Monk Show Quotes

Marginalia Sometimes the notes are ferocious, skirmishes against the author raging along the borders of every page in tiny black script. If I could just get my hands on you, Kierkegaard, or Conor Cruise O'Brien, they seem to say, I would bolt the door and beat some logic into your head. Other comments are more offhand, dismissive - Nonsense." "Please!" "HA!!" - that kind of thing. I remember once looking up from my reading, my thumb as a bookmark, trying to imagine what the person must look like who wrote "Don't be a ninny" alongside a paragraph in The Life of Emily Dickinson. Students are more modest needing to leave only their splayed footprints along the shore of the page. One scrawls "Metaphor" next to a stanza of Eliot's. Another notes the presence of "Irony" fifty times outside the paragraphs of A Modest Proposal. Or they are fans who cheer from the empty bleachers, Hands cupped around their mouths. Absolutely," they shout to Duns Scotus and James Baldwin. Yes." "Bull's-eye." "My man!" Check marks, asterisks, and exclamation points rain down along the sidelines. And if you have managed to graduate from college without ever having written "Man vs. Nature" in a margin, perhaps now is the time to take one step forward. We have all seized the white perimeter as our own and reached for a pen if only to show we did not just laze in an armchair turning pages; we pressed a thought into the wayside, planted an impression along the verge. Even Irish monks in their cold scriptoria jotted along the borders of the Gospels brief asides about the pains of copying, a bird singing near their window, or the sunlight that illuminated their page- anonymous men catching a ride into the future on a vessel more lasting than themselves. And you have not read Joshua Reynolds, they say, until you have read him enwreathed with Blake's furious scribbling. Yet the one I think of most often, the one that dangles from me like a locket, was written in the copy of Catcher in the Rye I borrowed from the local library one slow, hot summer. I was just beginning high school then, reading books on a davenport in my parents' living room, and I cannot tell you how vastly my loneliness was deepened, how poignant and amplified the world before me seemed, when I found on one page A few greasy looking smears and next to them, written in soft pencil- by a beautiful girl, I could tell, whom I would never meet- Pardon the egg salad stains, but I'm in love.

The truth is, in order to heal we need to tell our stories and have them witnessed...The story itself becomes a vessel that holds us up, that sustains, that allows us to order our jumbled experiences into meaning. As I told my stories of fear, awakening, struggle, and transformation and had them received, heard, and validated by other women, I found healing. I also needed to hear other women's stories in order to see and embrace my own. Sometimes another woman's story becomes a mirror that shows me a self I haven't seen before. When I listen to her tell it, her experience quickens and clarifies my own. Her questions rouse mine. Her conflicts illumine my conflicts. Her resolutions call forth my hope. Her strengths summon my strengths. All of this can happen even when our stories and our lives are very different.

A spiritual pilgrim needs to discern when his or her life is stunted in an old field and find the courage and determination to go to a "new land" that the Lord will show. (Abraham-Journey) ...so that you can find the wholeness you seek.

At night I would lie in bed and watch the show, how bees squeezed through the cracks of my bedroom wall and flew circles around the room, making that propeller sound, a high-pitched zzzzzz that hummed along my skin. I watched their wings shining like bits of chrome in the dark and felt the longing build in my chest. The way those bees flew, not even looking for a flower, just flying for the feel of the wind, split my heart down its seam.

In the beginner’s mind, there are many possibilities,” said Zen monk Shunryu Suzuki. “In the expert’s mind, there are few.

He never sees More – a star in another firmament, who acknowledges him with a grim nod – without wanting to ask him, what's wrong with you? Or what's wrong with me? Why does everything you know, and everything you've learned, confirm you in what you believed before? Whereas in my case, what I grew up with, and what I thought I believed, is chipped away a little and a little, a fragment then a piece and then a piece more. With every month that passes, the corners are knocked off the certainties of this world: and the next world too. Show me where it says, in the Bible, ‘Purgatory’. Show me where it says relics, monks, nuns. Show me where it says ‘Pope’.

Man of an hard heart! Hear me, Proud, Stern, and Cruel! You could have saved me; you could have restored me to happiness and virtue, but would not! You are the destroyer of my Soul; You are my Murderer, and on you fall the curse of my death and my unborn Infant’s! Insolent in your yet-unshaken virtue, you disdained the prayers of a Penitent; But God will show mercy, though you show none. And where is the merit of your boasted virtue? What temptations have you vanquished? Coward! you have fled from it, not opposed seduction. But the day of Trial will arrive! Oh! then when you yield to impetuous passions! when you feel that Man is weak, and born to err; When shuddering you look back upon your crimes, and solicit with terror the mercy of your God, Oh! in that fearful moment think upon me! Think upon your Cruelty! Think upon Agnes, and despair of pardon!

The man lived like a monk. And made love like a sinner.

In love, the Sufi meeting house And wine-shop are one place; As are all places where we find The loved one's radiant race; And what the Sufis make a show of Can be found equally Among the monks, before their cross, Within a monastery.

The queen, for the most part, is the unifying force of the community, if she removed from the hive, the workers very quickly sense her absence. After a few hours, or even less, they show unmistakable signs of queenlessness.

With winter the feeling had deepened. I would see a neighbor running along the sidewalk in front of the house, training, I imagined, for a climb up Kilimanjaro. Or a friend at my book club giving a blow-by-blow of her bungee jump from a bridge in Australia. Or - and this was the worst of all - a TV show about some intrepid woman traveling alone in the blueness of Greece, and I'd be overcome by the little sparks that seemed to run beneath all that, the blood/sap/wine, aliveness, whatever it was. It had made me feel bereft over the immensity of the world, the extraordinary things people did with their lives - though, really, I didn't want to do any of those particular things. I didn't know then what I wanted, but the ache for it was palpable.

It was amazing how I was able to ignore all his cursing, but he knew airplanes. He showed me how to line up straight on the obscene-curse-word runway and how to use the curse-word throttle and rudder to control the blasphemous-curse-word-plane, how to taxi down the smutty-curse-word runway and, when I got up to top speed, how to add up-elevator and how to maintain a simple-curse-word gradual ascent.

Show me where it says, in the Bible, “Purgatory.” Show me where it says “relics, monks, nuns.” Show me where it says “Pope.

I see the Christian world like this: we've inherited a divided map of the truth, and each of us has a piece. Our traditions teach us that no one else has a valid map and that our own church's piece shows us all the terrain and roads that exist. In fact, there is much more terrain, more roads, and more truth for us to see if we can accept and read one another's maps, fitting them together to give us a clearer picture of the larger Christian tradition.

But monks believe that when it comes to happiness and joy, there is always a seat with your name on it. In other words, you don’t need to worry about someone taking your place. In the theater of happiness, there is no limit. Everyone who wants to partake in mudita can watch the show. With unlimited seats, there is no fear of missing out.

If we were to abuse our children, Social Services would show up at our doors. If we were to abuse our pets, the Humane Society would come to take us away. But there is no Creativity Patrol or Soul Police to intervene if we insist on starving our own souls.

Julie nearly fainted when I showed up at home that night with the new Lexus. The first thing she wanted to do was drive it. I let her drive all over San Francisco with the windows rolled up, because we didn’t want to lose one precious whiff of that new-car smell.

Disorder in your mind shows in your feet. It has long been said that you can tell a lot about a household by looking at its entrance hall, especially in Japanese homes, where we remove our shoes upon entering. If the footwear is perfectly lined up, or if it is all ajumble—you can know the state of mind of those who live there by just this one detail.

But deep prayer, prolonged prayer, is a terrible mirror—kneel there long enough and everything shows. There’s no way out of eventually seeing your phoniness and dishonesty.

Say what you want about healthcare in America, but where else in the world can you get free antibiotics by just drinking the milk or eating the chicken

studies by Albert Mehrabian showing that 55 percent of our communication is conveyed by body language, 38 percent is tone of voice, and a mere 7 percent is the actual words we speak.

Yuan opens his eyes. White rabbits wandering all around, poking him, touching him, rubbing their noses at his feet, or merely exploring the thick grass, ignoring his presence. As if showing their appearance alone is enough of a favor. Yuan sees the tiniest rabbit struggling to reach him. One of its legs wounded, and a dark rotten feather sticking to its body. The feather smells of death. There must be a dead bird somewhere. Dead bird! Why didn’t he smell it earlier? Yuan, removing the feather, stretches his hand towards the rabbit. It hops on, sensing the burst of healing energy. All living creatures always sense what heals their woe—a code in their subconscious.

The queen, for her part, is the unifying force of the community; if she is removed from the hive, the workers very quickly sense her absence. After a few hours, or even less, they show unmistakable signs of queenlessness.

A spiritual pilgrim needs to discern when his or her life is stunted in an old field and find the courage and determination to go to a "new land" that Lord will show. Surely this one of our greatest challenges & capacities - to understand and reorient our lives, aligning ourselves with the God-given rhythms of growth and awakening that vibrate within.

