Mother Loses Child Quotes

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I have to warn you. I promised my mother, a long time ago. She said I had to give folks a chance to walk away.
Lee Child (Nothing to Lose (Jack Reacher, #12))
Was it the act of giving birth that made you a mother? Did you lose that label when you relinquished your child? If people were measured by their deeds, on the one hand, I had a woman who had chosen to give me up; on the other, I had a woman who'd sat up with me at night when I was sick as a child, who'd cried with me over boyfriends, who'd clapped fiercely at my law school graduation. Which acts made you more of a mother? Both, I realized. Being a parent wasn't just about bearing a child. It was about bearing witness to its life.
Jodi Picoult (Handle with Care)
The art of not experiencing feelings. A child can experience her feelings only when there is somebody there who accepts her fully, understands her, and supports her. If that person is missing, if the child must risk losing the mother's love of her substitute in order to feel, then she will repress emotions.
Alice Miller (The Drama of the Gifted Child: The Search for the True Self)
I didn't get to grow up and pull away from her and bitch about her with my friends and confront her about the things I'd wished she'd done differently and then get older and understand that she had done the best she could and realize that what she had done was pretty damn good and take her fully back into my arms again. Her death had obliterated that. It had obliterated me. It had cut me short at the very heigh of my youthful arrogance. It had forced me to instantly grow up and forgive her every motherly fault at the same time that it kept me forever a child, my life both ended and begun in that premature place where we'd left off. She was my mother, but I was motherless. I was trapped by her, but utterly alone. She would always be the empty bowl that no one could full. I'd have to fill it myself again and again and again.
Cheryl Strayed (Wild: From Lost to Found on the Pacific Crest Trail)
If a mother is mourning not for what she has lost but for what her dead child has lost, it is a comfort to believe that the child has not lost the end for which it was created. And it is a comfort to believe that she herself, in losing her chief or only natural happiness, has not lost a greater thing, that she may still hope to "glorify God and enjoy Him forever." A comfort to the God-aimed, eternal spirit within her. But not to her motherhood. The specifically maternal happiness must be written off. Never, in any place or time, will she have her son on her knees, or bathe him, or tell him a story, or plan for his future, or see her grandchild.
C.S. Lewis (A Grief Observed)
This life is difficult. We lose fathers, brothers, mothers, songbirds and pieces of ourselves. Whips strike the innocent, honors go to the guilty, and there is too much loneliness. I would be a fool to pray for my children to escape all of that. Ask for too much and it might actually turn out worse. But I can pray for small things, like fertile fields, a mother’s love, a child’s smile—a life that’s less bitter than sweet.
Nadia Hashimi (The Pearl that Broke Its Shell)
HELPED are those who are content to be themselves; they will never lack mystery in their lives and the joys of self-discovery will be constant. HELPED are those who love the entire cosmos rather than their own tiny country, city, or farm, for to them will be shown the unbroken web of life and the meaning of infinity. HELPED are those who live in quietness, knowing neither brand name nor fad; they shall live every day as if in eternity, and each moment shall be as full as it is long. HELPED are those who love others unsplit off from their faults; to them will be given clarity of vision. HELPED are those who create anything at all, for they shall relive the thrill of their own conception, and realize an partnership in the creation of the Universe that keeps them responsible and cheerful. HELPED are those who love the Earth, their mother, and who willingly suffer that she may not die; in their grief over her pain they will weep rivers of blood, and in their joy in her lively response to love, they will converse with the trees. HELPED are those whose ever act is a prayer for harmony in the Universe, for they are the restorers of balance to our planet. To them will be given the insight that every good act done anywhere in the cosmos welcomes the life of an animal or a child. HELPED are those who risk themselves for others' sakes; to them will be given increasing opportunities for ever greater risks. Theirs will be a vision of the word in which no one's gift is despised or lost. HELPED are those who strive to give up their anger; their reward will be that in any confrontation their first thoughts will never be of violence or of war. HELPED are those whose every act is a prayer for peace; on them depends the future of the world. HELPED are those who forgive; their reward shall be forgiveness of every evil done to them. It will be in their power, therefore, to envision the new Earth. HELPED are those who are shown the existence of the Creator's magic in the Universe; they shall experience delight and astonishment without ceasing. HELPED are those who laugh with a pure heart; theirs will be the company of the jolly righteous. HELPED are those who love all the colors of all the human beings, as they love all the colors of the animals and plants; none of their children, nor any of their ancestors, nor any parts of themselves, shall be hidden from them. HELPED are those who love the lesbian, the gay, and the straight, as they love the sun, the moon, and the stars. None of their children, nor any of their ancestors, nor any parts of themselves, shall be hidden from them. HELPED are those who love the broken and the whole; none of their children, nor any of their ancestors, nor any parts of themselves, shall be hidden from them. HELPED are those who do not join mobs; theirs shall be the understanding that to attack in anger is to murder in confusion. HELPED are those who find the courage to do at least one small thing each day to help the existence of another--plant, animal, river, or human being. They shall be joined by a multitude of the timid. HELPED are those who lose their fear of death; theirs is the power to envision the future in a blade of grass. HELPED are those who love and actively support the diversity of life; they shall be secure in their differences. HELPED are those who KNOW.
Alice Walker
No mother should lose her child.
Ann Hood (The Knitting Circle)
The worst of it is over now, and I can't say that I am glad. Lose that sense of loss—you have gone and lost something else. But the body moves toward health. The mind, too, in steps. One step at a time. Ask a mother who has just lost a child, How many children do you have? "Four," she will say, "—three," and years later, "Three," she will say, "—four.
Amy Hempel (The Collected Stories)
I don't know where this pressure came from. I can't blame my parents because it has always felt internal. Like any other parent, my mother celebrated the A grades and the less-than-A grades she felt there was no need to tell anybody about. But not acknowledging the effort that ended in a less than perfect result impacted me as a child. If I didn't win, then we wouldn't tell anyone that I had even competed to save us the embarrassment of acknowledging that someone else was better. Keeping the secret made me think that losing was something to be ashamed of, and that unless I was sure I was going to be the champion there was no point in trying. And there was certainly no point to just having fun.
Portia de Rossi (Unbearable Lightness: A Story of Loss and Gain)
Nothing happens in the world? Are you out of your fucking mind? People are murdered every day. There's genocide, war, corruption. Every fucking day, somewhere in the world, somebody sacrifices his life to save someone else. Every fucking day, someone, somewhere makes a conscious decision to destroy someone else. People find love, people lose it. For Christ's sake, a child watches her mother beaten to death on the steps of a church. Someone goes hungry. Somebody else betrays his best friend for a woman. If you can't find that stuff in life, then you, my friend, don't know crap about life. And why the FUCK are you wasting my two precious hours with your movie? I don't have any use for it. I don't have any bloody use for it.
Charlie Kaufman
a mother who loses her child can no longer believe in God
Victor Hugo (The Hunchback of Notre-Dame)
Being a good mother, it seemed to me, meant you ran the risk of losing your child.
Jodi Picoult (Handle with Care)
I think that it is a great tragedy that a child can lose their mother, father, sister or brother, because you and I made a decision that getting loaded was more important than they are.
Pamela Barrett (Tales of the Titmouse)
To make matters worse, everyone she talks to has a different opinion about the nature of his problem and what she should do about it. Her clergyperson may tell her, “Love heals all difficulties. Give him your heart fully, and he will find the spirit of God.” Her therapist speaks a different language, saying, “He triggers strong reactions in you because he reminds you of your father, and you set things off in him because of his relationship with his mother. You each need to work on not pushing each other’s buttons.” A recovering alcoholic friend tells her, “He’s a rage addict. He controls you because he is terrified of his own fears. You need to get him into a twelve-step program.” Her brother may say to her, “He’s a good guy. I know he loses his temper with you sometimes—he does have a short fuse—but you’re no prize yourself with that mouth of yours. You two need to work it out, for the good of the children.” And then, to crown her increasing confusion, she may hear from her mother, or her child’s schoolteacher, or her best friend: “He’s mean and crazy, and he’ll never change. All he wants is to hurt you. Leave him now before he does something even worse.” All of these people are trying to help, and they are all talking about the same abuser. But he looks different from each angle of view.
Lundy Bancroft (Why Does He Do That? Inside the Minds of Angry and Controlling Men)
A wise man once said that next to losing its mother, there is nothing more healthy for a child than to lose its father.
Halldór Laxness (The Fish Can Sing)
I’m always saying a mother never loses her peach pit instinct. Even with a grown son, you have to stop yourself from sticking out your hand when your child finishes a piece of fruit.
Joshua Henkin (Matrimony)
These people have all developed the art of not experiencing feelings, for a child can experience her feelings only when there is somebody there who accepts her fully, understands her, and supports her. If that person is missing, if the child must risk losing the mother’s love or the love of her substitute in order to feel, then she will repress her emotions. She cannot even experience them secretly, “just for herself”; she will fail to experience them at all. But they will nevertheless stay in her body, in her cells, stored up as information that can be triggered by a later event.
Alice Miller (The Drama of the Gifted Child: The Search for the True Self)
Every mother can easily imagine losing a child. Motherhood is always half loss anyway. The three-year-old is lost at five, the five-year-old at nine. We consort with ghosts, even as we sit and eat with, scold and kiss, their current corporeal forms. We speak to people who have vanished and, when they answer us, they do the same. Naturally, the information in these speeches is garbled in the translation.
Karen Joy Fowler (Black Glass)
There are words like ‘orphan’, ‘widow’ and ‘widower’ in all languages. But there is no word in any language to describe a parent who loses a child. How does one describe the pain of ‘ultimate bereavement’! (Page 50)
Neena Verma (A Mother's Cry... A Mother's Celebration)
I remained a child, in need of someone to care for me. That person had been my mother all my life. I feared losing her. I feared not having her near me, not having her around, a part of my life,
Robert Dugoni (The Extraordinary Life of Sam Hell)
When a husband loses his wife, they call him a widower. When a wife loses her husband, they call her a widow. And when somebody’s parents die, they call them an orphan. But there is no name for a parent, a grieving mother, or a devastated father who have lost their child. Because the pain behind the loss is so immeasurable and unbearable, that it cannot be described in a single word. It just cannot be described.
Bhavya Kaushik (The Other Side of the Bed)
As a child he had grown up without a mother or even a grandmother. He had never really explored emotional relationships or marriage. He'd never been given advice on the matter. The closest he'd really come to seeing a relationship was watching Ryland Miller pursue Lily. The man had lost his mind. Nicholas had a feeling he'd joined the ranks of en losing their mind over women.
Christine Feehan (Mind Game (GhostWalkers, #2))
if a parent loses a child, there was no special label for their grief. They were still just a mother or a father, even if they no longer had a son or daughter. That seemed odd.
M.L. Stedman (The Light Between Oceans)
The most powerful bond we know of is the bond between mother and child, and we break it in order to make "comfort foods" for ourselves" Michael Schwarz
Neal D. Barnard (The Cheese Trap: How Breaking a Surprising Addiction Will Help You Lose Weight, Gain Energy, and Get Healthy)
We don't lose ourselves in parenthood. We find parts of ourselves we never knew existed.
L.R. Knost
a mother cannot give birth to a child and not lose a piece of herself. The child takes a part of the parent with them, holding it as their own. Whether it be their heart or soul, they are now connected for always.
