Moonlight Romantic Quotes

We've searched our database for all the quotes and captions related to Moonlight Romantic. Here they are! All 52 of them:

Many nights he lay there dreaming awake of secret cafés in Mont Marte, where ivory women delved in romantic mysteries with diplomats and soldiers of fortune, while orchestras played Hungarian waltzes and the air was thick and exotic with intrigue and moonlight and adventure.
F. Scott Fitzgerald (This Side of Paradise)
I want to take you under the moonlight.
Kassandra Cross (Carrie's First Time (Carrie #1))
I'll come to thee by moonlight, though hell should bar the way.
Alfred Noyes (The Highwayman)
The moon seems unaware of night's dark hitting on the damp warm rain misguiding owl's spitting A thunder light of love raising hearts beating while weather learns more from rain lovers meeting
Munia Khan
With skin dressed only in moonlight, she beckons you to her secret garden.
John Mark Green
When the wolf howls and the moon dims hope fades with the waning light. Evil lurks at every turn as shadows waltz across the ebony night. Behold the midnight hour where all of reason takes flight.
Grace Willows
If I told you your bare ass looks fantastic in the moonlight, would you hold that against me?
Pamela Clare (Breaking Point (I-Team, #5))
The Pyramids of Tsort by moonlight!' breathed Ysabell, 'How romantic!' MORTARED WITH THE BLOOD OF THOUSANDS OF SLAVES
Terry Pratchett (Mort (Discworld, #4; Death, #1))
What a wonderful song, she thought-everything was wonderful tonight, most of all this romantic scene in the den with their hands clinging and the inevitable looming charmingly close. The future vista of her life seemed an unending succession of scenes like this: under moonlight and pale starlight, and in the backs of warm limousines and in low cosy roadsters stopped under sheltering trees-only the boy might change, and this one was so nice.
F. Scott Fitzgerald (This Side of Paradise)
The wind languished. The floral curtain ceased flapping. The moonlight streamed through, lighting up her face. It was a young, animated face. At that moment, it touched a string, a peg, deep inside him.
Qiu Xiaolong
From morning until sunset — and sometimes by moonlight — the surfer dudes ride waves onto shore worried about nothing more than impressing the gorgeous girls watching them. Sometimes those bikini-clad California sweethearts let a boy get to second base to a romantic Leslie Gore or Connie Francis song. If she's really in-love, and trusts him not to tell his buddies, she'll let him round third and wave him home. When that happens, it usually isn't long before Nautica is all abuzz about an impending beach wedding.
Bobby Underwood (Nautica City)
Relax enough, and your body becomes so familiar with the cradle-rocking rhythm that you almost forget you’re moving. And once you break through to that soft, half-levitating flow, that’s when the moonlight and champagne show up: “You have to be in tune with your body, and know when you can push it and when to back off,” Ann would explain. You have to listen closely to the sound of your own breathing; be aware of how much sweat is beading on your back; make sure to treat yourself to cool water and a salty snack and ask yourself, honestly and often, exactly how you feel. What could be more sensual than paying exquisite attention to your own body? Sensual counted as romantic, right?
Christopher McDougall (Born to Run)
Her mouth was on his with such ferocity, it knocked him back a step. He managed to haul her back so he could gasp for air and answers. "Not that I'm complaining." "Then don't. Shut up and put out Savoie." "You are so romantic, detective." She chained rough kisses about his neck. "What if I can't perform under this unexpected pressure?" Her hand dropped below his belt for an assessing fondle. "Just my luck. Appears to be high performance all the way." He chuckled and began to nuzzle and nip at her rather roughly, his attention supercharged by her aggression. "And what kind of handling are you looking for?" "Fast and reckless
Nancy Gideon (Chased by Moonlight (By Moonlight, #2))
Are you glad I came?" "Delighted, dear Carmilla," I answered. "And you asked for the picture you think like me, to hang in your room," she murmured with a sigh, as she drew her arm closer about my waist, and let her pretty head sink upon my shoulder. "How romantic you are, Carmilla," I said. "Whenever you tell me your story, it will be made up chiefly of some one great romance." She kissed me silently. "I am sure, Carmilla, you have been in love; that there is, at this moment, an affair of the heart going on." "I have been in love with no one, and never shall," she whispered, "unless it should be with you." How beautiful she looked in the moonlight! Shy and strange was the look with which she quickly hid her face in my neck and hair, with tumultuous sighs, that seemed almost to sob, and pressed in mine a hand that trembled. Her
J. Sheridan Le Fanu (Carmilla)
Give me, you said, on our very first night, the forest. I rose from the bed and went out, and when I returned, you listened, enthralled, to the shadowy story I told. Give me the river, you asked the next night, then I’ll love you forever. I slipped from your arms and was gone, and when I came back, you listened, at dawn, to the glittering story I told. Give me, you said, the gold from the sun. A third time, I got up and dressed, and when I came home, you sprawled on my breast, for the dazzling story I told. Give me, the hedgerows, give me the fields, I slid from the warmth of our sheets, and when I returned, to kiss you from sleep, you stirred at the story I told. give me the silvery cold, of the moon. I pulled on my boots and my coat, but when i came back, moonlight on your throat outshone the story I told Give me, you howled on our sixth night together, the wind in the trees. You turned to the wall as I left, and when I came home, I saw you were deaf to the blustering story I told. Give me the sky, all the space it can hold. I left you, the last night we loved, and when I returned, you were gone with the gold, and the silver, the river, the forest, the fields, and this is the story I’ve told. "Give
Carol Ann Duffy (Rapture)
And so she remained, like everything that mattered to me then, secret—to be pursued in the woods by moonlight, when I was supposed to be studying.
