Monuments And Family Quotes

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Night came and fell hard. Not like God drawing a blanket over our land But like someone snuffing a candle. Sudden and total. Out—just like that. Now we are waiting. Waiting in the dark To see if someone Will switch on the light. We can cower, We can fear, We can get lost together or Get lost alone. But the truth is: I am the light. You are the light. We are lit up together. We are silhouettes of sunlight cast against the night. Shining now, let us Shining, hold the light, Shining, so that our families Can find us. Shining.
Emmy Laybourne (Monument 14 (Monument 14, #1))
A good book is never exhausted. It goes on whispering to you from the wall. Books perfume and give weight to a room. A bookcase is as good as a view, as the sight of a city or a river. There are dawns and sunsets in books - storms, fogs, zephyrs. I read about a family whose apartment consists of a series of spaces so strictly planned that they are obliged to give away their books as soon as they've read them. I think they have misunderstood the way books work. Reading a book is only the first step in the relationship. After you've finished it, the book enters on its real career. It stand there as a badge, a blackmailer, a monument, a scar. It's both a flaw in the room, like a crack in the plaster, and a decoration. The contents of someone's bookcase are part of his history, like an ancestral portrait. - in "About books; recoiling, rereading, retelling", The New York Times, February 22, 1987
Anatole Broyard
But one must remember that they were all men with systems. Freud, monumentally hipped on sex (for which he personally had little use) and almost ignorant of Nature: Adler, reducing almost everything to the will to power: and Jung, certainly the most humane and gentlest of them, and possibly the greatest, but nevertheless the descendant of parsons and professors, and himself a super-parson and a super-professor. all men of extraordinary character, and they devised systems that are forever stamped with that character.… Davey, did you ever think that these three men who were so splendid at understanding others had first to understand themselves? It was from their self-knowledge they spoke. They did not go trustingly to some doctor and follow his lead because they were too lazy or too scared to make the inward journey alone. They dared heroically. And it should never be forgotten that they made the inward journey while they were working like galley-slaves at their daily tasks, considering other people's troubles, raising families, living full lives. They were heroes, in a sense that no space-explorer can be a hero, because they went into the unknown absolutely alone. Was their heroism simply meant to raise a whole new crop of invalids? Why don't you go home and shoulder your yoke, and be a hero too?
Robertson Davies (The Manticore (The Deptford Trilogy, #2))
On Slavery: The saddest slap in the face is we have NO monument, no real statues or memorials, no special day of Atonement or Remembrance (NOT ONE), no thanks for 400+ years of free labor, forced servitude across the Trans-Atlantic, ass beatings, buying ourselves and families out of slavery, rape and plunder...but everyone else has monuments, special museums, and even movies. This is what America thinks of black people, so-called black president and all, who has been largely silent on this subject...we'll even celebrate Leprechauns, Easter Bunnies, and Secretary's Day before we acknowledge our history.
Brandi L. Bates
She said that she did not wish for any monuments to the Hurlbird family. At the time I thought that that was because of a New England dislike for necrological ostentation.
Ford Madox Ford (The Good Soldier)
I thought of Pericles' speech to the families of the Athenian war dead, in which he said, "What you leave behind is not what is engraved in stone monuments, but what is woven into the lives of others.
Eric Greitens (The Heart and the Fist: The Education of a Humanitarian, the Making of a Navy SEAL)
Why are you here? I'm here because this is where my Mom's family is from and after my parents got divorced, she kept the house. Because I was conceived and born and grew up. I'm breathing and my heart is beating and as much as it hurts—as much searing, monumental pain as it causes me—I have to exist.
Brenna Yovanoff (Paper Valentine)
WAIT, WAIT! JUST one more!” “Bliss, there are children waiting.” And they probably hated us, but I was just so glad to see her smiling that I didn’t care. “Yeah, well, they all just jumped on the bandwagon. Most of them weren’t alive when I read Harry Potter for the first time.” I turned to the Canadian family behind me and said, “I’m so sorry. This is the last one, I promise.” Then I took one more picture of Bliss pretending to push the luggage cart through the wall at the Platform 9¾ monument at King’s Cross Station. A little boy stuck his tongue out at Bliss as we left. I pulled her away before she could follow suit. “That kid better watch it. I’m totally a Slytherin.” I shook my head, smiling. “Love, I’m going to need you to pull back on the crazy a bit.” “You’re right. Realistically, I’m a Ravenclaw.
Cora Carmack (Keeping Her (Losing It, #1.5))
I did feel a concentrated dislike for those boys, who couldn't submit to the odd faithless girlfriend, needling classmate, or dose of working-single-parent distraction--who couldn't serve their miserable time in their miserable public schools the way the rest of us did--without carving their dime-a-dozen problems ineluctably into the lives of other families. It was the same petty vanity that drove these boys' marginally saner contemporaries to scrape their dreary little names into national monuments. And the self-pity! That nearsighted Woodham creature apparently passed a note to one of his friends before staging a tantrum with his father's deer rifle: "Throughout my life I was ridiculed. Always beaten, always hated. Can you, society, blame me for what I do?" And I thought, Yes, you little shit! In a heartbeat!
Lionel Shriver (We Need to Talk About Kevin)
How he was my teacher and my partner in so many key life areas. My best friend and my family and my pillow and my quilt. Each of them are like bricks laid in the house I built to love him, but the point is really that house I built isn’t a monument to a love I used to have. It’s a house I want to live inside of still.
Jessa Hastings (Magnolia Parks: The Long Way Home (The Magnolia Parks Universe, #3))
The decision to leave his family behind was either an act of monumental self-sacrifice, or one of selfish self-preservation, or both. He told himself he had no choice, which is what we all tell ourselves when forced to make a terrible choice.
Ben Macintyre (The Spy and the Traitor: The Greatest Espionage Story of the Cold War)
We are laying the foundation for some new, monstrous civilization. Only now do I realize what price was paid for building the ancient civilizations. The Egyptian pyramids, the temples and Greek statues—what a hideous crime they were! How much blood must have poured on to the Roman roads, the bulwarks, and the city walls. Antiquity—the tremendous concentration camp where the slave was branded on the forehead by his master, and crucified for trying to escape! Antiquity—the conspiracy of the free men against the slaves! .... If the Germans win the war, what will the world know about us? They will erect huge buildings, highways, factories, soaring monuments. Our hands will be placed under every brick, and our backs will carry the steel rails and the slabs of concrete. They will kill off our families, our sick, our aged. They will murder our children. And we shall be forgotten, drowned out by the voices of the poets, the jurists, the philosophers, the priests. They will produce their own beauty, virtue, and truth. They will produce religion.
Tadeusz Borowski (This Way for the Gas, Ladies and Gentlemen)
She hated our family? She had always seemed to me their distillation, a glittering monument to our blood’s vain cruelty. Yet it was true what she said: nymphs were allowed to work only through the power of others. They could expect none for themselves.
Madeline Miller (Circe)
By adherence to a special set of rules, the child of the shabby-genteel can sometimes leap across the time which has passed by his family and function in the real world without doing violence to the hopes his mother held out for him. But those who cannot live within this pattern are the freaks and poets, and they travel a different road to peace.
Murray Kempton (Part of Our Time: Some Ruins & Monuments of the Thirties)
When I am billeted a German home even for one night I go out and search for the chickens and rabbits or pets and give them water and food if possible. Generally the family has pulled out too rapidly to care for such things. I suppose the stern and the cruel ones rule the world. If so, I shall be content to try to live each day within the limits of my conscience and let great plaudits go to those who are willing to pay the price for it.
Robert M. Edsel (The Monuments Men: Allied Heroes, Nazi Thieves, and the Greatest Treasure Hunt in History)
Although many of us may not leave riches to our families, we can bequeath them a legacy more precious than gold, more delicate than glass, and more monumental than fame: a world preserved in the amber of our protection.
Kristy Hamilton (Nature's Wild Ideas: How the Natural World is Inspiring Scientific Innovation)
A parent holds within their hands the gift of a child to which they must expend the gift of themselves. And in such a monumental outpouring, the parent will lose both the child and the gifts given, but they will possess the far greater gift of knowing that they gave both.
Craig D. Lounsbrough (Flecks of Gold on a Path of Stone: Simple Truths for Profound Living)
That’s not all they ever show,” John said. “They show your heart’s desire…what you most want to see-or who-at the time you’re looking.” “Then mine must be broken,” I said. It made sense. Why wouldn’t mine be broken? I was broken, too. Or at least I hadn’t felt normal in a long time. “Yours isn’t broken,” John said. “Considering it’s a mobile device from earth, and no mobile device from earth has ever functioned in the Underworld before, I don’t quite understand…yet.” He was looking at me speculatively. “But it did exactly what ours do. You were worried about your family, so what you were shown was your heart’s desire: the one member of your family who’s in immediate danger, and needs your-“ “Wait a minute,” I interrupted. Something dawned on me. “Was that how you always knew when I was in trouble and needed help? Like that day at school, with Mr. Mueller? And at the jeweler’s that time? Because I was the one you most wanted to see when you looked down into your-“ “Oh, look,” John said, seeming infinitely relieved by the interruption. “Here comes Frank.” Frank was sauntering over. “Found him,” he said, with casual nonchalance. My heart gave a swoop. Only something as monumental as my cousin finally being located could distract me from the discovery that all those times my boyfriend had rescued me from mortal peril, it had been because he’d been spying on me from the Underworld via a handheld device seemingly operated by the Fates.
Meg Cabot (Underworld (Abandon, #2))
You must know, my loved one, that there are beings in the elements which almost appear like mortals, and which rarely allow themselves to become visible to your race. Wonderful salamanders glitter and sport in the flames; lean and malicious gnomes dwell deep within the earth; spirits, belonging to the air, wander through the forests; and a vast family of water spirits live in the lakes and streams and brooks. In resounding domes of crystal, through which the sky looks in with its sun and stars, these latter spirits find their beautiful abode; lofty trees of coral with blue and crimson fruits gleam in their gardens; they wander over the pure sand of the sea, and among lovely variegated shells, and amid all exquisite treasures of the old world, which the present is no longer worthy to enjoy; all these the floods have covered with their secret veils of silver, and the noble monuments sparkle below, stately and solemn, and bedewed by the loving waters which allure from them many a beautiful moss-flower and entwining cluster of sea grass. Those, however, who dwell there, are very fair and lovely to behold, and for the most part, are more beautiful than human beings. Many a fisherman has been so fortunate as to surprise some tender mermaid, as she rose above the waters and sang. He would then tell afar of her beauty, and such wonderful beings have been given the name of Undines. You, however, are now actually beholding an Undine.
Friedrich de la Motte Fouqué (Undine)
On this spot, on the night of 31 October 1981, Lily and James Potter lost their lives. Their son, Harry, remains the only wizard ever to have survived the Killing Curse. This house, invisible to Muggles, has been left in its ruined state as a monument to the Potters and as a reminder of the violence that tore apart their family. And all around these neatly lettered words, scribbles had been added by other witches and wizards who had come to see the place where the Boy Who Lived had escaped. Some had merely signed their names in Everlasting Ink; others had carved their initials into the wood, still others had left messages. The most recent of these, shining brightly over sixteen years’ worth of magical graffiti, all said similar things. Good luck, Harry, wherever you are. If you read this, Harry, we’re all behind you! Long live Harry Potter. “They shouldn’t have written on the sign!” said Hermione, indignant. But Harry beamed at her. “It’s brilliant. I’m glad they did.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
Out of a love that was more like a thirst for revenge, Yackichi erected a ridiculously expensive monument to his ancestors at the family temple.
Yukio Mishima (Thirst for Love)
Home to the richest soil on Earth. A Great Place to Grow!
Jas Hammonds (We Deserve Monuments)
as they approached the throne, Ali could not help but admire it. Twice his height and carved from sky blue marble, the throne originally belonged to the Nahids and looked it, a monument to the extravagance that had gotten them overthrown. It was designed to turn its occupant into a living shedu, the legendary winged lion that had been their family symbol. Rubies, carnelians, and pink and orange topaz were inlaid above the head to represent the rising sun, while the arms of the throne were similarly jeweled to imitate wings, the legs carved into heavy clawed paws.
