Monster Calls Quotes

You do not write your life with words...You write it with actions. What you think is not important. It is only important what you do.

There is not always a good guy. Nor is there always a bad one. Most people are somewhere in between.

Parents are like God because you wanna know they're out there, and you want them to think well of you, but you really only call when you need something.

Stories are wild creatures, the monster said. When you let them loose, who knows what havoc they might wreak?

Your mind will believe comforting lies while also knowing the painful truths that make those lies necessary. And your mind will punish you for believing both.

Don't think you haven't lived long enough to have a story to tell.

Stories are important, the monster said. They can be more important than anything. If they carry the truth.

Stories are the wildest things of all, the monster rumbled. Stories chase and bite and hunt.

I wish I had a hundred years, she said, very quietly. A hundred years I could give to you.

You were merely wishing for the end of pain, the monster said. Your own pain. An end to how it isolated you. It is the most human wish of all.

Stories don't always have happy endings." This stopped him. Because they didn't, did they? That's one thing the monster had definitely taught him. Stories were wild, wild animals and went off in directions you couldn't expect.

There was once an invisible man who had grown tired of being unseen. It was not that he was actually invisible. It was that people had become used to not seeing him. And if no one sees you, are you really there at all?"

Sometimes people need to lie to themselves most of all.

Conor held tightly onto his mother. And by doing so, he could finally let her go.

Powdered donuts," Tyson said earnestly. "I will look for powdered donuts in the wilderness." He headed outside and started calling, "Here, donuts!

If you speak the truth, the monster whispered in his ear, you will be able to face whatever comes.

But these words people threw around - humans, monsters, heroes, villains - to Victor it was all just a matter of semantics. Someone could call themselves a hero and still walk around killing dozens. Someone else could be labeled a villain for trying to stop them. Plenty of humans were monstrous, and plenty of monsters knew how to play at being human.

The monster showed up just after midnight. As they do.

What is it?' Stephanie whispered. 'That, my dear Valkyrie, is what we call a monster.' She looked at Skulduggery. 'You don't know what it is, do you?' 'I told you what it is, it's a horrible monster. Now shut up before it comes over here and eats us.

But what is a dream, Conor O'Malley? the monster said, bending down so it's face was close to Conor's. Who is to say that it is not everything else that is the dream?

I will call him Small Bob," said Bob. "He is a good monster." End of discussion.The Titan hefted his spear and they continued marching into the gloom.

I’ll find you— Keep calling for me, Viola— Cuz here I come.

The justifications of men who kill should always be heard with skepticism, said the monster.

You be as angry as you need to be,” she said. “Don’t let anyone tell you otherwise. Not your grandma, not your dad, no one. And if you need to break things, then by God, you break them good and hard.

Because humans are complicated beasts, the monster said. How can a queen be both a good witch and a bad witch? How can a prince be a murderer and a saviour? How can an apothecary be evil-tempered but right-thinking? How can a parson be wrong-thinking but good-hearted? How can invisible men make themselves more lonely by being seen? "I don't know," Connor shrugged, exhausted. "Your stories never made any sense to me." The answer is that it does not matter what you think, the monster said, because your mind will contradict itself a hundred times each day. You wanted her to go at the same time you were desperate for me to save her. Your mind will believe comforting lies while also knowing the painful truths that make those lies necessary. And your mind will punish you for believing both.

Laistry....I can't even say that. What would you call them in English?" "Canadians.

And if one day,' she said, really crying now, 'you look back and you feel bad for being so angry, if you feel bad for being so angry at me that you couldn't even speak to me, then you have to know, Conor, you have to that is was okay. It was okay. That I knew. I know, okay? I know everything you need to tell me without you having to say it out loud.

Many things that are true feel like a cheat. Kingdoms get the princes they deserve, farmers’ daughters die for no reason, and sometimes witches merit saving. Quite often, actually. You’d be surprised.

I no longer feel allegiance to these monsters called human beings, despise being one myself. I think that Peeta was onto something about us destroying one another and letting some decent species take over. Because something is significantly wrong with a creature that sacrifices its children’s lives to settle its differences. You can spin it any way you like. Snow thought the Hunger Games were an efficient means of control. Coin thought the parachutes would expedite the war. But in the end, who does it benefit? No one. The truth is, it benefits no one to live in a world where these things happen.

Four lines, and the world went quiet. I'm sorry for telling everyone about your mum, read the first line. I miss being your friend, read the second. Are you okay? read the third. I see you, read the fourth, with the I underlined about a hundred times.

I did not come to heal her, the monster said. I came to heal you.

Stories were wild, wild animals and went off in directions you couldn't expect.

When I, who is called a "weapon" or a "monster", fight a real monster, I can fully realize that I am just a "human".

Conor was no longer invisible. They all saw him now. But he was further away than ever.

And here was a man who lived on belief, but who sacrificed it at the first challenge, right when he needed it most.

I no longer feel any allegiance to these monsters called human beings, despise being one myself.

You think I tell you stories to teach you lessons? the monster said. You think I have coming walking out of time and earth itself to teach you a lesson in niceness?

He held up a finger and went to the hallway, where he tripped over Blotchy, and then over the two monster cats madly pursuing Blotchy. Swearing, he leaned over the landing and called to the guard that unless the kingdom fell to war or his daughter was dying, he better not be interrupted until further notice.

Belief is half of all healing.

Because I'm not blind to how Harry works, you know," she said. "A bully with charisma and top marks is still a bully." She sighed, annoyed. "He'll probably end up Prime Minister one day. God help us all.

You know that your truth, the one that you hide… is the thing you are most afraid of.

Dear Dad, When you sent me to school that morning, I thought you loved me. But now I see you for what you are. You called me a monster and a freak. But you’re the one that raised me.

Usually when a man calls a woman a bitch," a voice calls over from a cart pulling up near us at the edge of camp,"its because she's doing something right.

Who am I? the monster repeated, still roaring. I am the spine that the mountains hang upon! I am the tears that the rivers cry! I am the lungs that breathe the wind! I am the wolf that kills the stag, the hawk that kills the mouse, the spider that kills the fly! I am the stag, the mouse and the fly that are eaten! I am the snake of the world devouring its tail! I am everything untamed and untameable! It brought Conor up close to its eye. I am thils wild earth, come for you, Conor O'Malley. "You look like a tree," Conor said.

It has been said that there must be a villain for every hero, a demon for every angel, a monster for every god. Despite what we are, I do not believe this. I have seen the villainous act heroic, and men called heroes act villainous. The ability to heal does not make one good any more than the ability to kill makes one evil. Kill the right people, and you become a hero. Heal the wrong ones, and you become a villain. It is our choices that define us, not our abilities.

Like calls to like. I'd sense it when the Hummingbird entered the Unsea, but I'd been too afraid to embrace it. This time, I didn't fight. I let go of my fear, my guilt, my shame. There was darkness inside me. He had put it there, and I would no longer deny it. The volcra, the nichevo'ya, they were my monsters, all of them. And he was my monster too. "My power is yours", I repeated. His arms tightened around me. "And yours is mine," I whispered against his lips.

I'm not a monster, I'd told her, back when I said I would never hurt Oak. But maybe being a monster was my calling.

The answer is that it does not matter what you think, the monster said, because your mind will contradict itself a hundred times each day.

Stories don’t end with the writers, however many started the race.

He was still alive. Which was the worst thing that could have happened.

And a part of you wished it would just end, said the monster, even if it meant losing her.

You’re my obsession, I’m your possession You own the deepest part of me You crawled into the darkness, set my monster free So scream, bleed, call out to me But never say stop, never flee

Kronos couldn't have risen if it hadn't been for a lot of demigods who felt abandoned by their parents," I said. "They felt angry, resentful, and unloved, and they had a good reason." Zeus's royal nostrils flared. "You dare accuse-" "No more undetermined children," I said. "I want you to promise to claim your children-all your demigod children-by the time they turn thirteen. They won't be left out in the world on their own at the mercy of monsters. I want them claimed and brought to camp so they can be trained right, and survive." "Now, wait just a moment," Apollo said, but I was on a roll. "And the minor gods," I said. "Nemesis, Hecate, Morpheus, Janus, Hebe--they all deserve a general amnesty and a place at Camp Half-Blood. Their children shouldn't be ignored. Calypso and the other peaceful Titan-kind should be pardoned too. And Hades-" "Are you calling me a minor god?" Hades bellowed.

Whether you call someone a hero or a monster is all relative to where the focus of your consciousness may be.

Who cares even if I didn't?!" Conor shouted back. "They're just stupid berries. Woo-hoo, so scary. Oh, please, please, save me from the berries!" The monster looked at him quizzically. How strange, it said. The words you say tell me you are scared of the berries, but your actions seems to suggest otherwise.

