Mother Special Quotes

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For me, trees have always been the most penetrating preachers. I revere them when they live in tribes and families, in forests and groves. And even more I revere them when they stand alone. They are like lonely persons. Not like hermits who have stolen away out of some weakness, but like great, solitary men, like Beethoven and Nietzsche. In their highest boughs the world rustles, their roots rest in infinity; but they do not lose themselves there, they struggle with all the force of their lives for one thing only: to fulfil themselves according to their own laws, to build up their own form, to represent themselves. Nothing is holier, nothing is more exemplary than a beautiful, strong tree. When a tree is cut down and reveals its naked death-wound to the sun, one can read its whole history in the luminous, inscribed disk of its trunk: in the rings of its years, its scars, all the struggle, all the suffering, all the sickness, all the happiness and prosperity stand truly written, the narrow years and the luxurious years, the attacks withstood, the storms endured. And every young farmboy knows that the hardest and noblest wood has the narrowest rings, that high on the mountains and in continuing danger the most indestructible, the strongest, the ideal trees grow. Trees are sanctuaries. Whoever knows how to speak to them, whoever knows how to listen to them, can learn the truth. They do not preach learning and precepts, they preach, undeterred by particulars, the ancient law of life. A tree says: A kernel is hidden in me, a spark, a thought, I am life from eternal life. The attempt and the risk that the eternal mother took with me is unique, unique the form and veins of my skin, unique the smallest play of leaves in my branches and the smallest scar on my bark. I was made to form and reveal the eternal in my smallest special detail. A tree says: My strength is trust. I know nothing about my fathers, I know nothing about the thousand children that every year spring out of me. I live out the secret of my seed to the very end, and I care for nothing else. I trust that God is in me. I trust that my labor is holy. Out of this trust I live. When we are stricken and cannot bear our lives any longer, then a tree has something to say to us: Be still! Be still! Look at me! Life is not easy, life is not difficult. Those are childish thoughts. Let God speak within you, and your thoughts will grow silent. You are anxious because your path leads away from mother and home. But every step and every day lead you back again to the mother. Home is neither here nor there. Home is within you, or home is nowhere at all. A longing to wander tears my heart when I hear trees rustling in the wind at evening. If one listens to them silently for a long time, this longing reveals its kernel, its meaning. It is not so much a matter of escaping from one's suffering, though it may seem to be so. It is a longing for home, for a memory of the mother, for new metaphors for life. It leads home. Every path leads homeward, every step is birth, every step is death, every grave is mother. So the tree rustles in the evening, when we stand uneasy before our own childish thoughts: Trees have long thoughts, long-breathing and restful, just as they have longer lives than ours. They are wiser than we are, as long as we do not listen to them. But when we have learned how to listen to trees, then the brevity and the quickness and the childlike hastiness of our thoughts achieve an incomparable joy. Whoever has learned how to listen to trees no longer wants to be a tree. He wants to be nothing except what he is. That is home. That is happiness.
Hermann Hesse (Bäume: Betrachtungen und Gedichte)
Do you think the ability to sleep in counts as a special skill?” I asked Dad, trying to sound torn over the decision. “Yes, list that. And don’t forget to write that you can eat an entire meal in under five minutes,” he replied. I laughed. It was true; I did tend to inhale my food. “Oh, the both of you! Why don’t you just write down that you’re an absolute heathen!” My mother went storming from the room.
Kiera Cass (The Selection (The Selection, #1))
Your mother won a special reward," she told me, "because everyone had a head in her pictures. We all applauded.
Sarah Dessen (Dreamland)
Mr Capaldi believed there was nothing special inside Josie that couldn’t be continued. He told the Mother he’d searched and searched and found nothing like that. But I believe now he was searching in the wrong place. There was something very special, but it wasn’t inside Josie. It was inside those who loved her.
Kazuo Ishiguro (Klara and the Sun)
You ruin your life by desensitizing yourself. We are all afraid to say too much, to feel too deeply, to let people know what they mean to us. Caring is not synonymous with crazy. Expressing to someone how special they are to you will make you vulnerable. There is no denying that. However, that is nothing to be ashamed of. There is something breathtakingly beautiful in the moments of smaller magic that occur when you strip down and are honest with those who are important to you. Let that girl know that she inspires you. Tell your mother you love her in front of your friends. Express, express, express. Open yourself up, do not harden yourself to the world, and be bold in who, and how you love. There is courage in that.
Bianca Sparacino
I can always tell when you're reading somewhere in the house,' my mother used to say. 'There's a special silence, a reading silence.
Francis Spufford (The Child That Books Built: A Life in Reading)
You see, women have been essential to every great move of God. Yes, Moses led the Isaelites out of Egypt, but only after his mother risked her life to save him! Closer to our time, Clara Barton was instrumental in starting the Red Cross. Harriet Beecher Stowe's Uncle Tom's Cabin put fire into people's heart to end slavery in the United States. Rosa Parks kicked the Civil Rights movement into gear with her quiet act of courage. Eunice Kennedy Shriver created the Special Olympics. Mother Teresa inspired the world by bringing love to countless thought unlovable. And millions of other women quietly change the world every day by bringing the love of God to those around them.
Stasi Eldredge (Your Captivating Heart: Discover How God's True Love Can Free a Woman's Soul)
You're it for me, baby. Just you. You're not going to be your mother. You're special and unique and we're going to get you help. But I will be right by your side the entire time. I'll never leave you. I swear it.
Abbi Glines (Twisted Perfection (Rosemary Beach, #5; Perfection, #1))
In the deserted men's restroom at the back of Middleton Community College, Sam Keller knelt on the tile, braced his hands against Keith Jameson's thighs, and broke his mother's heart.
Heidi Cullinan (Special Delivery (Special Delivery, #1))
Every woman is a gift when she becomes a daughter, Every woman is beautiful when she becomes a lover, Every woman is special when she becomes a wife, Every woman is a god when she becomes a Mother
Vivek Thangaswamy
My mother said the first boy—or man—is a crush. You think you love them, but what you really love is how they make you feel. It’s not love. It’s lust. Lust for attention. Lust for danger. Lust to feel special. (...) The second is to learn about yourself. Your first crush has been crushed. You’re sad, but most of all, you’re angry. Angry enough to not let it happen again. (...) Love. When the lessons of your weakness with number one and your selfishness with number two sink in, and you find a medium. When you know who you are and you’re ready to welcome everything he is, and you’re not afraid anymore.
Penelope Douglas (Credence)
I am a cutter, you see. Also a snipper, a slicer, a carver, a jabber. I am a very special case. I have a purpose. My skin, you see, screams. It's covered with words - cook, cupcake, kitty, curls - as if a knife-wielding first-grader learned to write on my flesh. I sometimes, but only sometimes, laugh. Getting out of the bath and seeing, out of the corner of my eye, down the side of a leg: babydoll. Pull on a sweater and, in a flash of my wrist: harmful. Why these words? Thousands of hours of therapy have yielded a few ideas from the good doctors. They are often feminine, in a Dick and Jane, pink vs. puppy dog tails sort of way. Or they're flat-out negative. Number of synonyms for anxious carved in my skin: eleven. The one thing I know for sure is that at the time, it was crucial to see these letters on me, and not just see them, but feel them. Burning on my left hip: petticoat. And near it, my first word, slashed on an anxious summer day at age thirteen: wicked. I woke up that morning, hot and bored, worried about the hours ahead. How do you keep safe when your whole day is as wide and empty as the sky? Anything could happen. I remember feeling that word, heavy and slightly sticky across my pubic bone. My mother's steak knife. Cutting like a child along red imaginary lines. Cleaning myself. Digging in deeper. Cleaning myself. Pouring bleach over the knife and sneaking through the kitchen to return it. Wicked. Relief. The rest of the day, I spent ministering to my wound. Dig into the curves of W with an alcohol-soaked Q-tip. Pet my cheek until the sting went away. Lotion. Bandage. Repeat.
Gillian Flynn (Sharp Objects)
Mothers don't go to heaven when they die. They get special permission from God to stay around a bit longer and watch over their children, no matter what has passed between them in their brief mortal lives.
Elif Shafak (Honor)
Who were these people, these specially selected tenants? They were mothers and fathers and children. A dressmaker, a secretary, an inventor, a doctor, a judge. And, oh yes, one was a bookie, one was a burglar, one was a bomber, and one was a mistake.
Ellen Raskin
(Mother was doing that dragon thing of assuming her special perfect egg had a female dragonet inside. WRONG.)
Tui T. Sutherland (Prisoners (Wings of Fire: Winglets, #1))
I had the sense that something in my life had ended, my image of myself as a whole or normal person maybe. I realised my life would be full of mundane physical suffering, and that there was nothing special about it. Suffering wouldn’t make me special, and pretending not to suffer wouldn’t make me special. Talking about it, or even writing about it, would not transform the suffering into something useful. Nothing would. I thanked my mother for the lift to the station and got out of the car.
Sally Rooney (Conversations with Friends)
All his life the example of a syllogism he had studied in Kiesewetter's logic - "Caius is a man, men are mortal, therefore Caius is mortal" - had seemed to him to be true only in relation to Caius the man, man in general, and it was quite justified , but he wasn't Caius and he wasn't man in general, and he had always been something quite, quite special apart from all other beings; he was Vanya, with Mama, with Papa, with Mitya and Volodya, with his toys and the coachman, with Nyanya, then with Katenka, with all the joys, sorrows, passions of childhood, boyhood, youth. Did Caius know the smell of the striped leather ball Vanya loved so much?: Did Caius kiss his mother's hand like that and did the silken folds of Caius's mother's dress rustle like that for him? Was Caius in love like that? Could Caius chair a session like that? And Caius is indeed mortal and it's right that he should die, but for me, Vanya, Ivan Ilych, with all my feelings and thoughts - for me it's quite different. And it cannot be that I should die. It would be too horrible.
Leo Tolstoy (The Death of Ivan Ilych)
Coming back last time to the house she grew up in, Isabel had been reminded of the darkness that had descended with her brothers' deaths, how loss had leaked all over her mother's life like a stain. As a fourteen-year-old, Isabel had searched the dictionary. She knew that if a wife lost a husband, there was a whole new word to describe who she was: she was now a widow. A husband became a widower. But if a parent loss a child, there was no special label for their grief. They were still just a mother or a father, even if they no longer had a son or daughter. That seemed odd. As to her own status, she wondered whether she was still technically a sister, now that her adored brothers had died.
M.L. Stedman (The Light Between Oceans)
If being a grown-up really meant knowing better, why did his father go on smoking three packs of unfiltered cigarettes a day and snorting cocaine until his nose bled? If being a grown-up gave you some sort of special knowledge of the right things to do, how come his mother was sleeping with her masseuse, who had huge biceps and no brains?
Stephen King (Wolves of the Calla (The Dark Tower, #5))
Fathers and mothers have lost the idea that the highest aspiration they might have for their children is for them to be wise----as priests, prophets or philosophers are wise. Specialized competence and success are all that they can imagine.
Allan Bloom
The Shepherd laughed too. “I love doing preposterous things,” he replied. “Why, I don’t know anything more exhilarating and delightful than turning weakness into strength, and fear into faith, and that which has been marred into perfection. If there is one thing more than mother which I should enjoy doing at this moment it is turning a jellyfish into a mountain goat. That is my special work,” he added with the light of a great joy in his face. “Transforming things —to take Much-Afraid, for instance, and to transform her into—“ He broke off and then went on laughingly. “Well, we shall see later on what she finds herself transformed into.
