Mono Color Quotes

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The model stripped down naked and stood with her arms out to her sides while genderless cohorts sprayed her body with large silver canisters of foundation. They wore masks over there faces and sprayed her from head to toe like they were putting out a fire. They airbrushed her into a mono-toned six-foot-two column of a human being with no visible veins, nipples, nails, lips, or eyelashes. When every single thing that was real about the model was gone, the make up artist fug through a suite case of brushes and plowed through hundreds of tubes of flesh colored colors and began to draw human features onto her face. At the same time, the hair stylist meticulously sewed with a needle and thread strand after strand of long blond hairs onto her thin light brown locks, creating a thick full mane of shimmering gold. The model had brought her own chef, who cooked her spinach soup from scratch. The soup was fed to her by one of her lackeys, who existed solely for this purpose. The blond boy stood in front of her, blowing on the soup and then feeding it to her from a small silver child's spoon, just big enough to fit between her lips. the model's mouth was barely open, maybe a quarter of an inch wide, so that she would not crack the flesh colored paint.
Margot Berwin (Hothouse Flower and the Nine Plants of Desire)
Corn is what feeds the steer that becomes the steak. Corn feeds the chicken and the pig, the turkey, and the lamb, the catfish and the tilapia and, increasingly, even the salmon, a carnivore by nature that the fish farmers are reengineering to tolerate corn. The eggs are made of corn. The milk and cheese and yogurt, which once came from dairy cows that grazed on grass, now typically comes from Holsteins that spend their working lives indoors tethered to machines, eating corn. Head over to the processed foods and you find ever more intricate manifestations of corn. A chicken nugget, for example, piles up corn upon corn: what chicken it contains consists of corn, of course, but so do most of a nugget's other constituents, including the modified corn starch that glues the things together, the corn flour in the batter that coats it, and the corn oil in which it gets fried. Much less obviously, the leavenings and lecithin, the mono-, di-, and triglycerides, the attractive gold coloring, and even the citric acid that keeps the nugget "fresh" can all be derived from corn. To wash down your chicken nuggets with virtually any soft drink in the supermarket is to have some corn with your corn. Since the 1980s virtually all the sodas and most of the fruit drinks sold in the supermarket have been sweetened with high-fructose corn syrup (HFCS) -- after water, corn sweetener is their principal ingredient. Grab a beer for you beverage instead and you'd still be drinking corn, in the form of alcohol fermented from glucose refined from corn. Read the ingredients on the label of any processed food and, provided you know the chemical names it travels under, corn is what you will find. For modified or unmodified starch, for glucose syrup and maltodextrin, for crystalline fructose and ascorbic acid, for lecithin and dextrose, lactic acid and lysine, for maltose and HFCS, for MSG and polyols, for the caramel color and xanthan gum, read: corn. Corn is in the coffee whitener and Cheez Whiz, the frozen yogurt and TV dinner, the canned fruit and ketchup and candies, the soups and snacks and cake mixes, the frosting and candies, the soups and snacks and cake mixes, the frosting and gravy and frozen waffles, the syrups and hot sauces, the mayonnaise and mustard, the hot dogs and the bologna, the margarine and shortening, the salad dressings and the relishes and even the vitamins. (Yes, it's in the Twinkie, too.) There are some forty-five thousand items in the average American supermarket and more than a quarter of them now contain corn. This goes for the nonfood items as well: Everything from the toothpaste and cosmetics to the disposable diapers, trash bags, cleansers, charcoal briquettes, matches, and batteries, right down to the shine on the cover of the magazine that catches your eye by the checkout: corn. Even in Produce on a day when there's ostensibly no corn for sale, you'll nevertheless find plenty of corn: in the vegetable wax that gives the cucumbers their sheen, in the pesticide responsible for the produce's perfection, even in the coating on the cardboard it was shipped in. Indeed, the supermarket itself -- the wallboard and joint compound, the linoleum and fiberglass and adhesives out of which the building itself has been built -- is in no small measure a manifestation of corn.
