Monica Friends Quotes

We've searched our database for all the quotes and captions related to Monica Friends. Here they are! All 72 of them:

Monica's eyes were fierce and fiery, but she didn't move, and after a second she turned and ran up the steps to the second floor, where her formally dressed friends were huddled like the cast of Survivor: Abercrombie & Fitch Island.
Rachel Caine (Midnight Alley (The Morganville Vampires, #3))
Kid,” Richard said wearily, “I am not in the mood. I haven’t slept in thirty-six hours, my sister’s crazy–” “Hey!” Monica protested. “–and you’re not my high school crush–” “He is not my high school crush, Richard!” “The point it, I couldn’t give a crap about you, your friends, or your problems, because for me this isn’t personal. Monica will kill you because she’s nuts. I’ll kill you because you make me kill you. Are we straight?” “Well,” Shane said, “That’s kind of a personal question.
Rachel Caine (Glass Houses (The Morganville Vampires, #1))
it takes two people to cut you to the heart: an enemy to slander you and a friend to tell you what the enemy said.
Monica Ferris (Framed in Lace (A Needlecraft Mystery, #2))
let go of a friend I’ll still miss every day. I’ll go back to work. I’ll get better. I’ll get better slowly. I’ll find all the secret, hidden things.
Monica Hesse (Girl in the Blue Coat)
I found a girl who wasn't the girl I was looking for. I let go of a friend I'll still miss every day. I'll go back to work. I'll get better. I'll get better slowly. I'll find all the secret, hidden things.
Monica Hesse (Girl in the Blue Coat)
And you don't have to cry about that boy. Boys are silly. The first thing you need is a best friend.
Monica Hesse (Girl in the Blue Coat)
Tow best friends meeting on the street to say so many things at once: I betrayed you, I love you, I want to save you, I'm sorry. All around Europe, people are dying by the hundreds of thousands. And here, in my city, the Nazis slaughtered a family because of events that started with love and jealousy and a slip of the tongue.
Monica Hesse (Girl in the Blue Coat)
For as much as Hillary Clinton might hate admitting this about Monica Lewinisky, Eleanor Roosevelt about Missy Le Hand, Queen Alexandra about Lillie Langtry, Lady Nelson about Emma Hamilton, or Jackie about Marilyn, the reality is that despite their intrinsic animosity toward each other, on a a deep level, the wife and the mistress generally have far more in common than they might care to admit and could, had fate dealt them different cards, even been true friends.
Wendy Leigh (The Secret Letters: of Marilyn Monroe and Jacqueline Kennedy)
When you’re younger, you don’t appreciate your parents and all that they’ve done for you. Loving your parents is seen as uncool, and all that matters is your friends, booze, and girls, girls, girls. But the older you get, you realize that your parents are going to be there for you when your friends and girlfriends are long gone. Friendship comes and goes, but family is forever.
Monica James (Addicted to Sin (Hard Love Romance, #1))
Everything was as it always should have been. I was in the arms of my best friend, the man I loved and the man I would spend the rest of my life with. It just didn’t get any better than that.
Monica Alexander (Just Watch the Fireworks)
Thank you,” I said, turning around a little so I could talk to him. “You’re a good friend.” “I know,” he said, as he tightened his hold around me. I leaned back against his chest, resting against him. “Beckett, I–,” I started to say, but he stopped me. “Shh,” he said. “You don’t need to say anything. Just watch the fireworks.
Monica Alexander (Just Watch the Fireworks)
I knew Kristy was probably exacting the revenge she thought I was due, while Delia moved right behind her, making apologies and smoothing rough edges. Monica was most likely following her own path, either oblivious or deeply emotionally invested, depending on what you believed, while Wes worked the perimeter, always keeping an eye on everything. There was a whole other world out there, the Talbots' world, where I didn't belong now, if I ever had. But it was okay not to fit in everywhere, as long as you did somewhere. So I picked up my tray, careful to keep it level, and pushed through the door to join my friends.
Sarah Dessen (The Truth About Forever)
His smile turned into a grin. He looked down at his tray and shoveled rice onto his fork. “You guys hitting that party tonight?” “Which one?” Becca said drily. “We try to make the circuit.” He smiled in a way that said he saw right through her. “Well—and I want to make sure I get this straight—Monica said Claire said her boyfriend’s best friend’s brother was home from college with that skank Melissa—” “No,” said Becca sharply. “We’re not.
Brigid Kemmerer (Storm (Elemental, #1))
I'm always suspicious of couples that make big shows of their love. I mean, if couples get too showy, their love seems fake. It always feels like the big love shows are trying to hide something. To me, the sweetest thing is couples that are more private about their love. To me, that shows a more romantic understanding of love and less of a "Hey... I want to announce to my friends and family that we're in love just to get social media recognition...
Monica Murray
If we’re being completely honest, I don’t even think you should have to be “a couple” in the classical sense to get married. I want people to be able to marry as many of their platonic friends as they want. If I’m Phoebe (and I am), why shouldn’t I be able to marry both Monica and Rachel? I mean we all (basically) live together, we’re functionally co-dependent, and we all find Ross obnoxious. Sounds like marriage material to me . . .
Jacob Tobia (Sissy: A Coming-of-Gender Story)
People were kind and friendly and amusing, but they thought that companionship and conversation were synonymous, and some of them had voices that jarred in your head. There was a lot to be said for dogs. They understood without telling you so, and they were always pleasing to look at, awake or asleep, like Bingo. He slept now, with little whistling snores, in his basket at the side of the fire, his stubby legs and one whiskery eyebrow twitching to the fitful tempo of his dreams.
Monica Dickens
According to the L.A. news, the explosion at the Santa Monica beach had been caused when a crazy kidnapper fired a shotgun at a police car. He accidentally hit a gas main that had ruptured during the earthquake. This crazy kidnapper (a.k.a. Ares) was the same man who had abducted me and two other adolescents in New York and brought us across country on a ten-day odyssey of terror. Poor little Percy Jackson wasn’t an international criminal after all. He’d caused a commotion on that Greyhound bus in New Jersey trying to get away from his captor (and afterward, witnesses would even swear they had seen the leather-clad man on the bus—“Why didn’t I remember him before?”). The crazy man had caused the explosion in the St. Louis Arch. After all, no kid could’ve done that. A concerned waitress in Denver had seen the man threatening his abductees outside her diner, gotten a friend to take a photo, and notified the police. Finally, brave Percy Jackson (I was beginning to like this kid) had stolen a gun from his captor in Los Angeles and battled him shotgun-to-rifle on the beach. Police had arrived just in time. But in the spectacular explosion, five police cars had been destroyed and the captor had fled. No fatalities had occurred. Percy Jackson and his two friends were safely in police custody.
