Moon That Spells Quotes

All shadows of clouds the sun cannot hide like the moon cannot stop oceanic tide; but a hidden star can still be smiling at night's black spell on darkness, beguiling

Far over the misty mountains cold To dungeons deep and caverns old We must away ere break of day To seek the pale enchanted gold. The dwarves of yore made mighty spells, While hammers fell like ringing bells In places deep, where dark things sleep, In hollow halls beneath the fells. For ancient king and elvish lord There many a gleaming golden hoard They shaped and wrought, and light they caught To hide in gems on hilt of sword. On silver necklaces they strung The flowering stars, on crowns they hung The dragon-fire, in twisted wire They meshed the light of moon and sun. Far over the misty mountains cold To dungeons deep and caverns old We must away, ere break of day, To claim our long-forgotten gold. Goblets they carved there for themselves And harps of gold; where no man delves There lay they long, and many a song Was sung unheard by men or elves. The pines were roaring on the height, The wind was moaning in the night. The fire was red, it flaming spread; The trees like torches blazed with light. The bells were ringing in the dale And men looked up with faces pale; The dragon's ire more fierce than fire Laid low their towers and houses frail. The mountain smoked beneath the moon; The dwarves, they heard the tramp of doom. They fled their hall to dying fall Beneath his feet, beneath the moon. Far over the misty mountains grim To dungeons deep and caverns dim We must away, ere break of day, To win our harps and gold from him!

How Do you spell relax?" I whispered, holding his head with my hands. I think the answer is f-u-c-k-m-e." He answered.

to be angry at someone they have to have done something to upset or hurt you, and to be able to upset or hurt someone means you having to have meant something to them in the first place.

Maple. Maypole Catch and carry. Ash and Ember. Elderberry. Woolen. Woman. Moon at night. Willow. Window. Candlelight. Fallow farrow. Ash and oak. Bide and borrow. Chimney smoke. Barrel. Barley. Stone and stave. Wind and water. Misbehave.

Good to know in times of war you can’t bluff for shit.

It's like a spell. It's so strong I can't fight it. Is love always like this?

The fairy tale was back on. Prince returned, bad spell broken. I wasn't sure exactly what to do about the leftover, unresolved character. Where was his happily ever after?

And like many wars it was built upon a mindless prejudice.

Now it's like a fog has lifted. I sense Leetu just as clearly as I can see the moon.' Your eyes are closed, and the moon as a haze around it.

I am in need of music that would flow Over my fretful, feeling finger-tips, Over my bitter-tainted, trembling lips, With melody, deep, clear, and liquid-slow. Oh, for the healing swaying, old and low, Of some song sung to rest the tired dead, A song to fall like water on my head, And over quivering limbs, dream flushed to glow! There is a magic made by melody: A spell of rest, and quiet breath, and cool Heart, that sinks through fading colors deep To the subaqueous stillness of the sea, And floats forever in a moon-green pool, Held in the arms of rhythm and of sleep.

The leaves were long, the grass was green, The hemlock-umbels tall and fair, And in the glade a light was seen Of stars in shadow shimmering. Tinuviel was dancing there To music of a pipe unseen, And light of stars was in her hair, And in her raiment glimmering. There Beren came from mountains cold, And lost he wandered under leaves, And where the Elven-river rolled. He walked along and sorrowing. He peered between the hemlock-leaves And saw in wonder flowers of gold Upon her mantle and her sleeves, And her hair like shadow following. Enchantment healed his weary feet That over hills were doomed to roam; And forth he hastened, strong and fleet, And grasped at moonbeams glistening. Through woven woods in Elvenhome She lightly fled on dancing feet, And left him lonely still to roam In the silent forest listening. He heard there oft the flying sound Of feet as light as linden-leaves, Or music welling underground, In hidden hollows quavering. Now withered lay the hemlock-sheaves, And one by one with sighing sound Whispering fell the beechen leaves In the wintry woodland wavering. He sought her ever, wandering far Where leaves of years were thickly strewn, By light of moon and ray of star In frosty heavens shivering. Her mantle glinted in the moon, As on a hill-top high and far She danced, and at her feet was strewn A mist of silver quivering. When winter passed, she came again, And her song released the sudden spring, Like rising lark, and falling rain, And melting water bubbling. He saw the elven-flowers spring About her feet, and healed again He longed by her to dance and sing Upon the grass untroubling. Again she fled, but swift he came. Tinuviel! Tinuviel! He called her by her elvish name; And there she halted listening. One moment stood she, and a spell His voice laid on her: Beren came, And doom fell on Tinuviel That in his arms lay glistening. As Beren looked into her eyes Within the shadows of her hair, The trembling starlight of the skies He saw there mirrored shimmering. Tinuviel the elven-fair, Immortal maiden elven-wise, About him cast her shadowy hair And arms like silver glimmering. Long was the way that fate them bore, O'er stony mountains cold and grey, Through halls of iron and darkling door, And woods of nightshade morrowless. The Sundering Seas between them lay, And yet at last they met once more, And long ago they passed away In the forest singing sorrowless.

M-O-O-N Spells moon

He stared up at the moon, which looked like a giant hole in the sky, letting light through to the other side.

Who do you think would win in a fight? Lucien," he indicated their Pack Leader with a tild of his head, "or Lucian?" her referred to the 'lycan' leader of the film franchise.

If you think it will be so, then so it will be.

Generally to be angry at someone they have to have done something to upset or hurt you, and to be able to upset or hurt someone means you having to have meant something to them in the first place.

Lucien shook Magnus off, who came over to Caia to make sure she was OK. She nodded numbly at her uncle but kept her eyes on the two males who looked ready to battle it out. And over her. Oh goddess it was like an episode of The Vampire Diaries, she groaned.

Caia sighed. If this guy knew that he was in a room of lykans, two of which who looked as if they could happily rip him apart, the cockiness would soon dissolve and the peeing of the pants would commence.

What? Had a dry spell of killing people lately? (Susan) As a matter of fact, yes. If it doesn’t end soon, I might get out of practice. (Otto)

Away! Away! The spell of arms and voices: the white arms of roads, their promise of close embraces and the black arms of tall ships that stand against the moon, their tale of distant nations. They are held out to say: We are alone. Come. And the voices say with them: We are your kinsmen. And the air is thick with their company as they call to me, their kinsman, making ready to go, shaking the wings of their exultant and terrible youth... Welcome, O life! I go to encounter for the millionth time the reality of experience and to forge in the smithy of my soul the uncreated conscience of my race.

Maple. Maypole Catch and carry. Ash and Ember. Elderberry. Woolen. Woman. Moon at night. Willow. Window. Candlelight. Fallow farrow. Ash and oak. Bide and borrow. Chimney smoke. Barrel. Barley. Stone and stave. Wind and water. Misbehave.Maple. Maypole Catch and carry. Ash and Ember. Elderberry. Woolen. Woman. Moon at night. Willow. Window. Candlelight. Fallow farrow. Ash and oak. Bide and borrow. Chimney smoke. Barrel. Barley. Stone and stave. Wind and water. Misbehave.

Larry’s such a liar--- He tells outrageous lies. He says he’s ninety-nine years old Instead of only five. He says he lives up on the moon, He says that he once flew. He says he’s really six feet four Instead of three feet two. He says he has a billion dollars ‘Stead of just a dime. He says he rode a dinosaur Back in some distant time. He says his mother is the moon Who taught him magic spells. He says his father is the wind That rings the morning bells. He says he can take stones and rocks And turn them into gold. He says he can take burnin’ fire And turn it freezin’ cold. He said he’d send me seven elves To help me with my chores. But Larry’s such a liar--- He only sent me four.

Magic is a kind of energy. It is given shape by human thoughts and emotions, by imagination. Thoughts define that shape—and words help to define those thoughts. That’s why wizards usually use words to help them with their spells. Words provide a sort of insulation as the energy of magic burns through a spell caster’s mind.

You wouldn’t dare,” Marion drew a breath. “That would be idiotic.” Her sister snapped back as if she had been slapped. “You forget yourself.” “I do not. You may be the Head of this coven but I am still your blood and I refuse to bend to you when you spew nonsense.

HALLOWE'EN Pixie, kobold, elf, and sprite All are on their rounds to-night,- In the wan moon's silver ray Thrives their helter-skelter play. Fond of cellar, barn,or stack, True unto the almanac, They present to credulous eyes Strange hobgoblin mysteries. Cabbage-stomps-straws wet with dew- Apple-skins, and chestnuts too, And a mirror for some lass, Show what wonders come to pass. Doors they move, and gates they hide, Mischiefs that on moon-beams ride Are their deeds, and, by their spells, Love records its oracles. Don't we all, of long ago, By the ruddy fireplace glow, In the kitchen and the hall, Those queer, coofllke pranks recall? Eery shadows were they then- But to-night they come again; Were we once more but sixteen, Precious would be Halloween.

They say a witch used to live in these woods, a long long time ago,” she began. And this is what the little girl would tell her children and what they would tell their children long after the ones who came before were gone. “They say an old witch lived in the east, in Iron Wood. And there, she bore the wolves who chase the sun and moon. They say she went to Asgard and was burned three times upon a pyre and three times she was reborn before she fled. They say she loved a man with scarred lips and a sharp tongue; a man who gave her back her heart and more. They say she loved a woman too, a sword-wielding bride of the Gods; as bold as any man and fiercer still. They say she wandered, giving aid to those who needed it most, healing them with potions and spells. They say she stood her ground against the fires of Ragnarok, until the very end, until she was burned a final time. All but her heart reduce to ashes once more. But others say she lives yet.

Oh, Moon, upon me shine- Give back his life, instead take mine. Send back his heart, return his breath. Please release him from his death. Give back his eyes, bring back his voice. I willingly have made this choice. Hand back his plans, restore his mind, I willingly grant you mine. Oh, Moon, Oh, Stars, upon me glow- Tell the river to let go.

It wasn’t the first time I’d run across sex spells: they were just as common as electricity-kindled spells. They just aren’t convenient for your average on-the-go magical needs. “Do all the memory spells require that?” I asked. “I don’t think so. I just noticed it on the last couple of retrieval ones.” “Uh, maybe I could just get myself, you know, privately …?” I suggested. I regretted it immediately, and felt my face flush with warmth. What the hell was I going to do? Ask Lon if he had any porn I could borrow and hole up in his library’s washroom?

But if you must know, your moon here is rather more powerful than the ones around my own world.” “The moon?” said Twoflower. “I don’t under-“ “If I’ve got to spell it out,” said the troll, testily, “I’m suffering from chronic tides.

How did you do it?" he wanted to know. "Enchanted arrows? Spell of exploding flesh? Rain of fire? No, not that. The worm would be cooked and we would be eating it. Wand of destruction? Oh, a wand of destruction would be a find, fine thing." He turned to me. "Speak up, girl." I hit him with your skillet. A lot.

...the Moon, the enemy of poets... ("Merchant's Two Sons")

M-O-O-N that spells Tom Cullen, laws yes.

The moon has awoken with the sleep of the sun, the light has been broken; the spell has begun.

hither,hither, from thy home,airy sprite, i bid thee come! born of roses, fed on dew, charms and potions canst thow brew? bring me here, with elfin speed,the fragment philter witch i need; make it sweet and swift and stong, spirite amserw now my song hither i come, from my airy home, afar silver moon. take magic spell, and use it well. or its powers will vanish soon!

Moon-Watcher and his companions had no recollection of what they had seen, after the crystal had ceased to cast its hypnotic spell over their minds and to experiment with their bodies. The next day, as they went out to forage, they passed it with scarcely a second thought; it was now part of the disregarded background of their lives. They could not eat it, and it could not eat them; therefore it was not important.

We stared at each other for a long moment. His hand smoldered against my skin. In my face, I knew there was nothing but wistful sadness―I didn't want to have to say goodbye now, no matter for how short a time. At first his face reflected mine, but then, as neither of us looked away, his expression changed. He released me, lifting his other hand to brush his fingertips along my cheek, trailing them down to my jaw. I could feel his fingers tremble―not with anger this time. He pressed his palm against my cheek, so that my face was trapped between his burning hands. "Bella," he whispered. I was frozen. No! I hadn't made this decision yet. I didn't know if I could do this, and now I was out of time to think. But I would have been a fool if I thought rejecting him now would have no consequences. I stared back at him. He was not my Jacob, but he could be. His face was familiar and beloved. in so many real ways, I did love him. He was my comfort, my safe harbor. Right now, I could choose to have him belong to me. Alice was back for the moment, but that changed nothing. True love was forever lost. The prince was never coming back to kiss me awake from my enchanted sleep. I was not a princess, after all. So what was the fairy-tale protocol for other kisses? The mundane kind that didn't break any spells? Maybe it would be easy―like holding his hand or having his arms around me. Maybe it would feel nice. Maybe it wouldn't feel like betrayal. Besides, who was I betraying, anyway? Just myself. Keeping his eyes on mine, Jacob began to bend his face toward me. And I was still absolutely undecided.

Uninvited, the thought of you stayed too late in my head, so I went to bed, dreaming you hard, hard, woke with your name, like tears, soft, salt, on my lips, the sound of its bright syllables like a charm, like a spell. Falling in love is glamorous hell; the crouched, parched heart like a tiger ready to kill; a flame's fierce licks under the skin. Into my life, larger than life, beautiful, you strolled in. I hid in my ordinary days, in the long grass of routine, in my camouflage rooms. You sprawled in my gaze, staring back from anyone's face, from the shape of a cloud, from the pining, earth-struck moon which gapes at me as I open the bedroom door. The curtains stir. There you are on the bed, like a gift, like a touchable dream. "You

I open my arms wide and let the wind flow over me. I love the universe and the universe loves me. That’s the one-two punch right there, wanting to love and wanting to be loved. Everything else is pure idiocy—shiny fancy outfits, Geech-green Cadillacs, sixty-dollar haircuts, schlock radio, celebrity-rehab idiots, and most of all, the atomic vampires with their de-soul-inators, and flag-draped coffins. Goodbye to all that, I say. And goodbye to Mr. Asterhole and the Red Death of algebra and to the likes of Geech and Keeeevin. Goodbye to Mom’s rented tan and my sister’s chargecard boobs. Goodbye to Dad for the second and last time. Goodbye to black spells and jagged hangovers, divorces, and Fort Worth nightmares. To high school and Bob Lewis and once-upon-a-time Ricky. Goodbye to the future and the past and, most of all, to Aimee and Cassidy and all the other girls who came and went and came and went. Goodbye. Goodbye. I can’t feel you anymore. The night is almost too beautifully pure for my soul to contain. I walk with my arms spread open under the big fat moon. Heroic “weeds rise up from the cracks in the sidewalk, and the colored lights of the Hawaiian Breeze ignite the broken glass in the gutter. Goodbye, I say, goodbye, as I disappear little by little into the middle of the middle of my own spectacular now

M-O-O-N. That spells moon.

You'll protect my Caia.

If I spelled out the Principles of Faith I would be barking on the moon.

There’s more magic in a baby’s first giggle than in any firestorm a wizard can conjure up, and don’t let anyone tell you any different. Magic comes from what is inside you. It is a part of you. You can’t weave together a spell that you don’t believe in.

Oh, how clearly I see your faults! Such distinctly highlighted flaws; it's as if the sun and moon mean to keep them illuminated in my eyes. My mind is quick to spell out a simple remedy for those defects. But alas, poor me! My own faults―which I only assume to have because all do―are blurred and obscured by a mental fog. I've no eyes with which to gaze back at myself. The sun and moon refuse their illumination, and my mind offers no sure elixir but a complex recipe scribbled in foreign words I scarcely comprehend.

Yes he was, M-O-O-N, that spells my main man. I miss him awful. But I’m going to see him in Heaven. Tom Cullen will see him there. And he’ll be able to talk and I’ll be able to think. Isn’t that right?

Nita stood still, listening to Joanne's footsteps hurrying away, a little faster every second- and slowly began to realize that she'd gotten what she asked for too- the ability to break the cycle of anger and loneliness, not necessarily for others, but at least for herself. It wouldn't even take the Speech; plain words would do it, and the magic of reaching out. It would take a long time, much longer then something simple like breaking the walls of the worlds, and it would cost more effort than even reading the Book of Night with Moon. But it would be worth it- and eventually it would work. A spell always works. Nita went home.

When the Populist congressman "Sockless" Simpson of Medicine Lodge, Kansas, misspelled his hometown while running for office, he said, "I wouldn't give a tinker's durn for a man who can't spell a word more than one way.

Love spells are nothing but wives' tales. You can't play magic inside the heart, for it's more powerful than any spell. Lust you can order up with a wink, desire with a smile. But love is love, and there is nothing can touch it.

Daughter of Azura. Daughter of Miina. Hear these truths. The moon cannot enslave the sun, nor make the day its mistress. Or victory shall spell defeat, a crimson sky its auspice. The sun and moon must shine as one, or all will be undone.

The messages pile up, The worry knocks at my door, louder & louder. More calls from the therapist. Pills that should have been taken lie scattered across the floor. The moon taps at my window. Stars spell out their concern. I pretend I do not see.

She tried to offer Ella help but was shooed back into her seat between Magnus and Irini. She watched incredulously at the amount of food these males piled onto their plates. She hadn’t touched her own plate yet, her eyes jumping from Lucien to Ryder, to Aidan, to Magnus, as they scoffed large amounts of beef down. Irini giggled beside her before elbowing her to get her to stop staring and start eating. Ella laughed, obviously having noticed and understood the reason behind Caia’s wide eyes. “Don’t mind them, honey. They’re just animals. You’ll get used to them.” Ryder choked in amusement as he took swig of water, and Aidan and Magnus joined his laughter. Lucien merely shrugged. “What?” This set them off again. “Dude, we’ve frightened Caia with our non-existent manners,” Aidan explained smiling at her. “No, no-” she tried to protest. Lucien frowned. “We’re just eating.” “Caia’s not used to eating at the watering hole.