Garth Risk Hallberg (City on Fire)
Glad you like my first tableau. Come and see number two. Hope it isn't spoilt; it was very pretty just now. This is 'Othello telling his adventures to Desdemona'." The second window framed a very picturesque group of three. Mr March in an armchair, with Bess on a cushion at his feed, was listening to Dan, who, leaning against a pillow, was talking with unusual animation. The old man was in shadow, but little Desdemona was looking up with the moonlight full upon her face, quite absorbed in the story he was telling so well. The gay drapery over Dan's shoulder, his dark colouring and the gesture of his arm made the picture very striking and both very striking, and both spectators enjoyed it with silent pleasure, till Mrs Jo said in a quick whisper: "I'm glad he's going away. He's too picturesque to have among so many romantic girls. Afraid his 'grand, gloomy and peculiar' style will be too much for our simple maids.
Louisa May Alcott (Jo's Boys)
Sometimes I hate this language with its false words like sunset. The sun does not set. It doesn't rise either. It just stays there in one place, yet we get all romantic, huddling on beaches to watch its so-called departure, when it is we who turn away from it, which is a good thing-if the sun could turn, it would never come back, it'd just keep going, look for some better planet to nourish. Moonlight is another lie. It's a luminescent echo. The moon is a politician whose speeches are written by the sun. I long for a world where witnesses in court must place their hands on a dictionary when they swear. A world where an archer must ask an arrow's permission before loading it into a crossbow. A world with inverted flashlights that shoot out beams of darkness, so you can go to the beach and sabotage sunbathers, rob them of their shine. A world where people eat animals they wish to emulate. But who the hell am I? I'm just the spark from two people who rubbed their genitals together like sticks in a forest one October night because they were cold. I'm just burning the firecracker at both ends. Every morning I get up and swallow my weirdness pills. I know the glass is half full, but it's a shot glass, and there are four of us, and we're all very thirsty. I know it's easy not to cry over spilled milk when you've got another carton in the fridge.
Jeffrey McDaniel (The Endarkenment)
Something creaked beneath me! A soft step on rotting wood! I jumped startled, scared, and turned, expecting to see-God knows what! Then I sighed, for it was only Chris standing in the gloom, silently staring at me. Why? Did I look prettier than usual? Was it the moonlight, shining through my airy clothes? All random doubts were cleared when he said in a voice gritty and low, "You look beautiful sitting there like that." He cleared the frog in his throat. "The moonlight is etching you with silver-blue, and I can see the shape of your body through your clothes." Then, bewilderingly, he seized me by the shoulders, digging in his fingers, hard! They hurt. "Damn you, Cathy! You kissed that man! He could have awakened and seen you, and demanded to know who you were! And not thought you only a part of his dream!" Scary the way he acted, the fright I felt for no reason at all. "How do you know what I did? You weren't there; you were sick that night." He shook me, glaring his eyes, and again I thought he seemed a stranger. "He saw you, Cathy-he wasn't soundly asleep!" "He saw me?" I cried, disbelieving. It wasn't possible . . . wasn't! "Yes!" he yelled. This was Chris, who was usually in such control of his emotions. "He thought you a part of his dream! But don't you know Momma can guess who it was, just by putting two and two together-just as I have? Damn you and your romantic notions! Now they're on to us! They won't leave money casually about as they did before. He's counting, she's counting, and we don't have enough-not yet!" He yanked me down from the widow sill! He appeared wild and furious enough to slap my face-and not once in all our lives had he ever struck me, though I'd given him reason to when I was younger. But he shook me until my eyes rolled, until I was dizzy and crying out: "Stop! Momma knows we can't pass through a looked door!" This wasn't Chris . . . this was someone I'd never seen before . . . primitive, savage. He yelled out something like, "You're mine, Cathy! Mine! You'll always be mine! No matter who comes into your future, you'll always belong to me! I'll make you mine . . . tonight . . . now!" I didn't believe it, not Chris! And I did not fully understand what he had in mind, nor, if I am to give him credit, do I think he really meant what he said, but passion has a way of taking over. We fell to the floor, both of us. I tried to fight him off. We wrestled, turning over and over, writhing, silent, a frantic strug- gle of his strength against mine. It wasn't much of a battle. I had the strong dancer's legs; he had the biceps, the greater weight and height . . . and he had much more determination than i to use something hot, swollen and demanding, so much it stile reasoning and sanity from him. And I loved him. I wanted what he wanted-if he wanted it that much, right and wrong. Somehow we ended up on that old mattress-that filthy, smelly, stained mattress that must have known lovers long before this night. And that is where he took me, and forced in that swollen, rigid male sex part of him that had to be satisfied. It drove into my tight and resisting flesh which tore and bled. Now we had done what we both swore we'd never do.