Geeks in Australia never wore the striped shirts, pocket protectors, braces and thick rimmed spectacles always seen in American TV shows. They were just plain kids from good homes, a factor other social groups regarded as an exception to the rule.

Sorry, I thought I saw a guilt trip looming up,’ said Clements. ‘I had a Catholic upbringing - spent a week in a monastery once. My mother – a devout woman all her days, God bless her – thought it would do me good to be exposed to truly good people who had denied themselves everything to follow God.’ Clements snorted and turned to look out of the car window. ‘I take it, it didn’t work?’ ‘I don’t think there was a single one of them – apart from maybe a little Irishman, who had never known anything else - who wasn’t on some kind of guilt trip. They hadn’t given up anything at all: they were running away from things; hiding; the lot of them; and mainly from their real selves. Show me a monk and I’ll show you one screwed-up individual with a past.

Focus,” Mary muttered, chastising herself and her wandering mind. From her stereo came the soothing sounds of monks, vocalizing an ancient hymn meant to bring one closer to enlightenment. Credit where it was due, they were pretty good. Mary couldn’t remember ever hearing a bad singing monk, though. Was it just a byproduct of monkhood that one gained a great singing voice? Or maybe they had auditions before one got in. “Great, great, you want enlightenment, but I’ll need to hear you belt out some show tunes before we let you in.” Were there scouts out there scouring the vocal talents of a new generation and recruiting them to top-notch monasteries?

Pray as you can, and somewhere along the way, you will make the most important discovery of your life—the love the Father has for you. That discovery is God’s end of the deal. Your part is just to show up honestly. Show up, and keep showing up. That’s the one nonnegotiable when it comes to prayer.

It is also important to share your own thoughts and dreams, hopes and worries. The vulnerability of exposing yourself is a way of giving trust and showing respect for another person’s opinion. It enables the other person to understand the previous experiences and beliefs you bring to whatever you do together.

In getting you where you want to be, meditation may show you what you don’t want to see.

long aprons with starch. Off in the drawing room, it sounded like bees buzzing. Missus showed

I didn’t know whether this Mr. Smyth was behaving like white people, or if it just showed something vile about all people.

Courage, Jonathan! That's the only way to live. And remember, bravery isn't really something you feel. It's something you show." I

shall show you two of the finest Lads, that ever stept in shoe of leather. The

Church again. My prayer is now only, ‘Here I am again. Show me what to do; help me do it.

I walked past the stable and carriage house. The path took me cross the whole map of the world I knew. I hadn't yet seen the spinning globe in the house that showed the rest of it. p7

July 1, 1964, I lay in bed, waiting for the bees to show up, thinking of what Rosaleen had said when I told her about their nightly visitations. “Bees swarm before death,” she’d said.

I walked back past the stable and carriage house. The path took me cross the whole map of the world I knew. I hadn’t yet seen the spinning globe in the house that showed the rest of it.

Looking back on it now, I want to say the bees were sent to me. I want to say they showed up like the angel Gabriel appearing to the Virgin Mary, setting events in motion I could never have guessed.

Astonished at your childish vanity, Your Friends all tax you with insanity, And grieve to see you use your art To catch some youthful Lover's heart. Believe me, Dame, when all is done, Your age will still be fifty one; And Men will rarely take an hint Of love, from two grey eyes that squint. Take then my counsels; Lay aside Your paint and patches, lust and pride, And on the Poor those sums bestow, Which now are spent on useless show. Think on your Maker, not a Suitor; Think on your past faults, not on future; And think Time's Scythe will quickly mow The few red hairs, which deck your brow.

A saint or monk can afford to be compassionate to all, but a leader or boss cannot always be kind. He may soon be without a job himself if he is unduly compassionate, and chances are, no one would show him any compassion then.

Outside of the dreary rubbish that is churned out by god knows how many hacks of varying degrees of talent, the novel is, it seems to me, a very special and rarefied kind of literary form, and was, for a brief moment only, wide-ranging in its sociocultural influence. For the most part, it has always been an acquired taste and it asks a good deal from its audience. Our great contemporary problem is in separating that which is really serious from that which is either frivolously and fashionably "radical" and that which is a kind of literary analogy to the Letterman show. It's not that there is pop culture around, it's that so few people can see the difference between it and high culture, if you will. Morton Feldman is not Stephen Sondheim. The latter is a wonderful what-he-is, but he is not what-he-is-not. To pretend that he is is to insult Feldman and embarrass Sondheim, to enact a process of homogenization that is something like pretending that David Mamet, say, breathes the same air as Samuel Beckett. People used to understand that there is, at any given time, a handful of superb writers or painters or whatever--and then there are all the rest. Nothing wrong with that. But it now makes people very uncomfortable, very edgy, as if the very idea of a Matisse or a Charles Ives or a Thelonious Monk is an affront to the notion of "ain't everything just great!" We have the spectacle of perfectly nice, respectable, harmless writers, etc., being accorded the status of important artists...Essentially the serious novelist should do what s/he can do and simply forgo the idea of a substantial audience.

The queen, for her part, is the unifying force of the community; if she is removed from the hive, the workers very quickly sense her absence. After a few hours, or even less, they show unmistakable signs of queenlessness. —Man and Insects

It’s true: she’s looking for the book just not for voice or the shortcuts to the strength. Deep down, she knows she’s looking for her purpose, too. And if her alarms say this Devil’s Book, a book believed to be written by the devil, will take her to her purpose, shouldn’t she look for it? Magic Mama says, “The place where you are, shows your purpose.” Monk Minakshi in her books says: ‘Your past shapes your purpose.’ But what if she has no past? And what if this place isn’t her place? Because a nameless, ghost-like woman warned her not to look for the book, should she now stop searching for it? Stop searching for her purpose? How can someone stop searching for purpose? What remains if the purpose is lost? Exams? Grade training? Dance lessons for flawless body language? Why would she need flawless body-language in the first place? Because High Grades have it? Because if you don’t shield yourself with it, others will use theirs on you? So everything she must do is only to shield herself from what others might do? And this should be her purpose—shielding herself from inside a cocoon? For a weak? Yes, sweetie. So living means only ‘defending’ yourself? For a woman? Yes, sweetie. Kusha imagines how Meera would’ve answered her now. They say life is beautiful. But they don’t say life is beautiful only if you free yourself from your fears, only if you stop fantasizing about future damages. And you conquer fear when you are strong, when you are sovereign.

But easy victories pall after a while. If one always wins, perhaps one is attempting only what is well within one’s capabilities—and there lies a kind of death, don’t you think? That which does not grow may well be showing the first signs of atrophy.

I ended up going into this big art historical argument.' [Barry Blinderman] invoked, for example, Matthias Grünewald’s Isenheim altarpiece, painted in the sixteenth century for a monastery where monks cared for people with skin diseases—so the suffering Christ in that painting shows symptoms of skin disease. 'It’s because he’s the man of sorrows,' Blinderman argued. 'He takes on the suffering of the world. So if Christ were to appear physically today, one of the sicknesses he would have to take on would be drug addiction.

Nurses have nerves of steel and the mind-over-matter proficiency of a Buddhist monk. If, for example, you haltingly inform a nurse that you have just passed what appeared to be a large part of your brain into the toilet, via the birth canal, the nurse will not gag but instead will admonish you for flushing it away before showing it to her. Blood, phlegm, and mucus—all things intrauterine or subdermal, septic or dyspeptic—are attended to with efficient grace by nurses, who are the underpaid soothers and healers in every hospital, all over the world.

Shokuzen—before meals: “Many lives, and much hard work, have gone into the blessing that is this meal. I will show my appreciation by enjoying this food with a deep sense of gratitude.” Shokugo—after meals: “I thank you for the wonderful meal, with deep gratitude, respect, and reverence.

The Gypsy’S Song* Come, cross my hand! My art surpasses All that did ever Mortal know; Come, Maidens, come! My magic glasses* Your future Husband’s form can show: For ’tis to me the power is given Unclosed the book of Fate to see; To read the fixed resolves of heaven, And dive into futurity. I guide the pale Moon’s silver waggon; The winds in magic bonds I hold; I charm to sleep the crimson Dragon, Who loves to watch o’er buried gold: Fenced round with spells, unhurt I venture Their sabbath strange where Witches keep; Fearless the Sorcerer’s circle enter, And woundless tread on snakes asleep. Lo! Here are charms of mighty power! This makes secure an Husband’s truth; And this composed at midnight hour Will force to love the coldest Youth: If any Maid too much has granted, Her loss this Philtre* will repair; This blooms a cheek where red is wanted, And this will make a brown girl fair! Then silent hear, while I discover What I in Fortune’s mirror view; And each, when many a year is over, Shall own the Gypsy’s sayings true.