Blow on, ye death fraught whirlwinds! blow, Around the rocks, and rifted caves; Ye demons of the gulf below! I hear you, in the troubled waves. High on this cliff, which darkness shrouds In night's impenetrable clouds, My solitary watch I keep, And listen, while the turbid deep Groans to the raging tempests, as they roll Their desolating force, to thunder at the pole. Eternal world of waters, hail! Within thy caves my Lover lies; And day and night alike shall fail Ere slumber lock my streaming eyes. Along this wild untrodden coast, Heap'd by the gelid' hand of frost; Thro' this unbounded waste of seas, Where never sigh'd the vernal breeze; Mine was the choice, in this terrific form, To brave the icy surge, to shiver in the storm. Yes! I am chang'd - My heart, my soul, Retain no more their former glow. Hence, ere the black'ning tempests roll, I watch the bark, in murmurs low, (While darker low'rs the thick'ning' gloom) To lure the sailor to his doom; Soft from some pile of frozen snow I pour the syren-song of woe; Like the sad mariner's expiring cry, As, faint and worn with toil, he lays him down to die. Then, while the dark and angry deep Hangs his huge billows high in air ; And the wild wind with awful sweep, Howls in each fitful swell - beware! Firm on the rent and crashing mast, I lend new fury to the blast; I mark each hardy cheek grow pale, And the proud sons of courage fail; Till the torn vessel drinks the surging waves, Yawns the disparted main, and opes its shelving graves. When Vengeance bears along the wave The spell, which heav'n and earth appals; Alone, by night, in darksome cave, On me the gifted wizard calls. Above the ocean's boiling flood Thro' vapour glares the moon in blood: Low sounds along the waters die, And shrieks of anguish fill the' sky; Convulsive powers the solid rocks divide, While, o'er the heaving surge, the embodied spirits glide. Thrice welcome to my weary sight, Avenging ministers of Wrath! Ye heard, amid the realms of night, The spell that wakes the sleep of death. Where Hecla's flames the snows dissolve, Or storms, the polar skies involve; Where, o'er the tempest-beaten wreck, The raging winds and billows break; On the sad earth, and in the stormy sea, All, all shall shudd'ring own your potent agency. To aid your toils, to scatter death, Swift, as the sheeted lightning's force, When the keen north-wind's freezing breath Spreads desolation in its course, My soul within this icy sea, Fulfils her fearful destiny. Thro' Time's long ages I shall wait To lead the victims to their fate; With callous heart, to hidden rocks decoy, And lure, in seraph-strains, unpitying, to destroy.

Yes he was, M-O-O-N, that spells my main man. I miss him awful. But I’m going to see him in heaven.

Lake Insanity lay broad and strange before them, a still reflecting pool for the frightened, confused moon.

M-O-O-N, that spells sore feet.

things like how to tell the age of a tree, the dances of the moon and tides, and the names of the clouds-like cumulonimbus and nimbosttratus-that sounded lie magic spells on his tongue.

These ears aren't to be trusted. The keening in the night, didn't you hear? Once I believed all the stories didn’t have endings, but I realized the endings were invented, like zero, had yet to be imagined. The months come around again, and we are in the same place; full moons, cherries in bloom, the same deer, the same frogs, the same helpless scratching at the dirt. You leave poems I can’t read behind on the sheets, I try to teach you songs made of twigs and frost. you may be imprisoned in an underwater palace; I'll come riding to the rescue in disguise. Leave the magic tricks to me and to the teakettle. I've inhaled the spells of willow trees, spat them out as blankets of white crane feathers. Sleep easy, from behind the closet door I'll invent our fortunes, spin them from my own skin. (from, The Fox-Wife's Invitation)

Time is the only magic, he said, "And Marids swim through time like the sea. Think: if you hurt yourself, and I bandage it, and after weeks and weeks it gets well and there's no scar, that's not magic at all. But if you hurt yourself and I touch you and it heals in a moment, you'd call me magic before your skin closed. It's not magic to cook a feast, roasting and baking and frying for hours, but if you blink and it's steaming in front of you, it's a spell. If you work for what you want and save for it and plan it out just as precisely as you possibly can, it's not even surprising if you get it on the other side of a month or a year. But if you snap your fingers and it happens as soon as you want t, every wizard will want to know you socially. If you life straight through a hundred years and watch yourself unfold at one second per second, one hour per hour, that's just being alive. If you go faster, you're a time traveler. If you jump over your unfolding and see how it all comes out, that's fate. But's all healing and cooking and planning and living, just the same. The only difference is time.

Under the sad end-of-days spell of the smoky dusk and the waning year, of the moon and its ostentatious superiority to the trashy, petty claptrap of his sublunar existence, why does he even hesitate? The Kamizakis are your enemies whether you do or not, so you might as well do it. Yes, yes, if you can still do something, you must do it - that is the golden rule of sublunar existence, whether you are a worm cut in two or a man with a prostate like a billiard ball. If you can still do something, then you must do it! Anything living can figure that out.

APRIL 16. Away! Away! The spell of arms and voices: the white arms of roads, their promise of close embraces and the black arms of tall ships that stand against the moon, their tale of distant nations. They are held out to say: We are alone—come. And the voices say with them: We are your kinsmen. And the air is thick with their company as they call to me, their kinsman, making ready to go, shaking the wings of their exultant and terrible youth.

When by my solitary hearth I sit, And hateful thoughts enwrap my soul in gloom; When no fair dreams before my "mind's eye" flit, And the bare heath of life presents no bloom; Sweet Hope, ethereal balm upon me shed, And wave thy silver pinions o'er my head. Whene'er I wander, at the fall of night, Where woven boughs shut out the moon's bright ray, Should sad Despondency my musings fright, And frown, to drive fair Cheerfulness away, Peep with the moon-beams through the leafy roof, And keep that fiend Despondence far aloof. Should Disappointment, parent of Despair, Strive for her son to seize my careless heart; When, like a cloud, he sits upon the air, Preparing on his spell-bound prey to dart: Chace him away, sweet Hope, with visage bright, And fright him as the morning frightens night! Whene'er the fate of those I hold most dear Tells to my fearful breast a tale of sorrow, O bright-eyed Hope, my morbid fancy cheer; Let me awhile thy sweetest comforts borrow: Thy heaven-born radiance around me shed, And wave thy silver pinions o'er my head! Should e'er unhappy love my bosom pain, From cruel parents, or relentless fair; O let me think it is not quite in vain To sigh out sonnets to the midnight air! Sweet Hope, ethereal balm upon me shed. And wave thy silver pinions o'er my head! In the long vista of the years to roll, Let me not see our country's honour fade: O let me see our land retain her soul, Her pride, her freedom; and not freedom's shade. From thy bright eyes unusual brightness shed-- Beneath thy pinions canopy my head! Let me not see the patriot's high bequest, Great Liberty! how great in plain attire! With the base purple of a court oppress'd, Bowing her head, and ready to expire: But let me see thee stoop from heaven on wings That fill the skies with silver glitterings! And as, in sparkling majesty, a star Gilds the bright summit of some gloomy cloud; Brightening the half veil'd face of heaven afar: So, when dark thoughts my boding spirit shroud, Sweet Hope, celestial influence round me shed, Waving thy silver pinions o'er my head. - To Hope

To become a magician you must do something very different,” the man said. This was clearly his set piece. “You cannot study magic. You cannot learn it. You must ingest it. Digest it. You must merge with it. And it with you. “When a magician casts a spell, he does not first mentally review the Major, Minor, Tertiary, and Quaternary Circumstances. He does not search his soul to determine the phase of the moon, and the nearest body of water, and the last time he wiped his ass. When he wishes to cast a spell he simply casts it. When he wishes to fly, he simply flies. When he wants the dishes done, they simply are.

Winter? Everything all right?” “I can’t go there,” Winter said. “Why not?” Qibli asked, startled. “It’s cursed.” Winter waved a talon at the sharp-edged shapes of the mountains. “No IceWing has ever returned from those mountains alive. They’re a legend as old as Darkstalker in our tribe.” “With a poetically ominous-sounding name, I bet,” said Qibli. “Peaks of Doom? Mountain Range of Certain Death?” Winter frowned at him. “We call them Darkstalker’s Teeth,” he said with immense dignity. “Seriously?” Qibli cried. “SERIOUSLY? A mountain range called Darkstalker’s Teeth, and you never thought maybe the old Night Kingdom was on the other side?” “It’s not like I think about it very often!” Winter objected. “And no, honestly, we all assumed he went around cursing random parts of Pyrrhia as traps for IceWings to fall into.” “What are we waiting for?” Anemone demanded, flying back to them. “Winter thinks the mountains are going to eat him,” Qibli answered. “I DO NOT,” Winter protested. “But I do think they’re going to kill me, yes.” “Um, a whole horde of dragons just flew over them a few days ago.” Anemone flicked her tail at the evening sky, dimming to purple. “And they’re all fine.” “Because they’re not IceWings,” Winter pointed out. “The mountains only eat IceWings,” Qibli explained with a straight face. “STOP THAT,” Winter hissed at him. “It’s a REAL CURSE.” “If it’s real, then it’s not a curse, it’s a spell,” Qibli said practically. “And if it’s a spell, then Darkstalker cast it, in which case the earring will protect you.” Winter touched his ear doubtfully. One piece of jewelry against centuries of nightmare stories … Qibli could practically see Winter’s courage trying to stamp out his childhood fears. “You’ll make it through,” he said. “Remember, Moon is on the other side.” He knew that would work, because it was working for him. Winter gave him a puzzled look, as though he would never understand Qibli. “Yes,” he said. “All right. Let’s fly.” “Fiiiiiiiiiiiiiiiiiiiiiiiiiiiiiinally,” Anemone grouched, wheeling about in the sky. As

A dark shadow rose from the depth of the watercourse. Forced to crawl out of the oceans rolling waves, it struggled against the pull of the undertow. Rising, it moved further up the white sandy beach away from the cold water. The creature collapsed onto the cool sand as the crescent moon above shone on his sleek gray skin revealing two immense leather-like wings protruding from his back. Exhaustion clouded his mind. The darkness of night was soothing, refreshing. Somehow he knew it would bring him strength and sustenance. The creature watched as a great rolling storm cloud sunk into the salty water before him and he tried to remember why he had come.

O Moon that rid'st the night to wake Before the dawn is pale, The hamadryad in the brake, The Satyr in the vale, Caught in thy net of shadows What dreams hast thou to show? Who treads the silent meadows To worship thee below? The patter of the rain is hushed, The wind's wild dance is done, Cloud-mountains ruby-red were flushed About the setting sun: And now beneath thy argent beam The wildwood standeth still, Some spirit of an ancient dream Breathes from the silent hill. Witch-Goddess Moon, thy spell invokes The Ancient Ones of night, Once more the old stone altar smokes, The fire is glimmering bright. Scattered and few thy children be, Yet gather we unknown To dance the old round merrily About the time-worn stone. We ask no Heaven, we fear no Hell, Nor mourn our outcast lot, Treading the mazes of a spell By priests and men forgot.

we are most psychic at approximately 4:00 A.M.

Don’t ever uncast the spell you have on me.

Hither I come, From my airy home, Afar in the silver moon. Take the magic spell, And use it well, Or its power will vanish soon! And

Welcome To The Darkside...

So . . . ,” she says, following him to the chalkboard. “You got a Visiting. An actual Visiting—Natasha Grimm-Pitch was here.” Baz glances back over his shoulder. “You sound impressed, Bunce.” “I am,” Penelope says. “Your mother was a hero. She developed a spell for gnomeatic fever. And she was the youngest headmaster in Watford history.” Baz is looking at Penny like they’ve never met. “And,” Penny goes on, “she defended your father in three duels before he accepted her proposal.” “That sounds barbaric,” I say. “It was traditional,” Baz says. “It was brilliant,” Penny says. “I’ve read the minutes.” “Where?” Baz asks her. “We have them in our library at home,” she says. “My dad loves marriage rites. Any sort of family magic, actually. He and my mother are bound together in five dimensions.” “That’s lovely,” Baz says, and I’m terrified because I think he means it. “I’m going to make time stop when I propose to Micah,” she says. “The little American? With the thick glasses?” “Not so little anymore.” “Interesting.” Baz rubs his chin. “My mother hung the moon.” “She was a legend,” Penelope beams. “I thought your parents hated the Pitches,” I say. They both look at me like I’ve just stuck my hand in the soup bowl. “That’s politics,” Penelope says. “We’re talking about magic.” “Obviously,” I say. “What was I thinking.” “Obviously,” Baz says. “You weren’t.” “What’s happening right now?” I say. “What are we even doing?” Penelope folds her arms and squints at the chalkboard. “We,” she declares, “are finding out who killed Natasha Grimm-Pitch.” “The legend,” Baz says. Penelope gives him a soft look, the kind she usually saves for me. “So she can rest in peace.

Rave emerged spontaneously, neither planned or designed. It was a genuine grass roots phenomenon, egalitarian and welcoming. Thousands danced in fields all through the night, out under the moon, in order to achieve a trance-like, ecstatic state. It was a form of communion and it was pagan as fuck. Needless to say, it couldn't last. The press and the government, appalled by such non-violent having-of-a-good-time, moved quickly to crush it. Ultimately, though, they weren't quick enough. Rave grew too big too quickly, and it attracted the attention of those who felt they could make money from such events. Once this happened and the superstar DJs and the superclubs arrived, the focus shifted from the raw crowd back to the event itself. Rave's spell was broken.

If she in fact knows magic she needs to do a spell to adjust that shitty attitude she has all of a sudden,” Nona said. “I may not be a witch, but I will knock her right off that broomstick if she keeps this up.

Doubt thou the stars are fire; / Doubt that the sun doth move; / Doubt truth to be a liar; / But never doubt I love you to the full moon and back.’” His lips twisted wryly. “That right there is a little bit of slightly mangled Shakespeare.

The lazy, laughing South With blood on its mouth. The sunny-faced South,     Beast-strong,     Idiot-brained. The child-minded South Scratching in the dead fire’s ashes For a Negro’s bones.     Cotton and the moon,     Warmth, earth, warmth,     The sky, the sun, the stars,     The magnolia-scented South. Beautiful, like a woman, Seductive as a dark-eyed whore,     Passionate, cruel,     Honey-lipped, syphilitic—     That is the South. And I, who am black, would love her But she spits in my face. And I, who am black, Would give her many rare gifts But she turns her back upon me.     So now I seek the North—     The cold-faced North,     For she, they say,     Is a kinder mistress, And in her house my children May escape the spell of the South.

And they say, if ever a traveler plucks the wild parsley, and takes the bark of the hazel tree, and the secret toadstools, and mixes them with crocus from the patch of forest where the hero's last bones lie, a powerful spell will come to life. The hero will be reborn, not as he was before his destruction, but many times stronger in body and spirit; for he will be filled with the strength of earth, sea, and air. I think of the seven of us as the parts of one body. We may be torn asunder, and it may seem as if there is no tomorrow for us. We may each travel our own path, and we may fall and be broken and mend again. But in the end, as surely as the sun and moon make their way across the arch of the heavens, the strength of one is the strength of seven.

He took the sacramental chalice, and stretching forth his bare arm, cried in a loud voice, 'Come ye viewless ministers of this dread hour! come from the fenny lake, the hanging rock, and the midnight cave! The moon is red - the stars are out - the sky is burning - and all nature stands aghast at what we do!' Then replacing the sacred vessel on the altar, he drew, one by one, from different parts of his body, from his knotted hair, from his bosom, from beneath his nails, the unholy things which he cast into it. 'This,' said he, 'I plucked from the beak of a raven feeding on a murderer's brains! This is the mad dog's foam! These the spurgings of a dead man's eyes, gathered since the rising of the evening star! This is a screech-owl's egg! This a single drop of black blood, squeezed from the heart of a sweltered toad! This, an adder's tongue! And here, ten grains of the gray moss that grew upon a skull which had lain in the charnel-house three hundred years! What! Not yet?' And his eyes seemed like balls of fire as he cast them upwards. 'Not yet? I call ye once! I call ye twice! Dare ye deny me! Nay, then, as I call ye thrice, I'll wound mine arm, and as it drops, I'll breathe a spell shall cleave the ground and drag you here!' ("The Forsaken Of God")

Lola.” She looked up at me. “I won’t let you go to prison for something you didn’t do. I promise. So don’t worry. I’ve got it. Syn too. He’s waiting in the lobby. And Blossom’s been helping us with spells. We’ve got it. You’re not a murderer and no one is going to put you away.” Hazel to Lola.

Our view agrees with K.F. Smith, who in his article Hekate’s Suppers[162] suggested that it may have been on the first night that the moon was visible again, signifying a possible connection with Hekate as a lunar goddess, rising, like the moon, from the underworld on the night of the new moon.

Jack handed the notebook and his pencil to the moon man. They looked tiny in his big hands. The moon man looked down at the message. He looked at the tiny pencil. Then he turned the notebook over. Jack and Annie watched as the moon man put the pencil to the paper. He was writing something very carefully.

