Mope Quotes

We've searched our database for all the quotes and captions related to Mope. Here they are! All 200 of them:

I'm not moping," I whisper back. "Of course you're not. A girl like you, spending time with a warrior demigod like me. What's to mope about? Leaving a wheelchair behind couldn't possibly show up on the radar compared to that." "You've got to be kidding me." "I never kid about my warrior demigod status.
Susan Ee (Angelfall (Penryn & the End of Days, #1))
This is a bad idea," moped Adrik. "I have a surplus of bad ideas," said Nikolai. "I have to spend them somewhere.
Leigh Bardugo (Rule of Wolves (King of Scars, #2))
Oh, so that's why you're up here. For a pity party." "This isn't a joke. I'm serious." I could tell Lissa was getting angry. It was trumping her earlier distress. He shrugged and leaned casually against the sloping wall. "So am I. I love pity parties. I wish I'd brought the hats. What do you want to mope about first? How it's going to take you a whole day to be popular and loved again? How you'll have to wait a couple weeks before Hollister can ship out some new clothes? If you spring for rush shipping, it might not be so long.
Richelle Mead (Vampire Academy (Vampire Academy, #1))
What did he have to mope about, really? What more did he want?...Love. Purpose. Those are the things that you can't plan for. Those are the things that just happen. And what if they don't happen? Do you spend your whole life pining for them? Waiting to be happy?
Rainbow Rowell (Attachments)
I don't know what I was expecting a vampire's room to look like. Maybe lots of black, a bunch of books by Camus... oh, and a sensitive portrait of the only human the vamp ever loved, who had no doubt died of something beautiful and tragic, thus dooming the vamp to an eternity of moping and sighing dramatically. What can I say? I read a lot of books.
Rachel Hawkins (Hex Hall (Hex Hall, #1))
Stop moping, sule," galladon said with a grunt."It doesn't suit you-it takes a fine sense of pessimism to brood with any sort of respectability.
Brandon Sanderson (Elantris (Elantris, #1))
But I wouldn’t sit in my room, couldn’t allow myself to mourn and mope and weep and sleep. So I would venture out, even if it was an agony…
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
I'm bored. I need to be entertained. Sam is moping. I may kill him with his own guitar. It would give me something to do and also make him say something. Two birds with one stone!
Maggie Stiefvater (Forever (The Wolves of Mercy Falls, #3))
I cannot tell her I have been moping over a broken heart when I have worked so hard to convince her I have no heart at all.
R.L. LaFevers (Dark Triumph (His Fair Assassin, #2))
Right now I feel guilty to be alive. Why? Because I’m wasting it. I’ve been given this life and all I do is mope it away. What’s worse is, I am totally aware of how ridiculous I am. It would be a lot easier if I believed I was the center of the universe, because then I wouldn’t know any better NOT to make a big deal out of everything. I know how small my problems are, yet that doesn’t stop me from obsessing about them. I have to stop doing this. How do other people get happy? I look at people laughing and smiling and enjoying themselves and try to get inside their heads. How do Bridget, Manda, and Sara do it? Or Pepe? Or EVERYONE but me? Why does everything I see bother me? Why can’t I just get over these daily wrongdoings? Why can’t I just move on and make the best of what I’ve got? I wish I knew.
Megan McCafferty (Sloppy Firsts (Jessica Darling, #1))
In June we picked the clover, And sea-shells in July: There was no silence at the door, No word from the sky. A hand came out of August And flicked his life away: We had not time to bargain, mope, Moralize, or pray.
Cecil Day-Lewis (Overtures to Death and Other Poems)
He glanced up at the sky, but the stars were washed out behind the glare of the stadium lights. He wondered – not for the first time – if his mother was looking down at him. He hoped not. She’d beat him to hell and back if she saw him sitting around moping like that.
Nora Sakavic (The Foxhole Court (All for the Game, #1))
Whenever you're called on to make up your mind, and you're hampered by not having any, the best way to solve the dilemma, you'll find, is simply by spinning a penny. No - not so that chance shall decide the affair while you're passively standing there moping; but the moment the penny is up in the air, you suddenly know what you're hoping.
Piet Hein
It's better to hope than mope!
Margaret Atwood (The Year of the Flood (MaddAddam, #2))
We walk for about an hour before Raffe whispers, “Does moping actually help humans feel better?” “I’m not moping,” I whisper back. “Of course you’re not. A girl like you, spending time with a warrior demigod like me. What’s to mope about? Leaving a wheelchair behind couldn’t possibly show up on the radar compared to that.” I nearly stumble over a fallen branch. “You have got to be kidding me.” “I never kid about my warrior demigod status.” “Oh. My. God.” I lower my voice, having forgotten to whisper. “You are nothing but a bird with an attitude. Okay, so you have a few muscles, I’ll grant you that. But you know, a bird is nothing but a barely evolved lizard. That’s what you are.” He chuckles. “Evolution.” He leans over as if telling me a secret. “I’ll have you know that I’ve been this perfect since the beginning of time.” He is so close that his breath caresses my ear. “Oh, please. Your giant head is getting too big for this forest. Pretty soon, you’re going to get stuck trying to walk between two trees. And then, I’ll have to rescue you.” I give him a weary look. “Again.” I pick up my pace, trying to discourage the smart comeback that I’m sure will come. But it doesn’t. Could he be letting me have the last say? When I look back, Raffe has a smug grin on his face. That’s when I realize I’ve been manipulated into feeling better. I stubbornly try to resist but it’s already too late.
Susan Ee (Angelfall (Penryn & the End of Days, #1))
A pessimist sees only the dark side of the clouds, and mopes; a philosopher sees both sides, and shrugs; an optimist doesn't see the clouds at all - he's walking on them.
Leonard Louis Levinson
I'm certain, as we filled down the great staircase, that I appeared the same as ever, a moping twelve years-old, all arms and legs. But secretly I knew I had been transformed, moved by the revelation that human beings create art, that to be an artist was to see what others could not.
Patti Smith (Just Kids)
Does moping actually help humans feel better?” "I'm not moping." “Of course you’re not. A girl like you, spending time with a warrior demigod like me. What’s to mope about? Leaving a wheelchair behind couldn’t possibly show up on the radar compared to that.
Susan Ee (Angelfall (Penryn & the End of Days, #1))
Oh my God, this can't be happening!" I cried. "What?" "Mopeds? Those are the wheels Pete gives us? I knew he was pissed off at me! It was all that time I spent in the hospital wasn't it? Or was it the wrecks? But I only tore up one car last time! And that wasn't my fault!
Jennifer Rardin (Another One Bites the Dust (Jaz Parks, #2))
Picture this, Olive. Early two thousands. Preppy, ridiculously expensive all-male DC school. Two gay students in grade twelve. Well, two of us that were out, anyway. Richie Muller and I date for the entirety of senior year - and then he dumps me three days before prom for some guy he’d been having a thing with for months.” “He was a prick,” Adam muttered. “I have three choices. Not go to the dance and mope at home. Go alone and mope at school. Or, have my best friend - who was planning on staying home and moping over gamma-aminobutyric acids - come as my date. Guess which?” Olive gasped. “How did you convince him?” “That’s the thing, I didn’t. When I told him about what Richie did, he offered!
Ali Hazelwood (The Love Hypothesis)
I looked so boring, lifeless, immune and unaffected, but in truth I was always furious, seething, my thoughts racing, my mind like a killer’s. It was easy to hide behind the dull face I wore, moping around. I really thought I had everybody fooled. And I didn’t really read books about flowers or home economics. I liked books about awful things—murder, illness, death.
Ottessa Moshfegh (Eileen)
There was no point moping around when you faced imminent death.
Rick Riordan (The Blood of Olympus (The Heroes of Olympus, #5))
Voicemail #1: “Hi, Isabel Culpeper. I am lying in my bed, looking at the ceiling. I am mostly naked. I am thinking of … your mother. Call me.” Voicemail #2: The first minute and thirty seconds of “I’ve Gotta Get a Message to You” by the Bee Gees. Voicemail #3: “I’m bored. I need to be entertained. Sam is moping. I may kill him with his own guitar. It would give me something to do and also make him say something. Two birds with one stone! I find all these old expressions unnecessarily violent. Like, ring around the rosy. That’s about the plague, did you know? Of course you did. The plague is, like, your older cousin. Hey, does Sam talk to you? He says jack shit to me. God, I’m bored. Call me.” Voicemail #4: “Hotel California” by the Eagles, in its entirety, with every instance of the word California replaced with Minnesota. Voicemail #5: “Hi, this is Cole St. Clair. Want to know two true things? One, you’re never picking up this phone. Two, I’m never going to stop leaving long messages. It’s like therapy. Gotta talk to someone. Hey, you know what I figured out today? Victor’s dead. I figured it out yesterday, too. Every day I figure it out again. I don’t know what I’m doing here. I feel like there’s no one I can —” Voicemail #6: “So, yeah, I’m sorry. That last message went a little pear-shaped. You like that expression? Sam said it the other day. Hey, try this theory on for size: I think he’s a dead British housewife reincarnated into a Beatle’s body. You know, I used to know this band that put on fake British accents for their shows. Boy, did they suck, aside from being assholes. I can’t remember their name now. I’m either getting senile or I’ve done enough to my brain that stuff’s falling out. Not so fair of me to make this one-sided, is it? I’m always talking about myself in these things. So, how are you, Isabel Rosemary Culpeper? Smile lately? Hot Toddies. That was the name of the band. The Hot Toddies.” Voicemail #20: “I wish you’d answer.
Maggie Stiefvater (Forever (The Wolves of Mercy Falls, #3))
The love of our neighbor is the only door out of the dungeon of self, where we mope and mow, striking sparks, and rubbing phosphorescences out of the walls, and blowing our own breath in our own nostrils, instead of issuing to the fair sunlight of God, the sweet winds of the universe.
George MacDonald
Try not to be self-conscious […] or so critical. Don’t mope around looking for someone else to make you happy, and remember that the vast majority of homosexuals are looking for a superman to love and find it very difficult to love anyone merely human, which we unfortunately happen to be.
Andrew Holleran (Dancer from the Dance)
The first morning after Westley's departure, Buttercup thought she was entitled to do nothing more than sit around moping and feeling sorry for herself. After all, the love of her life had fled, life had no meaning, how could you face the future, et cetera, et cetera.
William Goldman (The Princess Bride)
She had realised that they couldn't be together. She didn't want to make a romantic drama out of it, she didn't want to sigh and mope or scream hysterically to impress others with how awful it all was, even though she felt as if something fundamental, deep within her, had been taken away from her. She was simply trying to cope, to get on with her own normal life. Which, she knew, was something he could not be a part of.  
Harriet Evans (A Hopeless Romantic)
You’re not fine, Paul,” he replies. “You can barely walk. You don’t leave this house unless forced to. All you do is read and mope—” “Brood. I prefer brood. More manly than mope!
Lauren Layne (Broken (Redemption, #1))
Don't you ever see the bright side of things?" Patrick asks as I mope against the bottom of the ladder. "Easy to see the bright side when you're getting paid by the hour." "Delilah, I will gladly give you my fill wage plus a month's supply of your iced choco-nut whatever lattes if you trade places and clothes with my right now." "You're not wearing a shirt." "That's the deal, Hannaford," he says.
Sarah Ockler (Fixing Delilah)
It's hard to accept that depression is an illness, that moping around from day to day with no will for so many years is not my fault.
Francisco X. Stork (The Memory of Light)
Okay, maybe mope around is the wrong word. I’m sulking like a whore without clients.
Rina Kent (Vicious Prince (Royal Elite, #5))
Wild Things in Captivity Wild things in captivity while they keep their own wild purity won't breed, they mope, they die. All men are in captivity, active with captive activity, and the best won't breed, though they don't know why. The great cage of our domesticity kills sex in a man, the simplicity of desire is distorted and twisted awry. And so, with bitter perversity, gritting against the great adversity, they young ones copulate, hate it, and want to cry. Sex is a state of grace. In a cage it can't take place. Break the cage then, start in and try.
D.H. Lawrence
Take it from me. Now is always the answer. Besides, do you have anything better to do? Mope around for a decade or two?" Casiopea drummed her fingers against her skirt and chewed her lip. The dramatic poetry she'd read would have called for this and more. There was sadness in her, of course, but she didn't wish to crack like fine china either. She could not wither away. In the world of the living, one must live. And had this not been her wish? To live. Truly live.
Silvia Moreno-Garcia (Gods of Jade and Shadow)
Fine," he moped. "I hope you’re very happy together. Cute little hobbit couple with lots of roly-poly hobbit babies." Georgie turned back to him, but didn’t stop walking away. "I’m not hobbity.
Rainbow Rowell (Landline)
I just wanted to know what it was like," she said, "in case it was my last chance. I never wanted to take him away from you." "You didn't. It's not like you tied him down and forced him." Sparrow paused, considering. "You didn't, did you?" "Practically. But he didn't scream for help, so..." Sparrow launched the plum. It was close range, and hit Ruby on her collarbone. She said, "Ow!" though it hadn't really hurt. Rubbing at the place of impact, she glared at Sparrow. "Is that it, then? Have you spent your wrath?" "Yes," said Sparrow, dusting off her palms. "It was one-plum wrath." "How sad for Feral. He was only worth one plum. Won't he mope when we tell him.
Laini Taylor (Strange the Dreamer (Strange the Dreamer, #1))
Creed scowls. "Hardly. All he does now is mope like a goddamn teenage girl. Anytime I'm home, he's in his room with the door locked. I'm telling you guys, he got worked over really bad in San Diego. I thought the whole point of having a gay brother was that they were supposed to be all cool and shit. I got a defective gay.
T.J. Klune (Bear, Otter, and the Kid (Bear, Otter, and the Kid, #1))
But I refused to mope about for the evening. My little ritual with teacup, familiar chair, and a favorite Dickens story went a long way toward improving my outlook.
Janette Oke (When Calls the Heart (Canadian West, #1))
What I needed more than anything was a place where unfocused unhappiness could thrive, where I could be still and worry and mope; I had the blues, and when I watched my team I could unwrap them and let them breathe a little.
Nick Hornby
A camel in distress isn’t a shy creature. It doesn’t hang around in bars, nursing a solitary drink. It doesn’t phone up old friends and sob at them. It doesn’t mope, or write long soulful poems about Life and how dreadful it is when seen from a bedsitter. It doesn’t know what angst is.
Terry Pratchett (Pyramids (Discworld, #7))
Wouldn’t that be an incredibly stupid thing to do? To say ‘I never want to smoke again’, then spend the rest of your life saying ‘I’d love a cigarette.’ That’s what smokers who use the Willpower Method do. No wonder they feel so miserable. They spend the rest of their lives desperately moping for something that they desperately hope they will never have.
Allen Carr (Allen Carr's Easy Way to Stop Smoking: Be a Happy Non-smoker for the Rest of Your Life (Allen Carrs Easy Way))
I appreciate it. Now if you’ll excuse me, I have some more moping to do. Tell Taylor I know he’s the one who ate my maple donut, and if he does it again, I’m going to shank him with a spork.