Sejal Badani (Trail of Broken Wings)
The most effective weapon a parent has to control a child is the withdrawal of love or its threat. A young child between the ages of three and six is too dependent on parental love and approval to resist this pressure. Robert's mother, as we saw earlier, controlled him by "cutting him out." Margaret's mother beat her into submission, but it was the loss of her father's love that devastated her. Whatever the means parents use, the result is that the child is forced to give up his instinctual longing, to suppress his sexual desires for one parent and his hostility toward the other. In their place he will develop feelings of guilt about his sexuality and fear of authority figures. This surrender constitutes an acceptance of parental power and authority and a submission to the parents' values and demands. The child becomes "good", which means that he gives up his sexual orientation in favor of one directed toward achievement. Parental authority is introjected in the form of a superego, ensuring that the child will follow his parents' wishes in the acculturation process. In effect, the child now identifies with the threatening parent. Freud says, "The whole process, on the one hand, preserves the genital organ wards off the danger of losing it; on the other hand, it paralyzes it, takes its function away from it.
Alexander Lowen (Fear Of Life)
There were a lot of these middle-aged single types in the neighborhood, shipwrecked by every kind of catastrophe, but she was one of the few who didn't have children, who lived alone, who was still kinda young. Something must have happened, your mother speculated. In her mind, a woman with no child could be explained only by vast untrammelled calamity. Maybe she just doesn't like children. Nobody likes children, your mother assured you. That doesn't mean you don't have them.
Junot Díaz (This Is How You Lose Her)
I have lost people, though. It's strange when it happens. I don't actually lose them. Not in the way one loses one's parents, either as a small child, when you think you are holding your mother's hand in a crowd and then you look up, and it's not your mother... or later. When you have to find the words to describe them at a funeral service or a memorial, or when you are scattering ashes on a garden of flowers or into the sea.
Neil Gaiman (Trigger Warning: Short Fictions and Disturbances)
Let us also acknowledge that the hearts which suffer the most from our wars are those of mothers. Their vital voices have been left out of the political equation for too long. An Iraqi or American mother cries the same as an Israeli or Afghan mother. The eyes of a mother who has suffered the loss of a child can destroy the soul of anyone who gazes upon them. More souls become casualties of war than physical bodies. War is a soul-shattering experience for the innocent.
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
Intensive mothering is the ultimate female Olympics: We are all in powerful competition with each other, in constant danger of being trumped by the mom down the street, or in the magazine we're reading. The competition isn't just over who's a good mother--it's over who's the best. We compete with each other; we compete with ourselves. The best mothers always put their kids' needs before their own, period. The best mothers are the main caregivers. For the best mothers, their kids are the center of the universe. The best mothers always smile. They always understand. They are never tired. They never lose their temper. They never say, "Go to the neighbor's house and play while Mommy has a beer." Their love for their children is boundless, unflagging, flawless, total. Mothers today cannot just respond to their kids' needs, they must predict them--and with the telepathic accuracy of Houdini. They must memorize verbatim the books of all the child-care experts and know which approaches are developmentally appropriate at different ages. They are supposed to treat their two-year-olds with "respect." If mothers screw up and fail to do this on any given day, they should apologize to their kids, because any misstep leads to permanent psychological and/or physical damage. Anyone who questions whether this is the best and the necessary way to raise kids is an insensitive, ignorant brute. This is just common sense, right?
Susan J. Douglas
Something must have happened, your mother speculated. In her mind a woman with no child could only be explained by vast untrammeled calamity. Maybe she just doesn't like children. Nobody likes children, your mother assured you. That doesn't mean you don't have them.
Junot Díaz (This Is How You Lose Her)
KAUFMAN Sir, what if a writer is attempting to create a story where nothing much happens, where people don't change, they don't have any epiphanies. They struggle and are frustrated and nothing is resolved. More a reflection of the real world — MCKEE The real world? KAUFMAN Yes, sir. MCKEE The real fucking world? First of all, you write a screenplay without Conflict or Crisis, you'll bore your audience to tears. Secondly: nothing happens in the world? Are you out of your fucking mind? People are murdered every day! There's genocide, war, corruption! Every fucking day somewhere in the world somebody sacrifices his life to save someone else! Every fucking day someone somewhere makes a conscious decision to destroy someone else! People find love! People lose it! For Christ's sake! A child watches her mother beaten to death on the steps of a church! Someone goes hungry! Somebody else betrays his best friend for a woman! If you can't find that stuff in life, then you, my friend, don't know CRAP about life! And WHY THE FUCK are you wasting my two precious hours with your movie? I don't have any use for it! I don't have any bloody use for it! KAUFMAN Okay, thanks.
Charlie Kaufman (Adaptation.: The Shooting Script)
There is nothing to lose in this life. Naked I came from mother’s womb and naked will I go into the grave.
Lailah Gifty Akita (Think Great: Be Great! (Beautiful Quotes, #1))
The child who is decked with prince’s robes and who has jewelled chains round his neck loses all pleasure in his play; his dress hampers him at every step. In fear that it may be frayed, or stained with dust he keeps himself from the world, and is afraid even to move. Mother, it is no gain, thy bondage of finery, if it keep one shut off from the healthful dust of the earth, if it rob one of the right of entrance to the great fair of common human life.
Rabindranath Tagore (Gitanjali)
Something must have happened, your mother speculated. In her mind a woman with no child could only be explained by vast untrammeled calamity. Maybe she just doesn't like children. Nobody likes children, Yunior, your mother assured you. That doesn't mean you don't have them.
Junot Díaz (This Is How You Lose Her)
As it was, being a bad mother was child’s play compared to being a good mother, which was an incessant struggle, a lose-lose situation 24 hours a day; long after the kids were in bed the torment of what I did or didn’t do during those hours we were trapped together would scourge my soul.
Mary Kubica (The Good Girl)
The changes that happen in the mommy brain are the most profound and permanent of a woman’s life. For as long as her child is living under her roof, her GPS system of brain circuits will be dedicated to tracking that beloved child. Long after the grown baby leaves the nest, the tracking device continues to work. Perhaps this is why so many mothers experience intense grief and panic when they lose day-to-day contact with the person their brain tells them is an extension of their own reality.
Louann Brizendine (The Female Brain)
And, increasingly, I find myself fixing on that refusal to pull back. Because I don’t care what anyone says or how often or winningly they say it: no one will ever, ever be able to persuade me that life is some awesome, rewarding treat. Because, here’s the truth: life is catastrophe. The basic fact of existence—of walking around trying to feed ourselves and find friends and whatever else we do—is catastrophe. Forget all this ridiculous ‘Our Town’ nonsense everyone talks: the miracle of a newborn babe, the joy of one simple blossom, Life You Are Too Wonderful To Grasp, &c. For me—and I’ll keep repeating it doggedly till I die, till I fall over on my ungrateful nihilistic face and am too weak to say it: better never born, than born into this cesspool. Sinkhole of hospital beds, coffins, and broken hearts. No release, no appeal, no “do-overs” to employ a favored phrase of Xandra’s, no way forward but age and loss, and no way out but death. [“Complaints bureau!” I remember Boris grousing as a child, one afternoon at his house when we had got off on the vaguely metaphysical subject of our mothers: why they—angels, goddesses—had to die? while our awful fathers thrived, and boozed, and sprawled, and muddled on, and continued to stumble about and wreak havoc, in seemingly indefatigable health? “They took the wrong ones! Mistake was made! Everything is unfair! Who do we complain to, in this shitty place? Who is in charge here?”] And—maybe it’s ridiculous to go on in this vein, although it doesn’t matter since no one’s ever going to see this—but does it make any sense at all to know that it ends badly for all of us, even the happiest of us, and that we all lose everything that matters in the end—and yet to know as well, despite all this, as cruelly as the game is stacked, that it’s possible to play it with a kind of joy?
Donna Tartt (The Goldfinch)
They say a girl becomes a woman when she loses her mother. You, child, were born a woman.
Edwidge Danticat (Krik? Krak!)
To lose your child, to have her spirited away like something from a fairy tale, surely that must be every mother’s nightmare.
Elly Griffiths (The Crossing Places (Ruth Galloway, #1))
I have a folder that’s labeled “The Folder of 24.” Inside it are letters from twenty-four people who were actively in the process of planning their suicide, but who stopped and got help—not because of what I wrote on my blog, but because of the amazing response from the community of people who read it and said, “Me too.” They were saved by the people who wrote about losing their mother or father or child to suicide and how they’d do anything to go back and convince them not to believe the lies mental illness tells you. They were saved by the people who offered up encouragement and songs and lyrics and poems and talismans and mantras that worked for them and that might work for a stranger in need. There are twenty-four people alive today who are still here because people were brave enough to talk about their struggles, or compassionate enough to convince others of their worth, or who simply said, “I don’t understand your illness, but I know that the world is better with you in it.
Jenny Lawson (Furiously Happy: A Funny Book About Horrible Things)
Dancer," she chided, "I promise you, no mother would rather lose her child." Lifting his head, he traced the line of her jaw with his thumb while a sad smile played at the edges of his lips. "That's you speaking. You don't know my mother. I promise you, she would rather see me dead than be dishonored." "Then tell them I raped you." He arched an amused brow at that. "I could have drugged you first. I did kiss you without your consent." "And my lips thank you for that.
Sherrilyn Kenyon (Born of Fury (The League: Nemesis Rising, #6))
People won’t see you as just another woman any more, but as a white woman who hangs with brownies, and you’ll lose a bit of your privilege, you should still check it, though, have you heard the expression, check your privilege, babe? Courtney replied that seeing as Yazz is the daughter of a professor and a very well-known theatre director, she’s hardly underprivileged herself, whereas she, Courtney, comes from a really poor community where it’s normal to be working in a factory at sixteen and have your first child as a single mother at seventeen, and that her father’s farm is effectively owned by the bank Yes but I’m black, Courts, which makes me more oppressed than anyone who isn’t, except Waris who is the most oppressed of all of them (although don’t tell her that) In five categories, black, Muslim, female, poor, hijab bed She’s the only one Yazz can’t tell to check her privilege Courtney replied that Roxane Gay warned against the idea of playing ‘privilege Olympics’ and wrote in Bad Feminist that privilege is relative and contextual, and I agree, Yazz, I mean, where does it all end? Is Obama less privileged than a white hillbilly growing up in a trailer park with a junkie single mother and a jailbird father? Is a severely disabled person more privileged than a Syrian asylum-seeker who’s been tortured? Roxane argues that we have to find a new discourse for discussing inequality Yazz doesn’t know what to say, when did Court read Roxane Gay - who’s amaaaazing? Was this a student outwitting the master moment? #whitegirltrumpsblackgirl
Bernardine Evaristo (Girl, Woman, Other)
We can speak of trauma when that system fails: when you beg for your life, but the assailant ignores your pleas; when you are a terrified child lying in bed, hearing your mother scream as her boyfriend beats her up; when you see your buddy trapped under a piece of metal that you’re not strong enough to lift; when you want to push away the priest who is abusing you, but you’re afraid you’ll be punished. Immobilization is at the root of most traumas. When that occurs the DVC is likely to take over: Your heart slows down, your breathing becomes shallow, and, zombielike, you lose touch with yourself and your surroundings. You dissociate, faint and collapse.
