Creative Diary Quotes

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This tremendous world I have inside of me. How to free myself, and this world, without tearing myself to pieces. And rather tear myself to a thousand pieces than be buried with this world within me.
Franz Kafka (Diaries, 1910-1923)
Love is the bee that carries the pollen from one heart to another.
Slash Coleman (Bohemian Love Diaries: A Memoir)
Why does everyone think a guy who prefers love to people is missing something in his life?
Slash Coleman (Bohemian Love Diaries: A Memoir)
Creative work is more accurately a machine that digs down and finds stuff, emotional stuff that will someday be raw material that can be used to produce more stuff, stuff like itself - clay to be available for future use.
David Byrne (Bicycle Diaries)
I am part of everyone I ever dated on OK Cupid.
Slash Coleman (Bohemian Love Diaries: A Memoir)
Don’t try to present your art by making other people read or hear or see or touch it; make them feel it. Wear your art like your heart on your sleeve and keep it alive by making people feel a little better. Feel a little lighter. Create art in order for yourself to become yourself and let your very existence be your song, your poem, your story. Let your very identity be your book. Let the way people say your name sound like the sweetest melody.
Charlotte Eriksson
We are all born as storytellers. Our inner voice tells the first story we ever hear.
Kamand Kojouri
I am not sick. I am broken. But I am happy to be alive as long as I can paint.
Frida Kahlo (The Diary of Frida Kahlo)
Every book has to wait for the right time to be read and understood.
Kamand Kojouri
I was trying not to think about all the ways I’d screwed up and what might happen next, a future that was bound to include even more creative screw-ups on my part. I had gotten used to the former and I hated going back to the latter.
Martha Wells (Exit Strategy (The Murderbot Diaries, #4))
Last night I wept. I wept because the process by which I have become a woman was painful. I wept because I was no longer a child with a child's blind faith. I wept because my eyes were opened to reality - to Henry's selfishness, June's love of power, my insatiable creativity which must concern itself with other and cannot be sufficient to itself. I wept because I could not believe anymore and I love to believe. I can still love passionately without believing. That means I love humanly. I wept because from now on I will weep less. I wept because I have lost my pain and I am not yet accustomed to its absence.
Anaïs Nin (Henry and June: From "A Journal of Love": The Unexpurgated Diary of Anaïs Nin, 1931-1932)
Painting is just another way of keeping a diary. PABLO PICASSO
Julia Cameron (The Artist's Way: A Spiritual Path to Higher Creativity)
Anyway, there was a difference in watching media because I was safe on a transport with no one making me do anything, and watching media because I was trying not to think about all the ways I’d screwed up and what might happen next, a future that was bound to include even more creative screw-ups on my part.
Martha Wells (Exit Strategy (The Murderbot Diaries, #4))
You sought to preserve your creative instincts and what would nourish them. But neurosis itself does not nourish the artist, you know; he creates in spite of it, out of anything, any material given to him. The torments and hells of [crazy men], are not for you.
Anaïs Nin (The Diary of Anaïs Nin, Vol. 1: 1931-1934)
Who cares for Algebra? Who delights in solving math? I only want to live my life Along the creative path.
Jennifer Niven (The Aqua Net Diaries: Big Hair, Big Dreams, Small Town)
And what is this wild summons? What art is asked of us? The gift offered is different for each but all are equal in grandeur. To paint, draw, dance, compose. To write songs, poems, letters, diaries, prayers. To set a violet on the sill, stitch a quilt,; bake bread; plant marigolds, beans, apple trees. To follow the track of the forest elk, the neighborhood coyote, the cupboard mouse. To open the windows, air beds, sweep clean the corners. To hold the child’s hand, listen to the vagrant’s story, paint the elder friend's fingernails a delightful shade of pink while wrapped in a blanket she knit with deft young fingers of her past. To wander paths, nibble purslane, notice spiders. To be rained upon. To listen with changed ears and sing back what we hear.
Lyanda Lynn Haupt (Mozart's Starling)
When they were in school, Peter used to say that everything you do is a self-portrait. It might look like 'Saint George and the Dragon' or 'The Rape of the Sabine Women,' but the angle you use, the lighting, the composition, the technique, they're all you. You are every color and brushstroke.
Chuck Palahniuk (Diary)
When I’m stuck in the morning and I don’t know what to write about in my diary, I’ll modify the pros-and-cons list. I’ll draw a line down the middle of the page, and in one column I’ll list what I’m thankful for, and in the other column, I’ll write down what I need help with. It’s a paper prayer.