Charlie Cochet (Blood & Thunder (THIRDS, #2))
Sometimes, you know, I just want to curl up and see if anyone notices I’m not there. But I know time is short. Moping around wastes times. I always get attacks of paranoia. Big deal. Fed up of worrying what people think of me and they feel for me. But I wonder what they do feel for me, though. Am I loved? Perhaps in somebody’s bedroom I am secretly fancied? Probably not.
Rae Earl (My Mad Fat Diary (Rae Earl, #1))
Emotional blue balls. That's what it feel like. It's being handed everything you've ever longed for, only for it to slip through your fingers. And there's no way to fix it. Nothing you can do but slink toward the kitchen counter in a full-body mope.
Becky Albertalli (What If It's Us (What If It's Us, #1))
It's about 65 degrees, so it feels like when the air conditioner is up on high. I can bear it, so I'm going for a walk. Today. Right now. In the sunshine. Because I can. Because I want to. Because I'm not going to just sit around and wait for stuff to happen anymore. I'm still me, and I have a life. It's a weird life, but it's still mine. It's still mine.
Andrew Clements (Things Not Seen (Things, #1))
I am by turns a petulant adolescent and a mature man, a melancholy loner and a wit telling actors their trade. I cannot decide whether I'm a philosopher or a moping teenager, a poet or a murderer, a procrastinator or a man of action. I might be truly mad or sane pretending to be mad or even mad pretending to be sane.
Jasper Fforde (Something Rotten (Thursday Next, #4))
And while you and the rest of your kind are battling together—year after year—for this special privilege of being 'bored to death,' the 'real girl' that you're asking about, the marvelous girl, the girl with the big, beautiful, unspoken thoughts in her head, the girl with the big, brave, undone deeds in her heart, the girl that stories are made of, the girl whom you call 'improbable'—is moping off alone in some dark, cold corner—or sitting forlornly partnerless against the bleak wall of the ballroom—or hiding shyly up in the dressing-room—waiting to be discovered!
Eleanor Hallowell Abbott (Little Eve Edgarton)
People assume that depressed people look like they are in depression. That they cry all the time. Or mope. No. Most people who are depressed, smile. In fact, they smile more than necessary. Because they hide their grief from the world.
Amish Tripathi (War of Lanka (Ram Chandra #4))
The wrought-iron gate squeaked as Lucas opened it. He lowered the rented bike down the stone steps and onto the sidewalk. To his right was the most famous Globe Hotel in Paris, disguised under another name. In front of the entrance five Curukians sat on mopeds. Lu-cas and his eighteen-month-old friend then shot out across the street and through the invisible beam of an-other security camera. He rode diagonally across the place de la Concorde and headed toward the river. It seemed only natural. The motorcycles trailed him. He pedaled fast across the Alex-andre III bridge and zipped past Les Invalides hospital. He tried to turn left at the Rodin Museum, but Goper rode next to him, blocking his escape.
Paul Aertker (Brainwashed (Crime Travelers, #1))
Michelle, who was never one to mope around and mince words, had told her to 'take a concrete pill and harden the fuck up' because nobody had it easy.
Sibylla Matilde (In the Firelight)
I love pity parties. I wish I'd brought the hats. What do you want to mope about first?
Richelle Mead (Vampire Academy (Vampire Academy, #1))
when I moped for too long, letting the poor-me blues clamp around my ankles and drag me down to very bad places, he would fight to get me back,
Piper Kerman (Orange Is the New Black: My Year in a Women's Prison)
The "Holy-crap-that's-a-lot-of-pink" Zone would have been a more accurate description. I don't know what I was expecting a vampire's room to look like. Maybe lots of black, a bunch of books by Camus...oh, and a sensitive portrait of the only human the vamp had ever loved, who had no doubt died of something beautiful and tragic, thus dooming the vamp to an eternity of moping and sighing romantically. What can I say? I read a lot of books. But this room looked like it had been decorated by the unholy lovechild of Barbie and Strawberry Shortcake.
Rachel Hawkins (Hex Hall (Hex Hall, #1))
Haven’t you got an organ to weigh, people to annoy, or notes to scribble down for Uncle Jonathan? Or perhaps you’ve got another patient to experiment on.” “Dr. Wadsworth was called away on more urgent matters. It’s just the two of us and I’m quite bored of your moping about. We could be taking full advantage of our time together. But no,” he sighed dramatically. “You’re intently reading rubbish.
Kerri Maniscalco (Stalking Jack the Ripper (Stalking Jack the Ripper, #1))
Mom, for example, is Procter and Gamble’s perfect repeat customer. Renovation contractors send her personalized Christmas cards. She lives for the Sunday edition of our local newspaper. She thumbs through the “Modern Home” section. She mopes through the rest of the day, unhappy with all her outdated things.
Michael Benzehabe (Zonked Out: The Teen Psychologist of San Marcos Who Killed Her Santa Claus and Found the Blue-Black Edge of the Love Universe)
Shut up!" I say, holding my hands to my ears. "Shut up!" But the stupid gummy won't shut up; he's trying to tell me something important even though I'm covering my ears and I don't want to hear it and I don't want to think about who I am or what's wrong with me or why I'm out here at the edge of the Urb, at the edge of the known world, listening to some old mope who's so crazy, he think about the future when everyone knows that the future doesn't exist.
Rodman Philbrick (The Last Book in the Universe)
What have you done? (Apollymi) Mulling mostly coupled with a shot or two of reminiscing and a drop of regretting a few past decisions. Some might even call it moping, but I’d kill anyone so stupid as to suggest that of me. (Stryker)
Sherrilyn Kenyon (One Silent Night (Dark-Hunter, #15))
I thought I had found my calling, I thought I'd understood that in order to heal, I could heal others, or at least the other "healable" people, the ones who can be saved - instead of moping because I can't save other people. So what does this mean - I'm supposed to become a doctor? Or a writer? It's a bit the same thing, no? (Paloma)
Muriel Barbery (The Elegance of the Hedgehog)
You told me men don’t do this.” “Do what?” She walked around the counter, speaking animatedly. “Two years ago. We were at Firelight, having drinks. Cade and I had split up and you said that men don’t mope around after a breakup. You said that men avoid issues, get drunk, and pick up a new girl to forget the old one—but that you don’t brood.” Ford held out his hands in disbelief. “How do you remember that? And I’m not brooding.” She folded her arms across her chest and looked at him. “I know you’re my friend,” he said. “But please, for once, can you just act like you have a penis? Because I don’t want to talk about this.” She shrugged. “Fine. We’ll just sit here and listen to music.” She reached for his phone again. “Have you heard Taylor Swift’s new song?” “No.” “Well, you’re going to—on endless repeat until you start talking.
Julie James (Suddenly One Summer (FBI/US Attorney, #6))
Too bad. The House of Mannus also has an anti-moping law in effect. Violators are subject to noogies and loss of TV time for one day.
Kristen Callihan (The Hot Shot (Game On, #4))
It's not wrong to feel sorry for yourself. Just like it's not wrong to stand in a puddle of water while the rain pours down on your head. But neither is productive, unless you enjoy feeling cold and miserable and soggy while mascara runs down your face.
Richelle E. Goodrich (Slaying Dragons: Quotes, Poetry, & a Few Short Stories for Every Day of the Year)
And there wasn’t anything he wanted to do that he couldn’t make time for. What did he have to mope about, really? What more did he want? Love, he could hear Eve saying. Purpose. Love. Purpose. Those are the things that you can’t plan for. Those are the things that just happen. And what if they don’t happen? Do you spend your whole life pining for them? Waiting to be happy?
Rainbow Rowell (Attachments)
Marion and Alice were all for not using and so all went to sleep that night with a grim resolve. They got up about noon, smoked a joint with their coffee, feeling good about the fact that they werent giving any thought to not using, and sat around for a while, watched a little television, talked about maybe eating something, but not really feeling like it, then sort of moped around thinking and talking about the various things that should be done that day and making plans for doing them, then watched a little more TV, and more coffee, and more grass, spending much of the time dabbing at their running eyes and noses, and by three oclock they realized they were making a big deal out of nothing, that if they really wanted to stop using they certainly could, they were proving that right then, but it was stupid to panic and to think the world was coming to an end just because they couldnt score for any uncut weight right now, so they got back into the spoon. Their noses and eyes cleared up and they listened to music as they ate. A
Hubert Selby Jr. (Requiem for a Dream)
there are clear distinctions between what it takes to be decent, what it takes to be good, what it takes to be great, and what it takes to be among the best. If your goal is to be mediocre, then you have a considerable margin for error. You can get depressed when fired and mope around waiting for someone to call with a new job offer. If you hurt your toe, you can take six weeks watching television and eating potato chips.
Josh Waitzkin (The Art of Learning: An Inner Journey to Optimal Performance)
The whole world could praise Song Rongzi and it wouldn’t make him exert himself; the whole world could condemn him and it wouldn’t make him mope. He drew a clear line between the internal and the external, and recognized the boundaries of true glory and disgrace.
Zhuangzi (Zhuangzi: Basic Writings (Translations from the Asian Classics))
He looked as if he he subsisted exclusively on carbohydrates and ill feeling.
John Lanchester (Capital)
Oh my God, I . . . I almost got run over by a moped," I said, turning my bewildered stare back on Ren. "That would've been so embarrassing to be taken out by one of them
Jennifer L. Armentrout (Wicked (A Wicked Trilogy #1))
I don't think my moped could outrun a cheetah." "Hun," Claire says. "There are more important things you need to outrun, and a moped isn't going to help you with any of those.
Jonathan Messinger (Hiding Out)
Adults sound so boring. All you do is work and mope around.
Deston J. Munden (Recipes for an Unexpected Afterlife)
You wanted Death? This is it. Dirt and decay, nothing more. Death translates us all into earth.” He frowned at me, his cheeks puffing slightly. “Are you disappointed? Did you want a man in black robes? I’m sure I’ve a set somewhere. A dour, thin face with bony hands? I’ve more bones in this house than you could ever count. You’ve been moping over half the world looking for Death as though that word meant anything but cold bodies and mushrooms growing out of young girls’ eye-sockets. What an exceptionally stupid child!” Suddenly he moved very fast, like a turtle after a spider—such unexpected movement from a thing so languid and round. He clapped my throat in his hand, squeezing until I could not breathe…I whistled and wheezed, beating at his chest, and my vision blurred, thick as blood. “You want Death?” he hissed. “I am Death. I will break your neck and cover you with my jar of dirt. When you kill, you become Death, and so Death wears a thousand faces, a thousand robes, a thousand gazes.” He loosened his grip. “But you can be Death, too. You can wear that face and that gaze. Would you like to be Death? Would you like to live in this house and learn his trade?
Catherynne M. Valente (In the Night Garden (The Orphan's Tales, #1))
You bagged a movie star. You should be throwing a fucking party and bragging on Twitter. What you shouldn’t be doing is moping, not when you threw him out of your house like a baller.
Alessandra Torre (Hollywood Dirt (Hollywood Dirt, #1))
You’ve made it impossible for me to read a book in peace. When you’re not here, I just gaze at the words until they tumble off the page into a puddle in my lap. Instead of reading, I sit there and review the hours of the day I spent in your company, and I am more charmed by that story than anything the author has scribbled down. I have never been lonely in my life, but you have made me lonely. When you are gone, I am a moping ruin. I thought I understood the world fairly well. But you have made it all mysterious again. And it’s unnerving and frightening and wonderful, and I want it to continue. I want all your mysteries.
Josiah Bancroft (Senlin Ascends (The Books of Babel, #1))
A PSYCHOLOGICAL TIP Whenever you're called on to make up your mind, and you're hampered by not having any, the best way to solve the dilemma, you'll find, is simply by spinning a penny. No -- not so that chance shall decide the affair while you're passively standing there moping; but the moment the penny is up in the air, you suddenly know what you're hoping.
Piet Hein
Moping around with sadness and sorrow… what will come of it? Even dead people can do that. However, I’ll live and stand on my own two legs. If we are going to die one day, wouldn’t it be better to have no regrets?
Yana Toboso (Black Butler I (Black Butler, #1))
PERMALINK · 169465 · 15 HOURS AGO "She tried to feel sad, or guilty, or even to be angry about the way things had happened, but there frankly wasn’t much room in either her head or her heart for wishing or moping.
Megan Hart (Deeper)
But one man, I remember, Bob Wilson, was just sitting there moping. I said, “What are you moping about?” He said, “It’s a terrible thing that we made.” I said, “But you started it. You got us into it.” You see, what happened to me—what happened to the rest of us—is we started for a good reason, then you’re working very hard to accomplish something and it’s a pleasure, it’s excitement. And you stop thinking, you know; you just stop. Bob Wilson was the only one who was still thinking about it, at that moment. I
Richard P. Feynman (Surely You're Joking, Mr. Feynman! Adventures of a Curious Character)
Guess what? The Nazis didn't lose the war after all. They won it and flourished. They took over the world and wiped out every last Jew, every last Gypsy, black, East Indian, and American Indian. Then, when they were finished with that, they wiped out the Russians and the Poles and the Bohemians and the Moravians and the Bulgarians and the Serbians and the Croatians--all the Slavs. Then they started in on the Polynesians and the Koreans and the Chinese and the Japanese--all the peoples of Asia. This took a long, long time, but when it was all over, everyone in the world was one hundred percent Aryan, and they were all very, very happy. Naturally the textbooks used in the schools no longer mentioned any race but the Aryan or any language but German or any religion but Hitlerism or any political system but National Socialism. There would have been no point. After a few generations of that, no one could have put anything different into the textbooks even if they'd wanted to, because they didn't know anything different. But one day, two young students were conversing at the University of New Heidelberg in Tokyo. Both were handsome in the usual Aryan way, but one of them looked vaguely worried and unhappy. That was Kurt. His friend said, "What's wrong, Kurt? Why are you always moping around like this?" Kurt said, "I'll tell you, Hans. There is something that's troubling me--and troubling me deeply." His friend asked what it was. "It's this," Kurt said. "I cannot shake the crazy feeling that there is some small thing that we're being lied to about." And that's how the paper ended.' Ishmael nodded thoughtfully. 'And what did your teacher think of that?' 'He wanted to know if I had the same crazy feeling as Kurt. When I said I did, he wanted to know what I thought we were being lied to about. I said, 'How could I know? I'm no better off than Kurt.
Daniel Quinn (Ishmael: An Adventure of the Mind and Spirit (Ishmael, #1))
The majority of my generation decides to move back in with their parents after college. Unemployment, for them, is twice the national average. According to one 2011 study by the University of Michigan, many graduates aren’t even bothering to learn how to drive. The road is blocked, they are saying, so why get a license I won’t be able to use? We whine and complain and mope when things won’t go our way. We’re crushed when what we were “promised” is revoked—as if that’s not allowed to happen. Instead of doing much about it, we sit at home and play video games or travel or worse, pay for more school with more loan debt that will never be forgiven. And then we wonder why it isn’t getting any better.
Ryan Holiday (The Obstacle Is the Way: The Timeless Art of Turning Trials into Triumph)
I was in the mood to make out in the back row of the movie theater with someone who did not know my first name. I wanted three guys to fight for the honor of buying me a drink
Jodi Picoult (My Sister's Keeper)
She’s moping around?” “Out of everything I said, that was your takeaway? And yes, she is, unfortunately, moping.