Methinks, Oh! vain ill-judging Book, I see thee cast a wishful look, Where reputations won and lost are In famous row called Paternoster. Incensed to find your precious olio Buried in unexplored port-folio, You scorn the prudent lock and key, And pant well bound and gilt to see Your Volume in the window set Of Stockdale, Hookham, or Debrett. Go then, and pass that dangerous bourn Whence never Book can back return: And when you find, condemned, despised, Neglected, blamed, and criticised, Abuse from All who read you fall, (If haply you be read at all Sorely will you your folly sigh at, And wish for me, and home, and quiet. Assuming now a conjuror’s office, I Thus on your future Fortune prophesy: — Soon as your novelty is o’er, And you are young and new no more, In some dark dirty corner thrown, Mouldy with damps, with cobwebs strown, Your leaves shall be the Book-worm’s prey; Or sent to Chandler–Shop away, And doomed to suffer public scandal, Shall line the trunk, or wrap the candle! But should you meet with approbation, And some one find an inclination To ask, by natural transition Respecting me and my condition; That I am one, the enquirer teach, Nor very poor, nor very rich; Of passions strong, of hasty nature, Of graceless form and dwarfish stature; By few approved, and few approving; Extreme in hating and in loving; Abhorring all whom I dislike, Adoring who my fancy strike; In forming judgements never long, And for the most part judging wrong; In friendship firm, but still believing Others are treacherous and deceiving, And thinking in the present aera That Friendship is a pure chimaera: More passionate no creature living, Proud, obstinate, and unforgiving, But yet for those who kindness show, Ready through fire and smoke to go. Again, should it be asked your page, ‘Pray, what may be the author’s age?’ Your faults, no doubt, will make it clear, I scarce have seen my twentieth year, Which passed, kind Reader, on my word, While England’s Throne held George the Third. Now then your venturous course pursue: Go, my delight! Dear Book, adieu!

A thousand years earlier, a Cappadocian monk named Gregory of Nyssa was the first to see Moses’s cloud as a cipher for the spiritual life. “Moses’s vision began with light,” he wrote. “Afterwards God spoke to him in a cloud. But when Moses rose higher and became more perfect, he saw God in the darkness.”2 In the same way, Gregory said, those of us who wish to draw near to God should not be surprised when our vision goes cloudy, for this is a sign that we are approaching the opaque splendor of God. If we decide to keep going beyond the point where our eyes or minds are any help to us, we may finally arrive at the pinnacle of the spiritual journey toward God, which exists in complete and dazzling darkness.

One of the names thrown around for Jesus is the great physician. But a doctor can’t heal you without an accurate diagnosis. If you show up to a great doctor and describe yourself as “generally sick,” they’re not gonna be able to do a lot for you. To confess is to say, “I want to name my symptoms, completely and comprehensively, because I want healing, completely and comprehensively.

The Atonist nobility knew it was impossible to organize and control a worldwide empire from Britain. The British Isles were geographically too far West for effective management. In order to be closer to the “markets,” the Atonist corporate executives coveted Rome. Additionally, by way of their armed Templar branch and incessant murderous “Crusades,” they succeeded making inroads further east. Their double-headed eagle of control reigned over Eastern and Western hemispheres. The seats of Druidic learning once existed in the majority of lands, and so the Atonist or Christian system spread out in similar fashion. Its agents were sent from Britain and Rome to many a region and for many a dark purpose. To this very day, the nobility of Europe and the east are controlled from London and Rome. Nothing has changed when it comes to the dominion of Aton. As Alan Butler and Stephen Dafoe have proven, the Culdean monks, of whom we write, had been hired for generations as tutors to elite families throughout Europe. In their book The Knights Templar Revealed, the authors highlight the role played by Culdean adepts tutoring the super-wealthy and influential Catholic dynasties of Burgundy, Champagne and Lorraine, France. Research into the Templars and their affiliated “Salt Line” dynasties reveals that the seven great Crusades were not instigated and participated in for the reasons mentioned in most official history books. As we show here, the Templars were the military wing of British and European Atonists. It was their job to conquer lands, slaughter rivals and rebuild the so-called “Temple of Solomon” or, more correctly, Akhenaton’s New World Order. After its creation, the story of Jesus was transplanted from Britain, where it was invented, to Galilee and Judea. This was done so Christianity would not appear to be conspicuously Druidic in complexion. To conceive Christianity in Britain was one thing; to birth it there was another. The Atonists knew their warped religion was based on ancient Amenism and Druidism. They knew their Jesus, Iesus or Yeshua, was based on Druidic Iesa or Iusa, and that a good many educated people throughout the world knew it also. Their difficulty concerned how to come up with a believable king of light sufficiently appealing to the world’s many pagan nations. Their employees, such as St. Paul (Josephus Piso), were allowed to plunder the archive of the pagans. They were instructed to draw from the canon of stellar gnosis and ancient solar theologies of Egypt, Chaldea and Ireland. The archetypal elements would, like ingredients, simply be tossed about and rearranged and, most importantly, the territory of the new godman would be resituated to suit the meta plan.

The oddest things caused me to miss her. Like training bras. Who was I going to ask about that? And who but my mother could've understood the magnitude of driving me to junior cheerleader tryouts? I can tell you for certain T. Ray didn't grasp it. But you know when I missed her the most? The day I was twelve and woke up with the rose-petal stain on my panties. I was so proud of that flower and didn't have a soul to show it to except Rosaleen.

Then you showed up on my doorstep, all good-looking and bleeding and..." We were in front of my door now. He stepped up and draped his hand on the door above me. Leaned in just a fraction shy of intimate distance. Close enough I could feel the heat of him, smell the warm notes of the cologne he wore. "Good-looking and what?" he asked with a burr in his voice that gave me shivers. "And I couldn't leave you bleeding." "For that, I should thank you." He moved just a half inch closer, his mouth opening slightly on a smile. "Thoroughly," he added. Then, "Unfortunately, I have other pressing matters to attend." He reached behind me and was skillful enough that we didn't even touch as he opened the door. He leaned back so I wouldn't fall through it by accident and pointed at the room. "I do hope you will refrain from running out for another cup of coffee or starting an in-House war for the next few hours." (...)"Sure," I said, trying not to sound hot or bothered. "For the next few hours anyway." I smiled innocently.

To become a monk, or a nun, or to join a House of of Mercy, is not the high road to sanctification. True holiness does not make a Christian evade difficulties, but face and overcome them. Christ would have His people show that His grace is not a mere hot-house plant, which can only thrive under shelter, but a strong, hardy thing which can flourish in every relation of life. It is doing our duty in that state to which God has called us--like salt in the midst of corruption, and light in the midst of darkness--which is a primary element in sanctification.

Do you remember the day in Sepphoris when you opened your cedar chest and showed me your writings for the first time? You were something to be reckoned with. Fourteen years old and full of rebellion and longings You were the most stubborn, determined, ambitious child I'd ever seen. When I saw what was inside your cedar chest, I knew that there was a largeness in you. I knew you possessed a generosity of abilities that comes only rarely into the world. You knew it, too, for you wrote of it in your bowl. But we all have some largeness in us, don't we, Ana?

With experience as their guiding light, Christian monks and nuns could, for example, come together with Sufis and Yogis to pray and meditate, then discuss their experiences by talking about how silence and inner peace have changed their lives, instead of talking about the content of their prayers or focusing on theology. Hindus, Christians, and Muslims, who tread the path of goodness, could come together and do good works. Doing good side by side would show them that they are not as different as previously thought and that their various beliefs can lead to similar outcomes.

...but wasn't everyone in England supposed to be a detective? Wasn't every crime, no matter how complex, solved in a timely fashion by either a professional or a hobbyist? That's the impression you get from British books and TV shows. Sherlock Holmes, Miss Marple, Hetty Wainthropp, Inspector George Gently: they come from every class and corner of the country. There's even Edith Pargeter's Brother Cadfael, a Benedictine monk who solved crimes in twelfth-century Shrewsbury. No surveillance cameras, no fingerprints, not even a telephone, and still he cracked every case that came his way.

[Lena Lees describes from trance her experience of Kuan Yin]: “I see Kuan Yin. She is like Venus, statuesque and standing in front of a beautiful pink half-shell. Quickly, she walks in front of me, pointing the way. We are entering the mouth of a cave. It’s so interesting. I see stairs carved out of rock in the cave. We walk up the stairs to a door. I know somehow this is just another entrance, a doorway to another time, place. Perhaps at another historical time monks lived there. Now, I’m seeing a huge image, a beautiful statue of Kuan Yin right at the top of the mountain. There are stairs leading up to her and it is as if I’m right on location, standing alongside a group of worshipers. I feel the potency of her energy. In these places, perhaps China or Vietnam, there is a palpable sense of being immersed in and supported by her presence. There is a need by the people to know more, to pick up and accumulate wisdom. I’m suddenly feeling a need to be in that kind of energy. Suddenly it is Kuan Yin who is speaking: “Some believe I am in servitude to Buddha. However, Buddha doesn’t see it like that. We’re more like brother and sister. I’m showing, Lena, my abode, a place on earth where humans can visit me and be in my potency. Lena is looking at my statue and then at my form. There’s a difference. I come to people in many forms, forms constructed from people’s own perceptions of how I should come to them. And it is individual spiritual needs that create these unique perceptions. In the end, it does not matter what form I take.” “Kuan Yin wants me to know that I can have the most divine life imaginable,” whispers Lena, still very deep in trance. “She’ll be here until the last soul passes off the earth. She remains in deity form to assist people in transcending their materialistic nature, to help them attain their highest spiritual level.