V.C. Andrews (Flowers in the Attic/Petals on the Wind (Dollganger, #1-2))
Pressing my nails firmly into the bark of the tree, I watch as a silhouette reveals itself in the moonlight. Tall and built, the human frame enters the clearing that I stand in. My eyes are immediately drawn to the breathtaking sight of his face. I am familiar with those deep brown eyes, which draw me gently towards him. I let him pull me into his warm embrace. “Kirano!” I breathe, pressing my head against his regal blue jacket. I can hear his heart beating rapidly with excitement. “Aisha,” Kirano’s voice is as soothing as I remember. Looking up, I see his warm, adoring smile. “I see that you tied your favourite silk scarf to the tree.
Susan L. Marshall (Adira and the Dark Horse (An Adira Cazon Literary Mystery))
This was why love was so dangerous. Love turned the world into a garden, so beguiling it was easy to forget that rose petals sails appeared charmed. They blazed red in the day and silver at night, like a magician’s cloak, hinting at mysteries concealed beneath, which Tella planned to uncover that night. Drunken laughter floated above her as Tella delved deeper into the ship’s underbelly in search of Nigel the Fortune-teller. Her first evening on the vessel she’d made the mistake of sleeping, not realizing until the following day that Legend’s performers had switched their waking hours to prepare for the next Caraval. They slumbered in the day and woke after sunset. All Tella had learned her first day aboard La Esmeralda was that Nigel was on the ship, but she had yet to actually see him. The creaking halls beneath decks were like the bridges of Caraval, leading different places at different hours and making it difficult to know who stayed in which room. Tella wondered if Legend had designed it that way, or if it was just the unpredictable nature of magic. She imagined Legend in his top hat, laughing at the question and at the idea that magic had more control than he did. For many, Legend was the definition of magic. When she had first arrived on Isla de los Sueños, Tella suspected everyone could be Legend. Julian had so many secrets that she’d questioned if Legend’s identity was one of them, up until he’d briefly died. Caspar, with his sparkling eyes and rich laugh, had played the role of Legend in the last game, and at times he’d been so convincing Tella wondered if he was actually acting. At first sight, Dante, who was almost too beautiful to be real, looked like the Legend she’d always imagined. Tella could picture Dante’s wide shoulders filling out a black tailcoat while a velvet top hat shadowed his head. But the more Tella thought about Legend, the more she wondered if he even ever wore a top hat. If maybe the symbol was another thing to throw people off. Perhaps Legend was more magic than man and Tella had never met him in the flesh at all. The boat rocked and an actual laugh pierced the quiet. Tella froze. The laughter ceased but the air in the thin corridor shifted. What had smelled of salt and wood and damp turned thick and velvet-sweet. The scent of roses. Tella’s skin prickled; gooseflesh rose on her bare arms. At her feet a puddle of petals formed a seductive trail of red. Tella might not have known Legend’s true name, but she knew he favored red and roses and games. Was this his way of toying with her? Did he know what she was up to? The bumps on her arms crawled up to her neck and into her scalp as her newest pair of slippers crushed the tender petals. If Legend knew what she was after, Tella couldn’t imagine he would guide her in the correct direction, and yet the trail of petals was too tempting to avoid. They led to a door that glowed copper around the edges. She turned the knob. And her world transformed into a garden, a paradise made of blossoming flowers and bewitching romance. The walls were formed of moonlight. The ceiling was made of roses that dripped down toward the table in the center of the room, covered with plates of cakes and candlelight and sparkling honey wine. But none of it was for Tella. It was all for Scarlett. Tella had stumbled into her sister’s love story and it was so romantic it was painful to watch. Scarlett stood across the chamber. Her full ruby gown bloomed brighter than any flowers, and her glowing skin rivaled the moon as she gazed up at Julian. They touched nothing except each other. While Scarlett pressed her lips to Julian’s, his arms wrapped around her as if he’d found the one thing he never wanted to let go of. This was why love was so dangerous. Love turned the world into a garden, so beguiling it was easy to forget that rose petals were as ephemeral as feelings, eventually they would wilt and die, leaving nothing but the thorns.