Ana Huang (The Striker (Gods of the Game, #1))
Sparrow launched the plum. It was close range, and hit Ruby on her collarbone. She said, "Ow!" though it hadn't really hurt. Rubbing at the place of impact, she glared at Sparrow. "Is that it, then? Have you spent your wrath?" "Yes," said Sparrow, dusting off her palms. "It was on-plum wrath." "How sad for Feral. He was only worth one plum. Won't he mope when we tell him.
Laini Taylor (Strange the Dreamer (Strange the Dreamer, #1))
Arch glared at him. “I've spent hundreds of years watching you mope around because you thought you lost your soul mates. You wouldn't recognize a soul mate if she walked up to you and hit you in your face. Even after all this time, you still haven't figured it out.
Rose Wynters (Curvaceous Condemnation (The Endurers, #2))
Driving a moped is the easiest thing in the world,” O shouted. “Keep your eyes fixed on a single point in the horizon. Don’t look anywhere else. If a truck is about to crash into you, ignore it. If a plane is falling out of the sky, ignore it. Look straight ahead and squeeze the power. Do not change course. The world will change for you. You are at the center of the universe. You can’t make a single wrong move.
Esther Yi (Y/N)
[Adapted and condensed Valedictorian speech:] I'm going to ask that you seriously consider modeling your life, not in the manner of the Dalai Lama or Jesus - though I'm sure they're helpful - but something a bit more hands-on, Carassius auratus auratus, commonly known as the domestic goldfish. People make fun of the goldfish. People don't think twice about swallowing it. Jonas Ornata III, Princeton class of '42, appears in the Guinness Book of World Records for swallowing the greatest number of goldfish in a fifteen-minute interval, a cruel total of thirty-nine. In his defense, though, I don't think Jonas understood the glory of the goldfish, that they have magnificent lessons to teach us. If you live like a goldfish, you can survive the harshest, most thwarting of circumstances. You can live through hardships that make your cohorts - the guppy, the neon tetra - go belly-up at the first sign of trouble. There was an infamous incident described in a journal published by the Goldfish Society of America - a sadistic five-year-old girl threw hers to the carpet, stepped on it, not once but twice - luckily she'd done it on a shag carpet and thus her heel didn't quite come down fully on the fish. After thirty harrowing seconds she tossed it back into its tank. It went on to live another forty-seven years. They can live in ice-covered ponds in the dead of winter. Bowls that haven't seen soap in a year. And they don't die from neglect, not immediately. They hold on for three, sometimes four months if they're abandoned. If you live like a goldfish, you adapt, not across hundreds of thousands of years like most species, having to go through the red tape of natural selection, but within mere months, weeks even. You give them a little tank? They give you a little body. Big tank? Big body. Indoor. Outdoor. Fish tanks, bowls. Cloudy water, clear water. Social or alone. The most incredible thing about goldfish, however, is their memory. Everyone pities them for only remembering their last three seconds, but in fact, to be so forcibly tied to the present - it's a gift. They are free. No moping over missteps, slip-ups, faux pas or disturbing childhoods. No inner demons. Their closets are light filled and skeleton free. And what could be more exhilarating than seeing the world for the very first time, in all of its beauty, almost thirty thousand times a day? How glorious to know that your Golden Age wasn't forty years ago when you still had all you hair, but only three seconds ago, and thus, very possibly it's still going on, this very moment." I counted three Mississippis in my head, though I might have rushed it, being nervous. "And this moment, too." Another three seconds. "And this moment, too." Another. "And this moment, too.
Marisha Pessl
I’m not moping. (Ewan) Oh, forgive me. See, where I come from an upside-down smile means you’re frowning, and if you’re frowning while withdrawn from everyone and everything, it means you’re moping. I guess here in your cave, the world is backward and a frown means you’re happy. (Nora)
Kinley MacGregor (Taming the Scotsman (Brotherhood of the Sword, #4; MacAllister, #3))
There wasn’t anything Lincoln wanted that he couldn’t afford. What did he really want, anyway? To buy new books when they came out in hardback. To not have to think about how much money was in his wallet when he was ordering dinner. Maybe new sneakers …And there wasn’t anything he wanted to do that he couldn’t make time for. What did he have to mope about, really? What more did he want? Love, he could hear Eve saying. Purpose. Love. Purpose. Those are the things that you can’t plan for. Those are the things that just happen. And what if they don’t happen? Do you spend your whole life pining for them? Waiting to be happy?
Rainbow Rowell
My work is awfully labored just now. Sometimes it has the most wondrous life of its own, it fairly pulls me along—rather like wind surfing! At other times, it drags and mopes, so that I despair of ever writing another word or drawing another picture. I’ve found that if one keeps pushing along during the mopes, out will flash the most exhilarating thought or idea—a way of doing something that I had never seen before—and then, one is off again, and hold on to your hat!
Jan Karon (A Light in the Window (Mitford Book 2))
We’re all broken in some way. Maybe a little maybe a lot. Life bends us, shapes us, molds us, makes us, breaks us. Not a damn thing for us to be ashamed of, but it’s something we need to come to grips with. No need to cry about it, mope about it, be pissed about it, holler about it, moan and groan about it. It’s something we face and deal with. Because whether we like it or not, whether we realize it or not, want it or not, we have to take responsibility for who we are
Lucian Bane (Dom Academy: 1st Semester (Dom Wars, #8))
Life is not perfect It's a place of pain, a place of shame, a place of danger, and maybe a place of joy, No, life is not perfect, And it doesn't matter what aspect. Some times it's a sunset and a sunrise, Or the blue skies, Or a prize in disguise, But sometimes it's also sour, A wail and a roar, With no one to implore, Life is a test It throws problems at us And waits for us to crumble, under the distress, And looks as we struggle, And gathers the pieces that are left, But if we look at it differently, We can carry on brilliantly, It's just a matter of will power, And being courageous, A matter of refusing to be a coward, and facing what is dangerous, Life doesn't throw problems at us, to see us lose hope, No, it expects us to become strong, It doesn't expect us to mope Or mourn, Life is like a teacher, It teaches a lesson, That whatever the situation, Life must go on Time won't stop, And wait for you to gain hope No, it'll carry on, And let you mope, Time can't be reversed, No amount of crying will change the situation, So stop thinking that your life is cursed, Because life must go on...
Rida Altaf
Lionheart glared at the cat, who smiled back. "Can you read my mind?" "No." The cat sniffed and seemed to smile. "I can smell it. Which is made the easier for the stink your thoughts give off. All this self-pity and moping! *I did what I had to do.* Lick my whiskers, you did. Be a man, and face your actions for what they were!
Anne Elisabeth Stengl (Moonblood (Tales of Goldstone Wood, #3))
We’re all broken in some way. Maybe a little maybe a lot. Life bends us, shapes us, molds us, makes us, breaks us. Not a damn thing for us to be ashamed of, but it’s something we need to come to grips with. No need to cry about it, mope about it, be pissed about it, holler about it, moan and groan about it. It’s something we face and deal with. Because whether we like it or not, whether we realize it or not, want it or not, we have to take responsibility for who we are from this day forward.
Lucian Bane (Dom Academy: 1st Semester (Dom Wars, #8))
But I think it is so important to not rush the process of grief- & I do not mean moping & wallowing. There's a difference, & often the three get mixed into the same cake & presented as- SELFISH (& often times self-inflicted) AGONY. Not the same thing.
Ashley Nikole
That's because we were together for two years and she led me on a treacherous journey through bitchy, across frigid, and into the land of cheating psycho. I barely escaped with my life. It required a week of solid moping just so my balls could grow back.
S.E. Culpepper (Question Mark (Liaisons #2))
hope I never love someone so much that they could hurt me the way Langston was hurt, so wounded all he could do was cry and mope around the house and ask me to make him peanut butter and banana sandwiches with the crusts cut off, then play Boggle with him, which of course I always did, because I usually do whatever Langston wants me to do.
Rachel Cohn (Dash & Lily's Book of Dares (Dash & Lily, #1))
I would give you a crown if I could,” he said. “I would show you the world from the prow of a ship. I would choose you, Zoya. As my general, as my friend, as my bride. I would give you a sapphire the size of an acorn.” He reached into his pocket. “And all I would ask in return is that you wear this damnable ribbon in your hair on our wedding day.” She reached out, her fingers hovering over the coil of blue velvet ribbon resting in his palm. Then she pulled back her hand, cradling her fingers as if they’d been singed. “You will wed a Taban sister who craves a crown,” she said. “Or a wealthy Kerch girl, or maybe a Fjerdan royal. You will have heirs and a future. I’m not the queen Ravka needs.” “And if you’re the queen I want?” She shut her eyes. “There’s a story my aunt told me a very long time ago. I can’t remember all of it, but I remember the way she described the hero: ‘He had a golden spirit.’ I loved those words. I made her read them again and again. When I was a little girl, I thought I had a golden spirit too, that it would light everything it touched, that it would make me beloved like a hero in a story.” She sat up, drew her knees in, wrapped her arms around them as if she could make a shelter of her own body. He wanted to pull her back down beside him and press his mouth to hers. He wanted her to look at him again with possibility in her eyes. “But that’s not who I am. Whatever is inside me is sharp and gray as the thorn wood.” She rose and dusted off her kefta. “I wasn’t born to be a bride. I was made to be a weapon.” Nikolai forced himself to smile. It wasn’t as if he’d offered her a real proposal. They both knew such a thing was impossible. And yet her refusal smarted just as badly as if he’d gotten on his knee and offered her his hand like some kind of besotted fool. It stung. All Saints, it stung. “Well,” he said cheerfully, pushing up onto his elbows and looking up at her with all the wry humor he could muster. “Weapons are good to have around too. Far more useful than brides and less likely to mope about the palace. But if you won’t rule Ravka by my side, what does the future hold, General?” Zoya opened the door to the cargo hold. Light flooded in, gilding her features when she looked back at him. “I’ll fight on beside you. As your general. As your friend. Because whatever my failings, I know this: You are the king Ravka needs.
Leigh Bardugo (Rule of Wolves (King of Scars, #2))
Birthdays are a time when one stock takes, which means, I suppose, a good spineless mope: I scan my horizon and can discern no sail of hope along my own particular ambition. I tell you what it is: I'm quite in accord with the people who enquire 'What is the matter with the man?' because I don't seem to be producing anything as the years pass but rank self indulgence. You know that my sole ambition, officially at any rate, was to write poems & novels, an activity I never found any difficulty fulfilling between the (dangerous) ages of 17-24: I can't very well ignore the fact that this seems to have died a natural death. On the other hand I feel regretful that what talents I have in this direction are not being used. Then again, if I am not going to produce anything in the literary line, the justification for my selfish life is removed - but since I go on living it, the suspicion arises that the writing existed to produce the life, & not vice versa. And as a life it has very little to recommend it: I spend my days footling in a job I care nothing about, a curate among lady-clerks; I evade all responsibility, familial, professional, emotional, social, not even saving much money or helping my mother. I look around me & I see people getting on, or doing things, or bringing up children - and here I am in a kind of vacuum. If I were writing, I would even risk the fearful old age of the Henry-James hero: not fearful in circumstance but in realisation: because to me to catch, render, preserve, pickle, distil or otherwise secure life-as-it-seemed for the future seems to me infinitely worth doing; but as I'm not the entire morality of it collapses. And when I ask why I'm not, well, I'm not because I don't want to: every novel I attempt stops at a point where I awake from the impulse as one might awake from a particularly-sickening nightmare - I don't want to 'create character', I don't want to be vivid or memorable or precise, I neither wish to bathe each scene in the lambency of the 'love that accepts' or be excoriatingly cruel, smart, vicious, 'penetrating' (ugh), or any of the other recoil qualities. In fact, like the man in St Mawr, I want nothing. Nothing, I want. And so it becomes quite impossible for me to carry on. This failure of impulse seems to me suspiciously like a failure of sexual impulse: people conceive novels and dash away at them & finish them in the same way as they fall in love & will not be satisfied till they're married - another point on which I seem to be out of step. There's something cold & heavy sitting on me somewhere, & until something budges it I am no good.
Philip Larkin (Philip Larkin: Letters to Monica)
happiness is a choice. If you choose to mope and be glum, you shall be; but if you wish to be happy and determine to enjoy what life has to offer, then you can have that as well. “She said that nothing is all good or all bad, that life offers everyone a mix of both—though sometimes it does not seem so, and bad is all we can see in our lives, while in the lives of others we see only good and feel envy. She said we must enjoy the good despite the bad, else life can beat us down and leave us hopeless, and that is no way to live.
Lynsay Sands (Love Is Blind)
the world is gonna carry on whether you spend the year moping in bed or exploring it.
Margarita Montimore (Oona Out of Order)
Resting, recuperating, moping, it's all the same.
Maria V. Snyder (Spy Glass (Glass, #3))
Don’t mope over it all day, he said. I’m inconsequent. Give up the moody brooding.
James Joyce (Ulysses)
We whine and complain and mope when things won’t go our way.
Ryan Holiday (The Obstacle Is the Way: The Timeless Art of Turning Trials into Triumph)
Today is not a day to mope, she said to herself. Today is to find somewhere to live.
Jenny Bayliss (A Season for Second Chances)
Now, you get on this here moped at once!” The
David Walliams (Demon Dentist)
Mopes is not for the mopey! One who lacks presence of mind to mope should engage in an activity for recreation with a moppet.
Anyaele Sam Chiyson (The Sagacity of Sage)
Men couldn’t mope for too long, or they turned into horrible whiners.
K.F. Breene (Hunted (The Warrior Chronicles, #2))
Yet here we still are. Were we supposed to mope about our imminent death all that time? I don’t think I have that much moping in me.
N.K. Jemisin (The World We Make (Great Cities #2))
You're miserable by yourself, you just mope. Don't you, don't you?' 'I enjoy misery and moping.
Iris Murdoch (A Word Child)
Rio: – What the hell is the point of worrying about it? I don’t see Geer or Pang or Stick moping. Jen: – No, […]. They’re all busy being men. […] We’re not men, Rio. We don’t have to be men.
Michael Grant (Silver Stars (Front Lines, #2))
Such women as you a hundred men always convet - your eyes will only bewitch scores on scores into the unvailing fancy for you - you can only marry one of that many. Out of these say twenty will will endeavour to drown the bitterness of despised love in drink; twenty more will mope away their lives without a wish or attempt to make a mark in the world, because they have no ambition apart from their attachment to you; twenty more - the suspectible person myself possibly among them - will be always draggling after you, getting where they may just see you, doing desperate things. Men are such constant fools! The rest may try to get over their passion with more or less success. But all of these men will be saddened. And not only those ninety-nine men, but the ninety-nine women they might have married are saddened with them. There's my tale. That's why I say that a woman so charming as yourself, Miss Everdene, is hardly a blessing to her race (Ch. 26)
Thomas Hardy
I have five flashlights and each performs its own trick. I have a raincoat with zippers and net material so I never get too hot in a downpour. I have a shelf crammed with books and a shortwave that speaks Arabic, Japanese, Dutch and Russian. They have mud huts with maybe a few chairs and faded pages of old magazines fastened to the wall. I ride my twenty-one speed Peace Corps-issue bike to Ferke not to save a dollar on transport but for the luxury of exercise. They ride in from their settlements on cranky old mopeds or bikes with a single cog because it's the only option. And they give me charity. I just stare at it - near tears. To refuse their offer would be pure insult. So I do the rounds again shaking hands with all the men in boubous saying over and over "An y che " Thank you.