Bessel van der Kolk (The Body Keeps the Score: Brain, Mind, and Body in the Healing of Trauma)
Oh, and another time he gave me a sex concussion. I can’t really go into the details, because my mother will probably read this, but basically he had a bunk bed in his dorm room (because he’s an only child and only children are obsessed with bunk beds for some reason), so we were on the bottom bunk and I tossed back my hair in what I envisioned would be a total porn-star move, except the wooden beam of the bunk bed above us was too low, and so I violently head-butted the wood plank and totally knocked myself out, which is pretty much the least sexy thing you could ever possibly do. Like, if I also lost control of my bowels that would be worse, but not by much. Then when I’d recovered, Victor was all, “Sex concussion, motherfucker!” like it was something to be proud of. Basically it was like autoerotic asphyxiation, except instead of being choked you get whacked in the head with a two-by-four. And instead of having an orgasm you lose all muscle control and pee on yourself. Which I totally did not do because that would be disgusting. I hardly ever pee on myself.
Jenny Lawson (Let's Pretend This Never Happened: A Mostly True Memoir)
A parent holds within their hands the gift of a child to which they must expend the gift of themselves. And in such a monumental outpouring, the parent will lose both the child and the gifts given, but they will possess the far greater gift of knowing that they gave both.
Craig D. Lounsbrough (Flecks of Gold on a Path of Stone: Simple Truths for Profound Living)
There are no words, not in English, Spanish, Arabic, or Hebrew, that have been invented to explain what it’s like to lose a child. The nightmarish heartache of it. The unexplainable trepidation that follows. No mother loses a child without believing she failed as a parent. No father loses a child without believing he failed to protect his family from pain. The child may be gone, but the yearsthe child were meant to live remain behind, solid in the mind like an aging ghost. The birthdays, the holidays, the last days of school—they all remain, circled in red lipstick on a calendar nailed to the wall. A constant shadow that grows, even in the dark. As I was saying…there are no words.
D.E. Eliot (Ruined)
If you work with or around children, you often hear a lot about how resilient they are. It's true; I've met children who've been through things that would drive most adults to the brink. They look and act, most of the time, like any other children. In this sense – that they don't succumb to despair, that they don't demand a space for their pain – it's very true that children are resilient. But resiliency only means that a thing retains its shape. That it doesn't break, or lose its ability to function. It doesn't mean a child forgets the time she shared in the backyard with her mother gardening, or the fun they had together watching Bedknobs and Broomsticks at the Astro. It just means she learns to bear it. The mechanism that allowed Lisa Sample to keep her head above water in the wak of her mother's departure has not been described or cataloged by scientists. It's efficient, and flexible, and probably transferable from one person to another should they catch the scent on each other. But the rest of the details about it aren't observable from the outside. You have to be closer than you really want to get to see how it works.
John Darnielle (Universal Harvester)
Kossola was born circa 1841, in the town of Bantè, the home to the Isha subgroup of the Yoruba people of West Africa. He was the second child of Fondlolu, who was the second of his father’s three wives. His mother named him Kossola, meaning “I do not lose my fruits anymore” or “my children do not die any more.
Zora Neale Hurston (Barracoon: The Story of the Last "Black Cargo")
The child's heart beat: but she was growing in the wrong place inside her extraordinary mother, south of safe...she and her mother were rushed to the hospital, where her mother was operated on by a brisk cheerful diminutive surgeon who told me after the surgery that my wife had been perhaps an hour from death from the pressure of the child growing outside the womb, the mother from the child growing, and the child from growing awry; and so my wife did not die, but our mysterious child did...Not uncommon, an ectopic pregnancy, said the surgeon...Sometimes, continued the surgeon, sometimes people who lose children before they are born continue to imagine the child who has died, and talk about her or him, it's such an utterly human thing to do, it helps deal with the pain, it's healthy within reason, and yes, people say to their other children that they actually do, in a sense, have a sister or brother, or did have a sister or brother, and she or he is elsewhere, has gone ahead, whatever the language of your belief or faith tradition. You could do that. People do that, yes. I have patients who do that, yes... One summer morning, as I wandered by a river, I remembered an Irish word I learned long ago, and now whenever I think of the daughter I have to wait to meet, I find that word in my mouth: dunnog, little dark one, the shyest and quietest and tiniest of sparrows, the one you never see but sometimes you sense, a flash in the corner of your eye, a sweet sharp note already fading by the time it catches your ear.
Brian Doyle (The Wet Engine: Exploring Mad Wild Miracle of Heart)
In this regard I find myself dubious about the politics of women’s peace groups, for example, which celebrate maternality as the basis for engaging in antimilitarist work. I do not see the mother with her child as either more morally credible or more morally capable than any other woman. A child can be used as a symbolic credential, a sentimental object, a badge of self-righteousness. I question the implicit belief that only “mothers” with “children of their own” have a real stake in the future of humanity.
Zinzi Clemmons (What We Lose)
Mother's gone so who can I cry to about you? There’s no one else alive. I have no one to tell me how I was as a child. Was I really one?
Kristian Ventura (The Goodbye Song)
It was like looking in a mirror. The same flickering hope in Loo, the same desperate need to be loved, was right here in Marshall's mother. And it was in Principal Gunderson, clutching Lily's waist in that old prom photo. And it was Agnes, pressing her feet into the stirrups, listening for her child's cry. And it was in Hawley, mourning with his scraps of paper in the bathroom. Their hearts were all cycling through the same madness—the discovery, the bliss, the loss, the despair—like planets taking turns in orbit around the sun. Each containing their own unique gravity. Their own force of attraction. Drawing near and holding fast to whatever entered their own atmosphere. Even Loo, penning her thousands of names way out at the edge of the universe, felt better knowing others were traveling this same elliptical course, that they would sometimes cross paths, that they would find love and lose love and recover from love and love again—because, if they were all going in circles, and Loo was Pluto, then every 248 years even she would have the chance to be closer to the sun.
Hannah Tinti (The Twelve Lives of Samuel Hawley)
She had no beauty to commend her apart from the sweetness of her smile and the kindliness of her round brown eyes, but she carried with her wherever she went that aura of almost heavenly motherliness which so often shines about a woman who has borne only one child, and in losing it has become mother to all the world, shining more wonderfully than about the mother of a dozen.
Elizabeth Goudge (Gentian Hill)
The way I figure it, here in New Earth, men's power has won out over women's power, just like it's done on Mainground. But men still fear women's power. No one ever forgets their mother's power to give them nourishment or withhold it. And men specially don't forget it, because they never grow into women themselves, and never lose a child's craving for the comfort of women's bodies.
Chris Beckett (Mother of Eden (Dark Eden, #2))
Things I Used to Get Hit For: Talking back. Being smart. Acting stupid. Not listening. Not answering the first time. Not doing what I’m told. Not doing it the second time I’m told. Running, jumping, yelling, laughing, falling down, skipping stairs, lying in the snow, rolling in the grass, playing in the dirt, walking in mud, not wiping my feet, not taking my shoes off. Sliding down the banister, acting like a wild Indian in the hallway. Making a mess and leaving it. Pissing my pants, just a little. Peeing the bed, hardly at all. Sleeping with a butter knife under my pillow. Shitting the bed because I was sick and it just ran out of me, but still my fault because I’m old enough to know better. Saying shit instead of crap or poop or number two. Not knowing better. Knowing something and doing it wrong anyway. Lying. Not confessing the truth even when I don’t know it. Telling white lies, even little ones, because fibbing isn’t fooling and not the least bit funny. Laughing at anything that’s not funny, especially cripples and retards. Covering up my white lies with more lies, black lies. Not coming the exact second I’m called. Getting out of bed too early, sometimes before the birds, and turning on the TV, which is one reason the picture tube died. Wearing out the cheap plastic hole on the channel selector by turning it so fast it sounds like a machine gun. Playing flip-and-catch with the TV’s volume button then losing it down the hole next to the radiator pipe. Vomiting. Gagging like I’m going to vomit. Saying puke instead of vomit. Throwing up anyplace but in the toilet or in a designated throw-up bucket. Using scissors on my hair. Cutting Kelly’s doll’s hair really short. Pinching Kelly. Punching Kelly even though she kicked me first. Tickling her too hard. Taking food without asking. Eating sugar from the sugar bowl. Not sharing. Not remembering to say please and thank you. Mumbling like an idiot. Using the emergency flashlight to read a comic book in bed because batteries don’t grow on trees. Splashing in puddles, even the puddles I don’t see until it’s too late. Giving my mother’s good rhinestone earrings to the teacher for Valentine’s Day. Splashing in the bathtub and getting the floor wet. Using the good towels. Leaving the good towels on the floor, though sometimes they fall all by themselves. Eating crackers in bed. Staining my shirt, tearing the knee in my pants, ruining my good clothes. Not changing into old clothes that don’t fit the minute I get home. Wasting food. Not eating everything on my plate. Hiding lumpy mashed potatoes and butternut squash and rubbery string beans or any food I don’t like under the vinyl seat cushions Mom bought for the wooden kitchen chairs. Leaving the butter dish out in summer and ruining the tablecloth. Making bubbles in my milk. Using a straw like a pee shooter. Throwing tooth picks at my sister. Wasting toothpicks and glue making junky little things that no one wants. School papers. Notes from the teacher. Report cards. Whispering in church. Sleeping in church. Notes from the assistant principal. Being late for anything. Walking out of Woolworth’s eating a candy bar I didn’t pay for. Riding my bike in the street. Leaving my bike out in the rain. Getting my bike stolen while visiting Grandpa Rudy at the hospital because I didn’t put a lock on it. Not washing my feet. Spitting. Getting a nosebleed in church. Embarrassing my mother in any way, anywhere, anytime, especially in public. Being a jerk. Acting shy. Being impolite. Forgetting what good manners are for. Being alive in all the wrong places with all the wrong people at all the wrong times.
Bob Thurber (Paperboy: A Dysfunctional Novel)
Did Mr. Poe write as a boy? Dear me, yes. It was all he had, what with losing his mother as a toddling child and then being cast aside by his foster father. I think sometimes his pen was his only friend in the world
Lynn Cullen (Mrs. Poe)
But a mother cannot give birth to a child and not lose a piece of herself. The child takes a part of the parent with them, holding it as their own. Whether it be their heart or soul, they are now connected for always.
Sejal Badani (Trail of Broken Wings)
When parents are shame-based and needy, they are unable to take over the mirroring narcissistic function for the child. Furthermore, the fact that the parents are shame-based is a clear signal that they never got their own narcissistic supplies. Such parents are adult children who are still in search of a parent or an object who will be totally available to them. For such parents, the most appropriate objects of narcissistic gratification are their own children. Again Alice Miller writes: A newborn baby is completely dependent on his parents and since their caring is essential for his existence, he does all he can to avoid losing them. From the very first day onward, he will muster all his resources to this end, like a small plant that turns toward the sun in order to survive. What the shame-based mother was unable to find in her own mother she finds in her own children. The child is always at her disposal. A child cannot run away as her own mother did. A child can be used as an echo, is completely centered on her, will never desert her, can be totally controlled, and offers full admiration and absorbed attention.
John Bradshaw (Healing the Shame that Binds You)
If a wife lost a husband, there was a whole new word to describe who she was: she was now a widow. A husband became a widower. But if a parent loses a child, there was no special label for their grief. They were still just a mother or a father, even if they no longer had a son or daughter.