Stephanie Garber (Legendary (Caraval, #2))
In all my fantasies about our first kiss—and there’d been about six hundred thousand of them—I never once imagined it would be like that one. Our dream kiss usually involved moonlight, or fog, or moonlight and fog, a very mysterious and romantic combination, at least in the right locale. Moonlit fog beside a lake or a lazy river: romantic. Moonlit fog in almost any other place, like a narrow alleyway: Jack the Ripper.
Rick Yancey (The 5th Wave (The 5th Wave, #1))
Not all at once, but gradually, over the months, another revelation came to me: None of that other stuff, much as I'd loved it, was what made a marriage. Not restaurant dinners or romantic vacations. Not walks on the beach or visits to wine country in the Boxster. Not oysters and martinis or moonlight over the Bay Bridge." "This was a marriage. As uncomfortable and inconvenient and devastating as it might be to live as we did now, we inhabited this place together.
Joyce Maynard (The Best of Us)
In Gothic fiction, characters must contend with the dead, with active hauntings or with hallucinations of hauntings, as well as whatever other trying circumstances they might find themselves in: orphanhood, lunacy, imprisonment, inheritances that go astray, troubling romantic situations. The Gothic novel does not strive for subtlety, and it isn't to everyone's taste. It can seem adolescent, an immature version of the stately, measured, grown-up realist novel, except that the line between Gothic and the realist is never clear. A disdain for the Gothic is limiting, since this literature, in all its flagrancy, has something to say about emotional as well as physical death, and a tale of a haunting can have a narrative vitality that is far from conclusive. Gothic stories linger especially in the mind.
Brenda Walker (Reading By Moonlight: How Books Saved A Life)
Do you know what the word fey means?” He shrugged. “It’s a Scots word, isn’t it? Something to do with fairies?” “It means a sort of grand happiness, a joy so indescribable that it must be followed by a terrible calamity.” He began to understand, and he enfolded her in his arms. “I see, pet. You’re worried it’s all too wonderful, is that it? That we should have found each other like this, on this night?” She tipped back her head to look from his silvered face to the moon. “It’s like something in a romantic novel. There’s a war on and it’s New Year’s Eve, and I’m wearing my first Worth gown in the moonlight. And there’s you. I shouldn’t tell you because it isn’t modest or proper, but I think you’re marvelous. You’re handsome and debonair and you’ve the most beautiful eyes I’ve ever seen on a man. Actually, you’ve the most beautiful eyes I’ve ever seen anywhere. And for you to...” she hesitated then plunged on, “for you to want me, too, it’s just too unbelievable. It’s all too perfect. You’re too perfect.” Again he suppressed the urge to laugh. “My darling girl, I wouldn’t tread on your feelings for all the world, but someday, when we’re both more than forty, I’m going to remind you of this night when we found each other for the first time and you thought I must be perfect.” “Aren’t you?” she demanded. “Not a bit. In fact, I’ll tell you everything that’s wrong with me.
Deanna Raybourn (Whisper of Jasmine (City of Jasmine, #0.5))
If he spoke, he knew that he would break the spell. As soon as she knew her Romeo wasn’t coming she would be disappointed. She would doubtless be angry with him, perhaps even sense that it was somehow his fault. But at this moment she was happy and breathless with anticipation. Tonight was her night and she wanted to be loved.
Emily Arden (Lover by Moonlight (Deception #1))
Benedict’s hand clenched by his side, still tingling where it had touched her. He wished she’d let him do more. It was so romantic out here in the darkness; the cool breeze rustling through the trees and the moonlight showing faintly through cloud. They were completely alone and it felt like the sort of night where anything could happen. It was a pity that Tamsin didn’t seem to feel the same way.
Emily Arden (Lie to me (Deception #2))
You are as beautiful by moonlight as you are by fluorescence.