But out under the Moon, Chestnut Ridge and Cheat behind them, and Monongahela to cross, into an Overture of meadow to the Horizon, low-lands become to them a dream whilst under a Spell, the way it gives back the Light, the way it withholds its Shadows,— who might not come to believe in an Eternal West? In a Momentum that bears all away? “Men are remov’d by it, and women, from where they were,— as if surrender’d to a great current of Westering. You will hear of gold cities, marble cities, men that fly, women that fight, fantastickal creatures never dream’d in Europe,— something always to take and draw you that way,

Have I not reason, beldams as you are, Saucy and overbold? How did you dare To trade and traffic with Macbeth In riddles and affairs of death; And I, the mistress of your charms, The close contriver of all harms, Was never call'd to bear my part, Or show the glory of our art? And, which is worse, all you have done Hath been but for a wayward son, Spiteful and wrathful, who, as others do, Loves for his own ends, not for you. But make amends now: get you gone, And at the pit of Acheron Meet me i' the morning: thither he Will come to know his destiny: Your vessels and your spells provide, Your charms and every thing beside. I am for the air; this night I'll spend Unto a dismal and a fatal end: Great business must be wrought ere noon: Upon the corner of the moon There hangs a vaporous drop profound; I'll catch it ere it come to ground: And that distill'd by magic sleights Shall raise such artificial sprites As by the strength of their illusion Shall draw him on to his confusion: He shall spurn fate, scorn death, and bear He hopes 'bove wisdom, grace and fear: And you all know, security Is mortals' chiefest enemy. Music and a song within: 'Come away, come away,' & c Hark! I am call'd; my little spirit, see, Sits in a foggy cloud, and stays for me.

Do you know a Ukraine night? No, you do not know a night in the Ukraine. Gaze your full on it. The moon shines in the midst of the sky; the immeasurable vault of heaven seems to have expanded to infinity; the earth is bathed in silver light; the air is warm, voluptuous, and redolent of innumerable sweet scents. Divine night! Magical night! Motionless, but inspired with divine breath, the forests stand, casting enormous shadows and wrapped in complete darkness. Calmly and placidly sleep the lakes surrounded by dark green thickets. The virginal groves of the hawthorns and cherry-trees stretch their roots timidly into the cool water; only now and then their leaves rustle slumber; but there is a mysterious breath upon the heights. One falls into a weird and unearthly mood, and silvery apparitions rise from the depths. Divine night! Magical night! Suddenly the woods, lakes, and steppes become alive. The nightingales of the Ukraine are singing, and it seems as though the moon itself were listening to their song. The village sleeps as though under a magic spell; the cottages shine in the moonlight against the darkness of the woods behind them. The songs grow silent, and all is still. Only here and there is a glimmer of light in some small window. Some families, sitting up late, are finishing their supper at the threshholds of their houses.

This is a cuento, a story about magic, love, hope, and treasure. If you read this under the glow of the moon or by the light of the summer sun, listen for whispers in any breeze that passes by. Then close your eyes and let the cuento take you to where magic still exists and spells of fear and hope are told through the heart of the storyteller.

The Gypsy’S Song* Come, cross my hand! My art surpasses All that did ever Mortal know; Come, Maidens, come! My magic glasses* Your future Husband’s form can show: For ’tis to me the power is given Unclosed the book of Fate to see; To read the fixed resolves of heaven, And dive into futurity. I guide the pale Moon’s silver waggon; The winds in magic bonds I hold; I charm to sleep the crimson Dragon, Who loves to watch o’er buried gold: Fenced round with spells, unhurt I venture Their sabbath strange where Witches keep; Fearless the Sorcerer’s circle enter, And woundless tread on snakes asleep. Lo! Here are charms of mighty power! This makes secure an Husband’s truth; And this composed at midnight hour Will force to love the coldest Youth: If any Maid too much has granted, Her loss this Philtre* will repair; This blooms a cheek where red is wanted, And this will make a brown girl fair! Then silent hear, while I discover What I in Fortune’s mirror view; And each, when many a year is over, Shall own the Gypsy’s sayings true.

What’s a half-baked idea?” asked Milo again. “Will you be quiet?” growled Azaz angrily; but, before he could begin again, three large serving carts were wheeled into the hall and everyone jumped up to help himself. “They’re very tasty,” explained the Humbug, “but they don’t always agree with you. Here’s one that’s very good.” He handed it to Milo and, through the icing and nuts, Milo saw that it said, “THE EARTH IS FLAT.” “People swallowed that one for years,” commented the Spelling Bee, “but it’s not very popular these days—d-a-y-s.” He picked up a long one that stated “THE MOON IS MADE OF GREEN CHEESE” and hungrily bit off the part that said “CHEESE.” “Now there’s a half-baked idea,” he said, smiling.

Bay leaves granted wishes as July turned into August. I wrote a wish on the leaf and kissed it three times in front of the moon, and then I slept with the scent of bay wafting from under my pillow. Rose said my wishes smelled like chicken soup and Thanksgiving turkey. But really my wish smelled like Aunt Ruth’s cinnamon rolls and ash soap, the special kind of soap she pulled from under the sink when we had a bad dream.

I was wondering about the “men” in “menarche.” Turns out it’s the same as the “men” in “menstruation.” It means “month,” which comes from “moon,” and has to do with women and their monthly cycle. Moon has all kinds of meanings. In addition to being the thing orbiting the earth, it can involve time, or tides, like the ebb and flow of the ocean. So, “menarche” has absolutely nothing to do with “men.” So why spell it that way? What happened to the “o”?

Let me paint a picture for you: The full moon was bulbous and yellow like the blind and rotted eye of a witch that peered down from the murky sky with bad intentions, and a million little stars shone down on the sleepy Southern town of Evelyn. The breeze was gentle and cool, carrying on it the scent of flowers and wet earth from the recent rain spell. The only thing missing was the children singing hymns, and I'm sure it would have been enough to make someone happy to be alive.

The demons, they return to haunt the crimp in my heart. No amount of burning herbs, or magic spells and bitter potions cast the beasts away. Garlic rosaries won't remove the black infection slowly devouring within. Only love, perfect love, casts out the monsters and the fiends that invade like a thief in the night infecting and destroying, attempting to steal my joy. But love is life and I choose life. I choose love. Throw away the herbs, release the spells, let me swallow love's divinity.

If you had done your duty as an older brother and a guardian, I wouldn’t be here right now.” Victor replied, “I’ve introduced you to every unmarried man I’ve ever met. I’ve struck up conversations in theaters with men you thought were your destiny. I’ve sat through fortune-teller visits. I’ve delivered anonymous love notes and objected at a wedding. I once helped you perform a spell under the full moon. It was absolutely unscientific, but I did it.” He did sound very close to tearing his hair out.

To indigenous, oral cultures, the ceaseless flux that we call 'time' is overwhelmingly cyclical in character. The senses of an oral people are still attuned to the land around them, still conversant with the expressive speech of the winds and the forest birds, still participant with the sensuous cosmos. Time, in such a world, is not separable from the circular life of the sun and the moon, from the cycling of the seasons,  the death and rebirth of the animals- from the eternal return of the greening earth.

In the third part of the year When men begin to gather fuel Against the coming cold Here hooves run hard on frosty ground Begins our song: For centuries we lived alone high on the moors Herding the deer for milk and cheese For leather and horn Humans came seldom nigh For we with our spells held them at bay And they with gifts of wine and grain Did honour us. Returning at evening from the great mountains Our red hoods rang with bells. Lightly we ran Until before our own green hill There we did stand. She is stolen! She is snatched away! Through watery meads Straying our lovely daughter. She of the wild eyes! She of the wild hair! Snatched up to the saddle of the lord of Weir Who has his castle high upon a crag A league away. Upon the horse of air at once we rode To where Weir's castle looks like a crippled claw Into the moon. And taking form of minstrels brightly clad We paced upon white ponies to the gate And rang thereon "We come to sing unto my lord of Weir A merry song." Into his sorry hall we stepped Where was our daughter bound? Near his chair. "Come play a measure!" "Sir, at once we will." And we began to sing and play To lightly dance in rings and faster turn No man within that hall could keep his seat But needs must dance and leap Against his will This was the way we danced them to the door And sent them on their way into the world Where they will leap amain Till they think one kind thought For all I know they may be dancing still. While we returned with our own Into our hall And entering in Made fast the grassy door. from "The Dancing of the Lord of Weir

But a second later, she found books entering the trolley of their own will, as if commanded by a Hogwarts spell. Virginia Woolf, Iris Murdoch, Muriel Spark – the holy trio were some of the first to jump in. Milan Kundera followed Amitav Ghosh, Dostoevsky chased Mario Vargas Llosa in some kind of mad hatter’s literary tea party. Nick Hornby and Sue Townsend added some laughs. Darwin and Nietzsche kept the rest in check. Rumi’s loftiness, Calvino’s bizarreness, Arundhati’s Royness – things were getting along nicely when Fiza realized this had to end.

There was one panicked moment. He picked a book from the wall, and the shapes inside, all the letters, were friends to him; but as he settled before them and began to mouth and mutter them, waiting for them to sound as words in his head, they were all gibberish. He grew frantic very quickly, fearing that he had lost what it was he had gained.t pieced it together into a different language. Shekel was dumbstruck at the realization that these glyphs he had conquered could do the same job for so many peoples who could not understand each other at all. He grinned as he thought about it. He was glad to share. He opened more foreign volumes, making or trying to make the noises that the letters spelled and laughing at how strange they sounded. He looked carefully at the pictures and cross-referenced them again, tentatively he concluded that in this lanugage, this particular clutch of letters meant 'boat' and this other set 'moon'. ....he reached new shelving and opened a book whose script was like nothing he knew. He laughed, delighted at its strange curves. He moved off further and found yet another alphabet. And a little way off there was another. For hours he found intrigue and astonishment by exploring the non-Ragamoll shelves. He found in those meaningless words and illegible alphabets not only an awe at the world, but the remnants of the fetishism to which he had been subjected before, when all books had existed for him as those did now, only as mute objects with mass and dimension and color, but without content. .... He gazedc at the books in Base and High Kettai and Sunglari and Lubbock and Khadohi with a kind of fascinated nostalgia for his own illiteracy, without for a fraction of a moment missing it.

Why is silence so beautiful? Tell me why. For the light that rises from the soundless world, fills you with an ocean of light, turning you into a seeker, and a visionary. Why is silence so ecstatic? Tell me why. For in the silence is the moon, whispering to the night; in the wordless world are the stars, lighting the sky, calling you to be a lover, and a dreamer in this soundless a dark. Why is silence so maddening? Tell me why. For silence softly bites your lips, and turns you into a lover in spell, with lips trembling at the beauty of an unknown world, the one simply fathomless.

Here are the crossroads where old women come Under the quarter moon to cast their spells, And where young lovers meet to argue out The secret terms of their surrender. It is a place that each sees differently- The salesman scouting, soldiers tramping home, The scholar napping by the riverbank While someone else's fortune drifts downstream. But if you stand at crossroads long enough, Most of the eager world comes strutting by- Businessmen, preachers, cats-all going somewhere, Even the Devil striking up a deal. I used to wonder if they ever got there. Be careful here in choosing where to turn. You learn a lot by staying in one place But never how the story truly ends.

There's no such thing as witches. But there used to be. It used to be the air was so thick with magic you could taste it on your tongue like ash. Witches lurked in every tangled wood and waited at every midnight-crossroad with sharp-toothed smiles. They conversed with dragons on lonely mountaintops and rode rowan-wood brooms across full moons; they charmed the stars to dance beside them on the summer solstice and rode to battle with familiars at their heels. It used to be witches were wild as crows and fearless as foxes, because magic blazed bright and the night was theirs. But then came the plague and the purges. The dragons were slain and the witches were burned and the night belonged to men with torches and crosses. Witching isn’t all gone, of course. My grandmother, Mama Mags, says they can’t ever kill magic because it beats like a great red heartbeat on the other side of everything, that if you close your eyes you can feel it thrumming beneath the soles of your feet, thumpthumpthump. It’s just a lot better-behaved than it used to be. Most respectable folk can’t even light a candle with witching, these days, but us poor folk still dabble here and there. Witch-blood runs thick in the sewers, the saying goes. Back home every mama teaches her daughters a few little charms to keep the soup-pot from boiling over or make the peonies bloom out of season. Every daddy teaches his sons how to spell ax-handles against breaking and rooftops against leaking. Our daddy never taught us shit, except what a fox teaches chickens — how to run, how to tremble, how to outlive the bastard — and our mama died before she could teach us much of anything. But we had Mama Mags, our mother’s mother, and she didn’t fool around with soup-pots and flowers. The preacher back home says it was God’s will that purged the witches from the world. He says women are sinful by nature and that magic in their hands turns naturally to rot and ruin, like the first witch Eve who poisoned the Garden and doomed mankind, like her daughter’s daughters who poisoned the world with the plague. He says the purges purified the earth and shepherded us into the modern era of Gatling guns and steamboats, and the Indians and Africans ought to be thanking us on their knees for freeing them from their own savage magics. Mama Mags said that was horseshit, and that wickedness was like beauty: in the eye of the beholder. She said proper witching is just a conversation with that red heartbeat, which only ever takes three things: the will to listen to it, the words to speak with it, and the way to let it into the world. The will, the words, and the way. She taught us everything important comes in threes: little pigs, bill goats gruff, chances to guess unguessable names. Sisters. There wer ethree of us Eastwood sisters, me and Agnes and Bella, so maybe they'll tell our story like a witch-tale. Once upon a time there were three sisters. Mags would like that, I think — she always said nobody paid enough attention to witch-tales and whatnot, the stories grannies tell their babies, the secret rhymes children chant among themselves, the songs women sing as they work. Or maybe they won't tell our story at all, because it isn't finished yet. Maybe we're just the very beginning, and all the fuss and mess we made was nothing but the first strike of the flint, the first shower of sparks. There's still no such thing as witches. But there will be.

My seams gape wide so I'm tossed aside To rot on a lonely shore, While the leaves and mould like a shroud unfold, For the last of my trails are o'er, But I float in dreams on Northland streams That never again I'll see, As I lie on the marge of the old portage With grief for company. When the sunset gilds the timbered hills That guard Timagami, And the moon beams play on far James Bay By the brink of the frozen sea, In phantom guise my spirit flies As the dream blades dip and swing Where the waters flow from the Long Ago In the spell of the beck'ning spring. Do the cow-moose call on the Montreal When the first frost bites the air, And the mists unfold from the red and gold That the autumn ridges wear? When the white falls roar as they did of yore On the Lady Evelyn, Do the square-tail leap from the black pool deep Where the pictured rocks begin? Oh! the fur fleet sings on Temiscaming As the ashen paddles bend, And the crews carouse at Rupert's House At the sullen winter's end; But my days are done where the lean wolves run, And I ripple no more the path, Where the grey geese race 'cross the red moon's face From the white winds Arctic wrath. Tho' the death-fraught way from the Saguenay To the storied Nipigon, Once knew me well, now a crumbling shell I watch as the years roll on, And in memory's haze I live the days That forever are gone from me, As I rot on the marge of the old portage With grief for company.

Our voices sounded small in the noisy darkness. We called her name again and again. We waved our flashlights in hope that she’d see their bobbing light. We were hoarse from calling. And desperate when she didn’t answer. The faint trail gave out, and we began circling back to the house without realizing it until we saw the lights in the windows. “We need to call the police,” Dad said. “We don’t know the land the way they do. We’ll get lost ourselves if we keep going.” Wordlessly, we made our way home. Mom was on the front porch, shivering in her warmest down coat. “You didn’t find her?” “No.” Dad stopped to hug her. Mom clung to him. They stood there whispering to each other, as if they’d forgotten about me. I waited, shifting my weight from one frozen foot to the other, afraid Bloody Bones might be watching us from the trees. Not that I believed he actually existed, not in my world, the real world, the five-senses world. But with the wind blowing and the moon sailing in and out of clouds like a ghost racing across the sky, I could almost believe I’d crossed a border into another world, where anything could be true—even conjure women and spells and monsters. The police came sooner than we’d expected. We heard their sirens and saw their flashing lights before they’d even turned into the driveway. Four cars and an ambulance stopped at the side of the house. Doors opened, men got out. A couple of them had dogs, big German shepherds who

Roses, roses! An interminable chain of these royal blossoms, red and white, wreathed by the radiant fingers of small rainbow-winged creatures as airy as moonlight mist, as delicate as thistledown! They cluster round me with smiling faces and eager eyes; they place the end of their rose-garland in my hand, and whisper, "FOLLOW!" Gladly I obey, and hasten onward. Guiding myself by the fragrant chain I hold, I pass through a labyrinth of trees, whose luxuriant branches quiver with the flight and song of birds. Then comes a sound of waters; the riotous rushing of a torrent unchecked, that leaps sheer down from rocks a thousand feet high, thundering forth the praise of its own beauty as it tosses in the air triumphant crowns of silver spray. How the living diamonds within it shift, and change, and sparkle! Fain would I linger to watch this magnificence; but the coil of roses still unwinds before me, and the fairy voices still cry, "FOLLOW!" I press on. The trees grow thicker; the songs of the birds cease; the light around me grows pale and subdued. In the far distance I see a golden crescent that seems suspended by some invisible thread in the air. Is it the young moon? No; for as I gaze it breaks apart into a thousand points of vivid light like wandering stars. These meet; they blaze into letters of fire. I strain my dazzled eyes to spell out their meaning. They form one word—HELIOBAS. I read it. I utter it aloud. The rose-chain breaks at my feet, and disappears. The fairy voices die away on my ear. There is utter silence, utter darkness,—save where that one NAME writes itself in burning gold on the blackness of the heavens.