Sarah Erdman (Nine Hills to Nambonkaha: Two Years in the Heart of an African Village)
I understand that you want to have fun. That you like to distract yourself from life by going and doing these ridiculous things and laughing the whole time while you do them. I know you want to pretend that everything’s okay by trying your best to act normal, but I don’t. I want to sit in this house and mope around and be sad and revel in the fact that my life is complete shit from here on out.
John Corey Waley
There, little girl, don't read, You're fond of your books, I know, But Brother might mope If he had no hope Of getting ahead of you. It's dull for a boy who cannot lead. There, little girl, don't read.
Alice Duer Miller (Are Women People? A Book of Rhymes for Suffrage Times)
And you just had to rush right over here to rub my face in it." "Nope. I rushed right over here to slap your face in it." "A rude but effective wake-up call," Laura commented and earned a shocked stare. "I expected better from you." "You shouldn't have." Hands brisk and competent, she affixed a shiny silver bow to the box. "If you don't want to tell us what happened between you and Josh,fine.But you can't expect us to sit around quietly while you mope." "I have not been moping." "We've been cleaning up the blood spilling out of your heart for weeks." Kate passed Laura her credit card. "Face it,pal, you're just no fun anymore." "And that's all this friendship is about?Fun? I thought I might get a little support,a little sympathy, a little compassion." "Sorry," Laura imprinted the card with a steady sweep. "Fresh out.
Nora Roberts (Daring to Dream (Dream Trilogy, #1))
Does a tall man deserve to be tall? Does Prince Steren deserve to be the son of a king? A bird might think he deserves to swim as well as a fish, but if he sits moping on the riverbank instead of using the wings God gave him, the fox is going to eat him. “Your brother would rather have his own way than be happy. He’s thrown away the grace he was given because it’s not the grace he had in mind.” The Truthspeaker paused to reflect on that. “There’s not much hope for a person who won’t live in the grace he’s given.
Jonathan Rogers (The Secret of the Swamp King (The Wilderking Trilogy Book 2))
I have got into one of my moping moods tonight,’ said my father, after a silence; then quoting Shakespeare, whom, by way of keeping up our English, he used to read aloud, he said: ‘In truth I know not why I am so sad: It wearies me; you say it wearies you; But how I got it – came by it . . . I forget the rest.
J. Sheridan Le Fanu
Oh, it is true enough. I may as well be hung for a sheep as a lamb (an old country saying, not of much account, but it will do for a rough soldier), and so I will speak my mind, regardless of your pleasure, and without hoping or intending to get your pardon. Why, Miss Everdene, it is in this manner that your good looks may do more harm than good in the world." The sergeant looked down the mead in critical abstraction. "Probably some one man on an average falls in love with each ordinary woman. She can marry him: he is content, and leads a useful life. Such women as you a hundred men always covet—your eyes will bewitch scores on scores into an unavailing fancy for you—you can only marry one of that many. Out of these say twenty will endeavour to drown the bitterness of despised love in drink; twenty more will mope away their lives without a wish or attempt to make a mark in he world, because they have no ambition apart from their attachment to you; twenty more—the susceptible person myself possibly among them—will be always draggling after you, getting where they may just see you, doing desperate things. Men are such constant fools! The rest may try to get over their passion with more or less success. But all these men will be saddened. And not only those ninety-nine men, but the ninety-nine women they might have married are saddened with them. There's my tale. That's why I say that a woman so charming as yourself, Miss Everdene, is hardly a blessing to her race.
Thomas Hardy
The odd group of well-wishers slowly moved down the hallway as Moshe’s sobs cascaded up and down the walls, bouncing from one side to the other. The discourse on Doc Roberts was forgotten now as the group tromped forward, a ragtag assortment of travelers moving fifteen feet as if it were fifteen thousand miles, slow travelers all, arrivals from different lands, making a low trek through a country that claimed to be so high, a country that gave them so much yet demanded so much more. They moved slowly, like fusgeyers, wanderers seeking a home in Europe, or erú West African tribesmen herded off a ship on a Virginia shore to peer back across the Atlantic in the direction of their homeland one last time, moving toward a common destiny, all of them—Isaac, Nate, and the rest—into a future of American nothing. It was a future they couldn’t quite see, where the richness of all they had brought to the great land of promise would one day be zapped into nothing, the glorious tapestry of their history boiled down to a series of ten-second TV commercials, empty holidays, and sports games filled with the patriotic fluff of red, white, and blue, the celebrants cheering the accompanying dazzle without any idea of the horrible struggles and proud pasts of their forebears who had made their lives so easy. The collective history of this sad troupe moving down the hospital corridor would become tiny blots in an American future that would one day scramble their proud histories like eggs, scattering them among the population while feeding mental junk to the populace on devices that would become as common and small as the hot dog that the dying woman thought she smelled; for in death, Chona had smelled not a hot dog but the future, a future in which devices that fit in one’s pocket and went zip, zap, and zilch delivered a danger far more seductive and powerful than any hot dog, a device that children of the future would clamor for and become addicted to, a device that fed them their oppression disguised as free thought. Had the group of stragglers moping down the hallway seen that future, they would have all turned en masse and rushed from the hospital out into the open air and collapsed onto the lawn and sobbed like children. As it was, they moved like turtles toward Chona’s room as Moshe’s howl rang out. They were in no hurry. The journey ahead was long. There was no promise ahead. There was no need to rush now.
James McBride (The Heaven & Earth Grocery Store)
The band was no Led Zeppelin, but they had smart lyrics, a great drummer and that reckless shine that bands did have, back then, when no one had anything to lose and the fact that you didn’t have a snowball’s chance in hell of making it big didn’t matter, because throwing your whole heart into this band was the only thing that stopped you being just another futureless dole bunny moping in his bedsit. It gave them something: a drop of magic.
Tana French (Faithful Place (Dublin Murder Squad #3))
Ove didn't dislike this cat in particular. It was just that he didn't much like cats in general. He'd always perceived them as untrustworthy. Especially when, as in the case of Ernest, they were as big as mopeds. It was actually quite difficult to determine whether he was just an unusually large cat or an outstandingly small lion. And you should never befriend something if there's a possibility it may take a fancy to eating you in your sleep.
Fredrik Backman (A Man Called Ove)
Jesus Christ, I’d give anything for a five-minute conversation with anyone. Anyone, anywhere. About anything. I’m the first person to be alone on an entire planet. Okay, enough moping. I am having a conversation with someone: whoever reads this log. It’s a bit one-sided but it’ll have to do. I might die, but damn it, someone will know what I had to say.
Andy Weir (The Martian)
When I sit here and mope and don’t do anything and can’t do anything, then I actually feel the time slipping away from me. Hours and weeks and months rush past with nothing in them, and I can’t nail them to the spot with a piece of work.
Jens Peter Jacobsen (Niels Lyhne)
This is the part in the movie where Jade’s supposed to rally, she knows. She’s not supposed to mope, she’s supposed to be gearing up, pouring black powder into lightbulbs, hammering nails into the business end of a bat, that kind of stuff.
Stephen Graham Jones (My Heart Is a Chainsaw (The Indian Lake Trilogy, #1))
When the world has been unkind, when life’s troubles cloud your mind, Don’t sit down and frown and sigh and moon and mope. Take a walk along the square, fill your lungs with God’s fresh air, Then go whistling back to work and smile and hope.
Anonymous
Painful sunlight spilled into Darcy’s bedroom. He groaned and buried his head beneath his pillow. “Good morning, Master Darcy,” called Niles’s cheerful voice. “Nice day out; just a few clouds. Might have some rain later today. What would you like for your breakfast?” “Darkness,” Darcy growled into his pillow. “And more sleep.” Niles clicked his tongue and walked over to his master’s bed. “You’ve got a town to rule and a castle to mope around. And it’s a bright, beautiful day!
Emma Clifton (Corroded Thorns)
People around depressives expect them to get themselves together: our society has little room in it for moping. Spouses, parents, children, and friends are all subject to being brought down themselves, and they do not want to be close to measureless pain.
Andrew Solomon (The Noonday Demon: An Atlas of Depression)
Young people today no longer have gout, but mope around on diets: noodles without butter, butter without bread, bread without sauce, sauce without meat, meat without truffles, truffles without scent, scent without bouquet, bouquet without wine, wine without drunkenness, drunkenness without gaiety….Saints of Paradise! I would rather have gout than deprive myself of all of life’s charms. ÉDOUARD DE POMIANE, VINGT PLATS QUI DONNENT LA GOUTTE (TWENTY DISHES THAT GIVE YOU GOUT), 1938, TRANSLATED BY JESSICA GREEN
Bill Buford (Dirt: Adventures in Lyon as a Chef in Training, Father, and Sleuth Looking for the Secret of French Cooking)
You’re moping because you aren’t all you once were,” she’d snapped. “Well, get over it. We’re none of us what we once were. We all get old. We lose the use of our knees, or our faculties. But you know what? Life goes on. And there’s still plenty of it to enjoy.
Starhawk (City of Refuge (Maya Greenwood, #3))
I’d been feeling sorry for myself, which is about the most use- less thing you can feel: it doesn’t do a damned thing for you. You don’t feel any better, you don’t get any better, and you’re too busy moping to do anything to actually make your life any better. There’s
Jim Butcher (The Law (The Dresden Files, #17.2))
Why isn't there a holiday for all the sad sacks of the world who might actually need a crappy gift or schmaltzy card to cheer them up? I'm waiting for the "Let's All Mope!" day or a "Life Sucks" three-day weekend. Aren't we the ones who really need that box of chocolate?
Kim Askew (Exposure (Twisted Lit #2))
I never thought I’d get her. It’s a miracle, plain and simple, and undeserved at that. I’m a lucky man. I’m gonna make Glenna Dobbs happy every day of her life. Or if she wants to mope around in her black hoodies, that’s cool, too. As long as she shoots me those shy smiles.
Cate C. Wells (Against a Wall (Stonecut County, #2))
The poems that used to entrance me in the days of Miss Violence now struck me as overdone and sickly. Alas, burthen, thine, cometh, aweary—the archaic language of unrequited love. I was irritated with such words, which rendered the unhappy lovers—I could now see—faintly ridiculous, like poor moping Miss Violence herself. Soft-edged, blurry, soggy, like a bun fallen into the water. Nothing you'd want to touch,
Margaret Atwood (The Blind Assassin)
It’s okay to be sad when you mess up, but don’t dwell for too long. The mistake has already been made, and you can’t erase the fact that it happened. You can either learn from it or mope about it.The choice is yours, but remember, we are only human; we were born to make mistakes. Simply put, if you have never made a mistake in your life, then thatmeans that you have never taken a risk. Taking risks means that you go outside ofyour comfort zone – that you go outside of your boundaries. The most successful people are the ones who are not afraid to give it their all and possibly humiliate themselves greatly in front of others. It’s like that one saying, ‘The personwho asks a question is a fool for five minutes, but the person who never asks and remains silent is a fool forever.’ You choose the way you want to live your life.
Sunita
This story takes place a half a billion years ago-an inconceivably long time ago, when this planet would be all but recognizable to you. Nothing at all stirred on the land except the wind and the dust. Not a single blade of grass waved in the wind, not a single cricket chirped, not a single bird soared in the sky. All these things were tens of millions of years away in the future. But of course there was an anthropologist on hand. What sort of world would it be without an anthropologist? He was, however a very depressed and disillusioned anthropologist, for he'd been everywhere on the planet looking for someone to interview, and every tape in his knapsack was as blank as the sky. But one day as he was moping alongside the ocean he saw what seemed to be a living creature in the shallows off shore. It was nothing to brag about, just sort of a squishy blob, but it was the only prospect he'd seen in all his journeys, so he waded out to where it was bobbing in the waves. He greeted the creature politely and was greeted in kind, and soon the two of them were good friends. The anthropologist explained as well as he could that he was a student of life-styles and customs, and begged his new friend for information of this sort, which was readily forthcoming. ‘And now’, he said at last, ‘I'd like to get on tape in your own words some of the stories you tell among yourselves.’ ‘Stories?’ the other asked. ‘You know, like your creation myth, if you have one.’ ‘What is a creation myth?’ the creature asked. ‘Oh, you know,’ the anthropologist replied, ‘the fanciful tale you tell your children about the origins of the world.’ Well, at this, the creature drew itself up indignantly- at least as well as a squishy blob can do- and replied that his people had no such fanciful tale. ‘You have no account of creation then?’ ‘Certainly we have an account of creation,’ the other snapped. ‘But its definitely not a myth.’ ‘Oh certainly not,’ the anthropologist said, remembering his training at last. ‘Ill be terribly grateful if you share it with me.’ ‘Very well,’ the creature said. ‘But I want you to understand that, like you, we are a strictly rational people, who accept nothing that is not based on observation, logic, and scientific method.’ ‘"Of course, of course,’ the anthropologist agreed. So at last the creature began its story. ‘The universe,’ it said, ‘was born a long, long time ago, perhaps ten or fifteen billion years ago. Our own solar system-this star, this planet, and all the others- seem to have come into being some two or three billion years ago. For a long time, nothing whatever lived here. But then, after a billion years or so, life appeared.’ ‘Excuse me,’ the anthropologist said. ‘You say that life appeared. Where did that happen, according to your myth- I mean, according to your scientific account.’ The creature seemed baffled by the question and turned a pale lavender. ‘Do you mean in what precise spot?’ ‘No. I mean, did this happen on land or in the sea?’ ‘Land?’ the other asked. ‘What is land?’ ‘Oh, you know,’ he said, waving toward the shore, ‘the expanse of dirt and rocks that begins over there.’ The creature turned a deeper shade of lavender and said, ‘I cant imagine what you're gibbering about. The dirt and rocks over there are simply the lip of the vast bowl that holds the sea.’ ‘Oh yes,’ the anthropologist said, ‘I see what you mean. Quite. Go on.’ ‘Very well,’ the other said. ‘For many millions of centuries the life of the world was merely microorganisms floating helplessly in a chemical broth. But little by little, more complex forms appeared: single-celled creatures, slimes, algae, polyps, and so on.’ ‘But finally,’ the creature said, turning quite pink with pride as he came to the climax of his story, ‘but finally jellyfish appeared!
Daniel Quinn (Ishmael: An Adventure of the Mind and Spirit (Ishmael, #1))
I thought of my sweet little girl and her chubby cheeks, big brown eyes and long brown hair with bangs that constantly needed trimming. She was all that really mattered in this world, and I could not keep moping over some guy who came in and out of my life faster than a season of American Idol.