Basically, live foods are those that are created through the natural interaction of the sun, air, soil and water. What I’m talking about here is a vegetarian diet. Fill your plate with fresh vegetables, fruits and grains and you might just live forever.” “Is that possible?” “Most of the sages were well over one hundred and they showed no signs of slowing down, and just last week I read in the paper about a group of people living on the tiny island of Okinawa in the East China Sea. Researchers are flocking to the island because they are fascinated by the fact that it holds the largest concentration of centenarians in the world.” “What have they learned?” “That a vegetarian diet is one of their main longevity secrets.” “But is this type of diet healthy? You wouldn’t think that it would give you much strength. Remember, I’m still a busy litigator, Julian.” “This is the diet that nature intended. It is alive, vital and supremely healthy. The sages have lived by this diet for many thousands of years. They call it a sattvic, or pure diet. And as to your concern about strength, the most powerful animals on the planet, ranging from gorillas to elephants, wear the badge of proud vegetarians. Did you know that a gorilla has about thirty times the strength of a man?

The following is one of the oldest sermon illustrations used in the Christian church. It also tests one’s understanding of the Christian life. There once lived an ugly, hunchback dwarf. No one ever invited him to a party. No one showed him love or even attention. He became disillusioned with life and decided to climb a mountain and throw himself from its peak into the abyss. When he ascended the mountain, he met a beautiful girl. He talked to her and discovered that she was climbing the mountain for the same purpose. Her suffering was at the other extreme. She had everyone’s attention and love, but the one she loved had forsaken her for another girl, one with riches. She felt life had no meaning for her any longer, so they decided to make the ascent together. While they climbed, they met a man who introduced himself as a police officer in search of a very dangerous bandit who had robbed and murdered many people. The king had promised a large reward to the person who captured him. The police officer was very confident: “I will catch him because I know he has a feature by which he can be recognized. He has six fingers on his right hand. The police have been looking for him for years. For the last two or three, nothing has been heard from him, but he must pay for a multitude of past crimes.” The three climbed the mountain. Near its peak was a monastery. Its abbot, although he had become a monk only recently, had quickly attained great renown for saintliness. When they entered the monastery, he came to meet them. You could see the glory of God in his face. As the girl bowed to kiss his right hand, she saw he had six fingers. With this, the story ends. Those who hear this story are perplexed. It can’t finish like this! What happened to the dwarf, the girl, the policeman? Was the criminal caught? The story’s beauty is that it does finish here. Something beautiful has happened: A criminal hunted because of his many robberies and murders has become a great saint, renowned for his godly life. All the rest is of no further interest. The great miracle has been performed. Christ has been born in the heart of a man of very low character.

I'm not a geius guy, even and Albert Einstein isn't and Tesla, nobody is genius. From where you will know what's the IQ for Albert or Tesla in their time there wasn't such test and how such test can show how clever are you in case that the most questions are math, physics and mainly this how this two subjects will show that you are clever or dumb?? I strongly doubt about this if I know the answer sof the test and I fill it right so I must be the world clever man? No, I don't think so - That's bullshit! That I have written 8 books and now I'm working on some other books this doesn't make me clever, the most stuff are just search from the internet and put, the other is thoughts from me. Like thinking on some questions and that's all!

If you can’t pray with hope and faith, God isn’t bothered. He wants you to tell him about your doubt and disappointment. If you can’t pray in phrases of praise and adoration, don’t fake it. Pray your complaints, your anger, or your confusion. And if you’re more comfortable with cynicism than innocence, unsure about your motives, afraid of silence, afraid of an answer, or pretty confident you aren’t doing it right, you’re in the perfect starting place. Pray as you can, and somewhere along the way, you will make the most important discovery of your life—the love the Father has for you. That discovery is God’s end of the deal. Your part is just to show up honestly. Show up, and keep showing up. That’s the one nonnegotiable when it comes to prayer.

Lobsang sighed. ‘But I think I need you too, Joshua. I often think back to our days together on the Mark Twain.’ ‘Watched any old movies recently?’ ‘That’s another thing about Agnes. She won’t let me show any movies that don’t have nuns in.’ ‘Wow. That’s brutal.’ ‘Something else that’s good for me, she says. Of course there aren’t that many movies that qualify, and we watch them over and over.’ He shuddered. ‘Don’t talk to me about Two Mules for Sister Sara. But the musicals are the worst. Although Agnes says that the freezer-raiding scene in Sister Act is an authentic detail from convent life.’ ‘Well, that’s a consolation. Musicals with nuns in, huh . . .’ A voice rang out across the park, a voice Joshua remembered only too well from his own past. ‘Lobsang? Time to come in now. Your little friend will keep until tomorrow . . .’ ‘She has loudhailers everywhere.’ Lobsang shouldered his rake and sighed as they trudged across the grass. ‘You see what I’m reduced to? To think I hired forty-nine hundred monks to chant for forty-nine days on forty-nine mountain tops in stepwise Tibets, for this.’ Joshua clapped him on the shoulder. ‘It’s tough, Lobsang. She’s treating you like you’re a kid. Like you’re sixteen, going on seventeen.’ Lobsang looked at him sharply. ‘You can pack that in for a start,’ he snapped. ‘But I’ve got confidence you can overcome these difficulties, Lobsang. Just face up to every obstacle. Climb every mountain—’ Lobsang stalked off sulkily. Joshua waved cheerfully. ‘So long! Farewell!

The usual notion of prayer is so absurd. How can those who know nothing about it, who pray little or not at all, dare speak so frivolously of prayer? A Carthusian, a Trappist will work for years to make of himself a man of prayer, and then any fool who comes along sets himself up as judge of this lifelong effort. If it were really what they suppose, a kind of chatter, the dialogue of a madman with his shadow, or even less—a vain and superstitious sort of petition to be given the good things of this world, how could innumerable people find until their dying day, I won't even say such great 'comfort'—since they put no faith in the solace of the senses—but sheer, robust, vigorous, abundant joy in prayer? Oh, of course—suggestion, say the scientists. Certainly they can never have known old monks, wise, shrewd, unerring in judgement, and yet aglow with passionate insight, so very tender in their humanity. What miracle enables these semi-lunatics, these prisoners of their own dreams, these sleepwalkers, apparently to enter more deeply each day into the pain of others? An odd sort of dream, an unusual opiate which, far from turning him back into himself and isolating him from his fellows, unites the individual with mankind in the spirit of universal charity! This seems a very daring comparison. I apologise for having advanced it, yet perhaps it might satisfy many people who find it hard to think for themselves, unless the thought has first been jolted by some unexpected, surprising image. Could a sane man set himself up as a judge of music because he has sometimes touched a keyboard with the tips of his fingers? And surely if a Bach fugue, a Beethoven symphony leave him cold, if he has to content himself with watching on the face of another listener the reflected pleasure of supreme, inaccessible delight, such a man has only himself to blame. But alas! We take the psychiatrists' word for it. The unanimous testimony of saints is held as of little or no account. They may all affirm that this kind of deepening of the spirit is unlike any other experience, that instead of showing us more and more of our own complexity it ends in sudden total illumination, opening out upon azure light—they can be dismissed with a few shrugs. Yet when has any man of prayer told us that prayer had failed him?

Psychologists working with the Tibetan community in exile have noted the remarkable resiliency and joyfulness among the people, even though many are survivors of great trauma and loss. Most surprising are the responses of nuns and monks who have been imprisoned and tortured. According to a study by Harvard psychologists, many show few or none of the ordinary signs of trauma, but instead have deepened in compassion and joyful appreciation of life. Their trainings in loving-kindness, compassion, and wisdom led them to pray for their enemies. One old lama recounted that over the twenty years of prison and torture, his only true fear was that he would lose his compassion and close his heart. If we want to understand optimal mental health, these monks and nuns are a striking example.

This done and finished my Proclamation, I returned to the Nazeby, where my Lord was much pleased to hear how all the fleet took it in a transport of joy, showed me a private letter of the King's to him, and another from the Duke of York in such familiar style as to their common friend, with all kindness imaginable. And I found by the letters, and so my Lord told me too, that there had been many letters passed between them for a great while, and I perceive unknown to Monk. And among the rest that had carried these letters Sir John Boys is one, and that Mr. Norwood, which had a ship to carry him over the other day, when my Lord would not have me put down his name in the book. The King speaks of his being courted to come to the Hague, but do desire my Lord's advice whither to come to take ship.