Lori Jenessa Nelson (The Kissing Bush: a romantic, yet comedic erotica)
EXCERPT: THREE A.M.– …AND JARRED OUT OF SLEEP…. “Roan snapped awake. It took a millisecond for him to key his hearing. Moonlight filtered weakly through the semi-opaque curtains pulled across both windows. His six senses were online and he quietly moved out of bed. He wore only a pair of dark blue cotton pajama bottoms, his upper body naked. Twisting the door knob, the door quietly opened. Slipping like a shadow into the darkened hall, he sensed someone moving around out in the kitchen. Shiloh? He glanced at the watch on his wrist. Three a.m. Halting in the living room, he saw Shiloh in the kitchen, putting a copper tea kettle on the stove. Her hair was unruly and she was wearing pale pink silky pajama bottoms and a pink cotton tee that outlined her breasts to perfection. Hell. She looked sleepy, hair tangled and wasn’t exactly graceful with her movements. The sense that she could not really take care of herself came across strongly to Roan. It wasn’t that Shiloh was weak or stupid. And maybe because of his black ops training, he was at the other end of the spectrum; too alert and having that situational awareness that could help save his life. She was obviously sleepy, rubbing her eyes, yawning. There wasn’t anything to dislike about her and Roan’s mouth flexed downward and thinned. Shiloh wasn’t helpless, just not aware of her surroundings. Maybe he could help her open up her awareness a little more since she was being stalked. It could save her life some day.
Lindsay McKenna (Wind River Wrangler (Wind River Valley, #1))
She turned her head, and the skin of her cheek caught the moonlight, smooth as satin. Tough and beautiful. He grimaced. Tu agis sans passion et sans haine. You act without passion and without hatred. He'd recited the line every day of his nineteen years in the Legion, but it'd never resonated as strongly as it did now.
Brynn Kelly (Deception Island (The Legionnaires #1))
She covered his heartbeat with her hand and gazed down, her eyes misty with a sudden wistfulness.  "Oh Charles, my love — my Beloved One.  Will we ever be together?" "We are together now, dear Amy." Her gaze flew to his face, for she hadn't realized that he'd woken and was now watching her from beneath half-lowered lashes.  "I thought you were sleeping!" "An impossible pursuit, I think, given the circumstances," he murmured, with a little smile.  He had his far leg drawn up, the near one outstretched in front of him, and now he took her hand and rested it on the hard thigh of the latter, covering it with his own.  Amy caught her breath, but his expression was kind, even a little teasing.  He looked down at himself, and at her hand, imprisoned beneath his and resting so near to his arousal, and raised one brow ever so slightly, as though he wasn't sure whether to be amused or concerned about his very noticeable reaction to her.  "Hmmm.  I recall that we have acted out this scene before," he mused. "I'm sorry," she breathed, trying to pull away. "Are you?  I'm not."  He kept her hand where it was, resting solidly atop his thigh, and stroked the back of her knuckles with his thumb.  "I daresay I was rather enjoying that." "You were talking in your sleep.  Dreaming, I think, about that night you asked me to wipe the soap from your skin." "Ah, yes.  I remember that night well, Amy."  His head still resting against the wall behind him, he turned it ever so slightly and looked at her, his down-tilted, sleepy eyes romantic in the scattered moonlight, in any light.  "Do you?" She smiled, her face suddenly warm.  "Of course." "And do you remember all those nights we used to sit up and talk together, long after everyone went to bed?" "I do." "And the way you coerced me into eating that broth when I wouldn't dine in front of others for fear of making a fool of myself?" "How could I forget?" He smiled and gazed once more at her hand, still caught beneath his, resting oh-so-close to that ever-growing bulge beneath his white leather breeches. "Amy," he said softly. "Charles?" "That talk we had earlier . . . I have been thinking.  Thinking about what you said, as compared to my own standards of perfection, my own belief that if something isn't done correctly, it isn't worth doing at all." "Yes?" "Well, I beg your forgiveness for what I am about to ask, that is, for what I am about to suggest . . . and this, out here in a rather damp winter stable, certainly not the most comfortable of settings, certainly not perfect by anyone's stretch of the imagination, least of all mine —" "Charles, what are you trying to say?" she chided with a little laugh, though everything inside her tensed with expectation, with hope, with desperate, fervent longing — "What I am trying to say, Amy, it that I would like to make love to you.
Danelle Harmon (The Beloved One (The De Montforte Brothers, #2))
She angled her head to look up at him. Her blue eyes were huge in the moonlight. One tear still clung to her lash, looking like a shining jewel. He touched it with his fingertip and it dissolved, warm and wet into his skin. His gaze shifter to her bowshaped mouth. Her lips trembled, then parted. A soft mew of a sound escaped them. There was nothing to do but kiss her.