Hannah Hurnard (Hinds Feet on High Places)
Colon has always thought that heroes had some special kind of clockwork that made them go out and die famously for god, country and apple pie, or whatever particular delicacy their mother made. It had never occurred to him that they might do it because they'd get yelled at if they didn't.
Terry Pratchett
A birthday is a glorious day filled with good laughter, gladness and great memories.
Lailah Gifty Akita (Pearls of Wisdom: Great mind)
Lust, learn, and love,” she says, placing the condiments and touching her finger to the ketchup. “My mother said the first boy—or man—is a crush. You think you love them, but what you really love is how they make you feel. It’s not love. It’s lust. Lust for attention. Lust for danger. Lust to feel special.” She looks between us. “You’re needy with number one. Needy for someone to love you.
Penelope Douglas (Credence)
Dear Josh, Thank you for giving me the most amazing memories. My life growing up was so full because you were in it. Having your love and loving you was always just right. It made sense. You were my home. When I was with you I knew everything would be okay. You dried my tears for me when I was sad. You held my hand when we buried my mother. You made me laugh when the world seemed like it was falling apart. You were every special memory a girl could have. That first kiss will forever be embedded in my brain. It was as funny as it was sweet. Our life together molded me into the woman I’ve become. I understand what it feels like to be loved and cherished because I had that with you. I never doubted my worth because you taught me I was worthy. When you said that one day I would heal I didn’t believe that was possible. Life couldn’t go one without my best friend. There was no room for another guy in my heart. It turns out you were right. You always were. I found him. He is incredible. He is nothing at all like I would have planned. He doesn’t fit into a perfect package. He managed to wiggle into my heart and take over before I knew what was happening. I found that happiness you told me would come along. I’m going to go live that life. I’m sure it will be a wilder ride than I ever imagined and I can’t wait to live it. He’s my home now. I’ll always love you. I’ll never forget you. But this is my goodbye. I wasn’t ready before to let you go. Now, I can move on. Your memory will live on in my heart always. Love, Your Eva Blue
Abbi Glines (While It Lasts (Sea Breeze, #3))
MY MOTHER GETS DRESSED It is impossible for my mother to do even the simplest things for herself anymore so we do it together, get her dressed. I choose the clothes without zippers or buckles or straps, clothes that are simple but elegant, and easy to get into. Otherwise, it's just like every other day. After bathing, getting dressed. The stockings go on first. This time, it's the new ones, the special ones with opaque black triangles that she's never worn before, bought just two weeks ago at her favorite department store. We start with the heavy, careful stuff of the right toes into the stocking tip then a smooth yank past the knob of her ankle and over her cool, smooth calf then the other toe cool ankle, smooth calf up the legs and the pantyhose is coaxed to her waist. You're doing great, Mom, I tell her as we ease her body against mine, rest her whole weight against me to slide her black dress with the black empire collar over her head struggle her fingers through the dark tunnel of the sleeve. I reach from the outside deep into the dark for her hand, grasp where I can't see for her touch. You've got to help me a little here, Mom I tell her then her fingertips touch mine and we work her fingers through the sleeve's mouth together, then we rest, her weight against me before threading the other fingers, wrist, forearm, elbow, bicep and now over the head. I gentle the black dress over her breasts, thighs, bring her makeup to her, put some color on her skin. Green for her eyes. Coral for her lips. I get her black hat. She's ready for her company. I tell the two women in simple, elegant suits waiting outside the bedroom, come in. They tell me, She's beautiful. Yes, she is, I tell them. I leave as they carefully zip her into the black body bag. Three days later, I dream a large, green suitcase arrives. When I unzip it, my mother is inside. Her dress matches her eyeshadow, which matches the suitcase perfectly. She's wearing coral lipstick. "I'm here," she says, smiling delightedly, waving and I wake up. Four days later, she comes home in a plastic black box that is heavier than it looks. In the middle of a meadow, I learn a naked more than naked. I learn a new way to hug as I tighten my fist around her body, my hand filled with her ashes and the small stones of bones. I squeeze her tight then open my hand and release her into the smallest, hottest sun, a dandelion screaming yellow at the sky.
Daphne Gottlieb (Final Girl)
Dad always said a person must have a magnificent reason for writing out his or her Life Story and expecting anyone to read it. Unless your name is something along the lines of Mozart, Matisse, Churchill, Che Guevara or Bond - James Bond - you best spent your free time finger painting or playing shuffeboard, for no one, with the exception of your flabby-armed mother with stiff hair and a mashed potato way of looking at you, will want to hear the particulars of your pitiable existence, which doubtlessly will end as it began - with a wheeze.
Marisha Pessl (Special Topics in Calamity Physics)
His gaze narrowed and she could see his hands twitching again like he’d love nothing more than to throttle her. She was beginning to think it was an affliction of his. Did he go around wanting to choke the life out of everyone or was she special in that regard? “I’m afraid ’tis an urge that is entirely original to you,” the laird barked. She clamped her mouth shut and closed her eyes. Mother Serenity had vowed one day Mairin would regret her propensity to blurt out her least little thought. Today just might be that day.
Maya Banks (In Bed with a Highlander (McCabe Trilogy, #1))
We don’t know each other, but I know that you must be very special. I can’t be there today, to watch my baby boy promise his love to you, but there are a few things that I think I might say to you if I were. First, thank you for loving my son. Of all my boys, Travis is the most tender hearted. He is also the strongest. He will love you with everything he has for as long as you let him. Tragedies in life sometimes change us, but some things never change. A boy without a mother is a very curious creature. If Travis is anything like his father, and I know that he is, he’s a deep ocean of fragility, protected by a thick wall of swear words and feigned indifference. A Maddox boy will take you all the way to the edge, but if you go with him, he’ll follow you anywhere. I wish more than anything that I could be there today. I wish I could see his face when he takes this step with you, and that I could stand there with my husband and experience this day with all of you. I think that’s one of the things I’ll miss the most. But today isn’t about me. You reading this letter means that my son loves you. And when a Maddox boy falls in love, he loves forever. Please give my baby boy a kiss for me. My wish for both of you is that the biggest fight you have is over who is the most forgiving. Love, Diane
Jamie McGuire (A Beautiful Wedding (Beautiful, #2.5))
I don't know, Jondalar. Maybe you haven't found the right woman. Maybe the Mother has someone special for you. She doesn't make many like you. You are really more than most women could bear. If all your love were concentrated on one, it could overwhelm her, if she wasn't one to whom the Mother gave equal gifts.
Jean M. Auel (The Valley of Horses (Earth's Children, #2))
In the 1890s, when Freud was in the dawn of his career, he was struck by how many of his female patients were revealing childhood incest victimization to him. Freud concluded that child sexual abuse was one of the major causes of emotional disturbances in adult women and wrote a brilliant and humane paper called “The Aetiology of Hysteria.” However, rather than receiving acclaim from his colleagues for his ground-breaking insights, Freud met with scorn. He was ridiculed for believing that men of excellent reputation (most of his patients came from upstanding homes) could be perpetrators of incest. Within a few years, Freud buckled under this heavy pressure and recanted his conclusions. In their place he proposed the “Oedipus complex,” which became the foundation of modern psychology. According to this theory any young girl actually desires sexual contact with her father, because she wants to compete with her mother to be the most special person in his life. Freud used this construct to conclude that the episodes of incestuous abuse his clients had revealed to him had never taken place; they were simply fantasies of events the women had wished for when they were children and that the women had come to believe were real. This construct started a hundred-year history in the mental health field of blaming victims for the abuse perpetrated on them and outright discrediting of women’s and children’s reports of mistreatment by men. Once abuse was denied in this way, the stage was set for some psychologists to take the view that any violent or sexually exploitative behaviors that couldn’t be denied—because they were simply too obvious—should be considered mutually caused. Psychological literature is thus full of descriptions of young children who “seduce” adults into sexual encounters and of women whose “provocative” behavior causes men to become violent or sexually assaultive toward them. I wish I could say that these theories have long since lost their influence, but I can’t. A psychologist who is currently one of the most influential professionals nationally in the field of custody disputes writes that women provoke men’s violence by “resisting their control” or by “attempting to leave.” She promotes the Oedipus complex theory, including the claim that girls wish for sexual contact with their fathers. In her writing she makes the observation that young girls are often involved in “mutually seductive” relationships with their violent fathers, and it is on the basis of such “research” that some courts have set their protocols. The Freudian legacy thus remains strong.
Lundy Bancroft (Why Does He Do That? Inside the Minds of Angry and Controlling Men)
if a parent loses a child, there was no special label for their grief. They were still just a mother or a father, even if they no longer had a son or daughter. That seemed odd.
M.L. Stedman (The Light Between Oceans)
We're all on our own, aren't we? That's what it boils down to. We come into this world on our own- in Hawaii, as I did, or New York, or China, or Africa or Montana- and we leave it in the same way, on our own, wherever we happen to be at the time- in a plane, in our beds, in a car, in a space shuttle, or in a field of flowers. And between those times, we try to connect along the way with others who are also on their own. If we're lucky, we have a mother who reads to us. We have a teacher or two along the way who make us feel special. We have dogs who do the stupid dog tricks we teach them and who lie on our bed when we're not looking, because it smells like us, and so we pretend not to notice the paw prints on the bedspread. We have friends who lend us their favorite books. Maybe we have children, and grandchildren, and funny mailmen and eccentric great-aunts, and uncles who can pull pennies out of their ears. All of them teach us stuff. They teach us about combustion engines and the major products of Bolivia, and what poems are not boring, and how to be kind to each other, and how to laugh, and when the vigil is in our hands, and when we have to make the best of things even though it's hard sometimes. Looking back together, telling our stories to one another, we learn how to be on our own.
Lois Lowry
You really do love him, don’t you?” she said quietly. Vadim blinked, then looked to the side, without seeing colours and patterns, but it helped him find words. Speaking about love without cliché, without borrowing somebody else’s well-worn words that were too comfortable. "Dan changed me in ways that stripped away the man I wanted to be, and the man I was made to be, and the man I was expected to be. He skinned me alive, and left only…..somebody who….” He breathed but barely. “…can live and die now, like a human being, not an automation, not somebody else’s creation. Dan took my fear of death. I can’t die now. I know I’m immortal.” “Immortal?” she said quietly, sitting still. “Your soul? Your being?” “I don’t believe there’s anything like a soul. But I believe most people are asleep. They aren’t even aware what they are, or that they are alive. And we are all scared to die, so when it happens we scream for our mothers and clutch our guts because we’re scared. I’m not. I’m not afraid of death. The only thing I’m afraid of is losing Dan.” But if that happens, he thought, Dan might just keep the promise and kill him on the way out.
Aleksandr Voinov (Special Forces - Mercenaries Part I (Special Forces, #2 part 1))
Mothers and daughters share a special bond." "I never knew how special until it wasn't there anymore. I'm twenty-seven, and when something good or bad happens in my life, I still wonder what my mom would think. I've lived more of my life without her than with her, but it still matters.
Barbara Freethy (Almost Home)
In the time you will live, there will be heroes around. Simple men, honest men who work two jobs, go to school, raise a family, and serve our God. An older couple who have the courage to seek out the truth while enduring the scorn and ridicule of their children and friends. A young man, a special spirit, who will take on a body that is deformed- and yet you will never see hime unhappy or without a smile on his face. A young mother who will care for a daughter while she suffers a painful death, and yet never doubt or loose faith that her Father loves them both. In your worl famous people will be hard to find. But you will be surrounded by heroes, you will meet them everyday. They will be the simple people who struggle but never give up, those who strive to be happy despite the cares of the physical world, those who dream of the day when they will find the truth, those who search for understanding as to why they were born, why there is pain, or what it all means, and yet continure to endure, knowing in their soul, somewhere deep inside, that there has to be an answer. These are the heroes that our Father needs down on earth. And you will be a hero. We already know that.