Austin Kleon (Keep Going: 10 Ways to Stay Creative in Good Times and Bad (Austin Kleon))
Jubal shrugged. "Abstract design is all right-for wall paper or linoleum. But art is the process of evoking pity and terror, which is not abstract at all but very human. What the self-styled modern artists are doing is a sort of unemotional pseudo-intellectual masturbation. . . whereas creative art is more like intercourse, in which the artist must seduce- render emotional-his audience, each time. These ladies who won't deign to do that- and perhaps can't- of course lost the public. If they hadn't lobbied for endless subsidies, they would have starved or been forced to go to work long ago. Because the ordinary bloke will not voluntarily pay for 'art' that leaves him unmoved- if he does pay for it, the money has to be conned out of him, by taxes or such." "You know, Jubal, I've always wondered why i didn't give a hoot for paintings or statues- but I thought it was something missing in me, like color blindness." "Mmm, one does have to learn to look at art, just as you must know French to read a story printed in French. But in general terms it's up to the artist to use language that can be understood, not hide it in some private code like Pepys and his diary. Most of these jokers don't even want to use language you and I know or can learn. . . they would rather sneer at us and be smug, because we 'fail' to see what they are driving at. If indeed they are driving at anything- obscurity is usually the refuge of incompetence. Ben, would you call me an artists?” “Huh? Well, I’ve never thought about it. You write a pretty good stick.” “Thank you. ‘Artist’ is a word I avoid for the same reasons I hate to be called ‘Doctor.’ But I am an artist, albeit a minor one. Admittedly most of my stuff is fit to read only once… and not even once for a busy person who already knows the little I have to say. But I am an honest artist, because what I write is consciously intended to reach the customer… reach him and affect him, if possible with pity and terror… or, if not, at least to divert the tedium of his hours with a chuckle or an odd idea. But I am never trying to hide it from him in a private language, nor am I seeking the praise of other writers for ‘technique’ or other balderdash. I want the praise of the cash customer, given in cash because I’ve reached him- or I don’t want anything. Support for the arts- merde! A government-supported artist is an incompetent whore! Damn it, you punched one of my buttons. Let me fill your glass and you tell me what is on your mind.
Robert A. Heinlein (Stranger in a Strange Land)
Susan Griffin describes it as a time when "there is no intrinsic authority to my words." "I...clean off my desk. I make telephone calls. I know I am avoiding the typewriter. I know that in my mind, where there might be words, there is simply a blankness. I may try to write and then my words bore me." But when the time is right, the waiting will have been worth it. "Because each time I write, each time the authentic words break through, I am changed. The older order that I was collapses and dies. I lose control. I do not know exactly what words will appear on the page. I follow language. I follow the sound of the words, and I am surprised and transformed by what I record." Excerpt from "Thoughts on Writing: A Diary," in The Writer on her Work.
Judith Barrington (Writing the Memoir)
Today so many creative and devoted teachers not only have to struggle against unimaginative administrations, fearful parents, and wearied colleagues, they have also to battle entire legislative bodies that have never taught a child yet dare to equate educational success or failure with the ability of fourth graders to choose one out of four given answers to mind-numbing questions that have nothing to do with the joy of literature or the elegance of math.
Esmé Raji Codell (Educating Esmé: Diary of a Teacher's First Year)
His body and his soul appeared to have the strange ability to repel the hours, just as, inversely, a magnet attracts metal. Everything spun about him and fled; he was always the sole centre of an enormous circumference. He kept moving forwards, body and soul, in the hope of coming close to what fled at his approach. The same thing happened with time – his position remained constant in relation to the thing which, however hard he tried to clasp it to him, stole away from him and bounded into the distance. He was the one who had no incriminating papers in his drawers, who could show his diary to anyone. He was a creator. Perhaps that was why his life did not exist
Mário de Sá-Carneiro
...the brain is like a muscle, and if you don't exercise it by reading and doing creative stuff, it'll get weak and mushy.
Jeff Kinney (Double Down (Diary of a Wimpy Kid, #11))
The vision should be through our creative eyes, but along with the spectacles of reality.
Rajasaraswathii (A Diary to win)
Yet an album is only a diary entry of a moment of time, a snapshot reflection of who the artist is for that period. And no one diary entry is our life story.
Rick Rubin (The Creative Act: A Way of Being)
Dreams are the museum for artists.
Michael Bassey Johnson (The Oneironaut’s Diary)
Visualization shapes art. Visualization turns abstract dreams into a reality.
Michael Bassey Johnson (The Oneironaut’s Diary)
So I got creative. Carrots! (They seem to be the answer to most of my food problems.)
