Monkey King Quotes

We've searched our database for all the quotes and captions related to Monkey King. Here they are! All 40 of them:

The Destiny of Man is to unite, not to divide. If you keep on dividing you end up as a collection of monkeys throwing nuts at each other out of separate trees.
T.H. White (The Once and Future King (The Once and Future King, #1-5))
It was just a kiss – " "Yeah, and King Kong was just a monkey.
Linda Howard (After the Night)
All things considered, I'd rather have monkeys," Kishan shouted. I shivered. "Tell you what. We'll rent King Kong and The Birds. Then you can decide." He yelled as he ran from a swooping bird, "Are you asking me on a date? Because if you are, it will definitely give me more incentive to come out of this alive." "Whatever works" "You're on.
Colleen Houck (Tiger's Quest (The Tiger Saga, #2))
We never change. Neither our socks nor our masters nor our opinions, or we're so slow about it that it's no use. We were born loyal and that's what killed us! Soldiers free of charge, heroes for everyone else, talking monkeys, tortured words, we are the minions of King Misery...It's not a life.
Louis-Ferdinand Céline (Journey to the End of the Night)
I never could stomach these nationalists,’ he exclaimed. ‘The destiny of Man is to unite, not to divide. If you keep on dividing you end up as a collection of monkeys throwing nuts at each other out of separate trees.
T.H. White (The Once and Future King (The Once and Future King, #1-5))
It's true," Eliot said. "Statistically, historically, and however else you want to look at it, you are almost never right. A monkey making life decisions based on its horoscope in USA Today would be right more often than you. But in this case, yes, you were right. Don't spoil it.
Lev Grossman (The Magician King (The Magicians, #2))
The destiny of Man is to unite, not to divide. If you keep on dividing you end up as a collection of monkeys throwing nuts at each other out of separate trees.
T.H. White (The Once and Future King (The Once and Future King, #1-4))
I've set myself to become the King of Pirates...and if I die trying...then at least I tried.
Monkey D. Luffy
Most politicians lie for the same reason a monkey swings by his tail, which is to say because he can.
Stephen King (The Dark Tower (The Dark Tower, #7))
All the same, you don’t do it for money, or you’re a monkey. You don’t think of the bottom line, or you’re a monkey. You don’t think of it in terms of hourly wage, yearly wage, even lifetime wage, or you’re a monkey. In the end you don’t even do it for love, although it would be nice to think so. You do it because to not do it is suicide.
Stephen King (Skeleton Crew)
Monkey now produced his staff and the two of them did their best to kill each other, like the affectionate in-laws they were.
Wu Cheng'en (Monkey King: Journey to the West)
What he really needed was a weapon. A big, threatening, FU kind of weapon that would show everyone the Monkey King meant business.
F.C. Yee (The Epic Crush of Genie Lo (The Epic Crush of Genie Lo, #1))
I was having the best dream,” he croaked. “I was flying over a jungle on the back of a dragon and I fell off and tumbled down into the trees… and then I got adopted by a gang of monkeys. They made me their king.
Jessica Townsend (Wundersmith: The Calling of Morrigan Crow (Nevermoor, #2))
I’m an old man trying to give a young daughter advice, and it’s like a monkey trying to teach table manners to a bear.
