirely too calm. The rest of his fingers raise as he holds out a palm, telling me to stay put. I curse beneath my breath, closing my eyes tightly as the door to the bedroom bursts open. Aero rests in the shadows behind the door while I stand near the wall of the bathroom, holding my breath as my eyes slowly open to the mirror, seeing the reflection of the intruder in our private space. As if knowing to clear the room, the masked man grips the edge of the door, about to peer behind it where Aero’s standing. I throw my wooden brush against the glass of the mirror, causing it to shatter entirely, stealing his attention, if only for a second. The man turns, seeing my form standing in the bathroom’s light. Taking quick strides towards me, I squint my eyes, expecting to be knocked off my ass by the approaching man. Aero emerges from the shadows without a sound. With a belt he grabbed from somewhere, he wraps it around the intruder’s neck, jetting the man back against his solid bare chest. The man’s eyes bulge beneath the cutout of the mask, his fingers clawing at the flesh of Aero’s flexed forearms as his grip tightens. Legs splay and kick out as the man slowly sinks to the ground, the seconds ticking away like minutes as I watch the life drain from him.

could plot all day, but it didn’t matter if I didn’t fall into the story headfirst, if the story itself didn’t spin like a cyclone, pulling me wholly into itself. That was what I’d always loved about reading, what had driven me to write in the first place. That feeling that a new world was being spun like a spiderweb around you and you couldn’t move until the whole thing had revealed itself to you.

I could plot all day, but it didn't matter if I didn't fall into the story headfirst, if the story itself didn't spin like a cyclone, pulling me wholly into itself. That was what I'd always loved about reading, what had driven me to write in the first place. That feeling that a new world was being spun like a spiderweb around you and you couldn't move until the whole thing had revealed itself to you.

The cyclone had set the house down very gently — for a cyclone — in the midst of a country of marvelous beauty. There were lovely patches of greensward

Bev’s the whole world to me. I love him like a cyclone. And I love him too the way a prairie feels when it’s still and calm at night, when the wind don’t blow an’ the spring flowers are in bloom and the stars shine soft.

For a second, I’m too shocked to react. I don’t know why; this thing has been lurking between us for weeks, never dormant, always present. But she’s been wary, pushing me away, and I didn’t expect this. My surprise lasts almost no time at all. Just a second’s worth of her lips against mine, her hands, warm against the cool, bare skin of my shoulders. My last intelligent thought is that I’m not letting this go to waste, and then I’m kissing her back. Wrapping my arm around her, bringing her close so that her body lies flush against mine. My free hand tangles in her dark hair, wrapping it around my fingers, following it up to her scalp, the line of her ear. She tastes so good—sweet, like an apple. Her hands slide down my chest, leaving a trail of heat, coming to rest on my hips. Tina shifts her weight and then straddles me. My nerves light up at that, sparking with desire. Fuck, I want her. She’s wearing jeans. I’m wearing jeans. Doesn’t matter that there’s layers of thick denim between us; my body still recognizes the feel of hips pressing against my pelvis. The friction of fabric is rough against my cock, but it’s everything I could have asked for. Her hands rise again, sliding up my chest to rest against my shoulders. She kisses me like she’s been thinking of this as long as I have, like this kiss has been building from the first day we saw each other. She kisses me like there’s no space between us. And there isn’t—not much. I’m not trying to escalate things. I’m not even really thinking about it. But when she smoothes her palm down my chest, my hand creeps up by her side, sliding up until I find the fabric of her bra. Under other circumstances, I might rip it off. But I don’t want to freak her out. I cup her breast in the palm of my hand. She gasps instantly. I was already hard; with that, I find myself turning to stone. Needing, wanting, stone. If I’m stone, she’s fire. Her hips grind into me as my thumb finds her nipple. My lips graze her neck. My tongue darts out and traces down her collarbone. I can’t even remember why I ever thought it was cold in here. It’s a fucking furnace. I pull her close. She’s so fucking responsive. It’s hot beyond belief to watch her go up in flames on top of me, to watch how the smallest touch, the slightest pressure in the right place, gets her going. I don’t have much of a thought process, but it goes something like yes, yes, more now. And she must be thinking the same thing—thank God—because she takes her shirt off. She’s wearing a simple white cotton bra, no padding, and her nipples poke through. I lean forward and catch one in my mouth. She likes it. She grinds against me. Her fingers clench on my shoulders, gripping tight, so fucking tight. I find her other breast—small enough that I can palm it with one hand, so that my fingers can explore every last inch. She’s letting out little moans that seem to go straight to my dick. “You,” I growl out, “have awesome tits.” She freezes on top of me. And then, seconds later, she pulls away. “Don’t.” She reaches for her shirt. “Don’t lie to me. I have nonexistent boobs.” I run my finger over her nipple. “Yeah? What’s this, then?” She shivers. “You have awesome tits,” I repeat. “I love touching them. Licking. Sucking. It makes me fucking wild to be able to drive you crazy like this. Tits are a fucking gift for sexual pleasure. So never tell me you have nonexistent boobs again. I think I just proved otherwise.” She draws in a deep breath. Her eyes meet mine. She looks almost shattered.