Are people really gonna buy it if we never touch each other in public?” Peter asks, looking skeptical. “I don’t think relationships are just about physicality. There are ways to show you care about someone, not just using your lips.” Peter’s smiling, and he looks like he’s about to crack a joke, so I swiftly add, “Or any other body part.” He groans. “You’ve gotta give me something here, Lara Jean. I have a reputation to uphold. None of my friends will believe I suddenly turned into a monk to date you. How about at least a hand in your back jean pocket? Trust me, it’ll be strictly professional.” I don’t say what I’m thinking, which is that he cares way too much what people think about him. I just nod and write down, Peter is allowed to put a hand in Lara Jean’s back jean pocket. “But no more kissing,” I say, keeping my head down so he can’t see me blush. “You’re the one who started it,” he reminds me. “And also, I don’t have any STDs, so you can get that out of your head.” “I don’t think you have any STDs.” I look back up at him. “The thing is…I’ve never had a boyfriend before. I’ve never been on a real date before, or held hands walking down the hallway. This is all new for me, so I’m sorry about the forehead thing this morning. I just…wish all of these firsts were happening for real and not with you.” Peter seems to be thinking this over. He says, “Huh. Okay. Let’s just save some stuff, then.” “Yeah?” “Sure. We’ll have some stuff for you to do when it’s the real thing and not for show.” I’m touched. Who knew Peter could be so thoughtful and generous? “Like, I won’t pay for stuff. I’ll save that for a guy who really likes you.” My smile fades. “I wasn’t expecting you to pay for anything!” Peter’s on a roll. “And I won’t walk you to class or buy you flowers.” “I get the picture.” It seems to me like Peter’s less concerned about me and more concerned about his wallet. He sure is cheap.

Charles Ryder, the successful dilettante, the antiquarian, the Bohemian poseur, is finally woven into what is a true culture. Brideshead is his home, not because he grew up there (he did not), but because it has placed him, as if he were a stone, in an ancient edifice of meaning. He is in communion with the Crusaders who fought at Acre, now in ruins, and Jerusalem, also in ruins. He is in communion with the friend of his youth, the alcoholic Sebastian, now an exile, a pilgrim, and a man with a home, half in and half out of a community of monks in North Africa, where one morning, as his sister Cordelia foretells, “after one of his drinking bouts, he’ll be picked up at the gate dying, and show by a mere flicker of the eyelid that he is conscious when they give him the last sacraments. It’s not such a bad way of getting through one’s life.”12 It beats secular exhaustion and a shot of morphine. This being home is not a sentiment. It is a felt reality, and from this day on it gives form to Charles’s life. “You’re looking unusually cheerful today,” a soldier tells him in the last line of the book.

Soviets had their own atomic bomb, Kennan argued that it made no sense for the United States to get into a spiraling nuclear arms race. Like Oppenheimer, he believed that the bomb was ultimately a suicidal weapon and therefore both militarily useless and dangerous. Besides, Kennan was confident that the Soviet Union was politically and economically the weaker of the two adversaries, and that in the long run America could wear down the Soviet system by means of diplomacy and the “judicious exploitation of our strength as a deterrent to world conflict. . . .” Kennan’s eighty-page “personal document” might well have been coauthored with Oppenheimer, reflecting as it did so many of Robert’s views. Indeed, both he and Kennan took its reception as a plunging barometer, indicating the approach of violent political storms. Circulated within the State Department, Kennan’s memo was quietly and firmly rejected by all who read it. Acheson called Kennan into his office one day and said, “George, if you persist in your view on this matter, you should resign from the Foreign Service, assume a monk’s habit, carry a tin cup and stand on the street corner and say, ‘The end of the world is nigh.’ ” Acheson didn’t even bother to show the document to President Truman.

A woman pushed her way through the swarm of people. “She’s the daughter of Matthias, head scribe to Herod Antipas, and known to be a fornicator.” I called out again in protest, but my denial was swallowed by the black odium that boiled out of their hearts. “Show us your pocket!” a man yelled. One by one, they took up the petition. Gripping my forearm, Chuza let their shouts grow fevered before he reached for my sleeve. I writhed and kicked. I was a fluttering moth, a hapless girl. My skirmish yielded nothing but jeers and laughter. He snatched the sheet of ivory from my coat and lifted it over his head. A roar erupted. “She is a thief, a blasphemer, and a fornicator!” Chuza cried. “What would you do with her?” “Stone her!” someone cried. The chant began, the dark prayer. Stone her. Stone her. I shut my eyes against the dazzling blur of anger. Their hearts are boulders and their heads are straw. They seemed to be not a multitude of persons, but a single creature, a behemoth feeding off their combined fury. They would stone me for all the wrongs ever done to them. They would stone me for God. Most often victims were dragged to a cliff outside the city and thrown off before being pelted, which lessened the laborious effort of having to throw so many stones—it was in some way more merciful, at least quicker—but I saw I would not be accorded that lenience. Men and women and children plucked stones from the ground. These stones, God’s most bountiful gift to Galilee. Some rushed into the building site, where the stones were larger and more deadly. I heard the sizzle of a rock fly over my head and fall behind me. Then the commotion and noise slowed, elongating, receding to some distant pinnacle, and in that strange slackening of time, I no longer cared to fight. I felt myself bending to my fate. I ached for the life I would never live, but I yearned even more to escape it. I sank onto the ground, making myself as small as I could, my arms and legs tucked beneath my chest and belly, my forehead pressed to the ground. I fashioned myself into a walnut shell. I would be broken apart and God could have the meat. A stone struck my hip in a sunburst of pain. Another fell beside my ear. I heard the stomp of sandals running toward me, then a voice glittering with indignation. “Cease your violence! Would you stone her on the word of this man?” The mob quieted, and I dared to raise my head. Jesus stood before them, his back to me. I stared at the bones in his shoulders. The way his hands were drawn into fists. How he’d planted himself between me and the stones.

Sir," the monk addressed him, "I am thankful for what you are doing for me; but alas! it is of small moment to you whether I am grateful or no. May God account your act meritorious! That is of infinite concern for you. But God pays no heed to what is not done for his glory and is merely the outcome of purely natural virtue. Wherefore I beseech you, sir, to do for Him what you were led to do for me." "Father," answered Brotteaux, "never trouble yourself on this head and do not think of gratitude. What I am doing now, the merit of which you exaggerate,—is not done for any love of you; for indeed, albeit you are a lovable man, Father, I know you too little to love you. Nor yet do I act so for love of humanity; for I am not so simple as to think with 'Don Juan' that humanity has rights; indeed this prejudice, in a mind so emancipated as his, grieves me. I do it out of that selfishness which inspires mankind to perform all their deeds of generosity and self-sacrifice, by making them recognize themselves in all who are unfortunate, by disposing them to commiserate their own calamities in the calamities of others and by inciting them to offer help to a mortal resembling themselves in nature and destiny, so that they think they are succouring themselves in succouring him. I do it also for lack of anything better to do; for life is so desperately insipid we must find distraction at any cost, and benevolence is an amusement, of a mawkish sort, one indulges in for want of any more savoury; I do it out of pride and to get an advantage over you; I do it, in a word, as part of a system and to show you what an atheist is capable of.

Since we’re on the topic, I’d also like to set some ground rules.” “What kind of ground rules?” he asks, leaning back. I press my lips together and take a breath. “Well…I don’t want you trying to kiss me again.” Peter curls his lip at me. “Trust me, I don’t want to do it either. My forehead still hurts from this morning. I think I have a bruise.” He pushes his hair off his forehead. “Do you see a bruise?” “No, but I see a receding hairline.” “What?” Ha. I knew that would get him. Peter’s so vain. “Calm down, I’m only kidding. Do you have a piece of paper and a pen?” “You’re gonna write this down?” Primly I say, “It’ll help us remember.” Rolling his eyes, Peter reaches into his backpack, pulls out a notebook, and hands it to me. I turn to a clean page and write at the top, Contract. Then I write No kissing. “Are people really gonna buy it if we never touch each other in public?” Peter asks, looking skeptical. “I don’t think relationships are just about physicality. There are ways to show you care about someone, not just using your lips.” Peter’s smiling, and he looks like he’s about to crack a joke, so I swiftly add, “Or any other body part.” He groans. “You’ve gotta give me something here, Lara Jean. I have a reputation to uphold. None of my friends will believe I suddenly turned into a monk to date you. How about at least a hand in your back jean pocket? Trust me, it’ll be strictly professional.” I don’t say what I’m thinking, which is that he cares way too much what people think about him. I just nod and write down, Peter is allowed to put a hand in Lara Jean’s back jean pocket. “But no more kissing,” I say, keeping my head down so he can’t see me blush. “You’re the one who started it,” he reminds me.