Stephen King (The Stand)
Little girls are the nicest things that can happen to people. They are born with a bit of angel-shine about them, and though it wears thin sometimes, there is always enough left to lasso your heart—even when they are sitting in the mud, or crying temperamental tears, or parading up the street in Mother’s best clothes. A little girl can be sweeter (and badder) oftener than anyone else in the world. She can jitter around, and stomp, and make funny noises that frazzle your nerves, yet just when you open your mouth, she stands there demure with that special look in her eyes. A girl is Innocence playing in the mud, Beauty standing on its head, and Motherhood dragging a doll by the foot. God borrows from many creatures to make a little girl. He uses the song of a bird, the squeal of a pig, the stubbornness of a mule, the antics of a monkey, the spryness of a grasshopper, the curiosity of a cat, the speed of a gazelle, the slyness of a fox, the softness of a kitten, and to top it all off He adds the mysterious mind of a woman. A little girl likes new shoes, party dresses, small animals, first grade, noisemakers, the girl next door, dolls, make-believe, dancing lessons, ice cream, kitchens, coloring books, make-up, cans of water, going visiting, tea parties, and one boy. She doesn’t care so much for visitors, boys in general, large dogs, hand-me-downs, straight chairs, vegetables, snowsuits, or staying in the front yard. She is loudest when you are thinking, the prettiest when she has provoked you, the busiest at bedtime, the quietest when you want to show her off, and the most flirtatious when she absolutely must not get the best of you again. Who else can cause you more grief, joy, irritation, satisfaction, embarrassment, and genuine delight than this combination of Eve, Salome, and Florence Nightingale. She can muss up your home, your hair, and your dignity—spend your money, your time, and your patience—and just when your temper is ready to crack, her sunshine peeks through and you’ve lost again. Yes, she is a nerve-wracking nuisance, just a noisy bundle of mischief. But when your dreams tumble down and the world is a mess—when it seems you are pretty much of a fool after all—she can make you a king when she climbs on your knee and whispers, "I love you best of all!
Alan Beck
Quentin took a deep breath. “My true name,” he said, “ . . . is SUN WUKONG.” A cold wind passed through the open window, rustling my loose papers like tumbleweed. “I have no idea who that is,” I said. Quentin was still trying to cement his “look at me being serious” face. It took him a few seconds to realize I wasn’t flipping out over whoever he was. “The Sun Wukong,” he said, scooping the air with his fingers. “Sun Wukong the Monkey King.” “I said, I don’t know who that is.” His jaw dropped. Thankfully his teeth were still normal-size. “You’re Chinese and you don’t know me?” he sputtered. “That’s like an American child not knowing Batman!” “You’re Chinese Batman?” “No! I’m stronger than Batman, and more important, like—like. Tian na, how do you not know who I am!?” I didn’t know why he expected me to recognize him. He couldn’t have been a big-time actor or singer from overseas. I never followed mainland pop culture, but a lot of the other people at school did; word would have gotten around if we had a celebrity in our midst. Plus that was a weird stage name. Monkey King? Was that what passed for sexy among the kids these days?
F.C. Yee (The Epic Crush of Genie Lo (The Epic Crush of Genie Lo, #1))
I never could stomach these nationalists,” he exclaimed. “The destiny of Man is to unite, not to divide. If you keep on dividing you end up as a collection of monkeys throwing nuts at each other out of separate trees.
T.H. White (The Once and Future King (The Once and Future King, #1-4))
We never change. Neither our socks nor our masters nor our opinions, or we’re so slow about it that it’s no use. We were born loyal, and that’s what killed us! Soldiers free of charge, heroes for everyone else, talking monkeys, tortured words, we are the minions of King Misery; He’s our lord and master!
Louis-Ferdinand Céline (Journey to the End of the Night)
You spend your whole life chasing after some illusion you think is real, only to realize you’re a damned fool, and that if you reach any further, you’ll drown.” He let go of her arms. Rin turned around to face him. “Suni . . .” “Altan liked that story,” he said. “I first heard it from him. He told it whenever he needed to calm me down. Said it would help if I thought of the Monkey King as just another person, someone gullible and foolish, and not a god.