M.L. Stedman
When I was a child, my mother would try to convince me of a woman's need for a secret stash. "It can be anything: land, property, even a couple hundred dollars. You know, in case anything goes wrong and you have to get the hell out of there." Her mother had told her this, as her mother before had told her.
Zinzi Clemmons (What We Lose)
Because, here’s the truth: life is catastrophe. The basic fact of existence—of walking around trying to feed ourselves and find friends and whatever else we do—is catastrophe. Forget all this ridiculous ‘Our Town’ nonsense everyone talks: the miracle of a newborn babe, the joy of one simple blossom, Life You Are Too Wonderful To Grasp, &c. For me—and I’ll keep repeating it doggedly till I die, till I fall over on my ungrateful nihilistic face and am too weak to say it: better never born, than born into this cesspool. Sinkhole of hospital beds, coffins, and broken hearts. No release, no appeal, no “do-overs” to employ a favored phrase of Xandra’s, no way forward but age and loss, and no way out but death. [“Complaints bureau!” I remember Boris grousing as a child, one afternoon at his house when we had got off on the vaguely metaphysical subject of our mothers: why they—angels, goddesses—had to die? while our awful fathers thrived, and boozed, and sprawled, and muddled on, and continued to stumble about and wreak havoc, in seemingly indefatigable health? “They took the wrong ones! Mistake was made! Everything is unfair! Who do we complain to, in this shitty place? Who is in charge here?”] And—maybe it’s ridiculous to go on in this vein, although it doesn’t matter since no one’s ever going to see this—but does it make any sense at all to know that it ends badly for all of us, even the happiest of us, and that we all lose everything that matters in the end—and yet to know as well, despite all this, as cruelly as the game is stacked, that it’s possible to play it with a kind of joy?
Donna Tartt (The Goldfinch)
Every individual believer is precious in the sight of the Lord, a shepherd would not lose one sheep, nor a jeweller one diamond, nor a mother one child, nor a man one limb of his body, nor will the Lord lose one of his redeemed people. However little we may be, if we are the Lord's, we may rejoice that we are preserved in Christ Jesus.
Charles Haddon Spurgeon (Morning and Evening)
I didn't set out to be a bad mother, however. It just happened. As it was, being a bad mother was child's play compared to being a good mother, which was an incessant struggle, a lose-lose situation 24 hours a day; long after the kids were in bed the torment of what I did or didn't do during those hours we were trapped together would scourge my soul.
Mary Kubica (The Good Girl (English Edition))
More than economic dependency of the wife and children on the husband and father is needed to preserve the institution of the authoritarian family [and its support of the authoritarian state]. For the suppressed classes, this dependency is endurable only on condition that the consciousness of being a sexual being is suspended as completely as possible in women and in children. The wife must not figure as a sexual being, but solely as a child-bearer. Essentially, the idealization and deification of motherhood, which are so flagrantly at variance with the brutality with which the mothers of the toiling masses are actually treated, serve as means of preventing women from gaining a sexual consciousness, of preventing the imposed sexual repression from breaking through and of preventing sexual anxiety and sexual guilt-feelings from losing their hold. Sexually awakened women, affirmed and recognized as such, would mean the complete collapse of the authoritarian ideology. Conservative sexual reform has always made the mistake of merely making a slogan of "the right of woman to her own body," and not clearly and unmistakably regarding and defending woman as a sexual being, at least as much as it regards and defends her as a mother. Furthermore, conservative sexual reform based its sexual policies predominantly on the function of procreation, instead of undermining the reactionary view that equates sexuality and procreation.
Wilhelm Reich (The Mass Psychology of Fascism)
Losing the exchange booths and going to Hawaii had made my mother stronger. The Korean character has always been deeply colored by Confucian ideals, and that tradition was passed on to the Zainichi community. Roughly put, Confucianism was about respecting your elders. In our household, that basically translated to “the wife and child are forbidden to oppose the head of the house.” So at meals, my mother always served the old man two more dishes than herself or me. But after my parents came back from Hawaii, that number increased to four. “What’s with all the extra dishes lately?” my father asked one day after dinner, patting his bulging belly. My mother, who was in the kitchen, cleaning up, chirped, “I was hoping you’d get diabetes.
Kazuki Kaneshiro (Go)
But resiliency only means that a thing retains its shape. That it doesn’t break, or lose its ability to function. It doesn’t mean a child forgets the time she shared in the backyard with her mother gardening, or the fun they had together watching Bedknobs and Broomsticks at the Astro. It just means she learns to bear it. The mechanism that allowed Lisa Sample to keep her head above water in the wake of her mother’s departure has not been described or cataloged by scientists. It’s efficient, and flexible, and probably transferable from one person to another should they catch the scent on each other. But the rest of the details about it aren’t observable from the outside. You have to be closer than you really want to get to see how it works.
John Darnielle (Universal Harvester)
As children, the siblings believed Saul could answer any question they wished to know. But Klara and Simon grew to dislike his answers. They disdained his routine of work and Torah study, his uniform of gabardine slacks and trench and walking hat. Now, Klara has more sympathy for him. Saul came from immigrants, and Klara suspects he lived in fear of losing the life he’d been given. She understands, too, the loneliness of parenting, which is the loneliness of memory—to know that she connects a future unknowable to her parents with a past unknowable to her child. Ruby will come to Klara with questions. What will Klara tell her, with frantic and unheard insistence? To Ruby, Klara’s past will seem like a story, Saul and Simon no more than her mother’s ghosts
Chloe Benjamin (The Immortalists)
Understand, then, that it would have healed her: but not to your joy or hers. The day he would have come when both you and she would have looked back and said it would have been better to die in that illness. And Digory could say nothing, for tears choked him and he gave up all hopes of saving his mother’s life: but at the same time he knew that the Lion knew what would have happened, and that there might be things more terrible even then losing someone you love by death. But now Aslan was speaking again, almost in a whisper: “That is what would have happened, child, with a stolen Apple. It is not what will happen now. What I give you now will bring joy. It will not, in your world, give endless life, but it will heal. Go. Pluck her an apple from the tree.
C.S. Lewis (The Magician’s Nephew (Chronicles of Narnia, #6))
Consider again the mated pair with which we began the chapter. Both partners, as selfish machines, ‘want’ sons and daughters in equal numbers. To this extent they agree. Where they disagree is in who is going to bear the brunt of the cost of rearing each one of those children. Each individual wants as many surviving children as possible. The less he or she is obliged to invest in any one of those children, the more children he or she can have. The obvious way to achieve this desirable state of affairs is to induce your sexual partner to invest more than his or her fair share of resources in each child, leaving you free to have other children with other partners. This would be a desirable strategy for either sex, but it is more difficult for the female to achieve. Since she starts by investing more than the male, in the form of her large, food-rich egg, a mother is already at the moment of conception ‘committed’ to each child more deeply than the father is. She stands to lose more if the child dies than the father does. More to the point, she would have to invest more than the father in the future in order to bring a new substitute child up to the same level of development. If she tried the tactic of leaving the father holding the baby, while she went off with another male, the father might, at relatively small cost to himself, retaliate by abandoning the baby too. Therefore, at least in the early stages of child development, if any abandoning is going to be done, it is likely to be the father who abandons the mother rather than the other way around. Similarly, females can be expected to invest more in children than males, not only at the outset, but throughout development. So, in mammals for example, it is the female who incubates the foetus in her own body, the female who makes the milk to suckle it when it is born, the female who bears the brunt of the load of bringing it up and protecting it. The female sex is exploited, and the fundamental evolutionary basis for the exploitation is the fact that eggs are larger than sperms.
Richard Dawkins (The Selfish Gene)
On our particular mission, senior marines met with local school officials while the rest of us provided security or hung out with the schoolkids, playing soccer and passing out candy and school supplies. One very shy boy approached me and held out his hand. When I gave him a small eraser, his face briefly lit up with joy before he ran away to his family, holding his two-cent prize aloft in triumph. I have never seen such excitement on a child’s face. I don’t believe in epiphanies. I don’t believe in transformative moments, as transformation is harder than a moment. I’ve seen far too many people awash in a genuine desire to change only to lose their mettle when they realized just how difficult change actually is. But that moment, with that boy, was pretty close for me. For my entire life, I’d harbored resentment at the world. I was mad at my mother and father, mad that I rode the bus to school while other kids caught rides with friends, mad that my clothes didn’t come from Abercrombie, mad that my grandfather died, mad that we lived in a small house. That resentment didn’t vanish in an instant, but as I stood and surveyed the mass of children of a war-torn nation, their school without running water, and the overjoyed boy, I began to appreciate how lucky I was: born in the greatest country on earth, every modern convenience at my fingertips, supported by two loving hillbillies, and part of a family that, for all its quirks, loved me unconditionally. At that moment, I resolved to be the type of man who would smile when someone gave him an eraser. I haven’t quite made it there, but without that day in Iraq, I wouldn’t be trying. The
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
Close your eyes and stare into the dark. My father's advice when I couldn't sleep as a little girl. He wouldn't want me to do that now but I've set my mind to the task regardless. I'm staring beyond my closed eyelids. Though I lie still on the ground, I feel perched at the highest point I could possibly be; clutching at a star in the night sky with my legs dangling above cold black nothingness. I take one last look at my fingers wrapped around the light and let go. Down I go, falling, then floating, and, falling again, I wait for the land of my life. I know now, as I knew as that little girl fighting sleep, that behind her gauzed screen of shut-eye, lies colour. It taunts me, dares me to open my eyes and lose sleep. Flashes of red and amber, yellow and white speckle my darkness. I refuse to open them. I rebel and I squeeze my eyelids together tighter to block out the grains of light, mere distractions that keep us awake but a sign that there's life beyond. But there's no life in me. None that I can feel, from where I lie at the bottom of the staircase. My heart beats quicker now, the lone fighter left standing in the ring, a red boxing glove pumping victoriously into the air, refusing to give up. It's the only part of me that cares, the only part that ever cared. It fights to pump the blood around to heal, to replace what I'm losing. But it's all leaving my body as quickly as it's sent; forming a deep black ocean of its own around me where I've fallen. Rushing, rushing, rushing. We are always rushing. Never have enough time here, always trying to make our way there. Need to have left here five minutes ago, need to be there now. The phone rings again and I acknowledge the irony. I could have taken my time and answered it now. Now, not then. I could have taken all the time in the world on each of those steps. But we're always rushing. All, but my heart. That slows now. I don't mind so much. I place my hand on my belly. If my child is gone, and I suspect this is so, I'll join it there. There.....where? Wherever. It; a heartless word. He or she so young; who it was to become, still a question. But there, I will mother it. There, not here. I'll tell it; I'm sorry, sweetheart, I'm sorry I ruined your chances - our chances of a life together.But close your eyes and stare into the darkness now, like Mummy is doing, and we'll find our way together. There's a noise in the room and I feel a presence. 'Oh God, Joyce, oh God. Can you hear me, love? Oh God. Oh God, please no, Hold on love, I'm here. Dad is here.' I don't want to hold on and I feel like telling him so. I hear myself groan, an animal-like whimper and it shocks me, scares me. I have a plan, I want to tell him. I want to go, only then can I be with my baby. Then, not now. He's stopped me from falling but I haven't landed yet. Instead he helps me balance on nothing, hover while I'm forced to make the decision. I want to keep falling but he's calling the ambulance and he's gripping my hand with such ferocity it's as though I'm all he has. He's brushing the hair from my forehead and weeping loudly. I've never heard him weep. Not even when Mum died. He clings to my hand with all of his strength I never knew his old body had and I remember that I am all he has and that he, once again just like before, is my whole world. The blood continues to rush through me. Rushing, rushing, rushing. We are always rushing. Maybe I'm rushing again. Maybe it's not my time to go. I feel the rough skin of old hands squeezing mine, and their intensity and their familiarity force me to open my eyes. Lights fills them and I glimpse his face, a look I never want to see again. He clings to his baby. I know I lost mind; I can't let him lose his. In making my decision I already begin to grieve. I've landed now, the land of my life. And still my heart pumps on. Even when broken it still works.