Chris Stewart
WAKE Dealing with an alcoholic single mother and endless hours of working at Heather Nursing Home to raise money for college, high-school senior Janie Hannagan doesn’t need more problems. But inexplicably, since she was eight years old, she has been pulled in to people’s dreams, witnessing their recurring fears, fantasies and secrets. Through Miss Stubin at Heather Home, Janie discovers that she is a dream catcher with the ability to help others resolve their haunting dreams. After taking an interest in former bad boy Cabel, she must distinguish between the monster she sees in his nightmares and her romantic feelings for him. And when she learns more about Cabel’s covert identity, Janie just may be able to use her special dream powers to help solve crimes in a suspense-building ending with potential for a sequel. McMann lures teens in by piquing their interest in the mysteries of the unknown, and keeps them with quick-paced, gripping narration and supportive characters.
Lisa McMann
Hey. You know Twilight?” He blinks. “Excuse me?” “Twilight. The vampire book.” His wary eyes study my face. “What about it?” “Okay, so you know how Bella’s blood is extra special? Like how it gives Edward a raging boner every time he’s around her?” “Are you f*cking with me right now?” I ignore that. “Do you think it happens in real life? Pheromones and all that crap. Is it a bullshit theory some horndog dreamed up so he could justify why he’s attracted to his mother or some shit? Or is there actually a biological reason why we’re drawn to certain people? Like goddamn Twilight. Edward wants her on a biological level, right?” “Are you seriously dissecting Twilight right now?
Elle Kennedy (The Score (Off-Campus, #3))
I know of other mothers who have children with disabilities,and right away they loved them and decided to fight for them. That isn’t my story.
Gillian Marchenko (Sun Shine Down: A Memoir)
The problem is, it's just not enough to live according to the rules. Sure, you manage to live according to the rules. Sometimes it's tight, extremely tight, but on the whole you manage it. Your tax papers are up to date. Your bills paid on time. You never go out without your identity card (and the special little wallet for your Visa!). Yet you haven’t any friends. The rules are complex, multiform. There’s the shopping that needs doing out of working hours, the automatic dispensers where money has to be got (and where you so often have to wait). Above all there are the different payments you must make to the organizations that run different aspects of your life. You can fall ill into the bargain, which involves costs, and more formalities. Nevertheless, some free time remains. What’s to be done? How do you use your time? In dedicating yourself to helping people? But basically other people don’t interest you. Listening to records? That used to be a solution, but as the years go by you have to say that music moves you less and less. Taken in its widest sense, a spot of do-it-yourself can be a way out. But the fact is that nothing can halt the ever-increasing recurrence of those moments when your total isolation, the sensation of an all-consuming emptiness, the foreboding that your existence is nearing a painful and definitive end all combine to plunge you into a state of real suffering. And yet you haven’t always wanted to die. You have had a life. There have been moments when you were having a life. Of course you don't remember too much about it; but there are photographs to prove it. This was probably happening round about the time of your adolescence, or just after. How great your appetite for life was, then! Existence seemed so rich in new possibilities. You might become a pop singer, go off to Venezuela. More surprising still, you have had a childhood. Observe, now, a child of seven, playing with his little soldiers on the living room carpet. I want you to observe him closely. Since the divorce he no longer has a father. Only rarely does he see his mother, who occupies an important post in a cosmetics firm. And yet he plays with his little soldiers and the interest he takes in these representations of the world and of war seems very keen. He already lacks a bit of affection, that's for sure, but what an air he has of being interested in the world! You too, you took an interest in the world. That was long ago. I want you to cast your mind back to then. The domain of the rules was no longer enough for you; you were unable to live any longer in the domain of the rules; so you had to enter into the domain of the struggle. I ask you to go back to that precise moment. It was long ago, no? Cast your mind back: the water was cold.
Michel Houellebecq (Whatever)
Beauty is an illusion, created by Mother Nature to drive the human species in the path of reproduction. In reality, beauty is irrelevant to human life, especially in a relationship. What you today perceive as beautiful and special, over time, becomes not so special. That’s how the human brain works. It is not beauty that keeps a relationship alive, it is attachment. Without attachment, a naked body is merely a lifeless sex toy.
Abhijit Naskar (The Bengal Tigress: A Treatise on Gender Equality (Humanism Series))
As a writer, politician, scientist, and businessman, [Ben] Franklin had few equals among the educated of his day—though he left school at ten. (...) Boys like Andrew Carnegie who begged his mother not to send him to school and was well on his way to immortality and fortune at the age of thirteen, would be referred today for psychological counseling; Thomas Edison would find himself in Special Ed until his peculiar genius had been sufficiently tamed.
John Taylor Gatto (The Underground History of American Education: An Intimate Investigation Into the Prison of Modern Schooling)
You’re just the special one. He loved your mother. She was his world and when she died you became his world. That’s just the way it is, and I’m damn happy he gives a shit when it comes to you,” Mase told her.
Abbi Glines (Take a Chance (Rosemary Beach, #7; Chance, #1))
A clean heart is a free heart. A free heart can love Christ with an undivided love in chastity, convinced that nothing and nobody will separate it from his love. Purity, chastity, and virginity created a special beauty in Mary that attracted God’s attention.
Mother Teresa
It's hard to explain. I mean... I don't know. I don't know anything anymore. When we were young, things were so much simpler... You have to understand that I'm not the girl I used to be. I'm a wide and a mother now, and like everyone else I am not perfect. I struggle with the choices I've made and I make mistakes, and half the time I wonder who I really am or what I'm doing or whether my life means anything at all. I'm not special at all, and you need to know that. You have to understand that I'm just...ordinary.
Nicholas Sparks (The Best of Me)
I said you weren’t inconsequential. No one is. We change at least one person’s life just by being born. If you don’t believe me, go ask your mother. The fellows who write history books may not think that’s so special. I happen to disagree. Isabelle and her family may be long gone, but because they lived, regardless of how small their lives may have been, I believe they are worth remembering, even if only by strangers. - BEFORE EVER AFTER
Samantha Sotto Yambao
Or you could be a serial killer who specializes in reading books, then seeking out the authors and murdering them in horrible ways. (If you happen to fall into that last category, you should know that my name isn’t really Alcatraz Smedry, nor is it Brandon Sanderson. My name is in fact Garth Nix, and you can find me in Australia. Oh, and I insulted your mother once. What’re you going to do about it, huh?)
Brandon Sanderson (The Scrivener's Bones (Alcatraz, #2))
I just want to know...if I am special,’ finished September, halfway between a whisper and a squeak. ‘In stories, when someone appears in a poof of green clouds and asks a girl to go away on an adventure, it’s because she’s special, because she’s smart and strong and can solve riddles and fight with swords and give really good speeches, and . . . I don’t know that I’m any of those things. I don’t even know that I’m as ill-tempered as all that. I’m not dull or anything, I know about geography and chess, and I can fix the boiler when my mother has to work. But what I mean to say is: Maybe you meant to go to another girl’s house and let her ride on the Leopard. Maybe you didn’t mean to choose me at all, because I’m not like storybook girls. I’m short and my father ran away with the army and I wouldn’t even be able to keep a dog from eating a bird.
Catherynne M. Valente (The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making (Fairyland, #1))
When your parents die, Alessandro, you feel that you have betrayed them." "Why?" Luciana asked. "Because you come to love your children more. I lost my mother and father to images in photographs and handwriting on letters, and as I abandoned them for you, the saddest thing was that they made no protest. "Even now that I'm going back to them, I regret above all that I must leave you." "You're not going back to anybody," Alessandro told him. "We'll solve those problems later." "Alessandro," his father said, almost cheerfully. "You don't understand. This kind of problem is very special: it has no solution.
Mark Helprin (A Soldier of the Great War)
Typically, the daughter of a narcissistic mother will choose a spouse who cannot meet her emotional needs. Even though our intuition will tell us in some way when something is not right for us, we tend to block it out if it isn’t saying what we want to hear. When the hope for love blossoms, we override the intuitive inner voice or gut feeling. Years of treating and interviewing daughters with maternal deprivation have shown me that we have a deep sense of intelligent intuition, but it seems to be accompanied by a special brand of “deafness.” In the desperate search for love that did not exist in her childhood, the daughter chooses not to pay attention to the red flags that may be waving. We do know. We just don’t listen. In
Karyl McBride (Will I Ever Be Good Enough?: Healing the Daughters of Narcissistic Mothers)
I am lying in the same bed where my mother died so long ago; on the same mattress, beneath the same black wool coverlet she wrapped us in to sleep. I slept beside her, her little girl, in the special place she made for me in her arms. I think I can still feel the calm rhythm of her breathing; the palpitations and sighs that soothed my sleep. . . . I think I feel the pain of her death. . . . But that isn't true. Here I lie, flat on my back, hoping to forget my loneliness by remembering those times. Because I am not here just for a while. And I am not in my mother's bed but in a black box like the ones for burying the dead. Because I am dead. I sense where I am, but I can think. . .
Juan Rulfo (Pedro Páramo)
Silver” is what I called girls who were natural beauties but who also smoothed on a layer of pretty from a jar. It wasn’t just how they looked, it was how they were. The name came from a song my mother sang sometimes when she was getting dressed to go out somewhere special. She sang along with Aretha Franklin at the end: “Sail on, silver girl… Your time has come to shine. All your dreams are on their way.
Tayari Jones (Silver Sparrow)
Julia never asked herself why bad things happen to good people, for she already knew the answer: bad things happen t everyone. Not that this was an excuse or a justification for wronging another human being. Still, all humans had this shared experience- that of suffering. No human being left this world without shedding a tear,of feeling pain,or wading into the sea of sorrow. Why should her life be any different? Why should she expect special, favoured treatment? Even Mother Teresa suffered, and she was a saint.
Sylvain Reynard (Gabriel's Inferno (Gabriel's Inferno, #1))
You have special abilities,” she goes on. “I don’t mean you are a witch or a fox spirit. And you’ve never seemed drawn to the special gift of healing or magic. Rather, you are like A-ma Mata, who gave birth to the Akha people, who pushed against her restraints, who said, ‘No, I will not accept my bad fate,’ and who endured against all odds with her intelligence, compassion, and perseverance. All that comes from this grove. And the mother tree.” A-ma
Lisa See (The Tea Girl of Hummingbird Lane)
My father was quiet ' she told him. 'My mother was not. They were polar opposites but you'd think they were a match made in heaven the way he loved her and she him. He'd sit and listen to her play for hours like it was their special language. I miss that the most their music. It made me feel . . . part of something beautiful.