R.F. Kuang (The Dragon Republic (The Poppy War, #2))
...Is there a more monstrous thought, a more convincing spectacle, a more patent affirmation of the impotence and madness of the brain? War. All our philosophies, religions, arts, techniques and trades lead to nothing but this. The finest flowers of civilization. The purest constructions of thought. The most generous and altruistic passions of the heart. The most heroic gestures of man. War. Now and thousand years ago. Tomorrow and a hundred thousand years ago. No, it's not a ...more "...Is there a more monstrous thought, a more convincing spectacle, a more patent affirmation of the impotence and madness of the brain? War. All our philosophies, religions, arts, techniques and trades lead to nothing but this. The finest flowers of civilization. The purest constructions of thought. The most generous and altruistic passions of the heart. The most heroic gestures of man. War. Now and thousand years ago. Tomorrow and a hundred thousand years ago. No, it's not a question of your country, my German or French friend, or yours, whether you're black or white or Papuan or a Borneo monkey. It's a question of your life. If you want to live, kill. Kill so that you can be free, or eat, or shit. The shameful thing is to kill in masses, at a predetermined hour on a predetermined day, in honour of certain principles, under cover of a flag, with old men nodding approval, to kill in a disinterested or passive way. Stand alone against them all, young man, kill, kill, you are unique, you're the only man alive, kill until the others cut you short with the guillotine or the cord or the rope, with or without ceremony, in the name of the Community or King. What a laugh.
Blaise Cendrars (Moravagine)
Now, many directors could and would say, So what? It’s just a movie. You don’t have to believe in giant monkeys to direct King Kong.
Quentin Tarantino (Once Upon a Time in Hollywood)
If seven hundred monkeys typed for seven hundred years, one of them would turn out the works of Shakespeare,
Stephen King (Night Shift)
Are you an evolutionist? I’m an absurdist, ma’am. But let’s suppose evolution is true; what about the monkeys today? Why can’t we see them evolving? Are they still evolving?
Harrison Wheeler (Jesters Incognito: Live Like a King. Hire a Jester.)
Maybe it’s true that an infinite number of monkeys typing on an infinite number of keyboards will eventually produce the complete works of Shakespeare. But you’d go mad reading all of their rough drafts,
James Browning (The Fracking King)
I’ve set myself to become the King of the Pirates…and if I die trying…then at least I tried!
Eiichiro Oda (ONE PIECE 0)
In New York—the New York of her own time, at least—they would have been objects of scorn and anger, the butt of every idiot’s crude, cruel jokes: a black woman of twenty-six and her whitebread lover who was three years younger and who had a tendency to talk like dis and dat when he got excited. Her whitebread lover who had been carrying a heavy monkey on his back only eight months before. Here, there was no one to jeer or laugh. Here, no one was pointing a finger. Here, there were only Roland, Eddie, and herself, the world’s last three gunslingers.
Stephen King (The Waste Lands (The Dark Tower, #3))
I’m an old man trying to give a young daughter advice, and it’s like a monkey trying to teach table manners to a bear. A drunk driver took my son’s life seventeen years ago and my wife has never been the same since. I’ve always seen the question of abortion in terms of Fred. I seem to be helpless to see it any other way, just as helpless as you were to stop your giggles when they came on you at that poetry reading, Frannie. Your mother would argue against it for all the standard reasons. Morality, she’d say. A morality that goes back two thousand years. The right to life. All our Western morality is based on that idea. I’ve read the philosophers. I range up and down them like a housewife with a dividend check in the Sears and Roebuck store. Your mother sticks with the Reader’s Digest, but it’s me that ends up arguing from feeling and her from the codes of morality. I just see Fred. He was destroyed inside. There was no chance for him. These right-to-life biddies hold up their pictures of babies drowned in salt, and arms and legs scraped out onto a steel table, so what? The end of a life is never pretty. I just see Fred, lying in that bed for seven days, everything that was ruined pasted over with bandages. Life is cheap, abortion makes it cheaper. I read more than she does, but she is the one who ends up making more sense on this one. What we do and what we think… those things are so often based on arbitrary judgments when they are right. I can’t get over that. It’s like a block in my throat, how all true logic seems to proceed from irrationality. From faith. I’m not making much sense, am I?
Stephen King (The Stand)
Daisy loved this expression: chasing stories. She liked to imagine Ma waving a butterfly net through the air and scooping up flighty headlines and unruly articles: news about kings and anarchists, barrel bombs and jewel thieves, rigged elections and rare monkeys with golden eyes.
Pari Thomson (Greenwild)
The hand is a symbol of humanity, part of what makes us human - the hand that carved the Parthenon, painted the hands of God and Adam on the ceiling of the Sistine Chapel, and wrote King Lear was the only hand that had known smallpox. That same hand had now given the disease to a monkey.