S.A. Chakraborty (The City of Brass (The Daevabad Trilogy, #1))
More than anything, the Nazis robbed families: of their livelihoods, their opportunities, their heirlooms, their mementos, of the things that identified them and defined them as human beings.
Robert M. Edsel (The Monuments Men: Allied Heroes, Nazi Thieves, And The Greatest Treasure Hunt In History)
I’m not building a castle or a monument; I’m building a soul and a family. I’ll tell stories all my life, writing on napkins and on the backs of receipts, or in books if they let me, but this is the promise I make to my God: I will never again be so careless, so cavalier with the body and soul you’ve given me. They are the only things in all the world that have been entrusted entirely to me, and I stewarded them poorly, worshiping for a time at the altars of productivity, capability, busyness, distraction. This body and soul will become again what God intended them to be: living sacrifices, offered only to him. I will spend my life on meaning, on connection, on love, on freedom. I will not waste one more day trapped in comparison, competition, proving, and earning. That’s the currency of a culture that has nothing to offer me. It
Shauna Niequist (Present Over Perfect: Leaving Behind Frantic for a Simpler, More Soulful Way of Living)
People still raw from the trauma of floggings and family rupture, and the descendants of those people, were now forced to live amid monuments to the men who had gone to war to keep them at the level of livestock.
Isabel Wilkerson (Caste: The Origins of Our Discontents)
If you could design a new structure for Camp Half-Blood what would it be? Annabeth: I’m glad you asked. We seriously need a temple. Here we are, children of the Greek gods, and we don’t even have a monument to our parents. I’d put it on the hill just south of Half-Blood Hill, and I’d design it so that every morning the rising sun would shine through its windows and make a different god’s emblem on the floor: like one day an eagle, the next an owl. It would have statues for all the gods, of course, and golden braziers for burnt offerings. I’d design it with perfect acoustics, like Carnegie Hall, so we could have lyre and reed pipe concerts there. I could go on and on, but you probably get the idea. Chiron says we’d have to sell four million truckloads of strawberries to pay for a project like that, but I think it would be worth it. Aside from your mom, who do you think is the wisest god or goddess on the Olympian Council? Annabeth: Wow, let me think . . . um. The thing is, the Olympians aren’t exactly known for wisdom, and I mean that with the greatest possible respect. Zeus is wise in his own way. I mean he’s kept the family together for four thousand years, and that’s not easy. Hermes is clever. He even fooled Apollo once by stealing his cattle, and Apollo is no slouch. I’ve always admired Artemis, too. She doesn’t compromise her beliefs. She just does her own thing and doesn’t spend a lot of time arguing with the other gods on the council. She spends more time in the mortal world than most gods, too, so she understands what’s going on. She doesn’t understand guys, though. I guess nobody’s perfect. Of all your Camp Half-Blood friends, who would you most like to have with you in battle? Annabeth: Oh, Percy. No contest. I mean, sure he can be annoying, but he’s dependable. He’s brave and he’s a good fighter. Normally, as long as I’m telling him what to do, he wins in a fight. You’ve been known to call Percy “Seaweed Brain” from time to time. What’s his most annoying quality? Annabeth: Well, I don’t call him that because he’s so bright, do I? I mean he’s not dumb. He’s actually pretty intelligent, but he acts so dumb sometimes. I wonder if he does it just to annoy me. The guy has a lot going for him. He’s courageous. He’s got a sense of humor. He’s good-looking, but don’t you dare tell him I said that. Where was I? Oh yeah, so he’s got a lot going for him, but he’s so . . . obtuse. That’s the word. I mean he doesn’t see really obvious stuff, like the way people feel, even when you’re giving him hints, and being totally blatant. What? No, I’m not talking about anyone or anything in particular! I’m just making a general statement. Why does everyone always think . . . agh! Forget it. Interview with GROVER UNDERWOOD, Satyr What’s your favorite song to play on the reed pipes?
Rick Riordan (The Demigod Files (Percy Jackson and the Olympians))
i want a world where when people ask if we are seeing anyone we can list the names of all our best friends and no one will bat an eyelid. i want monuments and holidays and certificates and ceremonies to commemorate friendship.1 —ALOK VAID-MENON
Mia Birdsong (How We Show Up: Reclaiming Family, Friendship, and Community)
A monumental decision such as starting a family requires persuasive dissertations, licences, spreadsheets and field research. That's what I assumed until one night when we were lying in bed and, if I recall correctly, I asked Tracy if we were ready to have a family now, and she said sure. That was it.
Ryan Knighton (C'mon Papa: Dispatches from a Dad in the Dark)
fifty million loved ones who never returned home from the war to rejoin their families or start one of their own; brilliant, creative contributions never made to our world because scientists, artists, and inventors lost their lives too early or were never born; cultures built over generations reduced to ashes
Robert M. Edsel (The Monuments Men: Allied Heroes, Nazi Thieves, And The Greatest Treasure Hunt In History)
Destroyed, that is, were not only men, women and thousands of children but also restaurants and inns, laundries, theater groups, sports clubs, sewing clubs, boys’ clubs, girls’ clubs, love affairs, trees and gardens, grass, gates, gravestones, temples and shrines, family heirlooms, radios, classmates, books, courts of law, clothes, pets, groceries and markets, telephones, personal letters, automobiles, bicycles, horses—120 war-horses—musical instruments, medicines and medical equipment, life savings, eyeglasses, city records, sidewalks, family scrapbooks, monuments, engagements, marriages, employees, clocks and watches, public transportation, street signs, parents, works of art. “The whole of society,” concludes the Japanese study, “was laid waste to its very foundations.”2698 Lifton’s history professor saw not even foundations left. “Such a weapon,” he told the American psychiatrist, “has the power to make everything into nothing.
Richard Rhodes (The Making of the Atomic Bomb: 25th Anniversary Edition)
All three of the English types I have mentioned can, I think, be accounted for as the results of the presence of different cultures, existing side by side in the country, and who were the creation of the folk in ages distantly removed one from another. In a word, they represent specific " strata" of folk-imagination. The most diminutive of all are very probably to be associated with a New Stone Age conception of spirits which haunted burial-mounds and rude stone monuments. We find such tiny spirits haunting the great stone circles of Brittany. The "Small People," or diminutive fairies of Cornwall, says Hunt, are believed to be "the spirits of people who inhabited Cornwall many thousands of years ago. "The spriggans, of the same area, are a minute and hirsute family of fairies" found only about the cairns, cromlechs, barrows, or detached stones, with which it is unlucky to meddle." Of these, the tiny fairies of Shakespeare, Drayton, and the Elizabethans appear to me to be the later representatives. The latter are certainly not the creation of seventeenth-century poets, as has been stated, but of the aboriginal folk of Britain.
Lewis Spence (British Fairy Origins)
Christmas was just another workday, just as it had been growing up in Alabama. In a good year back then, little Robert got a handkerchief and an orange. One year his father fashioned a little cart—although come to think of it that was in the spring, not at Christmastime—and the children took turns being pulled around the yard by the family goat. Then he died. His father and the goat.
Robert M. Edsel (The Monuments Men: Allied Heroes, Nazi Thieves, And The Greatest Treasure Hunt In History)
I began my life as I shall no doubt end it: among books. In my grandfather's study, they were everywhere; it was forbidden to dust them except once a year, before the October term. Even before I could read, I already revered these raised stones; upright or leaning, wedged together like bricks on the library shelves or nobly placed like avenues of dolmens, I felt that our family prosperity depended on them. They were all alike, and I was romping about in a tiny sanctuary, surrounded by squat, ancient monuments which had witnessed my birth, which would witness my death and whose permanence guaranteed me a future as calm as my past. I used to touch them in secret to honour my hands with their dust but I did not have much idea what to do with them and each day I was present at ceremonies whose meaning escaped me: my grandfather - so clumy, normally, that my grandmother buttoned his gloves for him - handled these cultural objects with the dexterity of an officiating priest. Hundreds of times I saw him get up absent-mindedly, walk round the table, cross the room in two strides, unhesitatingly pick out a volume without allowing himself time for choice, run through it as he went back to his armchair, with a combined movement of his thumb and right forefinger, and, almost before he sat down, open it with a flick "at the right page," making it creak like a shoe. I sometimes got close enough to observe these boxes which opened like oysters and I discovered the nakedness of their internal organs, pale, dank, slightly blistering pages, covered with small black veins, which drank ink and smelt of mildew.
Jean-Paul Sartre (The Words: The Autobiography of Jean-Paul Sartre)
On this spot, on the night of 31 October 1981, Lily and James Potter lost their lives. Their son, Harry, remains the only wizard ever to have survived the Killing Curse. This house, invisible to Muggles, has been left in its ruined state as a monument to the Potters and as a reminder of the violence that tore apart their family. And all around these neatly lettered words, scribbles had been added by other witches and wizards who had come to see the place where the Boy Who Lived had escaped. Some had merely signed their names in Everlasting Ink; others had carved their initials into the wood, still others had left messages. The most recent of these, shining brightly over sixteen years’ worth of magical graffiti, all said similar things. Good luck, Harry, wherever you are. If you read this, Harry, we’re all behind you! Long live Harry Potter.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
Japan’s most important archaeological monuments—the 158 gigantic kofun tombs constructed between A.D. 300 and 686, and thought to contain the remains of ancestral emperors and their families—are still the property of the Imperial Household Agency. Excavation of the tombs is forbidden because it would constitute desecration—and it might also shed undesired light on where Japan’s imperial family really came from (e.g., perhaps Korea?).
Jared Diamond (Guns, Germs, and Steel: The Fates of Human Societies (20th Anniversary Edition))
King George III, who had made the monumental mistake of learning English, was very much the head of the war party, and so, more in anger than in sorrow, he dropped the mask of Mr. Nice Guy. He would now use his Indians, some thirty thousand German soldiers, mostly from Hesse, a Rhineland province bordering his family’s Hanoverian place of origin. The Hessians turned out to be more generally effective than the American or, indeed, the British troops. They were also considered uncommonly attractive by American girls, who found the homegrown lads a bit on the scrawny, sallow side, later to be caricatured as “Uncle Sam.” By the end of the Revolution, a great many Hessians had married American girls and settled down as contented farmers in the German sections of Pennsylvania and Delaware, their lubricious descendants to this day magically peopling the novels of Mr. John Updike.
Gore Vidal (Inventing a Nation: Washington, Adams, Jefferson)
Restorative nostalgics don’t just look at old photographs and piece together family stories. They are mythmakers and architects, builders of monuments and founders of nationalist political projects. They do not merely want to contemplate or learn from the past. They want, as Boym puts it, to “rebuild the lost home and patch up the memory gaps.” Many of them don’t recognize their own fictions about the past for what they are: “They believe their project is about truth.” They are not interested in a nuanced past, in a world in which great leaders were flawed men, in which famous military victories had lethal side effects. They don’t acknowledge that the past might have had its drawbacks. They want the cartoon version of history, and more importantly, they want to live in it, right now. They don’t want to act out roles from the past because it amuses them: they want to behave as they think their ancestors did, without irony.
Anne Applebaum (Twilight of Democracy: The Seductive Lure of Authoritarianism)
I create with my mind. I don’t physically put up a building, but I make it possible. I dream a dream of bricks and concrete and steel, and make it come true. I create jobs for hundreds of people; architects and bricklayers and designers and carpenters and plumbers. Because of me, they’re able to support their families. I give people beautiful surroundings to live in and make them comfortable. I build attractive stores where people can shop and buy things they need. I build monuments to the future.’ She smiled, sheepishly. ‘I didn’t mean to make a speech.
Sidney Sheldon (The Stars Shine Down: A captivatingc romanti suspense novel set in the world of real estate)
Since the 1300s, this job had been performed by members of a small group of families, all living in the hills near the mine. Over the centuries humans grew larger, but the miners stayed the same size, until they eventually seemed dwarfed by the demands of the mine and their time underground (diet and inbreeding were more likely causes). Even in the early twentieth century, this small isolated community spoke a dialect last popular in the Middle Ages. They explored their tunnels with acetylene torches, and wore the white linen suits and peaked caps of medieval miners.