B.J. Daniels (Into Dust (The Montana Hamiltons, #5))
It was exciting and slightly embarrassing to feel the floor with her naked toes as he swept her into one luxurious full turn after another. Of course, the sensation of dancing with bare feet wasn't entirely new: She'd waltzed alone in her bedroom more than once, imagining herself in the arms of some unknown suitor. But it felt very different when her partner was a flesh-and-blood man. She relaxed and abandoned herself, following his guidance without effort or thought. Although they'd started slowly, Mr. Severin had quickened their tempo to match the music. The waltz was flowing and swift, each turn making her skirts whirl in eddies of silk and glitter. It was like flying. Her stomach turned light, as if she were on a garden swing, soaring a little too high and coming down in a giddy arc. She hadn't felt so free since she'd been a young girl, running recklessly across the Hampshire Downs with her twin. The world was nothing but moonlight and music as the two of them swept through the empty conservatory with the ease of mist carried on a sea breeze.
Lisa Kleypas (Chasing Cassandra (The Ravenels, #6))
And there in the moonlight beneath the twinkling fairy lights and within the small, secret garden, he shows me that magic still exists.
Isla Cristeon (In Fair Verona (Verona Saga #1))
Moonlight washing up against our fragile bodies Stars collapsing from eager expectation as I touch taste tremble between passionate mouthfuls of your truth. A thousand misplaced kisses and yet only one of you.
Moses Yuriyvich Mikheyev (Strange Deaths of the Last Romantic)
Della Street, Perry Mason’s confidential secretary, said, “A couple of lovebirds have strayed into the office without an appointment. They insist it’s a matter of life and death.” “Everything is,” Mason said. “If you start with the idea of perpetuating life, you must accept the inevitable corollary of death—but I presume these people aren’t interested in my philosophical ideas.” “These people,” Della Street announced, “are interested in each other, in the singing of the birds, the blue of the sky, the moonlight on water, the sound of the night wind in the trees.” Mason laughed. “It’s infectious. You are getting positively romantic, poetic, and show evidence of having been exposed to a highly contagious disease . . . . Now, what the devil would two lovebirds want with the services of a lawyer who specializes in murder cases?
Erle Stanley Gardner
He blinked. “Have you ever run naked through the woods?” “Certainly.” She allowed a moment to enjoy the way his eyes flared. “Why? His voice roughened, deepened, back to that just-awakened grizzly-bear tone. “To be one with nature, without barriers. To feel the wind and the moonlight on my skin.” Several seconds passed before he responded. “You can’t feel moonlight.” She smiled…
Dana Marton (Silent Threat (Mission Recovery, #1))
Well, there is something quite romantic about being saved by a good-looking detective, at night, under the moonlight, don’t you think?” He stopped talking as he watched me aim the first thwack. “Of course, most romantic would be if you could just get me free without breaking my ankles.
Carina Axelsson (Deadly By Design (Model Under Cover Book 3))
Everything looks romantic in the moonlight, but the sun always rises the next day.
Mansi Shah (The Direction of the Wind)
Let me kiss you Irma! There in the middle, in the space between the light and dark, Let me love you in the corners bright, Where your heart beat is the mark, To guide me through the mist of time with all my might, Because my love it is you that spreads like brightness in my world, Where your memories cast everlasting light, On the darkest and desolate corners of my world, And then fills me with the spirit to fight, All my demons and my fears, Your simple look offers me endless joy, As my existence the drapery of your brightness wears, And I begin to foil life’s every ploy, To oust me from my dominion, that is mine, But little does it know one can never steal the scent from the rose, And your memories that enrich me, become my goldmine, Granting me courage that before the brightest flash of life, I may put up my best pose, So come let me bear you in my arms, Let me kiss you like the night kisses everything beyond those shadows, And as my heart with these beautiful feelings warms, Let me offer smiles to the life’s marooned widows, Who have moaned enough and grieved a lot, Let me kiss you and then wage the war, Between the right and the evil in the reality’s merciless plot, It may happen that then stars that seem too far, Would tumble from the skies, To bury the evil in the star dust, But let us tread with caution for haste is only good when catching flies, For lovers always do what they must, It is the destiny of love and maybe the price of the kiss, That we all pay for with our heart beats, So let me hold you in my arms and feel my real bliss, Before my fate confronts the destiny and my courage both of them meets, In the open playground of life and chance, Where the truthful and the valiant always wins, Because it is a well coordinated dance, Where one always has to win though it is a competition between the twins, So kiss me and wish for my victory, Because through me you shall win too, As we are cast in the life’s endless trajectory, Where there shall always be one constant Irma, that, I love you, So, let the stars bear witness to valour of love, And as you kiss me, let the stars tumble from the skies, Then let no one seek the Heavens above, Because for our love, our passions and joys, here is where a lover dies, And this is where Christ died, This is where crusades were waged, This is where goodness was promoted and this is where Judas lied, And this is where lovers are caged, So let our battles of love be fought here, For a kiss, for a warm embrace, for a sweet memory’s sake, Then as I see you and your beauty everywhere, Let me love you forever for love’s and my own sake, Tonight when the sky shall be lit with many a twinkling star, I shall wait under the open sky and the moonlight, And as my eyes behold their darling most star, We shall then be the shadows in the darkness secretly kissing our heart beats in the cover of the night. To cast particles of darkness and cover the moonlight, And make it a part of our own shadows, Then we shall create a romantic night, As we freely fleet across the night’s endless love meadows.