Amalie Howard (Bloodspell (The Cruentus Curse, #1))
On the first day of November last year, sacred to many religious calendars but especially the Celtic, I went for a walk among bare oaks and birch. Nothing much was going on. Scarlet sumac had passed and the bees were dead. The pond had slicked overnight into that shiny and deceptive glaze of delusion, first ice. It made me remember sakes and conjure a vision of myself skimming backward on one foot, the other extended; the arms become wings. Minnesota girls know that this is not a difficult maneuver if one's limber and practices even a little after school before the boys claim the rink for hockey. I think I can still do it - one thinks many foolish things when November's bright sun skips over the entrancing first freeze. A flock of sparrows reels through the air looking more like a flying net than seventy conscious birds, a black veil thrown on the wind. When one sparrow dodges, the whole net swerves, dips: one mind. Am I part of anything like that? Maybe not. The last few years of my life have been characterized by stripping away, one by one, loves and communities that sustain the soul. A young colleague, new to my English department, recently asked me who I hang around with at school. "Nobody," I had to say, feeling briefly ashamed. This solitude is one of the surprises of middle age, especially if one's youth has been rich in love and friendship and children. If you do your job right, children leave home; few communities can stand an individual's most pitiful, amateur truth telling. So the soul must stand in her own meager feathers and learn to fly - or simply take hopeful jumps into the wind. In the Christian calendar, November 1 is the Feast of All Saints, a day honoring not only those who are known and recognized as enlightened souls, but more especially the unknowns, saints who walk beside us unrecognized down the millennia. In Buddhism, we honor the bodhisattvas - saints - who refuse enlightenment and return willingly to the wheel of karma to help other beings. Similarly, in Judaism, anonymous holy men pray the world from its well-merited destruction. We never know who is walking beside us, who is our spiritual teacher. That one - who annoys you so - pretends for a day that he's the one, your personal Obi Wan Kenobi. The first of November is a splendid, subversive holiday. Imagine a hectic procession of revelers - the half-mad bag lady; a mumbling, scarred janitor whose ravaged face made the children turn away; the austere, unsmiling mother superior who seemed with great focus and clarity to do harm; a haunted music teacher, survivor of Auschwitz. I bring them before my mind's eye, these old firends of my soul, awakening to dance their day. Crazy saints; but who knows what was home in the heart? This is the feast of those who tried to take the path, so clumsily that no one knew or notice, the feast, indeed, of most of us. It's an ugly woods, I was saying to myself, padding along a trail where other walkers had broken ground before me. And then I found an extraordinary bouquet. Someone had bound an offering of dry seed pods, yew, lyme grass, red berries, and brown fern and laid it on the path: "nothing special," as Buddhists say, meaning "everything." Gathered to formality, each dry stalk proclaimed a slant, an attitude, infinite shades of neutral. All contemplative acts, silences, poems, honor the world this way. Brought together by the eye of love, a milkweed pod, a twig, allow us to see how things have been all along. A feast of being.
Mary Rose O'Reilley (The Barn at the End of the World: The Apprenticeship of a Quaker, Buddhist Shepherd)
There were a few things she knew about Will Trent. He was tall, at least six-three, with a runner's lean body and the most beautiful legs she had ever seen on a man. His mother had been killed when he was less than a year old. He'd grown up in a children's home and never been adopted. He was a special agent with the GBI. He was one of the smartest men she had ever met, and he was so dyslexic that, as far as she could tell, he read no higher than a second-grade level.
Karin Slaughter (Fallen (Will Trent, #5))
My voice is nothing special, but when your mother tells you something about yourself, even if you've coaxed it out of her, it's hard not to always believe it. I sing to the geese. And I feel her. It's different from remembering her or yearning for her. I feel her near me. I don't know if she is the geese or the river or the sky or the moon. I don't know if she is outside of me or inside of me, but she is here. I feel her love for me. I feel my love reach her. A brief, easy exchange.
Lily King (Writers & Lovers)
Little girls are the nicest things that can happen to people. They are born with a bit of angel-shine about them, and though it wears thin sometimes, there is always enough left to lasso your heart—even when they are sitting in the mud, or crying temperamental tears, or parading up the street in Mother’s best clothes. A little girl can be sweeter (and badder) oftener than anyone else in the world. She can jitter around, and stomp, and make funny noises that frazzle your nerves, yet just when you open your mouth, she stands there demure with that special look in her eyes. A girl is Innocence playing in the mud, Beauty standing on its head, and Motherhood dragging a doll by the foot. God borrows from many creatures to make a little girl. He uses the song of a bird, the squeal of a pig, the stubbornness of a mule, the antics of a monkey, the spryness of a grasshopper, the curiosity of a cat, the speed of a gazelle, the slyness of a fox, the softness of a kitten, and to top it all off He adds the mysterious mind of a woman. A little girl likes new shoes, party dresses, small animals, first grade, noisemakers, the girl next door, dolls, make-believe, dancing lessons, ice cream, kitchens, coloring books, make-up, cans of water, going visiting, tea parties, and one boy. She doesn’t care so much for visitors, boys in general, large dogs, hand-me-downs, straight chairs, vegetables, snowsuits, or staying in the front yard. She is loudest when you are thinking, the prettiest when she has provoked you, the busiest at bedtime, the quietest when you want to show her off, and the most flirtatious when she absolutely must not get the best of you again. Who else can cause you more grief, joy, irritation, satisfaction, embarrassment, and genuine delight than this combination of Eve, Salome, and Florence Nightingale. She can muss up your home, your hair, and your dignity—spend your money, your time, and your patience—and just when your temper is ready to crack, her sunshine peeks through and you’ve lost again. Yes, she is a nerve-wracking nuisance, just a noisy bundle of mischief. But when your dreams tumble down and the world is a mess—when it seems you are pretty much of a fool after all—she can make you a king when she climbs on your knee and whispers, "I love you best of all!
Alan Beck
The majority of women in Welmont with children Charlie's age never miss a soccer game and don't earn special good mother status for being there. This is simply what good mothers do. These same mothers herald it an exceptional event if any of the dads leave the office early to catch a game. The fathers cheering on the sidelines are upheld as great dads. Fathers who miss the games are working. Mothers who miss the games, like me, are bad mothers.
Lisa Genova (Left Neglected)
The movement of descent and discovery begins at the moment you consciously become dissatisfied with life. Contrary to most professional opinion, this gnawing dissatisfaction with life is not a sign of "mental illness," nor an indication of poor social adjustment, nor a character disorder. For concealed within this basic unhappiness with life and existence is the embryo of a growing intelligence, a special intelligence usually buried under the immense weight of social shams. A person who is beginning to sense the suffering of life is, at the same time, beginning to awaken to deeper realities, truer realities. For suffering smashes to pieces the complacency of our normal fictions about reality, and forces us to become alive in a special sense—to see carefully, to feel deeply, to touch ourselves and our worlds in ways we have heretofore avoided. It has been said, and truly I think, that suffering is the first grace. In a special sense, suffering is almost a time of rejoicing, for it marks the birth of creative insight. But only in a special sense. Some people cling to their suffering as a mother to its child, carrying it as a burden they dare not set down. They do not face suffering with awareness, but rather clutch at their suffering, secretly transfixed with the spasms of martyrdom. Suffering should neither be denied awareness, avoided, despised, not glorified, clung to, dramatized. The emergence of suffering is not so much good as it is a good sign, an indication that one is starting to realize that life lived outside unity consciousness is ultimately painful, distressing, and sorrowful. The life of boundaries is a life of battles—of fear, anxiety, pain, and finally death. It is only through all manner of numbing compensations, distractions, and enchantments that we agree not to question our illusory boundaries, the root cause of the endless wheel of agony. But sooner or later, if we are not rendered totally insensitive, our defensive compensations begin to fail their soothing and concealing purpose. As a consequence, we begin to suffer in one way or another, because our awareness is finally directed toward the conflict-ridden nature of our false boundaries and the fragmented life supported by them.
Ken Wilber (No Boundary: Eastern and Western Approaches to Personal Growth)
You have to understand that I’m not the girl I used to be,” she said. “I’m a wife and a mother now, and like everyone else I’m not perfect. I struggle with the choices I’ve made and I make mistakes, and half the time I wonder who I really am or what I’m doing or whether my life means anything at all. I’m not special at all, Dawson, and you need to know that. You have to understand that I’m just… ordinary.” “You’re not ordinary.” Her look was pained but unflinching. “I know
Nicholas Sparks (The Best of Me)
You think I like this?” I say defensively. “Trust me, I don’t need this headache in my life.” I swallow a mouthful of beer. “Hey. You know Twilight?” He blinks. “Excuse me?” “Twilight. The vampire book.” His wary eyes study my face. “What about it?” “Okay, so you know how Bella’s blood is extra special? Like how it gives Edward a raging boner every time he’s around her?” “Are you fucking with me right now?” I ignore that. “Do you think it happens in real life? Pheromones and all that crap. Is it a bullshit theory some horndog dreamed up so he could justify why he’s attracted to his mother or some shit? Or is there actually a biological reason why we’re drawn to certain people? Like goddamn Twilight. Edward wants her on a biological level, right?” “Are you seriously dissecting Twilight right now?” God, I am. This is what Allie has reduced me to. A sad, pathetic loser who goes to a bar and forces his friend to participate in a Twilight book club.
Elle Kennedy (The Score (Off-Campus, #3))
If I died –” – Nick “Your father would have another child. That one won’t have your humanity. Your mother is what makes you special, Nick. Adarian’s next woman wouldn’t be her. His child wouldn’t be you. All of us are a culmination of vital parts of our parents and their pasts. A vital part of the circumstances we were raised with. Everything that happens to us, good and bad, leaves a lasting impression on our souls. You take one part of that out, and you can completely rewrite something crucial about us. By and large, we’re not shaped by the big things. It’s the little, day-to-day moments that make us who we are. Who we’re going to be.” – Nekoda
Sherrilyn Kenyon (Invincible (Chronicles of Nick, #2))
Hey,” Fitz said, leaning closer. “You trust me, don’t you?” Sophie’s traitorous heart still fluttered, despite her current annoyance. She did trust Fitz. Probably more than anyone. But having him keep secrets from her was seriously annoying. She was tempted to use her telepathy to steal the information straight from his head. But she’d broken that rule enough times to know the consequences definitely weren’t worth it. “What is with these clothes?” Biana interrupted, appearing out of thin air next to Keefe. Biana was a Vanisher, like her mother, though she was still getting used to the ability. Only one of her legs reappeared, and she had to hop up and down to get the other to show up. She wore a sweatshirt three sizes too big and faded, baggy jeans. “At least I get to wear my shoes,” she said, hitching up her pants to reveal purple flats with diamond-studded toes. “But why do we only have boy stuff?” “Because I’m a boy,” Fitz reminded her. “Besides, this isn’t a fashion contest.” “And if it was, I’d totally win. Right, Foster?” Keefe asked. Sophie actually would’ve given the prize to Fitz—his blue scarf worked perfectly with his dark hair and teal eyes. And his fitted gray coat made him look taller, with broader shoulders and— “Oh please.” Keefe shoved his way between them. “Fitz’s human clothes are a huge snoozefest. Check out what Dex and I found in Alvar’s closet!” They both unzipped their hoodies, revealing T-shirts with logos underneath. “I have no idea what this means, but it’s crazy awesome, right?” Keefe asked, pointing to the black and yellow oval on his shirt. “It’s from Batman,” Sophie said—then regretted the words. Of course Keefe demanded she explain the awesomeness of the Dark Knight. “I’m wearing this shirt forever, guys,” he decided. “Also, I want a Batmobile! Dex, can you make that happen?” Sophie wouldn’t have been surprised if Dex actually could build one. As a Technopath, he worked miracles with technology. He’d made all kinds of cool gadgets for Sophie, including the lopsided ring she wore—a special panic switch that had saved her life during her fight with one of her kidnappers. “What’s my shirt from?” Dex asked, pointing to the logo with interlocking yellow W’s. Sophie didn’t have the heart to tell him it was the symbol for Wonder Woman.