Little Sleep's-Head Sprouting Hair in the Moonlight 1 You scream, waking from a nightmare. When I sleepwalk into your room, and pick you up, and hold you up in the moonlight, you cling to me hard, as if clinging could save us. I think you think I will never die, I think I exude to you the permanence of smoke or stars, even as my broken arms heal themselves around you. 2 I have heard you tell the sun, don't go down, I have stood by as you told the flower, don't grow old, don't die. Little Maud, I would blow the flame out of your silver cup, I would suck the rot from your fingernail, I would brush your sprouting hair of the dying light, I would scrape the rust off your ivory bones, I would help death escape through the little ribs of your body, I would alchemize the ashes of your cradle back into wood, I would let nothing of you go, ever, until washerwomen feel the clothes fall asleep in their hands, and hens scratch their spell across hatchet blades, and rats walk away from the culture of the plague, and iron twists weapons toward truth north, and grease refuse to slide in the machinery of progress, and men feel as free on earth as fleas on the bodies of men, and the widow still whispers to the presence no longer beside her in the dark. And yet perhaps this is the reason you cry, this the nightmare you wake screaming from: being forever in the pre-trembling of a house that falls. 3 In a restaurant once, everyone quietly eating, you clambered up on my lap: to all the mouthfuls rising toward all the mouths, at the top of your voice you cried your one word, caca! caca! caca! and each spoonful stopped, a moment, in midair, in its withering steam. Yes, you cling because I, like you, only sooner than you, will go down the path of vanished alphabets, the roadlessness to the other side of the darkness, your arms like the shoes left behind, like the adjectives in the halting speech of old folk, which once could call up the lost nouns. 4 And you yourself, some impossible Tuesday in the year Two Thousand and Nine, will walk out among the black stones of the field, in the rain, and the stones saying over their one word, ci-gît, ci-gît, ci-gît, and the raindrops hitting you on the fontanel over and over, and you standing there unable to let them in. 5 If one day it happens you find yourself with someone you love in a café at one end of the Pont Mirabeau, at the zinc bar where wine takes the shapes of upward opening glasses, and if you commit then, as we did, the error of thinking, one day all this will only be memory, learn to reach deeper into the sorrows to come—to touch the almost imaginary bones under the face, to hear under the laughter the wind crying across the black stones. Kiss the mouth that tells you, here, here is the world. This mouth. This laughter. These temple bones. The still undanced cadence of vanishing. 6 In the light the moon sends back, I can see in your eyes the hand that waved once in my father's eyes, a tiny kite wobbling far up in the twilight of his last look: and the angel of all mortal things lets go the string. 7 Back you go, into your crib. The last blackbird lights up his gold wings: farewell. Your eyes close inside your head, in sleep. Already in your dreams the hours begin to sing. Little sleep's-head sprouting hair in the moonlight, when I come back we will go out together, we will walk out together among the ten thousand things, each scratched in time with such knowledge, the wages of dying is love.

Magic is a kind of energy. It is given shape by human thoughts and emotions, by imagination. Thoughts define that shape—and words help to define those thoughts. That’s why wizards usually use words to help them with their spells. Words provide a sort of insulation as the energy of magic burns through a spell caster’s mind. If you use words that you’re too familiar with, words that are so close to your thoughts that you have trouble separating thought from word, that insulation is very thin. So most wizards use words from ancient languages they don’t know very well, or else they make up nonsense words and mentally attach their meanings to a particular effect. That way, a wizard’s mind has an extra layer of protection against magical energies coursing through it. But you can work magic without words, without insulation for your mind. If you’re not afraid of it hurting a little.

Attention All Students, the following is a safety notice and we advise you take all of the information in this notification seriously. Tonight is the LUNAR ECLIPSE. All Fae will be struck by the urges of the moon and will be guided by their most base instincts and the truest desires of their hearts and flesh. As such, the faculty have made the following recommendations: 1. Remain alone in your rooms throughout the evening with the door locked. 2. Turn off your Atlases to avoid the temptation to send provocative messages to your fellow students via social media. 3. Take a sleeping draft or two to try and bypass the night without succumbing to the urges. 4. Make sure you have cast your monthly contraceptive spells so that when rules 1-3 fail to work you will not come crying to the faculty about unexpected pregnancies. Please try to remain safe and enjoy your evening. - Principal Nova.

History Eraser I got drunk and fell asleep atop the sheets but luckily i left the heater on. And in my dreams i wrote the best song that i've ever written...can't remember how it goes. I stayed drunk and fell awake and i was cycling on a plane and far away i heard you say you liked me. We drifted to a party -- cool. The people went to arty school. They made their paints by mixing acid wash and lemonade In my brain I re-arrange the letters on the page to spell your name I found an ezra pound and made a bet that if i found a cigarette i'd drop it all and marry you. Just then a song comes on: "you can't always get what you want" -- the rolling stones, oh woe is we, the irony! The stones became the moss and once all inhibitions lost, the hipsters made a mission to the farm. We drove by tractor there, the yellow straw replaced our hair, we laced the dairy river with the cream of sweet vermouth. In my brain I re-arrange the letters on the page to spell your name You said "we only live once" so we touched a little tongue, and instantly i wanted to... I lost my train of thought and jumped aboard the Epping as the doors were slowly closing on the world. I touched on and off and rubbed my arm up against yours and still the inspector inspected me. The lady in the roof was living proof that nothing really ever is exactly as it seems. In my brain I re-arrange the letters on the page to spell your name We caught the river boat downstream and ended up beside a team of angry footballers. I fed the ducks some krill then we were sucked against our will into the welcome doors of the casino. We drank green margaritas, danced with sweet senoritas, and we all went home as winners of a kind. You said "i guarantee we'll have more fun, drink till the moon becomes the sun, and in the taxi home i'll sing you a triffids song!" In my brain I re-arrange the letters on the page to spell your name

Marilee lay perfectly still,waiting for her world to settle.She had to fight the unreasonable urge to weep. Wyatt's face was pressed to the hollow of her throat,his breathing rough, his damp body plastered to hers. He nuzzled her neck. "Am I too heavy?" "Umm." It was all she could manage. "You all right?" "Umm." "Did anybody ever tell you that you talk too much?" "Umm." He brushed his mouth over hers. "If you hum a bit more,I might be able to name that tune." That broke the spell of tears that had been threatening and caused her to laugh. She wrapped her arms around his neck and kissed him back. "Have I told you how much I like your silly sense of humor?" "No,you haven't." He rolled to his side and gathered her into his arms,nuzzling her cheek,while his big hands moved over her hip,her back,her waist, as though measuring every inch of her. "What else do you like about me?" "You fishing for compliments?" "Of course I am." "Glutton. Your sense of humor isn't enough?" "Not nearly enough.How about my looks?" "They're okay,for a footloose rebel." "Stop.All these mushy remarks will inflate my ego." He gave a mock frown. "How about the way I kiss?" "You're not bad." "Not bad?" His hands stopped their movement. He drew a little away. "That's all you can say?" "If you recall,tonight was the first time we've kissed.I haven't had nearly enough practice to be a really good judge of your talent." "Then we'd better take care of that right now." He framed her face. With his eyes steady on hers, he lowered his mouth to claim her lips. Marilee's eyelids fluttered and she felt an explosion of color behind them. As though the moon and stars had collided while she rocketed through space. It was the most amazing sensation, and, as his lips continued moving over hers,she found herself wishing it could go on forever. When at last they came up for air, she took in a long,deep breath before opening her eyes. "Oh,yes,rebel.I have to say,I do like the way you kiss." "That's good,because I intend to do a whole lot more of it." He lay back in the grass,one hand beneath his head. "Now it's my turn.Want to know all the things I like about you?" "I'm afraid to hear it." Marilee lay on her side,her hand splayed across his chest. "Besides your freckles,which I've already mentioned,the thing about you I like best is your take-charge attitude." She chuckled. "A lot of guys feel intimidated by that." "They're idiots.Don't they know there's something sexy about a woman who knows what to do and how to do it? I've watched you as a medic and as a pilot, and I haven't decided which one turns me on more." "Really?" She sat up. "Want me to fetch my first-aid kit from the plane? I could always splint your arm or leg and really turn you on." He dragged her down into his arms and growled against her mouth, "You don't need to do a single thing to turn me on. All I need to do is look at you and I want you." "You mean now? Again? So soon?" "Oh,yeah." "Liar.I don't believe it's possible." "You ought to know by now that I never say anything I can't back up with action." "Prove it,rebel." "My pleasure." There was a wicked smile on his lips as he rolled over her and began to kiss her breathless,all the while taking her on a slow,delicious ride to paradise.

Pack what you need for the divination,” he said. Relieved that he believed me capable, I walked to his desk. A detailed map of Hereswith was spread over the wood, river rocks pinning down the four corners. It was a map I had memorized with its crooked, winding streets. Above the desk, shelves lined the walls, burdened with leather-bound spell books, stacks of paper, jars brimming with crushed flowers and salt crystals and swan quills, ornate ink pots, cast-iron spoons with jewels embedded in the handles, silver bowls nestled into each other, a potted fern whose wilting leaves dangled like unrequited love. I gathered what I needed: a bowl that shone like a full moon, pink salt, dried gardenias, a spoon with an emerald chip, a pitcher full of water, a swan quill, a silver inkwell that was crafted as an octopus, its tentacles holding a vial of walnut ink. I charmed them all beneath my breath with a shrinking cantrip—a spell my mother had taught me—until the objects could sit cradled in my palm, and I slipped them into my pocket, where the remedies waited. The objects clinked like musical notes when they met, weightless as air.

The wind was blustering again, whipping the curtains. Peter went over to close the window. The moon was now high on the eastern rise, radiant above the church where small water-cart clouds raced across the sky. About to fasten the window latch, his eye was drawn down to the garden. The fox stood under the apple tree looking up at him. The animal began to bark. Each monosyllabic yip and yap seemed to mimic human speech. By some strange power or spell, Peter could understand what the animal was saying. He heard the words loud and clear. ‘I-am Si-on,’ the fox barked. Man and beast looked unwaveringly at one another, neither moving a muscle. The wind stopped blowing, the curtains hung at rest. Peter leaned out the window. ‘What do you want from me?’ he called down. ‘Save-us-from-the-stea-lers,’ barked Sion. Peter’s mind reeled. It would be madness to believe he could understand what the fox was saying—lunacy to think he could commune with it! ‘I must still be asleep,’ he reasoned, closing the window. He sat down on the bed, folding his hands in his lap. But this is not a dream. Lying down, he pulled the bedcovers over himself. ‘Save-us! Save-us! Save-us!’ the fox kept barking from the garden.

Hurry up, he'll be coming back pretty soon!" Lynda spelled with a "y" Corgill, who was two years behind Dara, Mackenzie, and Jennifer, and had just completed her sophomore year, squeezed the hot glue gun into the door lock of the headmaster's office. Shelby Andrews, her accomplice and the newest resident to be accepted at Wood Rose, stood watch. "I see the lights of the truck. Hurry! He's coming back! Are you finished?" Lynda gave the metal apparatus one last squeeze, filling the lock with the quick-drying cement glue guaranteed to harden on contact. "Finished." In the soft illumination of the crescent moon high overhead, the two girls, barefooted and wearing dark blue pajamas, ran across the lawn crisscrossed by dark, elongated shadows and dampened by night-cooled air to the maintenance shed where they placed the glue gun on the top shelf where it was normally kept. With their task completed, they quickly returned to the dormitory, to the far end from where Ms. Larkins slept, and crawled through the open window. Within minutes they were back in their rooms, in their individual beds, and sound asleep. The sleep of innocent angels. It would soon be light; and Wood Rose Orphanage and Academy for Young Women would start another day.

He told how the light moved, he told of shadows, he told how the air was white and bright and pale; he told how for a little while Earth began to grow like Elfland, with a kinder light and the beginning of colours, and then just as one thought of home the light would blink away and the colours be gone. He told of stars. He told of cows and goats and the moon, three horned creatures that he found curious. He had found more wonder in Earth than we remember, though we also saw these things once for the first time; and out of the wonder he felt at the ways of the fields we know, he made many a tale that held the inquisitive trolls and gripped them silent upon the floor of the forest, as though they were indeed a fall of brown leaves in October that a frost had suddenly bound. They heard of chimneys and carts for the first time: with a thrill they heard of windmills. They listened spell-bound to the ways of men; and every now and then, as when he told of hats, there ran through the forest a wave of little yelps of laughter. Then he said that they should see hats and spades and dog-kennels, and look through casements and get to know the windmill; and a curiosity arose in the forest amongst that brown mass of trolls, for their race is profoundly inquisitive.

Red: Maintaining health, bodily strength, physical energy, sex, passion, courage, protection, and defensive magic. This is the color of the element of fire. Throughout the world, red is associated with life and death, for this is the color of blood spilled in both childbirth and injury. Pink: Love, friendship, compassion, relaxation. Pink candles can be burned during rituals designed to improve self-love. They’re ideal for weddings and for all forms of emotional union. Orange: Attraction, energy. Burn to attract specific influences or objects. Yellow: Intellect, confidence, divination, communication, eloquence, travel, movement. Yellow is the color of the element of air. Burn yellow candles during rituals designed to heighten your visualization abilities. Before studying for any purpose, program a yellow candle to stimulate your conscious mind. Light the candle and let it burn while you study. Green: Money, prosperity, employment, fertility, healing, growth. Green is the color of the element of earth. It’s also the color of the fertility of the earth, for it echoes the tint of chlorophyll. Burn when looking for a job or seeking a needed raise. Blue: Healing, peace, psychism, patience, happiness. Blue is the color of the element of water. This is also the realm of the ocean and of all water, of sleep, and of twilight. If you have trouble sleeping, charge a small blue candle with a visualization of yourself sleeping through the night. Burn for a few moments before you get into bed, then extinguish its flame. Blue candles can also be charged and burned to awaken the psychic mind. Purple: Power, healing severe diseases, spirituality, meditation, religion. Purple candles can be burned to enhance all spiritual activities, to increase your magical power, and as a part of intense healing rituals in combination with blue candles. White: Protection, purification, all purposes. White contains all colors. It’s linked with the moon. White candles are specifically burned during purification and protection rituals. If you’re to keep but one candle on hand for magical purposes, choose a white one. Before use, charge it with personal power and it’ll work for all positive purposes. Black: Banishing negativity, absorbing negativity. Black is the absence of color. In magic, it’s also representative of outer space. Despite what you may have heard, black candles are burned for positive purposes, such as casting out baneful energies or to absorb illnesses and nasty habits. Brown: Burned for spells involving animals, usually in combination with other colors. A brown candle and a red candle for animal protection, brown and blue for healing, and so on.

Ione I. AH, yes, 't is sweet still to remember, Though 't were less painful to forget; For while my heart glows like an ember, Mine eyes with sorrow's drops are wet, And, oh, my heart is aching yet. It is a law of mortal pain That old wounds, long accounted well, Beneath the memory's potent spell, Will wake to life and bleed again. So 't is with me; it might be better If I should turn no look behind, — If I could curb my heart, and fetter From reminiscent gaze my mind, Or let my soul go blind — go blind! But would I do it if I could? Nay! ease at such a price were spurned; For, since my love was once returned, All that I suffer seemeth good. I know, I know it is the fashion, When love has left some heart distressed, To weight the air with wordful passion; But I am glad that in my breast I ever held so dear a guest. Love does not come at every nod, Or every voice that calleth 'hasten;' He seeketh out some heart to chasten, And whips it, wailing, up to God! Love is no random road wayfarer Who Where he may must sip his glass. Love is the King, the Purple-Wearer, Whose guard recks not of tree or grass To blaze the way that he may pass. What if my heart be in the blast That heralds his triumphant way; Shall I repine, shall I not say: 'Rejoice, my heart, the King has passed!' In life, each heart holds some sad story — The saddest ones are never told. I, too, have dreamed of fame and glory, And viewed the future bright with gold; But that is as a tale long told. Mine eyes have lost their youthful flash, My cunning hand has lost its art; I am not old, but in my heart The ember lies beneath the ash. I loved! Why not? My heart was youthful, My mind was filled with healthy thought. He doubts not whose own self is truthful, Doubt by dishonesty is taught; So loved! boldly, fearing naught. I did not walk this lowly earth; Mine was a newer, higher sphere, Where youth was long and life was dear, And all save love was little worth. Her likeness! Would that I might limn it, As Love did, with enduring art; Nor dust of days nor death may dim it, Where it lies graven on my heart, Of this sad fabric of my life a part. I would that I might paint her now As I beheld her in that day, Ere her first bloom had passed away, And left the lines upon her brow. A face serene that, beaming brightly, Disarmed the hot sun's glances bold. A foot that kissed the ground so lightly, He frowned in wrath and deemed her cold, But loved her still though he was old. A form where every maiden grace Bloomed to perfection's richest flower, — The statued pose of conscious power, Like lithe-limbed Dian's of the chase. Beneath a brow too fair for frowning, Like moon-lit deeps that glass the skies Till all the hosts above seem drowning, Looked forth her steadfast hazel eyes, With gaze serene and purely wise. And over all, her tresses rare, Which, when, with his desire grown weak, The Night bent down to kiss her cheek, Entrapped and held him captive there. This was Ione; a spirit finer Ne'er burned to ash its house of clay; A soul instinct with fire diviner Ne'er fled athwart the face of day, And tempted Time with earthly stay. Her loveliness was not alone Of face and form and tresses' hue; For aye a pure, high soul shone through Her every act: this was Ione.