Javid Ahmad Tak (They Loved in 2075!)
But it’s true that I have faced the Dark Court and lived. I suppose I could survive this peril as well, if need be.” “What? Oh—no. I mean…” Eddi faltered and shook her head. “I’m not good at saying this kind of thing. I always sound stupid or too casual or…” “My poet, betrayed by words?” He smiled crookedly. “I never said I was a poet. Besides, it’s not the same thing. This is public speaking.” She smiled weakly and looked at his ruffles. He set his hands on her shoulders, but they were motionless and weightless. “You’ve kept me alive for the last three months,” Eddie began, groping furiously for the words. “You’ve made me coffee. You’ve carried my amplifier.” A nervous chuckled escaped her. “And you’ve been pretty good company. Even when you were being a jerk, you were pretty good company, now that I look back on it.” “But,” he said without inflection. Eddi looked up at him, alarmed. “But? Oh, hell, I told you I was bad at this! No, no buts. You’re a wonderful person. Even if you are a supernatural being. Damn it, Phouka, how am I going to tell my mother that I’m in love with a guy who turns into a dog?” She blushed; she could feel it. A silence of unreasonable proportions followed; the phouka’s only response was a quick spasm of his fingers on her shoulders. “Are you in love with him, then?” “I said so, didn’t I?” “Not quite.” There was a smile twitching in the corner of his mouth. “All right, Al right.” Eddi took a long breath. “I love you.” “There. Now why should that be so hard to say?” “Because it sounds like something out of a soap opera,” Eddi grumbled. “Does it? Not to me. The best line from a favorite song, perhaps.” His smile softened his whole face in a way she hadn’t seen before. “That’s because you’re a damned romantic.” He reached up and tucked her hair behind her ear on one side. “Then you’re a doubly damned romantic, my heart, since you won’t even admit it. But perhaps with my excellent example before you…” Eddi caught at his disconcerting fingers, which were now tracing the edge of her ear, and kissed his knuckles. “You’re a jerk,” she said fondly. “Where were we going, when we got distracted?” “Earth and Air, I’d forgotten! It’s your fault, you know. The color of your hair in the moonlight, the curve of your waist, the—” “You’re going to forget again.” “You’re quite right. But I’ll try not to do so for at least a few minutes. You will enjoy this, I think.” He flashed her a grin and folded his fingers around hers. “Come along, then.
Emma Bull (War for the Oaks)
But it’s true that I have faced the Dark Court and lived. I suppose I could survive this peril as well, if need be.” “What? Oh—no. I mean…” Eddi faltered and shook her head. “I’m not good at saying this kind of thing. I always sound stupid or too casual or…” “My poet, betrayed by words?” He smiled crookedly. “I never said I was a poet. Besides, it’s not the same thing. This is public speaking.” She smiled weakly and looked at his ruffles. He set his hands on her shoulders, but they were motionless and weightless. “You’ve kept me alive for the last three months,” Eddie began, groping furiously for the words. “You’ve made me coffee. You’ve carried my amplifier.” A nervous chuckled escaped her. “And you’ve been pretty good company. Even when you were being a jerk, you were pretty good company, now that I look back on it.” “But,” he said without inflection. Eddi looked up at him, alarmed. “But? Oh, hell, I told you I was bad at this! No, no buts. You’re a wonderful person. Even if you are a supernatural being. Damn it, Phouka, how am I going to tell my mother that I’m in love with a guy who turns into a dog?” She blushed; she could feel it. A silence of unreasonable proportions followed; the phouka’s only response was a quick spasm of his fingers on her shoulders. “Are you in love with him, then?” “I said so, didn’t I?” “Not quite.” There was a smile twitching in the corner of his mouth. “All right, All right.” Eddi took a long breath. “I love you.” “There. Now why should that be so hard to say?” “Because it sounds like something out of a soap opera,” Eddi grumbled. “Does it? Not to me. The best line from a favorite song, perhaps.” His smile softened his whole face in a way she hadn’t seen before. “That’s because you’re a damned romantic.” He reached up and tucked her hair behind her ear on one side. “Then you’re a doubly damned romantic, my heart, since you won’t even admit it. But perhaps with my excellent example before you…” Eddi caught at his disconcerting fingers, which were now tracing the edge of her ear, and kissed his knuckles. “You’re a jerk,” she said fondly. “Where were we going, when we got distracted?” “Earth and Air, I’d forgotten! It’s your fault, you know. The color of your hair in the moonlight, the curve of your waist, the—” “You’re going to forget again.” “You’re quite right. But I’ll try not to do so for at least a few minutes. You will enjoy this, I think.” He flashed her a grin and folded his fingers around hers. “Come along, then.