Minecrafty Family Books (Lots of Ocelots! (Diary of a Wimpy Steve #4))
The process of creation can be unpredictable and, in some way, similar to love: the brightest waves of inspiration may sometimes occur in wrong timing, wrong places, or even with wrong people.
Sahara Sanders (INDIGO DIARIES: A Series of Novels)
I have been writing all my life. Growing up, I wrote in soft-covered journals, in spiral-bound notebooks, in diaries with locks and keys. I wrote love letters and lies, stories and missives. When I wasn't writing, I was reading. And when I wasn't writing or reading, I was staring out the window, lost in thought. Life was elsewhere-I was sure of it-and writing was what took me there.
Dani Shapiro (Still Writing: The Perils and Pleasures of a Creative Life)
The paradox of being a professional artist. How we spend our lives trying to express ourselves well, but we have nothing to tell. We want creativity to be a system of cause and effect. Results. Marketable product. We want dedication and discipline to equal recognition and reward. We get on our art school treadmill, our graduate program for a master's in fine arts, and practice, practice, practice. With all our excellent skills, we have nothing special to document. .... Nothing pisses us off more than when some strung-out drug addict, a lazy bum, or a slobbering pervert creates a masterpiece. As if by accident. Some idiot who's not afraid to say what they really love.
Chuck Palahniuk (Diary)
13 September. Again barely two pages. At first I thought my sorrow over the Austrian defeats and my anxiety for the future (anxiety that appears ridiculous to me at bottom, and base too) would prevent me from doing any writing. But that wasn’t it, it was only an apathy that forever comes back and forever has to be put down again. There is time enough for sorrow when I am not writing. The thoughts provoked in me by the war resemble my old worries over F. in the tormenting way in which they devour me from every direction. I can’t endure worry, and perhaps have been created expressly in order to die of it. When I shall have grown weak enough –it won’t take very long –the most trifling worry will perhaps suffice to rout me. In this prospect I can also see a possibility of postponing the disaster as long as possible.
Franz Kafka (Diaries, 1910-1923)
Thanks to the Internet, there is even a new variety of continuously updated on-line memoir sometimes called the blog (from Web-log). Thousands of authors simply write their diaries directly onto Web pages for the rest of the world to read. Why do people want to recount their lives? What
Alice W. Flaherty (The Midnight Disease: The Drive to Write, Writer's Block, and the Creative Brain)
The need to cry, like a child, for all the stupid wasting of the thousand chances life has offered me. O! for the real courage to speak out bravely, to do one decisive, unselfish, and creative deed. Instead of watching the sand run through the glass and let the time trickle through one's hands...
Kenneth Williams (The Kenneth Williams Diaries)
Gabriel didn’t say it, but I could tell he’s concerned about me. And if I’m going to be honest—and I may as well be—the real reason I agreed to keep this diary was to reassure him—prove that I’m okay. I can’t bear the thought of him worrying about me. I don’t ever want to cause him any distress or make him unhappy or cause him pain. I love Gabriel so much. He is without doubt the love of my life. I love him so totally, completely, sometimes it threatens to overwhelm me. Sometimes I think— No. I won’t write about that. This is going to be a joyful record of ideas and images that inspire me artistically, things that make a creative impact on me. I’m only going to write positive, happy, normal thoughts. No crazy thoughts allowed.
Alex Michaelides (The Silent Patient)
Do you have any cheese preferences?” Jack asked. “All cheese is good cheese, Lend said. “True dat.” I nodded solemnly. “You did not just say ‘true dat,’” Arianna said, walking into the kitchen. “Because if you think you have any ability whatsoever to pull that off, we are going to have to have a long, long talk.” “Can I at least use it ironically? Or ‘dude.’ Can I use ‘dude?’ Because I really want to be able to use ‘dude.’” “No. No, you cannot, but thank you for asking. Besides, ironic use always segues into non-ironic use, and unless you suddenly become far cooler or far more actually Californian than you are now, I simply cannot allow it.” “But on Easton Heights—” “You are not going to bring up Cary’s cousin Trevyn’s multiepisode arc where he’s sent there as punishment for his pot-smoking surf-bum ways, are you? Because that arc sucked, and he wasn’t even very hot. Also, what’s the lunatic doing?” She jerked her head toward Jack. He flipped a gorgeous looking omelet onto a plate and placed it with a flourish in front of Lend. “I am providing insurance against frying pan boy deciding to enact all the very painful fantasies he’s no doubt entertained about me for the last few weeks. An omelet this good should rule out any dismemberment vengeance.” “Have you been reading his diary?” I asked. “Because I’ll bet he got really creative with the violence ideas.” “No, I only ever read yours. But let me tell you, one more exclamation mark dotted with a heart while talking about how good a kisser Lend is and I was about ready to do myself in. You’re rather single-minded when it comes to adoring him.” “True dat,” Arianna said, nodding. “How come you can use ‘true dat’ if I can’t?” I asked, rightfully outraged. “Because I’m dead, and none of the rules apply anymore.” Lend ate his omelet, refusing to answer Jack’s questions about just how delicious it was on a scale from cutting off limbs to just breaking his nose. I gave Jack full points for flavor but noted the texture was slightly off, exempting him from name-calling but not from dirty looks. Arianna lounged against the counter, and when I finished first we debated the usage rules of “dude,” “true dat,” and my favorite, “for serious.” “I kind of wish they’d shut up,” Jack said. “Dude, true dat,” Lend answered. Jack nodded solemnly. “For serious.