Richard Preston (The Demon in the Freezer)
Was it Robert Stone who said the mind is a monkey? Sure it was, in Dog Soldiers. The one where Stone also said that men who shoot elephants with machine guns from Huey helicopters are just naturally going to want to get high. In Iraq it was camels the grunts and jarheads sometimes shot at. But yeah, while they were high.
Stephen King (Billy Summers)
And that night he dreamed of the monkey again, one of its cymbals striking the Philco radio as it babbled out Dean Martin singing Whenna da moon hitta you eye like a big pizza pie ats-a moray, the radio tumbling into the bathtub as the monkey grinned and beat its cymbals together with a JANG and a JANG and a JANG; only it wasn’t the Italian rag-man who was in the tub when the water turned electric. It was him. •
Stephen King (Skeleton Crew)
dashed across streets without looking, they got horsing around in the lake and suddenly realized they had floated far past their depth on their rubber rafts and had to paddle back, they fell off monkey-bars on their asses and out of trees on their heads. Now, standing here in the fading drizzle in front of a Trustworthy Hardware Store that had been a pawnshop in 1958 (Frati Brothers, Ben recalled, the double windows always full of pistols and rifles and straight-razors and guitars hung up by their necks like exotic animals), it occurred to him that kids were better at almost dying, and they were also better at incorporating the inexplicable into their lives. They believed implicitly in the invisible world. Miracles both bright and dark were to be taken into consideration, oh yes, most certainly, but they by no means stopped the world. A sudden upheaval of beauty or terror at ten did not preclude an extra cheesedog or two for lunch at noon.
Stephen King (It)
Diamond writes: “We have to wonder why the kings and nobles failed to recognize and solve these seemingly obvious problems undermining their society. Their attention was evidently focused on their short-term concerns of enriching themselves, waging wars, erecting monuments, competing with each other, and extracting enough food from the peasants to support all those activities.” (If this sounds familiar, I would note that archaeology is thick with cautionary tales that speak directly to the twenty-first century.)
Douglas Preston (The Lost City of the Monkey God)
...Is there a more monstrous thought, a more convincing spectacle, a more patent affirmation of the impotence and madness of the brain? War. All our philosophies, religions, arts, techniques and trades lead to nothing but this. The finest flowers of civilization. The purest constructions of thought. The most generous and altruistic passions of the heart. The most heroic gestures of man. War. Now and thousand years ago. Tomorrow and a hundred thousand years ago. No, it's not a question of your country, my German or French friend, or yours, whether you're black or white or Papuan or a Borneo monkey. It's a question of your life. If you want to live, kill. Kill so that you can be free, or eat, or shit. The shameful thing is to kill in masses, at a predetermined hour on a predetermined day, in honour of certain principles, under cover of a flag, with old men nodding approval, to kill in a disinterested or passive way. Stand alone against them all, young man, kill, kill, you are unique, you're the only man alive, kill until the others cut you short with the guillotine or the cord or the rope, with or without ceremony, in the name of the Community or King. What a laugh.
Blaise Cendrars
Hateful and spineless, raped and robbed, mangled and witless, they were as good as we are, you can say that again! We never change. Neither our socks nor our masters nor our opinions, or we're so slow about it that it's no use. We were born loyal, and that's what killed us! Soldiers free of charge, heroes for everyone else, talking monkeys, tortured words, we are the minions of King Misery. He's our lord and master! When we misbehave, he tightens his grip ... his fingers are around our neck, that makes it hard to talk, got to be careful if we want to eat ... For nothing at all he'll choke you . . . It's not a life . . .