Michael Pollan (The Omnivore's Dilemma: A Natural History of Four Meals)
<> No, no hubo tiempo para miradas. Se durmió antes de que le pudiera preguntar por el ensayo. Una larga noche dándole al rif te deja para el arrastre. <> Puaj. ¿Eso es un eufemismo de «m@sturbación»? <> No. Creo que es un eufemismo de «toc@r l@ guitarr@ eléctric@». O un@ expresión idiomátic@. No sé. ¿Crees que «masturbación» es una de las palabras de alerta de Tron? <> Bueno, ahora ya da igual. Si nos despiden porque insistes en meterte en la boca del lobo, nos tendrás que mantener a mí y mi cara afición al Gap infantil. <> 1. Meterse en la boca del lobo. ¿Es otra referencia a la masturbación? 2. Gap infantil. ¿Otra vez? <> 1. Ja. 2. Otra vez. El fin de semana pasado me marqué un mono color verde apio con manoplas a juego por... ¡3,99! <> El verde es una elección inteligente: apropiado para una niña imaginaria o un niño imaginario. Y la estación no es relevante cuando se trata de niños imaginarios. <> Exacto. Ya ni siquiera entro en el Gap de adultos. En cuanto eres madre imaginaria, no tienes tiempo para ti.
Rainbow Rowell (Attachments)
Cada región alimenta un pueblo que se le parece. Tantos siglos a la orilla del río volvieron a los hombres diestros para nadar como peces y frenéticos para atacar como caimanes; la familiaridad de los montes los volvió silenciosos como niebla y a la vez solos y muchos como las estrellas del cielo; la vida en el desierto los hizo duros y pacientes como cardos; la vida en la selva les dio el sigilo de las serpientes, la agilidad de los monos en los ramajes; los hizo capaces de ver un mundo de hormiguea de color y sonidos allí donde otros sólo ven monotonía y silencio.
William Ospina (Ursúa)
-Ese no es -dijo Cat, señalando con el índice a los corredores-. Ni ese tampoco. Es mono, pero no es él. Y ese chico seguro que no es él. -Frunció el entrecejo-. Qué raro. Puedo visualizar el aura que proyecta, pero me cuesta recordar con claridad su cara. A lo mejor es que no lo vi de cerca. -Tiene un aspecto poco común -respondió Eureka-. No en el mal sentido. Es atractivo. "Tiene los ojos como el mar -quería decir en realidad-. Los labios son de color coral. Su piel tiene la clase de poder que hace saltar la aguja de una brújula." [...] -¡Oye, Jack! -Cat se colocó en la grada encima de la que Jack estaba usando para estirar la pierna-. Estamos buscando a un tío de tu equipo que se llama Ander. ¿Cuál era su apellido, Reka? Eureka se encogió de hombros. Y lo mismo hizo Jack. -No hay ningún Ander en este equipo. Cat sacudió las piernas y las cruzo por los tobillos. -Mira, estaba en el encuentro de hace dos días, el que se canceló por la lluvia. Es un tipo alto, rubio... Ayúdame, Reka. "Con los ojos como el mar -estuvo a punto de soltar- y unas manos que podrían coger una estrella fugaz." -¿Como pálido? -logró decir. -Pues como que no está en el equipo.
Lauren Kate (Teardrop (Teardrop, #1))
If blacks are judged based on the basis of their skin color, then why do whites sun bathe during summer and show off their tan?
Sunday Adelaja (The Danger Of Monoculturalism In The XXI Century)
祇園精舎の鐘の聲、諸行無常の響き有り。 沙羅雙樹の花の色、盛者必衰の理を顯す。 驕れる者も久しからず、唯春の夜の夢の如し。 猛き者も遂には滅びぬ、偏に風の前の塵に同じ。 Gionshōja no kane no koe, Shogyōmujō no hibiki ari. Sarasōju no hana no iro, Jōshahissui no kotowari wo arawasu. Ogoreru mono mo hisashikarazu, tada haru no yo no yume no gotoshi. Takeki mono mo tsui ni wa horobin(u), hitoeni kaze no mae no chiri ni onaji. The sound of the Gion Shōja bells echoes the impermanence of all things; the color of the sāla flowers reveals the truth that the prosperous must decline. The proud do not endure, they are like a dream on a spring night; the mighty fall at last, they are as dust before the wind.
Heike Monogatari (The Tale of the Heike, in Two Volumes (Books 1 to 12 plus Epilogue))
We did nothing in order to acquire external features – skin color, eye color, shape of nose, head size, we were simply born with all these features
Sunday Adelaja (The Danger Of Monoculturalism In The XXI Century)
If race played a decisive influence on the social status and the level of a person’s income, his color should have influenced his income
Sunday Adelaja (The Danger Of Monoculturalism In The XXI Century)