Kiersten White (Endlessly (Paranormalcy, #3))
Your life is not an episode of Skins. Things will never look quite as good as they do in a faded, sun-drenched Polaroid; your days are not an editorial from Lula. Your life is not a Sofia Coppola movie, or a Chuck Palahniuk novel, or a Charles Bukowski poem. Grace Coddington isn’t your creative director. Bon Iver and Joy Division don’t play softly in the background at appropriate moments. Your hysterical teenage diary isn’t a work of art. Your room probably isn’t Selby material. Your life isn’t a Tumblr screencap. Every word that comes out of your mouth will not be beautiful and poignant, infinitely quotable. Your pain will not be pretty. Crying till you vomit is always shit. You cannot romanticize hurt. Or sadness. Or loneliness. You will have homework, and hangovers and bad hair days. The train being late won’t lead to any fateful encounters, it will make you late. Sometimes your work will suck. Sometimes you will suck. Far too often, everything will suck - and not in a Wes Anderson kind of way. And there is no divine consolation - only the knowledge that we will hopefully experience the full spectrum - and that sometimes, just sometimes, life will feel like a Coppola film.
Anonymous
He helped me clean out my head in time for floweret sunshine, while I raked dead leaves from underneath the bed of my nails that were waiting to be organized in diaries. As the 'Forbidding Numb' piled up, he laundered my abandoned hope clean. All that I could smell on my hands were the roots of the root words I had diluted with extra letters and slushiness. There isn't a corner that we missed; and, in no time at all, I will forget the wretchedness of this winter. Soon, I will only smell peonies and calla lilies, fresh cotton sheets, and maybe—just maybe— the paperless books that I have written being pressed like petals; yet, no longer incinerators burning perished wood that already pushed up daisies right when autumn left its leaves behind me.
Heather Angelika Dooley (Ink Blot in a Poet's Bloodstream)
The expectation of a reward or evaluation, even a positive evaluation, squelched creativity. She calls this phenomenon the intrinsic theory of motivation. Stated simply: “People will be most creative when they feel motivated primarily by interest, enjoyment, satisfaction, and the challenge of the work itself—not by external pressures.” She warns that many schools and corporations, by placing such emphasis on rewards and evaluation, are inadvertently suppressing creativity. It’s a compelling theory, and one that, intuitively, makes sense. Who hasn’t felt creatively liberated writing in a private diary or doodling in a notebook, knowing no one will ever see these zany scribbles? The theory, though, doesn’t always jibe with the real world. If we are only motivated by the sheer joy of an activity, why do athletes perform better in the heat of competition rather than during training sessions? Why did Mozart abandon works in progress because his
Eric Weiner (The Geography of Genius: A Search for the World's Most Creative Places from Ancient Athens to Silicon Valley)
ACT I Dear Diary, I have been carrying you around for a while now, but I didn’t write anything before now. You see, I didn’t like killing that cow to get its leather, but I had to. Because I wanted to make a diary and write into it, of course. Why did I want to write into a diary? Well, it’s a long story. A lot has happened over the last year and I have wanted to write it all down for a while, but yesterday was too crazy not to document! I’m going to tell you everything. So where should we begin? Let’s begin from the beginning. I kind of really want to begin from the middle, though. It’s when things got very interesting. But never mind that, I’ll come to it in a bit. First of all, my name is Herobrine. That’s a weird name, some people say. I’m kinda fond of it, but that’s just me I suppose. Nobody really talks to me anyway. People just refer to me as “Him”. Who gave me the name Herobrine? I gave it to myself, of course! Back in the day, I used to be called Jack, but it was such a run-of-the-mill name, so I changed it. Oh hey, while we’re at the topic of names, how about I give you a name, Diary? Yeah, I’m gonna give you a name. I’ll call you… umm, how does Doris sound? Nah, very plain. I must come up with a more creative name. Angela sounds cool, but I don’t think you’ll like that. Come on, give me some time. I’m not used to coming up with awesome names on the fly! Yes, I got it! I’ll call you Moony, because I created you under a full moon. Of course, that’s such a perfect name! I am truly a genius. I wish people would start appreciating my intellect. Oh, right. The story, right, my bad. So Moony, when it all started, I was a miner. Yep, just like 70% of the people in Scotland. And it was a dull job, I have to say. Most of the times, I mined for coal and iron ore. Those two resources were in