Robert M. Edsel (The Monuments Men: Allied Heroes, Nazi Thieves, And The Greatest Treasure Hunt In History)
….two slate-colored gravestones settled at a slant into the lower corner of the field beside the lane. She could not read the names engraved on them, but she knew what they were. Joseph Watson, 1820-1891, and James Watson, son of Joseph and Hannah Watson, 1844-1863. The grave of Hannah Watson lay beside her husband’s and because she had died last, she had no marker, unless the pine tree growing there might count as one. To-morrow two men would drive up and leave a basket of flowers and a flag for Joseph because he had fought in the Civil War, and for James because he had died on his way home from it, but they would not have anything for Hannah because she had only identified her son James one hot summer day on the platform of North Derwich Station, and raised all the food her husband ate for twenty years as he sat in a chair in her kitchen, and done washings for Mrs. Hale to buy monuments for them at the end. But the flowers would die in the boxes; even if Jen found time to go down and set out the pansy plants in the ground, stray cows were sure to eat them off before the summer was over; and the Forrest children would take the flags to play with. Nothing would interfere with the tree.
Gladys Hasty Carroll (As the Earth Turns)
That is why, as a basic rule, we find more images of kings and queens in all their finery in royal palaces than anywhere else; and it is why, for example, some of the most famous images of Roman emperors have been found on properties almost certainly owned by the imperial family. In Egypt too, monumental images of pharaohs commissioned by pharaohs themselves in vast numbers played their part in convincing the pharaoh of his own pharaonic power. It makes a nice twist on the usual idea of ‘propaganda’ to think that at least one target audience of these colossal images of ‘the-body-as-power’ was the person who had commissioned them.
Mary Beard (How Do We Look: The Body, the Divine, and the Question of Civilization)
In the nineteenth century wealthy families were typically settled, often for several generations, in a given locale. In a nation of wanderers their stability of residence provided a certain continuity. Old families were recognizable as such, especially in the older seaboard cities, only because, resisting the migratory habit, they put down roots. Their insistence on the sanctity of private property was qualified by the principle that property rights were neither absolute nor unconditional. Wealth was understood to carry civic obligations. Libraries, museums, parks, orchestras, universities, hospitals, and other civic amenities stood as so many monuments to upper-class munificence.
Christopher Lasch (The Revolt of the Elites and the Betrayal of Democracy)
i don't want to give the impression that I fault my father. I don't. The truth is that he's one of my heroes. He's monumental to me. I believed - and still do - that a man must stand in the door of his home and let the wolf get him before the wolf gets his family. The wolf never got my father or his family, and I admire Daddy's guts. He never slacked off work or lied to me or shrugged his responsibilities. He dealt with his family from a distance, but was available, when needed. Eventually I'd do the same. I don't know whether I was copying him or whether, by coincidence, my work, like Daddy's, simply kept me away. All I know is that in many ways, big and small, I've followed my father.
B.B. King (Blues All Around Me: The Autobiography of B.B. King)
In some ways, to explore ancient Rome from the twenty-first century is rather like walking on a tightrope, a very careful balancing act. If you look down on one side, everything seems reassuringly familiar: there are conversations going on that we almost join, about the nature of freedom or problems of sex; there are buildings and monuments we recognise and family life lived out in ways we understand, with all their troublesome adolescents; and there are jokes that we ‘get’. On the other side, it seems completely alien territory. That means not just the slavery, the filth (there was hardly any such thing as refuse collection in ancient Rome), the human slaughter in the arena and the death from illnesses whose cure we now take for granted; but also the newborn babies thrown away on rubbish heaps, the child brides and the flamboyant eunuch priests.
Mary Beard (SPQR: A History of Ancient Rome)
Roman history also demands a particular sort of imagination. In some ways, to explore ancient Rome from the twenty-first century is rather like walking on a tightrope, a very careful balancing act. If you look down on one side, everything seems reassuringly familiar: there are conversations going on that we almost join, about the nature of freedom or problems of sex; there are buildings and monuments we recognise and family life lived out in ways we understand, with all their troublesome adolescents; and there are jokes that we ‘get’. On the other side, it seems completely alien territory. That means not just the slavery, the filth (there was hardly any such thing as refuse collection in ancient Rome), the human slaughter in the arena and the death from illnesses whose cure we now take for granted; but also the newborn babies thrown away on rubbish heaps, the child brides and the flamboyant eunuch priests.
Mary Beard (SPQR: A History of Ancient Rome)
Move when it’s time We were touring the ruins at Hovenweep National Monument in the southwestern United States. A sign along the interpretive trail told about the Anasazi who had lived along the small, narrow canyon so long ago. The archaeologists have done their best to determine what these ancient Indians did and how they lived their lives. The signs told about the strategic positioning of the buildings perched precariously on the edge of a cliff, and questioned what had caused this ancient group to suddenly disappear long ago. “Maybe they just got tired of living there and moved,” my friend said. We laughed as we pictured a group of wise ancients sitting around the campfire one night. “You know,” says one of them, “I’m tired of this desert. Let’s move to the beach.” And in our story they did. No mystery. No aliens taking them away. They just moved on, much like we do today. It’s easy to romanticize what we don’t know. It’s easy to assume that someone else must have a greater vision, a nobler purpose than just going to work, having a family, and living a life. People are people, and have been throughout time. Our problems aren’t new or unique. The secret to happiness is the same as it has always been. If you are unhappy with where you are, don’t be there. Yes, you may be here now, you may be learning hard lessons today, but there is no reason to stay there. If it hurts to touch the stove, don’t touch it. If you want to be someplace else, move. If you want to chase a dream, then do it. Learn your lessons where you are, but don’t close off your ability to move and to learn new lessons someplace else. Are you happy with the path that you’re on? If not, maybe it’s time to choose a new one. There need not be a great mysterious reason. Sometimes it’s just hot and dry, and the beach is calling your name. Be where you want to be. God, give me the courage to find a path with heart. Help me move on when it’s time.
Melody Beattie (More Language of Letting Go: 366 New Daily Meditations (Hazelden Meditation Series))
As I became older, I was given many masks to wear. I could be a laborer laying railroad tracks across the continent, with long hair in a queue to be pulled by pranksters; a gardener trimming the shrubs while secretly planting a bomb; a saboteur before the day of infamy at Pearl Harbor, signaling the Imperial Fleet; a kamikaze pilot donning his headband somberly, screaming 'Banzai' on my way to my death; a peasant with a broad-brimmed straw hat in a rice paddy on the other side of the world, stooped over to toil in the water; an obedient servant in the parlor, a houseboy too dignified for my own good; a washerman in the basement laundry, removing stains using an ancient secret; a tyrant intent on imposing my despotism on the democratic world, opposed by the free and the brave; a party cadre alongside many others, all of us clad in coordinated Mao jackets; a sniper camouflaged in the trees of the jungle, training my gunsights on G.I. Joe; a child running with a body burning from napalm, captured in an unforgettable photo; an enemy shot in the head or slaughtered by the villageful; one of the grooms in a mass wedding of couples, having met my mate the day before through our cult leader; an orphan in the last airlift out of a collapsed capital, ready to be adopted into the good life; a black belt martial artist breaking cinderblocks with his head, in an advertisement for Ginsu brand knives with the slogan 'but wait--there's more' as the commercial segued to show another free gift; a chef serving up dog stew, a trick on the unsuspecting diner; a bad driver swerving into the next lane, exactly as could be expected; a horny exchange student here for a year, eager to date the blonde cheerleader; a tourist visiting, clicking away with his camera, posing my family in front of the monuments and statues; a ping pong champion, wearing white tube socks pulled up too high and batting the ball with a wicked spin; a violin prodigy impressing the audience at Carnegie Hall, before taking a polite bow; a teen computer scientist, ready to make millions on an initial public offering before the company stock crashes; a gangster in sunglasses and a tight suit, embroiled in a turf war with the Sicilian mob; an urban greengrocer selling lunch by the pound, rudely returning change over the counter to the black patrons; a businessman with a briefcase of cash bribing a congressman, a corrupting influence on the electoral process; a salaryman on my way to work, crammed into the commuter train and loyal to the company; a shady doctor, trained in a foreign tradition with anatomical diagrams of the human body mapping the flow of life energy through a multitude of colored points; a calculus graduate student with thick glasses and a bad haircut, serving as a teaching assistant with an incomprehensible accent, scribbling on the chalkboard; an automobile enthusiast who customizes an imported car with a supercharged engine and Japanese decals in the rear window, cruising the boulevard looking for a drag race; a illegal alien crowded into the cargo hold of a smuggler's ship, defying death only to crowd into a New York City tenement and work as a slave in a sweatshop. My mother and my girl cousins were Madame Butterfly from the mail order bride catalog, dying in their service to the masculinity of the West, and the dragon lady in a kimono, taking vengeance for her sisters. They became the television newscaster, look-alikes with their flawlessly permed hair. Through these indelible images, I grew up. But when I looked in the mirror, I could not believe my own reflection because it was not like what I saw around me. Over the years, the world opened up. It has become a dizzying kaleidoscope of cultural fragments, arranged and rearranged without plan or order.
Frank H. Wu (Yellow)
I thought about the aftermath of the 1862 war, when thirty-eight hastily condemned warriors had been hung in Mankato, in the country's largest-ever mass execution. Their bodies were buried in shallow graves and then dug up for study by local doctors, including Dr. Mayo, who kept the body of Cut Nose for his personal examination. I thought about my father losing his teaching job, about his struggle with depression and drinking. About how angry he was that our history was not taught in schools. Instead, we had to battle sports mascots and stereotypes. Movie actors in brownface. Tourists with cameras. Welfare lines. Alcoholism. 'After stealing everything,' he would rage, 'now they want to blame us for it, too.' Social services broke up Native families, sending children like me to white foster parents. Every week, the newspapers ran stories about Indians who rolled their cars while drunk or the rise of crack cocaine on the reservations or somebody's arrest for gang-related crimes. No wonder so many Native kids were committing suicide. But there was so much more to the story of the run. What people didn't see because they chose never to look. Unlike the stone monument in New Ulm, built to memorialize the settlers' loss with angry pride, the Dakhota had created a living, breathing memorial that found healing in prayer and ceremony. What the two monuments shared, however, was remembering. We were all trying to find a way through grief.
Diane Wilson (The Seed Keeper)
Rather, the issue is whether it is right to have a mosque and Islamic center in virtually the exact spot where so many Americans were killed in the name of Islamic holy war. I don’t think it is right, any more than I would support the idea of a neo-Nazi recruiting center at Auschwitz. My sympathies in this case are not with religiously deprived Muslims, but rather with Debra Burlingame, a spokesperson for a 9/11 victims group. “Barack Obama has abandoned America at the place where America’s heart was broken nine years ago,” she said.5 Some supporters of the mosque, such as New York mayor Michael Bloomberg, clearly missed the distinction being made here between the right to worship and how and where that right is exercised. Fareed Zakaria, writer and CNN host, recognizes the distinction; even so, he argues in favor of the mosque on the grounds that the folks building it are traditional Muslims who have condemned terrorism.6 Still, it’s not clear why these moderate Muslims disregarded the sentiments of the 9/11 victims’ families and decided on a site so close to Ground Zero. Undoubtedly radical Muslims around the world will view the mosque as a kind of triumphal monument. There is historical precedent for this. Muslims have a long tradition of building monuments to commemorate triumphs over adversaries, as when they built the Dome of the Rock on the site of Solomon’s Temple, or when Mehmet the Conqueror rode his horse into the Byzantine church Hagia Sophia and declared that it would be turned into a mosque. Many Americans may not know this history, but the radical Muslims do, and Obama does as well. The radical Muslims would like the Ground Zero mosque built so it can stand as an enduring symbol of resistance to American power, and President Obama evidently agrees with them.