Kung Fu's process of individualization similarly takes part in this backlash as the representation of the social ills experienced by racial minorities is routinely disciplined and rechanneled to make the show palatable for mass consumption. Under this rubric, it is assumed that changing the hearts of individuals will automatically lead to changing society. To a post-1960s liberal audience who obviously felt sympathy toward the plight of racial minorities but who nevertheless were wary of certain measures taken by these groups toward self-determination and weary from extended conflict, this simple adage proved seductive. Indeed, for a great many Americans, post-Civil Rights race relations has transformed the United States into an unruly site with different groups vying for cultural, economic, and political resources. In this way, Kung Fu's Wild West setting—the uneven hand of justice, the social free-for-all, the generally inhospitable natural landscape—seemed to reflect the audience's view of their contemporary social environment. It also mirrored the overall impotence that Americans felt toward ameliorating the situation. Given such a scenario, individualizing racial oppression and other social inequities may have seemed like a final alternative. While this process of individualization is key in deciphering the show's political stance, the types of identifications the series forged between character and audience more substantively reveal its ideological commitments. Although Kung Fu's psychospiritualized vision was available to all of its audience members, one could argue that it was primarily framed as a commentary toward racial minorities and women who sought social change through means other than or in addition to inner transformation. It achieved this through a formulaic pattern of identifications.

The Venetians catalogue everything, including themselves. ‘These grapes are brown,’ I complain to the young vegetable-dealer in Santa Maria Formosa. ‘What is wrong with that ? I am brown,’ he replies. ‘I am the housemaid of the painter Vedova,’ says a maid, answering the telephone. ‘I am a Jew,’ begins a cross-eyed stranger who is next in line in a bookshop. ‘Would you care to see the synagogue?’ Almost any Venetian, even a child, will abandon whatever he is doing in order to show you something. They do not merely give directions; they lead, or in some cases follow, to make sure you are still on the right way. Their great fear is that you will miss an artistic or ‘typical’ sight. A sacristan, who has already been tipped, will not let you leave until you have seen the last Palma Giovane. The ‘pope’ of the Chiesa dei Greci calls up to his housekeeper to throw his black hat out the window and settles it firmly on his broad brow so that he can lead us personally to the Archaeological Museum in the Piazza San Marco; he is afraid that, if he does not see to it, we shall miss the Greek statuary there. This is Venetian courtesy. Foreigners who have lived here a long time dismiss it with observation : ‘They have nothing else to do.’ But idleness here is alert, on the qui vive for the opportunity of sightseeing; nothing delights a born Venetian so much as a free gondola ride. When the funeral gondola, a great black-and-gold ornate hearse, draws up beside a fondamenta, it is an occasion for aesthetic pleasure. My neighbourhood was especially favoured this way, because across the campo was the Old Men’s Home. Everyone has noticed the Venetian taste in shop displays, which extends down to the poorest bargeman, who cuts his watermelons in half and shows them, pale pink, with green rims against the green side-canal, in which a pink palace with oleanders is reflected. Che bello, che magnifici, che luce, che colore! - they are all professori delle Belle Arti. And throughout the Veneto, in the old Venetian possessions, this internal tourism, this expertise, is rife. In Bassano, at the Civic Museum, I took the Mayor for the local art-critic until he interupted his discourse on the jewel-tones (‘like Murano glass’) in the Bassani pastorals to look at his watch and cry out: ‘My citizens are calling me.’ Near by, in a Paladian villa, a Venetian lasy suspired, ‘Ah, bellissima,’ on being shown a hearthstool in the shape of a life-size stuffed leather pig. Harry’s bar has a drink called a Tiziano, made of grapefruit juice and champagne and coloured pink with grenadine or bitters. ‘You ought to have a Tintoretto,’ someone remonstrated, and the proprietor regretted that he had not yet invented that drink, but he had a Bellini and a Giorgione. When the Venetians stroll out in the evening, they do not avoid the Piazza San Marco, where the tourists are, as Romans do with Doney’s on the Via Veneto. The Venetians go to look at the tourists, and the tourists look back at them. It is all for the ear and eye, this city, but primarily for the eye. Built on water, it is an endless succession of reflections and echoes, a mirroring. Contrary to popular belief, there are no back canals where tourist will not meet himself, with a camera, in the person of the another tourist crossing the little bridge. And no word can be spoken in this city that is not an echo of something said before. ‘Mais c’est aussi cher que Paris!’ exclaims a Frenchman in a restaurant, unaware that he repeats Montaigne. The complaint against foreigners, voiced by a foreigner, chimes querulously through the ages, in unison with the medieval monk who found St. Mark’s Square filled with ‘Turks, Libyans, Parthians, and other monsters of the sea’. Today it is the Germans we complain of, and no doubt they complain of the Americans, in the same words.

Although they made it their own, the Vikings were not the first explorers of the North Atlantic. For at least two centuries before the beginning of the Viking Age, Irish monks had been setting out in their curachs in search of remote islands where they could contemplate the divine in perfect solitude, disturbed only by the cries of seabirds and the crashing of the waves on the shore. The monks developed a tradition of writing imrama, travel tales, the most famous of which is the Navigatio sancti Brendani abbatis (The Voyage of St Brendan the Abbot). The Navigatio recounts a voyage purported to have been made by St Brendan (d. c. 577) in search of the mythical Isles of the Blessed, which were believed to lie somewhere in the western ocean. The imrama certainly show a familiarity with the North Atlantic–the Navigatio, for example, describes what are probably icebergs, volcanoes and whales–but they also include so many fantastical and mythological elements that it is impossible to disentangle truth from invention. There is no evidence to support claims that are often made that St Brendan discovered America before the Vikings, but Irish monks certainly did reach the Faeroe Islands and Iceland before them. Ash from peat fires containing charred barley grains found in windblown sand deposits at Á Sondum on Sandoy in the southern Faeroes has been radiocarbon-dated to between the fourth and sixth centuries AD. Although no trace of buildings has yet been found, the ash probably came from domestic hearths and had been thrown out onto the sand to help control erosion, which was a common practice at the time. As peat was not used as a fuel in Scandinavia at this time but was widely used in Britain and Ireland, this evidence suggests that seafaring Irish monks had discovered the Faeroes not long after Ireland’s conversion to Christianity. No physical traces of an Irish presence in Iceland have been found in modern times, but early Viking settlers claimed that they found croziers and other ecclesiastical artefacts there. There are also two papar place-names (see here) associated with Irish monks, Papos and Papey, in the east of Iceland. The monks, all being celibate males, did not found any permanent self-sustaining communities in either place: they were always visitors rather than settlers.

Do we need to talk about my kissing you a year ago? I’ve behaved myself for two weeks, Ellen, and hope by action I have reassured you where words would not.” Silence or the summer evening equivalent of it, with crickets chirping, the occasional squeal of a passing bat, and the breeze riffling through the woods nearby. “Ellen?” Val withdrew his hand, which Ellen had been holding for some minutes, and slid his arm around her waist, urging her closer. “A woman gone silent unnerves a man. Talk to me, sweetheart. I would not offend you, but neither will I fare well continuing the pretense we are strangers.” He felt the tension in her, the stiffness against his side, and regretted it. In the past two weeks, he’d all but convinced himself he was recalling a dream of her not a real kiss, and then he’d catch her smiling at Day and Phil or joking with Darius, and the clench in his vitals would assure him that kiss had been very, very real. At least for him. For him, that kiss had been a work of sheer art. “My husband seldom used my name. I was my dear, or my lady, or occasionally, dear wife. I was not Ellen, and I was most assuredly not his sweetheart. And to you I am the next thing to a stranger.” Val’s left hand, the one she’d just held for such long, lovely moments between her own, drifted up to trace slow patterns on her back. “We’re strangers who kissed. Passionately, if memory serves.” “But on only one occasion and that nearly a year ago.” “Should I have written? I did not think to see you again, nor you me, I’m guessing.” Now he wished he’d written, though it would hardly have been proper, even to a widow. That hand Valentine considered so damaged continued its easy caresses on Ellen’s back, intent on stealing the starch from her spine and the resolve from her best intentions. And she must have liked his touch, because the longer he stroked his hand over her back, the more she relaxed and leaned against him. “I did not think to see you again,” Ellen admitted. “It would have been much easier had you kept to your place in my memory and imagination. But here you are.” “Here we are.” Haunting a woman’s imagination had to be a good thing for a man whose own dreams had turned to nightmares. “Sitting on the porch in the moonlight, trying to sort out a single kiss from months ago.” “I shouldn’t have kissed you,” Ellen said, her head coming to rest on Val’s shoulder as if the weight of truth were a wearying thing. “But I’m lonely and sometimes a little desperate, and it seemed safe, to steal a kiss from a handsome stranger.” “It was safe,” Val assured her, seeing the matter from her perspective. In the year since he’d seen Ellen FitzEngle, he’d hardly been celibate. He wasn’t a profligate Philistine, but neither was he a monk. There had been an older maid in Nick’s household, some professional ladies up in York, the rare trip upstairs at David’s brothel, and the frequent occasion of self-gratification. But he surmised Ellen, despite the privileges of widowhood, had not been kissed or cuddled or swived or flirted with in all those days and weeks and months. “And now?” Ellen pressed. “You show up on my porch after dark and think perhaps it’s still safe, and here I am, doing not one thing to dissuade you.” “You are safe with me, Ellen.” He punctuated the sentiment with a kiss to her temple then rested his cheek where his lips had been. “I am a gentleman, if nothing else. I might try to steal a kiss, but you can stop me with a word from even that at any time. The question is, how safe do you want to be?” “Shame