Men heap together the mistakes of their lives, and create a monster they call destiny.

The only thing crueler than a cage so small that a bird can’t fly is a cage so large that a bird thinks it can fly. Only a monster would lock a bird in here and call himself an animal lover.

The green things of this world are just wondrous, aren’t they?” his mother went on. “We work so hard to get rid of them when sometimes they’re the very thing that saves us.

As destruction goes, the monster said behind him, this is all remarkably pitiful.

Viola? Keep calling for me– And I’ll keep searching for you– And I’ll find you– You bet yer life on it– I’ll find you– Keep calling for me, Viola– Cuz here I come.

Can I ask you a question? You know with vampires and werewolves and goblins and things, is there any mythological creature that doesn't actually exist?" "Of course," he replied. "The unicorn and the leprechaun would be would be the two main ones. The Loch Ness Monster isn't real, either, that's just someone called Bert.

And somehow everyone calls me a monster.

You do not write your life with words, the monster said. You write it with actions. What you think is not important. It is only important what you do.

Many things that are true feel like a cheat.

Honey,” I called and his head came up. “You have a monster too.” “I did. My woman just slayed it.

But there are harder things than being invisible, it said.

We Christian writers must paint evil with the blackest of brushes, not to sow fear, but to call out the monsters to be scattered by our light. If Satan cloaks himself as an angel of white, intent on deceiving the world, any attempt on our parts to minimize evil is only complicit with his strategy... Turn to the light; don’t fear the shadows it creates.

I am only one man with one heart...Call me a demon, call me a monster...but I can't be the strongest forever...!!! — Whitebeard's response to his status as the "Strongest Man in the World".

There is not always a good guy. Nor is there always a bad one.

It's poor judgment', said Grandpa 'to call anything by a name. We don't know what a hobgoblin or a vampire or a troll is. Could be lots of things. You can't heave them into categories with labels and say they'll act one way or another. That'd be silly. They're people. People who do things. Yes, that's the way to put it. People who *do* things.

Some people suffer from the green-eyed monster called envy.

In America, racism exists but racists are all gone. Racists belong to the past. Racists are the thin-lipped mean white people in the movies about the civil rights era. Here’s the thing: the manifestation of racism has changed but the language has not. So if you haven’t lynched somebody then you can’t be called a racist. If you’re not a bloodsucking monster, then you can’t be called a racist. Somebody has to be able to say that racists are not monsters.

And now it's time to hand the baton to you. Stories don't end with writer, however many started the race. So go. Run with it. Make trouble.

Does the night ever tire of the darkness? Does the sea ever tire of her own depths? Do the trees ever tire of their roots? Do mortals ever tire of looking for other mortals to call home?

After he killed the farmer's daughter, said the monster, the prince lay down next to her and returned to sleep. When he awoke, he acted out a pantomime should anyone be watching. But also, it may surprise you to learn, for himself. The monster's branches creaked. Sometimes people need to lie to themselves most of all.

Belief is half of all healing. Belief in the cure, belief in the future that awaits.

You must speak the truth and you must speak it now, Conor O'Malley. Say it. You must. Conor shook his head again, his mouth clamped shut tight, but he could feel a burning in his chest, like a fire someone had lit there, a miniature sun, blazing away and burning him from the inside. “It'll kill me if I do,” he gasped. It will kill you if you do not, the monster said. You must say it.

There would be a time to call the music. Time to summon the souls.

How many times have you been called an abomination?” he whispers. “A monster? Worthless?” Too many times.

Stories are the wildest things of all, the monster rumbled. Stories chase and bite and hunt. That's what teachers always say, Conor said. No one believes them either.

As incredible as it seemed, time kept moving forward for the rest of the world. The rest of the world that wasn't waiting.

Because humans are complicated beasts," the monster said.

In this statement, my Scipio, I build on your own admirable definition, that there can be no community, properly so called, unless it be regulated by a combination of rights. And by this definition it appears that a multitude of men may be just as tyrannical as a single despot and indeed this is the most odious of all tyrannies, since no monster can be more barbarous than the mob, which assumes the name and mask of the people.

I think I can forgive a kind lie.

It is conventional to call ''monster'' any blending of dissonant elements. I call ''monster'' every original inexhaustible beauty.

He was greedy and rude and bitter, but he was still a healer. The parson, though, what was he? He was nothing. Belief is half of all healing. Belief in the cure, belief in the future that awaits. And here was a man who lived on belief, but who sacrificed it at the first challenge, right when he needed it most. He believed selfishly and fearfully. And it took the lives of his daughters.

He knew it would come, and soon, maybe even this 12:07. The moment she would slip from his grasp, no matter how tightly he held on.

It was that stages-of-anger thing. I was shocked and then I got pissed and then I fought like hell … and then I went numb. They called it acceptance, but it wasn’t. It’s what happens when you have only two choices: live with the monster, or kill yourself.

Don't you ever feel like, what if the world really IS messed up? What if we COULD Do it all over again from scratch? No more war. Nobody homeless. No more summer reading homework. 'm listening. Annabeth: I mean, the West represents a lot of the best things mankind ever did--that's why the fire is still burning. That's why OlympusIs still around. But sometimes you just see the bad stuff, you know? And you start thinking the way Luke does: 'If I could tear this all down, i would do it better.'. Don't you ever feel that way? Like YOU could do a better job I'd you ran the world? Percy:Um...no. Me running the world would be kind of a nightmare. Annabeth: then you're lucky. Hubris isn't your fatal flaw. Percy: what is? Annabeth: I don't know, Percy, but every hero has one. If you don't find it and learn to control it...well, they don't call it 'fatal' for nothing. Percy(thinking to himself): I thought about that. It didn't exactly cheer me up.

Sure you’ll be all right?” Glitch asked, breaking through my thoughts. “I could come with you, if you’d like. They won’t even see me.” I shook my head. “Better if I do this alone. Besides, there’s one member of that household who can see you. And he’s seen enough scary monsters to last him a lifetime.” “Begging your pardon, your highness,” Glitch smirked, “but who are you calling a scary monster?” I swatted at him.

I’m not marrying you for the pleasure of calling you my wife, esclave. I’m not marrying you because it’s the evolution of a relationship. I’m marrying you so I have claim on you forever. Your soul will be mine for eternity. In sickness and in health, in life and in death, you will belong to me. And I will belong to you.

Connor:I let her go. I could have held on but I let her go. The Monster:And that is the truth. Connor:I didn't mean it, though! I didn't mean to let her go! And now it's for real! Now she's going to die and it's my fault! The Monster:And that is not the truth at all.

The only reason I lost, the only reason I failed to get what I want, is because the monster is me, there's no difference between us. It makes all the moves, calls all the shots, while I'm just along for the ride, with no idea how to pull the brakes or get off.

It is a true story, the monster said. Many things that are true feel like a cheat.

Sometimes I feel like I have walked into the middle of a movie. Maybe I can make my own movie. The film will be the story of my life. No, not my life, but of this experience. I'll call it what the lady who is the prosecutor called me. MONSTER.

What is this thing you call substance abuse? All I wanna do is forget and get loose. Drinking and smoking over and over What's so great about a life that's sober? There's nothing cool about being young When the monsters of night have stolen the sun. I'm tired of searching for words in the sky. All I wanna do is drink and die. Nothing is real. It's all a big lie. All I wanna do is drink and die. There's nothing cool about being young When the monsters of night have stolen the sun.

The witching hour, people used to call it, that dark time when restless spirits reached for freedom.

You’re as old as the land and you’ve never heard of sarcasm?” Conor asked. Oh, I have heard of it, the monster said, putting its huge branch hands on its hips. But people usually know better than to speak it to me.

So the good prince was a murderer and the evil queen wasn't a witch after all.

Conor looked down at his hands, finally unclenching them. "Because what I thought was so wrong." It was not wrong, the monster said, It was only a thought, one of a million. It was not an action.

One hundred and fifty years ago, the monster began, this country had become a place of industry. Factories grew on the landscape like weeds. Trees fell, fields were up-ended, rivers blackened. The sky choked on smoke and ash, and the people did, too, spending their days coughing and itching, their eyes turned forever toward the ground. Villages grew into town, towns into cities. And people began to live on the earth rather than within it.

Only monsters call when they could text.

But how do you fight it?" Conor asked, his voice rough. "How do you fight all the different stuff inside?" By speaking the truth, the monster said. As you spoke it just now.

Because humans are complicated beasts, the monster said. How can a queen be both a good witch and a bad witch? How can a prince be a murderer and a saviour? How can an apothecary be evil-tempered but right-thinking? How can a parson be wrong-thinking but good-hearted? How can invisible men make themselves more lonely by being seen?