Dinesh D'Souza (The Roots of Obama's Rage)
Except then a local high school journalism class decided to investigate the story. Not having attended Columbia Journalism School, the young scribes were unaware of the prohibition on committing journalism that reflects poorly on Third World immigrants. Thanks to the teenagers’ reporting, it was discovered that Reddy had become a multimillionaire by using H-1B visas to bring in slave labor from his native India. Dozens of Indian slaves were working in his buildings and at his restaurant. Apparently, some of those “brainy” high-tech workers America so desperately needs include busboys and janitors. And concubines. The pubescent girls Reddy brought in on H-1B visas were not his nieces: They were his concubines, purchased from their parents in India when they were twelve years old. The sixty-four-year-old Reddy flew the girls to America so he could have sex with them—often several of them at once. (We can only hope this is not why Mark Zuckerberg is so keen on H-1B visas.) The third roommate—the crying girl—had escaped the carbon monoxide poisoning only because she had been at Reddy’s house having sex with him, which, judging by the looks of him, might be worse than death. As soon as a translator other than Reddy was found, she admitted that “the primary purpose for her to enter the U.S. was to continue to have sex with Reddy.” The day her roommates arrived from India, she was forced to watch as the old, balding immigrant had sex with both underage girls at once.3 She also said her dead roommate had been pregnant with Reddy’s child. That could not be confirmed by the court because Reddy had already cremated the girl, in the Hindu tradition—even though her parents were Christian. In all, Reddy had brought seven underage girls to the United States for sex—smuggled in by his brother and sister-in-law, who lied to immigration authorities by posing as the girls’ parents.4 Reddy’s “high-tech” workers were just doing the slavery Americans won’t do. No really—we’ve tried getting American slaves! We’ve advertised for slaves at all the local high schools and didn’t get a single taker. We even posted flyers at the grade schools, asking for prepubescent girls to have sex with Reddy. Nothing. Not even on Craigslist. Reddy’s slaves and concubines were considered “untouchables” in India, treated as “subhuman”—“so low that they are not even considered part of Hinduism’s caste system,” as the Los Angeles Times explained. To put it in layman’s terms, in India they’re considered lower than a Kardashian. According to the Indian American magazine India Currents: “Modern slavery is on display every day in India: children forced to beg, young girls recruited into brothels, and men in debt bondage toiling away in agricultural fields.” More than half of the estimated 20.9 million slaves worldwide live in Asia.5 Thanks to American immigration policies, slavery is making a comeback in the United States! A San Francisco couple “active in the Indian community” bought a slave from a New Delhi recruiter to clean house for them, took away her passport when she arrived, and refused to let her call her family or leave their home.6 In New York, Indian immigrants Varsha and Mahender Sabhnani were convicted in 2006 of bringing in two Indonesian illegal aliens as slaves to be domestics in their Long Island, New York, home.7 In addition to helping reintroduce slavery to America, Reddy sends millions of dollars out of the country in order to build monuments to himself in India. “The more money Reddy made in the States,” the Los Angeles Times chirped, “the more good he seemed to do in his hometown.” That’s great for India, but what is America getting out of this model immigrant? Slavery: Check. Sickening caste system: Check. Purchasing twelve-year-old girls for sex: Check. Draining millions of dollars from the American economy: Check. Smuggling half-dead sex slaves out of his slums in rolled-up carpets right under the nose of the Berkeley police: Priceless.
Ann Coulter (¡Adios, America!: The Left's Plan to Turn Our Country into a Third World Hellhole)
Reflective nostalgics miss the past and dream about the past. Some of them study the past and even mourn the past, especially their own personal past. But they do not really want the past back. Perhaps this is because, deep down, they know that the old homestead is in ruins, or because it has been gentrified beyond recognition--or because they quietly recognize that they wouldn't much like it now anyway. Once upon a time life might have been sweeter or simpler, but it was also more dangerous, or more boring, or perhaps more unjust. Radically different from the reflective nostalgics are what Boym calls the restorative nostalgics, not all of whom recognize themselves as nostalgics at all. Restorative nostalgics don't just look at old photographs and piece together family stories. They are mythmakers and architects, builders of monuments and founders of nationalist political projects. They do not merely want to contemplate or learn from the past. They want, as Boym puts it, to "rebuild the lost home and patch up the memory gaps." Many of them don't recognize their own fictions about the past for what they are: "They believe their project is about truth." They are not interested in a nuanced past, in a world in which great leaders were flawed men, in which famous military victories had lethal side effects. They don't acknowledge that the past might have had its drawbacks. They want the cartoon version of history, and more importantly, they want to live in it, right now. They don't want to act out roles from the past because it amuses them: they want to behave as think their ancestors did, without irony. It is not by accident that restorative nostalgia often goes hand in hand with conspiracy theories and the medium-sized lies. These needn't be as harsh or crazy as the Smolensk conspiracy theory or the Soros conspiracy theory; they can gently invoke scapegoats rather than a full-fledged alternative reality. At a minimum, they can offer an explanation: The nation is no longer great because someone has attacked us, undermined us, sapped our strength. Someone—the immigrants, the foreigners, the elites, or indeed the EU—has perverted the course of history and reduced the nation to a shadow of its former self. The essential identity that we once had has been taken away and replaced with something cheap and artificial. Eventually, those who seek power on the back of restorative nostalgia will begin to cultivate these conspiracy theories, or alternative histories, or alternative fibs, whether or not they have any basis in fact.
Anne Applebaum (Twilight of Democracy: The Seductive Lure of Authoritarianism)
Intentions precede our deeds, and then are left lying in the wake of those deeds. I am not the voice of posterity, Anomander Rake. Nor are you.’ ‘Rake?’ ‘Purake is an Azathanai word,’ Brood said. ‘You did not know? It was an honorific granted to your family, to your father in his youth.’ ‘Why? How did he earn it?’ The Azathanai shrugged. ‘K’rul gave it. He did not share his reasons. Or, rather, “she”, as K’rul is wont to change his mind’s way of thinking, and so assumes a woman’s guise every few centuries. He is now a man, but back then he was a woman.’ ‘Do you know its meaning, Caladan?’ ‘Pur Rakess Calas ne A’nom. Roughly, Strength in Standing Still.’ ‘A’nom,’ said the Son of Darkness, frowning. ‘Perhaps,’ the Azathanai said, ‘as a babe, you were quick to stand.’ ‘And Rakess? Or Rake, as you would call me?’ ‘Only what I see in you, and what all others see in you. Strength.’ ‘I feel no such thing.’ ‘No one who is strong does.’ They had conversed as if Endest was not there, as if he was deaf to their words. The two men, Tiste and Azathanai, had begun forging something between them, and whatever it was, it was unafraid of truths. ‘My father died because he would not retreat from battle.’ ‘Your father was bound in the chains of his family name.’ ‘As I will be, Caladan? You give me hope.’ ‘Forgive me, Rake, but strength is not always a virtue. I will raise no monument to you.’ The Son of Darkness had smiled, then. ‘At last, you say something that wholly pleases me.’ ‘Yet still you are worshipped. Many by nature would hide in strength’s shadow.’ ‘I will defy them.’ ‘Such principles are rarely appreciated,’ Caladan said. ‘Expect excoriation. Condemnation. Those who are not your equals will claim for their own that equality, and yet will meet your eyes with expectation, with profound presumption. Every kindness you yield they will take as deserved, but such appetites are unending, and your denial is the crime they but await. Commit it and witness their subsequent vilification.’ Anomander shrugged at that, as if the expectations of others meant nothing to him, and whatever would come from his standing upon the principles he espoused, he would bear it. ‘You promised peace, Caladan. I vowed to hold you to that, and nothing we have said now has changed my mind.’ ‘Yes, I said I would guide you, and I will. And in so doing, I will rely upon your strength, and hope it robust enough to bear each and every burden I place upon it. So I remind myself, and you, with the new name I give you. Will you accept it, Anomander Rake? Will you stand in strength?’ ‘My father’s name proved a curse. Indeed, it proved the death of him.’ ‘Yes.’ ‘Very well, Caladan Brood, I will take this first burden.’ Of course. The Son of Darkness could do no less.
Steven Erikson (Fall of Light (The Kharkanas Trilogy, #2))
We saw displays of medals, plaques, and monuments—rewards for those who’d spied and reported on their families. Even their files were preserved, row after row of floor-to-ceiling shelves filled with personal information on the citizens of the German Democratic Republic. I touched some of the files, aware that each contained the private secrets of real people whose lives may have been ruined by this invasion of their privacy, or simply by knowing it was a parent or child or sibling who’d betrayed them. It was chilling to imagine living in such a state.
James R. Clapper (Facts and Fears: Hard Truths from a Life in Intelligence)
Come," he said softly. "Come with me." Come with me. It was almost as if it were something else entirely. Not an invitation to Sunday dinner, but something far more intimate. Something that existed- that involved- only the two of them. Something that involved warmth, heat, and overwhelming maleness versus softness and closeness. Every sense inside her sharpened. Clamored in a way that was entirely new to Fionna. Seeing him thus, so handsome he drove the air from her lungs- why, it made even a single breath a monumental struggle. She longed to give in. To let herself be swept by the man and her urges and dash the consequences.
Samantha James (The Seduction Of An Unknown Lady (McBride Family #2))
He that looks for urns and old sepulchral relicks, must not seek them in the ruins of temples, where no religion anciently placed them. These were found in a field, according to ancient custom, in noble or private burial; the old practice of the Canaanites, the family of Abraham, and the burying-place of Joshua, in the borders of his possessions; and also agreeable unto Roman practice to bury by highways, whereby their monuments were under eye:--memorials of themselves, and mementoes of mortality unto living passengers; whom the epitaphs of great ones were fain to beg to stay and look upon them,--a language though sometimes used, not so proper in church inscriptions.
Thomas Browne (Urne Burial)
I’m not building a castle or a monument; I’m building a soul and a family. I’ll tell stories all my life, writing on napkins and on the backs of receipts, or in books if they let me, but this is the promise I make to my God: I will never again be so careless, so cavalier with the body and soul you’ve given me. They are the only things in all the world that have been entrusted entirely to me, and I stewarded them poorly, worshiping for a time at the altars of productivity, capability, busyness, distraction. This body and soul will become again what God intended them to be: living sacrifices, offered only to him. I will spend my life on meaning, on connection, on love, on freedom. I will not waste one more day trapped in comparison, competition, proving, and earning. That’s the currency of a culture that has nothing to offer me.
Shauna Niequist (Present Over Perfect: Leaving Behind Frantic for a Simpler, More Soulful Way of Living)
I'd come away from intense scenes of family pride and emotion between fathers and children and would conclude that a man could build whatever monuments he wanted in the worlds of politics, sports, entertainment, and business, but if they come at the expense of his children, then he has failed. Once the attention fades and the crowds stop cheering his name and his accomplishments are little more than fine print in a history book, the only thing that truly survives him is his child. That is his legacy. That is what defines him. All else is but a footnote.
Steve Pemberton
Tariq gives me a sad, pitying look, and I wonder how much he can read on my face. Gary suddenly looks almost gleeful. “So,” he says. “Where were we? You were trying to convince me to commit suicide, right?” “That’s a good idea,” says Charity. “You’re a burden on your friends and family. Is this a Hemlock Society thing?” He shakes his head. “No, more like a ‘Charge of the Light Brigade’ thing.” She grins. “You mean they’re trying to convince you to do something so monumentally stupid that it almost looks brave?” Gary’s eyes light up. “Something like that. You a Tennyson fan?” Charity lowers the towel and flips her hair back over her shoulders. “Half a league, half a league, half a league onward. All in the valley of Death, rode the six hundred. My degree was in English literature.” “Ah,” says Gary. “Hence the career in food and beverage delivery.” “Yeah, right.” She gives her hair a final shake, and drapes the towel over the arm of the chair. “So really, what are we talking about?” “We were actually talking about Anders,” says Gary, “and what a fine hunk of meat he is.” “He’s a fine hunk of something.” Charity looks like she’s bitten into something rotten. My stomach gives a hopeful flutter. Sweet Jesus, I am a prepubescent girl.
Edward Ashton (Three Days in April)
Chebeague Island is the largest of the islands in Casco Bay, near Portland Maine. Everyone knew everybody else on the island, and if they were not related, they were friends, or at the very least knew everything there was to know about each other, including what they had in their stew pot at any given time. Most of the islanders, including the Kimberly family, were descendants of the “Stone Sloopers.” On Chebeague Island they built three wharves. The Stone Wharf, or Hamilton Landing as it was known, is still in use today. The one masted sloops, sometimes known as Chebacco Boats, sailed along the rocky Maine coast transporting granite and stone from Maine’s coastal quarries, to east coast cities as far south as Chesapeake Bay. The Washington Monument and many of the governmental buildings in Washington, D.C., were built of granite brought up the Potomac River by the Stone Sloopers. During the 19th Century, they also supplied rock ballast for the sailing ships that came into New England ports. The Stone Sloopers are also remembered for building Greek revival homes, which can still be seen on the island.