come to call “ideograms.” An ideogram is often a pictorial character that refers not to the visible entity that it explicitly pictures but to some quality or other phenomenon readily associated with that entity. Thus—to invent a simple example—a stylized image of a jaguar with its feet off the ground might come to signify “speed.” For the Chinese, even today, a stylized image of the sun and moon together signifies “brightness”; similarly, the word for “east” is invoked by a stylized image of the sun rising behind a tree.5 The efficacy of these pictorially derived systems necessarily entails a shift of sensory participation away from the voices and gestures of the surrounding landscape toward our own human-made images. However, the glyphs which constitute the bulk of these ancient scripts continually remind the reading body of its inherence in a more-than-human field of meanings. As signatures not only of the human form but of other animals, trees, sun, moon, and landforms, they continually refer our senses beyond the strictly human sphere.6 Yet even a host of pictograms and related ideograms will not suffice for certain terms that exist in the local discourse. Such terms may refer to phenomena that lack any precise visual association. Consider, for example, the English word “belief.” How might we signify this term in a pictographic, or ideographic, manner? An image of a phantasmagorical monster, perhaps, or one of a person in prayer. Yet no such ideogram would communicate the term as readily and precisely as the simple image of a bumblebee, followed by the figure of a leaf. We could, that is, resort to a visual pun, to images of things that have nothing overtly to do with belief but which, when named in sequence, carry the same sound as the spoken term “belief” (“bee-leaf”). And indeed, such pictographic puns, or rebuses, came to be employed early on by scribes in ancient China and in Mesoamerica as well as in the Middle East, to record certain terms that were especially amorphous or resistant to visual representation. Thus, for instance, the Sumerian word ti, which means

I bind to myself today The strong virtue of the Invocation of the Trinity: I believe the Trinity in the Unity The Creator of the Universe. I bind to myself today The virtue of the Incarnation of Christ with His Baptism, The virtue of His crucifixion with His burial, The virtue of His Resurrection with His Ascension, The virtue of His coming on the Judgement Day. I bind to myself today The virtue of the love of seraphim, In the obedience of angels, In the hope of resurrection unto reward, In prayers of Patriarchs, In predictions of Prophets, In preaching of Apostles, In faith of Confessors, In purity of holy Virgins, In deeds of righteous men. I bind to myself today The power of Heaven, The light of the sun, The brightness of the moon, The splendour of fire, The flashing of lightning, The swiftness of wind, The depth of sea, The stability of earth, The compactness of rocks. I bind to myself today God's Power to guide me, God's Might to uphold me, God's Wisdom to teach me, God's Eye to watch over me, God's Ear to hear me, God's Word to give me speech, God's Hand to guide me, God's Way to lie before me, God's Shield to shelter me, God's Host to secure me, Against the snares of demons, Against the seductions of vices, Against the lusts of nature, Against everyone who meditates injury to me, Whether far or near, Whether few or with many. I invoke today all these virtues Against every hostile merciless power Which may assail my body and my soul, Against the incantations of false prophets, Against the black laws of heathenism, Against the false laws of heresy, Against the deceits of idolatry, Against the spells of women, and smiths, and druids, Against every knowledge that binds the soul of man. Christ, protect me today Against every poison, against burning, Against drowning, against death-wound, That I may receive abundant reward. Christ with me, Christ before me, Christ behind me, Christ within me, Christ beneath me, Christ above me, Christ at my right, Christ at my left, Christ in the fort, Christ in the chariot seat, Christ in the poop, Christ in the heart of everyone who thinks of me, Christ in the mouth of everyone who speaks to me, Christ in every eye that sees me, Christ in every ear that hears me. I bind to myself today The strong virtue of an invocation of the Trinity, I believe the Trinity in the Unity The Creator of the Universe.

THE RETURN OF THE GODS Like a white bird upon the wind, the sail of the boat of Manannan mac Lir (Pronounced Mananarn mak Leer), the Son of the Sea, flew across the sparkling waves filled with the breeze that blew Westward to the Islands of the Blessed. The Sun Goddess above him smiled down with warmth upon her friend. The fish in the ocean danced for him beneath the turquoise water; the porpoises leapt above the waves to greet him. Upon the wind was a smell of sweetness, the smell of apple blossom in the Spring of the morning of the world. And in the prow of the boat sat Lugh (Pronounced Loo) the long-armed; strumming on his harp, he sang the Song of Creation. And as they drew closer to the green hills of Ireland, the holy land of Ireland, the Shee came out of their earth-barrow homes and danced for joy beneath the Sun. For hidden in a crane-skin sack at the bottom of the boat was the Holy Cup of Blessedness. Long had been her journeying through lands strange and far. And all who drank of that Cup, dreamed the dreams of holy truth, and drank of the Wine of everlasting life. And deep within the woods, in a green-clad clearing, where the purple anemone and the white campion bloomed, where primroses still lingered on the shadowed Northern side, a great stag lifted up his antlered head and sniffed the morning. His antlers seven-forked spoke of mighty battles fought and won, red was his coat, the colour of fire, and he trotted out of his greenwood home, hearing on the wind the song of Lugh. And in her deep barrow home, the green clad Goddess of Erin, remembered the tongue that she had forgotten. She remembered the secrets of the weaving of spells, She remembered the tides of woman and the ebb and flow of wave and Moon. She remembered the people who had turned to other Gods and coming out of her barrow of sleep, her sweet voice echoed the verses of Lugh and the chorus of Manannan. And the great stag of the morning came across the fields to her and where had stood the Goddess now stood a white hind. And the love of the God was returned by the Goddess and the larks of Anghus mac Og hovering above the field echoed with ecstasy the Song of Creation. And in the villages and towns the people came out of their houses, hearing the sweet singing and seeking its source. And children danced in the streets with delight. And they went down to the shore, the Eastern shore, where rises the Sun of the Morning, and awaited the coming of Manannan and Lugh, the mast of their boat shining gold in the Sun. The sea had spoken, the Eastern dawn had given up her secret, the Gods were returning, the Old Ones awakening, joy was returning unto the sleeping land.  

New Beginnings – New Moon Spiritually: New moon is representative of a woman’s menstrual cycle and throughout history, women lived away from other people during this time. Don’t think about the new moon as a fresh start but a time to retreat. During this time you can start over and renew your strength. Clean slates, fresh starts, and new beginnings surround the new moon. You need to use this time to “reboot.” Imagine your “battery” getting recharged under the new moon’s energy. Throw all your unwanted junk and thoughts away. In order to do this, you have to unplug yourself and take some time alone. You might begin to feel introverted and anti-social. Watch for these feelings and just embrace them. When the moon turns her dark side toward us, turn away from other people’s draining energy and turn inward. Never feel bad if you have to cancel plans, you don’t want to answer phone calls, or be around other people. Turning off and tuning out is the best way to make it through a new moon. Scientifically: The new moon begins when the moon and sun are both on the exact same side of the Earth. Since the sun isn’t facing the moon, from our view on Earth, it looks as if the moon’s dark side is facing us.

Dark Moon: During the day right before a new moon, most witches won’t work magic. They choose to refresh their energy for the next waxing cycle. There are others who find the dark moon is the best time to work the magic that is related to closure and this will bring things to a full circle. The moon’s energy holds a destructive potential that you can use to release any karma that keeps popping into your life over and over again like things related to betrayal, abandonment, or lack. Some gems you can use during this time are clear quartz, obsidian, and tektite. Waning Moon: This would be the time for you to release energy outwardly and align yourself with inward energy. This will eliminate all negative experiences and energies. Your main goal is to do spells that help you get rid of anything that is causing sickness, resolve conflicts, and overcome obstacles. Some gems you can use during this time are unakite jasper, angelite, obsidian, petalite, black tourmaline, and calcite. Full Moon: This moon phase is the most powerful in the whole lunar cycle. Most Witches consider the day of the full moon the most magically powerful day during the whole month. They usually save their spell work that is related to important goals for this day. All magic is favored when done during a ritual under the full moon. Some gems you could use during this time are quartz, selenite, and moonstone. Waxing Moon: This is the perfect time to take action toward your goals. Beginning these goals during this time will bring you to them faster. This energy is action energy and it will push your intentions out into the Universe. The magical work you do during this time should be related to strengthening or gaining partnerships with other people. It might be a business partner, romantic partner, or making new friends. It is also a time to improve your well-being and physical health. Gems you can use during this time are emerald, rainbow moonstone, citrine, carnelian, and fluorite, and nuumite. New Moon: This is the start of the lunar cycle. This is the time to dream about what you want to create in life. Magic meant to begin new ventures or projects are great to do during this time. Basically, anything that involves increasing or attracting the things you desire would be great. Some gems you can use during this time are the clear quartz, obsidian, tektite, iolite, black moonstone, and labradorite.

The Blue Moon Wish Spell The “Blue Moon” is when there are 2 full moons in one month, it is in the horoscopic symbol of Pisces. To see the dates for the blue moon click here. It illuminates intuition, creativity, and compassion.  This is the time that you should start thinking about all your wishes and intentions. As a practitioner of witchcraft, you should make sure that you perform this ritual since such an astrological opportunity only occurs “once in a Blue Moon”.  Requirements a quartz crystal a cinnamon stick A blue pen a blue candle a sheet of parchment paper 3 safety pins a glass  of spring water or wine A piece silver cord or string, of a length of 24 inches a square of blue cloth Vial of success potion (not mandatory) 1 book of matches On the day before of the Blue Moon, collect all the above items and then set a specific time for performing the spell without any distractions.  Quietly sit down with all your items as listed above and place them before you on a table.  Shut your eyes and bring your mind to silence, after that, concentrate on your breathing.  The moment you feel clear and grounded, you can open your eyes and start the spell. While lighting the candle, think of 3 things that you would like to occur by the year’s end. You can also wish for something that takes place once in a blue moon. (rarely) Pat success oil on your, wrists, temple and your neck for a boost in case you have some. Envision one particular wish coming true while holding the quartz crystal in your hands. Vision yourself doing the thing you are wishing for, or clearly see something that you wish for happen before you. Pick your pen and paper up and start writing down your wishes as you keenly visualize them. Note them down in their order of importance to you.   After you note down the three wishes on your piece of parchment, separately tear them out Attach each of your wishes to the square piece of cloth using a safety pin Place the cinnamon stick in the middle of the cloth and then inwardly fold the sides of the cloth. After that, roll it up. Tightly seal your projections by wrapping the string around the cloth nine times and after that, tie steadily with a knot. Take your wishes and walk outside with them while holding the libation of your choice. Look up to the sky or the moon.  Lift up your glass and say the following words; “On this eve of the Blue Moon, out my intents go. I request they be received, and it is so” Place the cloth containing your wishes in a concealed place where you are the only one who can see it often all the way through the coming few months as a reminder to the wishes you have made.

anticipation and the preparation are all part of the process of creating what you want and bringing it to fruition.

She had heard that the first dragons came from the east, from the Shadow Lands beyond Asshai and the islands of the Jade Sea ... Magic had died in the west when the Doom fell on Valyria and the Lands of the Long Summer, and neither spell-forged steel nor stormsingers nor dragons could hold it back, but Dany had always heard that the east was different. ... "A trader from Qarth once told me that dragons came from the moon," blonde Doreah said...

She had heard that the first dragons had come from the east, from the Shadow Lands beyond Asshai and the islands of the Jade Sea ... Magic had died in the west when the Doom fell on Valyria and the Lands of the Long Summer, and neither spell-forged steel nor stormsingers nor dragons could hold it back, but Dany had always heard that the east was different. ... "A trader from Qarth once told me that dragons came from the moon," blonde Doreah said...

A glint of gold caught her eye. The Scroll lay before her. She admired the detailed artwork on the borders, in which exotic beasts and birds with long feathers hid in twisting branches. She picked up the manuscript. The parchment pulsed beneath her touch as if she had awakened it. She dropped it and stepped back, rubbing her fingers on her jeans to rid herself of the unpleasant sensation that the parchment had recognized her. She didn't recall having had such a feeling before. Perhaps Gerard de Molaire, the sorcerer who had hidden a spell within the Scroll, had channeled some kind of sinister energy into it. But then another thought came to her. Chris had given her the manuscript before, and maybe he had controlled it then.

Peggy closed her eyes and saw her river of stars, her forest glade, and the dunce-hat towers against an inky sky with a crescent bowl of moon. “They are like dreams. In a fairy tale, words and curses and spells have power. There is magic. Everything is animated, from a grass blade to a talking owl, from a table carved of hazelwood to a fish that warns you not to drink the river water.” She opened her eyes and looked at him, wanting him to understand. “Magic is the point of it all.

Sleep is delayed by an average of five minutes and decreased by as much as twenty-five minutes during the full Moon phase!

It's his smell. It's rattling me.  Not just a glimpse of it like at the party, but his entire scent.  Spicy, like clove and carnal. It’s the smell of black magic at midnight. When witches stand around their brew at night with the moon and candles burning the room. Incents wisping in the air. Ancient spells and occult sorcery sting my nose. It’s smoke, timber and I hate how much I love this smell.

I am in need of music that would flow Over my fretful, feeling fingertips, Over my bitter-tainted, trembling lips, With melody, deep, clear, and liquid-slow. Oh, for the healing swaying, old and low, Of some song sung to rest the tired dead, A song to fall like water on my head, And over quivering limbs, dream flushed to glow! There is a magic made by melody: A spell of rest, and quiet breath, and cool Heart, that sinks through fading colors deep To the subaqueous stillness of the sea, And floats forever in a moon-green pool, Held in the arms of rhythm and of sleep.

Congratulations, my son. If all has gone to plan, you passed the test we laid for you in the tomb. Merissa Vega assured me you would protect her daughter no matter what spell you were under. Pride doesn’t come close to what I feel toward you right now. If you have gained the Imperial Star, then I know you are the man I hoped you would become. Now, the star must remain hidden. Only your most loyal of friends can know its location. A star cannot be seen by Seers or divined by the arcane arts. So long as you protect the knowledge of its location, it can never be discovered by Lionel Acrux. This brings me onto your next task. You must reform the Zodiac Guild. Choose those strong of heart, mind and soul to swear an oath to protect the Vega royals. They will need a strong following to help them ascend, Fae who they can trust with their lives. Choose wisely. To bind new members to the Guild, you will need the Chalice of Flames, an item that has long been in my possession. Spill your blood beneath the light of the full moon to summon the chalice.

The moon bathed the castle grounds in an ethereal glow, casting an enchanting spell over the night.

But mother, what are we young girls to do? If not drown under the spell of the moon." - Amy Williams

As the fierce battle raged on between Prince Assad and the soldiers, the small puddle nestled amidst the underbrush continued to mirror the night sky and the radiant moon. Its surface rippled gently, distorting the celestial reflection and adding an entrancing aura to the scene. Within the puddle's depths, a bright, luminescent orb seemed suspended in the water's embrace, mirroring the moon's radiance. Amidst the enchanting dance of ripples in the puddle, Dilaram, Princess Mehjabeen's loyal companion emerged, took a deep breath, and made a daring decision. She knew the danger that Prince Assad faced in the relentless battle with the soldiers, and her love and loyalty to the princess drove her to act. With her heart pounding, Dilaram raised her delicate hands and began whispering an incantation, her words imbued with ancient magic. Dilaram's incantation, born from the depths of her love and loyalty to Princess Mehjabeen, was a powerful spell that wove together the mystical forces of Tilsim Hoshruba. It was an incantation that had been passed down through generations of enchantresses, carefully guarded and used only in the direst of circumstances. The incantation itself was a blend of ancient words and intricate hand movements, a delicate dance of both spoken and unspoken magic. As Dilaram whispered the words and traced the patterns in the air, the spell took form: "By the moon's radiant light, by the heart's unwavering might, In the name of love, in the name of fate, Create for him an unseen gate." As Dilaram continued her chant, the magic came to life. It created a shimmering tunnel amidst the swampy underbrush. Prince Assad, still embroiled in combat, continued to face the soldiers with unwavering determination. His every strike was a testament to his prowess as a skilled warrior. Dilaram's incantation worked like a silent, invisible wind. It pulled Prince Assad away from the battlefield and into the concealed tunnel she had created. The soldiers, bewildered by his sudden disappearance, exchanged confused glances, their swords raised and ready. Within the concealed tunnel, Prince Assad was transported to safety, away from the immediate danger of the soldiers' blades. As he stepped into this mystical passage, the world around him shifted, and he found himself hidden from view. Dilaram's work was not done yet. Her incantation had created the gate, and now she whispered another set of words: "Through the veil of night, beyond the soldiers' sight, Guide him to where he'll be free, under the moon's decree." This incantation was designed to lead Prince Assad to a safe location, away from the soldiers' pursuit. It was as if the night itself had become his protector, guiding him to a place where he could regroup and remain hidden. With her final words, the portal shimmered and then vanished, leaving no trace of its existence. Dilaram, her heart heavy with concern for Prince Assad, disappeared inside the puddle, from where she had initiated the spell. She knew that the fate of both Prince Assad and Princess Mehjabeen hung in the balance, and the path they would choose was a destiny intertwined with the enigmatic realm of Tilsim Hoshruba.

The Goddess of the Witches?” After Ana had met Breda, she had made Veronika promise to light a black candle for Morana every time she tried to do magic. Her sister’s spells had a way of going wrong in the worst possible way. “Yes. She is also the goddess of winter and of death.” “Goran gave me a book. It has a picture of girls drowning Morana in the river, so the spring can return.” Ana wrinkled her nose. “You didn’t like the story?” Breda smiled at her. “It said Vesna, the spring, and Morana can’t exist at the same time. I know it can’t be summer and winter both, but the seasons are one thing, a cycle.” Breda’s smile broadened. “Well done. In older stories, Morana was first the goddess of life—that whole cycle, as you said, from birth to death. Dažbog, the Sun God, loved her—and she loved him as all life loves the Sun. But she was the goddess of every living thing and had many lovers. In jealousy, Dažbog cast her into Nav, the place of the dead. He still loved her though and had to be with her, even there. So for half the year he joined her in the Nav, bringing winter.