A veces la gente necesita mentirse a sí misma más que ninguna otra cosa

There are some people whose dread of human beings is so morbid that they reach a point where they yearn to see with their own eyes monsters of ever more horrible shapes. And the more nervous they are-the quicker to take fright-the more violent they pray that every storm will be … Painters who have had this mentality, after repeated wounds and intimidations at the hands of the apparitions called human beings, have often come to believe in phantasms-they plainly saw monsters in broad daylight, in the midst of nature. And they did not fob people off with clowning; they did their best to depict these monsters just as they had appeared. Takeichi was right: they had dared to paint pictures of devils.

I walked to the table and picked it up, doing as he asked. And then it struck me that I was setting a so-called zombie’s alarm clock for him, and I swear I heard something snap in my ears. I started laughing uproariously. I heard the monster’s bemused voice outside, asking me if I was alright, but that just made it funnier.

A state, is called the coldest of all cold monsters. Coldly lieth it also; and this lie creepeth from its mouth: "I, the state, am the people." It is a lie! Creators were they who created peoples, and hung a faith and a love over them: thus they served life. Destroyers, are they who lay snares for many, and call it the state: they hang a sword and a hundred cravings over them. Where there is still a people, there the state is not understood, but hated as the evil eye, and as sin against laws and customs.

But what is a dream...?...Who is to say that it is not everything else that is the dream?

Are we calling it a presence now?" asked Nikolai. "I preferred 'monster.' Or 'demon.' Even 'fiend' has a nice ring.

Belief is half of healing.

Even though it walked and talked, even though it was bigger than his house and could swallow him in one bite, the monster was still, at the end of the day, just a yew tree.

My stomach churned. The monster had mimicked Thalia perfectly. If I'd heard that voice in the dark, calling for help, I would've run straight toward it.

Or, even worse, calling Sal a monster. It’s interesting to compare your reporting about Sal to your recent articles on the Stratford Strangler. He murdered five people and pleaded guilty, yet in your headline you referred to him as a “lovesick young man.” Is that because he’s white?

I would read the Shel Silverstein poems, Dr. Seuss, and I noticed early on that poetry was something that just stuck in my head and I was replaying those rhymes and try to think of my own. In English, the only thing I wanted to do was poetry and all the other kids were like, "Oh, man. We have to write poems again?" and I would have a three-page long poem. I won a national poetry contest when I was in fourth grade for a poem called "Monster In My Closet.

His full name is Ignazio Vitale, although once, not so long ago, he urged me to call him Naz. And it was Naz who charmed me, who won me over and made me melt. It wasn't until later that I got to know the true Ignazio, and by the time I met Vitale, it was far too late to just walk away.

VIOLA Cuz she's here - She came - She came for me - And she calls my name - And I feel her strength coursing thru my Noise like a fire - And the Mayor staggers back like he's been punched in the face by a row of houses - "Ah, yes," he grunts, his hand to his head. "Your tower of strength has arrived." "Todd!" I hear her call again - And I take it and I use it - Cuz I can feel her there, riding to the end of the world to find me, to save me if I needed saving - Which I did -

Christ, don't go to the Haunted Houses with Ally and Indy. A few years ago, Indy went berserk and broke through the hay bales they had set up to make the haunted trail and headed into the cornfields. All the employees chased after her but since they were dressed like monsters, Indy lost her mind. They had to call the cops to settle her down." I lost him at "cornfields". "Cornfields?" I whispered. "Yeah." "They have a haunted trail through cornfields?" "Yeah, up in Thornton. Best Haunted House in Denver. Indy and Ally go every year. Why?" "Cornfields freak me out," I admitted. Hank was silent. Then, he said, "You're from Indiana. How in the fuck can cornfields freak you out?" "Cornfields don't freak me out. Cornfields at night freak me out. Haunted cornfields at night freak me out." "You been to many haunted cornfields?" "Dude," I said low. "All cornfields are haunted. Trust me. I know... They whisper to you.

It is not what I want from you, Conor O’Malley, it said. It is what you want from me. “I don’t want anything from you,” Conor said. Not yet, said the monster. But you will.

You aren’t monsters,’ Medusa said. ‘Neither are you. Who decides what is a monster?’ ‘I don’t know,’ said Medusa. ‘Men, I suppose.’ ‘So to mortal men, we are monsters. Because of our teeth, our flight, our strength. They fear us, so they call us monsters.

When people dis fantasy—mainstream readers and SF readers alike—they are almost always talking about one sub-genre of fantastic literature. They are talking about Tolkien, and Tolkien's innumerable heirs. Call it 'epic', or 'high', or 'genre' fantasy, this is what fantasy has come to mean. Which is misleading as well as unfortunate. Tolkien is the wen on the arse of fantasy literature. His oeuvre is massive and contagious—you can't ignore it, so don't even try. The best you can do is consciously try to lance the boil. And there's a lot to dislike—his cod-Wagnerian pomposity, his boys-own-adventure glorying in war, his small-minded and reactionary love for hierarchical status-quos, his belief in absolute morality that blurs moral and political complexity. Tolkien's clichés—elves 'n' dwarfs 'n' magic rings—have spread like viruses. He wrote that the function of fantasy was 'consolation', thereby making it an article of policy that a fantasy writer should mollycoddle the reader. That is a revolting idea, and one, thankfully, that plenty of fantasists have ignored. From the Surrealists through the pulps—via Mervyn Peake and Mikhael Bulgakov and Stefan Grabiński and Bruno Schulz and Michael Moorcock and M. John Harrison and I could go on—the best writers have used the fantastic aesthetic precisely to challenge, to alienate, to subvert and undermine expectations. Of course I'm not saying that any fan of Tolkien is no friend of mine—that would cut my social circle considerably. Nor would I claim that it's impossible to write a good fantasy book with elves and dwarfs in it—Michael Swanwick's superb Iron Dragon's Daughter gives the lie to that. But given that the pleasure of fantasy is supposed to be in its limitless creativity, why not try to come up with some different themes, as well as unconventional monsters? Why not use fantasy to challenge social and aesthetic lies? Thankfully, the alternative tradition of fantasy has never died. And it's getting stronger. Chris Wooding, Michael Swanwick, Mary Gentle, Paul di Filippo, Jeff VanderMeer, and many others, are all producing works based on fantasy's radicalism. Where traditional fantasy has been rural and bucolic, this is often urban, and frequently brutal. Characters are more than cardboard cutouts, and they're not defined by race or sex. Things are gritty and tricky, just as in real life. This is fantasy not as comfort-food, but as challenge. The critic Gabe Chouinard has said that we're entering a new period, a renaissance in the creative radicalism of fantasy that hasn't been seen since the New Wave of the sixties and seventies, and in echo of which he has christened the Next Wave. I don't know if he's right, but I'm excited. This is a radical literature. It's the literature we most deserve.

The answer is that it does not matter what you think, the monster said, because your mind will contradict itself a hundred times each day. You wanted her to go at the same time you were desperate for me to save her. Your mind will believe comforting lies while also knowing the painful truths that make those lies necessary. And your mind will punish you for believing both.

Las historias son criaturas salvajes —dijo el monstruo—. Cuando las sueltas, ¿quién sabe los desastres que pueden causar?

London The Institute Year of Our Lord 1878 “Mother, Father, my chwaer fach, It’s my seventeenth birthday today. I know that to write to you is to break the law, I know that I will likely tear this letter into pieces when it is finished. As I have done on all my birthdays past since I was twelve. But I write anyway, to commemorate the occasion - the way some make yearly pilgrimages to a grave, to remember the death of a loved one. For are we not dead to each other? I wonder if when you woke this morning you remembered that today, seventeen years ago, you had a son? I wonder if you think of me and imagine my life here in the Institute in London? I doubt you could imagine it. It is so very different from our house surrounded by mountains, and the great clear blue sky and the endless green. Here, everything is black and gray and brown, and the sunsets are painted in smoke and blood. I wonder if you worry that I am lonely or, as Mother always used to, that I am cold, that I have gone out into the rain again without a hat? No one here worries about those details. There are so many things that could kill us at any moment; catching a chill hardly seems important. I wonder if you knew that I could hear you that day you came for me, when I was twelve. I crawled under the bed to block out the sound of you crying my name, but I heard you. I heard mother call for her fach, her little one. I bit my hands until they bled but I did not come down. And, eventually, Charlotte convinced you to go away. I thought you might come again but you never did. Herondales are stubborn like that. I remember the great sighs of relief you would both give each time the Council came to ask me if I wished to join the Nephilim and leave my family, and each time I said no and I send them away. I wonder if you knew I was tempted by the idea of a life of glory, of fighting, of killing to protect as a man should. It is in our blood - the call to the seraph and the stele, to marks and to monsters. I wonder why you left the Nephilim, Father? I wonder why Mother chose not to Ascend and to become a Shadowhunter? Is it because you found them cruel or cold? I have no fathom side. Charlotte, especially, is kind to me, little knowing how much I do not deserve it. Henry is mad as a brush, but a good man. He would have made Ella laugh. There is little good to be said about Jessamine, but she is harmless. As little as there is good to say about her, there is as much good to say about Jem: He is the brother Father always thought I should have. Blood of my blood - though we are no relation. Though I might have lost everything else, at least I have gained one thing in his friendship. And we have a new addition to our household too. Her name is Tessa. A pretty name, is it not? When the clouds used to roll over the mountains from the ocean? That gray is the color of her eyes. And now I will tell you a terrible truth, since I never intend to send this letter. I came here to the Institute because I had nowhere else to go. I did not expect it to ever be home, but in the time I have been here I have discovered that I am a true Shadowhunter. In some way my blood tells me that this is what I was born to do.If only I had known before and gone with the Clave the first time they asked me, perhaps I could have saved Ella’s life. Perhaps I could have saved my own. Your Son, Will