Rick Riordan (The Lightning Thief (Percy Jackson and the Olympians, #1))
In the final episode, you’ll see that I’m wearing a white shirt, and tan slacks, and both look at least three sizes too big for me. (Compare this to the difference in how I look between the final episode of season six and the first of season seven—the Chandler-Monica proposal episodes. I’m wearing the same clothes in the final episode of six and the first of seven [it’s supposed to be the same night], but I must have lost fifty pounds in the off-season. My weight varied between 128 pounds and 225 pounds during the years of Friends.)
Matthew Perry (Friends, Lovers, and the Big Terrible Thing)
My thought for today: Writing a letter to a friend today has helped clear a lot in my mind. It has taught me not to go on the defensive, instead to poke two fingers up to my critics who have no idea what restrictions there are when it comes to writing about a cold case".
Monica Weller
I didn’t return Mabel’s nine hundred texts because I knew we’d end up like this no matter what. What happened had broken us even if it wasn’t about us at all. Because I know that for all her care and understanding, when this visit is over and she’s back in LA with Jacob and her new friends, sitting in her lecture halls or riding the Ferris wheel in Santa Monica or eating dinner by herself in front of an open textbook, she’ll be the same as she’s always been—fearless and funny and whole. She’ll still be herself and I’ll be learning who I am now.
Nina LaCour (We Are Okay)
I didn't return Mabel's nine hundred texts because I knew we'd end up like this no matter what. What happened had broken us even if it wasn't about us at all. Because I know that for all her care and understanding, when this visit is over and she's back in LA with Jacob and her new friends, sitting in her lecture halls or riding the Ferris wheel in Santa Monica or eating dinner by herself in front of an open textbook, she'll be the same as she's always been - fearless and funny and whole. She'll still be herself and I'll be learning who I am now.
Nina LaCour (We Are Okay)
All of the day’s planned tasks are canceled. Bob stays inside Hot Topic for the rest of the day. Left to their own devices, the group huddles together in the communal Old Navy on the first floor. At first, I think they’re holding a memorial service, but then I hear the TV playing. They’re watching DVDs of Friends on a giant, monolithic plasma screen. A citywide blackout forces Monica, Ross, Rachel, Phoebe, and Joey to hang out together. They light candles and talk about the weirdest places they’ve had sex. Phoebe sings a song. I hate Friends but I’ve seen most of the episodes.
Ling Ma (Severance)
I am a teacher. I am a writer. I am a poet. I am a minister. I am church. I am dance. I am the breath of the ancestors. I am the joy of God. I am my grandmother’s prayers. I am my grandfather’s dreaming. I am incense burning. I am a woman. I am the natural dread. I am a woman who loves the company of other women. I am a woman who honors the ancestors. I am sister. I am daughter. I am a daughter of Oshun. I am a person who feels deeply. I am alive. I am whole. I am a woman who believes in freedom. I am a woman who fights for freedom. I am a co-journeyer. I am a friend. I am loved by many.
Monica Coleman (Bipolar Faith: a Black Woman's Guide to Depression and Faith - A Study Guide)
Obviously, in those situations, we lose the sale. But we’re not trying to maximize each and every transaction. Instead, we’re trying to build a lifelong relationship with each customer, one phone call at a time. A lot of people may think it’s strange that an Internet company is so focused on the telephone, when only about 5 percent of our sales happen through the telephone. In fact, most of our phone calls don’t even result in sales. But what we’ve found is that on average, every customer contacts us at least once sometime during his or her lifetime, and we just need to make sure that we use that opportunity to create a lasting memory. The majority of phone calls don’t result in an immediate order. Sometimes a customer may be calling because it’s her first time returning an item, and she just wants a little help stepping through the process. Other times, a customer may call because there’s a wedding coming up this weekend and he wants a little fashion advice. And sometimes, we get customers who call simply because they’re a little lonely and want someone to talk to. I’m reminded of a time when I was in Santa Monica, California, a few years ago at a Skechers sales conference. After a long night of bar-hopping, a small group of us headed up to someone’s hotel room to order some food. My friend from Skechers tried to order a pepperoni pizza from the room-service menu, but was disappointed to learn that the hotel we were staying at did not deliver hot food after 11:00 PM. We had missed the deadline by several hours. In our inebriated state, a few of us cajoled her into calling Zappos to try to order a pizza. She took us up on our dare, turned on the speakerphone, and explained to the (very) patient Zappos rep that she was staying in a Santa Monica hotel and really craving a pepperoni pizza, that room service was no longer delivering hot food, and that she wanted to know if there was anything Zappos could do to help. The Zappos rep was initially a bit confused by the request, but she quickly recovered and put us on hold. She returned two minutes later, listing the five closest places in the Santa Monica area that were still open and delivering pizzas at that time. Now, truth be told, I was a little hesitant to include this story because I don’t actually want everyone who reads this book to start calling Zappos and ordering pizza. But I just think it’s a fun story to illustrate the power of not having scripts in your call center and empowering your employees to do what’s right for your brand, no matter how unusual or bizarre the situation. As for my friend from Skechers? After that phone call, she’s now a customer for life. Top 10 Ways to Instill Customer Service into Your Company   1. Make customer service a priority for the whole company, not just a department. A customer service attitude needs to come from the top.   2. Make WOW a verb that is part of your company’s everyday vocabulary.   3. Empower and trust your customer service reps. Trust that they want to provide great service… because they actually do. Escalations to a supervisor should be rare.   4. Realize that it’s okay to fire customers who are insatiable or abuse your employees.   5. Don’t measure call times, don’t force employees to upsell, and don’t use scripts.   6. Don’t hide your 1-800 number. It’s a message not just to your customers, but to your employees as well.   7. View each call as an investment in building a customer service brand, not as an expense you’re seeking to minimize.   8. Have the entire company celebrate great service. Tell stories of WOW experiences to everyone in the company.   9. Find and hire people who are already passionate about customer service. 10. Give great service to everyone: customers, employees, and vendors.