Hank Bracker
Develop an 'Attitude of Gratitude.' Try this little exercise: List three things for which you are grateful at this moment. It might be monumental, like having survived a disease. It might be something spiritual, like your relationship with God or your family. It might be simple, like the fact that your car started this morning. Whatever positive things you list, it is always good for your outlook to be grateful.
Del Suggs (Truly Leading: Lessons in Leadership)
lanes. The mill wheel on the horizon turning its daily grind as chimneys breathed tendrils of smoke into the Wiltshire sky and smartly attired gentlemen played cricket on the Barley Field. Nothing now. Not even the distant din of agricultural equipment ploughing the fields. Just silence. Heavy. Oppressive. I glimpsed something then, a quick movement at the very edge of my field of vision. There were enough trees in the churchyard; it might easily have been a branch stirring on the wind . . . I looked to the great elm tree at the far end of the churchyard and saw, in the shadow cast by its overhanging branches, an ornate memorial stone fashioned from smooth white marble in the shape of a lamb. On either side of the lamb were two stone urns. Something told me there was only one family in Imber who could have afforded such a monument. With weather-worn angels looming on all sides of me, I crossed the churchyard to examine the impressive monument, and wasn’t surprised to find I was right. IN LOVING MEMORY OF PIERRE HOWISON HARTWELL APRIL 1925 – OCTOBER 1930
Neil Spring (The Lost Village (The Ghost Hunters, #2))
We open up little windows into our relationship for our community to bear witness, and we do this because we want to make maps to the future and not monuments to ourselves.
Mia Birdsong (How We Show Up: Reclaiming Family, Friendship, and Community)
In today’s world it’s easy to lose track of time & otherwise get caught up in what’s going on. So many families split up, so many loved ones Lose track of who they are. Why they came together. Divorcing a memory they can never truly run away from. In today’s world it’s a blessing to know you. To get facial recognition & assurance with your every smile. Not every moment can be as perfect as we expect it, Yet we are appreciative and try not to take the moment For granted. Just as the saying goes, “Not everyone knows what They have.” It’s those refreshing moments that remind us Of God’s praise. Not at all excusing us for the times we become Absentees when we’re needed most, or simply lose track Of time, there are so many things that factor into who we are,Our upbringing, things we experience, The shapeless void Of a missing father. While that effect is monumental, we respond without responding. Silence sometimes the most powerful form of toxicity In response to communication. In today’s world it’s not that uncommon, placing something else Instead as priority, forgetting the bigger if not biggest issue. For better or worse, the most memorable part of any union. We take it at face value forgetting that we’re all kids at some point Or another. It’s not impossible to revert back as we’re all human At the end of the day. That doesn’t at all excuse us for the times we aren’t present, not just for ourselves. But for our partners, our friends, our families the priority of accepting love as a walking and breathing testimony. Our hands the door of faith, as we journey to the alter our lips Have formed.In today’s world it’s a blessing to know you & to get facial recognition As well as reassurance every time I look at you. No matter how much we mumble or grumble. I am forever grateful to have met the love of my life. Everything I’ll ever need no matter how much time passes. You’re all I’ll ever need
Kewayne Wadley (Late Nights On Venus)
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Yet even before agriculture was fully organized, people across the world – from Japan to Finland and the Americas – were raising monumental structures that were both sacred and social. The temples acted as calendars linked to celestial bodies, and people possibly just gathered there to celebrate successful harvests, then returned to their hunting-foraging life. In south-east Türkiye, at Göbekli Tepe, structures that looked like temples, pillars topped with sculpted foxes, snakes and scorpions, were built by hunter-gatherers who did not yet farm yet already shared religious rites.
Simon Sebag Montefiore (The World: A Family History of Humanity)
All across his empire, monumental sacred spaces were created, in Jerusalem, Bethlehem, Sinai and Ravenna, where, in mosaics that still exist, we can see Justinian and Theodora as they saw themselves, he decisive, russet-haired and rosy-cheeked, she skinny, intense, pale, sanctimonious, imperious.
Simon Sebag Montefiore (The World: A Family History of Humanity)
While we were one family, the Italians had the power to join their five ruling families against any common enemy. It made them nearly unstoppable. An alliance like that would be monumental for us, and I was an essential component. It should have made me enormously proud, but I couldn’t stop the whispers in the back of my mind that my Irish family was just trying to get rid of me. Not fully one or the other, I didn’t fit in anywhere.
Jill Ramsower (Silent Vows (The Byrne Brothers, #1))
In the center of Climentoro, a town in Huehuetenango, a dozen large white houses rose above the village’s traditional wooden huts like giant monuments. The structures were made of concrete and fashioned with archways, colonnaded porches, and elaborate moldings; some even boasted facades decorated with paintings of American flags. Their owners, who lived in the US, had sent money home to build American-inspired houses for when they returned, but few did. One three-story house with a faux-brick chimney was empty. The family of twelve had migrated a few years ago, leaving the vacant construction behind. Vecinos fantasmas, Feliciano Pérez, a local farmer, called them—ghost neighbors.
Jonathan Blitzer (Everyone Who Is Gone Is Here: The United States, Central America, and the Making of a Crisis)
Each of my senses were totally fixated on Tamir, and my brain was tasked with the impossible mission of ignoring that feedback and learning the day’s Krav Maga lesson. It was a monumental challenge, but one I was slowly growing accustomed to surmounting.
Jill Ramsower (Where Loyalties Lie (The Five Families, #3.5))
A couple of weeks after Mia’s bone graft surgery in January 2014, she received a letter from Congressman Trent Franks of Arizona on official United States congressional letterhead. Mia was so excited about the letter that she stood on the fireplace hearth (the living room stage) and proceeded to read it to the entire family. In the letter, Congressman Franks told Mia that he, too, was born with a cleft lip and palate and underwent many surgeries as a child. He told her he understood how she felt and told her not to get discouraged because he recognized how she is helping so many people. He invited her to Washington, DC, to receive an award from Congress for service to her community. As soon as she had finished reading it to us, she exclaimed, “Can we go?” Knowing how Jase puts little value on earthly awards and how he likes to travel even less, I responded with a phrase that most parents can understand and appreciate: “We’ll see.” Mia immediately ran upstairs and tacked the letter to her bulletin board, full of hope and optimism. How could Jase say no to this? Oh, she knew her daddy well. He couldn’t, and he didn’t. That summer, Mia, Jase, Reed, Cole, and I spent a few days together visiting monuments and historical sites in Washington before meeting Congressman Franks on July 8 in his office on Capitol Hill. Mia’s favorite monument was the Lincoln Memorial because she had learned about it in school, so it was cool to see it “for real.” It was really crowded there, and people were taking pictures of us while we were trying to read about the monument and take photographs ourselves. Getting Jase out of there took a while because of so many fans wanting pictures--he’s very accommodating. That’s why it surprised me that this was Mia’s favorite site. I’m glad she remembers the impact of the monument and didn’t allow the circus of activity from the fans to put a damper on her experience. Congressman Franks presented Mia with a Certificate of Special Congressional Recognition for “outstanding and invaluable service to the community” at a press conference held at the foot of the Capitol steps. Both he and Mia made speeches that day to numerous cameras and reporters. Hearing my ten-year-old daughter speak about her condition and how she hopes people will look to God to help them get through their own problems was an unbelievably proud moment for me, Jase, and her brothers. After the press conference, Congressman Franks took us into the House chamber where Congress was voting on a new bill. He took Mia down to the floor, introduced her to some of his colleagues, and let her push his voting button for him. When some of the other members of Congress saw this, they also asked her to push their voting buttons for them. Of course, Mia wasn’t going to push any buttons without quizzing these representatives about what exactly she was voting for. She needed to know what was in the bill before she pushed the buttons. Once she realized she agreed with the bill and saw that some members were voting “no,” she commented, “That’s just rude.” Mia was thrilled with the experience and told us all how she helped make history. Little does she know just how much history she has made and continues to make.
Missy Robertson (Blessed, Blessed ... Blessed: The Untold Story of Our Family's Fight to Love Hard, Stay Strong, and Keep the Faith When Life Can't Be Fixed)
Not only was nothing talked through, they also had this monumental Senate race looming over them that Avery hadn't mentioned one word about. Quiet, reserved Kane Dalton, who was shunned by his family for being gay, wasn't just going to easily jump on board with this.
Kindle Alexander (Always (Always & Forever #1))
I love you,” Val began, wondering where in the nine circles of hell that had come from. He sat forward, elbows on his knees, and scrubbed a hand over his face. “I’m sorry; that came out… wrong. Still…” He glanced at her over his shoulder. “It’s the truth.” Ellen’s fingers settled on his nape, massaging in the small, soothing circles Val had come to expect when her hands were on him. “If you love me,” she said after a long, fraught silence, “you’ll tell me the truth.” Val tried to see that response as positive—she hadn’t stomped off, railed at him, or tossed his words back in his face. Yet. But neither had she reciprocated. “My name is Valentine Windham,” he said slowly, “but you’ve asked about my family, and in that regard—and that regard only—I have not been entirely forthcoming.” “Come forth now,” she commanded softly, her hand going still. “My father is the Duke of Moreland. That’s all. I’m a commoner, my title only a courtesy, and I’m not even technically the spare anymore, a situation that should improve further, because my brother Gayle is deeply enamored of his wife.” “Improve?” Ellen’s voice was soft, preoccupied. “I don’t want the title, Ellen.” Val sat up, needing to see her eyes. “I don’t ever want it, not for me, not for my son or grandson. I make pianos, and it’s a good income. I can provide well for you, if you’ll let me.” “As your mistress?” “Bloody, blazing… no!” Val rose and paced across the porch, turning to face her when he could go no farther. “As my wife, as my beloved, dearest wife.” A few heartbeats of silence went by, and with each one, Val felt the ringing of a death knell over his hopes. “I would be your mistress. I care for you, too, but I cannot be your wife.” Val frowned at that. It wasn’t what he’d been expecting. A conditional rejection, that’s what it was. She’d give him time, he supposed, to get over his feelings and move along with his life. “Why not marry me?” he asked, crossing his arms over his chest. She crossed her arms too. “What else haven’t you told me?” “Fair enough.” Val came back to sit beside her and searched his mind. “I play the piano. I don’t just mess about with it for polite entertainment. Playing the piano used to be who I was.” “You were a musician?” Val snorted. “I was a coward, but yes, I was a musician, a virtuoso of the keyboard. Then my hand”—he held up his perfectly unremarkable left hand—“rebelled against all the wear and tear, or came a cropper somehow. I could not play anymore, not without either damaging it beyond all repair or risking a laudanum addiction, maybe both.” “So you came out here?” Ellen guessed. “You took on the monumental task of setting to rights what I had put wrong on this estate and thought that would be… what?” “A way to feel useful or maybe just a way to get tired enough each day that I didn’t miss the music so much, and then…” “Then?” She took his hand in hers, but Val wasn’t reassured. His mistress, indeed. “Then I became enamored of my neighbor. She beguiled me—she’s lovely and dear and patient. She’s a virtuoso of the flower garden. She cared about my hand and about me without once hearing me play the piano, and this intrigued me.” “You intrigued me,” Ellen admitted, pressing the back of his hand to her cheek. “You still do.” “My Ellen loves to make beauty, as do I.” Val turned and used his free hand to trace the line of Ellen’s jaw. “She is as independent as I am and values her privacy, as I do.” “You are merely lonely, Val.
Grace Burrowes (The Virtuoso (Duke's Obsession, #3; Windham, #3))
What a monumental waste of time that now seems, to spend so much of life hung-over, sleeping away my weekends and cowering under the covers, scared of life. I used to tell myself that the places I was going to visit, the friends I cancelled on, or the family I was meaning to call could wait until tomorrow. How cavalier of me to presume those opportunities would always be there.