Kate Madison (Spilled Perfume: A Memoir (Spilled Perfume #1))
I would choose you." The words were out before he thought better of them, and there was no way to pull them back. Silence stretched between them. Perhaps the floor will open and I'll plummet to my death, he thought hopefully. "As your general?" Her voice careful. She was offering him a chance to right the ship, to take them back to familiar waters. And a fine general you are. There could be no better leader. You may be prickly, but that what Ravka needs. So many easy replies. Instead he said, "As my queen." He couldn't read her expression. Was she pleased? Embarrassed? Angry? Every cell in his body screamed for him to crack a joke, to free both of them from the peril of the moment. But he wouldn't. He was still a privateer, and he'd come too far. "Because I'm a dependable soldier," she said, but she didn't sound sure. It was the same cautious, tentative voice, the voice of someone waiting for a punch line, or maybe a blow. "Because I know all of your secrets." "I do trust you more than myself sometimes- and I think very highly of myself." Hadn't she said there was no one else she'd choose to have her back in a fight? But that isn't the whole truth, is it, you great cowardly lump. To hell with it. They might all die soon enough. They were safe here in the dark, surrounded by the hum of engines. "I would make you my queen because I want you. I want you all the time." She rolled on to her side, resting her head on her folded arm. A small movement, but he could feel her breath now. His heart was racing. "As your general, I should tell you that would be a terrible decision." He turned on to his side. They were facing each other now. "As your king, I should tell you that no one could dissuade me. No prince and no power could make me stop wanting you." Nikolai felt drunk. Maybe unleashing the demon had loosed something in his brain. She was going to laugh at him. She would knock him senseless and tell him he had no right. But he couldn't seem to stop. "I would give you a crown if I could," he said. "I would show you the world from the prow of a ship. I would choose you, Zoya. As my general, as my friend, as my bride. I would give you a sapphire the size of an acorn." He reached in to his pocket. "And all I would ask in return is that you wear this damnable ribbon in your hair on our wedding day." She reached out, her fingers hovering over the coil of blue velvet ribbon resting in his palm. Then she pulled back her hand, cradling her fingers as if they'd been singed. "You will wed a Taban sister who craves a crown," she said. "Or a wealthy Kerch girl, or maybe a Fjerdan royal. You will have heirs and a future. I'm not the queen Ravka needs." "And if you're the queen I want?" ... She sat up, drew her knees in, wrapped her arms around them as if she would make a shelter of her own body. He wanted to pull her back down beside him and press his mouth to hers. He wanted her to look at him again with possibility in her eyes. "But that's not who I am. Whatever is inside me is sharp and gray as the thorn wood." She rose and dusted off her kefta. "I wasn't born to be a bride. I was made to be a weapon." Nikolai forced himself to smile. It wasn't as if he'd offered her a real proposal. They both knew such a thing was impossible. And yet her refusal smarted just as badly as if he'd gotten on his knee and offered her his hand like some kind of besotted fool. It stung. All saints, it stung. "Well," he said cheerfully, pushing up on his elbows and looking up at her with all the wry humour he could muster. "Weapons are good to have around too. Far more useful than brides and less likely to mope about the palace. But if you won't rule Ravka by my side, what does the future hold, General?" Zoya opened the door to the Cargo hold. Light flooded in gilding her features when she looked back at him. "I'll fight on beside you. As your general. As your friend. Because whatever my failings, I know this. You are the king Ravka needs.
Leigh Bardugo (Rule of Wolves (King of Scars, #2))
I did not see Pirahã teenagers moping, sleeping in late, refusing to accept responsibility for their own actions, or trying out what they considered to be radically new approaches to life. They in fact are highly productive and conformist members of their community in the Pirahã sense of productivity (good fishermen, contributing generally to the security, food needs, and other aspects of the physical survival of the community). One gets no sense of teenage angst, depression, or insecurity among the Pirahã youth. They do not seem to be searching for answers. They have them. And new questions rarely arise.
Daniel L. Everett (Don't Sleep, There Are Snakes: Life and Language in the Amazonian Jungle)
He ain't never been hit, nor yet swore at. An' he don't need to be. Treat him nice, like he's used to bein' treated. An' don't get sore on him if he mopes fer me, jes' at fust. Because he's sure to. Dogs ain't like folks. They got hearts. Folks has only got souls. I guess dogs has the best of it, at that.
Albert Payson Terhune (His Dog)
Is this last note a sign that I'm incurable, that when reality smashes my dream to bits, I mope and snarl while the first shock lasts, and then patiently, idiotically, start putting it together again? And so always? However often the house of cards falls, shall I set about rebuilding it? Is that what I'm doing now?
C.S. Lewis (A Grief Observed)
After the thing went off, there was tremendous excitement at Los Alamos. Everybody had parties, we all ran around. I sat on the end of a jeep and beat drums and so on. But one man, I remember, Bob Wilson, was just sitting there moping. I said, “What are you moping about?” He said, “It’s a terrible thing that we made.” I said, “But you started it. You got us into it.” You see, what happened to me—what happened to the rest of us—is we started for a good reason, then you’re working very hard to accomplish something and it’s a pleasure, it’s excitement. And you stop thinking, you know; you just stop. Bob Wilson was the only one who was still thinking about it, at that moment.
Richard P. Feynman (Surely You're Joking, Mr. Feynman! Adventures of a Curious Character)
That explains why you’ve been moping for the last couple of years.” “I haven’t been moping—” “Kind of moping,” Rico said. “Maybe not all of the time.” “But most of the time,” Tanner said. “He stares off into the distance sometimes,” Chris added helpfully. “With his quiet strength. And his angst.” “I hate all of you,” I said very seriously.
T.J. Klune (Wolfsong (Green Creek, #1))
I hope I never love someone so much that they could hurt me the way Langston was hurt, so wounded all he could do was cry and mope around the house and ask me to make him peanut butter and banana sandwiches with the crusts cut off, then play Boggle with him, which of course I always did, because I usually do whatever Langston wants me to do.
Rachel Cohn (Dash & Lily's Book of Dares (Dash & Lily, #1))
He’s a dumb ass,” Emilio said to me. “I’m almost finished.” The second he was out of earshot, Marcus sauntered back up to the bench with stiff, rehearsed swag. Definitely a mirror practicer, that one. “Why you messin’ with Emilio? What’s up with you and me?” He wiped his hand on his black tank top and held it out, presumably for me to take, at which point we’d presumably climb aboard his moped and ride off into the sunset. Before I could shatter his dreams, Samuel smacked his hand away. “Keep it movin’,” Samuel said. He nudged him back toward the bikes, but the guy was unfazed. “She likes me.” “She thinks you stupid,” Samuel said. “And she right.” Marcus cocked an eyebrow and licked his lips, more dazzling mirror work, and leaned in for another proposition. “When you’re ready to graduate from a boy to a man, you call me.” “How about I call when you’re ready to graduate from a boy to a man?” The other guys howled, and just when I decided this game might be kind of fun, Emilio was at the bench, tugging a shirt over his head. “Vamos, princesa.
Sarah Ockler (The Book of Broken Hearts)
But Dexter blinked hard, shook his head then nudged her hand with his. ‘So what I thought we’d do for the next couple of days is, you can show me the sights, and I’ll just mope about and make stupid remarks.’ She smiled and nudged his hand back. ‘It’s hardly surprising what you’ve been through, are going through,’ and she covered his hand with her own.
David Nicholls (One Day)
Sophie couldn’t tell if he was teasing or moping. Maybe a little of both.
Shannon Messenger (Legacy (Keeper of the Lost Cities, #8))
We decided instead of moping our way through a difficult summer, we needed a party. We needed you.
Steven Rowley (The Guncle)
I saw someone leaving the house and I thought it was Lilias,” I said, clutching at the first plausible lie I could think of. “So when I saw you go out of the gate I panicked—” “Haven’t you ever heard of sleep ?” the boy snapped. “Isn’t that what normal people do at this time of night?” “I don’t think they sneak around clifftops on mopeds either, do they?
Alex Bell (Frozen Charlotte (Frozen Charlotte, #1))
You’re one to talk,” she says. “You’re always moping. We should start calling you Beatrice Prior, Queen of Tragedy.
Veronica Roth (Insurgent (Divergent, #2))
she had been moping around school, not wanting to do anything besides painting and reading books.
Kim Richardson (Marked (Soul Guardians, #1))
You sat around this fucking place moping like a damn child for the last six days. If I didn’t know any better, I’d say you’re having your goddam man-period right now.
Danielle Jamie (Christmas Wish)
Politics is the art of looking for trouble, finding it everywhere, diagnosing it incorrectly, and applying the wrong remedies.” —Groucho Marx
David Oliver (No Mopes Allowed: A Small Town Police Chief Rants and Babbles about Hugs and High Fives, Meth Busts, Internet Celebrity, and Other Adventures . . .)
Life is tough, but it’s tougher when you’re stupid.” —John Wayne
David Oliver (No Mopes Allowed: A Small Town Police Chief Rants and Babbles about Hugs and High Fives, Meth Busts, Internet Celebrity, and Other Adventures . . .)
Great. A vampire with bruised feelings is a disaster waiting to happen. He's either terrorizing Will or moping around like Hamlet.
Jennifer Harlow (Death Takes a Holiday (F.R.E.A.K.S. Squad Investigation, #3))
Nobody special had come around to replace Duane, and she was moping, going to bed alone every night with a box of Velveeta and a fork.
Laura McHugh (The Weight of Blood)
That explains why you’ve been moping for the last couple years.” “I haven’t been moping--” “Kind of moping,” Rico said. “Maybe not all of the time.” “But most of the time,” Tanner said. “He stares off into the distance sometimes,” Chris added helpfully. “With his quiet strength. And his angst.” “I hate all of you,” I said very seriously. “I didn’t say anything,” Robbie said.
T.J. Klune (Wolfsong (Green Creek, #1))
Gustavo Tiberius speaking." “It’s so weird you do that, man,” Casey said, sounding amused. “Every time I call.” “It’s polite,” Gus said. “Just because you kids these days don’t have proper phone etiquette.” “Oh boy, there’s the Grumpy Gus I know. You miss me?” Gus was well aware the others could hear the conversation loud and clear. He was also aware he had a reputation to maintain. “Hadn’t really thought about it.” “Really.” “Yes.” “Gus.” “Casey.” “I miss you.” “I miss you too,” Gus mumbled into the phone, blushing fiercely. “Yeah? How much?” Gus was in hell. “A lot,” he said truthfully. “There have been allegations made against my person of pining and moping. False allegations, mind you, but allegations nonetheless.” “I know what you mean,” Casey said. “The guys were saying the same thing about me.” Gus smiled. “How embarrassing for you.” “Completely. You have no idea.” “They’re going to get you packed up this week?” “Ah, yeah. Sure. Something like that.” “Casey.” “Yes, Gustavo.” “You’re being cagey.” “I have no idea what you mean. Hey, that’s a nice Hawaiian shirt you’ve got on. Pink? I don’t think I’ve seen you in that color before.” Gus shrugged. “Pastor Tommy had a shitload of them. I think I could wear one every day for the rest of the year and not repeat. I think he may have had a bit of a….” Gus trailed off when his hand started shaking. Then, “How did you know what I was wearing?” There was a knock on the window to the Emporium. Gus looked up. Standing on the sidewalk was Casey. He was wearing bright green skinny jeans and a white and red shirt that proclaimed him to be a member of the 1987 Pasadena Bulldogs Women’s Softball team. He looked ridiculous. And like the greatest thing Gus had ever seen. Casey wiggled his eyebrows at Gus. “Hey, man.” “Hi,” Gus croaked. “Come over here, but stay on the phone, okay?” Gus didn’t even argue, unable to take his eyes off Casey. He hadn’t expected him for another week, but here he was on a pretty Saturday afternoon, standing outside the Emporium like it was no big deal. Gus went to the window, and Casey smiled that lazy smile. He said, “Hi.” Gus said, “Hi.” “So, I’ve spent the last two days driving back,” Casey said. “Tried to make it a surprise, you know?” “I’m very surprised,” Gus managed to say, about ten seconds away from busting through the glass just so he could hug Casey close. The smile widened. “Good. I’ve had some time to think about things, man. About a lot of things. And I came to this realization as I drove past Weed, California. Gus. It was called Weed, California. It was a sign.” Gus didn’t even try to stop the eye roll. “Oh my god.” “Right? Kismet. Because right when I entered Weed, California, I was thinking about you and it hit me. Gus, it hit me.” “What did?” Casey put his hand up against the glass. Gus did the same on his side. “Hey, Gus?” “Yeah?” “I’m going to ask you a question, okay?” Gustavo’s throat felt very dry. “Okay.” “What was the Oscar winner for Best Song in 1984?” Automatically, Gus answered, “Stevie Wonder for the movie The Woman in Red. The song was ‘I Just Called to Say I Love You.’” It was fine, of course. Because he knew answers to all those things. He didn’t know why Casey wanted to— And then he could barely breathe. Casey’s smile wobbled a little bit. “Okay?” Gus blinked the burn away. He nodded as best he could. And Casey said, “Yeah, man. I love you too.” Gus didn’t even care that he dropped his phone then. All that mattered was getting as close to Casey as humanely possible. He threw open the door to the Emporium and suddenly found himself with an armful of hipster. Casey laughed wetly into his neck and Gus just held on as hard as he could. He thought that it was possible that he might never be in a position to let go. For some reason, that didn’t bother him in the slightest.
T.J. Klune (How to Be a Normal Person (How to Be, #1))
It’s the photos that hit me the hardest, though. A woman cradling her husband’s limp body. A crowd looking on, emotionless, as police shine a flashlight on a woman’s bloodied corpse. A couple, half on the ground and half tangled in their moped, their blank faces turned toward the camera and sprays of blood on the pavement behind their heads. Sisters gathered around their baby brother’s body lying in its small casket. A body with its head covered in a dirty cloth left in a pile of garbage on the side of the street. Grayish-green corpses stacked like firewood in an improvised morgue. There’s even a short video of grainy security cam footage in which a masked motorcyclist pulls up next to a man in an alleyway, shoots him point-blank in the side of the head, then drives away. In high definition, I see the victims’ wounds, their oddly twisted limbs, their blood and brain matter sprayed across familiar-looking streets. In every dead body, I see Jun. I want to look away. But I don’t. I need to know. I need to see it. These photographers didn’t want to water it down. They wanted the audience to confront the reality, to feel the pain that’s been numbed by a headline culture.
Randy Ribay (Patron Saints of Nothing)
This should’ve been the best, most exciting time of my life. It was my senior year, and my dream program had accepted me. Instead of celebrating, I was moping like a…well, a heartbroken teenager. And even though that was half correct, I was sick of it. Sick of letting men who didn’t give two shits about me have this hold over me. Sick of being the object of pitying looks and worried whispers.
Ana Huang (Twisted Love (Twisted, #1))
Love is not static. We grow dissatisfied and move apart; affection returns and we pull together again. Some people, ignorant of the process, pull away when the good times end and assume the bad times will last forever. These people flee, mope, or drift into affairs. Others see the ups and downs as part of a dynamic process, which, when anticipated and understood, can enrich and revitalize their relationship, even give it an added punch.