Louis-Ferdinand Céline (Journey to the End of the Night)
Your Eve was wise, John. She knew that Paradise would make her mad, if she were to live forever with Adam and know no other thing but strawberries and tigers and rivers of milk. She knew they would tire of these things, and each other. They would grow to hate every fruit, every stone, every creature they touched. Yet where could they go to find any new thing? It takes strength to live in Paradise and not collapse under the weight of it. It is every day a trial. And so Eve gave her lover the gift of time, time to the timeless, so that they could grasp at happiness. ... And this is what Queen Abir gave to us, her apple in the garden, her wisdom--without which we might all have leapt into the Rimal in a century. The rite bears her name still. For she knew the alchemy of demarcation far better than any clock, and decreed that every third century husbands and wives should separate, customs should shift and parchmenters become architects, architects farmers of geese and monkeys, Kings should become fishermen, and fishermen become players of scenes. Mothers and fathers should leave their children and go forth to get other sons and daughters, or to get none if that was their wish. On the roads of Pentexore folk might meet who were once famous lovers, or a mother and child of uncommon devotion--and they would laugh, and remember, but call each other by new names, and begin again as friends, or sisters, or lovers, or enemies. And some time hence all things would be tossed up into the air once more and land in some other pattern. If not for this, how fastened, how frozen we would be, bound to one self, forever a mother, forever a child. We anticipate this refurbishing of the world like children at a holiday. We never know what we will be, who we will love in our new, brave life, how deeply we will wish and yearn and hope for who knows what impossible thing! Well, we anticipate it. There is fear too, and grief. There is shaking, and a worry deep in the bone. Only the Oinokha remains herself for all time--that is her sacrifice for us. There is sadness in all this, of course--and poets with long elegant noses have sung ballads full of tears that break at one blow the hearts of a flock of passing crows! But even the most ardent lover or doting father has only two hundred years to wait until he may try again at the wheel of the world, and perhaps the wheel will return his wife or his son to him. Perhaps not. Wheels, and worlds, are cruel. Time to the timeless, apples to those who live without hunger. There is nothing so sweet and so bitter, nothing so fine and so sharp.
Catherynne M. Valente (The Habitation of the Blessed (A Dirge for Prester John, #1))
Litter after litter was set down; lords and ladies were lifted out like precious jewels, and handed their lap dogs, their fans, or their parasols. Each seemed to have brought some toy or other; one young man had a monkey with its fur dyed blue. And yet, if you will believe it, out of all those men, the King’s daily companions fed at his board with his meat and wine, not one carried a sword. They all met and greeted, kissing cheeks or touching hands, talking together in the high clear voice of the Palace people. Their Greek was quite pure, but for the Cretan accent which sounds so mincing to a mainland ear. They have more words than we, for they talk continually of what they think and feel. But mostly one could understand them. The women called each other by such baby-names as we would use to children; and the men called them “darling” whether they were married to them or not; a thing which from their behavior nobody could guess. I saw one woman alone kissed by three men.
Mary Renault (The King Must Die (Theseus, #1))
Training—training is everything; training is all there is to a person.  We speak of nature; it is folly; there is no such thing as nature; what we call by that misleading name is merely heredity and training. We have no thoughts of our own, no opinions of our own; they are transmitted to us, trained into us.  All that is original in us, and therefore fairly creditable or discreditable to us, can be covered up and hidden by the point of a cambric needle, all the rest being atoms contributed by, and inherited from, a procession of ancestors that stretches back a billion years to the Adam-clam or grasshopper or monkey from whom our race has been so tediously and ostentatiously and unprofitably developed.  And as for me, all that I think about in this plodding sad pilgrimage, this pathetic drift between the eternities, is to look out and humbly live a pure and high and blameless life, and save that one microscopic atom in me that is truly me :  the rest may land in Sheol and welcome for all I care.