Cecelia Ahern (Thanks for the Memories)
I became a mother before becoming sick, but i never expected sickness to take away my independent mothering, so i plant trees to sooth my soul from the aching pains of losing the maternal ability to mother another child. My first born will be my only treasure, the one who knew who i was before the mess entered our lives and also the one who adapted with me to a reality we weren't certain of oh and lots of plants and plants and plants.
Nikki Rowe
We should return to the docks,” Miss Grey suggested. “Perhaps they will be waiting there.” Sure enough, she was correct—or at least, half correct. Mr. Kent was leaning on a splintery post by the Aurora, shaking his head as we approached. “It took you three far too long to return here,” he said. “Did you not learn that universal tenet as a child? If you ever lose track of your mother, go back to the last place you shared, no other. It’s not terribly complicated.
Tarun Shanker (These Vicious Masks (These Vicious Masks, #1))
There was a four-place table with only three chairs. There were what Reacher’s mother had called “touches.” Dried flowers, bottles of virgin olive oil that would never be used, antique spoons. Reacher’s mother had said such things gave a room personality. Reacher himself had been unsure how anything except a person could have personality. He had been a painfully literal child. But over the years he had come to see what his mother had meant. And Vaughan’s kitchen had personality.
Lee Child (Nothing to Lose (Jack Reacher, #12))
The people cast themselves down by the fuming boards while servants cut the roast, mixed jars of wine and water, and all the gods flew past like the night-breaths of spring. The chattering female flocks sat down by farther tables, their fresh prismatic garments gleaming in the moon as though a crowd of haughty peacocks played in moonlight. The queen’s throne softly spread with white furs of fox gaped desolate and bare, for Penelope felt ashamed to come before her guests after so much murder. Though all the guests were ravenous, they still refrained, turning their eyes upon their silent watchful lord till he should spill wine in libation for the Immortals. The king then filled a brimming cup, stood up and raised it high till in the moon the embossed adornments gleamed: Athena, dwarfed and slender, wrought in purest gold, pursued around the cup with double-pointed spear dark lowering herds of angry gods and hairy demons; she smiled and the sad tenderness of her lean face, and her embittered fearless glance, seemed almost human. Star-eyed Odysseus raised Athena’s goblet high and greeted all, but spoke in a beclouded mood: “In all my wandering voyages and torturous strife, the earth, the seas, the winds fought me with frenzied rage; I was in danger often, both through joy and grief, of losing priceless goodness, man’s most worthy face. I raised my arms to the high heavens and cried for help, but on my head gods hurled their lightning bolts, and laughed. I then clasped Mother Earth, but she changed many shapes, and whether as earthquake, beast, or woman, rushed to eat me; then like a child I gave my hopes to the sea in trust, piled on my ship my stubbornness, my cares, my virtues, the poor remaining plunder of god-fighting man, and then set sail; but suddenly a wild storm burst, and when I raised my eyes, the sea was strewn with wreckage. As I swam on, alone between sea and sky, with but my crooked heart for dog and company, I heard my mind, upon the crumpling battlements about my head, yelling with flailing crimson spear. Earth, sea, and sky rushed backward; I remained alone with a horned bow slung down my shoulder, shorn of gods and hopes, a free man standing in the wilderness. Old comrades, O young men, my island’s newest sprouts, I drink not to the gods but to man’s dauntless mind.” All shuddered, for the daring toast seemed sacrilege, and suddenly the hungry people shrank in spirit; They did not fully understand the impious words but saw flames lick like red curls about his savage head. The smell of roast was overpowering, choice meats steamed, and his bold speech was soon forgotten in hunger’s pangs; all fell to eating ravenously till their brains reeled. Under his lowering eyebrows Odysseus watched them sharply: "This is my people, a mess of bellies and stinking breath! These are my own minds, hands, and thighs, my loins and necks!" He muttered in his thorny beard, held back his hunger far from the feast and licked none of the steaming food.
Nikos Kazantzakis (The Odyssey: A Modern Sequel)
Well, if it’s helped, that’s great, but I wouldn’t advise you to use every snippet I said to you as a child in your adult life. Half the time, I was throwing stuff at the wall in the hopes it would keep you balanced and well-grounded in that school full of toxic assholes.” “What?” “I hate to admit this, but I don’t know everything.” Sonya drained her glass of whiskey in one shot and made a face. “Do you have any idea what it’s like, to be the mother of a prodigy? To know your child is brilliant and destined for greatness but will still have to work four times as hard as people with a fraction of her intelligence? I was furious when your classmates were rough on you, but I figured my job was to keep you calm and focused and not let you lose this opportunity. I couldn’t let you be angry, or at the very least, I couldn’t let you show that anger. Because then you would be that angry Black girl, and everyone would dismiss your intelligence or worse, suppress everything that makes you you. So I—” She stopped, and inhaled sharply. “I guess I suppressed you. My God. I’m so sorry. This is all my fault.
Alisha Rai (The Right Swipe (Modern Love, #1))
You can have that life,” he told her. “It’s right there for you to take.” “I love you,” Eve quickly countered. “Loving me hurts you, doesn’t it?” Beckett asked, looking down. “No, you don’t have to tell me. I know. I can smell it. I can smell the pain coming off of you,” he said, looking at the floor. “You had love before and a future. What does loving me get you, Eve? What does it get you?” He stood, angry with himself. “I don’t need to get anything from you. It’s the way it is. There’s no changing that.” She gripped the porch railing. Beckett stepped close to Eve and tenderly tucked a lock of hair that had escaped her ponytail behind her ear. “You’re saying goodbye,” she said, her eyes full of questions. “Do you know there are other little girls out there like that one? I lived with a few of them. They would sell their souls for a mother like you.” At the word mother Eve’s chin crumpled. She tried to hold back the tears, but they wouldn’t obey. “See that? It’s what you need. You need that—a little kid calling you Mom.” Beckett put his arms around her as she shattered. The pain she kept hidden surfaced from where it had been smoldering. When he felt her knees weaken, he hugged her harder. “That’s right. It’s okay. It’s nothing to be ashamed of, baby. You want normal.” He guided her to the chair he’d vacated. “There’s a guy out there who’ll hold your hand. There’s a little girl out there. She’s waiting for you. It’ll be okay. It’ll be okay.” He knelt in front of her and rubbed her arms. She slapped at his hands, letting outrage carry her words. “I don’t want another man. I want you. I’ve killed for you. I’ve protected you. What the hell do you think you’re doing? Do you honestly think these hands that kill can hold a child?” She held her fingers in front of her face. “Yes. Absolutely. Don’t you know, gorgeous? Mothers are some of the most vicious killers out there, if their kids are threatened. You just have more practice.” He took her hands and kissed them. “I’ve lost too much. I can’t lose you. Don’t make me. Please. I’ll beg you if I have to.” She watched his lips on her palms. He shook his head and used her own words against her. “The hardest part of loving someone is not being with them when you want to be.” He stood, and she mirrored his motion,already shaking her head. “Don’t say it.” Beckett ignored her; he knew what he had to do. He had to set beautiful Eve free to find that soft, touchable woman he’d seen her become with the little girl.
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
we stared at each other, and I knew we were both thinking about the same exact thing: the night before. Not the long talk we’d had about our families—and that raw honesty we’d given each other—but about what happened after that. The movie. The damn movie. I didn’t know what the hell I’d been thinking, fully fucking aware I was already mopey, when I asked if he wanted to watch my favorite movie as a kid. I’d watched it hundreds of times. Hundreds of times. It felt like love and hope. And I was an idiot. And Aiden, being a nice person who apparently let me get away with most of the things I wanted, said, “Sure. I might fall asleep during it.” He hadn’t fallen asleep. If there was one thing I learned that night was that no one was impervious to Little Foot losing his mom. Nobody. He’d only slightly rolled his eyes when the cartoon started, but when I glanced over at him, he’d been watching faithfully. When that awful, terrible, why-would-you-do-that-to-children-and-to-humanity-in-general part came on The Land Before Time, my heart still hadn’t learned how to cope and I was feeling so low, the hiccups coming out were worse than usual. My vision got cloudy. I got choked up. Tears were coming out of my eyes like the powerful Mississippi. Time and dozens of viewings hadn’t toughened me up at all. And as I’d wiped at my face and tried to remind myself it was just a movie and a young dinosaur hadn’t lost his beloved mom, I heard a sniffle. A sniffle that wasn’t my own. I turned not-so-discreetly and saw him. I saw the starry eyes and the way his throat bobbed with a gulp. Then I saw the sideways look he shot me as I sat there dealing with my own emotions, and we stared at each other. In silence. The big guy wasn’t handling it, and if there were ever a time in any universe, watching any movie, this would be the cause of it. All I could do was nod at him, get up to my knees, and lean over so I could wrap my arms around his neck and tell him in as soothing of a voice as I could get together, “I know, big guy. I know,” even as another round of tears came out of my eyes and possibly some snot out of my nose. The miraculous part was that he let me. Aiden sat there and let me hug him, let me put my cheek over the top of his head and let him know it was okay. Maybe it happened because we’d just been talking about the faulty relationships we had with our families or maybe it was because a child losing its mother was just about the saddest thing in the world, especially when it was an innocent animal, I don’t know. But it was sad as shit. He sniffed—on any other person smaller than him it would have been considered a sniffle—and I squeezed my arms around him a little tighter before going back to my side of the bed where we finished watching the movie
Mariana Zapata (The Wall of Winnipeg and Me)
The Dying Man" in memoriam W.B. Yeats 1. His words I heard a dying man Say to his gathered kin, “My soul’s hung out to dry, Like a fresh salted skin; I doubt I’ll use it again. “What’s done is yet to come; The flesh deserts the bone, But a kiss widens the rose I know, as the dying know Eternity is Now. “A man sees, as he dies, Death’s possibilities; My heart sways with the world. I am that final thing, A man learning to sing. 2. What Now? Caught in the dying light, I thought myself reborn. My hand turn into hooves. I wear the leaden weight Of what I did not do. Places great with their dead, The mire, the sodden wood, Remind me to stay alive. I am the clumsy man The instant ages on. I burned the flesh away, In love, in lively May. I turn my look upon Another shape than hers Now, as the casement blurs. In the worst night of my will, I dared to question all, And would the same again. What’s beating at the gate? Who’s come can wait. 3. The Wall A ghost comes out of the unconscious mind To grope my sill: It moans to be reborn! The figure at my back is not my friend; The hand upon my shoulder turns to horn. I found my father when I did my work, Only to lose myself in this small dark. Though it reject dry borders of the seen, What sensual eye can keep and image pure, Leaning across a sill to greet the dawn? A slow growth is a hard thing to endure. When figures our of obscure shadow rave, All sensual love’s but dancing on a grave. The wall has entered: I must love the wall, A madman staring at perpetual night, A spirit raging at the visible. I breathe alone until my dark is bright. Dawn’s where the white is. Who would know the dawn When there’s a dazzling dark behind the sun. 4. The Exulting Once I delighted in a single tree; The loose air sent me running like a child– I love the world; I want more than the world, Or after image of the inner eye. Flesh cries to flesh, and bone cries out to bone; I die into this life, alone yet not alone. Was it a god his suffering renewed?– I saw my father shrinking in his skin; He turned his face: there was another man, Walking the edge, loquacious, unafraid. He quivered like a bird in birdless air, Yet dared to fix his vision anywhere. Fish feed on fish, according to their need: My enemies renew me, and my blood Beats slower in my careless solitude. I bare a wound, and dare myself to bleed. I think a bird, and it begins to fly. By dying daily, I have come to be. All exultation is a dangerous thing. I see you, love, I see you in a dream; I hear a noise of bees, a trellis hum, And that slow humming rises into song. A breath is but a breath: I have the earth; I shall undo all dying with my death. 5. They Sing, They Sing All women loved dance in a dying light– The moon’s my mother: how I love the moon! Out of her place she comes, a dolphin one, Then settles back to shade and the long night. A beast cries out as if its flesh were torn, And that cry takes me back where I was born. Who thought love but a motion in the mind? Am I but nothing, leaning towards a thing? I scare myself with sighing, or I’ll sing; Descend O gentlest light, descend, descend. I sweet field far ahead, I hear your birds, They sing, they sing, but still in minor thirds. I’ve the lark’s word for it, who sings alone: What’s seen recededs; Forever’s what we know!– Eternity defined, and strewn with straw, The fury of the slug beneath the stone. The vision moves, and yet remains the same. In heaven’s praise, I dread the thing I am. The edges of the summit still appall When we brood on the dead or the beloved; Nor can imagination do it all In this last place of light: he dares to live Who stops being a bird, yet beats his wings Against the immense immeasurable emptiness of things.