Janis Abrahms Spring (After the Affair: Healing the Pain and Rebuilding Trust When a Partner Has Been Unfaithful)
If you get sick again? Alec, stop hiding behind that. We start dying the day we are born. If everyone thought the way you do, no one would ever go after their dreams. There would be a ton of unhappy people moping around.
Daniele Lanzarotta (Sudden Hope (Sudden Hope, #1))
Right now I feel guilty to be alive. Why? Because I’m wasting it. I’ve been given this life and all I do is mope it away. What’s worse is, I am totally aware of how ridiculous I am. It would be a lot easier if I believed I was the center of the universe, because then I wouldn’t know any better not to make a big deal out of everything. I know how small my problems are, yet that doesn’t stop me from obsessing about them. I have to stop doing this.
Megan McCafferty (Sloppy Firsts (Jessica Darling, #1))
If it makes you feel any better, he’s been all sad doll lately too.” “What are you talking about, Chels?” Chelsea stopped walking and stared at Violet. “Jay. I’m talking about Jay, Vi. I thought you might want to know that you’re not the only one who’s hurting. He’s been moping around school, making it hard to even look at him. He’s messed up . . . bad.” Just like the other night in Violet’s bedroom, something close to . . . sympathy crossed Chelsea’s face. Violet wasn’t sure how to respond. Fortunately sympathetic Chelsea didn’t stick around for long. She seemed to get a grip on herself, and like a switch had been flipped, the awkward moment was over and her friend was back, Chelsea-style: “I swear, every time I see him, I’m halfway afraid he’s gonna start crying like a girl or ask to borrow a tampon or something. Seriously, Violet, it’s disgusting. Really. Only you can make it stop. Please make it stop.
Kimberly Derting (Desires of the Dead (The Body Finder, #2))
There’s no biological advantage to grief. In fact, in the wild, it can be downright dangerous to be moping around or swearing off food. I couldn’t look at that matriarch and say I was watching a conditioned behavior. That was sorrow, pure and simple.
Jodi Picoult (Leaving Time)
He had considered going up to Scotland, moping about a bit in more appropriate scenery. Going back to his roots. There were several extremely good reasons not to do this, but faced with the spectre of serious boredom Ruthven had begun to let himself imagine the muted melancholy colors of heather and gorse, the coolness of mist on his face, the somewhat excruciatingly romantic ruins of his ancestral pile. And sheep. There would be sheep, which went some way toward mitigating the Gothic atmosphere.
Vivian Shaw (Strange Practice (Dr. Greta Helsing, #1))
Towards dawn, as we were making camp, Vancha suddenly burst out laughing. "Look at us!" he hooted, as we stared at him uncertainly. "We've been moping all night like four sad souls at a funeral. What idiots we've been!" "You think it amusing to have a death sentence imposed on us, Sire?" Mr. Crepsley asked archly. "Charna's guts!" Vancha cursed. "The sentence has been there since the start — all that's changed is that we know about it!" "A little knowledge is a... dangerous thing," Harkat muttered.
Darren Shan (Hunters of the Dusk (Cirque Du Freak, #7))
... I was disturbed by how many of my classmates disliked Thoreau, railed against him even, as if he (who claimed never to have learned anything of value from an old person) was an enemy and not a friend. His scorn of commerce--invigorating to me--nettled a lot of the more vocal kids in Honors English. "Yeah, right," shouted an obnoxious boy whose hair was gelled and combed stiff like a Dragon Ball Z character--"some kind of world it would be if every-body just dropped out and moped around in the woods--
Donna Tartt (The Goldfinch)
When the sun is strong and the air is warm, however, we shout greetings to one another down the lengths of long driveways and from the windows of our cars as we pass; we hold our heads high as we walk, staring up into the sky with our eyes shut and our faces widened by smiles. We breathe in deeply the summery air, but this sort of inhalation doesn’t result in a sigh; it’s a precursor to a purr, or the moans one might make during a backrub. We no longer mope, we no longer grouse. We are filled with energy. Although
Chris Bohjalian (Midwives)
I’d been feeling sorry for myself, which is about the most use- less thing you can feel: it doesn’t do a damned thing for you. You don’t feel any better, you don’t get any better, and you’re too busy moping to do anything to actually make your life any better.
Jim Butcher (The Law (The Dresden Files, #17.2))
Rap was a natural resource, might as well pay for sunlight or the very breeze or an early-morning car alarm going off. No, I spent my money on music for moping. Perfect for drifting off on the divan with a damp towel on your forehead, a minor-chord soundtrack as you moaned into reflecting pools about your elaborate miserableness. The singers were faint, androgynous ghosts, dragging their too-heavy chains across the plains of misery, the gloomy moors of discontent, in search of relief. Let's just put it out there: I liked the Smiths.
Colson Whitehead (Sag Harbor)
I’m not my best, and I had four glasses of wine. If I want to be a sad failure, I can. I got dumped by my fiancé because I’m not perfect and never will be. Love isn’t enough, and time doesn’t heal— " Caroline explaining why she watched Under the Tuscan Sun three times today.
Carina Alyce (Burn Card (MetroGen After Hours, #4))
Kahlen. Oh Kahlen, just don’t give up. I know it’s been hard on you, but you have to hold on. You’re capable of so much; I’ve felt it from the beginning. You can’t stop trying to live. You can either sit here and mope, or you can let this be an adventure for you. It’s an amazing ride if you just hold on. Think of Miaka. You’ll mean so much to her. You’ve meant the world to me. I think once it all disappears, I’ll still manage to miss you. Try to make the most of this time. Breathe in all the wonders around you. Take a deep breath, Kahlen. Hold on tight.
Kiera Cass (The Siren)
she hasn’t been associating with anyone. She has abandoned her Tuesdays at home, has thrown over all her acquaintances, and goes tramping about by herself, moping in the streetcars, getting in after dark. I tell you she’s peculiar. I don’t like it; I feel a little worried over it
Kate Chopin (The Awakening)
Blue pencils, blue noses, blue movies, laws, blue legs and stockings, the language of birds, bees and flowers as sung by longshoremen, that lead-like look the skin has when affected by cold, contusion, sickness, fear; the rotten rum or gin they call blue ruin and the blue devils of its delirium; Russian cats and oysters, a withheld or imprisoned breath, the blue they say that diamonds have, deep holes in the ocean and the blazers which English athletes earn that gentlemen may wear; afflictions of the spirit--dumps, mopes, Mondays--all that's dismal--low-down gloomy music, Nova Scotians, cyanosis, hair rinse, bluing, bleach; the rare blue dahlia like the blue moon shrewd things happen only once in, or the call for trumps in whist (but who remembers whist or what the death of unplayed games is like?), and correspondingly the flag, Blue Peter, which is our signal for getting under way; a swift pitch, Confederate money, the shaded slopes of clouds and mountains, and so the constantly increasing absentness of Heaven (ins Blaue hinein, the Germans say), consequently the color of everything that's empty: blue bottles, bank accounts, and compliments, for instance.
William H. Gass (On Being Blue)
Neil Josten let his cigarette burn to the filter without taking a drag. He didn't want the nicotine, he wanted the acrid smoke that reminded him of his mother. If he inhaled slowly enough, he could almost taste the ghost of gasoline and fire. It was at once revolting and comforting, and it sent a sick shudder down the spine. [...] He glanced up at the sky, but the stars where washed out behind the glare of stadium lights. He wondered - not for the first time - if his mother was looking down at him. He hoped not. She'd beat him to hell and back if she saw him sitting around, moping like this.
Nora Sakavic (The Foxhole Court (All for the Game, #1))
Stop moping!" she would cry: "Look at the harlequins! "What harlequins? Where?" "Oh, everywhere. All around you. Trees are harlequins, words are harlequins. So are situations and sums. Put two things together jokes, images and you get a triple harlequin. Come on! Play! Invent the world! Invent reality!
Vladimir Nabokov (Look at the Harlequins)
Stop moping!" she would cry: "Look at the harlequins! "What harlequins? Where?" "Oh, everywhere. All around you. Trees are harlequins, words are harlequins. So are situations and sums. Put two things together jokes, images and you get a triple harlequin. Come on! Play! Invent the world! Invent reality!
Vladimir Nabokov (Look at the Harlequins)
Terence, this is stupid stuff: You eat your victuals fast enough; There can’t be much amiss, ’tis clear, To see the rate you drink your beer. But oh, good Lord, the verse you make, It gives a chap the belly-ache. The cow, the old cow, she is dead; It sleeps well, the horned head: We poor lads, ’tis our turn now To hear such tunes as killed the cow. Pretty friendship ’tis to rhyme Your friends to death before their time Moping melancholy mad: Come, pipe a tune to dance to, lad.’ Why, if ’tis dancing you would be, There’s brisker pipes than poetry. Say, for what were hop-yards meant, Or why was Burton built on Trent? Oh many a peer of England brews Livelier liquor than the Muse, And malt does more than Milton can To justify God’s ways to man. Ale, man, ale’s the stuff to drink For fellows whom it hurts to think: Look into the pewter pot To see the world as the world’s not. And faith, ’tis pleasant till ’tis past: The mischief is that ’twill not last. Oh I have been to Ludlow fair And left my necktie God knows where, And carried half way home, or near, Pints and quarts of Ludlow beer: Then the world seemed none so bad, And I myself a sterling lad; And down in lovely muck I’ve lain, Happy till I woke again. Then I saw the morning sky: Heigho, the tale was all a lie; The world, it was the old world yet, I was I, my things were wet, And nothing now remained to do But begin the game anew. Therefore, since the world has still Much good, but much less good than ill, And while the sun and moon endure Luck’s a chance, but trouble’s sure, I’d face it as a wise man would, And train for ill and not for good. ’Tis true, the stuff I bring for sale Is not so brisk a brew as ale: Out of a stem that scored the hand I wrung it in a weary land. But take it: if the smack is sour, The better for the embittered hour; It should do good to heart and head When your soul is in my soul’s stead; And I will friend you, if I may, In the dark and cloudy day. There was a king reigned in the East: There, when kings will sit to feast, They get their fill before they think With poisoned meat and poisoned drink. He gathered all that springs to birth From the many-venomed earth; First a little, thence to more, He sampled all her killing store; And easy, smiling, seasoned sound, Sate the king when healths went round. They put arsenic in his meat And stared aghast to watch him eat; They poured strychnine in his cup And shook to see him drink it up: They shook, they stared as white’s their shirt: Them it was their poison hurt. —I tell the tale that I heard told. Mithridates, he died old.
A.E. Housman
When you feel tempted to judge yourself by the way you look rather than what you do; that is the way of the contemporary Male. A sad state of “looks before performance” is plaguing the world. If you think looks trump performance, ask the last girl you slept with. Skinny jeans, androgynous bodies and limp character populate Our World. I ask you, “What would Conan do?” Conan wouldn’t stand by and let others determine his attitude. He wouldn’t mope around like a sad, pathetic dog when things don’t go his way. And he sure as hell doesn’t tuck tail when defeated. Stand up and show the world who you are and what you can do. Bleed success. Eat. Sleep. Mate. Defend. – Jim Wendler
Jim Wendler (5/3/1: The Simplest and Most Effective Training System for Raw Strength)
His whole life was a conspiracy of other people helping him, other people teaching him this or that. He felt like Hamlet, just moping around waiting for the world to assuage his grief, petulantly soliloquizing and fainting while everyone else fed him bananas and candy bars. Hamlet died at the end, of course. “The rest is silence,” Hamlet declared,
Kaveh Akbar (Martyr!)
I've read every letter that you've sent me these past two years. In return, I've sent you many form letters, with the hope of one day being able to give you the proper response you deserve. But the more letters you wrote to me, and the more of yourself you gave, the more daunting my task became. I'm sitting beneath a pear tree as I dictate this to you, overlooking the orchards of a friend's estate. I've spent the past few days here, recovering from some medical treatment that has left me physically and emotionally depleted. As I moped about this morning, feeling sorry for myself, it occurred to me, like a simple solution to an impossible problem: today is the day I've been waiting for. You asked me in your first letter if you could be my protege. I don't know about that, but I would be happy to have you join me in Cambridge for a few days. I could introduce you to my colleagues, treat you to the best curry outside India, and show you just how boring the life of an astrophysicist can be. You can have a bright future in the sciences, Oskar. I would be happy to do anything possible to facilitate such a path. It's wonderful to think what would happen if you put your imagination toward scientific ends. But Oskar, intelligent people write to me all the time. In your fifth letter you asked, "What if I never stop inventing?" That question has stuck with me. I wish I were a poet. I've never confessed that to anyone, and I'm confessing it to you, because you've given me reason to feel that I can trust you. I've spent my life observing the universe, mostly in my mind's eye. It's been a tremendously rewarding life, a wonderful life. I've been able to explore the origins of time and space with some of the great living thinkers.But I wish I were a poet. Albert Einstein, a hero of mine, once wrote, "Our situation is the following. We are standing in front of a closed box which we cannot open." I'm sure I don't have to tell you that the vast majority of the universe is composed of dark matter. The fragile balance depends on things we'll never be able to see, hear, smell, taste, or touch. Life itself depends on them. What's real? What isn't real? Maybe those aren't the right questions to be asking. What does life depend on? I wish I had made things for life to depend on. What if you never stop inventing? Maybe you're not inventing at all. I'm being called in for breakfast, so I'll have to end this letter here. There's more I want to tell you, and more I want to hear from you. It's a shame we live on different continents. One shame of many. It's so beautiful at this hour. The sun is low, the shadows are long, the air is cold and clean. You won't be awake for another five hours, but I can't help feeling that we're sharing this clear and beautiful morning. Your friend, Stephen Hawking
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
the agonisingly stilted telephone call with George. Chapter 5 Disturbing Siesta Time Marigold deigned to join me for a stroll around the village in lieu of the promised dip. An enormous pair of rather glamorous sunglasses paired with a jaunty wide-brimmed straw sunhat, obscured her face, making it impossible to read her expression though I guessed she was still miffed at being deprived of her swim. As we walked past the church and the village square the leafy branches of the plane trees offered a shaded canopy against the sun. Our steps turned towards one of the narrow lanes that edged upwards through the village, the ancient cobbles worn smooth and slippery from the tread of donkeys and people. The sound of a moped disturbed the peace of the afternoon and we hastily jumped backwards at its approach, pressing our bodies against a wall as the vehicle zapped past us, the pensioned-off rider’s shouted greeting muffled by the noisy exhaust. Carrier bags of shopping dangling from the handlebars made me reflect the moped was the modern day equivalent of the donkey, though less useful; the old man was forced to dismount and cart the bags of shopping on foot when the cobbled lane gave way to steps. Since adapting to village life we had become less reliant on wheels. Back in Manchester we would have thought nothing of driving to the corner shop, but here in Meli we delighted in exploring on foot, never tiring of discovering
V.D. Bucket (Bucket To Greece, Volume Three)
BLUE pencils, blue noses, blue movies, laws, blue legs and stockings, the language of birds, bees, and flowers as sung by longshoremen, that lead-like look the skin has when affected by cold, contusion, sickness, fear; the rotten rum or gin they call blue ruin and the blue devils of its delirium; Russian cats and oysters, a withheld or imprisoned breath, the blue they say that diamonds have, deep holes in the ocean and the blazers which English athletes earn that gentlemen may wear; afflictions of the spirit—dumps, mopes, Mondays—all that’s dismal—low-down gloomy music, Nova Scotians, cyanosis, hair rinse, bluing, bleach; the rare blue dahlia like that blue moon shrewd things happen only once in, or the call for trumps in whist (but who remembers whist or what the death of unplayed games is like?), and correspondingly the flag, Blue Peter, which is our signal for getting under way; a swift pitch, Confederate money, the shaded slopes of clouds and mountains, and so the constantly increasing absentness of Heaven (ins Blaue hinein, the Germans say), consequently the color of everything that’s empty: blue bottles, bank accounts, and compliments, for instance, or, when the sky’s turned turtle, the blue-green bleat of ocean (both the same), and, when in Hell, its neatly landscaped rows of concrete huts and gas-blue flames; social registers, examination booklets, blue bloods, balls, and bonnets, beards, coats, collars, chips, and cheese . . . the pedantic, indecent and censorious . . . watered twilight, sour sea: through a scrambling of accidents, blue has become their color, just as it’s stood for fidelity.