great need at my place, that’s why so many people were miners. We had some farmers, builders, and merchants, but that was basically it. No jewelers, no booksellers, no restaurants, nothing. My gosh, that place was boring! I had always been fascinated by the idea of building. It seemed like so much fun, creating new things from other things. What’s not to like? I wanted to build, too. So I started. It was part-time at first, and I only did it when nobody was around. Whenever I got some free time on my hands, I spent it building stuff. I would dig out small caves and build little horse stables and make boats and all. It was so much fun! So I decided to take it to the next level and left my job as a miner. They weren’t paying me well, anyway. I traveled far and wide, looking for places to build and finding new materials. I’m quite the adrenaline junkie, I soon realized, always looking for an adventure.
Funny Comics (Herobrine's Diary 1: It Ain't Easy Being Mean (Herobrine Books))
Where did all the creativity go?' she wondered aloud as she pondered the newly rediscovered story of her youth. 'If I was true to myself, would I have ended up living this ordinary life?
Lily Koppel (The Red Leather Diary: Reclaiming a Life through the Pages of a Lost Journal)
really creative this time? I’m going to go with the
Minecrafty Family Books (In the Dog House! (Diary of a Wimpy Steve #3))
My name is Reg Alliv, but please – if you ever meet me (I’m the intense-looking guy who’s usually knee-deep in a hole, pickaxe in hand) – just call me Reg.  Not “Reginald,” which is too stuffy for my taste.  Not “Reggie,” which is a little too laid-back.  Reg is just right.
Mark Mulle (Diary of Reg the Villager (Book 1): In Search of the Creative Mode (An Unofficial Minecraft Book for Kids Age 9-12) (The Diary of Reg the Villager Series))
Artist and EverQuest veteran Roman Kenney was well-known for being the most creative exploit-finder in the company. When game designers blocked off unplayable zones with killer mobs, Roman figured out ways past them. For instance, he once performed an action that caused his character to dismount from a flying taxi, dropping him from the flightpath into an off-limits, high-level zone below. His hijinks didn’t stop there. After retrieving his corpse (he died from falling damage) in the forbidden area, he found partially implemented vendors who sold weapons that were better than what was available in the newbie zone loot tables. He clicked on the high-level weapons, linking the stats in world-chat, and asked if anyone wanted to buy them. People enthusiastically made offers thinking he had looted them off mobs. He purchased the weapons from the vendor and resold them for a huge profit. The game designers were amused at his ingenuity, even if it sullied the game’s economy, so they quickly removed dismount actions from our flying taxis to prevent further such excursions.
John Staats (The World of Warcraft Diary: A Journal of Computer Game Development)
unclear but violent desires of Ciaran and his minions, and the bizarre visitations by Pure Evil. By the time we finished, Marguerite was in shock. I couldn’t blame her; it sounded insane. Marguerite shook her head. “Like I said, I’m not sure I could get you back. I don’t know the first thing about interdimensional travel or digitizing humans or the singularity or … whatever it would take. But there is one thing I know I can do. I can give each of you a creative mode inventory.” “What does that mean?” I asked. “It means you will have full access to nearly every single item that exists in your world, even fully-crafted weapons and armor.” “Sick!” “If you can get back to the Nullite Monastery, KindHermione will be waiting there with three potions, one for each of you. When you drink the potion, it will insert some code which will activate the creative mode inventory for each of you. It will just take me a couple hours to write the code.” Nothing she said really made any sense to me. Potions? Inserting code? Whatever. But, if it did what she said it would do, it might give us a leg up on the executioner endermen and Ciaran. “Is there anything you can do about the hardcore mode?” said Emma, a hint of desperation in her voice. “Unless I had direct access to the code of the server, I don’t think there’s anything I can do about that. But … I can put a few totems of undying into each of your creative mode inventories.” “Totems of undying? What are those?” I said. “It’s an evoker drop. Normally, they only work for players, but I think I can make them work for villagers too. If you are holding the totem in one of your hands when you die, instead of dying you maintain one heart and get a regeneration effect for a brief period. So, if you are in a fight,
Dr. Block (Diary of a Surfer Villager, Book 25 (Diary of a Surfer Villager #25))
The precondition, then, of the creative personality is not only acceptance, but its actual glorification of itself.