Meditation led to decreased density of the amygdala, a physical change that was correlated with subjects’ self-reported stress levels—as their amygdalae got less dense, the subjects felt less stressed. Other studies have found that Buddhist monks who are especially good at meditating show much greater activity in their frontal cortices, and much less in their amygdalae, than normal people.n Meditation and deep-breathing exercises work for

Their affair had been three of the most intense, reckless, terrifying, happy, alive months of his life. Like how he imagined being on heroin felt if the high never ended, if every syringe didn’t also contain the possibility of death. They’d been partners at the time, and there had been one week when they’d been on the road together in northern California. Every night, they rented two rooms. Every night, for five days, he stayed with her. They barely slept that week. Couldn’t keep their hands off each other. Couldn’t stop talking when they weren’t making love, and the daylight hours when they had to pretend to be professionals made it all the more beautifully excruciating. He had never felt such a complete lack of self-consciousness around anyone. Even Theresa. Unconditional acceptance. Not just of his body and mind, but also of something more, of something indefinably him. Ethan had never connected with anyone on this level. The most generous blessing and life-destroying curse all wrapped up in the same woman, and despite the pain of the guilt and the knowledge of how it would crush his wife, whom he still loved, the idea of turning away from Kate seemed like a betrayal of his soul. So she had done it for him. On a cold and rainy night in Capitol Hill. In a booth over glasses of Belgian beer in a loud dark bar called the Stumbling Monk. He was ready to leave Theresa. To throw everything away. He had asked Kate there to tell her that and instead she had reached across the scuffed wood of a table worn smooth by ten thousand pint glasses and broken his heart. Kate wasn’t married, had no children. She wasn’t ready to jump off the cliff with him when he had so much pulling him back from the ledge. Two weeks later, she was in Boise, pursuant to her own transfer request. One year later, she was missing in a town in Idaho in the middle of nowhere called Wayward Pines, with Ethan off to find her. Eighteen hundred years later, after almost everything they had known had turned to dust or eroded out of existence, here they stood, facing each other in a toy shop in the last town on earth. For a moment, staring into her face at close range blanked Ethan’s mind. Kate spoke first. “I was wondering if you’d ever drop in.” “I was wondering that myself.” “Congratulations.” “For?” She reached over the counter and tapped his shiny brass star. “Your promotion. Nice to see a familiar face running the show. How are you adjusting to the new job?” She was good. In this short exchange, it was obvious that Kate had mastered the superficial conversational flow that the best of Wayward Pines could achieve without straining. “It’s going well,” he said. “Good to have something steady and challenging, I bet.” Kate smiled, and Ethan couldn’t help hearing the subtext, wondered if everyone did. If it ever went silent. As opposed to running half naked through town while we all try to kill you. “The job’s a good fit,” he said. “That’s great. Really happy for you. So, to what do I owe the pleasure?” “I just wanted to pop in and say hi.” “Well, that was nice of you. How’s your son?” “Ben’s great,” Ethan said.

Courage, Jonathan! That’s the only way to live. And remember, bravery isn’t really something you feel. It’s something you show.

Everyone who enters your life has a lesson to teach and a story to tell. Every person you pass during the moments that make up your days represents an opportunity to show a little more of the compassion and courtesy that define your humanity. Why not start

Steve loved showing off his new son. When we brought him home, all the zoo staff welcomed the new arrival. We have always had a good relationship with a group of Buddhist monks from Tibet. They had blessed Bindi when she was a newborn. As Robert celebrated his one-month birthday, we decided to hold a fund-raiser for a Buddhist nun’s convent where the well had dried up. A new well would cost forty thousand dollars. We felt that amount might be achievable in a series of fund-raising events. We invited the nuns to stay at Australia Zoo and planned to hold a fund-raiser at our brand-new Crocoseum, doing our part to help raise some money for the new well. The nuns wished to know if we wanted them to bless the animals while they were at the zoo. “Would you please bless Robert?” we asked. Bindi had been blessed along with the crocodiles when she was a month old. Now we would do the same for Robert. The nuns came into the Crocoseum for the ceremony. I brought a sleepy little Robert, adorned with his prayer flag and a scarf. We invited press to help publicize the plight of the nuns. Robert was very peaceful. The nuns sang, chanted, and gave him their special blessing. The ceremony was over, and the croc show was about to begin. Steve wanted to share Robert’s first crocodile show with everyone at the Crocoseum, as he was going to feed Murray the crocodile. Just as we had done with Bindi at this age, we brought Robert out for the show. Steve talked to the visitors about how proud he was of his son. He pointed out the crocodile to Baby Bob. Although Robert had been in with the crocodiles before, and would be again, this was an event where we could share the moment with everybody. When the croc show was over, Steve brought Robert back underneath the Crocoseum and I put him in his stroller. His eyes were big and he was waving his arms. This event would mark the beginning of a lifetime of working with his father as a wildlife warrior. Steve and Bindi were regulars during the croc shows, and now it looked as though Robert would be joining in as well.

The spook pimp was up. The spook pimp was de-O’d and revived. He bossed his whores around. He made his whores strip. He made his whores hop on three tables. They linked up. They performed table tricks. They French-kissed and went 69. Wayne weaved. Pete steadied him. A Buddhist monk walked in. His robe dripped. He looked stupefied. His robe reeked of gas. He bowed. He squatted. He lit a match. He gook-cooked with gas. He whooshed. He flared. Flames hit the ceiling. The lez shows dispersed. The monk burned. The fire spread. Some clubhoppers screeched. The barman stretched a fizz cord. The barman spritzed club soda. The barman sprayed the monk.

One measure of the Coptic achievement is the Life of Saint Antony, who was born around 270 and who became the founder of Christian monasticism. His biographer Athanasius depicts a native Coptic-speaking Egyptian of respectable stock, living in a small village of the Fayum region, in which Christianity is already the familiar faith of the community. And for all his fame, Antony never learned Greek. Nor did many of the early monks and hermits, who used Coptic Gospels, Psalters, and liturgies. The monks in themselves reinforced popular devotion, because they differed so obviously from the higher clergy who might be seen as tools of distant authority. The monks were very much of the people, far removed from the world of wealth and luxury, and their deep piety and asceticism showed them to be heroic warriors against the forces threatening the community. Peasants, no less than city dwellers, united to support their spiritual troops.5

Dishes must be carefully held in both hands. Holding things in this way displays a sense of natural sophistication and shows that you take care of each and every thing you hold.

No, emptiness is not nothingness. Emptiness is a type of existence. You must use this existential emptiness to fill yourself.” His words were very enlightening to me. Later, after I thought about it a bit, I realized that it wasn’t Buddhist philosophy at all, but was more akin to some modern physics theories. The abbot also told me he wasn’t going to discuss Buddhism with me. His reason was the same as my high school teacher’s: With my sort, he’d just be wasting his time. That first night, I couldn’t sleep in the tiny room in the temple. I didn’t realize that this refuge from the world would be so uncomfortable. My blanket and sheet both became damp in the mountain fog, and the bed was so hard. In order to make myself sleep, I tried to follow the abbot’s advice and fill myself with “emptiness.” In my mind, the first “emptiness” I created was the infinity of space. There was nothing in it, not even light. But soon I knew that this empty universe could not make me feel peace. Instead, it filled me with a nameless anxiety, like a drowning man wanting to grab on to anything at hand. So I created a sphere in this infinite space for myself: not too big, though possessing mass. My mental state didn’t improve, however. The sphere floated in the middle of “emptiness”—in infinite space, anywhere could be the middle. The universe had nothing that could act on it, and it could act on nothing. It hung there, never moving, never changing, like a perfect interpretation for death. I created a second sphere whose mass was equal to the first one’s. Both had perfectly reflective surfaces. They reflected each other’s images, displaying the only existence in the universe other than itself. But the situation didn’t improve much. If the spheres had no initial movement—that is, if I didn’t push them at first—they would be quickly pulled together by their own gravitational attraction. Then the two spheres would stay together and hang there without moving, a symbol for death. If they did have initial movement and didn’t collide, then they would revolve around each other under the influence of gravity. No matter what the initial conditions, the revolutions would eventually stabilize and become unchanging: the dance of death. I then introduced a third sphere, and to my astonishment, the situation changed completely. Like I said, any geometric figure turns into numbers in the depths of my mind. The sphereless, one-sphere, and two-sphere universes all showed up as a single equation or a few equations, like a few lonesome leaves in late fall. But this third sphere gave “emptiness” life. The three spheres, given initial movements, went through complex, seemingly never-repeating movements. The descriptive equations rained down in a thunderstorm without end. Just like that, I fell asleep. The three spheres continued to dance in my dream, a patternless, never-repeating dance. Yet, in the depths of my mind, the dance did possess a rhythm; it was just that its period of repetition was infinitely long. This mesmerized me. I wanted to describe the whole period, or at least a part of it. The next day I kept on thinking about the three spheres dancing in “emptiness.” My attention had never been so completely engaged. It got to the point where one of the monks asked the abbot whether I was having mental health issues. The abbot laughed and said, “Don’t worry. He has found emptiness.” Yes, I had found emptiness. Now I could be at peace in a bustling city. Even in the midst of a noisy crowd, my heart would be completely tranquil.