Jill Stark (High Sobriety: My Year Without Booze)
ANNALS OF LANGUAGE WORD MAGIC How much really gets lost in translation? BY ADAM GOPNIK Once, in a restaurant in Italy with my family, I occasioned enormous merriment, as a nineteenth-century humorist would have put it, by confusing two Italian words. I thought I had, very suavely, ordered for dessert fragoline—those lovely little wild strawberries. Instead, I seem to have asked for fagiolini—green beans. The waiter ceremoniously brought me a plate of green beans with my coffee, along with the flan and the gelato for the kids. The significant insight the mistake provided—arriving mere microseconds after the laughter of those kids, who for some reason still bring up the occasion, often—was about the arbitrary nature of language: the single “r” rolled right makes one a master of the trattoria, an “r” unrolled the family fool. Although speaking feels as natural as breathing, the truth is that the words we use are strange, abstract symbols, at least as remote from their objects as Egyptian hieroglyphs are from theirs, and as quietly treacherous as Egyptian tombs. Although berries and beans may be separated by a subtle sound within a language, the larger space between like words in different languages is just as hazardous. Two words that seem to indicate the same state may mean the opposite. In English, the spiritual guy is pious, while the one called spirituel in French is witty; a liberal in France is on the right, in America to the left. And what of cultural inflections that seem to separate meanings otherwise identical? When we have savoir-faire in French, don’t we actually have something different from “know-how” in English, even though the two compounds combine pretty much the same elements? These questions, about the hidden traps of words and phrases, are the subject of what may be the weirdest book the twenty-first century has so far produced: “Dictionary of Untranslatables: A Philosophical Lexicon,” a thirteen-hundred-page volume, originally edited in French by the French philologist Barbara Cassin but now published, by Princeton University Press, in a much altered English edition, overseen by the comp-lit luminaries Emily Apter, Jacques Lezra, and Michael Wood. How weird is it? Let us count the ways. It is in part an anti-English protest, taking arms against the imperializing spread of our era’s, well, lingua franca—which has now been offered in English, so that everyone can understand it. The book’s presupposition is that there are significant, namable, untranslatable differences between tongues, so that, say, “history” in English, histoire in French, and Geschichte in German have very different boundaries that we need to grasp if we are to understand the texts in which the words occur. The editors, propelled by this belief, also believe it to be wrong. In each entry of the Dictionary, the differences are tracked, explained, and made perfectly clear in English, which rather undermines the premise that these terms are untranslatable, except in the dim sense that it sometimes takes a few words in one language to indicate a concept that is more succinctly embodied in one word in another. Histoire in French means both “history” and “story,” in a way that “history” in English doesn’t quite, so that the relation between history and story may be more elegantly available in French. But no one has trouble in English with the notion that histories are narratives we make up as much as chronicles we discern. Indeed, in the preface, the editors cheerfully announce that any strong form of the belief to which their book may seem to be a monument is certainly false: “Some pretty good equivalencies are always available. . . . If there were a perfect equivalence from language to language, the result would not be translation; it would be a replica. . . . The constant recourse to the metaphor of loss in translation is finally too easy.” So their Dictionary is a self-exploding book,
Anonymous
On this spot, on the night of 31 October 1981, Lily and James Potter lost their lives. Their son, Harry, remains the only wizard ever to have survived the Killing Curse. This house, invisible to Muggles, has been left in its ruined state as a monument to the Potters and as a reminder of the violence that tore apart their family.
J.K. Rowling
Legacy of Love In the future, when your children ask you, “What do these stones mean?” tell them that the flow of the Jordan was cut off before the ark of the covenant of the LORD. When it crossed the Jordan, the waters of the Jordan were cut off. These stones are to be a memorial to the people of Israel forever. —JOSHUA 4:6-7     In your family’s history there are probably many examples of sacrifice—some you may know about, but many other sacrifices probably took place and were not recorded, mentioned, or elaborated on in family stories and journals. Consider how you have learned life lessons from those who did make sacrifices. What pleasures or luxuries or privileges do you enjoy today because of the toils and trials of past generations? How you honor such sacrifices becomes a part of your legacy to the next generation. If you are raising a family with God’s love and truth, that is honoring your life and the lives of those before you. If you are mentoring other women or girls, that is honoring the labor of many women of the past. When you have compassion on a stranger, that is honoring the acts of service that took place before you were born. We never want to let future generations forget what great sacrifices were made in order for us to be the persons, the families, and the nation we are. That’s why traditions are so important in life. They are attempts to pass on to future generations what of value has been passed on to us today. Joshua built a monument of stones so that the children of the future would ask about them and about their own heritage. What will your legacy be? What do you hope your children or your friends or your loved ones will carry with them after you are gone? Commit your ways to the ways of God, and your legacy will endure. It will become a heritage of faith and faithfulness that will help to encourage and inspire others. Your legacy won’t be in material possessions or in the details of a will. Your legacy will be discovered in the stones…the stepping stones…that created your path—each stone carved and polished by the Creator Himself. Prayer: Father God, remind me of the sacrifices made by those believers who persevered before
Emilie Barnes (Walk with Me Today, Lord: Inspiring Devotions for Women)
the original commission for the ceiling was a plan designed by the pope and his closest advisers. Jesus was to have been the focal point of the project, surrounded by his apostles and probably also Mary and John the Baptist. This commission was especially dear to the pope’s heart, since the chapel had originally been built by his uncle Sixtus IV and would be an eternal monument to their family’s glory. Now Michelangelo was about to subvert the entire project to secretly promote his own beliefs, especially those of humanism, Neoplatonism, and universal tolerance. He had already somewhat appeased the pope with his ploy of putting him in the place of Jesus—but how was he going to get the pope to pay for the world’s largest Catholic fresco without a single Christian figure in it?
Benjamin Blech (The Sistine Secrets: Michelangelo's Forbidden Messages in the Heart of the Vatican)
Some thirty miles east of the statue, with much less fanfare, another monument was nearing completion. At Cold Spring Harbor on Long Island, construction was almost finished on a new, state-of-the-art laboratory. Built with a hefty donation from Andrew Carnegie, the Station for Experimental Evolution was one of the first American institutions to study genetics. Heralded as the future of biological science, the laboratory would become the headquarters for the eugenics movement. A campaign to classify races by means of a hierarchy, eugenics would provide scientific justification for segregation, mass sterilizations, and the exclusion of an entire immigrant population. It would grow to influence all levels of society, from public policy to children’s books. A sanctioned form of racism, eugenics served as the scientific articulation of white supremacy and the politician’s strongest weapon against immigrants.
Adrienne Berard (Water Tossing Boulders: How a Family of Chinese Immigrants Led the First Fight to Desegregate Schools in the Jim Crow South)
Abundance also has little to do with ease of detection. Aluminum is the fourth most common element on Earth, accounting for nearly a tenth of everything that’s underneath your feet, but its existence wasn’t even suspected until it was discovered in the nineteenth century by Humphry Davy, and for a long time after that it was treated as rare and precious. Congress nearly put a shiny lining of aluminum foil atop the Washington Monument to show what a classy and prosperous nation we had become, and the French imperial family in the same period discarded the state silver dinner service and replaced it with an aluminum one. The fashion was cutting edge even if the knives weren’t.
Bill Bryson (A Short History of Nearly Everything)
Where do you write? Arthur Miller wrote in a log cabin he built for himself… I just... I have a room in my house. I mean I like writing in hotels. Occasionally I’m... I just go somewhere. I need to smoke and I need room service essentially, and that’s all I need. As a matter of fact it’s much pleasanter to be at home with wife, family and so on. But… clearly… one ought to have a little more discipline than I have. Because I don’t actually shut myself away. When times are in crisis and I am up against it with a deadline, then I do. But I’m pretty slipshod about the way I organise my life. So you don’t write every day, it’s not… No. No, I don’t. I don’t write every day. And I had a friend staying with us for the weekend and he said, Yes, he writes every day. And I just think ‘Really? What happens to your in tray?’ I can’t cope with mine. You’ve commented on how much you cherish your solitude. Do you have solitude? I’ve had a lot of times on my own and I’ve never been… never felt lonely, ever. I like, I like solitude. As a writer I think a certain amount is necessary. I’m always been… bookish rather than active. So, you know, I make few demands upon the world as a writer. And I don’t really… even if I’m writing about something factual and I need to see places and do things and find out what I’m writing about, I’m fairly casual about that as well. Very often I end up looking at places, rooms, monuments which I’ve been writing about but didn’t really get to see until the play was finished. I think that’s the attraction, actually… there’s a sort of self-sufficiency about creating a play and, I guess, a film. A certain self-sufficiency… in other words it caters to ones own distaste for making sudden movements.
Tom Stoppard
Friends and relatives encouraged me to erect a gravestone for my father. I thought that even though I was not a high official, I would erect for my father a tombstone grander than any of those others. Then I recalled that in 1958, many of the village's tombstones had been dismantled for use in irrigation projects or as bases for smelting ovens in the steelmaking campaign during the Great Leap Forward; some had been laid out on roadways. The more impressive the monument, the greater the likelihood of it being demolished. My father's tombstone had to be erected not on the ground, but in my heart. A tombstone in the heart could never be demolished or trampled underfoot.
Yang Jisheng (Tombstone: The Great Chinese Famine, 1958-1962)
Mom!” I shout. “Mom! Dad!” I reach my mother and come to a stop, my feet sliding in the gravel. Gently, gently, I hug her. She’s thin and I see, no, I feel, against my cheek, that she’s suffered some terrible burn down the side of her face and over her neck. The skin is bandaged in places and shiny in others and she’s in my arms. She’s thin and fragile and she’s in my arms. My mother. My dad puts his arms around the two of us and Alex wriggles into the middle and we’re all laughing and crying. We’re in a big knot. A knot of Grieders. A cluster. A group. A family. My dad kisses the back of my head and Alex’s grin is a mile wide. I’ve never seen Alex so happy and I know I never will see him happier. He did it. He reunited us. * * * In a moment, Astrid will make her way down the drive and I will introduce my parents to my son and my (someday soon) wife. But right now I just let my mom cling to me. “My sweet boy,” she says. “I thought I lost you forever.” I hold my mother, taking care to be gentle, and I tell her I love her.
Emmy Laybourne (The Monument 14 Trilogy: Monument 14, Sky on Fire, and Savage Drift (Monument 14 Series))
The beaches in Dubai are well-known for their cleanliness and tranquility. While many individuals enjoy a relaxing weekend at the beach, thrill-seekers prefer to participate in thrilling water sports. Jet skiing is one of Dubai's most popular water activities, and adventure seekers love to try it. Do you want to know what the most extraordinary Dubai marine adventures are? What is the best method to see this magnificent city? There is plenty to do in this city-state of the UAE, and we have several fun aquatic activities for you to enjoy while on vacation or to live in the Emirates! How about a Jet Ski Ride along the Dubai waterfront? It can be done with your family, as a couple, with friends, or by yourself. We jet ski around all of Dubai's most famous attractions, skyscrapers, and landmarks. All of our Jet Ski trips include a stop at the luxury Burj Al Arab hotel, which is constructed into the sea, where you can have fun and receive a photo souvenir of Dubai. Jet skiing in Dubai is unquestionably the most acceptable way to see the city and have a good time during your vacation. Dubai Yacht Rental Experience When it comes to a luxury Boat Party in Dubai for those who can afford it, the pleasure and adventure that Yachts can provide cannot be overstated. Yachting is, without a doubt, the most beautiful sport on the planet. It's a once-in-a-lifetime opportunity to splash around in the ocean's deep blue waves and lose yourself in an environment that is both soothing and calming to the soul. The sensation you get from a yacht requires a whole new set of words to explain it. It's a fantastic experience that transports people to another zone while also altering their mental state. People who have the advantage of owning private yachts go sailing to have a relaxing excursion and clear their minds whenever they feel the need. Those who cannot afford to purchase a yacht can enjoy the thrill of cruising from one coastal region to the other by renting an economical Dubai yacht. It is not a challenging task to learn to sail. Some people believe that yachting can only be done by experts, which is a ridiculous misconception. Anyone willing to acquire a few tactics and hints can master the art of yachting. READ MORE About Dubai Jet Ski: Get lost in the tranquility of blue waters while waiting to partake in action. With the instructor sitting right behind you, you’ll learn astonishing stunts and skills for riding a Jet ski. This adventure will take your excitement to a new level of adventure in the open sea. While sailing past the picturesque shorelines of the islands, take in stunning views of prominent Dubai monuments such as the Burj Al Arab and more. About the activity: Jumeirah Beach is the meeting site for this activity. You have the option of riding for 30 minutes or 60 minutes Jet Ski around the beaches while being accompanied at all times by an instructor, as your safety is our top priority. Begin your journey from the marina and proceed to the world-famous Burj-Al-Arab, a world well known hotel, for a photo shoot. where you may take as many pictures as you want
uaebestdesertsafar
How do I know I have lived? How can I be certain my days were not squandered? What criteria, which principles qualify life as lived? Certainly, I have endured trials and troubles, and I learned from life’s lessons. I grew wise as well as empathetic. But is edification and its accompanying traits the ultimate aim for living? I have traveled. Oh, I have seen marvelous wonders in this world. Skies that were artic blue, emerald green, soft lilac, and rosy red. Mountains fixed like monuments to the gods. Waters as clear as crystal, as blue as larimar, deeper than a leviathan’s lair, and as vast as the night’s sky. I have witnessed pyramids and castles, colosseums, great walls, and temples. Is this living? To travel, to see, to awe at the world’s aesthetic wonders? I have experienced great joys in my days: laughter, kindness, fun, love, thrills, successes. I have suffered a great many sorrows: sickness, loss, pain, cruelty, vengeance, disparagement. I have valued the good and abhorred the bad. Is this the ultimate feat of living? I have been actively doing: from sailing to flying, acting to singing, hiking to biking. I have dived, danced, drummed, battled, built, raced, and used my incredible body to perform every activity I desired. I gained strength and endurance in the process. Is this a sure sign of living? I have been part of a family and raised my own. I have formed lasting, loyal friendships that have passed the test of time. I have felt what it means to sacrifice for loved ones, shared in their joys and sorrows, prayed for tender mercies and miracles in their lives. I have loved and been loved in return. Is it connection to family and friends, the relationships developed between kindred, is this what it means to truly live? How do I know I have lived? As my days near an end, how can I be certain my life was worthwhile and not wasted? Did I accomplish what life mandates of those who truly live? What qualifies life as lived?