Anaïs Nin (The Diary of Anais Nin Volume 1 1931-1934)
Our guild features were recently implemented by Jeremy Wood, who tested his new code with interior level designers Cameron, Dana, Jose, and Aaron by making them officers and allowing them to invite and promote other players. It was a lackluster test because there wasn’t very much to do other than using guild-chat to chat about the guild-chat feature—which wasn’t a very exciting discussion—but that was the first WoW guild-chat conversation, nevertheless. And what was the first WoW guild christened? “Assmaster.” Jeremy reused the name Assmaster as the first team arena name, too. The moniker foreshadowed the level of sophistication the game would soon enjoy. Whenever fans are given a modicum of creative control in a computer game, they fill it with penises and profanity, and developers aren’t any better.
John Staats (The World of Warcraft Diary: A Journal of Computer Game Development)
but majoring in creative writing only ever helped me to write a lot in my diary.
Lesley Arfin (Dear Diary)
how else could you describe a guy who made the entire city? I was already very eager to meet this Major Creative. “We're here!” The Hummobile took a few more turns then finally made a stop at another tall building. Hum parked the car outside, and we entered the building. A guard let us in, and smiled at Hum. “Good morning, Hum! Come to see the big man himself?” the guard said. “Yeah! Just want to introduce my friend here to Major Creative!” Hum said. “He's upstairs. Go ahead.
Robloxia Kid (Diary of a Roblox Noob: Natural Disaster Survival (Roblox Noob Diaries Book 6))
this single room. At the center of it all, was a small man in a white lab coat. He also had thick, round glasses that covered his eyes. I also liked his long, white wavy hair that stood up on all ends. Pretty cool customizations that reminded me of someone smart. I just couldn't figure out who. “Hello Hum! I see you've brought a guest to my lab!” the man said. “Major Creative, meet Noob!” So it was Major Creative! Well, he did look like the typical eccentric genius all right! “Nice to meet you, Sir! I am impressed by your work!” I said. “Nonsense! Anyone can do what I do! All you need is a good understanding of science, and a creative imagination!” “With all due respect Mr. Creative, I don't think just anybody can do what you do!” Major Creative shook his head.
Robloxia Kid (Diary of a Roblox Noob: Natural Disaster Survival (Roblox Noob Diaries Book 6))
I strive to be the wizard that’s able to depict my inner world and thoughts through words and visual descriptions.
Sahara Sanders (INDIGO DIARIES: A Series of Novels)
I’ve been drawing my beautiful and magical Universe around myself.
Sahara Sanders (The Eye of Universe (Indigo Diaries, #3))
In everyday life, I picture the world using photography, animation, and words in my books.
Sahara Sanders (The Eye of Universe (Indigo Diaries, #3))
Lucid dreams take you one step closer to your dreams.
Michael Bassey Johnson (The Oneironaut’s Diary)
Popularized in a previous period of information overload, the Industrial Revolution of the eighteenth and early nineteenth centuries, the commonplace book was more than a diary or journal of personal reflections. It was a learning tool that the educated class used to understand a rapidly changing world and their place in it.
Tiago Forte (Building a Second Brain: A Proven Method to Organize Your Digital Life and Unlock Your Creative Potential)
If we keep our eyes open, we will encounter our true teachers. We don’t even need to know them. Virginia Woolf is my teacher. I keep her near me in the form of her A Writer’s Diary. I flip the book open to a random page and encounter a kindred spirit who walked this road before me, and who—though her circumstances were vastly different from my own—makes me feel less isolated in the world. Though we are alone in our rooms, alone with our demons, our inner censors, our teachers remind us that we’re not alone in the endeavor. We are part of a great tapestry of those who have preceded us. And so we must ask ourselves: Are we feeling with our minds? Thinking with our hearts? Making every empathic leap we can? Are we witnesses to the world around us? Are we climbing on the shoulders of those who paved the way for us? Are we using every last bit of ourselves, living these lives of ours, spending it, spending it all, every single day?