Emma Bull (War for the Oaks)
Violetpaw: She brought me here to meet you. Tree: That was kind of her. Perhaps she thinks we're soulmates. Violetpaw: Soulmates? Tree: It is kind of romantic, don't you think? The moonlight? The heather? Violetpaw: Romantic? Do you flirt with every strange cat you meet? Tree: Only the ones who appear in the middle of the night claiming a ghost brought them.
Erin Hunter (Darkest Night (Warriors: A Vision of Shadows, #4))
Love is not about romantic endings, or dancing under the moonlight as a fourteen-year-old with the one person you'd rather be without, or making scenes, or playing mind games with each other throughout a never ending spiral of events. No. It's about slowly letting in the one person that you'd never expected you'd want to spend the rest of your life with until you're too deep in when you finally realize it, and seeing the whole world ahead of you two.
Zara Rivas (Cutest Couple: A High School Romance)
Yash had carried a lantern when he'd brought her here the night before Nisha's wedding. A camping lantern with the kind of white light that mirrored the moonlight and picked out the glitter in their clothes. It had turned the sequins on her ghaghra into a million stars that merged seamlessly with the silver threaded through his kurta, the endless universe of possibility inside them reflected around them.
Sonali Dev (Incense and Sensibility (The Rajes, #3))
Sitting out in that oak under a full moon, watching the fireflies, I wished for so many things. Anything seemed possible in the moonlight. Yet nothing prepared me for this.
Jennifer Peer (Not On Your Latte: A HOT Southern Romance)
He was in love with his best friend and it was new and scary and perfect and so fucking beautiful that half the time he felt like he was just going to take off flying at any moment. “Jess, what’s wrong? You don’t want me to touch you?” Please say it’s okay. I’m dying… “I just thought you wouldn’t want to…because, well, you know.” Shane slipped his hands beneath Jesse’s T-shirt, wedging them between Jesse’s back and the bed. Jesse arched to give him more room. The skin on his back was smooth and a little damp from the heat. Shane wanted more. He had to feel more. “Jess, do you have any idea how sexy you are right now?” And he was. His spiky hair was all askew, glasses long lost to the carpet, those big gray eyes were shining up at Shane and his mouth was parted and wet, begging for more kisses. Shane wanted to show Jesse everything. Wanted to be his first. “I want whatever is okay with you.” “R-really?” Ah, shit, he’s nervous. He never stutters like that anymore. “It’s okay. Only if you want to. We can just kiss.” Shane ran his fingers through Jesse’s silky spikes and kissed him again, soft and romantic like they usually did. “N-no. I want you to do it. I do.” With trembling hands, Jesse unbuttoned his cargo shorts and loosened the zipper. Shane couldn’t help grinning at him. He’d wanted to touch Jesse for so long.
Piper Vaughn (More than Moonlight (Lucky Moon, #0.5))
Their turbulent and irritating relationship wasn't exactly a great prelude to a romantic relationship, but in the moonlight with the cricket chorus chirping in the background, she could almost let herself get lost in the fantasy of a romance with Jake.
Aleigh K. Dean (Maybe Next Time (Whiskey Valley Book 2))
The discovery that he was a keen amateur actor – one, moreover, who specialized in romantic roles – had led Xue Pan to jump to the wrong conclusion and assume that he must share the same ‘wind and moonlight’ proclivities as himself.
Cao Xueqin (The Crab-Flower Club (The Story of the Stone #2))
she liked to tell them that running huge miles in the mountains was “very romantic.” Gotcha. Grueling, grimy, muddy, bloody, lonely trail-running equals moonlight and champagne.
Christopher McDougall (Born to Run)
Tell me everything about him,” Liza said. “What he looks like. What color his eyes are. If he wants to run away with you to some beautifully exotic paradise… how many children you’re going to have. I hope he plays piano. All good men should be so well rounded. Oh! Tell me he’s deliciously smart and writes you romantic poetry. I bet he composes Shakespearean sonnets by moonlight with stars dancing in his eyes, doesn’t he?
Kerri Maniscalco (Stalking Jack the Ripper)
A real moonlight serenade under the stars. Say what you want about me, but I am romantic.
Dolores Lane (Bloody Fingers & Red Lipstick)