Theodore Roethke (The Collected Poems)
On a Sunday this January, probably of whatever year it is when you read this (at least as long as I’m living), I will probably be preaching somewhere in a church on “Sanctity of Human Life Sunday.” Here’s a confession: I hate it. Don’t get me wrong. I love to preach the Bible. And I love to talk about the image of God and the protection of all human life. I hate this Sunday not because of what we have to say, but that we have to say it at all. The idea of aborting an unborn child or abusing a born child or starving an elderly person or torturing an enemy combatant or screaming at an immigrant family, these ought all to be so self-evidently wrong that a “Sanctity of Human Life Sunday” ought to be as unnecessary as a “Reality of Gravity Sunday.” We shouldn’t have to say that parents shouldn’t abort their children, or their fathers shouldn’t abandon the mothers of their babies, or that no human life is worthless regardless of age, skin color, disability, or economic status. Part of my thinking here is, I hope, a sign of God’s grace, a groaning by the Spirit at this world of abortion clinics and torture chambers (Rom. 8:22–23). But part of it is my own inability to see the spiritual combat zone that the world is, and has been from Eden onward. This dark present reality didn’t begin with the antebellum South or with the modern warfare state, and it certainly didn’t begin with the Roe v. Wade Supreme Court decision. Human dignity is about the kingdom of God, and that means that in every place and every culture human dignity is contested.
Russell D. Moore (Onward: Engaging the Culture without Losing the Gospel)
Patriotism comes from the same Latin word as father. Blind patriotism is collective transference. In it the state becomes a parent and we citizens submit our loyalty to ensure its protection. We may have been encouraged to make that bargain from our public school education, our family home, religion, or culture in general. We associate safety with obedience to authority, for example, going along with government policies. We then make duty, as it is defined by the nation, our unquestioned course. Our motivation is usually not love of country but fear of being without a country that will defend us and our property. Connection is all-important to us; excommunication is the equivalent of death, the finality we can’t dispute. Healthy adult loyalty is a virtue that does not become blind obedience for fear of losing connection, nor total devotion so that we lose our boundaries. Our civil obedience can be so firm that it may take precedence over our concern for those we love, even our children. Here is an example: A young mother is told by the doctor that her toddler is allergic to peanuts and peanut oil. She lets the school know of her son’s allergy when he goes to kindergarten. Throughout his childhood, she is vigilant and makes sure he is safe from peanuts in any form. Eighteen years later, there is a war and he is drafted. The same mother, who was so scrupulously careful about her child’s safety, now waves goodbye to him with a tear but without protest. Mother’s own training in public school and throughout her life has made her believe that her son’s life is expendable whether or not the war in question is just. “Patriotism” is so deeply ingrained in her that she does not even imagine an alternative, even when her son’s life is at stake. It is of course also true that, biologically, parents are ready to let children go just as the state is ready to draft them. What a cunning synchronic-ity. In addition, old men who decide on war take advantage of the timing too. The warrior archetype is lively in eighteen-year-olds, who are willing to fight. Those in their mid-thirties, whose archetype is being a householder and making a mark in their chosen field, will not show an interest in battlefields of blood. The chiefs count on the fact that young braves will take the warrior myth literally rather than as a metaphor for interior battles. They will be willing to put their lives on the line to live out the collective myth of societies that have not found the path of nonviolence. Our collective nature thus seems geared to making war a workable enterprise. In some people, peacemaking is the archetype most in evidence. Nature seems to have made that population smaller, unfortunately. Our culture has trained us to endure and tolerate, not to protest and rebel. Every cell of our bodies learned that lesson. It may not be virtue; it may be fear. We may believe that showing anger is dangerous, because it opposes the authority we are obliged to appease and placate if we are to survive. This explains why we so admire someone who dares to say no and to stand up or even to die for what he believes. That person did not fall prey to the collective seduction. Watching Jeopardy on television, I notice that the audience applauds with special force when a contestant risks everything on a double-jeopardy question. The healthy part of us ardently admires daring. In our positive shadow, our admiration reflects our own disavowed or hidden potential. We, too, have it in us to dare. We can stand up for our truth, putting every comfort on the line, if only we can calm our long-scared ego and open to the part of us that wants to live free. Joseph Campbell says encouragingly, “The part of us that wants to become is fearless.” Religion and Transference Transference is not simply horizontal, from person to person, but vertical from person to a higher power, usually personified as God. When
David Richo (When the Past Is Present: Healing the Emotional Wounds that Sabotage our Relationships)
My castle is very different from what I planned, but I would not alter it, though, like Jo, I don't relinquish all my artistic hopes, or confine myself to helping others fulfill their dreams of beauty. I've begun to model a figure of baby, and Laurie says it is the best thing I've ever done. I think so, myself, and mean to do it in marble, so that, whatever happens, I may at least keep the image of my little angel." As Amy spoke, a great tear dropped on the golden hair of the sleeping child in her arms, for her one well-beloved daughter was a frail little creature and the dread of losing her was the shadow over Amy's sunshine. This cross was doing much for both father and mother, for one love and sorrow bound them closely together. Amy's nature was growing sweeter, deeper, and more
Louisa May Alcott (Little Women (Illustrated))
Being a mother was all-consuming. There were so many mistakes you could make, so many ways to lose a child. The whole world was a threat. In the years after Lockie’s birth she became addicted to those current-affair shows that interviewed parents who had made the one fatal mistake. They had let the blind cord dangle on the ground, they had left the pool gate unlocked, they had put the pot too close to the edge of the stove, they had just ducked into the shopping centre and left the child in the car. They had taken their eyes off the ball and that way lay tragedy and regret. Sarah watched to see what mistake had been made and each time had been able to congratulate herself on never making any of those mistakes. But then she had made a mistake—one worthy of a current-affairs show.She had looked away.
Nicole Trope (The Boy Under the Table)
This is the work of a lifetime, here on earth: To invent the astral body, to create it. giving it our consciousness. Thus one will survive death. One could also die when one chooses… And on dying, not lose the awareness 'from here.' What has happened to you is a detachment of your astral body while your physical body sleeps. This occurs to vîras; it's an automatic unconscious process. Sometimes, by simple chance, a glimmer of consciousness reaches this fine body and then, on suddenly awakening or the next day, one gets the impression of experiencing something much more real than physical reality. The deja-vu of psychologists has its explanation in this phenomena of detachment. Have you seen those children who elevate a kite and send messages with little rolls of paper that go slowly up to the kite? So it is, more or less, with that other. The astral body breaks away, still attached to the physical body by a string which has been called a 'silver cord' that is only cut at death. Thanks to this cord we can go immeasurable distances without losing the connection with our physical bodies. It always returns. So it reaches consciousness, like those messages of children with their kite. Yes, we must become like children to enter into the Kingdom of Heaven… with our astral bodies. Pay attention to this other analogy: As a child finds itself joined to its mother by the umbilical cord, so the astral body is joined to its father, the physical body, by a silver cord. The child cries and despairs at birth, when the cord connecting him to his mother is cut. He thinks this is death, but it is a new life. The same befalls the vîra when he dies; when the silver cord is cut he enters into another life. Death is a new life. All this is archetypal. Only those events expressing archetypes have ontological reality.