Dani Shapiro (Still Writing: The Pleasures and Perils of a Creative Life)
I like pleasures when they are shared, that is my definition of luxury. Appetizing but not edible. Edible smells are lazy, something appetizing is exciting. "Appetizing" is a word sufficiently evocative to be turned into a smell. Tocqueville anticipated the fact that, in a democracy, society would tend towards unified tastes. trend may be the price we have to pay for democracy. For Kant, beauty could exist only outside usefulness. A people that listens to jazz is a people that favors human exchange. Green is the only color that makes sense as a smell. Learning a language or any other thing, means opening yourself up to the world once more; it is also a return to humility. I envy the emotion an enthusiast experiences when he smells a perfume for the first time, using words of love that I wish I could come up with again. In Chinese or Japanese culture, perfection exists, it is also a goal to aim for, but the aspiration isn't unattainable and isn't tainted by a sense of guilt. I believe that the best way to develop creativity is to work alone and without evaluation, which does not mean without any dialogue. The majority of ideas are the fruit of assiduous, day-to-day work, sometimes the result of meeting people, country walks, idle strolls, things I have read, moments when my mind is free to roam. My moleskine notebook, in which I jot down ideas, words and the beginning of formulae, is always close at hand. I experience solitude as a freedom I have chosen.
Jean-Claude Ellena (The Diary of a Nose: A Year in the Life of a Parfumeur)
to get more creative.
Marcus Emerson (Kid Youtuber 3: The Struggle is Real (a hilarious adventure for children ages 9-12): From the Creator of Diary of a 6th Grade Ninja)
As soon as a woman has creativity, imagination, or plays an active role in life, people say: masculinity.
Anaïs Nin (The Diary of Anaïs Nin, Vol. 1: 1931-1934)
From Marcus Emerson: Stories – what an incredible way to open one’s mind to a fantastic world of adventure. It’s my hope that this story has inspired you in some way, lighting a fire that maybe you didn’t know you had. Keep that flame burning no matter what. It represents your sense of adventure and creativity, and that’s something nobody can take from you. Thanks for reading! If you enjoyed this book, I ask that you help spread the word by sharing it or leaving an honest review! - Marcus m@MarcusEmerson.com P.S. You’re awesome!
Marcus Emerson (Dodge Ball Wars: 5 Book Box Set Collection (a hilarious adventure for children ages 9-12): From the Creator of Diary of a 6th Grade Ninja)
Find What Inspires You Inspiration does not always come to us in a flash. We often have to go in search of it, especially when we feel stuck. Finding inspiration means discovering the things that make you excited—even when they have nothing to do with your art practice. If you go on a trip, you might find inspiration in architecture, landscapes, or traditional patterns found in old cultures. Whatever speaks to you, infuse these visual stimuli from your life into your work. To work through anxieties or find out what ignites your interest, it helps to carry a journal to do daily entries. Maintaining a journal with both written and visual thoughts is a long-standing tradition among artists that helps you ignite creativity and work through blocks. There is no right or wrong way to keep a journal. You can use a book with lined or unlined pages; it can be a written diary with stream-of-consciousness thoughts or a purely visual notebook with pages of drawings. One thing that is helpful, though, is to choose a journal size that is portable, so that you can carry it around with you. Make a habit of writing or drawing in your journal every day. Some days you’ll have only a quick five minutes and other days a whole hour to devote to it. Don’t worry about whether your writing makes sense or your ideas or drawings are any good. Eventually a pattern will emerge that will help unlock your mission as an artist and even identify new avenues for exploration.
Lisa Congdon (Art, Inc.: The Essential Guide for Building Your Career as an Artist)
As someone who believes that much of the source of his work and creativity is to be gleaned from those bubbles, it's a reliable place to find that connection. In the same way that perplexing problems sometimes get resolved in one's sleep, when the conscious mind is distracted the unconscious works things out.
David Byrne (Bicycle Diaries)
All around myself, I’ve been drawing my inner world, that is beautiful and magical.
Sahara Sanders (INDIGO DIARIES: A Series of Novels)
In everyday life, I picture the world using photography, animation, and words in my books. I’ve been drawing my beautiful and magical Universe around myself.
Sahara Sanders (INDIGO DIARIES: A Series of Novels)
Alright, that’s it, everyone! Thank you for all the submissions. They were all so great and creative. Wow, I’m still blown away when I look at them. Round of applause for all involved. Great job, boys and girls. I’m proud of you all. If I had more space on my refrigerator, I’d print them all out and pin them up. :o)  The next and final section of this book is my message to you all. Check it out. It explains why book 45 was so late and what to expect for the upcoming series. I purposely hid it in the back because I thought I might reveal some spoilers. Anyway, here we go. 12/16/19 5:57 a.m.