Richelle E. Goodrich (A Heart Made of Tissue Paper)
Aimshala's Vision for Education: Empowering Educators, Enriching Lives In the heart of every learner's journey, there exists a light of inspiration, a guide through the moving seas of knowledge and discovery. This guide, often hidden and ignored, is the educator. At Aimshala, we understand the transformative power of educators not just in imparting knowledge, but in enriching lives and empowering minds. Our vision for education is deeply rooted in the belief that by empowering educators, we can create ripples of change that extend beyond classroom walls, enriching the lives of countless individuals and, by extension, society itself. The Unknown Heroes of Our Society Educators are the unknown heroes of our society, the architects of the future, shaping minds and inspiring hearts. They do more than teach; they awaken curiosity, instill resilience, and foster a lifelong love for learning. The impact of a passionate educator extends far beyond academic achievements; it touches on the very essence of who we become. At Aimshala, we recognize the challenges educators face daily juggling administrative tasks, adapting to new technologies, and meeting each student's unique needs. Yet, despite these hurdles, their commitment never wavers. They continue to light the path for their students, often with little recognition for their monumental impact. It's for these unsung heroes that Aimshala dedicates its mission: to empower educators and acknowledge their invaluable contribution to shaping our future. A Journey of Empowerment Empowerment is at the core of Aimshala's vision for education. But what does it truly mean to empower educators? It means providing them with the tools, resources, and support they need to thrive in their roles. It means creating an environment where their voices are heard, their challenges are addressed, and their achievements are celebrated. We believe in a holistic approach to empowerment. From continuous professional development opportunities to innovative teaching tools, Aimshala is committed to ensuring educators have what they need to succeed. But empowerment goes beyond material resources; it's about fostering a community of educators who can share experiences, challenges, and successes. A community where collaboration and support are the norms, not the exceptions. Enriching Lives Through Education Education has the power to transform lives. It opens doors to new opportunities, develops horizons, and builds bridges across cultures. Aimshala's vision extends to every student touched by our educators. By enriching the lives of educators, we indirectly enrich the lives of countless students. An enriched life is one of purpose, understanding, and continual growth. Through our support for educators, Aimshala aims to cultivate learning environments where students feel valued, respected, and inspired to reach their full potential. These environments encourage critical thinking, creativity, and the courage to question. They nurture not just academic skills but life skills—empathy, resilience, and the ability to adapt to change. Building a Future Together The future of education is a collaborative vision, one that requires the efforts of educators, students, families, and communities. Aimshala stands at the forefront of this collaborative effort, bridging gaps and fostering partnerships that enhance the educational experience for all. Technology plays a pivotal role in shaping this future. Aimshala embraces innovative educational technologies that make learning more accessible, engaging, and effective. However, we also recognize that technology is but a tool in the hands of our capable educators. It is their wisdom, passion, and dedication that truly transform education. At Aimshala, our vision for education is clear: to empower educators and enrich lives. We understand the challenges and celebrate the triumphs. We believe in the power of education to transform society.
Tanya Singh
Versions of urban life were being sampled simultaneously on several continents. In China, there were towns on the Yellow River and in the north, at Shimao (Shaanxi). In Ukraine, Taljanky, containing 10,000 people, was larger and maybe even earlier than the first city at Uruk. In America, long since separated from Asia, people in Mexico and Guatemala were building towns with as many as 10,000 inhabitants and pyramidal mounds that reflected their sacred calendar, using a form of writing, storing surplus maize in storehouses, and sculpting giant heads, probably of their rulers, who seem to be sporting helmets worn for their ballgames.[*10] On the Mississippi, people were raising monumental earthworks that somehow linked stars and calendar: the inhabitants of the largest of these – now called Poverty Point – were not farmers but nomadic hunters who somehow came together to build massive structures.
Simon Sebag Montefiore (The World: A Family History of Humanity)
Destroyed, that is, were not only men, women, and thousands of children but also restaurants and inns, laundries, theater groups, sports clubs, sewing clubs, boys’ clubs, girls’ clubs, love affairs, trees and gardens, grass, gates, gravestones, temples and shrines, family heirlooms, radios, classmates, books, courts of law, clothes, pets, groceries and markets, telephones, personal letters, automobiles, bicycles, horses—120 war-horses—musical instruments, medicines and medical equipment, life savings, eyeglasses, city records, sidewalks, family scrapbooks, monuments, engagements, marriages, employees, clocks and watches, public transportation, street signs, parents, works of art.
Michael Bess (Choices Under Fire: Moral Dimensions of World War II)
Mom was excited to get back to the island, watching as it appeared in the distance. Her anticipation turned to dread, and she gasped, her hands on her mouth, when she saw the dock they had worked so hard on before gone. “What happened?” she asked, breaking her silence for the first time. “I’m pretty sure this was Ortho's work. He seemed to really hate villagers and destroyed every village he came across,” Dad said with a frown. Mom’s face softened. “I’m glad he can't do that anymore. This is so sad.” They pulled up to the island, stretching as they stepped from their boats. “We should probably fix up a shelter,” Dad said. “We’ll need a place for when it gets dark. Then I think we should strategize for this ocean monument trip we have to make.” “Oooh!” Kate said. “We should have turtle shell helmets!” Mom gasped. “Kate! Why would you do that to the poor turtles?” Kate giggled. “No Mom, baby turtles drop scute when they grow into big turtles, then you can collect it and make turtle shell helmets. They’re cool because they let you breathe underwater a bit longer. Plus, you can enchant them with...um. I forgot the name. But there’s an enchantment that helps you breathe longer, too.” “And one for mining underwater,” Jack added. “Why would you need that?” Dad asked. “Can’t you just mine like normal?” Jack shook his head. “Have you ever tried to swing a pickaxe underwater?” Dad blinked. “Oh. Yeah, I guess that makes sense. Sorry to dredge that up.” He wiggled his eyebrows. Mom was about to give Dad ‘The Look’ but Kate beat her to it. “No Dad, Jack already did a bunch of jokes.” “What?” Dad looked offended. “I’m supposed to do the Dad jokes!” “You are,” Jack said. “That’s why I did Jack Jokes.” Dad snorted out a laugh. “Were they punny?” Jack grinned. “Definitely. They worked great for our new villager friends when they helped us on the farm. They were real ice-breakers.” Dad laughed extra loud. “That’s it, I’m done!” Kate said. “Come on Mom, let’s go get some turtle scute.” “I’m right there with you girl. Let’s go.” Dad waved. “We’ll make sure we have shelter, and we’ll give it a nice outfit.” Dad winked. Jack cocked his head. “What does a house wear?” Dad grinned. “Address!” Jack laughed, and the girls rolled their eyes. “We’ll make sure not to build a house like a penguin though. They just igloo them together.” Kate and Mom groaned and hurried off towards the turtles. “Don’t run in front of a car!” Jack yelled. “You might get tired!” “Run faster, Mom,” Kate yelled. Dad and Jack laughed at their fleeing forms. Chapter 18 By the time Mom and Kate came back from their turtle excursion, Dad and Jack had fixed up a house
Pixel Ate (The Accidental Minecraft Family: Book 27)
Forging Mettle In popular depictions of Musashi’s life, he is portrayed as having played a part in the decisive Battle of Sekigahara on October 21, 1600, which preceded the establishment of the Tokugawa shogunate. A more likely hypothesis is that he was in Kyushu fighting as an ally of Tokugawa Ieyasu under Kuroda Yoshitaka Jōsui at the Battle of Ishigakibaru on September 13, 1600. Musashi was linked to the Kuroda clan through his biological birth family who were formerly in the service of the Kodera clan before Harima fell to Hideyoshi.27 In the aftermath of Sekigahara, Japan was teeming with unemployed warriors (rōnin). There are estimates that up to 500,000 masterless samurai roamed the countryside. Peace was tenuous and warlords sought out skilled instructors in the arts of war. The fifteen years between Sekigahara and the first siege of Osaka Castle in 161528 was a golden age for musha-shugyō, the samurai warrior’s ascetic walkabout, but was also a perilous time to trek the country roads. Some rōnin found employment as retainers under new masters, some hung up their swords altogether to become farmers, but many continued roving the provinces looking for opportunities to make a name for themselves, which often meant trouble. It was at this point that Musashi embarked on his “warrior pilgrimage” and made his way to Kyoto. Two years after arriving in Kyoto, Musashi challenged the very same Yoshioka family that Munisai had bettered years before. In 1604, he defeated the head of the family, Yoshioka Seijūrō. In a second encounter, he successfully overpowered Seijūrō’s younger brother, Denshichirō. His third and last duel was against Seijūrō’s son, Matashichirō, who was accompanied by followers of the Yoshioka-ryū school. Again, Musashi was victorious, and this is where his legend really starts to escalate. Such exploits against a celebrated house of martial artists did not go unnoticed. Allies of the Yoshioka clan wrote unflattering accounts of how Musashi used guile and deceit to win with dishonorable ploys. Meanwhile, Musashi declared himself Tenka Ichi (“Champion of the Realm”) and must have felt he no longer needed to dwell in the shadow of his father. On the Kokura Monument, Iori wrote that the Yoshioka disciples conspired to ambush Musashi with “several hundred men.” When confronted, Musashi dealt with them with ruthless resolve, one man against many. Although this representation is thought to be relatively accurate, the idea of hundreds of men lying in wait was obviously an exaggeration. Several men, however, would not be hard to believe. Tested and triumphant, Musashi was now confident enough to start his own school. He called it Enmei-ryū. He also wrote, as confirmed by Uozumi, his first treatise, Heidōkyō (1605), to record the techniques and rationale behind them. He included a section in Heidōkyō on fighting single-handedly against “multiple enemies,” so presumably the third duel was a multi-foe affair.