Tony Hsieh (Delivering Happiness: A Path to Profits, Passion, and Purpose)
You guys hitting that party tonight?” “Which one?” Becca said drily. “We try to make the circuit.” He smiled in a way that said he saw right through her. “Well—and I want to make sure I get this straight—Monica said Claire said her boyfriend’s best friend’s brother was home from college with that skank Melissa—” “No,” said Becca sharply. “We’re not.” His eyebrows went up. “Jesus,” said Quinn. “You followed that?” Becca faltered, knowing she sounded like a freak. But Claire’s boyfriend was Matt Carpenter. The goalie of the soccer team. And Drew McKay’s best friend. “I might have to work,” she said lamely. Her heart was kicking. “I hear you,” he said. “You said you weren’t working tonight,” said Quinn. “Free and clear, you said.” Becca slapped her water bottle on the table. “Damn it, Quinn.” “Free and clear, huh?” Hunter said.
Brigid Kemmerer (Storm (Elemental, #1))
I’ve always been very Type-A, so a friend of mine got me into cycling when I was living in L.A. I lived right on the beach in Santa Monica, where there’s this great bike path in the sand that goes for, I think, 25 miles. I’d go onto the bike path, and I would [go] head down and push it—just red-faced huffing, all the way, pushing it as hard as I could. I would go all the way down to one end of the bike path and back, and then head home, and I’d set my little timer when doing this. . . . “I noticed it was always 43 minutes. That’s what it took me to go as fast as I could on that bike path. But I noticed that, over time, I was starting to feel less psyched about going out on the bike path. Because mentally, when I would think of it, it would feel like pain and hard work. . . . So, then I thought, ‘You know, it’s not cool for me to associate negative stuff with going on the bike ride. Why don’t I just chill? For once, I’m gonna go on the same bike ride, and I’m not going to be a complete snail, but I’ll go at half of my normal pace.’ I got on my bike, and it was just pleasant. “I went on the same bike ride, and I noticed that I was standing up, and I was looking around more. I looked into the ocean, and I saw there were these dolphins jumping in the ocean, and I went down to Marina del Rey, to my turnaround point, and I noticed in Marina del Rey, that there was a pelican that was flying above me. I looked up. I was like, ‘Hey, a pelican!’ and he shit in my mouth. “So, the point is: I had such a nice time. It was purely pleasant. There was no red face, there was no huffing. And when I got back to my usual stopping place, I looked at my watch, and it said 45 minutes. I thought, ‘How the hell could that have been 45 minutes, as opposed to my usual 43? There’s no way.’ But it was right: 45 minutes. That was a profound lesson that changed the way I’ve approached my life ever since. . . . “We could do the math, [but] whatever, 93-something-percent of my huffing and puffing, and all that red face and all that stress was only for an extra 2 minutes. It was basically for nothing. . . . [So,] for life, I think of all of this maximization—getting the maximum dollar out of everything, the maximum out of every second, the maximum out of every minute—you don’t need to stress about any of this stuff. Honestly, that’s been my approach ever since. I do things, but I stop before anything gets stressful. . . . “You notice this internal ‘Argh.’ That’s my cue. I treat that like physical pain. What am I doing? I need to stop doing that thing that hurts. What is that? And, it usually means that I’m just pushing too hard, or doing things that I don’t really want to be doing.
Derek Sivers
What happened to the troubled young reporter who almost brought this magazine down The last time I talked to Stephen Glass, he was pleading with me on the phone to protect him from Charles Lane. Chuck, as we called him, was the editor of The New Republic and Steve was my colleague and very good friend, maybe something like a little brother, though we are only two years apart in age. Steve had a way of inspiring loyalty, not jealousy, in his fellow young writers, which was remarkable given how spectacularly successful he’d been in such a short time. While the rest of us were still scratching our way out of the intern pit, he was becoming a franchise, turning out bizarre and amazing stories week after week for The New Republic, Harper’s, and Rolling Stone— each one a home run. I didn’t know when he called me that he’d made up nearly all of the bizarre and amazing stories, that he was the perpetrator of probably the most elaborate fraud in journalistic history, that he would soon become famous on a whole new scale. I didn’t even know he had a dark side. It was the spring of 1998 and he was still just my hapless friend Steve, who padded into my office ten times a day in white socks and was more interested in alphabetizing beer than drinking it. When he called, I was in New York and I said I would come back to D.C. right away. I probably said something about Chuck like: “Fuck him. He can’t fire you. He can’t possibly think you would do that.” I was wrong, and Chuck, ever-resistant to Steve’s charms, was as right as he’d been in his life. The story was front-page news all over the world. The staff (me included) spent several weeks re-reporting all of Steve’s articles. It turned out that Steve had been making up characters, scenes, events, whole stories from first word to last. He made up some funny stuff—a convention of Monica Lewinsky memorabilia—and also some really awful stuff: racist cab drivers, sexist Republicans, desperate poor people calling in to a psychic hotline, career-damaging quotes about politicians. In fact, we eventually figured out that very few of his stories were completely true. Not only that, but he went to extreme lengths to hide his fabrications, filling notebooks with fake interview notes and creating fake business cards and fake voicemails. (Remember, this was before most people used Google. Plus, Steve had been the head of The New Republic ’s fact-checking department.) Once we knew what he’d done, I tried to call Steve, but he never called back. He just went missing, like the kids on the milk cartons. It was weird. People often ask me if I felt “betrayed,” but really I was deeply unsettled, like I’d woken up in the wrong room. I wondered whether Steve had lied to me about personal things, too. I wondered how, even after he’d been caught, he could bring himself to recruit me to defend him, knowing I’d be risking my job to do so. I wondered how I could spend more time with a person during the week than I spent with my husband and not suspect a thing. (And I didn’t. It came as a total surprise). And I wondered what else I didn’t know about people. Could my brother be a drug addict? Did my best friend actually hate me? Jon Chait, now a political writer for New York and back then the smart young wonk in our trio, was in Paris when the scandal broke. Overnight, Steve went from “being one of my best friends to someone I read about in The International Herald Tribune, ” Chait recalled. The transition was so abrupt that, for months, Jon dreamed that he’d run into him or that Steve wanted to talk to him. Then, after a while, the dreams stopped. The Monica Lewinsky scandal petered out, George W. Bush became president, we all got cell phones, laptops, spouses, children. Over the years, Steve Glass got mixed up in our minds with the fictionalized Stephen Glass from his own 2003 roman à clef, The Fabulist, or Steve Glass as played by Hayden Christiansen in the 2003
Anonymous
A lot of authors become discouraged with negative reviews. The important thing to remember is that there will always be that one person or a couple of people that will hate something just because it does not suit their interests. Friends have almost figuratively talked my ears off over why I should "be into" Star Trek and The Lord of the Rings. They put up good arguments; however, I'm still not convinced. Why? The Lord of the Rings and Star Trek are not my interests. I've had friends that were not into comic book movies (one of my interests) and friends often get upset with each other because some of their interests are not the same. It's not a friendship issue... everyone has different interests and that's fine... everyone is different and life is interesting because of that. Debates spark interests and they bring up excellent things about life and work and they bring up issues with life and work that you may not have noticed before. Therefore, if you get a bad review, I know that it is not easy, but do not take it to heart.