All our language is composed of brief little dreams; and the wonderful thing is that we sometimes make of them strangely accurate and marvelously reasonable thoughts. What should we be without the help of that which does not exist? Very little. And our unoccupied minds would languish if fables, mistaken notions, abstractions, beliefs, and monsters, hypotheses, and the so-called problems of metaphysics did not people with beings and objectless images our natural depths and darkness. Myths are the souls of our actions and our loves. We cannot act without moving towards a phantom. We can love only what we create.

You know that is not true, the monster said. You know that your truth, the one that you hide, Conor O’Malley, is the thing you are most afraid of.

But the thing about good ideas is that they grow other ideas.

It matters,” he called after her and stupidly she turned to find him standing right in front of her. “What?” “Your happiness,” he began roughly, “it matters.

There's a rage that lives inside me ... The rage of a child still too young to fight the monsters when they came calling.

What is your name?” “Of all the non sequiturs. Why do you need to know my name?” “So that I may hate you more informally.” “Ah. Well, in that case, you may call me Cyrus.” “Cyrus,” she said. “You insufferable monster. Where on earth are we going?

Those of us who write, who sing, who paint, must remember that to a child a song may glow like a nightlight in a scary bedroom. It may be the only thing holding back the monsters. That story may be the only beautiful, true thing that makes it through all the ugliness of a little girl’s world to rest in her secret heart. May we take that seriously. It is our job, it is our ministry, it is the sword we swing in the Kingdom, to remind children that the good guys win, that the stories are true, and that a fool’s hope may be the best kind.

Tu vida no la escribes con palabras. La escribes con acciones. Lo que piensas no es importante. Lo único que importa es lo que haces.

Now that, said the monster, is how destruction is properly done.

You be as angry as you need to be," she said. "Don't let anyone tell you otherwise. Not your grandma, not your dad, no one. And if you need to break things, then by God, you break them good and hard." He couldn't look at her. He just couldn't. "And if, one day," she said, really crying now, "you look back and you feel bad for being so angry, if you feel bad for being so angry at me that you couldn't even speak to me, then you have to know, Conor, you have to know that it was okay. It was okay. That I knew. I know, okay? I know everything you need to tell me without you having to say it out loud. All right?" He still couldn't look at her. He couldn't raise his head, it felt so heavy. He was bent in two, like he was being torn right down through his middle. But he nodded.

Once upon a time, there was Candy and Dan. Things were very hot that year. All the wax was melting in the trees. He would climb balconies, climb everywhere, do anything for her, oh Danny boy. Thousands of birds, the tiniest birds, adorned her hair. Everything was gold. One night the bed caught fire. He was handsome and a very good criminal. We lived on sunlight and chocolate bars. It was the afternoon of extravagant delight. Danny the daredevil. Candy went missing. The days last rays of sunshine cruise like sharks. I want to try it your way this time. You came into my life really fast and I liked it. We squelched in the mud of our joy. I was wet-thighed with surrender. Then there was a gap in things and the whole earth tilted. This is the business. This, is what we're after. With you inside me comes the hatch of death. And perhaps I'll simply never sleep again. The monster in the pool. We are a proper family now with cats and chickens and runner beans. Everywhere I looked. And sometimes I hate you. Friday -- I didn't mean that, mother of the blueness. Angel of the storm. Remember me in my opaqueness. You pointed at the sky, that one called Sirius or dog star, but on here on earth. Fly away sun. Ha ha fucking ha you are so funny Dan. A vase of flowers by the bed. My bare blue knees at dawn. These ruffled sheets and you are gone and I am going to. I broke your head on the back of the bed but the baby he died in the morning. I gave him a name. His name was Thomas. Poor little god. His heart pounds like a voodoo drum.

That’s what they call you, on the mainland. Witches. That’s what my father says that you are. Monsters. Beasts. But you are not a monster.” “No,” she says quietly. “And neither are the rest

What did you do to help the invisible man?" And he felt the monster's voice again, like it was in his own head. I made them see, it said.

A bully with charisma and top marks is still a bully. He'll probably end up Prime Minister one day. God help us all.

He blamed Lily, because who else was there?

demonize what they cannot understand. It isn’t our job to educate them, just to live the way we’re meant to with the knowledge that being called a monster does not make you one.

The monster behind the wall stirred. I'd come to think of it as a monster, but it was just me. Or the darker part of me, at least. You probably think it would be creepy to have a real monster hiding inside of you, but trust me - it's far, far worse when the monster is really just your own mind. Calling it a monster seemed to distance it a little, which made me feel better about it. Not much better, but I take what I can get.

They can fatten me up. They can give me a full body polish, dress me up, and make me beautiful again. They can design dream weapons that come to life in my hands, but they will never again brainwash me into the necessity of using them. I no longer feel allegiance to these monsters called human beings, despite being one myself.

Here is the hardest hit of all, O'Malley," Harry said. "Here is the very worst thing I can do to you." He held out his hand, as if asking for a handshake. He was asking for a handshake. Conor responded almost automatically, putting out his own hand and shaking Harry's before he even thought about what he was doing. They shook hands like two businessmen at the end of a meeting. "Goodbye, O'Malley," Harry said, looking into Conor's eyes. "I no longer see you.

He was no longer invisible. They all saw him now. But he was further away than ever.

You are the one who called me, Conor O’Malley, it said, looking at him seriously. You are the one with the answers to these questions.

And if no one sees you, are you really there at all?

Did not learned men, too, hold, till within the last twenty-five years, that a flying dragon was an impossible monster? And do we not now know that there are hundreds of them found fossil up and down the world? People call them Pterodactyles: but that is only because they are ashamed to call them flying dragons, after denying so long that flying dragons could exist.

Conor O’Malley who wants to be punished,” Harry said, still stepping back, his eyes on Conor’s. “Conor O’Malley who needs to be punished. And why is that, Conor O’Malley? What secrets do you hide that are so terrible?

There was once an invisible man, the monster continued, though Conor kept his eyes firmly on Harry, who had grown tired of being unseen. Conor set himself into a walk. A walk after Harry. It was not that he was actually invisible, the monster said, following Conor, the room volume dropping as they passed. It was that the people had become used to not seeing him. "Hey!" Conor called. Harry didn't turn around. Neither did Sully nor Anton, though thet were still sniggering as Conor picked up his pace. And if no one sees you, the monster said, picking up its pace, too, are you really there at all? "HEY!" Conor called loudly. The dining hall had fallen silent now, as Conor and the monster moved faster after Harry. Harry who had still not turned around. Conor reached him and grabbed him by the shoulder, twisting him round. Harry pretended to question what had happened, looking hard at Sully, acting like he was the one who'd done it. "Quit messing about," Harry said and turned away again. Turned away from Conor. And then one day the invisible man decided, the monster said, its voice ringing in Conor's ears, I will make them see me. "How?" Conor asked, breathing heavily again, not turning back to see the monster standing there, not looking at the reaction of the room to the huge monster now in the midst, though he was aware of nervous murmurs and a strange anticipation in the air. "How did the man do it?" Conor could feel the monster close behind him, knew that it was kneeling, knew that it was putting its face up to his ear to whisper into in, to tell him the rest of the story. He called, it said for a monster.

This is the girl they keep calling a monster. I want you to keep that firmly in mind. The girl who could be satisfied with a hamburger and a dime root beer after her only school dance so her momma wouldn't be worried . . .

—Tu vida no la escribes con palabras —dijo el monstruo—. La escribes con acciones. Lo que piensas no es importante. Lo único importante es lo que haces.

You do not write your life with words, you write it with actions. What you think is not important. It is only important what you do.

There is not always a good guy. Nor is there always a bad one. Most people are somewhere inbetween.