Steve the Noob (Diary of Steve the Noob 45 (An Unofficial Minecraft Book) (Diary of Steve the Noob Collection))
Capture Criteria #3: Is It Personal? One of the most valuable kinds of information to keep is personal information—your own thoughts, reflections, memories, and mementos. Like the age-old practice of journaling or keeping a diary, we can use notetaking to document our lives and better understand how we became who we are.
Tiago Forte (Building a Second Brain: A Proven Method to Organize Your Digital Life and Unlock Your Creative Potential)
You can even invoke dreams, nourish them, and regulate their quantity. For example, to stimulate dreaming, before you go to sleep tell yourself: “I want to remember my dreams,” or address the dream directly, “Dreaming Self, send me a dream,” or use whatever phrase feels comfortable to you. If you invoke dreams for three nights in a row, generally you will recall a dream by the fourth night. I repeat my phrase three times just to make
Tristine Rainer (The New Diary: How to Use a Journal for Self-Guidance and Expanded Creativity)
When you run out of imagination, dream. When you run out of dreams, imagine.
Michael Bassey Johnson (The Oneironaut’s Diary)
ambition. And
Mark Mulle (Diary of Reg the Villager (Book 1): In Search of the Creative Mode (An Unofficial Minecraft Book for Kids Age 9-12) (The Diary of Reg the Villager Series))
villager,
Mark Mulle (Diary of Reg the Villager (Book 1): In Search of the Creative Mode (An Unofficial Minecraft Book for Kids Age 9-12) (The Diary of Reg the Villager Series))
SELECT
Mark Mulle (Diary of Reg the Villager (Book 1): In Search of the Creative Mode (An Unofficial Minecraft Book for Kids Age 9-12) (The Diary of Reg the Villager Series))
SLEEPING MASKS: For a fun and creative activity, decorate sleeping masks. They make ADORKABLE party favors. And always remember . . . What’s done at the slumber party STAYS at the slumber party! I hope your Pop Star slumber party is just as exciting as mine! And good luck at the Pajammys! ! Your DFF (Dorky Friend Forever), Nikki Maxwell
Rachel Renée Russell (TV Star (Dork Diaries #7))
Have you ever noticed that the things people LOVE says a lot about them? Even random stuff like your favourite band, movie or lip gloss colour can be a reflection of YOU. The same thing can be said for your friends and other important people in your life. What “other important people” you ask? Hmmm . . . like maybe . . . your CRUSH!!! YEP! That super cute guy who gives you a severe case of RCS! So, just for fun, I’ve made a little guide about what YOUR choice in boys says about you. Enjoy!!! IF YOU LIKE EMO GUYS (Think Edward from Twilight) You like to talk about things . . . A LOT! You crush on emo boys because they’re all sensitive and stuff. Just beware; sometimes dark and brooding guys can be kind of a downer! IF YOU LIKE TROUBLE MAKERS (the boy who’s on a first name basis with the principal’s receptionist) You don’t like following the rules and you crush on boys who make their own. Let’s face it: there’s something kind of exciting about them. But a word of caution my rebel loving friends: sometimes the bad boy is BAD BAD news!! IF YOU LIKE PREPPY GUYS (think shirts, polos and a general feel of being ironed from head to toe) You’re totally organized. You probably have colour-coordinated folders for every subject, and maybe, just MAYBE, you aspire to fold sweaters at the Gap. A preppy boy makes you weak in the khaki knees!! IF YOU LIKE MUSICIAN TYPES (OK, so this one is fairly obvious, but in case you’ve just arrived on Earth, I’m talking about future Justin Biebers) You’re totally into music, and you’re probably also super creative. And (let’s be honest) you also like the attention of walking around with band boy. Everyone’s always like, “Nice set for the talent show!” or “Saw you on YouTube!” or “Would you sign my forehead?!?
Rachel Renée Russell (TV Star (Dork Diaries #7))
Is it not possible that the rage for confession, autobiography … especially for memories of earliest childhood, is explained by our persistent yet mysterious belief in a self which is continuous and permanent. - Katherine Mansfield
Alexandra Johnson (The Hidden Writer: Diaries and the Creative Life)
I mark Henry James’ sentence: observe perpetually. Observe the oncome of age. Observe greed. Observe my own despondency. - Virginia Woolf
Alexandra Johnson (The Hidden Writer: Diaries and the Creative Life)
I would not be concerned with the secrets, the lies, the mysteries, the facts...I would be concerned with what makes them necessary. - Anaïs Nin
Alexandra Johnson (The Hidden Writer: Diaries and the Creative Life)