Shannon Messenger (Neverseen (Keeper of the Lost Cities, #4))
Trees are sanctuaries. Whoever knows how to speak to them, who ever knows how to listen to them, can learn the truth. They do not preach learning and precepts, they preach, undeterred by particulars, the ancient law of life. A tree says: A kernel is hidden in me, a spark, a thought, I am life from eternal life. The attempt and the risk that the eternal mother took with me is unique, unique the form and veins of my skin, unique the smallest play of leaves in my branches and the smallest scar on my bark. I was made to form and reveal the eternal in my own smallest special detail. A tree says: My strength is trust. I know nothing about my father, I know nothing about the thousand children that every year spring out of me. I live out the secret of my seed to the very end, and care for nothing else. I trust that God is in me. I trust that my labor is holy. Out of this trust I live.
Hermann Hesse
It was difficult to write about someone I felt I knew so well. The words were unwieldy, engorged with pretension. I wanted to uncover something special about her that only I could reveal. That she was so much more than a housewife, than a mother. That she was her own spectacular individual. Perhaps I was still sanctimoniously belittling the two roles she was ultimately most proud of, unable to accept that the same degree of fulfillment may await those who wish to nurture and love as those who seek to earn and create. Her art was the love that beat on in her loved ones, a contribution to the world that could be just as monumental as a song or a book. There could not be one without the other. Maybe I was just terrified that I might be the closest thing she had to leaving a piece of herself behind.
Michelle Zauner (Crying in H Mart)
Being raised by a narcissist is a special kind of crazy. It is a pure and lasersharp form of psychological and emotional abuse. But even more devastatingly, it is an invisible abuse. Neither the perpetrator nor the victim even knows it‟s happening. The perpetrator, the narcissist, doesn‟t think she‟s abusing anyone because, by definition, she‟s perfect, remember, and perfect people don‟t do imperfect things like abuse people. And the abuse victim, the daughter – this would be you – doesn‟t realise she‟s abused because she believes her mother‟s lies and thinks that everything is her fault, that she is the one who is broken.
Danu Morrigan (You're Not Crazy—It's Your Mother! Understanding and Healing for Daughters of Narcissistic Mothers)
Every kind of language is... specialized form of bodily gesture, and in this sense it may be said that the dance is the mother of all languages... an original language of total bodily gesture. This "original" language of total bodily gesture is thus the one and only real language, which everybody who is in any way expressing himself is using all the time. What we call speech and the other kinds of language are only parts of it which have undergone specialized development.
R.G. Collingwood (The Principles of Art)
Travis doesn’t remember much about it, but he was close to his mom, and after we lost her he was never the same. I thought he’d grow out of it, you know, with him being so young. It was hard on all of us, but Trav…he quit trying to love people after that. I was surprised that he brought you here. The way he acts around you, the way he looks at you; “That’s what I thought. You have to be patient with him. Travis doesn’t remember much about it, but he was close to his mom, and after we lost her he was never the same. I thought he’d grow out of it, you know, with him being so young. It was hard on all of us, but Trav…he quit trying to love people after that. I was surprised that he brought you here. The way he acts around you, the way he looks at you; I knew you were somethin’ special.” “I know it’s hard not to blame him, but you have to love him, anyway, Abby. You’re the only woman he’s loved besides his mother. I don’t know what it’ll do to him if you left him, too.” “I’ve never seen him smile the way he does when he’s with you. I hope all my boys have an Abby one day.
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
I watched him as he lined up the ships in bottles on his deck, bringing them over from the shelves where they usually sat. He used an old shirt of my mother's that had been ripped into rags and began dusting the shelves. Under his desk there were empty bottles- rows and rows of them we had collected for our future shipbuilding. In the closet were more ships- the ships he had built with his own father, ships he had built alone, and then those we had made together. Some were perfect, but their sails browned; some had sagged or toppled over the years. Then there was the one that had burst into flames in the week before my death. He smashed that one first. My heart seized up. He turned and saw all the others, all the years they marked and the hands that had held them. His dead father's, his dead child's. I watched his as he smashed the rest. He christened the walls and wooden chair with the news of my death, and afterward he stood in the guest room/den surrounded by green glass. The bottle, all of them, lay broken on the floor, the sails and boat bodies strewn among them. He stood in the wreckage. It was then that, without knowing how, I revealed myself. In every piece of glass, in every shard and sliver, I cast my face. My father glanced down and around him, his eyes roving across the room. Wild. It was just for a second, and then I was gone. He was quiet for a moment, and then he laughed- a howl coming up from the bottom of his stomach. He laughed so loud and deep, I shook with it in my heaven. He left the room and went down two doors to my beadroom. The hallway was tiny, my door like all the others, hollow enough to easily punch a fist through. He was about to smash the mirror over my dresser, rip the wallpaper down with his nails, but instead he fell against my bed, sobbing, and balled the lavender sheets up in his hands. 'Daddy?' Buckley said. My brother held the doorknob with his hand. My father turned but was unable to stop his tears. He slid to the floor with his fists, and then he opened up his arms. He had to ask my brother twice, which he had never to do do before, but Buckley came to him. My father wrapped my brother inside the sheets that smelled of me. He remembered the day I'd begged him to paint and paper my room purple. Remembered moving in the old National Geographics to the bottom shelves of my bookcases. (I had wanted to steep myself in wildlife photography.) Remembered when there was just one child in the house for the briefest of time until Lindsey arrived. 'You are so special to me, little man,' my father said, clinging to him. Buckley drew back and stared at my father's creased face, the fine bright spots of tears at the corners of his eyes. He nodded seriously and kissed my father's cheek. Something so divine that no one up in heaven could have made it up; the care a child took with an adult. 'Hold still,' my father would say, while I held the ship in the bottle and he burned away the strings he'd raised the mast with and set the clipper ship free on its blue putty sea. And I would wait for him, recognizing the tension of that moment when the world in the bottle depended, solely, on me.
Alice Sebold (The Lovely Bones)
In the 1890s, when Freud was in the dawn of his career, he was struck by how many of his female patients were revealing childhood incest victimization to him. Freud concluded that child sexual abuse was one of the major causes of emotional disturbances in adult women and wrote a brilliant and humane paper called “The Aetiology of Hysteria.” However, rather than receiving acclaim from his colleagues for his ground-breaking insights, Freud met with scorn. He was ridiculed for believing that men of excellent reputation (most of his patients came from upstanding homes) could be perpetrators of incest. Within a few years, Freud buckled under this heavy pressure and recanted his conclusions. In their place he proposed the “Oedipus complex,” which became the foundation of modern psychology. According to this theory any young girl actually desires sexual contact with her father, because she wants to compete with her mother to be the most special person in his life. Freud used this construct to conclude that the episodes of incestuous abuse his clients had revealed to him had never taken place; they were simply fantasies of events the women had wished for when they were children and that the women had come to believe were real. This construct started a hundred-year history in the mental health field of blaming victims for the abuse perpetrated on them and outright discrediting of women’s and children’s reports of mistreatment by men.
Lundy Bancroft (Why Does He Do That? Inside the Minds of Angry and Controlling Men)
The grey-eyed morn smiles on the frowning night, Chequering the eastern clouds with streaks of light, And flecked darkness like a drunkard reels From forth day's path and Titan's fiery wheels: Now, ere the sun advance his burning eye, The day to cheer and night's dank dew to dry, I must up-fill this osier cage of ours With baleful weeds and precious-juiced flowers. The earth that's nature's mother is her tomb; What is her burying grave that is her womb, And from her womb children of divers kind We sucking on her natural bosom find, Many for many virtues excellent, None but for some and yet all different. O, mickle is the powerful grace that lies In herbs, plants, stones, and their true qualities: For nought so vile that on the earth doth live But to the earth some special good doth give, Nor aught so good but strain'd from that fair use Revolts from true birth, stumbling on abuse: Virtue itself turns vice, being misapplied; And vice sometimes by action dignified. Within the infant rind of this small flower Poison hath residence and medicine power: For this, being smelt, with that part cheers each part; Being tasted, slays all senses with the heart. Two such opposed kings encamp them still In man as well as herbs, grace and rude will; And where the worser is predominant, Full soon the canker death eats up that plant.
William Shakespeare (Romeo and Juliet)
The African powers, child. The spirits. The loas. The orishas. The oldest ancestors. You will hear people from Haiti and Cuba and Brazil and so call them different names. You will even hear some names I ain’t tell you, but we all mean the same thing. Them is the ones who does carry we prayers to God Father, for he too busy to listen to every single one of we on earth talking at he all the time. Each of we have a special one who is we father or mother, and no matter what we call it, whether Shango or Santeria or Voudun or what, we all doing the same thing. Serving the spirits.
Nalo Hopkinson (Brown Girl in the Ring)
Russkie, promise me a simple thing?" Out of the blue when they had finished, after a mouthful from the mug. Dan seemed relaxed, leaning on his side. Resting back, savoring the taste, Vadim turned his head to look at Dan. Oh, that body. The effect it had on him, all the time, even when Dan wasn't there. Twelve months. "Promise what?" Sometimes, that kind of thing was about letters. Tell my girl I love her. Tell my mother I didn't suffer. Almost painful. Letters. Words that would hurt worse than the killing bullet. "Simple." Dan nodded, "if I'm unlucky, and if you find my body, will you bury it? Some rocks would do, I can't stand the thought of carrion's. As if that mattered, eh? I'd be fucking dead." Dan shrugged, tossed a grin towards the other, made light of an entirely far too heavy situation. He took the bottle once more, washing down the taste of death and decay, chasing away unbidden images. Vadim felt a shudder race over his skin. The thought of death chilled him to the bone, like a premonition. For a moment he saw himself stagger through enemy territory, looking for something that had been Dan. Minefields, snipers, fucking Hind hellfire. He might be able to track him. He might be able to guess where he had gone, where he had fallen. He had found the occasional pilot. But he had had help. Finding a dead man in a country full of dead people was more of a challenge. "I'll send you home," he murmured. Stay alive, he thought. Stay alive like you are now. I don't want to carry your rotting body to fucking Kabul and hand myself in to whatever bastard is your superior or handler there, but it must be Kabul. I can't hand myself over. But I will. Fuck you. He felt his face twitch, and turned away, breathing. "No, I have no home anymore." Dan's hand stopped Vadim from turning over fully. Fingers digging into the muscular thigh. "Not my brother's family. Nowhere to send the body to. Forget it." Grip tightening while he moved closer. Ignored the heat, the damned fan and its monotonous creaking, pressed his body behind the other. "You're as close to a fucking home as I get.
Marquesate (Special Forces - Soldiers (Special Forces, #1))
TEN THINGS THAT PEOPLE WHO DIDN'T READ THE FIRST BOOK REALLY OUGHT TO KNOW. I. One day, your father and mother were hugging, and they began to have special feelings. Warm feelings that tingled in their private places. It is likely they weren't wearing any clothes. At any rate, they began to rub against each other like two sticks trying to start a fire, and nine months later, you were born. If this is news to you, please put this book down now. There may well be big bad wolves and evil witches and fairies in the pages that follow, but I promise you, this isn't a children's story.
Elliott James (Daring (Pax Arcana, #2))
I love God, whoever he is, and I’d really like to get closer to him. I’ve been thinking about how one of the simplest ways to get close to a woman is to be good to her children. To be kind and gentle and to pay close attention to the things that make them special. To try to see her children the way she sees her children. And how God made us in his image. How he is the mother and father of all of us. So I wonder if that would be the best way to get closer to him too. By being kind and gentle to his children and noticing all of the things that make them special. So many of us spend our time trying to find God in books, but maybe the simplest way to God is directly through the hearts of his children.