Fayette’s dead,” said Toadling. “Hmmph,” said the goddess. “Took you long enough.” “What?” The great full-moon eyes narrowed to gibbous. “You were sent to stop her from doing harm. The spell would have done as much, in time.” “I was supposed to kill her?” “The dead do no harm to anyone.” Toadling, friend of water, found her mouth had gone bone-dry. “Then why send me? Anyone could have killed her—Master Gourami—you—a mortal—” “And calm the wrath of a great lord of elves down on our heads?” said the goddess. “No. But you had a right to retake your place. Even they would be forced to agree to that.” She had been frightened of Fayette. She had been afraid for Halim. But rage was new to her, and she hardly knew what to do with it. She swallowed it down as if it were swamp water and felt tears pouring down her face, black and venomous. The goddess watched her, cool and remote. “Did you expect a goddess to be kind?” “It seems that I should not have,” whispered Toadling, wiping her tears. “Expect it? No.” The goddess shook herself again, and her grass-fur rippled as if wind were bending it against the hill. “We are made of cruelty and kindness both. But we also keep our promises.” “You promised me nothing.” “Not you,” said the hare. “But I made an oath to the Eldest of Greenteeth.” Toadling looked up. Her heart had leapt, like a hare itself. “Will you take me home?” “Climb up on my back,” said the hare, and she did.

There once was a girl of the Moth Folk, dark-winged, strong, and fearless. Her eyes were like the starlit sky; her footfall soft as shadow. And although she was lovely, love had no place in her heart, for hers was the tribe of the Moth King, who had waged a war on love, for ever and ever. But love, like all forbidden things, was fascinating to her. Every night of the clear full moon, she would go to the Moonlight Market and watch the traders sell their wares: printed books of every kind; pomegranates of the south; wines from the islands; gems from the north; flowers that bloomed only once in their lives. But she only had eyes for the sellers of charms and glamours. Here, there were spells for a broken heart, or to spin dead leaves into gold, or to rekindle a memory, or to summon the western wind. Most of all, there were love spells: tiny bottles of colored glass with stoppers worked in silver filled with potions made from the heart of a rose, or the tail fin of a mermaid. Here were glamours to melt a lover's heart: candles of every color; tokens of remembrance; silk-bound books of poetry. But among all the love-knots and bonbons and pressed flowers and handkerchiefs, the Moth girl never truly saw the nature of her enemy, for it seemed to her that Love was weak, and simpering, and faithless. She told herself she was too strong to fall for its blandishments. Until one day, at the Market, she saw a boy with a glamorie-glass in his hand, standing by a display of books, and stories, and legends, and memories.

When the moon is at its fullest, you’ll be by his side. His transformation complete, the spell will be unleashed.

The Golem, The Monster was in love with herself; the Goy was in love with her too. She was in love with Club Golan. A perfect storm was approaching and I could almost feel it. I didn't know what was wrong with my beautiful girlfriend as her face gradually began to look like a monster's and she started treating me like garbage. What was controlling her mind? Who was behind her, making her get so sick again so quickly after meeting some new people at the beach bar? Why did Sabrina say that I would die lonely and sad, and why was Martina's perception of me so wrong and unreal? How was their plan on track, I didn't understand while I was running after Martina and I couldn't understand where our happiness had slipped out of our hands again? I was desperately trying to figure out what had happened to my life, my career, and what had happened to my pretty girlfriend, what had happened to my baby? It was almost like my girlfriend's perceptions were all wrong somehow. She had seen me as a useless homeless bum and she had seen the only value or service in Europe and Barcelona which could make a living or money as, 'short shorts and loose legs'. I felt hopeless and I didn't understand what the spell was. How was my 'Stupid Bunny' a Frankenstein? I could feel it on my skin, and I could see it in Martina's eyes, that the criminals' plans were in play and had been working since the moment Adam arrived in Spain, or maybe even before that somehow. Before I even met Martina. Before we even broke all up with Sabrina. Before the Red Moon, the last date and before the provocation the following night. I felt like 10-20 criminals were trying to bully me and trying to woo Martina and outsmart me with her, but I was so worried for her and was so busy trying to save her every day with her on my mind, as if I too was under spells, under possession and couldn't do anything about it to help her or break the illusions keeping her possessed, even when supposedly she was, we were, rid of the bad people. I felt like I was in a screenplay in the set up stages of a drama. I felt like someone had sat down with a piece of paper and a pen, and was drawing plans against my life. I felt like someone had written a screenplay on how to play this out, how to take the club from me and Martina. Someone must have written a list of characters. Casting. I never called Sabrina a bitch. Adam and Martina both called her “bitch.” Martina said “The Bitch” and Adam said “that Crazy Bitch.” ’The Goy’ ’The Bitch’ ’The Gipsy’ ’The Giants’ ’The Golem’ ’The Lawyer’ ’The Big Boss’ ’My Girlfriend’ ’The False Flag’ ’The Big Brother’ ’The Stupid Bunny’ ’The Big Boss Daddy’ ’The Italian Connection’, etc. I was unable to break any illusion, the secret, the code; I was dumbstruck in love with “my girlfriend” (who I thought was my “stupid bunny”), being the ‘false flag’, and maybe it was actually “the bitch” portrayed by Sabrina who was my true love perhaps, putting me to the tests, with Adam and the rest, using Martina and her brother, playing with strings, with her long pretty fingernails, teaching me a lesson for cheating when I thought she was cheating too and making me unhappy when I thought she was unhappy with me. As if I knew, Sabrina had been behind my new girlfriend, Martina playing roles; I had seen all the signs and jokes. I just couldn't comprehend it having a cover over my eyes. I was unsure what should I do what would be real wise? I didn't think Sabrina would be capable of hurting me at all. Why did Martina keep saying, Tomas you are so nice and tall?

The delight of the spell that had been suddenly laid on her was so intolerable that she must break it.

A Martian Midsummer Night's Dream by Stewart Stafford On Mars's pristine ruddy hue, we tread, Above, stars as adamantine algae spread. Phobos and Deimos, twin moons fair, Primeval river beds form a spidery lair. Dust storms tower above dried-up seas, A vast red alien desert, shorn of trees. Oberon and Titania's gamesmanship spite, Quarrel deep in the Martian summer night. Puckish antics stir starry lovers' hearts true, As spells and dreams on tangled paths pursue. On Olympus Mons, Vulcan gods watch and scheme, Echoes of old wars fuelling plans extreme; A Wellsian tome of the tripod Martian foe, Of invasive seeds, spread to Earth to sow. In Valles Marineris, where canyons stretch away, Dead of night gives birth to coppery day. A frontier vision, both opaque and diamond clear, Magical flights of fancy on an untamed sphere. © 2024, Stewart Stafford. All rights reserved.

CONTENTS Preface CHAPTER I PAGE V How Diana gave Birth to Arabia (Herodias) Of the sufferings of Mankind, and how Diana sent Aradia on earth to relieve them by teaching resistance and Sorcery—Poem addressed to Mankind—How to invoke Diana or Aradia, CHAPTER II The Sabbat—Treguenda or Witch-Meeting . 8 How to consecrate the supper—Conjuration of the meal and of Salt—Invocation to Cain—Conjuration of Diana and to Aradia, CHAPTER III How Diana made the Stars and the Rain i8 CHAPTER IV The Charm of the Stones consecrated to Diana—The Incantation of Perforated Stones—The Spell or Conjuration of the Round Stone . 21 PAGE CHAPTER V The Conjuration of the Lemon and Pins—Incantation TO Diana 29 CHAPTER VI A Spell to Win Love 35 CHAPTER VII To Find or Buy anything, or to have Good Fortune thereby 38 CHAPTER VIII To HAVE A Good Vintage and very Good Wine BY THE Aid of Diana 44 CHAPTER IX Tana and Endamone, or Diana and Endymion 51 CHAPTER X Madonna Diana 61 A Legend of Cettardo, and how Diana appeared with ten Bridesmaids to give away a Bride—Incantation to Diana for a Wedding. CHAPTER XI The House of the Wind 65 Showing how Diana rescued a Lady from Death at the Honse of the Wind in Volterra. PAGE CHAPTER XII Tana or Diana, the Moon-Goddess ... 72 CHAPTER XIII Diana and the Children 78 CHAPTER XIV The Goblin Messengers of Diana and Mercury 86 CHAPTER XV Laverna 89 APPENDIX loi ARADIA OR THE GOSPEL OF THE WITCHES CHAPTER

Your eyes say I lie when I call you my woman. This is not good. It is our bargain, eh?” He plucked a wisp of grass and ran it slowly between his fingers, watching her in a way that suggested he would soon touch her--just as slowly. “It was a promise you made for me, and now you make a lie of it? This is the way of your people, to say empty words. Penende taquoip, honey talk, eh? But it is not the way of the Comanche. If you make a lie, I will carve out your tongue and feed it to the crows.” The breeze caught his hair, draping strands of it across his chiseled features. For an instant, the knife slash that marred his cheek was hidden, and he seemed less formidable. Her attention was drawn to his lips, full and sharply defined, yet somehow hard, perhaps because of the rigid expression he always wore. Deep crevices bracketed his mouth--laugh lines, surely. Ah, yes, she could imagine him cutting out her tongue and smiling while he did it. “You do not like me too good. This is a sad thing, eh?” With a sweep of his hand, he indicated the world around them. “The sky is up, the earth is down. The sun shows its face, only to be chased away by Mother Moon. These things are for always, eh? Just as you are my woman. The song was sung long ago, and the song must come to pass. You must accept, Blue Eyes.” Loretta yearned to break eye contact but found she couldn’t. The silken threads of his deep voice wove a spell around her. She must accept? Already he was planning to give her away to his horrible cousin. She sank lower in the water, keeping her arms crossed to hide her breasts. Could he see through the ripples? Still studying her with the same unnerving intensity, he said, “When the wind blows, the sapling bends, the flowers lie low against the earth, the grass is flattened.” He thumped his chest with his fist. “I am your wind, Blue Eyes. Bend or break.

You do not like me too good. This is a sad thing, eh?” With a sweep of his hand, he indicated the world around them. “The sky is up, the earth is down. The sun shows its face, only to be chased away by Mother Moon. These things are for always, eh? Just as you are my woman. The song was sung long ago, and the song must come to pass. You must accept, Blue Eyes.” Loretta yearned to break eye contact but found she couldn’t. The silken threads of his deep voice wove a spell around her. She must accept? Already he was planning to give her away to his horrible cousin. She sank lower in the water, keeping her arms crossed to hide her breasts. Could he see through the ripples? Still studying her with the same unnerving intensity, he said, “When the wind blows, the sapling bends, the flowers lie low against the earth, the grass is flattened.” He thumped his chest with his fist. “I am your wind, Blue Eyes. Bend or break.” Bend or break. In all her life, she had never felt quite so helpless. Her attention moved to the knife on his hip. If only he would drop his guard--just for a moment. As if he sensed what she was thinking, he smiled another humorless smile and lowered his gaze to her chest where the water lapped just above her splayed fingertips. She tightened her arms around herself. He said nothing more, but words weren’t necessary. She couldn’t stay in the river forever, and when she emerged, he would be waiting. She was trapped. Always, forever, with no horizon.

Cooper,” she said. “Cooper Jax.” As if saying his name would someone break the spell, vanquish the mirage she was still faintly hoping she was seeing. It didn’t. Instead it brought the mirage a few strides farther into the pub as folks moved to clear a path. “What are you doing here?” she asked as she moved forward until the two were standing no more than five yards apart, encircled by the completely hushed crowd. She wished she sounded strong, strident even. They were on her turf now, in her world. He was the interloper, the traveler. But her voice was hoarse even to her own ears, a mere rasp; her throat was too tight, too dry, too…everything, to manage anything more than that. His smile was brief, a slash of white teeth framed by a hard jaw, but his gaze never wavered. “It’s been a year, Kerry. More than. And I’ve come to realize there’s a question I didn’t ask you before you left. One I should have. And I can’t seem to get on with life until I know the answer.

Cooper,” she said. “Cooper Jax.” As if saying his name would someone break the spell, vanquish the mirage she was still faintly hoping she was seeing. It didn’t. Instead it brought the mirage a few strides farther into the pub as folks moved to clear a path. “What are you doing here?” she asked as she moved forward until the two were standing no more than five yards apart, encircled by the completely hushed crowd. She wished she sounded strong, strident even. They were on her turf now, in her world. He was the interloper, the traveler. But her voice was hoarse even to her own ears, a mere rasp; her throat was too tight, too dry, too…everything, to manage anything more than that. His smile was brief, a slash of white teeth framed by a hard jaw, but his gaze never wavered. “It’s been a year, Kerry. More than. And I’ve come to realize there’s a question I didn’t ask you before you left. One I should have. And I can’t seem to get on with life until I know the answer.” She had no idea what on earth he was talking about. She’d worked his cattle station for a year, the longest she’d ever stayed in one place. She’d left to come home for Logan’s wedding. And, if she were honest, to save herself from having to decide when to leave. Because she’d come close to admitting that maybe she didn’t want to. And she never let herself want. At least not something that wasn’t in her power to get. Fear. Of losing. If there was nothing to lose, there was nothing to fear. “What might that be?” she asked, having to force the bravado that was normally second nature to her. From the corner of her eye, she caught Fergus, his gaze swiveling between the two of them…a broad grin on his face. Auld codger. To think she’d stayed for him. He was the only one who knew. The only one she’d confided in. Of course he was loving this. Cooper walked closer and a murmur of unease swelled, but Fergus waved his good hand, like a silent benediction, approving of what was about to unfold, and they fell silent again. Cooper’s gaze was locked exclusively on hers, and suddenly it was as if they were the only two people in the room. Everything else fell away, and she felt herself getting pulled in, swallowed up. That was always how he’d made her feel, as if she was this close to drowning…and that maybe she should stop trying so hard to keep her head above water. He stopped a foot in front of her and she lifted her gaze--and her chin--to stay even with his. “Before, when you were there, working, living alongside us, I thought if I gave you room, gave you space, you’d figure out that Cameroo Downs was where you belonged,” he said.

You will walk backward in your footsteps and go forward a new way?” “I--” He slid her hand upward so it rested on his shoulder, forcing her closer. His height was such that she had to tip her head back to see his face. If he had been a white man, she would have been worrying that he planned to kiss her. But he wasn’t a white man. And she doubted gentle persuasion was what he had in mind. He seemed a yard wide at the shoulders, a looming wall of muscle. There was heat in the depths of his eyes as he studied her, a heat that had never been there before. “I would have you beside me,” he told her huskily. “But you promised to take me home.” The stallion nickered and sidestepped, pulling both of them off balance. Hunter released the horse to catch her, his arm encircling her waist. Loretta snapped taut when his hard thighs pressed intimately against hers. He bent his head and nuzzled her hair, his breath sifting through the strands to her scalp. A shiver ran through her. For a moment she struggled against him, but then she felt as if an invisible web were entwining itself around her, the silken threads binding her so she couldn’t move, couldn’t think. She closed her eyes, wildly afraid, of him and what he was making her feel. She tried desperately to conjure an image of her mother, anything to break the spell. Perhaps he knew how to be gently persuasive after all. She knew she should pull away, yet an unnameable something held her transfixed. His mouth trailed to the slope of her neck, sending tingles down her spine. A treacherous languor stole into her limbs. Heat spread through her belly. For an instant she wanted to lean against him, to let his wonderfully strong arms mold her to his length.

I would have you beside me,” he told her huskily. “But you promised to take me home.” The stallion nickered and sidestepped, pulling both of them off balance. Hunter released the horse to catch her, his arm encircling her waist. Loretta snapped taut when his hard thighs pressed intimately against hers. He bent his head and nuzzled her hair, his breath sifting through the strands to her scalp. A shiver ran through her. For a moment she struggled against him, but then she felt as if an invisible web were entwining itself around her, the silken threads binding her so she couldn’t move, couldn’t think. She closed her eyes, wildly afraid, of him and what he was making her feel. She tried desperately to conjure an image of her mother, anything to break the spell. Perhaps he knew how to be gently persuasive after all. She knew she should pull away, yet an unnameable something held her transfixed. His mouth trailed to the slope of her neck, sending tingles down her spine. A treacherous languor stole into her limbs. Heat spread through her belly. For an instant she wanted to lean against him, to let his wonderfully strong arms mold her to his length. The shock of his hand on her bare back brought her to her senses. Her eyes flew open, and she gasped. She tried to arch away from him and succeeded only in accommodating his mouth when her head fell back. He pressed his lips to the hollow of her throat, where her pulse beat a rapid tattoo. His callused palm slid slowly but inexorably to her side, his thumb feathering against the underside of her breast. Horrified, she groped for his wrist, her fingers finding feeble purchase through the leather. “Ah, nei mah-tao-yo,” he whispered. “You tremble.

Cainan (sometimes the name is spelled Kainam) was the son of Arpachsad: "And the son grew, and his father taught him writing, and he went to seek for himself a place where he might seize for himself a city. And he found a writing, which former generations had carved on the rock, and he read what was thereon, and he transcribed it and sinned owing to it, for it contained the teaching of the Watchers in accordance with which they used to observe the omens of the sun, moon and stars in all the signs of heaven." Here, then, is the origin of the star worship of the Sabians traced all the way back to the mysterious Watchers--whoever they were, whatever they are--who settled in the Near East in antediluvian times, taught our ancestors forbidden knowledge, broke some fundamental commandment by mating with human women and, as a result, were remembered as being responsbile for the great global cataclysm of the Deluge.