Miguel Serrano
It was an old tradition: landlords barring children from their properties. In the competitive postwar housing market of the late 1940s, landlords regularly turned away families with children and evicted tenants who got pregnant.3 This was evident in letters mothers wrote when applying for public housing. “At present,” one wrote, “I am living in an unheated attic room with a one-year-old baby….Everywhere I go the landlords don’t want children. I also have a ten-year-old boy….I can’t keep him with me because the landlady objects to children. Is there any way that you can help me to get an unfurnished room, apartment, or even an old barn?…I can’t go on living like this because I am on the verge of doing something desperate.” Another mother wrote, “My children are now sick and losing weight….I have tried, begged, and pleaded for a place but [it’s] always ‘too late’ or ‘sorry, no children.’ ” Another wrote, “The lady where I am rooming put two of my children out about three weeks ago and don’t want me to let them come back….If I could get a garage I would take it.”4 When Congress passed the Fair Housing Act in 1968, it did not consider families with children a protected class, allowing landlords to continue openly turning them away or evicting them. Some placed costly restrictions on large families, charging “children-damage deposits” in addition to standard rental fees. One Washington, DC, development required tenants with no children to put down a $150 security deposit but charged families with children a $450 deposit plus a monthly surcharge of $50 per child.5 In 1980, HUD commissioned a nationwide study to assess the magnitude of the problem and found that only 1 in 4 rental units was available to families without restrictions.6 Eight years later, Congress finally outlawed housing discrimination against children and families, but as Pam found out, the practice remained widespread.7 Families with children were turned away in as many as 7 in 10 housing searches.8
Matthew Desmond (Evicted: Poverty and Profit in the American City)
I was certainly not the best mother. That goes without saying. I didn’t set out to be a bad mother, however. It just happened. As it was, being a bad mother was child’s play compared to being a good mother, which was an incessant struggle, a lose-lose situation 24 hours a day; long after the kids were in bed the torment of what I did or didn’t do during those hours we were trapped together would scourge my soul. Why did I allow Grace to make Mia cry? Why did I snap at Mia to stop just to silence the noise? Why did I sneak to a quiet place, whenever I could? Why did I rush the days—will them to hurry by—so I could be alone? Other mothers took their children to museums, the gardens, the beach. I kept mine indoors, as much as I could, so we wouldn’t cause a scene. I lie awake at night wondering: what if I never have a chance to make it up to Mia? What if I’m never able to show her the kind of mother I always longed to be? The kind who played endless hours of hide-and-seek, who gossiped side by side on their daughters’ beds about which boys in the junior high were cute. I always envisioned a friendship between my daughters and me. I imagined shopping together and sharing secrets, rather than the formal, obligatory relationship that now exists between myself and Grace and Mia. I list in my head all the things that I would tell Mia if I could. That I chose the name Mia for my great-grandmother, Amelia, vetoing James’s alternative: Abigail. That the Christmas she turned four, James stayed up until 3:00 a.m. assembling the dollhouse of her dreams. That even though her memories of her father are filled with nothing but malaise, there were split seconds of goodness: James teaching her how to swim, James helping her prepare for a fourth-grade spelling test. That I mourn each and every time I turned down an extra book before bed, desperate now for just five more minutes of laughing at Harry the Dirty Dog. That I go to the bookstore and purchase a copy after unsuccessfully ransacking the basement for the one that used to be hers. That I sit on the floor of her old bedroom and read it again and again and again. That I love her. That I’m sorry. Colin
Mary Kubica (The Good Girl)
There are people in this country who will argue that because of the demise of morals in general, and Sunday school in particular, kids today are losing their innocence before they should, that because of cartoons and Ken Starr and curricula about their classmates who have two mommies, youth learn too soon about sex and death. Well, like practically everyone else in the Western world who came of age since Gutenberg, I lost my innocence the old-time-religion way, by reading the nursery rhyme of fornication that is the Old Testament and the fairy tale bloodbath that is the New. Job taught me Hey! Life's not fair! Lot's wife taught me that I'm probably going to come across a few weird sleazy things I won't be able to resist looking into. And the book of Revelation taught me to live in the moment, if only because the future's so grim. Being a fundamentalist means going straight to the source. I was asked to not only read the Bible, but to memorize Bible verses. If it wasn't for the easy access to the sordid Word of God I might have had an innocent childhood. Instead, I was a worrywart before my time, shivering in constant fear of a god who, from what I could tell, huffed and puffed around the cosmos looking like my dad did when my sister refused to take her vitamins that one time. God wasn't exactly a children's rights advocate. The first thing a child reading the Bible notices is that you're supposed to honor your mother and father but they're not necessarily required to reciprocate. This was a god who told Abraham to knife his boy Isaac and then at the last minute, when the dagger's poised above Isaac's heart, God tells Abraham that He's just kidding. This was a god who let a child lose his birthright because of some screwball mix-up involving fake fur hands and a bowl of soup. This was a god who saw to it that his own son had his hands and feet nailed onto pieces of wood. God, for me, was not in the details. I still set store by the big Judeo-Christian messages. Who can argue with the Ten Commandments? Don't kill anybody: don't mess around with other people's spouses: be nice to your mom and dad. Fine advice. It was the minutiae that nagged me.
Sarah Vowell (Take the Cannoli)
There once was a female snake that roamed around a small village in the countryside of Egypt. She was commonly seen by villagers with her small baby as they grazed around the trees. One day, several men noticed the mother snake was searching back and forth throughout the village in a frenzy — without her young. Apparently, her baby had slithered off on its own to play while she was out looking for food. Yet the mother snake went on looking for her baby for days because it still hadn't returned back to her. So one day, one of the elder women in the village caught sight of the big snake climbing on top of their water supply — an open clay jug harvesting all the village's water. The snake latched its teeth on the big jug's opening and sprayed its venom into it. The woman who witnessed the event was mentally handicapped, so when she went to warn the other villagers, nobody really understood what she was saying. And when she approached the jug to try to knock it over, she was reprimanded by her two brothers and they locked her away in her room. Then early the next day, the mother snake returned to the village after a long evening searching for her baby. The children villagers quickly surrounded her while clapping and singing because she had finally found her baby. And as the mother snake watched the children rejoice in the reunion with her child, she suddenly took off straight for the water supply — leaving behind her baby with the villagers' children. Before an old man could gather some water to make some tea, she hissed in his direction, forcing him to step back as she immediately wrapped herself around the jug and squeezed it super hard. When the jug broke burst into a hundred fragments, she slithered away to gather her child and return to the safety of her hole. Many people reading this true story may not understand that the same feelings we are capable of having, snakes have too. Thinking the villagers killed her baby, the mother snake sought out revenge by poisoning the water to destroy those she thought had hurt her child. But when she found her baby and saw the villagers' children, her guilt and protective instincts urged her to save them before other mothers would be forced to experience the pain and grief of losing a child. Animals have hearts and minds too. They are capable of love, hatred, jealousy, revenge, hunger, fear, joy, and caring for their own and others. We look at animals as if they are inferior because they are savage and not civilized, but in truth, we are the ones who are not being civil by drawing a thick line between us and them — us and nature. A wild animal's life is very straightforward. They spend their time searching and gathering food, mating, building homes, and meditating and playing with their loved ones. They enjoy the simplicity of life without any of our technological gadgetry, materialism, mass consumption, wastefulness, superficiality, mindless wars, excessive greed and hatred. While we get excited by the vibrations coming from our TV sets, headphones and car stereos, they get stimulated by the vibrations of nature. So, just because animals may lack the sophisticated minds to create the technology we do or make brick homes and highways like us, does not mean their connections to the etheric world isn't more sophisticated than anything we could ever imagine. That means they are more spiritual, reflective, cosmic, and tuned into alternate universes beyond what our eyes can see. So in other words, animals are more advanced than us. They have the simple beauty we lack and the spiritual contentment we may never achieve.
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
When we are needy Christ does His best work, but be warned. Someone, maybe even some well-meaning soul, is going to tell you, “Don’t worry. God will never give you more than you can handle.” I double-dog-dare you to find that in the scriptures. The closest you can come is found in 1 Corinthians 10:13: “There hath no temptation taken you but such as is common to man: but God is faithful, who will not suffer you to be tempted above that ye are able; but will with the temptation also make a way to escape, that ye may be able to bear it.” This talks about an escape from temptation; it does not say that you will not be faced with more than you can handle. The mother whose baby is born and dies, the father who loses his eyesight in a construction accident and can no longer provide for his family, the child who hurries home from school every day hoping that his mother hasn’t yet succumbed to the cancer that he sees ravish her body day by day . . . all of these souls have more than they can handle—on their own. But with Christ as their companion on the journey through life—and only with Christ—all things are possible. Without Him, we fail no matter how far we manage on our own. We can never cross over without Christ and His all-access Atonement.
Toni Sorenson
That is why I would ask you to consider not going to Holland this year; the journey is always very, very expensive, and it never does any good. Yes, it will surely delight Mother, who will like to see the little one - but she will understand, and will prefer the well-being of the little one to the pleasure of seeing him. Besides, she would lose nothing, she will see him later. But - without daring to say that this is enough - however it may be, it is certainly preferable that father, mother and child should take a month of absolute rest in the country. On the other hand, I very much fear that I too was distressed, and I think it strange that I do not in the least know under what conditions I left - if it is at 150 francs a month paid in three installments, as before. Theo fixed nothing and so to begin with I left in confusion. Would there be a way of meeting each other again more calmly? I hope so, but I fear that the journey to Holland will be the last straw for all of us. I always foresee that the child will suffer later on for being brought up in the city. Does Jo think this exaggerated? I hope so, but anyway I think that one ought to be cautious all the same. And I say what I think, because you quite understand that I take an interest in my little nephew and am anxious for his well-being: since you were good enough to name him after me, I should like him to have a less troubled soul than mine, which is foundering.
Vincent van Gogh
Then I came back to Christine. She was waiting for me..." Erik here rose solemnly. Then he continued, but, as he spoke, he was overcome by all his former emotion and began to tremble like a leaf: "Yes, she was waiting for me... waiting for me erect and alive, a real, living bride... as she hoped to be saved... And, when I... came forward, more timid than... a little child, she did not run away... no, no... she stayed... she waited for me... I even believe... daroga... that she put out her forehead... a little... oh, not too much... just a little... like a living bride... And... and... I... kissed her!... I!... I!... I!... And she did not die!... Oh, how good it is, daroga, to kiss somebody on the forehead!... You can't tell!... But I! I!... My mother, daroga, my poor, unhappy mother would never... let me kiss her... She used to run away... and throw me my mask!... Nor any other woman... ever, ever!... Ah, you can understand, my happiness was so great, I cried. And I fell at her feet, crying... and I kissed her feet... her little feet... crying. You're crying, too, daroga... and she cried also... the angel cried!..." Erik sobbed aloud and the Persian himself could not retain his tears in the presence of that masked man, who, with his shoulders shaking and his hands clutched at his chest, was moaning with pain and love by turns. "Yes, daroga... I felt her tears flow on my forehead... on mine, mine!... They were soft... they were sweet!... They trickled under my mask... they mingled with my tears in my eyes... they flowed between my lips... Listen, daroga, listen to what I did... I tore off my mask so as not to lose one of her tears... and she did not run away!... And she did not die!... She remained alive, weeping over me, with me. We cried together! I have tasted all the happiness the world can offer!" And Erik fell into a chair, choking for breath: "Ah, I am not going to die yet... presently I shall... but let me cry!... Listen, daroga... listen to this... While I was at her feet... I heard her say, 'Poor, unhappy Erik!'... And she took my hand!... I had become, no more, you know, than a poor dog ready to die for her... I mean it, daroga!... I held in my hand a ring, a plain gold ring which I had given her... which she had lost... and which I had found again... a wedding-ring, you know... I slipped it into her little hand and said, 'There!... Take it!... Take it for you... and him!... It shall be my wedding-present from your poor, unhappy Erik... I know you love the boy... don't cry any more!'.... She asked me, in a very soft voice, what I meant... Then I made her understand that, where she was concerned, I was only a poor dog, ready to die for her... but that she could marry the young man when she pleased, because she had cried with me and mingled her tears with mine!..." Erik's emotion was so great that he had to tell the Persian not to look at him, for he was choking and must take off his mask.
Gaston Leroux (The Phantom Of The Opera)
This fear of life is not just an imaginary bogy, but a very real panic, which seems disproportionate only because its real source is unconscious and therefore projected: the young, growing part of the personality, if prevented from living or kept in check, generates fear and changes into fear. The fear seems to come from the mother, but actually it is the deadly fear of the instinctive, unconscious, inner man who is cut off from life by the continual shrinking back from reality. If the mother is felt as the obstacle, she then becomes the vengeful pursuer. Naturally it is not the real mother, although she too may seriously injure her child by the morbid tenderness with which she pursues it into adult life, thus prolonging the infantile attitude beyond the proper time. It is rather the mother-imago that has turned into a lamia.63 (Cf. pls. XXXVIIIa, XLVIII.) The mother-imago, however, represents the unconscious, and it is as much a vital necessity for the unconscious to be joined to the conscious as it is for the latter not to lose contact with the unconscious. Nothing endangers this connection more in a man than a successful life; it makes him forget his dependence on the unconscious. The case of Gilgamesh is instructive in this respect: he was so successful that the gods, the representatives of the unconscious, saw themselves compelled to deliberate how they could best bring about his downfall. Their efforts were unavailing at first, but when the hero had won the herb of immortality (cf. pl. XIX) and was almost at his goal, a serpent stole the elixir of life from him while he slept.