Monica Murray
Tripp manipulated Monica, but Monica herself had manipulated her way to the president as much as the president schemed to ensnare her. I’d seen it all—or at least enough. But Monica was a pretty, spoiled girl; the president wasn’t. He knew damn well what he was doing to her emotionally and physically and to her reputation. He couldn’t have cared less. People like Monica and the entire Clinton Machine should never have had access to classified national security–related intelligence or enjoyed leadership positions. Their irresponsibility had consequences. Good men died from it—both in Mogadishu and Benghazi. We had friends die from exhaustion or from falling asleep at the wheel while ensuring the Secret Service mission of protecting the president. To die for a man of character—I can live with that. Scott Giambattista got shot to protect the president. Everyone watched the Clinton scandal shit show play out in Congress, in the media, and in the Oval Office, and every night in America’s living rooms. All the Clintons’ successes can be credited to men and women of character like Leon Panetta, Nancy Hernreich, and Betty Currie. The Clintons’ failures all point to themselves. The president and Mrs. Clinton were purely business partners. I believe from their movements and interactions that Mrs. Clinton knew of the affairs. But I do believe she was surprised by her partner’s stooping to romancing someone the age of their daughter and was furious that he besmirched the brand. Politically it was unthinkable. How could anyone excuse his womanizing and workplace conduct?
Gary J. Byrne (Crisis of Character: A White House Secret Service Officer Discloses His Firsthand Experience with Hillary, Bill, and How They Operate)
Forced by the Starr investigation, the president was to give testimony on the Paula Jones case any day now. Somehow Matt Drudge and his website received a leak. In response the president had signed a subpoenaed affidavit, legally sworn testimony denying any sexual relations with Paula Jones, the low-level Arkansas state employee who had accused him of sexual harassment, and more so, any relationship with Monica Lewinsky. He said they didn’t have any contact with each other, hadn’t even been alone in the same room together. He swore to it and said others could corroborate. Monica Lewinsky signed another affidavit. Ken Starr had been following the Clintons like a bloodhound. But at each turn of each scandal (Whitewater, Vince Foster’s suicide, Travelgate, Filegate, the affairs, the bribes, Troopergate, and more) it all came down to deny-deny-deny and the Clintons’ word against everyone else’s. Only this time, Clinton arrogantly denied his affair with Monica on a legal affidavit, sworn testimony. The shit was hitting the fan. Ken Starr now needed to prove Clinton was a liar—a perjurer. He needed evidence. Since they subpoenaed our logbook, I knew I was on Starr’s list. I couldn’t listen. I couldn’t take it anymore. I couldn’t drive anymore. My partner asked me what was wrong. I can remember the feeling, my heart racing, my mind whirling, racked with pain, doubt, remorse, and regret. Oh my God, Starr, the Clintons, the Service, the FBI, the Justice Department, my friends, my family—no, not my friends and family—but everyone is going to implicate me, my integrity, my professionalism, my ethics, my foundation, my character. What about Genny and my unborn child? I didn’t sign up for this! We never signed up for this! Why did the Clintons have to do this to us? Haven’t I treated them well, done my best? They just couldn’t do the right thing! They couldn’t stop themselves!
Gary J. Byrne (Crisis of Character: A White House Secret Service Officer Discloses His Firsthand Experience with Hillary, Bill, and How They Operate)
Monica Lewinsky thought she was slick, but man, she was obvious. She played dumb to make friends with White House staffers, Navy stewards, and even UD officers—anything to get closer to her target, President Clinton.
Gary J. Byrne (Crisis of Character: A White House Secret Service Officer Discloses His Firsthand Experience with Hillary, Bill, and How They Operate)
People like Monica and the entire Clinton Machine should never have had access to classified national security–related intelligence or enjoyed leadership positions. Their irresponsibility had consequences. Good men died from it—both in Mogadishu and Benghazi. We had friends die from exhaustion or from falling asleep at the wheel while ensuring the Secret Service mission of protecting the president. To die for a man of character—I can live with that. Scott Giambattista got shot to protect the president. Everyone watched the Clinton scandal shit show play out in Congress, in the media, and in the Oval Office, and every night in America’s living rooms. All the Clintons’ successes can be credited to men and women of character like Leon Panetta, Nancy Hernreich, and Betty Currie. The Clintons’ failures all point to themselves.
Gary J. Byrne (Crisis of Character: A White House Secret Service Officer Discloses His Firsthand Experience with Hillary, Bill, and How They Operate)
I watched other kids and tried to figure out what made me different. Was it their clothes, their expressions, their hair? Was it the TV shows they talked about, the songs they sang, the way they stood with their hands in their pockets and their JanSport backpacks dangling from just one shoulder? How did some girls know, without being told, which boys to talk to and which to avoid? Why was Andrea Freeh, who was very heavy, popular with girls and boys, while Monica Levy, who was just slightly chunky, was derided as fat, with no friends at all?
Jennifer Weiner (Hungry Heart: Adventures in Life, Love, and Writing)
If we were on Friends, who do you think 'd be?" I wonder aloud. "I think you'd be Phoebe because you're quirky and creative," Chloe tells me. "Really? I think I'd be Monica because I'm crazy and neurotic," I say. "Jo, who do you think I am? Phoebe or Monica?" "Neither," Joni answers. "You're Ross." "What?!" Call me dramatic, but I've never been more offended in my life. "How am I Ross?" "Because you've had the same pathetic crush on the same blond ditz your entire life. And you like dinosaurs." "Everyone likes dinosaurs," I argue. Then I realize what else she's insinuating. "Wait a minute. Are you saying that Sam is Rachel?" Joni shrugs. "If the designer shoe fits." Oh my God.
Jacqueline E. Smith (Spotlight (Boy Band #4))
If we were on Friends, who do you think I'd be?" I wonder aloud. "I think you'd be Phoebe because you're quirky and creative," Chloe tells me. "Really? I think I'd be Monica because I'm crazy and neurotic," I say. "Jo, who do you think I am? Phoebe or Monica?" "Neither," Joni answers. "You're Ross." "What?!" Call me dramatic, but I've never been more offended in my life. "How am I Ross?" "Because you've had the same pathetic crush on the same blond ditz your entire life. And you like dinosaurs." "Everyone likes dinosaurs," I argue. Then I realize what else she's insinuating. "Wait a minute. Are you saying that Sam is Rachel?" Joni shrugs. "If the designer shoe fits." Oh my God.