Glennon Doyle Melton (Carry On, Warrior: Thoughts on Life Unarmed)
Lord, you have granted me your secret friendship by opening the sacred ark of your divinity, your deified heart, to me in so many ways as to be the source of all my happiness; sometimes imparting it freely, sometimes as a special mark of our mutual friendship. You have so often melted my soul with your loving caresses that, if I did not know the abyss of your overflowing condescensions, I should be amazed were I told that even your Blessed Mother had been chosen to receive such extraordinary marks of tenderness and affection (Adapted from The Life and Revelations of Saint Gertrude).
Gertrude the Great (Life and Revelations of St Gertrude the Great)
She repeated what her mother had told me, that she had been moved when she heard me playing as she passed the house. She had seen me on the street a few times, too, and begun to worship me. She actually used that word: worship. It made me turn bright red. I mean, to be 'worshiped' by such a beautiful little doll of a girl! I don't think it was an absolute lie, though. I was in my thirties already, of course, and I could never be as beautiful and bright as she was, and I had no special talent, but I must have had something that drew her to me, something that was missing in her, I would guess. Which must have been what got her interested in my to begin with. I believe that now, looking back. And I'm not boasting.
Haruki Murakami (Norwegian Wood)
I see, in place of that empty figment of one linear history which can be kept up only by shutting one’s eyes to the overwhelming multitude of facts, the drama of a number of mighty Cultures, each springing with primitive strength from the soil of a mother-region to which it remains firmly bound throughout it’s whole life-cycle; each stamping its material, its mankind, in its own image; each having its own idea, its own passions, its own life, will and feelings, its own death. Here indeed are colours, lights, movements, that no intellectual eye has yet discovered. Here the Cultures, peoples, languages, truths, gods, landscapes bloom and age as the oaks and the pines, the blossoms, twigs and leaves - but there is no ageing “Mankind.” Each Culture has its own new possibilities of self-expression which arise, ripen, decay and never return. There is not one sculpture, one painting, one mathematics, one physics, but many, each in the deepest essence different from the others, each limited in duration and self-contained, just as each species of plant has its peculiar blossom or fruit, its special type of growth and decline.
Oswald Spengler (The Decline of the West)
I wondered what kind of girl she'd be, and if she'd ever see the comet that was her name, and Grandma Halley's, and mine. I knew I'd try, one day, to take her and show her the sky, hold her against my lap as I told her how the comet went overhead, how it was clear and beautiful, and special, just like her. I hoped that Grace would be a little bit of the best of all of us; Scarlett's spirit, and my mother's strength, Marion's determination, and Michael's sly humor. I wasn't sure what I could give, not just yet. But I knew when I told her about the comet, years from now, I would know. And I would lean close to her ear, saying the words no one else could hear, explaining it all. The language of solace, and comets, and the girls we all become, in the end.
Sarah Dessen (Someone Like You)
There is a peculiar strength that comes to one who is facing the final battle. That battle is not limited to war, nor the strength to warriors. I've seen this strength in old women with the coughing sickness and heard of it in families that are starving together. It drives one to go on, past hope or despair, past blood loss and gut wounds, past death itself in a final surge to save something that is cherished. It is courage without hope. During the Red-Ship Wars, I saw a man with blood gouting in spurts from where his left arm had once been yet swinging a sword with his right as he stood protecting a fallen comrade. During one encounter with Forged Ones, I saw a mother stumbling over her own entrails as she shrieked and clutched at a Forged man, trying to hold him away from her daughter. The OutIslanders have a word for that courage. "Finblead", they call it, the last blood, and they believe that a special fortitude resides in the final blood that remains in a man or a woman before they fall. According to their tales, only then can one find and use that sort of courage. It is a terrible bravery and at its strongest and worst, it goes on for months when one battles a final illness. Or, I believe, when one moves toward a duty that will result in death but is completely unavoidable. That "finblead" lights everything in one's life with a terrible radiance. All relationships are illuminated for what they are and for what they truly were in the past. All illusions melt away. The false is revealed as starkly as the true.
Robin Hobb (Assassin's Fate (The Fitz and the Fool, #3))
Grave What do you think of my new glasses I asked as I stood under a shade tree before the joined grave of my parents, and what followed was a long silence that descended on the rows of the dead and on the fields and the woods beyond, one of the one hundred kinds of silence according to the Chinese belief, each one distinct from the others, but the differences being so faint that only a few special monks were able to tell them apart. They make you look very scholarly, I heard my mother say once I lay down on the ground and pressed an ear into the soft grass. Then I rolled over and pressed my other ear to the ground, the ear my father likes to speak into, but he would say nothing, and I could not find a silence among the 100 Chinese silences that would fit the one that he created even though I was the one who had just made up the business of the 100 Chinese silences - the Silence of the Night Boat and the Silence of the Lotus, cousin to the Silence of the Temple Bell only deeper and softer, like petals, at its farthest edges.
Billy Collins (Horoscopes for the Dead)
I grew up with nobody. I grew up…with literally no friends. I grew up without a care in the world. I grew up thinking I’d be a lonely human walking on grass. I grew up saying I’m gonna be alone forever. I grew up hugging myself when I was sad. I grew up crying on my mothers shoulder. …. I now have my younger, and older siblings. I now have friends online or not. I now care about everyone except myself. I now realize I’m not as lonely as I was before. I’m walking on the moon. I now realize that I won’t stay alone forever. I have someone special now. I now hug my own screen because I love every little icon I see that says hello. And now….my real mum may be gone, but I still have my siblings. I have things I didn’t have before. Things I thought I wouldn’t have… And I’m feeling better than ever.
Howler the Icewing
They had pulled me from the hemorrhaging, dying body of my mother and turned me over to the care of the man who was not my father. He had taken me home to their tiny apartment above the old hardware store and done what little he knew to take care of me. It took less than six weeks for him to realize his mistake. Maybe even less than six hours, but he never abandoned me. He clung to me as though I was the last remnant of some great and powerful love. And that gave me hope that maybe my mother was really something else and not just some girl who got knocked up by a guy whose name she didn’t even know. She was something special, someone worthy of a man’s loyalty and devotion. --Rocky Evans
Gwenn Wright (Filter (The Von Strassenberg Saga, #1))
There are lots of girls out there, Joshy. You’ll probably date a bunch of them. Or maybe you’ll only date a few. But one day, you’ll find the one.” He’d given Josh an all-knowing smile and wiped his hands on a napkin. “It will probably knock you over when you least expect it. At least that’s what happened with me. Your mother walked into my Biology 101 lab in college and there was something about her that made me take notice. We were lab partners and I could hardly focus on what we needed to do. I asked her out before we left the room. We were engaged a year later, but I knew right away I’d marry her someday. And every day I spent with her only made me more certain. She’d look at me in this special way…and my heart would melt. I wanted to make all her dreams come true and you know what? I’ve spent my life trying. I’ve never loved anyone as much as I love your mother and I never will.” And with that, his father had picked up another slice of pizza. “Someday you’ll find the one. And I can’t wait to meet her once you do.
Denise Grover Swank (The Substitute (The Wedding Pact, #1))
She helps me to the bathroom, helps me wash, then helps me put a gazillion tangles in my hair while she shampoos it. And she actually thinks we’re going to leave it that way. “I’m not going downstairs looking like a hobo,” I tell her. “We have to comb it.” “That thick mess will break this flimsy comb. Can’t you just run your fingers through it?” It’s weird to be arguing about my hair when we still haven’t discussed my wound, how I got it, and how I came to be snoring in Galen’s bed. We both seem to appreciate the bizarreness at the same time. Mom raises a brow. “Don’t think you get special treatment just because you can make a whale do the tango. I’m still your mother.” We both laugh so hard I think I feel a tiny rip in my newly dressed wound. Without warning, Mom throws her arms around me, careful to avoid touching it. “I’m so proud of you, Emma. And I know your father would be, too. Your grandfather can’t stop talking about it. You were amazing.” Ah, the bonding power of tangled hair and dancing whales. She releases me the second before it gets awkward. “Let’s get you dressed. We have a lot to discuss. And I get you’re starving. Rachel made you…uh…Upchuck Eggs.” “She gets an A for effort.
Anna Banks (Of Triton (The Syrena Legacy, #2))
My mother said no woman should get married until they’ve had at least three…” She waves her hand as if I know how to finish that sentence. “Three…?” my father prompts her. “Lovers,” she blurts out. “Boyfriends, whatever.” I pinch my eyebrows together. “What the hell are you talking about?” She lets out a sigh, straightening her spine and looking visibly uncomfortable. Finally, she takes the ketchup, Heinz sauce, and A.1. bottle, moving them one next to the other. “Lust, learn, and love,” she says, placing the condiments and touching her finger to the ketchup. “My mother said the first boy—or man—is a crush. You think you love them, but what you really love is how they make you feel. It’s not love. It’s lust. Lust for attention. Lust for danger. Lust to feel special.” She looks between us. “You’re needy with number one. Needy for someone to love you.” My father forgets the food he’s chewing as he gapes at her. “The second is to learn about yourself.” She touches the Heinz. “Your first crush has been crushed. You’re sad, but most of all, you’re angry. Angry
Penelope Douglas (Credence)
At home I walked through a haze of belongings that knew, at least vaguely, who they belonged to. Grampar’s chair resented anyone else sitting on it as much as he did himself. Gramma’s shirts and jumpers adjusted themselves to hide her missing breast. My mother’s shoes positively vibrated with consciousness. Our toys looked out for us. There was a potato knife in the kitchen that Gramma couldn’t use. It was an ordinary enough brown-handled thing, but she’d cut herself with it once, and ever after it wanted more of her blood. If I rummaged through the kitchen drawer, I could feel it brooding. After she died, that faded. Then there were the coffee spoons, rarely used, tiny, a wedding present. They were made of silver, and they knew themselves superior to everything else and special. None of these things did anything. The coffee spoons didn’t stir the coffee without being held or anything. They didn’t have conversations with the sugar tongs about who was the most cherished. I suppose what they really did was physiological. They confirmed the past, they connected everything, they were threads in a tapestry.