No penséis que no habéis vivido lo bastante como para no tener una historia que contar.

No one knew. Then Lily’s mum knew, of course. Then Lily knew. And then everyone knew. Everyone. Which changed the whole world in a single day. And he was never going to forgive her for that.

Girl, bite. Girl, devour. Girl, don't forgive. Girl, stay angry. Girl, be selfish. Girl, walk away from him when he raises his hand. There is no place that can handle you, but you must go anyway, to the hills, the mountains, the cities. They'll call you monster, and they'll be so right. Girl, show them. Girl, run your hands along the wound and seal it with your heat. Cauterize. They thought they could get to you. They thought they could take you and make you small. There may be bruises, but you are no little thing. Girl, show them your claws. Show them your wings. Rise. Show them your army of injuries who have come to fight. Show them the others like you. Take over the city. Own the mountains. Bite the hand and the one behind their back with all the good stuff. Girl, show your teeth. Never forget what you can do with them.

Monsters, monsters! But there are no monsters! What you call monsters are superior forms, or forms beyond your understanding. Aren't the gods monsters? Isn't a man of genius a monster, like a tiger or a spider, like all individuals who live beyond social lies, in the dazzling and divine immortality of things? Why, I too then-am a monster!

Someone could call themselves a hero and still walk around killing dozens. Someone else could be labeled a villain for trying to stop them. Plenty of humans were monstrous, and plenty of monsters knew how to play at being human.

Thanks to Bruce and Casey, I could operate six different firearms, drop a two-hundred-pound asshole to the floor in three seconds, and cuff a perp with one hand tied behind my back. And they called it "family time.

Never invisible again, the monster said, finally letting up, its huge branch-like fists curled tight as a clap of thunder. It turned to Conor. But there are harder things than being invisible, it said.

The multitude of men and women choose the less adventurous way of the comparatively unconscious civic and tribal routines. But these seekers, too, are saved—by virtue of the inherited symbolic aids of society, the rites of passage, the grace-yielding sacraments, given to mankind of old by the redeemers and handed down through millenniums. It is only those who know neither an inner call nor an outer doctrine whose plight truly is desperate; that is to say, most of us today, in this labyrinth without and within the heart. Alas, where is the guide, that fond virgin, Ariadne, to supply the simple clue that will give us courage to face the Minotaur, and the means then to find our way to freedom when the monster has been met and slain?

It was like a dam of musical critique had broken. Imasu turned on him with eyes that flashed instead of shining. "It is worse than you can possibly imagine! When you play, all of my mother's flowers lose the will to live and expire on the instant. The quinoa has no flavour now. The llamas are migrating because of your music, and llamas are not a migratory animal. The children now believe there is a sickly monster, half horse and half large mournful chicken, that lives in tha lake and calls out to the world to grant it the sweet release of death.

She did not believe he was a monster. He was not a monster, to her. Probably he had some endearing trait: he whistled, off key, in the shower, he had a yen for truffles, he called his dog Liebchen and made it sit up for pieces of raw steak. How easy it is to invent a humanity, for anyone at all.

Suit yourself.’ Sadie shouldered her pack, then helped Annabeth up. ‘You say Carter drew a hieroglyph on your boyfriend’s hand. All well and good, but I’d rather stay in touch with you directly.’ Annabeth smirked. ‘You’re right. Can’t trust boys to communicate.’ They exchanged cell-phone numbers. ‘Just don’t call unless it’s urgent,’ Annabeth warned. ‘Cell-phone activity attracts monsters.’ Sadie looked surprised. ‘Really? Never noticed. I suppose I shouldn’t send you any funny-face selfies on Instagram, then.’ ‘Probably not.’ ‘Well, until next time.’ Sadie threw her arms round Annabeth.

The parson refused to believe the Apothecary could help, said the monster. When times were easy, the parson nearly destroyed the Apothecary, but when the going grew tough, he was willing to throw aside every belief if it would save his daughters. "So?" Conor said. "So would anyone! So would everyone! What did you expect him to do?

There was always a screen behind which one could hide— a superior who in turn had his superior— orders, instructions, duties, commands— and finally the many-headed monster, morale, necessity, hard reality, responsibility, or whatever it was called— there was always a screen behind which to evade the simple law of humanity.

Son" his father said, leaning forward. "Stories don't always have happy endings." This stopped him. Because they didn't, did they? That's one thing the monster had definitely taught him. Stories were wild, wild animals and went off in directions you couldn't expect.

At first it's bliss. It's drunken, heady, intoxicating. It swallows the people we were - not particuarly wonderful people, but people who did our best, more or less - and spits out the monsters we are becoming. Our friends despise us. We are an epic. Everything is grand, crashing, brilliant, blinding. It's the Golden Age of Hollywood, and we are a legend in our own minds, and no one outside can fail to see that we are headed for hell, and we won't listen, we say they don't understand, we pour more wine, go to the parties, we sparkle, fly all over the country, we're on an adventure, unstoppable, we've found each other and we race through our days like Mr. Toad in his yellow motorcar, with no idea where the brakes are and to hell with it anyway, we are on fire, drunk with something we call love.

They can fatten me up. They can give me a full body polish, dress me up, and make me beautiful again. They can design dream weapons that come to life in my hands, but they will never again brainwash me into the necessity of using them. I no longer feel allegiance to these monsters called human beings, despite being one myself. Because something is significantly wrong with a creature that sacrifies its children’s lives to settle its differences. You can spin it any way you like. Snow thought the Hunger Games were an efficient means of control. Coin thought the parachutes would expedite the war. But in the end, who does it benefit? No one. The truth is, it benefits no one to live in a world where these things happen.

They call me a monster and if it were untrue the weight of my crimes would pin me to the ground. I have maimed and I have murdered and if this mountain stood but a little higher I would cut the angels from their heaven. I care less for accusations than for the rain that soaks me, that runs down every limb. I spit both from my lips. Judgment has always left a sour taste.

This was a double game: he was trying to save his childhood, to preserve it and trap it in amber, but to do that he was calling on things that partook of the world beyond childhood, whose touch would leave him even less innocent than he already was. What would that make him? Neither a child nor an adult, neither innocent nor wise. Perhaps that is what a monster is.

The most detestable wickedness, the most horrid cruelties, and the greatest miseries, that have afflicted the human race have had their origin in this thing called revelation, or revealed religion. It has been the most dishonourable belief against the character of the divinity, the most destructive to morality, and the peace and happiness of man, that ever was propagated since man began to exist. It is better, far better, that we admitted, if it were possible, a thousand devils to roam at large, and to preach publicly the doctrine of devils, if there were any such, than that we permitted one such impostor and monster as Moses, Joshua, Samuel, and the Bible prophets, to come with the pretended word of God in his mouth, and have credit among us. Whence arose all the horrid assassinations of whole nations of men, women, and infants, with which the Bible is filled; and the bloody persecutions, and tortures unto death and religious wars, that since that time have laid Europe in blood and ashes; whence arose they, but from this impious thing called revealed religion, and this monstrous belief that God has spoken to man? The lies of the Bible have been the cause of the one, and the lies of the Testament of the other.

No!" He recoiled. "You and I are finished." "Son..." I started. But he rounded on me. "Do you think me so soft that calling me son might change my mind? How long did you sit on this information? Or am I to believe you only discovered it now? My mother's blood may stain another's hands, but Charles Lee is no less a monster, and all he does, he does by your command.

This is the truth of him, I thought as I squinted in the dazzling light, Like calls to like. This was his soul made flesh, the truth of him laid bare in the blazing sun, shorn of mystery and shadow. This was the truth behind the handsome face and the miraculous powers, the truth that was dead and empty space between the stars, a wasteland peopled by frightened monsters.

Conor wasn’t stupid. When they’d had the “little talk” the next day, he knew what his mum had done and why she had done it. But that didn’t take away from how much fun that night had been. How hard they’d laughed. How anything had seemed possible. How anything good could have happened to them right then and there and they wouldn’t have been surprised.

An organized killer was like Ted Bundy suave, charming, and intelligent, who planned his crimes and covered them up as well as he could afterward. A disorganized killer was like the Son of Sam, who struggled to control his inner demons and then killed suddenly and brutally each time those demons broke free. He called himself Mr. Monster.

All right,” I said. “Keep in touch with cell phones.” “We don’t have cell phones,” Silena protested. I reached down, picked up some snoring lady’s BlackBerry and tossed it to Silena. “You do now. You all know Annabeth’s number, right? If you need us, pick up a random phone and call us. Use it once, drop it, then borrow another one if you have to. That should make it harder for the monsters to zero in on you.” Everyone grinned as though they liked this idea. Travis cleared his throat. “Uh, if we find a really nice phone—” “No, you can’t keep it,” I said. “Aw, man.