Jacqueline E. Smith (Spotlight (Boy Band #4))
Before me a scholarly man, of European culture, head of a literary department in one of the great universities of the West. He speaks of it with bitterness, as do almost all his colleagues. Culture is not what it was and he has not the slightest regard for mass culture. He comes from New York and, deep down, he despises California, his colleagues and the decline of standards. He gets 60-80,000 dollars a year and does not have many students or friends. He has lots of ideas, is sincere, proud and awkward. His secret is his python. I see him plunge his gloved hand into its glass case and stroke the reptile's head, which shoots out a voracious tongue and uncoils itself, still famished though it has just devoured a rat. We discuss the diet of snakes. A tortoise slumbers by the fireside in the glow of an artificial wood fire. It is Sunday in Santa Monica. Towards four, the sun drives away the mists of the Pacific. But the snake knows neither night nor day; he is immortal and poisonous and, in the words of the poet, he dreams on the hills of the sky. Which is something his master does not do, he whose reptilian brain identifies with the snake's, and who stares long and hard into his face, even though ordinarily he is incapable of looking people straight in the eye. A perverse couple, the somnambulism of the intellectual mingling with the inner night of the reptile.
Jean Baudrillard (Cool Memories)
Even in the most organized life there is room for whimsy. It just needs scheduling. As her heroine Monica Geller would say, Rules help control the fun.
Abbi Waxman (The Bookish Life of Nina Hill)
Two more of the gamers Claire had gifted with the invitation stumbled by; one grabbed Claire's arm and planted a sloppy wet kiss on her cheek. "We passed out copies," he said, and giggled. "Hope that was okay. Great party!" Shane sighed and moved him off with one hand on his shoulder. "Yeah, yeah, whatever. Naked Vulcan chick in the next room. Better hurry." The gamers sobered up fast, and moved on. Monica's glossy, perfect lips were open, her eyes wide. "You?" she said. "You did this? These idiots made flyers! They put them all over campus! This was supposed to be the best people!" "Don't worry," Eve said sweetly. "We're here." She smiled, which in that lipstick was Wicked-Witch-of-the-West evil. "Air kiss!" She mwahed the air somewhere near Monica's cheek. "Lovely party. Shame about the furniture. Ta!" She sashayed on, Michael on her arm, as if she was the Queen of Everything, never mind Morganville. Claire got out her camera and got a picture of the murderous fury on Monica's face as she watched her go. "You treacherous little bitch!" Monica snarled. Claire lowered the phone and met her eyes for a long second. She wasn't scared, not anymore. "You got your friends to roofie me and told them I wanted it rough. All I did was recycle your invitation. Let's call it even." "Let's call it not!" Shane leaned forward, dropped his voice so that Monica had to work to hear it, and said, "Calm down. You get blotchy when you're angry. And if you call my girlfriend a bitch one more time, I won't be so nice about it.
Rachel Caine (Midnight Alley (The Morganville Vampires, #3))
It’s a great place, baby. A great neighbourhood. It’s got a huge garden,” he says, nodding to the right. “There’s a two-bed guesthouse in the garden, which is where Stuart will live.” “Stuart’s not going to live with us anymore?” I pout. “Well, we talked, baby, and we decided it was time he move out and get his own place. He’s all grown up, ready to face the world. We have to let him go sometime. We can’t keep him forever.” Jake gives me a grave look, clearly taking the piss. “You’re an idiot.” “Takes one to know one.” “That it does.” I smile warmly. He rubs his nose against mine, Eskimo-style. “I just thought it would be good to have our privacy, and Stuart gets his too. Also, I no longer have to run the risk of catching him making out with a dude.” “You love it really.” “What? Catching Stuart making out with a guy?” Pressing my lips together, suppressing a smile, I nod. “Sweetheart, nothing could kill my hard-on quicker, believe me. I like the person I’m with to be soft and warm.” He runs his fingertips down my bare arm. “I want her made to fit around me.” “Like me?” I scratch my fingernails over the denim covering his pert behind. “Exactly like you.” Jake bends his head down to mine and kisses me softly. “Will you miss him?” “Are we still talking about Stuart?” “I’m just worried he’ll think my being here is pushing him out.” “Sweetheart, he works for me, and it’s not like he’s going far.” “I know he works for you, but he’s your friend too. You guys have lived together for such a long time. You’re like Joey and Chandler. Except you’d probably have been Joey, and Chandler was never gay. Oh God, would that make me Monica or Rachel?” “What the fuck are you talking about?” He laughs. “Friends.” “I’m gonna have to watch this show, aren’t I, just so I can figure out what the fuck you’re talking about half the time.” “Yes, Pervy Perverson, you are. Honestly, I have no clue how you haven’t. I’ll buy the first season on Blu-ray and we can watch it together.” “Can’t wait.” “Sarcasm doesn’t suit you, Wethers
Samantha Towle (Wethering the Storm (The Storm, #2))
Jeff Beall. Beall was a tall man with a bristling mustache and a wit as dry as sandpaper. He’d drive thirty miles to loan a friend $20, but whether a person liked him depended on whether they understood that some people showed their love through exacting expectations and constant sarcasm.
Monica Hesse (American Fire: Love, Arson, and Life in a Vanishing Land)
Evan was born on June 4, 1990, to a pair of highly successful lawyers. His mother, Melissa Thomas, graduated from Harvard Law School and practiced tax law as a partner at a prominent Los Angeles firm before resigning to become a stay-at-home mother when Evan was young. His father, John Spiegel, graduated from Stanford and Yale Law School and became a partner at Munger, Tolles & Olson, an elite firm started by Berkshire Hathaway’s Charlie Munger. His clients included Warner Bros. and Sergey Brin. Evan and his two younger sisters, Lauren and Caroline, grew up in Pacific Palisades, an upper-class neighborhood bordering Santa Monica in western Los Angeles. John had the kids volunteer and help build homes in poor areas of Mexico. When Evan was in high school, Melissa and John divorced after nearly twenty years of marriage. Evan chose to live with his father in a four-million-dollar house in Pacific Palisades, just blocks from his childhood home where his mother still lives. John let young Evan decorate the new home with the help of Greg Grande, the set designer from Friends. Evan decked out his room with a custom white leather king-size bed, Venetian plaster, floating bookshelves, two designer desk chairs, custom closets, and, of course, a brand new computer.