Jo Walton (Among Others)
Consider the genesis of a single-celled embryo produced by the fertilization of an egg by a sperm. The genetic material of this embryo comes from two sources: paternal genes (from sperm) and maternal genes (from eggs). But the cellular material of the embryo comes exclusively from the egg; the sperm is no more than a glorified delivery vehicle for male DNA—a genome equipped with a hyperactive tail. Aside from proteins, ribosomes, nutrients, and membranes, the egg also supplies the embryo with specialized structures called mitochondria. These mitochondria are the energy-producing factories of the cell; they are so anatomically discrete and so specialized in their function that cell biologists call them “organelles”—i.e., mini-organs resident within cells. Mitochondria, recall, carry a small, independent genome that resides within the mitochondrion itself—not in the cell’s nucleus, where the twenty-three pairs of chromosomes (and the 21,000-odd human genes) can be found. The exclusively female origin of all the mitochondria in an embryo has an important consequence. All humans—male or female—must have inherited their mitochondria from their mothers, who inherited their mitochondria from their mothers, and so forth, in an unbroken line of female ancestry stretching indefinitely into the past. (A woman also carries the mitochondrial genomes of all her future descendants in her cells; ironically, if there is such a thing as a “homunculus,” then it is exclusively female in origin—technically, a “femunculus”?) Now imagine an ancient tribe of two hundred women, each of whom bears one child. If the child happens to be a daughter, the woman dutifully passes her mitochondria to the next generation, and, through her daughter’s daughter, to a third generation. But if she has only a son and no daughter, the woman’s mitochondrial lineage wanders into a genetic blind alley and becomes extinct (since sperm do not pass their mitochondria to the embryo, sons cannot pass their mitochondrial genomes to their children). Over the course of the tribe’s evolution, tens of thousands of such mitochondrial lineages will land on lineal dead ends by chance, and be snuffed out. And here is the crux: if the founding population of a species is small enough, and if enough time has passed, the number of surviving maternal lineages will keep shrinking, and shrinking further, until only a few are left. If half of the two hundred women in our tribe have sons, and only sons, then one hundred mitochondrial lineages will dash against the glass pane of male-only heredity and vanish in the next generation. Another half will dead-end into male children in the second generation, and so forth. By the end of several generations, all the descendants of the tribe, male or female, might track their mitochondrial ancestry to just a few women. For modern humans, that number has reached one: each of us can trace our mitochondrial lineage to a single human female who existed in Africa about two hundred thousand years ago. She is the common mother of our species. We do not know what she looked like, although her closest modern-day relatives are women of the San tribe from Botswana or Namibia. I find the idea of such a founding mother endlessly mesmerizing. In human genetics, she is known by a beautiful name—Mitochondrial Eve.
Siddhartha Mukherjee (The Gene: An Intimate History)
Why does God not declare himself as the God of Adam? For we know that Abraham sinned even as Adam did. Why then did He not call himself the God of Adam? Why did He not say the God of Abel, the seed of Adam? Why instead did He call himself the God of Abraham, of Isaac, and of Jacob? Why according to the flesh was our Lord Jesus presented in the New Testament as having been born of the seed of Abraham? Why from among all men should God have called himself the God of these three particular persons? Wherein lies the difference between these three and other people? Well, apart from the fact that God had covenanted with these three men, He takes them up as representative personages. He chooses them to represent three types of men in the world. What type of man is Abraham? He is a giant of faith. He is rather uncommon; in fact, he is quite special. As the God of Abraham, God declares himself to be the God of excellent people. Yet, thanks be to God, He is not only the God of the excellent. Were He merely this kind of God, we would sink into despair because we are not persons of excellence. But God is also the God of Isaac. What type of person is Isaac? He is very ordinary. He eats whenever he can, and sleeps as he has opportunity. He is neither a wonder man nor a wicked person. How this fact has comforted many of us! Yet God is not only the God of the ordinary men, He is also the God of the bad men: He is the God of Jacob too, for in the Scriptures Jacob is pictured as one of the worst persons to be found in the Old Testament. Hence through these three persons, God is telling us that He is the God of Abraham the best, the God of Isaac the ordinary, and the God of Jacob the worst. He is the God of those with great faith, He is the God of the common people, and He is also the God of the lowest of men such as thieves and prostitutes. Suppose I am special like Abraham; then He is my God. Suppose I am ordinary like Isaac; then He is also my God. And suppose from my mother’s womb I have been bad like Jacob was in that I have striven with my brother; then He is still my God. He has a way with the excellent, with the common, and with the worst of humanity.
Watchman Nee (The Finest of the Wheat, volume 1)
On the conversion of the European tribes to Christianity the ancient pagan worship was by no means incontinently abandoned. So wholesale had been the conversion of many peoples, whose chiefs or rulers had accepted the new faith on their behalf in a summary manner, that it would be absurd to suppose that any, general acquiescence in the new gospel immediately took place. Indeed, the old beliefs lurked in many neighbourhoods, and even a renaissance of some of them occurred in more than one area. Little by little, however, the Church succeeded in rooting out the public worship of the old pagan deities, but it found it quite impossible to effect an entire reversion of pagan ways, and in the end compromised by exalting the ancient deities to the position of saints in its calendar, either officially, or by usage. In the popular mind, however, these remained as the fairies of woodland and stream, whose worship in a broken-down form still flourished at wayside wells and forest shrines. The Matres, or Mother gods, particularly those of Celtic France and Ireland, the former of which had come to be Romanized, became the bonnes dames of folklore, while the dusii and pilosi, or hairy house-sprites, were so commonly paid tribute that the Church introduced a special question concerning them into its catechism of persons suspected of pagan practice. Nevertheless, the Roman Church, at a somewhat later era, reversed its older and more catholic policy, and sternly set its face against the cultus of paganism in Europe, stigmatizing the several kinds of spirits and derelict gods who were the objects of its worship as demons and devils, whom mankind must eschew with the most pious care if it were to avoid damnation.
Lewis Spence (British Fairy Origins)
The care of babies involves education, and is entrusted only to the most fit,” she repeated. “Then you separate mother and child!” I cried in cold horror, something of Terry’s feeling creeping over me, that there must be something wrong among these many virtues. “Not usually,” she patiently explained. “You see, almost every woman values her maternity above everything else. Each girl holds it close and dear, an exquisite joy, a crowning honor, the most intimate, most personal, most precious thing. That is, the child-rearing has come to be with us a culture so profoundly studied, practiced with such subtlety and skill, that the more we love our children the less we are willing to trust that process to unskilled hands—even our own.” “But a mother’s love—” I ventured. She studied my face, trying to work out a means of clear explanation. “You told us about your dentists,” she said, at length, “those quaintly specialized persons who spend their lives filling little holes in other persons’ teeth—even in children’s teeth sometimes.” “Yes?” I said, not getting her drift. “Does mother-love urge mothers—with you—to fill their own children’s teeth? Or to wish to?” “Why no—of course not,” I protested. “But that is a highly specialized craft. Surely the care of babies is open to any woman—any mother!” “We do not think so,” she gently replied. “Those of us who are the most highly competent fulfill that office; and a majority of our girls eagerly try for it—I assure you we have the very best.” “But the poor mother—bereaved of her baby—” “Oh no!” she earnestly assured me. “Not in the least bereaved. It is her baby still—it is with her—she has not lost it. But she is not the only one to care for it. There are others whom she knows to be wiser. She knows it because she has studied as they did, practiced as they did, and honors their real superiority. For the child’s sake, she is glad to have for it this highest care.
Charlotte Perkins Gilman (Herland (The Herland Trilogy, #2))
I've thought of myself a girl on several occasions because I like to polish shoes and find household tasks amusing. There was once even a time when I insisted on mending a torn suit with my own hands. And in winter I always light the heating stoves myself, as though this were the natural course of things. But of course I'm not a real girl. Please give me a moment to consider all this would entail. The first thing that comes to mind is the question of whether I might possibly be a girl has never, never, not for a single moment, troubled me, rattled my bourgeois composure or made me unhappy. An absolutely by no means unhappy person stands before you, I'd like to put quite special emphasis on this, for I have never experienced sexual torment or distress, for I was never at a loss for quite simple methods of freeing myself from pressures. A rather curious, that is to say, important discovery for me was that it filled me with the most delightful gaiety to imagine myself someone's servant.... My nature, then, merely inclines me to treat people well, to be helpful and so forth. Not long ago I carried with flabbergasting zeal a shopping bag full of new potatoes for a petit bourgeoise. She's have been perfectly able to tote it herself. Now my situation is this: my particular nature also sometimes seeks, I've discovered, a mother, a teacher, that is, to express myself better, an unapproachable entity, a sort of goddess. At times I find the goddess in an instant, whereas at others it takes time before I'm able to imagine her, that is, find her bright, bountiful figure and sense her power. And to achieve a moment of human happiness, I must always first think up a story containing an encounter between myself and another person, whereby I am always the subordinate, obedient, sacrificing, scrutinized, and chaperoned party. There's more to it, of course, quite a lot, but this still sheds light on a few things. Many conclude it must be terribly easy to carry out a course of treatment, as it were, upon my person, but they're all gravely mistaken. For, the moment anyone seems ready to start lording and lecturing it over me, something within me begins to laugh, to jeer, and then, of course, respect is out of the question, and within the apparently worthless individual arises a superior one whom I never expel when he appears in me....
Robert Walser (The Robber)
In meditation which is a continuous flow of staying in the state at all times and in every circumstance there is neither suppression nor production of dwelling and proliferation; if there is dwelling, that is the dharmakaya’s own face and if there is proliferation, that is preserved as the self-liveliness of wisdom, so, “Then, whether there is proliferation or dwelling,” Whatever comes from mind’s liveliness as discursive thoughts, be it the truth of the source—afflictions of anger, attachment, and so on—or the truth of unsatisfactoriness—the flavours of experience which are the feelings of happiness, sadness, and so on—if the nature of the discursive thoughts is known as dharmata, they become the shifting events of the dharmakaya, so, “Anger, attachment, happiness, or sadness,” That does not finish it though; generally speaking if they are met with through the view but not finished with by bringing them to the state with meditation, they fall into ordinary wandering in confusion and if that happens, you are bound into cyclic existence by the discursive thoughts of your own mindstream and, dharma and your own mindstream having remained separate, you become an ordinary person who has nothing special about them. Not to be separated from a great non-meditated self-resting is what is needed . . . Additionally, whatever discursive thought or affliction arises, it is not something apart from dharmakaya wisdom, rather, the nature of those discursive thoughts is actual dharmakaya, the ground’s luminosity. If that, which is called ‘the mother luminosity resident in the ground’, is recognized, there is self-recognition of the view of self-knowing luminosity previously introduced by the guru and that is called ‘the luminosity of the practice path’. Abiding in one’s own face of the two luminosities of ground and path become inseparable is called ‘the meeting of mother and son luminosities’ so, “The previously-known mother luminosity joins with the son.
Patrul Rinpoche (The Feature of the Expert, Glorious King: “Three Lines That Hit the Key Points.” Root text and commentary by Patrul Rinpoche)
You die because you think the gods are looking after you. That's ok for animals, but you should know better." "We should not trust the gods with our lives?" "Definitely not. You should trust *yourselves* with your lives. That's the human way to live." Ishmael shook his head ponderously. "This is sorry news indeed. From time out of mind we've lived in the hands of the gods, and it seemed to us we lived well. We left to the gods all the labor of sowing and growing and lived a carefree life, and it seemed there was always enough in the world for us, because--behold!--*we are here!*" "Yes," I told him sternly. "You are here, and look at you. You have nothing. You live without security, without comfort, without opportunity." "And this is because we live in the hands of the gods?" "Absolutely. In the hands of the gods you're no more important than lions or lizards or fleas--you're nothing special.... As I say, you've got to begin planting your own food.... The gods plant only what you *need*. You will plant *more* than you need." "To what end? What's the good of having more food than we need?" "That is the whole goddamned point! When you have more food than you need, then *the gods have no power over you!*" "We can thumb our noses at them." "Exactly." "All the same, what are we to *do* with this food if we don't need it?" "You *save* it! You save it to thwart the gods when they decide it's your turn to go hungry. You save it so that when they send a drought, you can say, 'Not *me* goddamn it! *I'm* not going hungry, and there's nothing you can do about it, because my life is in my own hands now!" ... "So this is what's at the root of your revolution. You wanted and still want to have your lives in your own hands." "Yes. Absolutely. To me, living any other way is almost inconceivable. I can only think that hunter-gatherers live in a state of utter and unending anxiety over what tomorrow's going to bring." "Yet they don't. Any anthropologist will tell you that. They are far less anxiety-ridden than you are. They have no jobs to lose. No one can say to them, 'Show me your money or you don't get fed, don't get clothed, don't get sheltered.' " "I believe you. Rationally speaking, I believe you. But I'm talking about my feelings, about my conditioning. My conditioning tells me -- Mother Culture tells me -- that living in the hands of the gods has got to be a never-ending nightmare of terror and anxiety.