You know, I should start thinking on names. I have to be over two months gone. A name is important. Especially for this baby.” “Why especially this one?” Rachel asked, looking up from the bread she was kneading. “Names are important for everybody.” Loretta sighed. “Well, with Hunter as the father, I have to think of names he’d approve of.” “You call that child Running Water and I’ll disown you.” Loretta giggled. “I don’t know. After hemming all those diapers, maybe Running Water wouldn’t be so far off mark.” Rachel rolled her eyes, then shook her head, her eyes sad. “Unless this baby’s papa comes straggling back to collect his baggage, the child’s gonna be stuck in white society. Being a breed is bad enough. A nice, normal name is a must.” Amy flipped the page in her spelling book. “What you need is a nice white-folk name with an Indian meaning that’ll make Hunter proud.” Concerned about her child’s future, Loretta forced a smile. “Why, Amy, that’s a champion idea!” Rachel paused in her kneading and frowned. “I’m quite a hand on names. Let me think on it.” “Something impressive for a boy, Ma.” Amy pursed her lips. “You know--like Mighty Fighter. Or Wise King. You gotta remember how Hunter thinks. They give boys grand names.” “Swift Antelope, for example?” Loretta grinned. “Makes him sound like he oughta have a tail to wag, don’t it?” Amy dimpled her cheek. “Of course, he hates the name Amy, so we’re even. He says it sounds like a sheep baaing.” “The way he says it, it does sound like a sheep baaing.” “How about naming a boy after his papa and his uncle Warrior?” Rachel asked. “Chase Kelly. Chase means hunter, Kelly means warrior.” Loretta lowered her sewing to her lap, her gaze dreamy. “Chase Kelly--Chase Kelly. It has a nice ring, doesn’t it?” “Be nicer with a proper surname,” Rachel commented. “Wolf!” Amy cried. “That’s as close to a last name for Hunter as you’ll get.

January 2013 Continuation of Andy’s Message (part two)   …It was great to skinny dip in such a beautiful environment. It was difficult not to fall prey to these two attractive, brown-skinned boys with their enticing brown eyes, exotic smiles and seductive charms. In turn, they found my masculinity irresistible. That evening we frolicked under the silvery moon.               Amidst the gentle rolling waves, we lay on the shoreline. I was in heaven when they enveloped me in a dizzying spell of unbridled resignation. Both of them took turns lapping at the fiber of my existence, teasing and caressing my engorgement with agile dexterity. I could no longer hold off my essence and sprayed on their faces. We shared my dripping rivulets in a passionate three-way kiss. When they continued suckling my penis, I was steered back to life. I had to possess their tenderness. I took turns pleasuring their puckering fissures as they begged for my stiffness with irrepressible gusto. Boy, did they love my proclivity! The louder their groans, the harder I pounded. When I withdrew from one, the other was poised for insertion. They couldn’t get enough of my onslaught. I was in ecstasy as I whisked back and forth between these two insatiable accomplices.               The more acute my plundering, the more uncontrollable their hardness throbbed. Anak, no longer able to withhold his enthusiasm, spewed into Taer’s throat while I plucked away at his friend’s rucking furrow. Taer’s twitching tightness had me deposit my fill into his receiving orifice. Anak wasted no time in devouring the oozing drippage around my pulsating phallus, still enshrouded within his buddy’s tunnel.               To pleasure himself, the unquenchable Taer wanted my bobbing organ down his throat. I obliged. In a trancelike delirium, the Filipino released jets of potent effusions onto his slender abdomen. Our tongues swirled in erotic kisses as we shared our libations in frantic elation.               Unwilling to relinquish this enchanted evening, we dove into the shimmering ocean, only to emerge rejuvenated, ready to resume the sequel of our sexcapade.

The 28th day She'll be bleeding again And in lupine ways We'll alleviate the pain Unholy water Sanguine addiction Those silver bullets Our last blood benediction It is her moon time When there's iron in the air A rusted essence Woman may I know you there Hey wolf moon Come cast your spell on me Hey wolf moon Come cast your spell on me Don't spill a drop dear Let me kiss the curse away Yourself in my mouth Will you leave me with your taste Beware The woods at night Beware The lunar light So in this gray haze We'll be meating again And on that great day I will tease you all the same

I was trying to apologize,” she said, relief and humor easing into her eyes and curving her lips. “You didn’t answer my question.” He thought he might snap off the end of the pier, he was gripping it so hard. In response, she ducked her hand into the pocket of her shorts and pulled out a folded and now somewhat crumpled piece of paper. “Here. Read for yourself.” He took the paper, realizing he was acting like a complete yobbo, and knew then that perhaps he wasn’t nearly so cool and levelheaded about this whole endeavor as he’d led her to believe. The truth of it being, he only really wanted her to figure out what would make her happy if what made her happy was him. Under her amused stare, he unfolded the paper and read: Dear Hook, I’m trying to be a good and supportive sister and help get Fiona and her ridiculously long veil down the aisle before I strangle her into submission with every hand-beaded, pearl-seeded foot of it. At the moment, sitting here knee-deep in crinolines and enough netting to outfit every member of Downton Abbey, I can’t safely predict a win in that ongoing effort. That said, I’d much rather be spending the time with you, sailing the high seas on our pirate ship. Especially that part where we stayed anchored in one spot for an afternoon and all the plundering was going on aboard our own boat. I’ve been thinking a lot about everything everyone has said and have come to the conclusion that the only thing I’m sure of is that I’m thinking too much. I’ve decided it was better when I was just feeling things and not thinking endlessly about them. I especially liked the things I was feeling on our picnic for two. So this is all to say I’d like to go, um, sailing again. Even if there’s no boat involved this time. I hope you won’t think less of me for the request, but please take seeing a whole lot more of me as a consolation prize if you do. Also? Save me. Or send bail money. Sincerely, Starfish, Queen of the High Seas, Plunderer of Pirates, especially those with a really clever right Hook. He was smiling and shaking his head as he folded the note closed and tucked it in his shirt pocket. “Well?” she said at length. “Apology accepted” was all he said. “And?” He slid a look her way. “And…what?” She’d made him wait three days, and punitive or not, he wasn’t in any hurry to put her out of her misery. Plus, when he did, it was likely to be that much more fun. “You’re going to make me spell it out, aren’t you? Don’t you realize it was hard enough just putting it in writing?” “I accept your lovely invitation,” he said, then added, “I only have one caveat.” Her relief turned to wary suspicion as she eyed him. “Oh? And that would be?” “Will you wear the crinolines?

my mind slid out my ear as

Abram—Ibrahim, in the Arabic spelling—was the first to worship Allah, the one God, rather than the stars, the moon, or the sun.

Thank you for your article! It touches my heart deeply because I have recently went through something similar case .About 3 years ago my husband left me and 2 of our kids for 3years to another woman. During this years of our separation I was so broken, so I finally went to a friend of mine who directed me to a spell caster Dr. Oduduwa (dr.oduduwasamuelhightemple@gmail.com) who helps me in reunite my family and then i felt peace and felt whole love again. After the casting of the love spell, My Ex-husband offered me a job, to work at his His company. so I obeyed and went. After working together in 1 week we had come closer & starting dating and hanging out as a family with the kids again, Dr. Oduduwa has restored our marriage in a way I have NEVER expected, but I'm truly Thankful! Contact Dr. Oduduwa today on: dr.oduduwasamuelhightemple@gmail.com Tel:+2347059402500 Best Regards, Anna Anderson Moon

Whether you are a good or bad writer is an irrelevancy when you first begin. What's important is that you write, you get up in the morning and you say, "I'm going to treat this like a job and I'm not going to just do this when I feel like it. I'm going to really get to work on making this the best I can make it, and work hard to achieve something". You can't sit around waiting for inspiration to strike like lightning, cause you'll wait around for a long time. Maybe once every blue moon a piece of lightning will strike, but most of the time you'll wait around twiddling your thumbs. What you have to do is just get on with it, and write whatever comes out and not worry over much about whether the punctuation is right or the spelling is right or even if the order of the words is right, but just get on with it. "You have to go after, seek after the things which are truthful to you. And I mean truthful. If you don't believe in Christ, then don't have a hero whipping out holy water when it suits him, because you're not telling the truth about what you believe about the world. If you don't believe that the image of Christ is ethicasy in the world, then don't have your hero use it in such a way. All you doing is accessing a series of cliches from somebody else's work. If you're gay, write about gay characters. If you're straight, write about straight characters. If you're straight and confused, write about straight and confused characters. If your passion is about painting and football, write about painting and football. Write about your mother, write about your father, write about things you know, and then let your imagination lurk on those things and develop them into something new and fresh even for you. Surprise yourself, astonish yourself, and tell the truth.

Hair Growth     Want long and luscious hair? We all know how long it can take to grow hair so here is a spell/potion to help quicken up the process.   You will need: 1 clove of garlic 1 onion A pair of scissors   Directions: On the night of a full moon crush up one garlic clove and one onion until it is of paste like consistency. Cut a small chunk of your hair and cover it in the garlic and onion mixture. Find a willow tree and bury the hair beside it. Each night visualize the moon shining down on the place where you buried your hair. Imagine the piece of hair growing longer and longer. Do the above visualization each night until your hair reaches your desired length.

The green has widened for an Arcadian delight, and over the sky, the sun had departed. But the moonlit beams unshackled the sulky spells of life. Moon adorned with eloquent jewelry of purple as a semblance to her inward gloom and outward passion.

Then both his hands were there, pulling her camisole up and over her head.

He pushed her away as if he was disgusted and stepped back from her.

From the Bridge” by Captain Hank Bracker Pebbles, Rocks & Mountains Rocks can be formed in many different ways and are found in just about every corner of our planet, the Moon, up in space and who knows where else. Now pebbles are the mini-me’s of rocks and generally are about one to three inches in size. Geologists will tell you that they are about 5 millimeters in diameter, but who’s counting? In fact there are two beaches that are made up entirely of pebbles such as the Shingle Beach in Somerset, England. Generally pebbles are found along rivers, streams and creeks whereas mountains are usually a part of a chain that was created along geothermal fault lines. The process of Mountain formation is associated with movements of the earth's crust, which is referred to as plate tectonics. See; now that I looked it up, I know these things! What I’m about to say has absolutely nothing to do with geology and everything to do about human nature. In the course of events we never trip over mountains and seldom over rocks, but tripping over pebbles is another thing. Marilyn French, a writer and feminist scholar is credited with saying, “Men (she should have included Women) stumble over pebbles, never over mountains.” She was the lady (I should have said woman) whose provocative 1977 novel, “The Women's Room” captured the frustration and fury of a generation of women fed up with society's traditional conceptions of their roles (and this is true). However, this has nothing to do with the feminist movement and is simply a metaphor. Of course we’re not going to trip over mountains, not unless we are bigger than the “Jolly Green Giant!” and so it’s usually the little things that trip us up and cause us problems. What comes to mind is found on page 466 of The Exciting Story of Cuba. This is a book that won two awards by the “Florida Authors & Publishers Association” and yet there are small mistakes. They weren’t even caused by me or my team and yet there they are, getting bigger and bigger every time I look at them. Now I’m not about to tell you what they are, since that would take the fun out of it, but if you look hard enough in the book, you’ll succeed in discovering them! I will however tell you that one of these mistakes was caused by a computer program called “Word.” It’s wonderful that this program has a spell check and can even correct my grammar, but it can’t read my mind. In its infernal wisdom, the program was so insistent that it was right and that I was wrong that it changed the spelling of, in this case, the name of a person in the middle of the night. It happened while I was sleeping! I would have seen it if it had been as big as a mountain, however being just a little pebble it escaped my review and even escaped the eagle eyes of Lucy who still remains the best proof reader and copy editor that I know. When you discover what I missed please refrain from emailing me, although, normally, I would really enjoy hearing from you! I unfortunately already know most of the errors in the book, for which I take full responsibility. The truth of it is that my mistakes leave me feeling stupid and frustrated. Now, you may disagree with me however I don’t think that I am really all that stupid, but when you write hundreds of thousands of words, a few of them might just slip between the cracks. None of us are infallible and we all make mistakes. I sometimes like to say that “I once thought that I had made a mistake, but then found out that I was mistaken.” And so it is; if you think about it, it’s the pebbles that create most of our problems, not the rocks and certainly not the mountains. I’ll let you know as soon as my other books, Suppressed I Rise – Revised Edition; Seawater One…. And Words of Wisdom, “From the Bridge” are available. It’s Seawater One that has the naughty bits in it… but that just spices it up. Now with that book you can really tell me what you think….

Forgive me but what did you say your name was my lady?” “Katrina. But I usually go by Kat.” She smiled in an open, friendly manner. “And you two are…?” “Stabs Deep and Locks Tight,” Sylvan supplied the introduction politely. “They are second brothers to Baird and myself. Our father married their mother.” Lock frowned. “So you said your name was Cat? Like the Earth animal you humans keep as a pet?” “Not quite. It’s spelled K-A-T, not…oh never mind. It doesn’t matter.” Kat shrugged. “About cats…” Deep leaned closer and gave Kat a speculative look. “Isn’t that the lovely little animal that makes soft sounds of pleasure when you stroke it?” For some reason Kat’s cheeks grew pink and she seemed embarrassed, though it was a simple enough question in Sylvan’s estimation. Maybe it was the intent way both Deep and Lock were looking at her that made her blush. “I…I suppose. Yes, they d-do,” she stammered. “It’s called purring.” “I see.” Deep smiled at her. “I’ve often wanted to stroke a cat just to hear those sounds. I’m certain the vids we have of it on Twin Moons don’t do it justice.” “I—” Kat began but before she could say more Lock grabbed hold of his twin’s arm and began towing him away. “Forgive him, my lady,” he said, winking at Kat. “Extreme beauty makes him extremely stupid. Come on,” he said when Deep started to protest. “You’re making her uncomfortable.” “I’m not—” “Just come on.

Dreams All night the dark buds of dreams open richly. In the center of every petal is a letter, and you imagine if you could only remember and string them all together they would spell the answer. It is a long night, and not an easy one — you have so many branches, and there are diversions — birds that come and go, the black fox that lies down to sleep beneath you, the moon staring with her bone-white eye. Finally you have spent all the energy you can and you drag from the ground the muddy skirt of your roots and leap awake with two or three syllables like water in your mouth and a sense of loss — a memory not yet of a word, certainly not yet the answer — only how it feels when deep in the tree all the locks click open, and the fire surges through the wood, and the blossoms blossom.

Unlike linear time, time conceived as cyclical cannot be readily abstracted from the spatial phenomena that exemplify it- from, for instance, the circular trajectories of the sun, the moon, and the stars. Unlike a straight line, moreover, a circle demarcates and encloses a spatial field. Indeed, the visible space in which we commonly find ourselves when we step outdoors is itself encompassed by the circular enigma that we have come to call 'the horizon.' The precise contour of the horizon varies considerably in different terrains, yet whenever we climb to a prominent vantage point, the circular character of the visible world becomes explicit. Thus cyclical time, the experiential time of an oral culture, has the same shape as perceivable space.

Over the misty mountains cold To dungeons deep and caverns old We must away ere break of day To seek the pale enchanted gold. The dwarves of yore made mighty spells, While hammers fell like ringing bells In places deep, where dark things sleep, In hallows halls beneath the fells. For ancient kind and elvish lord There many a gleaming golden hoard They shaped and wrought, and light they caught To hide in gems on hilt of sword. On silver necklaces they strung The flowering stars, on crowns they hung The dragon-fire, in twisted wire They meshed the light of moon and sun. Far over the misty mountains cold To dungeons deep and caverns old We must away, ere break of day, To claim our long-forgotten gold. Goblets they carved there for themselves And harps of gold; where no man delves There lay they long, and many a song Was sung unheard by men or elves. The pines were roaring on the height, The winds were moaning in the night. The fire was red, it flaming spread; The trees like torches blazed with light. The bells were ringing in the dale And men looked up with faces pale; The dragon's ire more fierce than fire Laid low their towers and houses frail. The mountain smoked beneath the moon; The dwarves, they heard the tramp of doom. They fled their hall to dying fall Beneath his feet, beneath the moon. For over the misty mountains grim To dungeons deep and caverns dim We must away, ere break of day , To win our harps and gold from him!

Get rid of bad habits, difficult relationships, and anything else that is personally toxic, such as negative thinking.

This is a thing that needs to be said face to face.” “Does it need to be said right now?” “Yes, it does.” The guy said nothing for a spell, and then he turned and ducked through a personnel door set low in a metal roll-up gate. The other five guys formed up tighter, to replace his missing presence. Gregory waited. The five guys watched him, part wary, part fascinated. It was a unique occasion. Once in a lifetime. Like seeing a unicorn. The other side’s boss. Right there. Previous negotiations had been held on neutral ground, on a golf course way out of town, on the other side of the highway.

Probably clipped a vital component. Larynx, or pharynx, or some other kind of essential structure, made of cartilage and spelled with letters from late in the alphabet. The guy’s eyes were rolled up in his head. His fingers were scrabbling gently against the floor, as if trying to get a grip or a purchase on something. Reacher squatted down and went through his pockets, and took his gun, and his phone, and his wallet, and his car keys. The gun was another Glock 17, not recent vintage, worn, but well maintained.