Listen,' someone whispers into my ear. 'Listen to me.' Am I dead? 'Listen,' the voice whispers. 'In some countries, you kill a monster when it's born. Other places, you kill it only when it kills someone else. Other places, you let it go, out into the forest or the sea, and it lives there forever, calling for others of its kind. Listen to me, it cries. Maybe it's just alone.

Look behind you now. Do you feel in your heart a slight hastening of its beat, and a powerful sense that something momentous is about to happen? ... Perhaps, then, this is the hour that Mary Hightower takes to the sky with thousands Afterlights heading toward Memphis. ... Perhaps this is the moment that Nick, the Chocolate Ogre, arrives in the same city in search for Allie, only to find that he has no idea where to look. ... Perhaps this is the very instant that a monster called the McGill arrives there as well, aching to ease his pain by sharing his misery - not only with his new minions, but with anyone he can. ... And perhaps you can sense, in some small twisting loop of your gut, the covergence of the wrong, of the right, and the woefully misguided. If you do, then pay sharp attention to the moment you wake, and the moment you fall asleep.... For maybe then you will know, without a shadow of doubt, which is which.

If Adam and Eve were not hunter-gatherers, then they were certainly gatherers. But, then, consumer desire, or self-embitterment, or the 'itch,' as Schopenhauer called it, appeared in the shape of the serpent. This capitalistic monster awakens in Adam and Eve the possibility that things could be better. Instantly, they are cast out of the garden and condemned to a life of toil, drudgery, and pain. Wants supplanted needs, and things have been going downhill ever since.

We pity you, each and every one of you. For what you do to your children. They are not born evil. But you force them to kill and hurt and hate until there is nothing left inside of them—​of you. That is why you are here tonight, Manon. Because of the threat you pose to that monster you call grandmother. The threat you posed when you chose mercy and saved your rival’s life.”She gasped for breath, tears flowing unabashedly as she bared her teeth. “They have made you into monsters. Made, Manon. And we feel sorry for you.

Men like Caesar and Pompey--they're not heroes, Meto. They're monsters. They call their greed and ambition "honour," and to satisfy their so-called honour they'll tear the world apart. But who am I to judge them? Every man does what he must, to protect his share of the world. What's the difference between killing whole villages and armies, and killing a single man? Caesar's reasons and mine are different only in degree. The consequences and the suffering still spread to the innocent (Gordianus the Finder to his son Meto)

Good good. Enough talk. Check breeder tanks, please.' 'Yeah, yeah. Let me get some water first.' He bounces and skitters down his tube to the lab. 'Why humans need water so much, question? Inefficient life-forms!' ... 'Eiridians need water too, you know.' 'We keep inside. Closed system. Some inefficiencies inside, but we get all water we need from food. Humans leak! Gross!' I laugh as I float in to the lab where Rocky is waiting. 'On Earth, we have a scary, deadly creature called a spider. You look like one of those, just so you know.' 'Good. Proud. I am scary space monster. You are leaky space blob.

Where woman do not fit the Iron Maiden [societal expectations/assumptions about women's bodies], we are now being called monstrous, and the Iron Maiden is exactly that which no woman fits, or fits forever. A woman is being asked to feel like a monster now though she is whole and fully physically functional. The surgeons are playing on the myth's double standard for the function of the body. A man's thigh is for walking, but a woman's is for walking and looking "beautiful." If women can walk but believe our limbs look wrong, we feel that our bodies cannot do what they are meant to do; we feel as genuinely deformed and disabled as the unwilling Victorian hypochondriac felt ill.

I don’t get why people are always trying to escape.” “Really?” said Kate. “Take a look around.” In the distance beyond August’s window, the nothing gave way to something—a town, if it could be called a town. It was more like a huddle of ramshackle structures, buildings gathered like fighters with their backs together, looking out on the night. The whole thing had a starved dog look about it. Fluorescent lights cut glaring beams through the darkness. “I guess it’s different for me,” he said, his voice taut. “One moment I didn’t exist and the next I did, and I spend every day scared I’ll just stop beingagain, and every time I slip, every time I go dark, it’s harder to come back. It’s all I can do to stay where I am. Who I am.” “Wow, August,” she said softly. “Way to kill the mood.

Once upon a time, there was only darkness, and there were monsters vast as worlds who swam in it. They were the Gibborium, and they loved the darkness because it concealed their hideousness. Whenever some other creature contrived to make light, they would extinguish it. When stars were born, they swallowed them, and it seemed that darkness would be eternal. But a race of bright warriors heard of the Gibborium and traveled from their far world to do battle with them. The war was long, light against dark, and many warriors were slain. In the end, when they vanquished the monsters, there were a hundred left alive, and these hundred were the godstars, who brought light to the universe. They made the rest of the stars, including our sun, and there was no more darkness, only endless light. They made children in their image- seraphim - and sent them down to beat light to the worlds that spun in space, and all was good. But one day, the last of the Gibborium, who was called Zamzumin, persuaded them that shadows were needed, that they would make the light seem brighter by contrast, and so the godstars brought shadows into being. But Zamzumin was a trickster. He needed only a shred of darkness to work with. He breathed life into the shadows, and as the godstars had made the seraphim in their own image, so did Zamzumin make the chimaera in his, and so they were hideous, and forever after the seraphim would fight on the side of light, and the chimaera for dark, and they would be enemies until the end of the world.

It occurred to me. . .that aberrance is a wholly human construct. There were no such things as monsters outside the human mind. We are vain and arrogant, evolution's highest achievement and most dismal failure, prisoners of our self-awareness and the illusion that we stand in the center, that there is us and then there is everything else but us. But we do not stand apart from or above or in the middle of anything. There is nothing apart, nothing above, and the middle is everywhere - and nowhere. We are no more beautiful and essential or magnificent than an earthworm. In fact - and dare we go there, you and I? - you could say the worm is more beautiful, because it is innocent and we are not. The worm has no motive but to survive long enough to make baby worms. There is no betrayal, no cruelty, no envy, no lust, and no hatred in the worm's heart, and so who are the monsters and which species shall we call aberrant?

There once was a poor man who walked around without shoes. His feet were covered in calluses. One day a rich man felt sorry for the poor man and bought him a pair of Nikes. The poor man was extremely grateful and wore the shoes constantly. Well after a year or so, the shoes fell apart. So the poor man had to go back to running around barefoot, only now all his calluses were gone and his feet got all cut up and soon the cuts became infected and the man got sick and eventually, after they cut off his legs, he died. I call that particular story "Love, Death & Nikes." A real cheer me up story for Mr. Monster. That's right! All for you. Oh and something else: fuck you Mr. Monster.

The problem with people who have power is that they start thinking more about what it takes to keep that power than they do about what’s right or wrong or just plain a bad idea. Here’s a tip for you: If you’re ever in a position to be making calls on right and wrong that can impact an entire nation, run your decisions past a six-year-old. If they look at you in horror and tell you you’re getting coal in your stocking for the rest of your life, you should probably reconsider your course of action. Unless you want to be remembered as a monster, in which case, knock yourself out. —From Charming Not Sincere, the blog of Rebecca Atherton, August 7, 2041.

When I became convinced that the Universe is natural – that all the ghosts and gods are myths, there entered into my brain, into my soul, into every drop of my blood, the sense, the feeling, the joy of freedom. The walls of my prison crumbled and fell, the dungeon was flooded with light and all the bolts, and bars, and manacles became dust. I was no longer a servant, a serf or a slave. There was for me no master in all the wide world -- not even in infinite space. I was free -- free to think, to express my thoughts -- free to live to my own ideal -- free to live for myself and those I loved -- free to use all my faculties, all my senses -- free to spread imagination's wings -- free to investigate, to guess and dream and hope -- free to judge and determine for myself -- free to reject all ignorant and cruel creeds, all the "inspired" books that savages have produced, and all the barbarous legends of the past -- free from popes and priests -- free from all the "called" and "set apart" -- free from sanctified mistakes and holy lies -- free from the fear of eternal pain -- free from the winged monsters of the night -- free from devils, ghosts and gods. For the first time I was free. There were no prohibited places in all the realms of thought -- no air, no space, where fancy could not spread her painted wings -- no chains for my limbs -- no lashes for my back -- no fires for my flesh -- no master's frown or threat – no following another's steps -- no need to bow, or cringe, or crawl, or utter lying words. I was free. I stood erect and fearlessly, joyously, faced all worlds. And then my heart was filled with gratitude, with thankfulness, and went out in love to all the heroes, the thinkers who gave their lives for the liberty of hand and brain -- for the freedom of labor and thought -- to those who fell on the fierce fields of war, to those who died in dungeons bound with chains -- to those who proudly mounted scaffold's stairs -- to those whose bones were crushed, whose flesh was scarred and torn -- to those by fire consumed -- to all the wise, the good, the brave of every land, whose thoughts and deeds have given freedom to the sons of men. And then I vowed to grasp the torch that they had held, and hold it high, that light might conquer darkness still.