William H. Gass (On Being Blue: A Philosophical Inquiry (New York Review Books (Paperback)))
Why are you wailing away? What is the matter with you?” “I was playing and—“ and her lip quivered as she spoke, “—and it was cloudy, and then—“ a sniff, “—and then, as I was playing, the sun came out.” I gave her a flat look. “You’re crying because the sun came out?” “Yes,” she moped, wiping the tears from her eyes, “the sun came out, and now—“ she heaved, “—and now, it’s hot! I don’t like it when it’s hot. Being hot is dumb!” I immediately absolved her of all previous sins. I slumped over the sill and gave her as much sympathy as my now warm face allowed. “Yes, child, being hot is very dumb indeed. Very well, you have a reason for crying. But then why are you outside?” “Because it was too hot inside and mommy won’t let me have ice cream.” “Well, there is your problem. You must get an air conditioner and a new mother.
Michelle Franklin (I Hate Summer: My tribulations with seasonal depression, anxiety, plumbers, spiders, neighbours, and the world.)
I do not think I have ever experienced so strange a feeling in my life (I am wiser now, perhaps) as that of being with them, remembering how they had been employed, and seeing them enjoy the ride. I was not angry with them; I was more afraid of them, as if I were cast away among creatures with whom I had no community of nature. They were very cheerful. The old man sat in front to drive, and the two young people sat behind him, and whenever he spoke to them leaned forward, the one on one side of his chubby face and the other on the other, and made a great deal of him. They would have talked to me too, but I held back, and moped in my corner; scared by their love-making and hilarity, though it was far from boisterous, and almost wondering that no judgement came upon them for their hardness of heart. So, when they stopped to bait the horse, and ate and drank and
Charles Dickens (Works of Charles Dickens)
To him she had transmitted something; not her energy and love of life, but rather something of that exasperated impatience which was so often the temper of her mind in later years, though suppressed by all the powers of self-control she possessed, and modified, happily, by the versatility of her nature, which could not brood and mope over one subject, however deeply that might enter into her life. This impatience took in him the form of a fastidious intolerance, a disposition to start aside at a touch, to put up with nothing, to hear no reason even, when he was offended or crossed. He was like a restive horse, whom the mere movement of a shadow, much more the touch of a rein or the faintest vibration of a whip, sets off in the wildest gallop of nervous self-will or self-assertion. The horse, it is to be supposed, desires his own way as much as the man does when he bolts or starts. Theo
Mrs. Oliphant (The Works of Margaret Oliphant)
And to what end?" she asked sharply. "If you are, as I understand, to shut yourself forever in your cell within the four walls of an abbey, then of what use would it be were your prayer to be answered?" "The use of my own salvation." She turned from him with a pretty shrug and wave. "Is that all?" she said. "Then you are no better than Father Christopher and the rest of them. Your own, your own, ever your own! My father is the king's man, and when he rides into the press of fight he is not thinking ever of the saving of his own poor body; he recks little enough if he leave it on the field. Why then should you, who are soldiers of the Spirit, be ever moping or hiding in cell or in cave, with minds full of your own concerns, while the world, which you should be mending, is going on its way, and neither sees nor hears you? Were ye all as thoughtless of your own souls as the soldier is of his body, ye would be of more avail to the souls of others." "There
Arthur Conan Doyle (The White Company)
I feel I want to quit this constant ageing of mind and body, with incessant argument and nicety concerning ancient decaying things, and to feel the joy of a free and vigorous life; to have, ⎯ be they good or bad, ⎯ broad, unhesitating, unfettered ideas and aspirations, free from everlasting friction between custom and sense, sense and desire, desire and action. If only I could set utterly and boundlessly free this hampered life of mine, I would storm the four quarters and raise wave upon wave of tumult all round; I would career away madly, like a wild horse, for very joy of my own speed! But I am a Bengali, not a Bedouin! I go on sitting in my corner, and mope and worry and argue. I turn my mind now this way up, now the other ⎯ as a fish is fried ⎯ and the boiling oil blisters first this side, then that. Let it pass. Since I cannot be thoroughly wild, it is but proper that I should make an endeavour to be thoroughly civil. Why foment a quarrel between the two?
Rabindranath Tagore (Glimpses of Bengal)
I would choose you." The words were out before he thought better of them, and there was no way to pull them back. Silence stretched between them. Perhaps the floor will open and I'll plummet to my death, he thought hopefully. "As your general?" Her voice careful. She was offering him a chance to right the ship, to take them back to familiar waters. And a fine general you are. There could be no better leader. You may be prickly, but that's what Ravka needs. So many easy replies. Instead he said, "As my queen." He couldn't read her expression. Was she pleased? Embarrassed? Angry? Every cell in his body screamed for him to crack a joke, to free both of them from the peril of the moment. But he wouldn't. He was still a privateer, and he'd come too far. "Because I'm a dependable soldier," she said, but she didn't sound sure. It was the same cautious, tentative voice, the voice of someone waiting for a punch line, or maybe a blow. "Because I know all of your secrets." "I do trust you more than myself sometimes- and I think very highly of myself." Hadn't she said there was no one else she'd choose to have her back in a fight? But that isn't the whole truth, is it, you great cowardly lump. To hell with it. They might all die soon enough. They were safe here in the dark, surrounded by the hum of engines. "I would make you my queen because I want you. I want you all the time." She rolled on to her side, resting her head on her folded arm. A small movement, but he could feel her breath now. His heart was racing. "As your general, I should tell you that would be a terrible decision." He turned on to his side. They were facing each other now. "As your king, I should tell you that no one could dissuade me. No prince and no power could make me stop wanting you." Nikolai felt drunk. Maybe unleashing the demon had loosed something in his brain. She was going to laugh at him. She would knock him senseless and tell him he had no right. But he couldn't seem to stop. "I would give you a crown if I could," he said. "I would show you the world from the prow of a ship. I would choose you, Zoya. As my general, as my friend, as my bride. I would give you a sapphire the size of an acorn." He reached in to his pocket. "And all I would ask in return is that you wear this damnable ribbon in your hair on our wedding day." She reached out, her fingers hovering over the coil of blue velvet ribbon resting in his palm. Then she pulled back her hand, cradling her fingers as if they'd been singed. "You will wed a Taban sister who craves a crown," she said. "Or a wealthy Kerch girl, or maybe a Fjerdan royal. You will have heirs and a future. I'm not the queen Ravka needs." "And if you're the queen I want?"... She sat up, drew her knees in, wrapped her arms around them as if she would make a shelter of her own body. He wanted to pull her back down beside him and press his mouth to hers. He wanted her to look at him again with possibility in her eyes. "But that's not who I am. Whatever is inside me is sharp and gray as the thorn wood." She rose and dusted off her kefta. "I wasn't born to be a bride. I was made to be a weapon." Nikolai forced himself to smile. It wasn't as if he'd offered her a real proposal. They both knew such a thing was impossible. And yet her refusal smarted just as badly as if he'd gotten on his knee and offered her his hand like some kind of besotted fool. It stung. All saints, it stung. "Well," he said cheerfully, pushing up on his elbows and looking up at her with all the wry humour he could muster. "Weapons are good to have around too. Far more useful than brides and less likely to mope about the palace. But if you won't rule Ravka by my side, what does the future hold, General?" Zoya opened the door to the Cargo hold.Light flooded in gilding her features when she looked back at him. "I'll fight on beside you. As your general. As your friend. Because whatever my failings, I know this. You are the king Ravka needs.
Leigh Bardugo
No one ever changed the world by being beautiful," she said. "If you want to make a difference, you can't let something as trivial as appearance get in your way. A daisy doesn't need the roses' permission to bloom - and neither do you." "I may not need permission, but I do need support," the woman argued. "I can't fight an army on my own - I'll need others to join me. But I'm afraid they'll only see my looks and won't listen to my words. I'm afraid they'll only laugh at my hopes of rescuing my loved ones." The little girl placed her hands on her hips and stared at the woman with the confidence of someone twice her age. "Only idiots listen with their eyes," she said. "If people don't hear your words, then shout them. If people silence you, then write your message with fire. Demanding respect is never easy, but if something you love is at stake, then I'd say it's worth the price. Besides, if you can't get villagers to take you seriously, you'll never defeat an army! Sometimes we're meant to face the demons at home so we know how to fight the demons abroad." The little girl had waited years to give someone that advice, and it appeared to do the trick. As if a sudden electric charge had run through the woman's body, she stood taller and straighter, and her eyes beamed with determination. "You're right, child," she said. "With all the energy I've wasted moping in front of the mirror, I could have accomplished great things by now. Well, I'm going to stop moping at once and get to work.
Chris Colfer (Worlds Collide (The Land of Stories, #6))
It was as she remembered, a haven of comfort and serenity. With a glad sigh, she kicked off her shoes and sat down on the side of the bed.Smiling, she patted the mattress beside her. Her husband scowled. It seemed to have become his habit. "We aren't here to relax." "Wolscroft may not even be in the area. It could take days for this to be settled." "He's here," Dragon said with certainty. "He will know what happened at Winchester, and he will be looking for a way to stop us before we can threaten him further." Privately, Rycca believed the same but she saw no reason to stress it. Nothing would happen until dark. Of that she was confident. Which meant... "We have hours to fill.Any ideas?" When he realized her meaning,he looked startled. With a laugh,she scrambled off the bed and went to him. "Oh,Dragon,for heaven's sake, do you really want to mope around here all day? I certainly don't. I still haven't gotten over being afraid Magnus was going to kill you,and I simply don't want to think about death anymore. I want to celebrate life." "There are three hundred men out there-" "Which is why we're in here." She raised herself on tiptoe, bit the lobe of his ear, and whispered, "I promise not to yell too loudly." A shudder ran through him. Even as his big hands stroked her back,he said, "Warriors don't mope." "No,of course they don't.It was a poor choice of words.But you'll be pacing back and forth, looking out the windows, or you'll go get that whetstone I noticed in the stable and sharpen your sword endlessly, or you'll be staring off into space with that dangerous look you get when you're contemplating mayhem. You'll be totally oblivious to me and-" He laughed despite himself and drew her closer. "Enough! Heaven forbid I behave so churlishly." "Speaking of heaven..." With the covers kicked back,the bed was smooth and cool.They undressed each other slowly, relishing the wonder of discovery that still came to them fresh and pure as their very first time. "Remember?" Rycca murmured as she trailed her lips along his broad, powerfully muscled shoulder and down the solid wall of his chest. "I was so nervous..." "Really?" Fooled me....Ah..." "I'd never seen anything so beautiful as you." "Not...beautiful...you are..." "I can't believe how strong you are. Why am I never afraid with you?" "Know I'd die 'fore hurting you? Sweetheart..." "Ohhh! Dragon...please..." His hands and lips moved over her, sweetly tormenting. She clutched his shoulders, her hips rising, and welcomed him deep within her. Still he tantalized her, making her writhe and laughing when she squeezed him hard with her powerful inner muscles. But the laughter turned quickly to a moan of delight. She looked up into his perfectly formed face,more handsome than any man had a right to be, and into his tawny eyes that were the windows of a soul more beautiful than any physical form. A piercing sense of blessedness filled her that she should be so fortunate as to love and be loved by such a man. Her cresting cry was caught by him, hismouth hard against hers, the spur to his own completion that went on and on,seemingly without end.
Josie Litton (Come Back to Me (Viking & Saxon, #3))
How did you deal with the grief?" "I realized that by moping around and feeling sorry for myself, I was doing her a disservice. She loved me because I was angry and noisy and a pain in the arse. And by not living my life, by being scared and hiding away, I was letting her down." "So, what did you do?" "I went to the protests against the poll tax and ended up getting arrested in a riot. I spent three days in a prison after that." "Goodness," Stanley said. "But I felt alive again. For the first time since she died, I felt alive.
Freya Sampson (The Last Chance Library)
Wild horses wouldn't have made Daniel admit that his wife, Anna, would have lectured him for an hour if she'd known what he was up to.Daniel considered it basic strategy not to tell her until it was done. "Since she's been moping and sighing around here," he lied without qualm, "I thought I'd bury my pride and call you myself.It's time you took a weekend and came to see your mother." Alan lifted a wry brow, knowing his father all too well. "I'd think she'd be all wrapped up in her first prospective granchild. How is Rena?" "You can see for yourself this weekend," Daniel informed him. "I-that is, Rena and Justin have decided they want to spend a weekend with the family. Caine and Diana are coming too." "You've been busy," Alan murmured. "What was that? Don't mumble, boy." "I said you'll be busy," Alan amended prudently. "For your mother's sake, I can sacrifice my peace and quiet.She worries about all of you-you especially since you're still without wife and family.The firstborn," he added, working himself up, "and both your brother and sister settled before you. The eldest son,my own father's namesake, and too busy flitting around to do his duty to the MacGregor line." Alan thought about his grueling morning and nearly smiled. "The MacGregor line seems to be moving along nicely. Maybe Rena'll have twins.
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
If it makes you feel any better, he’s been all sad doll lately too.” “What are you talking about, Chels?” Chelsea stopped walking and stared at Violet. “Jay. I’m talking about Jay, Vi. I thought you might want to know that you’re not the only one who’s hurting. He’s been moping around school, making it hard to even look at him. He’s messed up . . . bad.” Just like the other night in Violet’s bedroom, something close to . . . sympathy crossed Chelsea’s face. Violet wasn’t sure how to respond. Fortunately sympathetic Chelsea didn’t stick around for long. She seemed to get a grip on herself, and like a switch had been flipped, the awkward moment was over and her friend was back, Chelsea-style: “I swear, every time I see him, I’m halfway afraid he’s gonna start crying like a girl or ask to borrow a tampon or something. Seriously, Violet, it’s disgusting. Really. Only you can make it stop. Please make it stop.” Violet didn’t want to, but she couldn’t help smiling at the absurd picture that Chelsea painted of Jay. And even though she knew it wasn’t very mature to feel smug at a time like this, especially over the delusional image concocted by her mentally unhinged friend, she couldn’t help herself; she laughed anyway. Still, she didn’t want to talk about it with Chelsea. Not even the kinder, more sensitive Chelsea. “I’m sure he’s fine, Chels. And if he’s not, he’ll get over it.