Billy Gallagher (How to Turn Down a Billion Dollars: The Snapchat Story)
And you don't have to cry about that boy. Boys are silly. The first thing you need is a best friend.
Monica Hesse (Girl in the Blue Coat)
Friends don’t make each other feel like this,” he says, his voice a gravelly whisper. The hairs on the back of my neck rise. “Feel like what?” “Like you could be my everything.
Monica Murphy (Close to Me (The Callahans, #1))
MARY MAGDALENE: My name is Mary of Magdala. I was a disciple of Jesus, I was present at the crucifixion, and I was the first person He appeared to after the resurrection. SAINT MONICA: Bitch got clout! MARY MAGDALENE: I was one of the founders of the Christian faith, and I was known for my ability, in times of difficulty, to be able to turn the hearts of the Apostles towards the Good. SAINT MONICA: The good! MARY MAGDALENE: Some people think I was a whore. SAINT MONICA: Misogynistic bitches! MARY MAGDALENE: Other people think Jesus was my husband. SAINT MONICA: Femin-o-tic bitches! MARY MAGDALENE: I was not a whore. SAINT MONICA: "Pimps up, Hos Down!" MARY MAGDALENE: I was an unmarried woman in a town of ill repute. SAINT MONICA: Ill repute! MARY MAGDALENE: And also, I was not the wife of Jesus either. SAINT MONICA: Still love ya! MARY MAGDALENE: But, I am pretty sure that I was his best friend. We shared an intimacy that I cannot put into words except to say we saw into each other's hearts and were in love with what we found.....
Stephen Adly Guirgis (The Last Days of Judas Iscariot)
Instead, whenever I get home from the road, I cook. Nothing fancy. Comfort food: stews, shepherd’s pie, potato salad, red curry, roast chicken. Then I make chicken soup with the bones. Like, really good chicken soup. I eat some and freeze the rest. I deliver it to friends with new babies or head colds or deadlines or final exams or breast cancer. A fairly wide selection of East Vancouver residents owe me my Tupperware back. “Shut up and show up,” my grandma Pat once said to me after her neighbour’s husband died and she was making her a pot of macaroni and cheese. “That’s what your great-grandmother Monica used to say during the Depression.
Ivan E. Coyote (Rebent Sinner)
Was it ghastly?" I remembered the sunlit summer of 1940, the crowds rushing from Paris, as from a fire, to join the snake-like lines of mattress-topped cars that drove slow, slower and slowest of all just before their closely packed passengers scattered into ditches where the dive bombers still found them. I remembered Nice with its sea and sky and palm trees still as bright as new travel posters and its sidewalks crowded with the most typical of twentieth-century tourists: displaced persons. I remembered the sensation of living in a dull fear-encircled vacuum and the incredulous joy with which I greeted my husband when he arrived hollow-eyed from his narrow escape and long hitch-hike across two countries. I remembered Lyons in the unheated winters, the wind scything between the cliff-like gray houses and inserting itself into the city's labyrinth of passageways. I remembered the turnip meals, the recurrent colds and chilblains, the disinclination to wash in icy water, the sordid temporary lodgings and false identity cards, the drearily uncomfortable atmosphere, and the exhilarating meetings with friends who had also escaped arrest. And then I remembered my husband's arrest and the nightmare that followed. "Yes," I said, repudiating stiff upper lips, "yes, it was ghastly.
Monica Stirling (Ladies with a Unicorn)
of the rules of this game.” “Game? One of our best friends has been murdered… and you’re calling it a game?” I shouted. “How do you know he was murdered, Mrs. Miller?” The detective tapped his chin with a ballpoint pen that had clearly been chewed up on one end.
Monica Arya (Shades of Her)
was so messed up; I just fucked my best friend’s husband against my closet while she was downstairs, and I didn’t even feel remorse. I hated myself.
Monica Arya (Shades of Her)
The next morning, I play the recording for Ocky. It is regular Friends. Monica makes a pie.
Charlie Kaufman (Antkind)
and my best friend—who was bartending for tuition, and living in a shitty apartment in the worst part of New York—was smiling at me proudly.
Monica Arya (The Next Mrs. Wimberly)
Brooke, I came from nothing, too. Don’t you see...? That’s what they look for. We are all planned. This isn’t love or coincidence; they handpicked each of us. No family, no friends, no connections, and if you have them, they’ll use it against you.
Monica Arya (The Next Mrs. Wimberly)
Mom friends who bitch about how their husbands don’t help enough, how sleep training isn’t working, and how all they do is cook, clean, and chauffeur their kids to school and activities. Fuck, just saying all of that makes me realize how shitty it all sounds.
Monica Arya (Shades of Her)
In response to the high rate of teen births, the people of my hometown turned to the evangelical churches. In 1993 the Southern Baptists founded True Love Waits, an organization that promoted abstinence until marriage in place of comprehensive sex education. My friends began to wear “promise rings” in middle school, public signs of their pledge to remain virgins until they were married. Because some of them already had serious boyfriends, they dedicated these “promise rings” to their boyfriends, sort of as pre-engagement rings. In other words, we were thinking about marriage at thirteen and fourteen—before we were thinking about high school.
Monica Potts
There was no way I wasn’t going. I was going to leave this stupid town and its stupid rocky soil where nothing grew and where children were buried; its stupid churches and hypocritical Holy Rollers; its stupid schools and the principal who, I thought, had kicked my best friend out of school; its poverty and its poverty of imagination; its low expectations; its girls who were expected to wear makeup and curl their hair and marry so young and produce an endless supply of babies; its stupid selective mourning, this stupid town that cared more about people who died than those who lived and struggled and couldn’t find their way.
Monica Potts
Two weeks later, I was driven to the set of Friends by a technician from Malibu. When I arrived, Jen Aniston said, “I’ve been mad at you.” “Honey,” I said, “if you knew what I’d been through, you would not be mad at me.” With that we hugged, and I got the work done. I married Monica and got driven back to the treatment center—at the height of my highest point in Friends, the highest point in my career, the iconic moment on the iconic show—in a pickup truck helmed by a sober technician.