For a second, I’m too shocked to react. I don’t know why; this thing has been lurking between us for weeks, never dormant, always present. But she’s been wary, pushing me away, and I didn’t expect this. My surprise lasts almost no time at all. Just a second’s worth of her lips against mine, her hands, warm against the cool, bare skin of my shoulders. My last intelligent thought is that I’m not letting this go to waste, and then I’m kissing her back. Wrapping my arm around her, bringing her close so that her body lies flush against mine. My free hand tangles in her dark hair, wrapping it around my fingers, following it up to her scalp, the line of her ear. She tastes so good—sweet, like an apple. Her hands slide down my chest, leaving a trail of heat, coming to rest on my hips. Tina shifts her weight and then straddles me. My nerves light up at that, sparking with desire. Fuck, I want her. She’s wearing jeans. I’m wearing jeans. Doesn’t matter that there’s layers of thick denim between us; my body still recognizes the feel of hips pressing against my pelvis. The friction of fabric is rough against my cock, but it’s everything I could have asked for. Her hands rise again, sliding up my chest to rest against my shoulders. She kisses me like she’s been thinking of this as long as I have, like this kiss has been building from the first day we saw each other. She kisses me like there’s no space between us. And there isn’t—not much. I’m not trying to escalate things. I’m not even really thinking about it. But when she smoothes her palm down my chest, my hand creeps up by her side, sliding up until I find the fabric of her bra. Under other circumstances, I might rip it off. But I don’t want to freak her out. I cup her breast in the palm of my hand. She gasps instantly. I was already hard; with that, I find myself turning to stone. Needing, wanting, stone. If I’m stone, she’s fire. Her hips grind into me as my thumb finds her nipple. My lips graze her neck. My tongue darts out and traces down her collarbone. I can’t even remember why I ever thought it was cold in here. It’s a fucking furnace. I pull her close. She’s so fucking responsive. It’s hot beyond belief to watch her go up in flames on top of me, to watch how the smallest touch, the slightest pressure in the right place, gets her going. I don’t have much of a thought process, but it goes something like yes, yes, more now. And she must be thinking the same thing—thank God—because she takes her shirt off. She’s wearing a simple white cotton bra, no padding, and her nipples poke through. I lean forward and catch one in my mouth. She likes it. She grinds against me. Her fingers clench on my shoulders, gripping tight, so fucking tight. I find her other breast—small enough that I can palm it with one hand, so that my fingers can explore every last inch. She’s letting out little moans that seem to go straight to my dick. “You,” I growl out, “have awesome tits.” She freezes on top of me. And then, seconds later, she pulls away. “Don’t.” She reaches for her shirt. “Don’t lie to me. I have nonexistent boobs.” I run my finger over her nipple. “Yeah? What’s this, then?” She shivers. “You have awesome tits,” I repeat. “I love touching them. Licking. Sucking. It makes me fucking wild to be able to drive you crazy like this. Tits are a fucking gift for sexual pleasure. So never tell me you have nonexistent boobs again. I think I just proved otherwise.” She draws in a deep breath. Her eyes meet mine. She looks almost shattered.

To one student, he would say, “You get that work done or you’re not going to lunch,” and the kid’s pencil became an instantaneous cyclone of activity. To another he would say the same thing, and the kid would say, “Who cares?” Some kids respond to threats, and some don’t. They may do as they’re told, but they’re angry with the person who gave the order. Or they may perform the task in a way that is unsatisfactory simply to regain some of the control they had taken from them. In either case, they’re breaking the limit we’re trying to set. In

if it were up to me" if it were up to me I would live where you live in a small dark corner of your soul mornings I would water the roses and the poppies, and even the wild flowers that grow on the banks of your rememberings to the left, after you pass the bridge of adversity (in the blue room, the one you had sealed off until I arrived like a tropical cyclone, and you opened the windows...) if it were up to me, I would embed myself in your left ventricle that I might be part of the skein of your illusions I would stroll through the red of your blood, and to your lungs bring orange blossoms, fragrant carnations, honeysuckle I would breathe the air of your days, the jazmin of your nights would request unlimited passport, walk here, there, hallucinated traveler, through your interiors eternal passenger in the train of your dreams if it were up to me you would never go away we would become the horror, the shame of our children the laughter of the old, the song of the nightingale if it were up to me, my god, my love, my lord if it were up to me Eclectica Magazine (Vol. 3, No. 3, Sep/Oct 1999)

Steve didn’t fear death. Maybe that was part of his secret for being so gifted with wildlife. He had such perfect love for every animal, and especially crocodiles, that there didn’t seem to be any room left over for fear. But this didn’t mean that Steve didn’t have his share of close calls. One day I was feeding Cookie, Wes was feeding Mary, and our crew member Jan was backing up Wes. Steve talked to the zoo visitors about our big male, Agro, partially submerged in the water near Steve. Steve was so intent on getting his message across about crocodiles that he might have been a bit distracted. It had poured rain that day, leaving the grass wet and slippery. Agro took full advantage when Steve’s back was to the water. He powered forward like a missile, out of the water and halfway up the bank. As he came out, Wes yelled. Agro had Steve backed against the fence. Steve couldn’t move. I looked across the enclosure and saw the look on Steve’s face--it wasn’t fear, it was resolve. A big male saltwater croc was about to grab him. But for some unknown reason, Agro hesitated for a split second. Maybe he just couldn’t believe his luck. Or he was distracted by Wes, running over to save his best friend. Steve darted sideways and ran down the fence line. He was safe. The audience erupted in excited chatter. “Nothing short of a miracle,” a crowd member said about Steve’s escape. Was it? Was it his sixth sense? Was it his mate, Wes? That night we lay in bed and I stroked his face, tracing the lines that were starting to form around the corners of his eyes, waiting for his breathing to become more regular as he fell asleep. “I thought for a minute there he had me,” Steve said softly in the dark. Steve was never one to panic, and that kind of levelheaded thinking allowed him to return the favor to Wes in a much closer call during cyclone season in March 2001.