C.G. Jung (Collected Works of C. G. Jung, Volume 5: Symbols of Transformation (The Collected Works of C. G. Jung Book 46))
Bronwyn is very much like myself, in both looks and temperament." "Then she likes to command and manipulate those around he," Ranulf interjected to prove he was listening. Laon sent him a slicing glance before answering. "Aye,and if you think me stubborn and relentless, you will rediscover the meaning if you and my eldest daughter ever disagree upon something.And prepare to lose,for even if you are right,she will wear you down until you find yourself acquiescing on the one point you swore never to concede," Laon cackled,obviously recalling one or two times in which she had bested him.Then his voice changed. "But I thank the Lord for her steadfastness and prudence. With my absence,I suspect all have been looking to her for guidance,and they were right to do so," he breathed softly. "Though no man would want her,she is strong in spirit and in mind and the only person I would trust to ensure her sisters are safe and well." "Which one is Eydthe?" "My middle child.She is small, but don't let that deceive you when you meet her.She inherited her Scottish grandmother's temper as well as her dark red hair.Of all of my daughters, her mind is the sharpest,but so is her tongue.It is my youngest,Lily,that I worry about the most when it comes to your men," Laon sighed. "She is the spitting image of her mother.Tall and slender with long dark raven hair and gray eyes,she snatches the soul of every man who looks upon her." And as if he could read Ranulf's mind,he added, "And her disposition is just as sweet.She sees only the good things in life and,as a consequence, brings joy wherever she goes." Ranulf conscientiously fought to refrain from showing his true reaction-nausea.
Michele Sinclair (The Christmas Knight)
She could envision Shakespeare's sister. But she imagined a violent, an apocalyptic end for Shakespeare's sister, whereas I know that isn't what happened. You see, it isn't necessary. I know that lots of Chinese women, given in marriage to men they abhorred and lives they despised, killed themselves by throwing themselves down the family well. I'm not saying it doesn't happen. I'm only saying that isn't what usually happens. It it were, we wouldn't be having a population problem. And there are so much easier ways to destroy a woman. You don't have to rape or kill her; you don't even have to beat her. You can just marry her. You don't even have to do that. You can just let her work in your office for thirty-five dollars a week. Shakespeare's sister did...follow her brother to London, but she never got there. She was raped the first night out, and bleeding and inwardly wounded, she stumbled for shelter into the next village she found. Realizing before too long that she was pregnant, she sought a way to keep herself and her child safe. She found some guy with the hots for her, realized he was credulous, and screwed him. When she announced her pregnancy to him, a couple months later, he dutifully married her. The child, born a bit early, makes him suspicious: they fight, he beats her, but in the end he submits. Because there is something in the situation that pleases him: he has all the comforts of home including something Mother didn't provide, and if he has to put up with a screaming kid he isn't sure is his, he feels now like one of the boys down at the village pub, none of whom is sure they are the children of the fathers or the fathers of their children. But Shakespeare's sister has learned the lesson all women learn: men are the ultimate enemy. At the same time she knows she cannot get along in the world without one. So she uses her genius, the genius she might have used to make plays and poems with, in speaking, not writing. She handles the man with language: she carps, cajoles, teases, seduces, calculates, and controls this creature to whom God saw fit to give power over her, this hulking idiot whom she despises because he is dense and fears because he can do her harm. So much for the natural relation between the sexes. But you see, he doesn't have to beat her much, he surely doesn't have to kill her: if he did, he'd lose his maidservant. The pounds and pence by themselves are a great weapon. They matter to men, of course, but they matter more to women, although their labor is generally unpaid. Because women, even unmarried ones, are required to do the same kind of labor regardless of their training or inclinations, and they can't get away from it without those glittering pounds and pence. Years spent scraping shit out of diapers with a kitchen knife, finding places where string beans are two cents less a pound, intelligence in figuring the most efficient, least time-consuming way to iron men's white shirts or to wash and wax the kitchen floor or take care of the house and kids and work at the same time and save money, hiding it from the boozer so the kid can go to college -- these not only take energy and courage and mind, but they may constitute the very essence of a life. They may, you say wearily, but who's interested?...Truthfully, I hate these grimy details as much as you do....They are always there in the back ground, like Time's winged chariot. But grimy details are not in the background of the lives of most women; they are the entire surface.
Marilyn French (The Women's Room)
I heard the fear in the first music I ever knew, the music that pumped from boom boxes full of grand boast and bluster. The boys who stood out on Garrison and Liberty up on Park Heights loved this music because it told them, against all evidence and odds, that they were masters of their own lives, their own streets, and their own bodies. I saw it in the girls, in their loud laughter, in their gilded bamboo earrings that announced their names thrice over. And I saw it in their brutal language and hard gaze, how they would cut you with their eyes and destroy you with their words for the sin of playing too much. “Keep my name out your mouth,” they would say. I would watch them after school, how they squared off like boxers, vaselined up, earrings off, Reeboks on, and leaped at each other. I felt the fear in the visits to my Nana’s home in Philadelphia. You never knew her. I barely knew her, but what I remember is her hard manner, her rough voice. And I knew that my father’s father was dead and that my uncle Oscar was dead and that my uncle David was dead and that each of these instances was unnatural. And I saw it in my own father, who loves you, who counsels you, who slipped me money to care for you. My father was so very afraid. I felt it in the sting of his black leather belt, which he applied with more anxiety than anger, my father who beat me as if someone might steal me away, because that is exactly what was happening all around us. Everyone had lost a child, somehow, to the streets, to jail, to drugs, to guns. It was said that these lost girls were sweet as honey and would not hurt a fly. It was said that these lost boys had just received a GED and had begun to turn their lives around. And now they were gone, and their legacy was a great fear. Have they told you this story? When your grandmother was sixteen years old a young man knocked on her door. The young man was your Nana Jo’s boyfriend. No one else was home. Ma allowed this young man to sit and wait until your Nana Jo returned. But your great-grandmother got there first. She asked the young man to leave. Then she beat your grandmother terrifically, one last time, so that she might remember how easily she could lose her body. Ma never forgot. I remember her clutching my small hand tightly as we crossed the street. She would tell me that if I ever let go and were killed by an onrushing car, she would beat me back to life. When I was six, Ma and Dad took me to a local park. I slipped from their gaze and found a playground. Your grandparents spent anxious minutes looking for me. When they found me, Dad did what every parent I knew would have done—he reached for his belt. I remember watching him in a kind of daze, awed at the distance between punishment and offense. Later, I would hear it in Dad’s voice—“Either I can beat him, or the police.” Maybe that saved me. Maybe it didn’t. All I know is, the violence rose from the fear like smoke from a fire, and I cannot say whether that violence, even administered in fear and love, sounded the alarm or choked us at the exit. What I know is that fathers who slammed their teenage boys for sass would then release them to streets where their boys employed, and were subject to, the same justice. And I knew mothers who belted their girls, but the belt could not save these girls from drug dealers twice their age. We, the children, employed our darkest humor to cope. We stood in the alley where we shot basketballs through hollowed crates and cracked jokes on the boy whose mother wore him out with a beating in front of his entire fifth-grade class. We sat on the number five bus, headed downtown, laughing at some girl whose mother was known to reach for anything—cable wires, extension cords, pots, pans. We were laughing, but I know that we were afraid of those who loved us most. Our parents resorted to the lash the way flagellants in the plague years resorted to the scourge.
Ta-Nehisi Coates (Between the World and Me)
Because I don’t care what anyone says or how often or winningly they say it: no one will ever, ever be able to persuade me that life is some awesome, rewarding treat. Because, here’s the truth: life is catastrophe. The basic fact of existence—of walking around trying to feed ourselves and find friends and whatever else we do—is catastrophe. Forget all this ridiculous ‘Our Town’ nonsense everyone talks: the miracle of a newborn babe, the joy of one simple blossom, Life You Are Too Wonderful To Grasp, &c. For me—and I’ll keep repeating it doggedly till I die, till I fall over on my ungrateful nihilistic face and am too weak to say it: better never born, than born into this cesspool. Sinkhole of hospital beds, coffins, and broken hearts. No release, no appeal, no “do-overs” to employ a favored phrase of Xandra’s, no way forward but age and loss, and no way out but death. [“Complaints bureau!” I remember Boris grousing as a child, one afternoon at his house when we had got off on the vaguely metaphysical subject of our mothers: why they—angels, goddesses—had to die? while our awful fathers thrived, and boozed, and sprawled, and muddled on, and continued to stumble about and wreak havoc, in seemingly indefatigable health? “They took the wrong ones! Mistake was made! Everything is unfair! Who do we complain to, in this shitty place? Who is in charge here?”] And—maybe it’s ridiculous to go on in this vein, although it doesn’t matter since no one’s ever going to see this—but does it make any sense at all to know that it ends badly for all of us, even the happiest of us, and that we all lose everything that matters in the end—and yet to know as well, despite all this, as cruelly as the game is stacked, that it’s possible to play it with a kind of joy? To try to make some meaning out of all this seems unbelievably quaint. Maybe I only see a pattern because I’ve been staring too long. But then again, to paraphrase Boris, maybe I see a pattern because it’s there.
Donna Tartt (The Goldfinch)
A note of caution: epigenetics is also on the verge of transforming into a dangerous idea. Epigenetic modifications of genes can potentially superpose historical and environmental information on cells and genomes—but this capacity is speculative, limited, idiosyncratic, and unpredictable: a parent with an experience of starvation produces children with obesity and overnourishment, while a father with the experience of tuberculosis, say, does not produce a child with an altered response to tuberculosis. Most epigenetic “memories” are the consequence of ancient evolutionary pathways, and cannot be confused with our longing to affix desirable legacies on our children. As with genetics in the early twentieth century, epigenetics is now being used to justify junk science and enforce stifling definitions of normalcy. Diets, exposures, memories, and therapies that purport to alter heredity are eerily reminiscent of Lysenko’s attempt to “reeducate” wheat using shock therapy. Mothers are being asked to minimize anxiety during their pregnancy—lest they taint all their children, and their children, with traumatized mitochondria. Lamarck is being rehabilitated into the new Mendel. These glib notions about epigenetics should invite skepticism. Environmental information can certainly be etched on the genome. But most of these imprints are recorded as “genetic memories” in the cells and genomes of individual organisms—not carried forward across generations. A man who loses a leg in an accident bears the imprint of that accident in his cells, wounds, and scars—but does not bear children with shortened legs. Nor has the uprooted life of my family seem to have burdened me, or my children, with any wrenching sense of estrangement. Despite Menelaus’s admonitions, the blood of our fathers is lost in us—and so, fortunately, are their foibles and sins. It is an arrangement that we should celebrate more than rue. Genomes and epigenomes exist to record and transmit likeness, legacy, memory, and history across cells and generations. Mutations, the reassortment of genes, and the erasure of memories counterbalance these forces, enabling unlikeness, variation, monstrosity, genius, and reinvention—and the refulgent possibility of new beginnings, generation upon generation.
Siddhartha Mukherjee (The Gene: An Intimate History)