But Orlando was a woman — Lord Palmerston had just proved it. And when we are writing the life of a woman, we may, it is agreed, waive our demand for action, and substitute love instead. Love, the poet has said, is woman’s whole existence. And if we look for a moment at Orlando writing at her table, we must admit that never was there a woman more fitted for that calling. Surely, since she is a woman, and a beautiful woman, and a woman in the prime of life, she will soon give over this pretence of writing and thinking and begin at least to think of a gamekeeper (and as long as she thinks of a man, nobody objects to a woman thinking). And then she will write him a little note (and as long as she writes little notes nobody objects to a woman writing either) and make an assignation for Sunday dusk and Sunday dusk will come; and the gamekeeper will whistle under the window — all of which is, of course, the very stuff of life and the only possible subject for fiction. Surely Orlando must have done one of these things? Alas,— a thousand times, alas, Orlando did none of them. Must it then be admitted that Orlando was one of those monsters of iniquity who do not love? She was kind to dogs, faithful to friends, generosity itself to a dozen starving poets, had a passion for poetry. But love — as the male novelists define it — and who, after all, speak with greater authority?— has nothing whatever to do with kindness, fidelity, generosity, or poetry. Love is slipping off one’s petticoat and — But we all know what love is. Did Orlando do that? Truth compels us to say no, she did not. If then, the subject of one’s biography will neither love nor kill, but will only think and imagine, we may conclude that he or she is no better than a corpse and so leave her.

Black holes are the seductive dragons of the universe, outwardly quiescent yet violent at the heart, uncanny, hostile, primeval, emitting a negative radiance that draws all toward them, gobbling up all who come too close. Once having entered the tumultuous orbit of a black hole, nothing can break away from its passionate but fatal embrace. Though cons of teasing play may be granted the doomed, ultimately play turns to prey and all are sucked haplessly―brilliantly aglow, true, but oh so briefly so―into the fire-breathing maw of oblivion. Black holes, which have no memory, are said to contain the earliest memories of the universe, and the most recent, too, while at the same time obliterating all memory by obliterating all its embodiments. Such paradoxes characterize these strange galactic monsters, for whom creation is destruction, death life, chaos order. And darkness illumination: for, as dragons are also called worms, so black hole are known as wormholes, offering a mystical and intimate pathway to the farthest reaches of the cosmos, thus bring light as they consume it.

Everybody tries to protect this vulnerable two three four five six seven eight year old inside, and to acquire skills and aptitudes for dealing with the situations that threaten to overwhelm it... Usually, that child is a wretchedly isolated undeveloped little being. It’s been protected by the efficient armour, it’s never participated in life, it’s never been exposed to living and to managing the person’s affairs, it’s never been given responsibility for taking the brunt. And it’s never properly lived. That’s how it is in almost everybody. And that little creature is sitting there, behind the armour, peering through the slits. And in its own self, it is still unprotected, incapable, inexperienced... And in fact, that child is the only real thing in them. It’s their humanity, their real individuality, the one that can’t understand why it was born and that knows it will have to die, in no matter how crowded a place, quite on its own. That’s the carrier of all the living qualities. It’s the centre of all the possible magic and revelation. What doesn’t come out of that creature isn’t worth having, or it’s worth having only as a tool—for that creature to use and turn to account and make meaningful... And so, wherever life takes it by surprise, and suddenly the artificial self of adaptations proves inadequate, and fails to ward off the invasion of raw experience, that inner self is thrown into the front line—unprepared, with all its childhood terrors round its ears. And yet that’s the moment it wants. That’s where it comes alive—even if only to be overwhelmed and bewildered and hurt. And that’s where it calls up its own resources—not artificial aids, picked up outside, but real inner resources, real biological ability to cope, and to turn to account, and to enjoy. That’s the paradox: the only time most people feel alive is when they’re suffering, when something overwhelms their ordinary, careful armour, and the naked child is flung out onto the world. That’s why the things that are worst to undergo are best to remember. But when that child gets buried away under their adaptive and protective shells—he becomes one of the walking dead, a monster. So when you realise you’ve gone a few weeks and haven’t felt that awful struggle of your childish self—struggling to lift itself out of its inadequacy and incompetence—you’ll know you’ve gone some weeks without meeting new challenge, and without growing, and that you’ve gone some weeks towards losing touch with yourself.

When Magnus looked at Imasu, he saw Imasu had dropped his head into his hands. "Er," Magnus said. "Are you quite all right?" "I was simply overcome," Imasu said in a faint voice. Magnus preened slightly. "Ah. Well." "By how awful that was," Imasu said. Magnus blinked. "Pardon?" "I can't live a lie any longer!" Imasu burst out. "I have tried to be encouraging. Dignitaries of the town have been sent to me, asking me to plead with you to stop. My own sainted mother begged me, with tears in her eyes - " "It isn't as bad as all that - " "Yes, it is!" It was like a dam of musical critique had broken. Imasu turned on him with eyes that flashed instead of shining. "It is worse than you can possibly imagine! When you play, all of my mother's flowers lose the will to live and expire on the instant. The quinoa has no flavor now. The llamas are migrating because of your music, and llamas are not a migratory animal. The children now believe there is a sickly monster, half horse and half large mournful chicken, that lives in the lake and calls out to the world to grant it the sweet release of death. The townspeople believe that you and I are performing arcane magic rituals - " "Well, that one was rather a good guess," Magnus remarked. " - using the skull of an elephant, an improbably large mushroom, and one of your very peculiar hats!" "Or not," said Magnus. "Furthermore, my hats are extraordinary." "I will not argue with that." Imasu scrubbed a hand through his thick black hair, which curled and clung to his fingers like inky vines. "Look, I know that I was wrong. I saw a handsome man, thought that it would not hurt to talk a little about music and strike up a common interest, but I don't deserve this. You are going to get stoned in the town square, and if I have to listen to you play again, I will drown myself in the lake." "Oh," said Magnus, and he began to grin. "I wouldn't. I hear there is a dreadful monster living in that lake." Imasu seemed to still be brooding about Magnus's charango playing, a subject that Magnus had lost all interest in. "I believe the world will end with a noise like the noise you make!" "Interesting," said Magnus, and he threw his charango out the window. "Magnus!" "I believe that music and I have gone as far as we can go together," Magnus said. "A true artiste knows when to surrender." "I can't believe you did that!" Magnus waved a hand airily. "I know, it is heartbreaking, but sometimes one must shut one's ears to the pleas of the muse." "I just meant that those are expensive and I heard a crunch.

What would you know of struggle, perfect son? When have you fought against the mutilation of your mind? When have you had to do anything other than tally compliance's and polish your armor? The people of your world named you "Great One". The people of mine called me slave. Which one of us landed on a paradise of civilization to be raised by a foster father, Roboute? Which one of us was given armies to lead after training in the halls of the Macraggian High Riders? Which one of us inherited a strong, cultured kingdom? And which one of us had to rise up against a kingdom with nothing but a horde of starving slaves? Which one of us was a child enslaved on a world of monsters, with his brain cut up by carving knives? Listen to your blue clad wretches yelling courage and honor, courage and honor, courage and honor! Do you even know the meaning of those words? Courage is fighting the kingdom which enslaves you, no matter that their armies outnumber yours by ten-thousand to one. You know nothing of courage! Honor is resisting a tyrant when all others suckle and grow fat on the hypocrisy he feeds them. You know nothing of honor!

I've heard youngsters use some of George Lucas' terms––"the Force and "the dark side." So it must be hitting somewhere. It's a good sound teaching, I would say. The fact that the evil power is not identified with any specific nation on this earth means you've got an abstract power, which represents a principle, not a specific historical situation. The story has to do with an operation of principles, not of this nation against that. The monster masks that are put on people in Star Wars represent the real monster force in the modern world. When the mask of Darth Vader is removed, you see an unformed man, one who has not developed as a human individual. What you see is a strange and pitiful sort of undifferentiated face. Darth Vader has not developed his humanity. He's a robot. He's a bureaucrat, living not in terms of himself but of an imposed system. This is the threat to our lives that we all face today. Is the system going to flatten you out and deny you your humanity, or are you going to be able to make use of the system to the attainment of human purposes? How do you relate to the system so that you are not compulsively serving it? . . . The thing to do is to learn to live in your period of history as a human being ...[b]y holding to your own ideals for yourself and, like Luke Skywalker, rejecting the system's impersonal claims upon you. Well, you see, that movie communicates. It is in a language that talks to young people, and that's what counts. It asks, Are you going to be a person of heart and humanity––because that's where the life is, from the heart––or are you going to do whatever seems to be required of you by what might be called "intentional power"? When Ben Knobi says, "May the Force be with you," he's speaking of the power and energy of life, not of programmed political intentions. ... [O]f course the Force moves from within. But the Force of the Empire is based on an intention to overcome and master. Star Wars is not a simple morality play. It has to do with the powers of life as they are either fulfilled or broken and suppressed through the action of man.