Kimberly Derting (Desires of the Dead (The Body Finder, #2))
There's nothing worse than having someone moping around feeling sorry for themselves, is there?" "A damned nuisance," he agreed lightly as he drew her into the private car. "How much did you take me for in there?" It took her a minute to realize he'd changed the subject. "Oh,I don't know-five,six hundred." "I'll put breakfast on your tab," he said as the doors opened to his and Serena's suite. Her laugh pleased him as much as the hug she gave him. "Just like a man," Serena stated as she came into the room. "Waltzing in with a beautiful woman at the crack of dawn while the wife stays home and changes the baby." She held a gurgling Mac over her shoulder. Justin grinned at her. "Nothing worse than a jealous woman.
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
This love of our neighbour is the only door out of the dungeon of self, where we mope and mow, striking sparks, and rubbing phosphorescences out of the walls, and blowing our own breath in our own nostrils, instead of issuing to the fair sunlight of God, the sweet winds of the universe. The man thinks his consciousness is himself; whereas his life consisteth in the inbreathing of God, and the consciousness of the universe of truth. To have himself, to know himself, to enjoy himself, he calls life; whereas, if he would forget himself, tenfold would be his life in God and his neighbours. The region of man's life is a spiritual region. God, his friends, his neighbours, his brothers all, is the wide world in which alone his spirit can find room. Himself is his dungeon. If he feels it not now, he will yet feel it one day—feel it as a living soul would feel being prisoned in a dead body, wrapped in sevenfold cerements, and buried in a stone-ribbed vault within the last ripple of the sound of the chanting people in the church above. His life is not in knowing that he lives, but in loving all forms of life. He is made for the All, for God, who is the All, is his life. And the essential joy of his life lies abroad in the liberty of the All. His delights, like those of the Ideal Wisdom, are with the sons of men. His health is in the body of which the Son of Man is the head. The whole region of life is open to him—nay, he must live in it or perish.
George MacDonald (Unspoken Sermons Series I., II., and II.)
He was taking a nap,” Kate explained. “He’s a very sound sleeper.” But once awake, Newton refused to be left out of the action, and with a slightly more awake bark, he leaped up onto the chair, landing on Kate’s lap. “Newton!” she squealed. “Oh, for the love of—” But Anthony’s mutterings were cut short by a big, sloppy kiss from Newton. “I think he likes you,” Kate said, so amused by Anthony’s disgusted expression that she forgot to be self-conscious about her position on his lap. “Dog,” Anthony ordered, “get down on the floor this instant.” Newton hung his head and whined. “Now!” Letting out a big sigh, Newton turned about and plopped down onto the floor. “My goodness,” Kate said, peering down at the dog, who was now moping under the table, his snout lying sorrowfully on the carpet, “I’m impressed.” “It’s all in the tone of voice,” Anthony said archly, snaking a viselike arm around her waist so that she could not get up. Kate looked at his arm, then looked at his face, her brows arching in question. “Why,” she mused, “do I get the impression you find that tone of voice effective on women as well?” He shrugged and leaned toward her with a heavy-lidded smile. “It usually is,” he murmured. “Not this one.” Kate planted her hands on the arms of the chair and tried to wrench herself up. But he was far too strong. “Especially this one,” he said, his voice dropping to an impossibly low purr. With his free hand, he cupped her chin and turned her face to his. His lips were soft but demanding, and he explored her mouth with a thoroughness that left her breathless. -Kate & Anthony
Julia Quinn (The Viscount Who Loved Me (Bridgertons, #2))
Mum was always so generous to Lara and me growing up, and it helped me develop a very healthy attitude to money. You could never accuse my mum of being tight: she was free, fun, mad, and endlessly giving everything away--always. Sometimes that last part became a bit annoying (such as if it was some belonging of ours that Mum had decided someone else would benefit more from), but more often than not we were on the receiving end of her generosity, and that was a great spirit to grow up around. Mum’s generosity ensured that as adults we never became too attached to, or attracted by money. I learned from her that before you can get, you have to give, and that money is like a river--if you try to block it up and dam it (that is, cling to it), then, like a damned river, the water will go stagnant and stale, and your life will fester. If you keep the stream moving and keep giving stuff and money away, wherever you can, then the river and the rewards will keep flowing in. I love the quote she once gave me: “When supply seems to have dried up, look around you quickly for something to give away.” It is a law of the universe: to get good things you must first give away good things. (And of course this applies to love and friendship, as well.) Mum was also very tolerant of my unusual aspirations. When I found a ninjutsu school through a magazine, I was determined to go and seek it out and train there. The problem was that it was at the far end of the island in some pretty rough council estate hall. This was before the moped, so poor Mum drove me every week…and would wait for me. I probably never even really thanked her. So, thank you, Mum…for all those times and so much more. By the way, the ninjutsu has come in real handy at times.
Bear Grylls (Mud, Sweat and Tears)
How did the name misfit even come about?" Sam asked. "It's so... dumb." Willo laughed. "Well, it's really not," she said. "We used to call them all sorts of slang terms: kooks, greasers, killjoys, chumps, and we had to keep changing the name as times changed. We used nerds for a long time, and then we started calling them dweebs." Willo hesitated. "And then a group of kids wasn't so nice to your mom." "I had braces," Deana said. "I had pimples. I had a perm. You do the math." She smiled briefly, but Sam could tell the pain was still there. Deana continued: "And I worked here most of the time so I really didn't get a chance to do a lot with friends after school. It was hard." This time, Willo reached out to rub her daughter's leg. "Your mom was pretty down one Christmas," she said. "All of the kids were going on a ski trip to a resort in Boyne City, but she had to stay here and work during the holiday rush. She was moping around one night, lying on the couch and watching TV..." "... stuffing holiday cookies in my mouth," Deana added. "... and Rudolph the Red-Nosed Reindeer came on. She was about to change the channel, but I made her sit back down and watch it with me. Remember the part about the Island of Misfit Toys?" Sam nodded. Willo continued. "All of those toys that were tossed away and didn't have a home because they were different: the Charlie-in-the-Box, the spotted elephant, the train with square wheels, the cowboy who rides an ostrich..." "... the swimming bird," Sam added with a laugh. "And I told your mom that all of those toys were magical and perfect because they were different," Willo said. "What made them different is what made them unique." Sam looked at her mom, who gave her a timid smile. "I walked in early the next morning to open the pie pantry, and your mom was already in there making donuts," Willo said. "She had a big plate of donuts that didn't turn out perfectly and she looked up at me and said, very quietly, 'I want to start calling them misfits.' When I asked her why, she said, 'They're as good as all the others, even if they look a bit different.' We haven't changed the name since.
Viola Shipman (The Recipe Box)
But now, inside the gallery, something happens to him. He finds his emotions gripped by the paintings, the huge, colorful canvases by Diego Rivera, the tiny, agonized self-portraits by Frida Kahlo, the woman Rivera loved. Fabien barely notices the crowds that cluster in front of the pictures. He stops before a perfect little painting in which she has pictured her spine as a cracked column. There is something about the grief in her eyes that won't let him look away. That is suffering, he thinks. He thinks about how long he's been moping about Sandrine, and it makes him feel embarrassed, self-indulgent. Theirs, he suspects, was not an epic love story like Diego and Frida's. He finds himself coming back again and again to stand in front of the same pictures, reading about the couple's life, the passion they shared for their art, for workers' rights, for each other. He feels an appetite growing within him for something bigger, better, more meaningful. He wants to live like these people. He has to make his writing better, to keep going. He has to. He is filled with an urge to go home and write something that is fresh and new and has in it the honesty of these pictures. Most of all he just wants to write. But what?
Jojo Moyes (Paris for One)
I saw a pretty shop across the Sidra the other day. It sold what looked to be lots of lacy little things. Am I allowed to buy that on your credit, too, or does that come out of my personal funds?' Those violet eyes again drifted to me. 'I'm not in the mood.' There was no humour, no mischief. I could go warm myself by a fire inside, but... He had stayed. And fought for me. Week after week, he'd fought for me, even when I had no reaction, even when I had barely been able to speak or bring myself to care if I lived or died or ate or starved. I couldn't leave him to his own dark thoughts, his own guilt. He'd shouldered them alone long enough. So I held his gaze. 'I never knew Illyrians were such morose drunks.' 'I'm not drunk- I'm drinking,' he said, his teeth flashing a bit. 'Again semantics,' I leaned back in my seat, wishing I'd brought my coat. 'Maybe you should have slept with Cresseida after all- so you could both be sad and lonely together.' 'So you're entitled to have as many bad days as you want, but I can't get a few hours?' 'Oh, take however long you want to mope. I was going to invite you to come shopping with me for said lacy little unmentionables, but... sit up here forever, if you have to.' He didn't respond. I went on, 'Maybe I'll send a few to Tarquin- with an offer to wear them for him if he forgives us. Maybe he'll take those blood rubies right back.' His mouth barely, barely tugged up at the corners. 'He'd see that as a taunt.' 'I gave him a few smiles and he handed over a family heirloom. I bet he'd give me the keys to his territory if I showed up wearing those undergarments.' 'Someone thinks mighty highly of herself.' 'Why shouldn't I? You seem to have difficulty not staring at me day and night.' There it was - a kernel of truth and a question. 'Am I supposed to deny,' he drawled, but something sparked in those eyes, 'That I find you attractive?' 'You've never said it.' 'I've told you many times, and quite frequently, how attractive I find you.' I shrugged, even as I thought of all those times- when I'd dismissed them as teasing compliments, nothing more. 'Well, maybe you should do a better job of it.' The gleam in his eyes turned into something predatory. A thrill went through me as he braced his powerful arms on the table and purred, 'Is that a challenge, Feyre?' I held that predator's gaze- the gaze of the most powerful male in Prythian. 'Is it?' His pupils flared. Gone was the quiet sadness, the isolated guilt. Only that lethal force- on me. On my mouth. On the bob of my throat as I tried to keep my breathing even. He said, slow and soft, 'Why don't we go down to that store right now, Feyre, so you can try on those lacy little things- so I can help you pick which ones to send to Tarquin.' My toes curled inside my fleece-lined slippers. Such a dangerous line we walked together.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
Jenna is acting strange. Weeping, moping, even remarks tending toward belittlement Melmoth might tolerate (although he cannot think why; she is not his wife and even in human females PMS is a plague of the past) but when he caught her lying about Raquel—udderly wonderful, indeed—he knew the problem was serious. After sex, Melmoth powers her down. He retrieves her capsule from underground storage, a little abashed to be riding up with the oblong vessel in a lobby elevator where anyone might see. Locked vertical for easy transport, the capsule on its castors and titanium carriage stands higher than Melmoth is tall. He cannot help feeling that its translucent pink upper half and tapered conical roundness make it look like an erect penis. Arriving at penthouse level, he wheels it into his apartment. Once inside his private quarters, he positions it beside the hoverbed and enters a six-character alphanumeric open-sesame to spring the lid. On an interior panel, Melmoth touches a sensor for AutoRenew. Gold wands deploy from opposite ends and set up a zero-gravity field that levitates Jenna from the topsheet. As if by magic—to Melmoth it is magic—the inert form of his personal android companion floats four feet laterally and gentles to rest in a polymer cradle contoured to her default figure. Jenna is only a SmartBot. She does not breathe, blood does not run in her arteries and veins. She has no arteries or veins, nor a heart, nor anything in the way of organic tissue. She can be replaced in a day—she can be replaced right now. If Melmoth touches “Upgrade,” the capsule lid will seal and lock, all VirtuLinks to Jenna will break, and a courier from GlobalDigital will collect the unit from a cargo bay of Melmoth’s high-rise after delivering a new model to Melmoth himself. It distresses him, how easy replacement would be, as if Jenna were no more abiding than an oldentime car he might decide one morning to trade-in. Seeing her in the capsule is bad enough; the poor thing looks as if she is lying in her coffin. Melmoth does not select “Power Down” on his cerebral menu any more often than he must. Only to update her software does Melmoth resort to pulling Jenna’s plug. Updating, too, disturbs him. In authorizing it, he cannot pretend she is human. [pp. 90-91]
John Lauricella (2094)
It’s just a kiss,” she says softly. “Why are you all torn up about a kiss?” She’s studying me way too closely. “I’m not torn up,” I protest. “You’ve been moping ever since I told you about the fundraiser, Sean,” she says. “What’s your problem? It’s for charity, for God’s sake.” She lays her free hand on her chest. “My kiss is going to feed victims of domestic violence. I’m doing my part for a better community.” I look down at her mouth. God, I could just slide my fingers into her hair, pull her to me, and kiss her right here and now. But I won’t. Because she doesn’t want me. “I can’t believe you’re going kiss some stranger,” I bite out. “Don’t do it.” “I’ve kissed men before, Sean,” she reminds me. I wish she would keep that shit to herself. “What if it’s some big, goofy guy with really bad breath?” I ask. “What if it’s some big, brawny guy who smells like you and kisses like a god?” she asks. She smiles, the corners of her lips tilting up so prettily. Her fingertips touch my forearm lightly, and she traces the tattoos that decorate my arm from wrist to shoulder. Every hair on my body stands up, and I lift my hand from her knee and thread my fingers with hers so she’ll stop. “If I’m lucky, he’ll be all tatted up, too.” She looks off into the distance, her gaze no longer on me. “Honey, if you want to kiss someone who looks like me and smells like me, I think I can accommodate you so you don’t have to kiss some stranger.” Her eyes shift back to meet mine, and she may as well have just punched me in the gut. She looks into my eyes and stares as if she’s looking into my soul. She can look into it anytime. Shit, I’d give it to her, if she wanted it. But it’s not me she wants. She’s made that abundantly clear. “If I ever kissed you, I would never be able to stop,” I say quietly. My voice sounds like it’s been dragged down a gravel road and back, and I fucking hate that she can affect me this way. “Prove it,” she says, and then she licks her cherry-red lips. She doesn’t break eye contact. I move quickly. This is the first time she’s ever made an offer like this, and my gut tells me that she’s going to take it back. I cup her neck with my palm and pull her toward me. My gentle tug brings her flush against my chest, and the weight of her settles against me and feels so right. Her lips are so close to mine that her inhale is my exhale. My hand quivers as it holds her nape, so I work my fingers into the hair at the back of her head. I hold her still and look into her green eyes. “Tell me you want me to kiss you and you got me, honey,” I whisper. She shivers and inches up my chest ever so slightly, her mouth moving closer to mine. So close. Just a little closer. I can almost taste her. “I want you to kiss me,” she whispers. “Please.” Suddenly, the door opens, and Lacey jumps up, separating us in one final, powerful leap. Fuck. I pull the pillow from behind my head and shove it in my lap, sitting up on the side of the bed. Friday,
Tammy Falkner (Just Jelly Beans and Jealousy (The Reed Brothers, #3.4))