Mark Twain (A Connecticut Yankee in King Arthur's Court)
them—or something like it. They even got the Doctor some tobacco one day, when he had finished what he had brought with him and wanted to smoke. At night they slept in tents made of palm leaves, on thick, soft beds of dried grass. And after a while they got used to walking such a lot and did not get so tired and enjoyed the life of travel very much. But they were always glad when the night came and they stopped for their resting time. Then the Doctor used to make a little fire of sticks; and after they had had their supper, they would sit round it in a ring, listening to Polynesia singing songs about the sea, or to Chee-Chee telling stories of the jungle. And many of the tales that Chee-Chee told were very interesting. Because although the monkeys had no history books of their own before Doctor Dolittle came to write them for them, they remember everything that happens by telling stories to their children. And Chee-Chee spoke of many things his grandmother had told him—tales of long, long, long ago, before Noah and the Flood—of the days when men dressed in bearskins and lived in holes in the rock and ate their mutton raw because they did not know what cooking was, never having seen a fire. And he told them of the great mammoths, and lizards as long as a train, that wandered over the mountains in those times, nibbling from the treetops. And often they got so interested listening that when he had finished they found their fire had gone right out, and they had to scurry around to get more sticks and build a new one. Now, when the King’s army had gone back and told the King that they couldn’t find the Doctor, the King sent them out again and told them they must stay in the jungle till they caught him. So all this time, while the Doctor and his animals were going along toward the Land of the Monkeys, thinking themselves quite safe, they were still being followed by the King’s men. If Chee-Chee had known this, he would most likely have hidden them again. But he didn’t know it. One day Chee-Chee climbed up a high rock and looked out over the treetops. And when he came down he said they were now quite close to the Land of the Monkeys and would soon be there. And that same evening, sure enough, they saw Chee-Chee’s cousin and a lot of other monkeys, who had not yet gotten sick, sitting in the trees by the edge of a swamp, looking and waiting for them. And when they saw the famous doctor really come, these monkeys made a tremendous noise, cheering and waving leaves and swinging out of the branches to greet him. They wanted to carry his bag and his trunk and everything he had. And one of the bigger ones even carried Gub-Gub, who had gotten
Hugh Lofting (The Story of Doctor Dolittle (Doctor Dolittle Series))
What are we doing here?” Burnes said, almost to himself. “That, Burnes, I cannot tell you. I do not know why anyone leaves his house, to travel ten thousand miles, when all the poetry that has ever been written, all the poetry since the beginning of the world all tells us the single lesson that we would be happiest in our own homes, since that is where happiness is born, and where it lives. What poetry cannot answer is the question that follows from that, whether we men actually want to be happy, or whether we would prefer to be restless. In your case—in the English, excuse me, the British case—I would say that when you have gone home, when you are all old and thinking about what this adventure, this whole centuries-long adventure meant, what it meant to you . . . well, things do not always mean something, but perhaps your adventure, perhaps it meant something. You will sit at home and look into your fires and draw your Cashmire shawls about you, and think that you came here for one reason. Of course, now, you tell yourself all sorts of fairy stories—you are here to sell us your wonderful English goods, you want to set us free, you want us to grow up, you want to educate us and make us worship three gods instead of forty thousand—” “Only one God.” “I stand corrected, Burnes-ji, and I am sure your one God is much more sensible than ours, who are quaint, who have the heads of elephants and monkeys and have blue skin. They are all very good reasons to tell yourself at the time, but they are not, at the bottom, the real reason you came here. You came here not to make yourselves rich, not to make us better and Christian and clean and dressed in Bradford cotton. You believe all this, I know. But when you are old and tired and sleeping in a thousand years’ time, you will start to realize that you came here and took possession of what was not yours for one reason. To surrender it, to give it up. That is the only reason. Do you not know your Shakespeare, Burnes? Have you never seen The Tempest in your London theatres? Do you not think it strange that, so very long ago, before your English kings owned anything at all, your English poet was dreaming of giving it all up, of surrendering what was not yet yours? Of what never would truly be yours? You are not adventurers; you are all Prosperos, waiting for the day you can give it up, drown your book, and return nobly. We endure your presence, because we see that when you look at us, you know that we will take it all back one day. And you want us to. That desire is so strong in you, it makes you build an empire; because if you never had an empire, you would not have one so nobly to surrender. That, Burnes, is what you are doing here. You asked me, and you did not think that I had an answer. But I have an answer, and that is what you are doing here. And now you are tired, and I shall leave you.
Philip Hensher (The Mulberry Empire)