Matthew Perry (Friends, Lovers, and the Big Terrible Thing)
What happened to you?” Monica accused over a tray of leafy greens. “What?” Joy said. “Nothing.” “Well, that nothing has you eating your salad with a spoon.” Embarrassed, Joy switched utensils, tucking her hair behind her ear and letting her fingers linger there. She grinned again. “I’m just thinking,” she said, poking the lettuce, “about stuff.” “Thinking stuff.” Monica nodded and chewed. “Sounds dangerous.” “Not yet,” Joy chirped. Monica slapped both hands on her tray, “Okay, that’s it— spill.” “What?” “What ‘what?’ Don’t give me ‘what’ and expect me not to ask ‘what?’” Monica pointed her fork at Joy’s nose. “You’ve been a total nut job ever since that night at the Carousel, and what with breaking windows and random notes and skipping off after school, you think I don’t know there’s a ‘what?’” Monica sounded angry, which was her protective-sisterhood thing. Joy tried not to laugh. “Is it drugs?” Monica hissed over her salad. “Because if it’s drugs, so help me, I will beat your sorry pale pink butt from here to next Thursday. I will call your dad, I will call the cops and I will even call Gordon and cancel our date!” “Whoa.” Joy waved a napkin in surrender. “It’s not drugs. No drugs. I swear. Remember? No Stupid,” Joy said, but had to add, “But there is a someone.” “A someone?” “A someone.” “A guy?” Joy rolled her eyes. “Yes, a guy. There’s a guy. I like guys.” Monica pursed her lips. “There’s a guy and you like guys and you met a guy, this Someone-A-Guy?” Joy prodded her lunch, picking at the crust of her sandwich. “There’s a guy and I don’t know what I think about him. I’m just…thinking about him. A lot.” “Mmm,” Monica said noncommittally. “So does this guy have a name?” Joy considered the question. “Yes.” “Yes?” Monica prompted with a wave of speared iceberg lettuce. “And?” “And there’s not much to talk about.” Joy shrugged and took a wide bite of sandwich, filling her mouth. She couldn’t decide whether Indelible was his first name or Ink, but neither sounded particularly normal. As opposed to Gordon Wiener-Schnitzel. Still, it was a subject best avoided. “Uh-huh.” Monica joined Joy in a long bout of chewing. They exchanged glances and evasions like fencing partners until Monica swallowed. “Okay,” she said. “So, this mysterious Someone-A-Guy that you can’t stop thinking about— would I, as your best friend, theoretically speaking, give him a thumbs-up or a thumbs-down?” Two thumbs down, definitely, for mysteryguywhostabbedmeintheeye. Joy swallowed. “He’s not your type,” she said diplomatically. “But he’s your type?” Monica said. “And, what is your type, exactly?” “He’s…” Joy stumbled, trying to find the words. “Exciting. Intellectual. A little sad, which can be sweet.” The flash in her eye inspired her. “He’s an artist.” “An artist?” Monica sneered around cukes. “Please do not tell me that you’re going to go all emo on me. That’s worse than drugs.
Dawn Metcalf (Indelible (The Twixt, #1))
I'll Be There For You These words are etched on our hearts. but they're so much more than just words, they're a complete emotion. But it's all just an illusion, a utopia, for which we long. we trade in drinking coffee on a couch, with drinking at a bar. we utter more words to Alexa and Siri, than to people face to face. we can never have six people in one room without anyone looking at their phones. we trade in memories with pictures. we actively look for reasons to not be around people. a Chandler is considered too mean and sarcastic, Ross has too much baggage, who has the energy to deal with that. Phoebe is too quirky to handle. Rachel, that spoilt and entitled bitch. no way. Joey is the fuck boy that will cause you nothing but pain, and Monica with her OCD, that's way too high maintenance. no, we don't say these things when we watch the show, we say these about people around us who bear similar characteristics. we adore these characters, we envy their friendship, their bond, their love. we long for nothing else, yet when confronted with them in real life, we belittle, avoid, cut-off, ignore. we don't want to disturb the utopia, are terrified of bursting the bubble, because if we start recognizing the flaws in our fantasies, we'll be forced to recognize our own. we love to live an à la carte life, wherein we pick and choose the qualities and personalities of a person that we wish to see, and the ones that may simply be brushed away. Generation after generation, will watch that show and call it their utopia, and each will give up hope of ever attaining that, alas! It was a different time! what we long for doesn't require a time machine to achieve, it doesn't need for mobile phones to not exist, or for less bars to exist, or to live away from your parents. it's only as complicated as we try to make it, when it can be as simple as, "I'll be there for you, 'cause you're there for me too
Suraj
I'll Be There For You" These words are etched on our hearts. but they're so much more than just words, they're a complete emotion. But it's all just an illusion, a utopia, for which we long. we trade in drinking coffee on a couch, with drinking at a bar. we utter more words to Alexa and Siri, than to people face to face. we can never have six people in one room without anyone looking at their phones. we trade in memories with pictures. we actively look for reasons to not be around people. a Chandler is considered too mean and sarcastic, Ross has too much baggage, who has the energy to deal with that. Phoebe is too quirky to handle. Rachel, that spoilt and entitled bitch. no way. Joey is the fuck boy that will cause you nothing but pain, and Monica with her OCD, that's way too high maintenance. no, we don't say these things when we watch the show, we say these about people around us who bear similar characteristics. we adore these characters, we envy their friendship, their bond, their love. we long for nothing else, yet when confronted with them in real life, we belittle, avoid, cut-off, ignore. we don't want to disturb the utopia, are terrified of bursting the bubble, because if we start recognizing the flaws in our fantasies, we'll be forced to recognize our own. we love to live an à la carte life, wherein we pick and choose the qualities and personalities of a person that we wish to see, and the ones that may simply be brushed away. Generation after generation, will watch that show and call it their utopia, and each will give up hope of ever attaining that, alas! It was a different time! what we long for doesn't require a time machine to achieve, it doesn't need for mobile phones to not exist, or for less bars to exist, or to live away from your parents. it's only as complicated as we try to make it, when it can be as simple as, "I'll be there for you, 'cause you're there for me too
Suraj
I'll Be There For You These words are etched on our hearts. but they're so much more than just words, they're a complete emotion. But it's all just an illusion, a utopia, for which we long. we trade in drinking coffee on a couch, with drinking at a bar. we utter more words to Alexa and Siri, than to people face to face. we can never have six people in one room without anyone looking at their phones. we trade in memories with pictures. we actively look for reasons to not be around people. a Chandler is considered too mean and sarcastic, Ross has too much baggage, who has the energy to deal with that. Phoebe is too quirky to handle. Rachel, that spoilt and entitled bitch. no way. Joey is the fuck boy that will cause you nothing but pain, and Monica with her OCD, that's way too high maintenance. no, we don't say these things when we watch the show, we say these about people around us who bear similar characteristics. we adore these characters, we envy their friendship, their bond, their love. we long for nothing else, yet when confronted with them in real life, we belittle, avoid, cut-off, ignore. we don't want to disturb the utopia, are terrified of bursting the bubble, because if we start recognizing the flaws in our fantasies, we'll be forced to recognize our own. we love to live an à la carte life, wherein we pick and choose the qualities and personalities of a person that we wish to see, and the ones that may simply be brushed away. Generation after generation, will watch that show and call it their utopia, and each will give up hope of ever attaining that, alas! It was a different time! what we long for doesn't require a time machine to achieve, it doesn't need for mobile phones to not exist, or for less bars to exist, or to live away from your parents. it's only as complicated as we try to make it, when it can be as simple as, I'll be there for you, 'cause you're there for me too
Suraj
I have realized that every woman on earth is jealous of another. Even my closest friends, they are always jealous, not genuine with their advice, even when they are happy for you, there is comparison in their hearts. Males will never be jealous. Monica,
Deepa Narayan (Chup: Breaking the Silence About India’s Women)
I was living in rehab when Monica and Chandler got married. It was May 17, 2001.