Connection terminated. I'm sorry to interrupt you, Elizabeth. If you still even remember that name. But I'm afraid you've been misinformed. You are not here to receive a gift. Nor, have you been called here by the individual you assume. Although, you have indeed been called. You have all been called here. Into a labyrinth of sounds and smells, misdirection and misfortune. A labyrinth with no exit. A maze with no prize. You don't even realize that you are trapped. Your lust of blood has driven you in endless circles. Chasing the cries of children in some unseen chamber, always seeming so near. Yet somehow out of reach. But, you will never find them. None of you will. This is where your story ends. And to you, my brave volunteer, who somehow found this job listing not intended for you. Although, there was a way out planned for you, I have a feeling that's not what you want. I have a feeling that you are right where you want to be. I am remaining as well. I am nearby. This place will not be remembered and the memory of everything that started this, can finally begin to fade away. As the agony of every tragedy should. And to you monsters trapped in the corridors. Be still. And give up your spirits. They don't belong to you. As for most of you, I believe there is peace and perhaps, warm, waiting for you after the smoke clears. Although, for one of you, the darkest pit of Hell has opened to swallow you whole. So, don't keep the Devil waiting, friend. My daughter, if you can hear me, I knew you would return as well. It's in your nature to protect the innocent. I'm sorry that on that day, the day you were shut out and left to die, no one was there to lift you up in their arms, the way you lifted others into yours. And then, what became of you, I should have known, you wouldn't be content to disappear. Not my daughter. I couldn't save you then. So, let me save you now. It's time to rest, for you, and for those you have carried in your arms... This ends. For all of us. End communication.

The previous governess had used various monsters and bogeymen as a form of discipline. There was always something waiting to eat or carry off bad boys and girls for crimes like stuttering or defiantly and aggravatingly persisting in writing with their left hand. There was always a Scissor Man waiting for a little girl who sucked her thumb, always a bogeyman in the cellar. Of such bricks is the innocence of childhood constructed. Susan’s attempts at getting them to disbelieve in the things only caused the problems to get worse. Twyla had started to wet the bed. This may have been a crude form of defense against the terrible clawed creature that she was certain lived under it. Susan had found out about this one the first night, when the child had woken up crying because of a bogeyman in the closet. She’d sighed and gone to have a look. She’d been so angry that she’d pulled it out, hit it over the head with the nursery poker, dislocated its shoulder as a means of emphasis and kicked it out of the back door. The children refused to disbelieve in the monsters because, frankly, they knew damn well the things were there. But she’d found that they could, very firmly, also believe in the poker. Now she sat down on a bench and read a book. She made a point of taking the children, every day, somewhere where they could meet others of the same age. If they got the hang of the playground, she thought, adult life would hold no fears. Besides, it was nice to hear the voices of little children at play, provided you took care to be far enough away not to hear what they were actually saying. There were lessons later on. These were going a lot better now she’d got rid of the reading books about bouncy balls and dogs called Spot. She’d got Gawain on to the military campaigns of General Tacticus, which were suitably bloodthirsty but, more importantly, considered too difficult for a child. As a result his vocabulary was doubling every week and he could already use words like “disemboweled” in everyday conversation. After all, what was the point of teaching children to be children? They were naturally good at it.

1 You said ‘The world is going back to Paganism’. Oh bright Vision! I saw our dynasty in the bar of the House Spill from their tumblers a libation to the Erinyes, And Leavis with Lord Russell wreathed in flowers, heralded with flutes, Leading white bulls to the cathedral of the solemn Muses To pay where due the glory of their latest theorem. Hestia’s fire in every flat, rekindled, burned before The Lardergods. Unmarried daughters with obedient hands Tended it. By the hearth the white-armd venerable mother Domum servabat, lanam faciebat. At the hour Of sacrifice their brothers came, silent, corrected, grave Before their elders; on their downy cheeks easily the blush Arose (it is the mark of freemen’s children) as they trooped, Gleaming with oil, demurely home from the palaestra or the dance. Walk carefully, do not wake the envy of the happy gods, Shun Hubris. The middle of the road, the middle sort of men, Are best. Aidos surpasses gold. Reverence for the aged Is wholesome as seasonable rain, and for a man to die Defending the city in battle is a harmonious thing. Thus with magistral hand the Puritan Sophrosune Cooled and schooled and tempered our uneasy motions; Heathendom came again, the circumspection and the holy fears … You said it. Did you mean it? Oh inordinate liar, stop. 2 Or did you mean another kind of heathenry? Think, then, that under heaven-roof the little disc of the earth, Fortified Midgard, lies encircled by the ravening Worm. Over its icy bastions faces of giant and troll Look in, ready to invade it. The Wolf, admittedly, is bound; But the bond wil1 break, the Beast run free. The weary gods, Scarred with old wounds the one-eyed Odin, Tyr who has lost a hand, Will limp to their stations for the Last defence. Make it your hope To be counted worthy on that day to stand beside them; For the end of man is to partake of their defeat and die His second, final death in good company. The stupid, strong Unteachable monsters are certain to be victorious at last, And every man of decent blood is on the losing side. Take as your model the tall women with yellow hair in plaits Who walked back into burning houses to die with men, Or him who as the death spear entered into his vitals Made critical comments on its workmanship and aim. Are these the Pagans you spoke of? Know your betters and crouch, dogs; You that have Vichy water in your veins and worship the event Your goddess History (whom your fathers called the strumpet Fortune).

Hamish Alexander-Harrington knew his wife as only two humans who had both been adopted by a pair of mated treecats ever could. He'd seen her deal with joy and with sorrow, with happiness and with fury, with fear, and even with despair. Yet in all the years since their very first meeting at Yeltsin's Star, he suddenly realized, he had never actually met the woman the newsies called "the Salamander." It wasn't his fault, a corner of his brain told him, because he'd never been in the right place to meet her. Never at the right time. He'd never had the chance to stand by her side as she took a wounded heavy cruiser on an unflinching deathride into the broadside of the battlecruiser waiting to kill it, sailing to her own death, and her crew's, to protect a planet full of strangers while the rich beauty of Hammerwell's "Salute to Spring" spilled from her ship's com system. He hadn't stood beside her on the dew-soaked grass of the Landing City duelling grounds, with a pistol in her hand and vengeance in her heart as she faced the man who'd bought the murder of her first great love. Just as he hadn't stood on the floor of Steadholders' Hall when she faced a man with thirty times her fencing experience across the razor-edged steel of their swords, with the ghosts of Reverend Julius Hanks, the butchered children of Mueller Steading, and her own murdered steaders at her back. But now, as he looked into the unyielding flint of his wife's beloved, almond eyes, he knew he'd met the Salamander at last. And he recognized her as only another warrior could. Yet he also knew in that moment that for all his own imposing record of victory in battle, he was not and never had been her equal. As a tactician and a strategist, yes. Even as a fleet commander. But not as the very embodiment of devastation. Not as the Salamander. Because for all the compassion and gentleness which were so much a part of her, there was something else inside Honor Alexander-Harrington, as well. Something he himself had never had. She'd told him, once, that her own temper frightened her. That she sometimes thought she could have been a monster under the wrong set of circumstances. And now, as he realized he'd finally met the monster, his heart twisted with sympathy and love, for at last he understood what she'd been trying to tell him. Understood why she'd bound it with the chains of duty, and love, of compassion and honor, of pity, because, in a way, she'd been right. Under the wrong circumstances, she could have been the most terrifying person he had ever met. In fact, at this moment, she was . It was a merciless something, her "monster"—something that went far beyond military talent, or skills, or even courage. Those things, he knew without conceit, he, too, possessed in plenty. But not that deeply personal something at the core of her, as unstoppable as Juggernaut, merciless and colder than space itself, that no sane human being would ever willingly rouse. In that instant her husband knew, with an icy shiver which somehow, perversely, only made him love her even more deeply, that as he gazed into those agate-hard eyes, he looked into the gates of Hell itself. And whatever anyone else might think, he knew now that there was no fire in Hell. There was only the handmaiden of death, and ice, and purpose, and a determination which would not— couldnot—relent or rest. "I'll miss them," she told him again, still with that dreadful softness, "but I won't forget. I'll never forget, and one day— oneday, Hamish—we're going to find the people who did this, you and I. And when we do, the only thing I'll ask of God is that He let them live long enough to know who's killing them.