Daniel Quinn (Ishmael: An Adventure of the Mind and Spirit (Ishmael, #1))
The plane banked, and he pressed his face against the cold window. The ocean tilted up to meet him, its dark surface studded with points of light that looked like constellations, fallen stars. The tourist sitting next to him asked him what they were. Nathan explained that the bright lights marked the boundaries of the ocean cemeteries. The lights that were fainter were memory buoys. They were the equivalent of tombstones on land: they marked the actual graves. While he was talking he noticed scratch-marks on the water, hundreds of white gashes, and suddenly the captain's voice, crackling over the intercom, interrupted him. The ships they could see on the right side of the aircraft were returning from a rehearsal for the service of remembrance that was held on the ocean every year. Towards the end of the week, in case they hadn't realised, a unique festival was due to take place in Moon Beach. It was known as the Day of the Dead... ...When he was young, it had been one of the days he most looked forward to. Yvonne would come and stay, and she'd always bring a fish with her, a huge fish freshly caught on the ocean, and she'd gut it on the kitchen table. Fish should be eaten, she'd said, because fish were the guardians of the soul, and she was so powerful in her belief that nobody dared to disagree. He remembered how the fish lay gaping on its bed of newspaper, the flesh dark-red and subtly ribbed where it was split in half, and Yvonne with her sleeves rolled back and her wrists dipped in blood that smelt of tin. It was a day that abounded in peculiar traditions. Pass any candy store in the city and there'd be marzipan skulls and sugar fish and little white chocolate bones for 5 cents each. Pass any bakery and you'd see cakes slathered in blue icing, cakes sprinkled with sea-salt.If you made a Day of the Dead cake at home you always hid a coin in it, and the person who found it was supposed to live forever. Once, when she was four, Georgia had swallowed the coin and almost choked. It was still one of her favourite stories about herself. In the afternoon, there'd be costume parties. You dressed up as Lazarus or Frankenstein, or you went as one of your dead relations. Or, if you couldn't think of anything else, you just wore something blue because that was the colour you went when you were buried at the bottom of the ocean. And everywhere there were bowls of candy and slices of special home-made Day of the Dead cake. Nobody's mother ever got it right. You always had to spit it out and shove it down the back of some chair. Later, when it grew dark, a fleet of ships would set sail for the ocean cemeteries, and the remembrance service would be held. Lying awake in his room, he'd imagine the boats rocking the the priest's voice pushed and pulled by the wind. And then, later still, after the boats had gone, the dead would rise from the ocean bed and walk on the water. They gathered the flowers that had been left as offerings, they blew the floating candles out. Smoke that smelt of churches poured from the wicks, drifted over the slowly heaving ocean, hid their feet. It was a night of strange occurrences. It was the night that everyone was Jesus... ...Thousands drove in for the celebrations. All Friday night the streets would be packed with people dressed head to toe in blue. Sometimes they painted their hands and faces too. Sometimes they dyed their hair. That was what you did in Moon Beach. Turned blue once a year. And then, sooner or later, you turned blue forever.
Rupert Thomson (The Five Gates of Hell)
And now it’s really over. I finally realized that I must do my schoolwork to keep from being ignorant, to get on in life, to become a journalist, because that’s what I want! I know I can write. A few of my stories are good, my descriptions of the Secret Annex are humorous, much of my diary is vivid and alive, but … it remains to be seen whether I really have talent. “Eva’s Dream” is my best fairy tale, and the odd thing is that I don’t have the faintest idea where it came from. Parts of “Cady’s Life” are also good, but as a whole it’s nothing special. I’m my best and harshest critic. I know what’s good and what isn’t. Unless you write yourself, you can’t know how wonderful it is; I always used to bemoan the fact that I couldn’t draw, but now I’m overjoyed that at least I can write. And if I don’t have the talent to write books or newspaper articles, I can always write for myself. But I want to achieve more than that. I can’t imagine having to live like Mother, Mrs. van Daan and all the women who go about their work and are then forgotten. I need to have something besides a husband and children to devote myself to! I don’t want to have lived in vain like most people. I want to be useful or bring enjoyment to all people, even those I’ve never met. I want to go on living even after my death! And that’s why I’m so grateful to God for having given me this gift, which I can use to develop myself and to express all that’s inside me! When I write I can shake off all my cares. My sorrow disappears, my spirits are revived! But, and that’s a big question, will I ever be able to write something great, will I ever become a journalist or a writer? I hope so, oh, I hope so very much, because writing allows me to record everything, all my thoughts, ideals and fantasies. I haven’t worked on “Cady’s Life” for ages. In my mind I’ve worked out exactly what happens next, but the story doesn’t seem to be coming along very well. I might never finish it, and it’ll wind up in the wastepaper basket or the stove. That’s a horrible thought, but then I say to myself, “At the age of fourteen and with so little experience, you can’t write about philosophy.” So onward and upward, with renewed spirits. It’ll all work out, because I’m determined to write!
Anne Frank (The Diary of a Young Girl)
Pay attention to everything the dying person says. You might want to keep pens and a spiral notebook beside the bed so that anyone can jot down notes about gestures, conversations, or anything out of the ordinary said by the dying person. Talk with one another about these comments and gestures. • Remember that there may be important messages in any communication, however vague or garbled. Not every statement made by a dying person has significance, but heed them all so as not to miss the ones that do. • Watch for key signs: a glassy-eyed look; the appearance of staring through you; distractedness or secretiveness; seemingly inappropriate smiles or gestures, such as pointing, reaching toward someone or something unseen, or waving when no one is there; efforts to pick at the covers or get out of bed for no apparent reason; agitation or distress at your inability to comprehend something the dying person has tried to say. • Respond to anything you don’t understand with gentle inquiries. “Can you tell me what’s happening?” is sometimes a helpful way to initiate this kind of conversation. You might also try saying, “You seem different today. Can you tell me why?” • Pose questions in open-ended, encouraging terms. For example, if a dying person whose mother is long dead says, “My mother’s waiting for me,” turn that comment into a question: “Mother’s waiting for you?” or “I’m so glad she’s close to you. Can you tell me about it?” • Accept and validate what the dying person tells you. If he says, “I see a beautiful place!” say, “That’s wonderful! Can you tell me more about it?” or “I’m so pleased. I can see that it makes you happy,” or “I’m so glad you’re telling me this. I really want to understand what’s happening to you. Can you tell me more?” • Don’t argue or challenge. By saying something like “You couldn’t possibly have seen Mother, she’s been dead for ten years,” you could increase the dying person’s frustration and isolation, and run the risk of putting an end to further attempts at communicating. • Remember that a dying person may employ images from life experiences like work or hobbies. A pilot may talk about getting ready to go for a flight; carry the metaphor forward: “Do you know when it leaves?” or “Is there anyone on the plane you know?” or “Is there anything I can do to help you get ready for takeoff?” • Be honest about having trouble understanding. One way is to say, “I think you’re trying to tell me something important and I’m trying very hard, but I’m just not getting it. I’ll keep on trying. Please don’t give up on me.” • Don’t push. Let the dying control the breadth and depth of the conversation—they may not be able to put their experiences into words; insisting on more talk may frustrate or overwhelm them. • Avoid instilling a sense of failure in the dying person. If the information is garbled or the delivery impossibly vague, show that you appreciate the effort by saying, “I can see that this is hard for you; I appreciate your trying to share it with me,” or “I can see you’re getting tired/angry/frustrated. Would it be easier if we talked about this later?” or “Don’t worry. We’ll keep trying and maybe it will come.” • If you don’t know what to say, don’t say anything. Sometimes the best response is simply to touch the dying person’s hand, or smile and stroke his or her forehead. Touching gives the very important message “I’m with you.” Or you could say, “That’s interesting, let me think about it.” • Remember that sometimes the one dying picks an unlikely confidant. Dying people often try to communicate important information to someone who makes them feel safe—who won’t get upset or be taken aback by such confidences. If you’re an outsider chosen for this role, share the information as gently and completely as possible with the appropriate family members or friends. They may be more familiar with innuendos in a message because they know the person well.
Maggie Callanan (Final Gifts: Understanding the Special Awareness, Needs, and Co)
Patriotism comes from the same Latin word as father. Blind patriotism is collective transference. In it the state becomes a parent and we citizens submit our loyalty to ensure its protection. We may have been encouraged to make that bargain from our public school education, our family home, religion, or culture in general. We associate safety with obedience to authority, for example, going along with government policies. We then make duty, as it is defined by the nation, our unquestioned course. Our motivation is usually not love of country but fear of being without a country that will defend us and our property. Connection is all-important to us; excommunication is the equivalent of death, the finality we can’t dispute. Healthy adult loyalty is a virtue that does not become blind obedience for fear of losing connection, nor total devotion so that we lose our boundaries. Our civil obedience can be so firm that it may take precedence over our concern for those we love, even our children. Here is an example: A young mother is told by the doctor that her toddler is allergic to peanuts and peanut oil. She lets the school know of her son’s allergy when he goes to kindergarten. Throughout his childhood, she is vigilant and makes sure he is safe from peanuts in any form. Eighteen years later, there is a war and he is drafted. The same mother, who was so scrupulously careful about her child’s safety, now waves goodbye to him with a tear but without protest. Mother’s own training in public school and throughout her life has made her believe that her son’s life is expendable whether or not the war in question is just. “Patriotism” is so deeply ingrained in her that she does not even imagine an alternative, even when her son’s life is at stake. It is of course also true that, biologically, parents are ready to let children go just as the state is ready to draft them. What a cunning synchronic-ity. In addition, old men who decide on war take advantage of the timing too. The warrior archetype is lively in eighteen-year-olds, who are willing to fight. Those in their mid-thirties, whose archetype is being a householder and making a mark in their chosen field, will not show an interest in battlefields of blood. The chiefs count on the fact that young braves will take the warrior myth literally rather than as a metaphor for interior battles. They will be willing to put their lives on the line to live out the collective myth of societies that have not found the path of nonviolence. Our collective nature thus seems geared to making war a workable enterprise. In some people, peacemaking is the archetype most in evidence. Nature seems to have made that population smaller, unfortunately. Our culture has trained us to endure and tolerate, not to protest and rebel. Every cell of our bodies learned that lesson. It may not be virtue; it may be fear. We may believe that showing anger is dangerous, because it opposes the authority we are obliged to appease and placate if we are to survive. This explains why we so admire someone who dares to say no and to stand up or even to die for what he believes. That person did not fall prey to the collective seduction. Watching Jeopardy on television, I notice that the audience applauds with special force when a contestant risks everything on a double-jeopardy question. The healthy part of us ardently admires daring. In our positive shadow, our admiration reflects our own disavowed or hidden potential. We, too, have it in us to dare. We can stand up for our truth, putting every comfort on the line, if only we can calm our long-scared ego and open to the part of us that wants to live free. Joseph Campbell says encouragingly, “The part of us that wants to become is fearless.” Religion and Transference Transference is not simply horizontal, from person to person, but vertical from person to a higher power, usually personified as God. When
David Richo (When the Past Is Present: Healing the Emotional Wounds that Sabotage our Relationships)