Up ahead, a shadowy building loomed. It looked more like a gothic cathedral than a school, with grossly elongated black spires jutting into the night sky. They unnerved Tony. Somehow, they resembled horns silhouetted against the moon. He counted ten of these protuberances, each with an arrowhead as its tip. Tony found the structure difficult to make his mind up about. It was beautiful, that was for sure, but its beauty was intermingled with an ill-masked sense of horror. The black exterior had a pair of peculiar projections on either side of the building resembling a bat's wings. His feet on concrete now, he pulled up to a webbed gate— also reminiscent of a bats with the hind, bone-like array supporting an oily black, translucent texture. He saw some girls a few dozen feet from the gate at the entrance of the building. They were garbed in black sailor fuku skirts too high above the knees to facilitate concentration upon anything academic. The males were also dressed in black corduroy pants and black dress shirt. A throng by the massive doors stared holes through them as they approached. Up close, he noted some of the girls were quite pale, sporting piercings and tattoos on their necks and hands. He even saw one with a spider web inked on the side of her face. When he followed Silver Man into the building— his toes squeaking in his soaked shoes—he was awed by the aesthetics. There was a rather large gathering in the hall that looked more like large shadows with all the children in black. Tony felt out of place in his brown pants and long sleeved white shirt. The hall was bleak; the only source of illumination was a pair of horizontal cylindrical lamps set upon wooden rafters near the ceiling. Silver Man proceeded toward the platform where Tony could just make out the form of a thin man donning a monocle. He looked like an old scientist. He was sitting cross-legged, stroking his chest-length pearl white beard. The man appeared to be watching them as they progressed through the hall. Then he stood as they neared the stage, now caressing his bald head. He had a monkish appearance. His black robe— quite similar to the one Silver Man wore— was tied at the waist by a red cloth. The bald, monocled man extended a spindly hand which Silver Man gave a firm tug before leaning in and whispering something. The man nodded, turning to Tony. Tony flinched as he regarded him through his peculiar eyewear: a single gold-rimmed, circular lens. He now folded himself into an accentuated bow. "Listen up folks!" he shouted. Tony saw the students rushing inside the castle pell-mell, summoned by the voice of the bespectacled man. “We have a late recruit ladies and gentlemen,” the man said. His voice was much stronger than his thin frame suggested. “Join me as I induct him into the hallowed spirit of Imajinaereum.

Afterward, she'd cautiously open the box and peek inside, inhaling deeply as she did so through her nose. "Cinnamon," she'd say. "And salt. Too much wind in the spell." And she write that down. Or: " Methane. No good. She'll accidentally fly away. Plus she'll be flammable. Even more than usual. " Or: " Is that sulfur? Great heavens. What are you trying to do, women? Kill the poor child?" She crossed several things off her list. "Has Auntie Xan gone mad?" Fyrian asked. "No, my friend," Glerk told him."But she has found herself in deeper water than she expected.

Wicca is a pagan, natureand witchcraft-based religion. A Wiccan is someone that follows pagan beliefs and also practises witchcraft as a part of their faith. We follow the eight Sabbats (festivals) and twelve Esbats (celebrations of the full moon) and practise magickal workings such as rituals and spell work at specific times related to the phases of the moon. A Wiccan follows the energy and power of the natural earth and the universe and all its natural occurrences, the moon, the sun and the stars.

This is a time of fulfillment, activity, increased psychic ability, for perfecting ideas, “getting your act together,” celebrations, or renewing commitments to people or projects. The best time for spells of any kind.

Love's Great Adventure by Stewart Stafford Look out for the wandering eye, And the fervour that follows it, A jewel clasped is the first part, Guarding against theft is trickier. Surreptitious teases acted out then, The Rubicon crossed and drained, Love, blind to impediment boundaries, Prized contagion spread as lightning. Rival houses intrude to spoil it, To still the fluttering of butterflies, And the bosom of Eros heaving, Unstoppable to every homo sapien. Here, I'll act as Cupid's emissary, Whisper lovers' spells in my ear, I'll parrot them to her to the letter, So lured, she'll have me over you. Groggy from humid moon nectar, On summertime clouded visions, A second an hour, as a day a year, Arousal of fire in swelled chests. Stallions of the Venus chariot, Borne freely to the new Arcadia, Feet skimming over terra firma, The youthful mask smothers all. © Stewart Stafford, 2023. All rights reserved.

I was there long before you were born, he wanted to say. I've known this kanamaluka [River Tamar] longer than I've known your mother. And as he cast around for what that meant, how important his connection to the river was, his mind snagged on the little boat he'd once owned. How he'd freed it from a prison of thick lead paint. He wanted to tell is daughters about the glory he'd restored it to. How intoxicating the sight of it had been. How the scent of its timber had put him under a spell he had never truly recovered from. What discovering Huon pine does to a person. How it had rode the river so cleanly, so joyously, like a wish come true. How short his time with it was, how hard the summer had been, how he'd sold the boat to a rich little man, a stranger whose name he soon forgot. How it never carried him to the river mouth. I didn't get to go back, he wanted to tell his daughters. I didn't get to return to the place my father took us, your uncles and me, where the mad whale - do you remember the mad whale, do you remember the stories, did anyone ever tell you? - raised its twelve-foot tail above our borrowed boat, hiding the moon's light, poised to smash us into red flotsam. Only it didn't, he wanted to say. It could've, but it didn't. With colossal gentleness it lowered its flukes into the water beside us. Loosed a spray of vapour from its blowhole. Rolled onto its back and exposed to us the creamy striations of its belly. Twisted through the water so that the hugeness of its eye was close to us, a couple of yards from the boat. An eye shockingly familiar in its mammalian warmth. An eye filled with starlight: an eye lit by a half-dark heaven. (p.199)

A butterfly entering the house through a window. Spotting an owl in the daylight. The thin glow of a halo that sometimes circled the moon in winter.

sensible phenomenon that had previously called forth the spoken utterance, to the shape of the utterance itself, now invoked directly by the written character. A direct association is established between the pictorial sign and the vocal gesture, for the first time completely bypassing the thing pictured. The evocative phenomena—the entities imaged—are no longer a necessary part of the equation. Human utterances are now elicited, directly, by human-made signs; the larger, more-than-human life-world is no longer a part of the semiotic, no longer a necessary part of the system. Or is it? When we ponder the early Semitic aleph-beth, we readily recognize its pictographic inheritance. Aleph, the first letter, is written thus: ​  Aleph is also the ancient Hebrew word for “ox.” The shape of the letter, we can see, was that of an ox’s head with horns; turned over, it became our own letter A.13 The name of the Semitic letter mem is also the Hebrew word for “water”; the letter, which later became our own letter M, was drawn as a series of waves: . The letter ayin, which also means “eye” in Hebrew, was drawn as a simple circle, the picture of an eye; it is this letter, made over into a vowel by the Greek scribes, that eventually became our letter O. The Hebrew letter qoph, which is also the Hebrew term for “monkey,” was drawn as a circle intersected by a long, dangling, tail ​ . Our letter Q retains a sense of this simple picture.14 These are a few examples. By thus comparing the names of the letters with their various shapes, we discern that the letters of the early aleph-beth are still implicitly tied to the more-than-human field of phenomena. But these ties to other animals, to natural elements like water and waves, and even to the body itself, are far more tenuous than in the earlier, predominantly nonphonetic scripts. These traces of sensible nature linger in the new script only as vestigial holdovers from the old—they are no longer necessary participants in the transfer of linguistic knowledge. The other animals, the plants, and the natural elements—sun, moon, stars, waves—are beginning to lose their own voices. In the Hebrew

Glowing. The moon through a doorway. Breath hard in my throat. Heart full to burst. The moon through a doorway. And its light… Hope.

course I didn’t!” Darkstalker protested, and, “No! He didn’t!” cried Winter at the same time. “Darkstalker,” Moon said. “You have to promise me — you cannot put spells on my friends.” “I’m really offended by this,” Winter said haughtily. “I’m such an open-minded dragon.” Peril and Qibli snorted in unison.

Green empowers herbalists and magical ecologists. Brown is worn by those who attune with animals or who cast spells for them. White symbolizes purification and pure spirituality, and also is perfect for meditation and cleansing rituals. It is worn for full moon celebrations, or to attune with the Goddess. Orange or red robes can be worn to sabbats, for protective rites, or when attuning with the God in his fiery solar aspect Black robes are quite popular. Contrary to popular misconceptions, black doesn’t symbolize evil. It is the absence of color. It is a protective hue and symbolizes the night, the universe, and a lack of falsehood. When a Wiccan wears a black robe, she or he is donning the blackness of outer space

till you get to the full Moon.

Moon. That’s when we want things to grow and get bigger and bigger. Even if you want to lose weight, when it comes to a vision board, think of the weight

do not put a picture of a big pile of money on the board. Rather, write “$25.00 an hour” or “$250.00 an hour.” Or cut out numbers and letters that say the same.

seven and fourteen

am positioned here in tranquility, allowing the waxing energy of the Moon to embrace me and my desire. That aspiration is . . . (state your desire). I am grateful for what I have, such as . . . (state that for which you are grateful, even if it is only one thing). Allow this to come to be.

May the Lord of Love who projects himself Into this universe of myriad forms, From whom all beings come and to whom all Return- may he grant us the grace of wisdom. He is fire and the sun, and the moon And the stars. He is the air and the sea And the Creator, Prajapati. He is the blue bird; he is the green bird With red eyes; he is the thundercloud, And he is the seasons and the seas. He has no beginning; he has no end. He is the source from whom the worlds evolve. From his divine power comes forth all this Magical show of name and form, of you And me, which casts the spell of pain and pleasure. Only when we pierce through this magic veil Do we see the one who appears as many.

Don’t be so hard on Alec. He didn’t think he had a choice and Ace told him you’d be safe. Alec thought he’d have you out of there by the next day. The spell isn’t cheap and Ace paid well,

I love you, Lexi. To the moon, to the stars, to the bottom of the sea.

Joe held the speedometer needle at the maximum speed allowed, and the countryside flashed by. When they hit the turnpike, Frank spelled his brother at the wheeL Now, with greater speed, the miles melted past. “She purrs like a kitten,” Frank said. “A great car, Joe.” “Good thing we had the motor tuned up,” Frank remarked as the wind whipped through his hair. After a quick stop for lunch, Joe drove away from the roadside restaurant. “Want to listen to the news?” “Okay. What country’s having a war today?” “Maybe someone has landed on the moon,” Frank said as he clicked on the high-powered transistor.

A tangled web she weaves When she wishes to deceive. A spell to distract and dismay, requiring cobweb gathered on the new moon & a pricked finger

with

Full Moon Ritual Ground yourself: Find a comfortable place to sit and commune with the full moon. Ask Mother Moon to help you be present in the

Far over the misty mountains cold To dungeons deep and caverns old We must away ere break of day To seek the pale enchanted gold. The dwarves of yore made mighty spells, While hammers fell like ringing bells In places deep, where dark things sleep, In hollow halls beneath the fells. For ancient king and elvish lord There many a gleaming golden hoard They shaped and wrought, and light they caught To hide in gems on hilt of sword. On silver necklaces they strung The flowering stars, on crowns they hung The dragon-fire, in twisted wire They meshed the light of moon and sun. Far over the misty mountains cold To dungeons deep and caverns old We must away, ere break of day, To claim our long-forgotten gold. Goblets they carved there for themselves And harps of gold; where no man delves There lay they long, and many a song Was sung unheard by men or elves. The pines were roaring on the height, The winds were moaning in the night. The fire was red, it flaming spread; The trees like torches blazed with light. The bells were ringing in the dale And men looked up with faces pale; The dragon’s ire more fierce than fire Laid low their towers and houses frail. The mountain smoked beneath the moon; The dwarves, they heard the tramp of doom. They fled their hall to dying fall Beneath his feet, beneath the moon. Far over the misty mountains grim To dungeons deep and caverns dim We must away, ere break of day, To win our harps and gold from him!

Seven is one of the most symbolic numbers and of major significance in magic. The actual meaning this number had for the Egyptians is hard to define but it is associated with perfection and effectiveness. Important spells are repeated seven times and there are seven scorpions who escort Isis. Multiples of seven are also important. The body of Osiris is cut into 14 pieces by Seth and it is thought that this may represent the 14 days of the waning moon.

lunatics” because it was thought they were born under the spell of a full moon.

The Blue One will live to see the Caterpillar rut everything they walk on—seacliff buckwheat cleared, relentless ice plant to replace it, the wild fields bisected by the scenic highway, canyons covered with cul-de-sacs, gas stations, comfortable homes, the whole habitat along this coastal stretch endangered, everything, everyone, everywhere in it danger as well— but now they're logging the one stilling hawk Smith sights, the conspiring grasses' shh shhhh ssh, the coreopsis Mattoni's boot barely spares, and, netted, a solitary blue butterfly. Smith ahead of him chasing the stream, Mattoni wonders if he plans to swim again. Just like that the spell breaks. It's years later, Mattoni lecturing on his struggling butterfly. How fragile. • If his daughter spooled out the fabric she's chosen for her wedding gown, raw taffeta, burled, a bright hued tan, perhaps Mattoni would remember how those dunes looked from a distance, the fabric, balanced between her arms, making valleys in the valley, the fan above her mimicking the breeze. He and his friend loved everything softly undulating under the coyest wind, and the rough truth as they walked through the land's scratch and scrabble and no one was there, then, besides Mattoni and his friend, walking along Dolan's Creek, in that part of California they hated to share. The ocean, a mile or so off, anything but passive so that even there, in the canyon, they sometimes heard it smack and pull well-braced rocks. The breeze, basic: salty, bitter, sour, sweet. Smith trying to identify the scent, tearing leaves of manzanita, yelling: "This is it. Here! This is it!" his hand to his nose, his eyes, having finally seen the source of his pleasure, alive. • In the lab, after the accident, he remembered it, the butterfly. How good a swimmer Smith had been, how rough the currents there at Half Moon Bay, his friend alone with reel and rod—Mattoni back at school early that year, his summer finished too soon— then all of them together in the sneaker wave, and before that the ridge, congregations of pinking blossoms, and one of them bowing, scaring up the living, the frail and flighty beast too beautiful to never be pinned, those nights Mattoni worked without his friend, he remembered too. He called the butterfly Smith's Blue

It’s up to us to re-enchant this planet Earth We are the elves and giants we are the shining ones daughters of the Moon and sons of the Sun We are the shapeshifters we are the mysterious light shrouded in mists at the dawn of our time and it’s up to us to re-enchant this living planet Earth Up to us to midwife    at our own rebirth up to us to send our dead    along their ancient pathways to the future up to us to re-enchant this living planet Earth It’s up to us to break the spell that steals the colors    from the world and leaves it lifeless it was our spell we can break it It’s up to us the break the spell that steals the music from the Wind and Rain it is our spell we can break it We will dance the magic dance and our bodies will remember we will sing the magic songs and together we’ll remember how to live together how to love each other how to ride the eagle how to call the deer Home —Will Ashe Bacon

With her right index finger she slowly spells words on Grace's skin. Don't let me go crazy. The moon is pale and vast. The stars so sharp they almost hurt.

I think you mean she terrifies you,” I corrected. “She’s a little old lady,” Brian scoffed. “She’s harmless.” I arched a challenging eyebrow. “This town is rich on rumors,” I supplied. “One woman – the one who owns that porcelain unicorn store – told me that Tillie Winchester sacrifices goats and can read minds. “One of those freaky red-haired twins – the ones who look like real-life Chucky dolls – told me that Aunt Tillie told him she would curse his tongue to fall out if he ever called her a witch again,” I continued. “And that woman who sells caramel apples at the fairs? Yeah, she told me that all the Winchesters dance naked under every full moon and cast spells to make sure the town stays prosperous.

Last night I asked the moon about the Moon, my one question for the visible world, Where is God? The moon says, I am dust stirred up when he passed by. The sun: My face is pale yellow from just now seeing him. Water: I slide on my head and face, like a snake, from a spell he cast. Fire: His lightning – I want to be that restless. Wind: Why so light? I would burn too if I had a choice. Earth, quiet, impregnated: Inside me I have a garden and a bubbling spring.

The walls covered with paintings and tapestries that often concealed the doors didn't help either. There were countless animal heads of all kinds lit by torches in several corridors, and I could have sworn I saw them move, but I was always so late for the lessons that I had no time to pay attention to them. Intense smells of herbs, vapors, and fumes filled this space, as potions and spells were constantly being played throughout the days and nights. Every time we passed Mrs. Fitz's secretary's office, we had to pinch our Nose, because she seemed to burn horrible herbs while she worked, and the smell spread down the hallway to the classrooms. Then there was Miss Melva Flin with her ever-vigilant bat. She controlled every person who came in and out of Philcrocks and roamed the corridors making sure no students broke the rules or tried to stick their noses where they weren't called. She had two spare eyes as her bat squeaked whenever it detected problems. No student liked her and everyone wished they could close that bat in the library where he could eat the bookworms for the rest of his life. Found the practice sites, there were still the lessons. Every Thursday at midnight the clan would gather in the High Ridge stone circle, at which hour it aligned with the moon, and it was possible to make omens from the constellations. On Tuesdays we went to the Philcrocks Woods where we watched the wild animals and any other species that walked around, hunted and fished in the river and even stayed overnight for the next day hoping to see the vampires hunt, which did not happen. I still couldn't believe vampires existed but the next day I turned away from all the sarcophagi I came across in the castle corridors. The most boring of the chairs was the Philcrocks Story, where they talked about the story of magic. Especially because the teacher talked monotonously and always behind the book, which made it impossible to see his face and understand what he was saying. He also made references to maps and wall articles that no one understood, which did not matter to him as long as he remained immersed in its reading aloud. Most interesting so far has been the story of the division of the 3 kingdoms and the emergence of the 3 clans. For many centuries they had lived peacefully until pure races emerged and the thirst for power increased, promoting their perpetuation. The segregation of sleves began there. King Elive's Night Clan was destroyed by King Ashen and the Night Clan disappeared, except for some sorcerers who chose the Shadow Kingdom to live on and continued the clan to which I now belong. Having to memorize endless dates and events was the worst part. It was hard to remember if it was Orlk or Orls who started the battle and whether it was in Cral or Crap, especially since all those names were strange to me.

M-O-O-N that spells MOON!

mundane.