Alexander Bennett (The Complete Musashi: The Book of Five Rings and Other Works)
In an Asiatic (Semitic) settlement (c. 1876–1560 B.C.) that was discovered at Avaris (Tell el-Dab’a), there is a monumental tomb where archaeologists found fragments of a colossal statue of an Asiatic dignitary that had been broken up. The statue had been deliberately destroyed and defaced. The original statue of the seated official was 150% of life size, approximately 2 m high, made of limestone and carved by Egyptian sculptors. This Asiatic man has a red mushroom-shaped hairstyle, yellow painted skin (traditional color of an Asiatic in Egyptian artwork), a long multi-colored cloak (red, white, and black stripes) which is non-Egyptian, and a throw stick (the Egyptian hieroglyph for a foreigner) held against his right shoulder. There is no name on the statue to identify the person, but the size of the statue indicates a person of great importance. Although some have suggested that this is Joseph, a more plausible explanation is that it is Jacob, the patriarch of the family. The clothing on the statue and its color are Asiatic; Joseph was clothed in Egyptian garments of fine linen (Genesis 41:42). The hairstyle on the statue is distinctly Asiatic; Joseph’s hairstyle would have almost certainly been Egyptian given that his brothers did not recognize him when they saw him (Genesis 42:8). Also, a fragment of the statue’s base shows that it was inscribed with the Egyptian word sntr = incense (a word used on funerary inscriptions), which signifies death. The statue was apparently built to commemorate a dead person. The style of the fragments that come from this statue are in harmony with statuary that came from a facility that produced statues during the reign of Amenemhat III, who came onto the throne the year Jacob died (1859 B.C.).34 It makes perfect sense that the statue is made to honor Jacob, who was not buried in Avaris but in Canaan (Genesis 47:29–30, 49:28–30).
Simon Turpin (Adam: First and the Last)
For years, we knew the double-storey at the bottom of Albermarle Street as the Gandhi House. In the decade before the Great War, we'd been told, Gandhi lived here with his family. Now the house has lost its claim on history 9but not its plaque from the National Monuments Council). An enterprising researcher, with nothing to gain by his unmasking except the truth, has shown that Gandhi did not live here after all, but up the road at No. 11. One of Gandhi's descendants, who visited the house as a child, has provided confirmation. The people at No. 11 should have that plaque moved to their wall. Both the Gandhi Houses, the true and the false, are double-storeys set on a promontory between two thoroughfares, but the attitudes of the streets could not differ more. Hillier and Albermarle Streets approach the impostor rather Kindly, cupping it in leafy palms, whereas Albermarle and Johannes grip the genuine article like an egg in a nutcracker. No. 11 has a handsome corrugated-iron roof and a wide, shady balcony. I recall an orante wrought-iron finial, the ECG of a Victorian heartbeat, dancing along the roof ridge, but it must have been removed by the renovators. I cannot remember ever seeing a person on the balcony, perfectly suited though it is to reading the paper or chatting over sundowners, but for a few years there were shop-window mannequins leaning on the parapet. Perhaps they were scarecrows for thieves? At night, with the lighted windows behind them, they always deceived the eye. Something in the atmosphere, a bit of lace around the neck, a reddish tinge of the light from the doorway, made them look like whores. Apparently, the Mahatma used to take his rest on the balcony on summer nights. It is easy to picture him there with sleep in his eyes, buffing his little round glasses on the hem of a bed sheet.
Ivan Vladislavić (Portrait with Keys: The City of Johannesburg Unlocked)
When the bubbles cleared, there was a big hole in the floor. I did it! I broke into the Ocean Monument! But I hadn’t made a door, I’d blasted a skylight!
Minecrafty Family Books (Wimpy Steve Book 10: Ocean Commotion! (An Unofficial Minecraft Diary Book) (Minecraft Diary: Wimpy Steve))
It was psychic trolling of the first magnitude. People still raw from the trauma of floggings and family rupture, and the descendants of those people, were now forced to live amid monuments to the men who had gone to war to keep them at the level of livestock. To enter a courthouse to stand trial in a case that they were all but certain to lose, survivors of slavery had to pass statues of Confederate soldiers looking down from literal pedestals. They had to ride on roads named after the generals of their tormenters and walk past schools named after Klansmen.
Isabel Wilkerson (Caste: The Origins of Our Discontents)
In your care I will be released from my worries” (CIL 11.137). In a few brief sentences, this man’s colorful life, during which he passed from freedom to slavery to freedom and ultimately to prosperity, is memorialized. An aspect of life that these tombstones bring to light is the strong emotions that tied together spouses, family members, and friends. One grave marker records a husband’s grief for his young wife: “To the eternal memory of Blandina Martiola, a most blameless girl, who lived eighteen years, nine months, five days. Pompeius Catussa, a Sequanian citizen and a plasterer, dedicates this monument to his wife, who was incomparable and very kind to him. She lived with him five years, six months, eighteen days without any shadow of a fault. You who read this, go bathe in the baths of Apollo as I used to do with my wife. I wish I still could” (CIL 1.1983). The affection that some parents felt for their children is also reflected in these inscriptions: “Spirits who live in the underworld, lead innocent Magnilla through the groves and the Elysian Fields directly to your places of rest. She was snatched away in her eighth year by cruel fate while she was still enjoying the tender time of childhood. She was beautiful and sensitive, clever, elegant, sweet, and charming beyond her years. This poor child who was deprived of her life so quickly must be mourned with perpetual lament and tears” (CIL 6.21846). Some Romans seemed more concerned with ensuring that their bodies would lie undisturbed after death than with recording their accomplishments while alive. An inscription of this type states: “Gaius Tullius Hesper had this tomb built for himself, as a place where his bones might be laid. If anyone damages them or removes them from here, may he live in great physical pain for a long time, and when he dies, may the gods of the underworld deny entrance to his spirit” (CIL 6.36467). Some tombstones offer comments that perhaps preserve something of their authors’ temperaments. One terse inscription observes: “I was not. I was. I am not. I care not” (CIL 5.2893). Finally, a man who clearly enjoyed life left a tombstone that included the statement: “Baths, wine, and sex ruin our bodies. But what makes life worth living except baths, wine, and sex?” (CIL 6.15258). Perhaps one of the greatest values of these tombstones is the manner in which they record the actual feelings of individuals, and demonstrate the universality across time, cultures, and geography of basic emotions such as love, hate, jealousy, and pride. They also preserve one of the most complicated yet subtle characteristics of human beings—our enjoyment of humor. Many of the messages were plainly drafted to amuse and entertain the reader, and the fact that some of them can still do so after 2,000 years is one of the best testimonials to the humanity shared by the people of the ancient and the modern worlds.
Gregory S. Aldrete (The Long Shadow of Antiquity: What Have the Greeks and Romans Done for Us?)
The truth is my dad may have loved his cars a little too much. When it came to selecting optional trim packages, styling accessories, and color combinations, he could go a little overboard. In an era when automobile designers already pushed the limits of good taste, my father was all too willing to nudge them just a little further. He loved whitewall tires and sparkling chrome wheels. He insisted on pinstripes, the more lines the better. He adored monument-size hood ornaments and glimmering side trim. He considered features like carriage tops and burled wood dashboards standard equipment. As a result, one of the two cars my family owned at any given time often resembled the perp vehicle being chased down on the latest episode of Starsky and Hutch.
Richard Ratay (Don't Make Me Pull Over!: An Informal History of the Family Road Trip)
In the workday world, complainers will not go far. When someone asks how you are doing, you had better be wise enough to reply "I can't complain." If you do complain, even justifiably, people will stop asking how you are doing. Complaining will not help you succeed and influence people. You can complain to your physician or psychiatrist because they are paid to hear you complain. But you cannot complain to your boss or your friends, if you have any. You will soon be dismissed from your job and dropped from the social register. Then you will be left alone with your complaints and no one to listen to them gratis. Perhaps then the message will sink into your head: If you do not feel good enough for long enough, you should act as if you do and even think as if you do. That is the way to get yourself to feel good for long enough and stop you from complaining for good, as any self-improvement book can affirm. But should you not improve, someone must assume the blame. And that someone will be you. This is monumentally so if you are a pessimist or a depressive. Should you conclude that life is objectionable or that nothing matters, do not waste our time with your nonsense. We are on our way to the future, and the philosophically disheartening or the emotionally impaired are not going to hinder our progress. If you cannot say something positive, or at least equivocal, keep it to yourself. Pessimists and depressives need not apply for a position in the enterprise of life. You have two choices: Start thinking the way God and your society want you to think or be forsake by all. The decision is yours, since you are a free agent who can choose to rejoin our fabricated reality or stubbornly insist on... what? That we should mollycoddle non-positive thinkers like you or rethink how the whole world transacts it's business? That we should start over from scratch? Or that we should go extinct? Try to be realistic. We did the best we could with the tools we had. After all, we are only human, as we like to say. Our world may not be in accord with nature's way, but it did develop organically according to our consciousness , which delivered us to a lofty prominence over the Creation. The whole thing just took on a life of its own, and nothing is going to stop it anytime soon. There can be no starting over and no going back. No major readjustments are up for a vote. And no melancholic head-case is going to bad-mouth our catastrophe. The universe was created by the Creator, by damn. We live in a country we love and that loves us back, We have families and friends and jobs that make it all worthwhile. We are somebodies, not a bunch of nobodies without names or numbers or retirement plans. None of this is going to be overhauled by a thought criminal who contends that the world is not double-plus-good and never will be. Our lives may not be unflawed, that would deny us a better future to work towards but if this charade is good enough for us, then it should be good enough for you. So if you cannot get your mind right, try walking away. You will find no place to go and no one who will have you. You will find only the same old trap the world over. Lighten up or leave us alone. You will never get us to give up our hopes. You will never get us to wake up from our dreams. We are not contradictory beings whose continuance only worsens our plight as mutants who embody the contorted logic of a paradox. Such opinions will not be accredited by institutions of authority or by the middling run of humanity. To lay it on the line, whatever thoughts may emerge from your deviant brain are invalid, inauthentic, or whatever dismissive term we care to hang on you, who are only "one of those people." So start pretending that you feel good enough for long enough, stop your complaining, and get back in line.
Thomas Ligotti
The monuments we erect--shouting into the wind that we were once alive and had hopes and dreams--often end up becoming a shrine to the fallacy and futility of that desire itself.
Wright Thompson (Pappyland: A Story of Family, Fine Bourbon, and the Things That Last)
According to ancient sources, the holding of gladiatorial combats often coincided with funerary memorials, and even in the age of Augustus there was strong correlation of these games with memorials for deceased members of the emperor’s family or with holidays associated with the living emperor.
Nathan T. Elkins (A Monument to Dynasty and Death: The Story of Rome's Colosseum and the Emperors Who Built It)
Even though the Thirteenth Amendment in 1865 ended slavery, it left a loophole that let the dominant caste enslave people convicted of a crime. This gave the dominant caste incentive to lock up lowest-caste people for subjective offenses like loitering or vagrancy at a time when free labor was needed in a penal system that the dominant caste alone controlled. After a decade of Reconstruction, just as African-Americans were seeking entry to mainstream society, the North abandoned its oversight of the South, pulled its occupying troops out of the region, and handed power back to the former rebels, leaving the survivors of slavery at the mercy of supremacist militias nursing wounds from the war. The federal government paid reparations not to the people who had been held captive, but rather to the people who had enslaved them. The former Confederates reinscribed a mutation of slavery in the form of sharecropping and an authoritarian regime that put people who had only recently emerged from slavery into a world of lynchings, night riders, and Klansmen, terrors meant to keep them subservient. As they foreclosed the hopes of African-Americans, they erected statues and monuments everywhere to the slave-owning Confederates, a naked forewarning to the lowest caste of its subjugation and powerlessness. It was psychic trolling of the first magnitude. People still raw from the trauma of floggings and family rupture, and the descendants of those people, were now forced to live amid monuments to the men who had gone to war to keep them at the level of livestock. To enter a courthouse to stand trial in a case that they were all but certain to lose, survivors of slavery had to pass statues of Confederate soldiers looking down from literal pedestals. They had to ride on roads named after the generals of their tormenters and walk past schools named after Klansmen. Well into the twentieth century, heirs to the Confederacy built a monument with Lee, Stonewall Jackson, and Jefferson Davis carved in granite, bigger than Mount Rushmore, in Stone Mountain, Georgia. If the Confederacy had lost the war, the culture of the South and the lives of the lowest caste did not reflect it. In fact, the return to power of the former Confederates meant retribution and even harder times to come.
Isabel Wilkerson (Caste: The Origins of Our Discontents)