Beginning at thirteen weeks, a pup will show more pronounced expressions of independence: the dog who only last week was your shadow, who seemed well on his way to being trained, now begins to ignore you when you call, and during training and play sessions you have to work extra hard to keep his attention. His rapid growth produces a corresponding increase in activity that makes him highly excitable and difficult to manage. While he does need plenty of exercise, for most owners this translates into walks with lots of pulling and lunging. Bad habits develop quickly. When guests come to the house, the juvenile pup turns into a juvenile delinquent, jumping up and making himself a pest, continually demanding attention. It is also common for pups of this age to become very mouthy, so that by the teething period (four to six months), they are chewing on everything, people included. To top things off, your puppy will probably go through a second fear period, when his behavior will swing from being independent and bratty (twelve to fourteen weeks) to periodically cautious and fearful (sixteen to twenty-four weeks), even of things with which he had formerly been comfortable.

the horses to the oak freight wagon, and McCloskey helped him load, distributing the weight evenly in the wagon. When they were done, Johnny got a tarpaulin, and as he'd done many times, he threw it over the load and tucked it in carefully to keep out any rain he might encounter. Finally he'd strapped it all down tight with ropes. McCloskey had looked over the load and said, "Good job, Johnny. You sure you can do this run by yourself?" He said, "I'm sure I'll be fine, Fleet. It's just 19 miles over there and mostly flat. I won't have to use the brakes at all."   "Be sure though and set the brake when you stop." Johnny nodded, and Fleet asked, "You got your book?" Nodding and smiling, Johnny said, "Yessir, got it," as he drove the wagon out of the warehouse yard, headed west to Forest City, which was often referred to as "Irish City" because it had been settled by Irishmen. The folks there were still mostly Irish, which was evident from the heavy Irish lilt to the speech of many of the folks living there. McCloskey's face showed tiny creases of worry as he watched Johnny drive off. He was a good boy, but he was still a boy being asked to do a man's job. In his year on the job, Johnny had grown to be a fine young man. He was only a few inches short of six feet, and he'd added a lot of muscle. He could lift as much as most of the teamsters. Even so, McCloskey worried about sending the boy out alone, but he'd had no choice in the matter. He'd promised the load would reach Forest City by tomorrow morning. Johnny had a brand-new Spencer repeating rifle leaning against his leg. Peter Sarpy, the owner, had used his contacts back east and gotten a shipment of the new rifles. Now, with his four drivers armed with repeating rifles, Sarpy worried a little less about being robbed. But the rifle made Johnny worry more because if outlaws did hit a wagon, they'd kill the driver if he lifted a rifle. Johnny had helped take a load to Forest City with old Monk Beeson two weeks before, and they hadn't had any problems, and he didn't expect any problems with today's load. But during that trip, Beeson had told Johnny about an outlaw gang living a few miles north of Forest City led by a man the Irish called Ranger Jones who collected tribute from prospective

biomedical view, for its part, increasingly recognizes the power of things like meditation and traditional talk therapy to render concrete structural changes in brain physiology that are every bit as “real” as the changes wrought by pills or electroshock therapy. A study published by researchers at Massachusetts General Hospital in 2011 found that subjects who practiced meditation for an average of just twenty-seven minutes a day over a period of eight weeks produced visible changes in brain structure. Meditation led to decreased density of the amygdala, a physical change that was correlated with subjects’ self-reported stress levels—as their amygdalae got less dense, the subjects felt less stressed. Other studies have found that Buddhist monks who are especially good at meditating show much greater activity in their frontal cortices, and much less in their amygdalae, than normal people.n Meditation and deep-breathing exercises work for similar reasons as psychiatric medications do, exerting their effects not just on some abstract concept of mind but concretely on our bodies, on the somatic correlates of our feelings. Recent research has shown that even old-fashioned talk therapy can have tangible, physical effects on the shape of our brains. Perhaps Kierkegaard was wrong to say that the man who has learned to be in anxiety has learned the most important, or the most existentially meaningful, thing—perhaps the man has only learned the right techniques for controlling his hyperactive amygdala.o

The next thing to be discussed is the misunderstanding that doing zazen is the same as entering the psychological condition called “no-thought” (munen muso). Two scientists at Tokyo University, Dr. Hirai Tomio and Dr. Kasamatsu, have made great progress in showing that the brain waves of Zen monks in samadhi resemble those of people in very light sleep.

As a monk, I learned early on that our values are influenced by whatever absorbs our minds. We are not our minds, but the mind is the vehicle by which we decide what is important in our hearts. The movies we watch, the music we hear, the books we read, the TV shows we binge, the people we follow online and offline. What’s on your news feed is feeding your mind. The more we are absorbed in celebrity gossip, images of success, violent video games, and troubling news, the more our values are tainted with envy, judgment, competition, and discontent.

The Witch stood on an isthmus connecting two rocky lands, and on either side of her stretch patches of cerulean blue sea, with white-lipped waves of astonishing vigor and particularity. The Witch held in her hands a beast of unrecognizable species, though it was clearly drowned, or nearly drowns. She cradled it in an arm that, without attention to actual skeletal flexibility, lovingly encircled the beast's wet, spiky-furred back. With her other hand she was freeing a breast from her robe, offering suck to the creature. Her expression was hard to read, or had the monk's hand smudged, or age and grime bestowed a sfumato sympathy? She was nearly motherly, with miserable child. Her look was inward, or sad, or something. But her feet didn't match her expression, for they were planted on the narrow strand with prehensile grip, apparent even through the silver-colored shoes, whose coin-of-the-realm brilliance had first caught Boq's eyes. Furthermore, the feet were turned out at ninety-degree angles to the shins. They showed in profile as mirror images, heels clicked together and toes pointing in opposite directions, like a stance in ballet. The gown was a hazy dawn blue.

If the phrase “reading spiritually” conjures up a yogi with closed eyes chanting on his carpet, then we need to replace that image and any hurdles it causes for readers. Instead, imagine a mother reading aloud to her children in the living room, each child snuggled beside her, as she intones the words with her young ones, pausing intermittently to ask what they are feeling, thinking, and delighting in. Or try to go back in time and picture Julian of Norwich, in her anchoress cell attached to the cathedral, mulling over the visions that God lay before her, realizing in her heart that the meaning of the showings was love, always love, forever love. Maybe you hear monks humming like bees as they read the texts they are copying aloud and ruminating—meditating— on the words before them. Or you might see a pastor walking up and down in his office, wearing thin the beige carpet beneath his feet, asking himself questions and mumbling answers. (p. 111)

What we do with our spare time shows what we value.

The only competition allowed is to outstrip each other in showing love and respect.

The Later Tokudaiji Minister once had rope strung over the roof of the main house to stop the kites from roosting on it. ‘What could be wrong with having kites on your roof? This shows what manner of man he is!’ exclaimed the poet-monk Saigyō, and it is said he never called there again. I was reminded of this story when I noticed once that Prince Ayanokōji had laid rope over his Kosaka residence. Someone told me, however, that it was because he pitied the frogs in his pond when he observed how crows gathered on the roof to catch them. I was most impressed. Perhaps the Tokudaiji Minister too might have had some such reason for acting as he did?

No Loving-Kindness There was an old woman in China who had supported a monk for over twenty years. She had built a little hut for him and fed him while he was meditating. Finally she wondered just what progress he had made in all this time. To find out, she obtained the help of a girl rich in desire. "Go and embrace him," she told her, "and then ask him suddenly: 'What now?'" The girl called upon the monk and without much ado caressed him, asking him what he was going to do about it. "An old tree grows on a cold rock in winter," replied the monk somewhat poetically. "Nowhere is there any warmth." The girl returned and related what he had said. "To think I fed that fellow for twenty years!" exclaimed the old woman in anger. "He showed no consideration for your needs, no disposition to explain your condition. He need not have responded to passion, but at least he should have evidenced some compassion." She at once went to the hut of the monk and burned it down.

In this world we cannot afford to be careless. When travelling, keep the money in your waistband out of sight. Do not display your knife to a drunkard, and don't show your daughter to a monk, even if he seems to have given up the world

He can’t imagine himself reading to his household; he’s not, like Thomas More, some sort of failed priest, a frustrated preacher. He never sees More—a star in another firmament, who acknowledges him with a grim nod—without wanting to ask him, what’s wrong with you? Or what’s wrong with me? Why does everything you know, and everything you’ve learned, confirm you in what you believed before? Whereas in my case, what I grew up with, and what I thought I believed, is chipped away a little and a little, a fragment then a piece and then a piece more. With every month that passes, the corners are knocked off the certainties of this world: and the next world too. Show me where it says, in the Bible, “Purgatory.” Show me where it says “relics, monks, nuns.” Show me where it says “Pope.