Matthew Perry (Friends, Lovers, and the Big Terrible Thing)
Let me go find my woman cuz you not about to threaten shit on my ass,” Krude said, looking Monica up and down. He threw the plate and spoon on the counter, stormed his tall ass to the door frame, and looked around without walking about the kitchen. “Megan, that dread head girl in here talkin’ about shooting me!” “I’ll give her a thousand dollars if she does it!” Megan yelled back, and Monica started to get up from her seat. Baby grabbed her wrist and shook his head no. “Let me come talk to my new best friend!
Aubry J. (Redemption of Love: Exodus and Paxton's Story)
I need something to distract me so I switch it on and flick through the channels until I find some old reruns of Friends. My mom loved this show, and we used to watch it with her all the time. It’s like chicken soup TV and despite my circumstances, I smile as Chandler and Joey ride into Monica and Rachel’s apartment on that hideous white dog.
Sadie Kincaid (Dante (Chicago Ruthless, #1))
the divorce she made a noise that sounded like an empathy orgasm, then pulled me to her chest and cradled my head like a child’s. ‘You must be devastated,’ she said, petting my hair in a way that was not unenjoyable but was not the romp I had hoped for, from the glint. ‘This must be such a dark time for you. I’m a Highly Sensitive Person, so you don’t need to tell me, I get it.’ I did not think it required a person to be highly sensitive to know that divorce was painful, but more than that, I did not want to talk about it with Tamara. I kissed her for a minute or two, and it was going well until she made the noise again, then pulled away and said, ‘Poor little bird.’ I told her I was okay, mostly, that I knew nothing worthwhile came easy and was taking it one day at a time. In reality, life since my mom’s house had felt very dark indeed, more or less blurring into one long nap punctuated by cereal and episodes of Housewives; but I did not share this, because I did not want to be this woman’s bird. She poured us each a glass of water and told me a lengthy anecdote about her friend’s bike accident, labouring particularly hard over the doctor’s instruction that – should this friend ever find herself hurtling over her handlebars on Roncesvalles Avenue again – she not brace for impact. ‘You have to go limp and let it happen,’ she said softly. ‘You can’t fight it, or you’ll break every bone in your body.’ She was rocking me back and forth at this point, but getting a cab at that hour, on New Year’s, would have been impossible, so when she slid her hand under my shirt, I pretended to be asleep. The next morning we lay around in her bed, where, to avoid further cycling metaphors, I asked her to tell me the twist endings
Monica Heisey (Really Good, Actually)
You’ve been so generous,” I told her. “I wish I’d been a better friend to you.” “Oh, Maggie,” she said. “We’re not friends. We’re just two people having a hard time.
Monica Heisey (Really Good, Actually)
Friendship itself may also inspire wonder, especially if we see our friends perform deeply compassionate or impressive acts. More often, however, a parea acts as an amplifier and multiplier of wonder. We know that people who regularly experience wonder are more generous with their time, more likely to offer a helping hand, more compassionate, and more empathetic. They also deprioritize their needs for the needs of the group. Those are unquestionably great qualities in a friend, and wonder serves to cultivate them all.
Monica C. Parker (The Power of Wonder: The Extraordinary Emotion That Will Change the Way You Live, Learn, and Lead)
Did you know it was from up here they got the word sitting duck? It comes because commercial hunters used to take a live wild duck and put a collar on it and fasten it to a stool—this is also where they got the expression stool pigeon, because they did the same thing with a wild dove—lots of folks couldn’t tell the difference between a pigeon and a dove. They’d put the duck out at the edge of a marsh an’ when the big flocks go over, the fastened-down duck would call and the others would come in for a landing and get shot. Or a dove stuck out in a field would call its friends to help. They used to send barrels full of ducks and pigeons and geese to Chicago restaurants.
Monica Ferris (Buttons and Bones (A Needlecraft Mystery, #14))
Goldberg was the wizard of right-wing conspiratorial fiction packaged as political exposé: she convinced White House executive assistant Linda Tripp to secretly tape-record lurid conversations about President Bill Clinton with Tripp’s “friend,” White House intern Monica Lewinsky.
Robert F. Kennedy Jr. (Framed: Why Michael Skakel Spent Over a Decade in Prison for a Murder He Didn't Commit)
I met Ming at an old run-down bistro in Santa Monica. My friend had been writing her great McLuhanesque horror film for the last nine years—"The Medium Is the Monster." Each time she finished a draft the technology changed and so over the years Ming had developed a hatred of youth and trends that I found immensely comforting.
Lexi Freiman (The Book of Ayn)
Just for fun, I asked several of my more curious friends to tune their internal radar for when “I never thought of it that way” moments had come to them. It took a little explaining at first. You want me to do what now? But they agreed, and together we collected dozens of INTOIT moments, intersections between perspectives where meaning was made for each of them in a kind of mental chemical reaction.
Monica Guzmán (I Never Thought of It That Way: How to Have Fearlessly Curious Conversations in Dangerously Divided Times)
But there’s just no question that sorting, othering, and siloing are an SOS. A call for help. They’re blinding us to each other’s perspectives, turning our neighbors, friends, and relatives into fools and monsters, and cranking up the volume way too high on what is already a cacophony of information that drowns out so much else.
Monica Guzmán (I Never Thought of It That Way: How to Have Fearlessly Curious Conversations in Dangerously Divided Times)
So it was strange and unnerving when a friend invited me to make signs at her house for the next day’s 2017 Seattle Women’s March, which I would cover for The Evergrey. I said no . . . then called back and said yes.
Monica Guzmán (I Never Thought of It That Way: How to Have Fearlessly Curious Conversations in Dangerously Divided Times)